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J. Colón's Full Architectural Catalog

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  • Studio Projects Professional Projects

    Design Projects

  • 1'-0"Section Detail

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    Studio Projects

  • Joseph A. Coln | Professor Rafael Gmez-Moriana | CIEE Architecture + Design | Fall 2014

    The ordinary building is the type of edifi ce cities are

    mostly made up of. In Barcelona, as in most large European

    cities, these kinds of buildings typically contain a vertical

    programmatic distribution of housing above ground-level

    commercial spaces (sometimes there is offi ce space in-

    between the commercial space and the housing), and parking

    in the basement and is usually designed in the regional

    vernacular style of the period.

    The project thus sought to design a contemporary

    edifi ce in a historic setting. The proposal does so by rotating

    to give residents a dynamic way to live, exposed to light,

    views, and greenery at every eff ective opportunity.

    Another benefi t the unique rotation yields is an

    innovative method of determining units for a mixed-income

    building population.

    An Ordinary Building in Barcelonas Eixample

  • Joseph A. Coln | Professor Rafael Gmez-Moriana | CIEE Architecture + Design | Fall 2014

  • Joseph A. Coln | Professor Scott Bernhard | Thesis Design Studio | Fall 2015 - Spring 2016

    My thesis project, entitled Fostering Heterogeneity, Fostering Heterogeneity, Fostering Heterogeneity

    started by focusing on how income inequality is a global

    phenomenon that sees people of diff erent incomes living

    further apart enabled by automobile-driven suburbanization.

    By focusing in the United States of America, this wealth

    stratifi cation had to be understood in context of an abhorrent

    racialized history. Even with interventions in underprivileged

    communities such as public housing, wealth inequality

    and residential segregation have persisted. 1128 Spring

    Gardens refocuses mixed-income housing by hyperlocalizing

    unit organization while engaging communal spaces in

    emphasizial manner. The hopes is that the project can be

    a prototype in de-emphasizing the nature of homogeneity

    present in low-density living and spur further remediation of

    socioeconomic segregation.

    1128 Spring Gardens

  • Joseph A. Coln | Professor Scott Bernhard | Thesis Design Studio | Fall 2015 - Spring 2016

  • Orienting roofs to southern sky maximizes effi ciency of solar panels that helps off set energy costs for (most fi nancially stressed) residents

    Integrating rainwater collection systems from roofs can serve water usage needs such as for the gardens, pools, and laundry facilities that helps off set utility costs for (most fi nancially stressed) residents

    Maximizes unit effi ciency by providing residences with organizational hierarchy without sacrifi cing communal space quality

    Increases interaction between assorted communal spaces while maintaining physical separation

    Variety of programming distributed throughout project achieves access for all residents to all spaces

    Encourages self-segregation of diff erent occupants not by race or class, but by interest-motivated factors = demographic distinguishers

    Culturally relevant spaces should be included; i.e. spaces that are desirable to a wide range of people, despite race, class, religion, etc. and contextually applicable (Research indicates that sports fanaticism has these characteristics with Philadelphias strong sports culture, thus having a sports bar is suitable) = demographic integrator

    Instead of stratifying wealth vertically, integrating unit wealths horizontally (per fl oor) alleviates socioeconomic segregation typical in other schemes

    Establishes an organizational scheme that is responsive to mixed-income projects economic realities

    Units targeted towards high-income families; households earning between above 150% of AMI

    Joseph A. Coln | Professor Scott Bernhard | Thesis Design Studio | Fall 2015 - Spring 2016

    Instead of double loaded corridors, having circulation corridors that open to large (outdoor) space allows

    further penetration of light and ventilation Having the circulation core as a datum where user

    paths can be incidentally determined by occupants creates opportunities for passive interaction

    Units and residents are visually connected across multiple levels

    IBy having structure independent of supporting walls with a grid of reinforced structural columns, diff erent

    sized units can be accommodated in the same structural bay

    Off setting exteriors of units from faade creates ample outdoor space for each unit

    Allows further penetration of natural light and ventilation into units

    Extends health and economic benefi ts of all outdoor space to all occupants

    Unit-level control of respective light, ventilation, and visibility preferences

    Dynamism of faade obscures unit sizes (and thus wealth of occupants there-within)

    Communal Spaces have interiorly situated louvers to retain direct user control

    Units alloted for low-income families using a tax subsidy; households earning no more than 50% of

    AMI(Area Median Income)

    Units alloted for essential workers where it is diffi cult to secure housing in reasonable proximity to work;

    earning between 50% and 80% of AMI

    Units rented or owned by people who pay market rent. No subsidy is alloted; households usually earning

    between 80% and 150% of AMI

  • Joseph A. Coln | Professor Scott Bernhard | Thesis Design Studio | Fall 2015 - Spring 2016

