Intradæ - VistaMare Musica · Alessadro Orologio (1555 — 1633) Intradæ Quinque & sex...

AlessadroOrologio

(1555 — 1633)

Intradæ

Quinque & sex vocibus, quarum in omnigenere instrumentorum musicorumusus esse potest

Helmstaedt 1597

Original Clefs(Mensurstrich)

argaritæusicæ

AlessandroOrologio

(1555 — 1633)

Intradæ

Original Clefs(Mensurstrich)

ViMa 14 – Version 1.1 – July 2015. A publication (http://www.vistamaresoft.com/musica/).Editing and typesetting © 2014-15 Maurizio M. Gavioli. Licensed under the Creative Commons license “Attribution - Share Alike” (in simple words,

do with it whatever you like as long as you give me proper credit and share derivativeworks like this one; for details, see http://www.creativecommons.org/licenses/by-sa/3.0).

Typeset with MuseScore (http://musescore.org/). Texts set in Linux Libertine and Linux Biolinum (http://www.linuxlibertine.org/).

Typographic ornaments from Livre de musicque contenant ... chansons et motetz à deux parties, Louvain, Phalèse & Bellère 1571.

Ta b l e o f C o n t e n t s

Intradæ a 5

Intrada 1 p. 4

Intrada 2 p. 5

Intrada 3 p. 6

Intrada 4 p. 7

Intrada 5 p. 8

Intrada 6 p. 9

Intrada 7 p. 10

Intrada 8 p. 11

Intradæ a 6

Intrada 9 p. 12

Intrada 10 p. 14

Intrada 11 p. 16

Intrada 12 p. 18

Intrada 13 p. 20

Intrada 14 p. 22

Intrada 15 p. 25

Intrada 16 p. 28

Intrada 17 p. 30

Intrada 18 p. 32

Intrada 19 p. 34

Intrada 20 p. 36

Intrada 21 p. 38

Intrada 22 p. 40

Intrada 23 p. 42

Intrada 24 p. 44

Intrada 25 p. 46

Intrada 26 p. 48

Intrada 27 p. 50

Intrada 28 p. 52

P r e fa c e

This edition follows as faithfully as possible the original 1597 edition by Jacob Lucius (Helmstaedt). It isa movable-type print in separate parts (six separate booklets). The source used for the edition is the copy inthe British Library in London.

E d i t o r i a l r e m a r k s

• All editorial additions are placed above the staff or marked by dotted lines or parentheses.

• Original time signatures and note values have been retained.

• All marked accidentals have been retained, even when superfluous according to modern conventions; however,

they have been silently ‘modernized’ when current conventions dictate a different sign (i.e.: a sharp used to raise aflattened note has been converted to a natural sign).

• The original had only a few barlines. For this edition, the parts have been set in score format and measure bars

added between staves (Mensurstriche), without splitting any note in several tied notes. Original bar lines arerendered with in-staff bar lines.

• Accidentals above the staff are editorial suggestions.

• Coloratio is indicated by angle brackets ( ).┌ ┐

C r i t i c a l n o t e s :

1) Original: 2) Original: final repeat not present.3) Original: E.4) Bar line is original, repeat is not.5) 1ª and 2ª volta not original.

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