tipografia digitale.pdf

La tipografia (dal greco τύπος, “impronta” e γράφειν, “scrivere”) è la tecnologia per produrre testi stampati usando matrici in rilievo (rilievografia) composte di caratteri mobili o di clichès inchiostrati. Wikipedia

“The change from atoms to bits is irrevocable and unstoppable”

Negroponte

“Apple’s LaserWriter — the Micro revolution arrives”

Campagnastampa1985Apple’slaserWriter

“The debate about the future of graphic design and typography ignited within its pages has traveled to the farthest outposts of the profession, and the landscape would look very different without it”

RickPoynor

Emigren.1

Emigren.4

Emigren.10

Emigren.12

Emigren.15

Emigren.17

Emigren.19

Emigren.24

Emigren.40

Emigren.48

Emigren.51

Emigren.56

Emigren.69

“Letters are legible. If some things are not legible, then they are not letters. Illegible letters do not exist. Illegibily does not exist” PeterMertens

EmigreFonts:KeedySans(J.Keedy)

EmigreFonts:MasonSerif(J.Barnbrook)

EmigreFonts:TemplateGothic(B.Deck)

EmigreFonts:Oakland(Z.Licko)

EmigreFonts:DeadHistory(P.S.Makela)

“The only criteria was to be as questioning of convention as possible. But beyond that, it’s impossible to police” NevilleBrody

Fuse

“An organized set of abstract digital marks that carry no linguistic meaning and bear only a passing resemblance to the alphabets we know”

RickPoynor

FuseFonts:CausticBiomorph(B.Deck)

FuseFonts:Reactor(T.Frere-Jones)

FuseFonts:MoonbaseAlpha(C.Windlin)

Theendofprint

RayGun

Speak

“This is the real end”NinoRizzo

FontBureau

Adobe

LinoType

Monotype

AgfaCompugraphic

Emigre

Bitstream

Fontfont

FontBureau(1989)

Adobe(1982)

LinoType(1886)

Monotype(1887)

AgfaCompugraphic(1960)

Emigre(1987)

Bitstream(1981)

Fontfont(1989)

FontBureau(1989)

Adobe(1982)

LinoType(1886)

Monotype(1887)

AgfaCompugraphic(1960)

Emigre(1987)

Bitstream(1981)

Fontfont(1989)AM-ER-ICA

EU-RO-PA

FontBureau(1989)

Adobe(1982)

LinoType(1886)

Monotype(1887)

AgfaCompugraphic(1960)

Emigre(1987)

Bitstream(1981)

{ SumnerStoneRobertSlimbachCarolTwombly

FontBureau(1989)

Adobe(1982)

LinoType(1886)

Monotype(1887)

AgfaCompugraphic(1960)

Emigre(1987)

Bitstream(1981)

{ {SumnerStoneRobertSlimbachCarolTwombly

TheStoneFoundry

FontBureau(1989)

Adobe(1982)

LinoType(1886)

Monotype(1887)

AgfaCompugraphic(1960)

Emigre(1987)

Bitstream(1981)

{ { {SumnerStoneRobertSlimbachCarolTwombly

MyriadAdobeGaramondMinionProAdobeCaslonTrajan

TheStoneFoundry

FontBureau(1989)

Adobe(1982)

LinoType(1886)

Monotype(1887)

AgfaCompugraphic(1960)

Emigre(1987)

Bitstream(1981)

{ {

{

SumnerStoneRobertSlimbachCarolTwombly

MikeRussellParkerMatthewCarter

TheStoneFoundry

FontBureau(1989)

Adobe(1982)

LinoType(1886)

Monotype(1887)

AgfaCompugraphic(1960)

Emigre(1987)

Bitstream(1981)

{ {

{

SumnerStoneRobertSlimbachCarolTwombly

MikeRussellParkerMatthewCarter

TheStoneFoundry

{

Fontfont (1989) EU-RO-PAEr

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Fontfont (1989)

Erik

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Spie

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Nev

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Bro

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Erik SpiekermannMeta

Erik SpiekermannCommittente West German Post OfficeRichieste Molto Leggibile

Erik SpiekermannCommittente West German Post OfficeRichieste Molto Leggibile Neutrale

Erik SpiekermannCommittente West German Post OfficeRichieste Molto Leggibile Neutrale Identificativo

Erik SpiekermannCommittente West German Post OfficeRichieste Molto Leggibile Neutrale Identificativo Disponibile

Erik SpiekermannCommittente West German Post OfficeRichieste Molto Leggibile Neutrale Identificativo Disponibile Distinguibile

Erik SpiekermannCommittente West German Post OfficeRichieste Molto Leggibile Neutrale Identificativo Disponibile DistinguibileConvinzioni Sans Serif

Erik SpiekermannCommittente West German Post OfficeRichieste Molto Leggibile Neutrale Identificativo Disponibile DistinguibileConvinzioni Sans Serif Stretto

Erik Spiekermann

Neville BrodyIdeatoreeFondatore

TheFaceNevilleBrodyStudioFuseFontfont

Max Kisman

Erik Van Blokland, Just van Rossum (Letterror)

Albert-Jan Pool

Fred Smeijers

Martin Majoor

Evert Bloemsma

Ole Schafer

Pierre di Sciullo

“È ancora troppo presto ovviamente per poter scrivere storie adeguate della tipografia di questo periodo”

RobinKinross,TipografiaModerna