    ROOFTOP CABANAROOFTOP CABANA

    SERVICE KITCHEN SERVICE KITCHEN

    GYMNASIUMGYMNASIUM

    ENTERTAINMENT PARLOR | EXCLUSIVE LOUNGE ENTERTAINMENT PARLOR | EXCLUSIVE LOUNGE

    COMMUNAL DINING | ART STUDIOCOMMUNAL DINING | ART STUDIO

    CENTRAL GREEN PARKCENTRAL GREEN PARK

  • Joseph A. Coln | Professor Allison Anderson | Adv Studio Elective: Cities in Confl ict | Fall 2015

    The Cuban Consulate of New Orleans explored designing

    with confl ict in cities in a potentially contentious, fortifi ed

    architecture project.

    The proposal seeks to situate the consulate in dense

    networks of existing consulates, federal buildings and

    economic offi ces while also trying to activate the post-

    modern ruin of Charles Moores Piazza dItalia.

    Distinguishing programmatic elements into separate

    buildings creates an analogous courtyard, Plaza de Cuba.

    Incorporating residences and a rooftop cabana (complete

    with a rooftop pool) the Consulates design seeks to

    accommodate employees, engage the American public, and

    keep visitors and workers alike safe.

    Cuban Consulate of New Orleans

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    VISA WINDOWS

    SECURTIY THRESHOLDS

    (4) SMALL CONFERENCE

    ROOMS

    EDUCATION/TOURISMOFFICES

    TRADE GROUPOFFICES

    LEGAL/IMMIGRATIONOFFICES

    INFORMATIONOFFICES

    SPIES!

    SECURITY OFFICES

    SECURITY BARRACKS

    CONSUL GENERALSC LOFFICE

    GENERALLCONSUL GENERALRESIDENCE

    AUDITORIUM

    MECHANICAL/COMMUNICATINS/

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    OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFIIIIIIIIIIIIIICCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE

    MISSION

    TTTTTTTTTTTTTUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUGAL

    CONNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUULLLLLLLLLLLLLLLLLLLLLLLLLLAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAATTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE OOOOOOOOOOOOOOOFF MEXICCCCCCCCCCCCCCCCCOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOCON

    CCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCC

    U.S. IMMIGRATIOU.S. IMMIGRATIOU.S. IMMIGRATIONNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN & CUSTOMS & CUSTOMSU.S. IMMIGRATIOU.S. IMMIGRATIOU.S. IMMIGRATIOU.S. IMMIGRATIOU.S. IMMIGRATIOU.S. IMMIGRATIOU.S. IMMIGRATIOU.S. IMMIGRATIOU.S. IMMIGRATIOU.S. IMMIGRATIOU.S. IMMIGRATIOU.S. IMMIGRATIOU.S. IMMIGRATIOU.S. IMMIGRATIOU.S. IMMIGRATIONNNNNNNNNNNNNNNNNNN & CUSTOMS & CUSTOMS & CUSTOMS & CUSTOMS & CUSTOMS & CUSTOMS & CUSTOMS & CUSTOMSATIOATIOENFORCEMENNFORCEMENTENFORCEMENNFORCEMENNFORCEMENNFORCEMENNFORCEMENNFORCEMENNFORCEMENNFORCEMENNFORCEMENNFORCEMENTNN

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    PPPPOOOOOOORRRTTT CCCOOOOOOMMMMMMMMMMMMMIIIISSSSSSSSSSIIIIIOOOOONNEEERRRSS OOFFFFIICEE

    SITE

    RRIIVVEERRRRRRWWWWWAAAAAALLLLLLLKKKKKKKK

    IINNNNTTTTTTEEERRRRRRNNNAAAAATTTTIIIIIIOOOOOOONNNNNNAAAAAAALLLL HHHHHHHOOOOUUUUSSSSSSSEEEEEEE

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    SSSSPPPPPAAAAANNNNNIIIIISSSSSSHHHHHH PLLLLAAAZZZZAAAAA EADS PLAZA

    2222 CCCCCCAAAAAAANNNNAAALLLLL SSSSSSSTTTTTTTRRRRRRREEEEEEEEEEEETTTTTT

    HHHHHAAAAAARRRRRRRRRRRRRAAAAAAHHHHHSSSSS CCCCCCAAAAAASSSSSSIIIIINNNNNNOOOOO RRRRRRRIIIIIVVVVVVVEEEEERRRRRGGGGGGGAAAAATTTTTEEEEEE

