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While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be
separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who
finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided
between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the
characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who
finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided
between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the
characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who
finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120]
While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in
American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the
captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in
American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the
captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in
American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the
captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is
frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in
American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120]
While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided
between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and
a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided
between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and
a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided
between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and
a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists.
There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120]
While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be
separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,
[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who
finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided
between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the
characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who
finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided
between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the
characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who
finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided
between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120]
While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a
separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer,
who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a
separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer,
who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a
separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan).
Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer,
who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120]
While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While
comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of
specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the
art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While
comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of
specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the
art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While
comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of
specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the
art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120] While
comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be a separate writer and artist, or there may be separate artists for the characters and backgrounds (as is common in Japan). Particularly in American comic books,[citation needed] the art may be divided between a penciller, who lays out the artwork in pencil;[117] an inker, who finishes the artwork in ink;[118] a colourist;[119] and a letterer, who adds the captions and speech balloons.[120]
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