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    IIIIINNNNNNNTTTTTTEEEEEEERRRRNNNATTTTIONAAAAAAALLLLLLL TTTTTTTRRRRRRAAAAAAADDDDDDDEEEEEEE MMMMMMMAAAAAARRRRRRTTTTTT

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    11199999996666666888888888

    111119999999777777778888888

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    11111111999999944444444488888888

    1111111119999999994444444444444444

    199933333888

    SSSSSSSSSSSSSHHHHHHHHHHHHHOOOOOOOOOOOOOOPPPPPPPPPPPPPPP

    PPPPPPPPPPPPPPPPPIIIIIIINNNNNNNNNNNNNNNNNNNGGGGGGGGGGGGGGGGG

    CCCCCCCCCCCCCCCUUUUUUUUUUUUULLLLLLLLLLLLLLLLTTTTTTUUUUUURRRRRRRRRRRAAAAALLLLL L

    EEEEEEEEEEEXXXXXXXXXXXCCCCCCCCCCCCCCCCCHHHHHHHHHHHHHHHHHAAAAAAAAAAAAAAANNNNNNNNNNNNNGGGGGGGGEEEEEEE

    GGGGGGGGGGAAAAAAAAMMMMMBBBBBBBBBBBBBBBBBBLLLLLLLLLLLLLLLLLLLLIIIIIIIIIIIIIIIINNNNNNNNNNNNNNNNNNNNNNNGGGGGGGGGGGGGGGGG

    EEEEEEEEEEEEEEECCCCCCCCCCCCCCCCCOOOOOOOOOOOOOOOOONNNNNNNNNNNNNNNNNOOOOOOOOOOOOOOMMMMMMMMMMMMMMMIIIIIIIIICCCCCCCCCCCTRRRRAAAAAAAAAAADDDDDDDDEEEEEEEEE

    FFFFFFFFOOOOOOOOODDDDDD

    Joseph A. Coln | Professor Allison Anderson | Adv Studio Elective: Cities in Confl ict | Fall 2015

  • Joseph A. Coln | Professor Allison Anderson | Adv Studio Elective: Cities in Confl ict | Fall 2015

  • Joseph A. Coln | Professor Suzanne Strum | CIEE Architecture + Design | Fall 2014

    The Cooperative Community Kitchen & Productive Garden

    project was a site redevelopment on an abandoned

    post-industrial site, which included kitchen classrooms,

    productive gardens, and a market for produced goods. We

    addressed issues of collectivity and community at a time of

    Spanish economic crisis.

    It was critical to draw on Spanish traditions of

    community food preparation and eating as well as exploring

    new initiatives that contemplate cooking classes and urban

    agriculture as a means of social inclusion for diff erent groups

    including immigrants and the elderly.

    The proposal seeks to accomplish this through site

    zoning based on geometric principles to result in the most

    eff ective spatial usage & enjoyment.

    Cooperative Community Kitchen & Productive Garden

  • PEDESTRIAN ACCESSPEDESTRIAN ACCESSPEDESTRIAN ACCESSPEDESTRIAN ACCESS

    GARDENING

    Joseph A. Coln | Professor Suzanne Strum | CIEE Architecture + Design | Fall 2014

  • Joseph A. Coln | Professor Andrew Liles | 2nd Year Architecture Studio | Fall 2012

    This project was an exercise in diagrammatic

    analysis, with New Orleans as our case study.

    By experimenting with various rendering

    techniques, New Orleans, and by extension, any urban area

    could be understand through diff erent municipal systems.

    Synthesizing diagrams in visual appealing and

    informative diagrams was the second phase in understanding

    architectural analysis and urban environments.

    Urban Analysis: New Orleans

  • Joseph A. Coln | Professor Andrew Liles | 2nd Year Architecture Studio | Fall 2012

    This next phase of the same project

    delves further into urban analysis by examining a specifi c

    New Orleans neighborhood and to investigate potential

    discoveries with our syntheses.

    The Trem is a unique district that is one of the fi rst

    neighborhoods in New Orleans outside of the French Quarter,

    and the fi rst one specifi cally for free persons of color.

    The research presents a tragic story however.

    Through diagrams and a synthetic model, Trems story

    reveals the governments unregulated use of eminent

    domain, especially in vulnerable, minority districts. This

    analysis revealed the questions cities continue to face in the

    name of urban renewal.

    Urban Analysis: Trem

  • LobbyOces

    Exhibition

    Auditorium

    Classrooms

    Library

    Music

    Mechanical

    Support

    Residences

    Craft

    Building

    Music Clustering & Internal

    Programmatic Relationships

    STAFF

    RESIDENT ARTISIANS

    VISITORS

    NON-RESIDENT ARTISIANS(I.E. STUDENTS, LOCAL ARTISTS, ETC.)

    SO

    S

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    Joseph A. Coln | Professor Charles Jones | 3rd Year Architecture Studio | Fall 2013

    With the choice to situate the Building Arts Institute, a

    center for engaged learning and school of the Building

    Arts (carpentry, masonry, metalworking, etc.) in either the

    Valence, St. Roch, or Central City neighborhoods,

    Central City was the clear choice.

    Understanding the historical and diverse

    sociological context within the district of Mardi Gras Indians

    and musicians daylighting as craftsmen, the Institute could

    celebrate that history while training students for the future.

    Adding in additional programing of music spaces,

    such as recording studios and practice spaces, would only

    further connect these legacies and solidify the BAI purpose.

    NOLA Building Arts Institute

  • Public Spaces in direct relation with cemeteries

    Private Spacesinteracting with private residences

    The Courtyard Condition

    Public Spaces in Public Spaces in Public Spaces in Public Spaces in Public Spaces in Public Spaces in Public Spaces in Public Spaces in direct relation with direct relation with direct relation with direct relation with direct relation with direct relation with direct relation with direct relation with direct relation with direct relation with direct relation with direct relation with cemeteriescemeteriescemeteries

    Private Private SpacesSpacesSpacesSpacesSpacesSpacesSpacesSpacesSpacesSpacesinteracting with interacting with interacting with interacting with interacting with interacting with interacting with interacting with private residencesprivate residencesprivate residencesprivate residencesprivate residencesprivate residencesprivate residencesprivate residencesprivate residencesprivate residencesprivate residencesprivate residences

    The Courtyard Condition [Mass]

    The Courtyard Condition [Void]

    Private Spaces Not Competing With Private Residences

    Views from Public Spaces to cemeteries

    Access & Interaction with cemeteries

    Joseph A. Coln | Professor Charles Jones | 3rd Year Architecture Studio | Fall 2013

  • Joseph A. Coln | Professor Charles Jones | 3rd Year Architecture Studio | Fall 2013

  • Joseph A. Coln | Professor Michael Crosby | 3rd Year Architecture Studio: Comprehensive | Spring 2014

    The project for my comprehensive studio was a

    TANZAKADEMIE, an academy for contemporary dance,

    supported and run by the New Orleans Ballet Organization.

    The school would create exciting opportunities to

    bring dance artists and communities together, by training bring dance artists and communities together, by training bring dance artists and communities together

    and educating students from around the world. The center

    seeks to challenge the perceptions of the art form and the

    dance profession by introducing fresh styles and approaches.

    My proposal seeks to respond to the context of

    the cultural, artsy Warehouse District by adapting to the

    neighborhood scale and the industrial and commercial

    identity of the district. After researching various forms of

    dance and how to accommodate them successfully, the

    programming orients itself accordingly and has the service

    spaces supporting the major dance spaces of the academy.

    New Orleans Tanzakademie

  • 1/2" = 1'-0"1Wall Section Detail

    h

    a - wooden variable drop ceilingb - concrete base/foundationc - concrete columns encased in wood claddingd - Double pane insulating glass w/ low-E coatinge - earth f - wood raised oor over concrete slab on deckg - sprung oor over concrete slab on deckh - concrete slab on decki - panelized wood louversj - wood (oak) mullionsk - W12x26 steel beams

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    Joseph A. Coln | Professor Michael Crosby | 3rd Year Architecture Studio: Comprehensive | Spring 2014

  • Joseph A. Coln | Professor Michael Crosby | 3rd Year Architecture Studio: Comprehensive | Spring 2014

  • Joseph A. Coln | Professor Eugene Cizek | Adv Studio Elective: Contemporary Architecture in Historic Districts | Spring 2015

    1730 Clio Street is located in the historic Central City

    neighborhood, that is famous for being integral to the citys

    Mardi Gras Indian traditions as well as some of the fi rst and

    longest lasting Black Social Aid & Pleasure clubs. Yet, as

    with much of New Orleans, Central City entered a decline

    beginning in the 1970s and with the aid of Katrina in 2005,

    much of this dense, bustling neighborhoods density, and by

    extension, street life, has been destroyed.

    New Orleans is having its Renaissance however,

    and organizations such as the Felicity Redevelopment Inc. are

    changing and contributing to restoring New Orleans.

    The 1730 Clio Street proposal works with Felicity

    as it seeks to restore density. Dubbed The Boathouse, this

    proposal is a contemporary duplex for a historic context.

    1730 Clio Street

  • DN

    1S101

    278 SF

    Bedroom 102

    438 SF

    Living Space01

    65 SF

    Bathroom03

    134 SF

    Bedroom 204

    2S102

    1S102 645 SF

    Living Space01

    75 SF

    Bathroom04

    136 SF

    Bedroom 203

    220 SF

    Bedroom 102

    1S101

    2S102

    1S102

    Joseph A. Coln | Professor Eugene Cizek | Adv Studio Elective: Contemporary Architecture in Historic Districts | Spring 2015

  • Joseph A. Coln | Professor Eugene Cizek | Adv Studio Elective: Contemporary Architecture in Historic Districts | Spring 2015

    1424 Baronne Street is an endeavor in restoring

    density. By being a mixed-income, mixed-use development,

    the proposal adds a physical restoration to the Central City

    neighborhood and also allows for a communal reinvigoration

    into the neighborhood. The various sizes of units can fi t the

    needs of wide diverse range of families, the rooftop garden

    acts as gathering space, and a bar & cafe can profi t from

    the increased activity. A banquet room is included in the

    proposal and can be used for everything from wedding

    receptions to community meetings.

    Its a smart structure too; coated in a sheeted metal,

    the building is climatically well-regulated. Water from the

    roofs drains into gutters and rain screens that fi lter and

    irrigate the gardens and green spaces. Plenty of trees and ivy

    plants provide suffi cient shade to keep outdoor spaces cool.

    All around, the proposal seeks to adapt itself and plug into

    the Central City neighborhood.

    1424 Baronne Street

  • DN

    UP

    UP

    DN

    DN

    DN

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    2091 SF

    Bar & Caf01

    Parking(4-Spaces)

    672 SF

    Unit 102

    172 SF

    Mech03

    672 SF

    102

    672 SF

    Unit 102

    UnitUUUnnniiittt

    DNUP

    DN

    UP

    1184 SF

    Unit 205

    1550 SF

    Banquet Room04

    136 SF

    Service Kitchen07

    1029 SF

    Unit 306

    672 SF

    Unit 102

    Unit

    DN

    DN

    1649 SF

    Unit 408

    Rooftop Garden09

    1ST FLOOR PLAN 2ND FLOOR PLAN 3RD FLOOR PLAN

    Joseph A. Coln | Professor Eugene Cizek | Adv Studio Elective: Contemporary Architecture in Historic Districts | Spring 2015

  • (N) WOOD BALUSTRADE

    IN CORRESPONDING BAYS (x4 TOTAL)SIZE APPROXIMATELY 2'-10" WIDE x 7'-512" HIGH.VERIFY IN FIELD.

    (N) STUCCO CHAIN WALL

    MOVE STAIRWAY TO CREATESIDE ENTRY

    EXTEND IRON RAILING

    EXPANDED PORCH AND STUCCOCHAIN WALL (EACH SIDE)

    (E) COLUMNS TO REMAIN(E) COLUMNS TO REMAIN

    (N) METAL FRAMED GLASS STOREFRONT

    3'-6

    "3'

    -6"

    Drawn By: J. Coln

    Issued For: Date:

    REVIEW

    2014.08.04

    3/16" = 1'-0" BPROPOSED FRONT ELEVATION

    REINFORCE LOCK W/ (N) DEADBOLT ON EXISTING DOOR

    (N) HIGH IMPACT GLASS STOREFRONT WINDOW W/ TRANSOM

    (E) DOOR TO REMAIN. REPLACEHARDWARE TO IMPROVE SECURITY

    REMOVE (E) PLYWOOD

    REMOVE (E) SIGN

    REMOVE (E) SECURITY BARS AT DOORS AND WINDOWS, TYP.

    REMOVE (E) PLYWOOD AT TRANSOM

    INSTALL (N) SIGN ON (E) CANOPY

    ADD (N) LIGHTING FIXTURE FOR RESIDENTIAL ENTRY

    ADD (N) LIGHTING FIXTURES (x2 TOTAL)

    EXISTING FRONT ELEVATION

    REPAINT ENTIRE BUILDING

    INSTALL (N) OPEN WEAVE SECURITY SHUTTERS

    Professional Projects

  • 3'-6

    "3'

    -6"

    3'-6

    "8'-1112" 8'-7" 8'-11

    12"

    11'-0

    "

    10'-412" 13'-012" 12'-3

    12"

    13'-1

    03 4"

    14'-9

    3 4"13

    '-53 4"

    1/8" = 1'-0"A

    (N) 2'-10 34" x 4'-7 14" (VERIFY DIMENSIONS)

    WOOD DOUBLE HUNG WINDOWS(x6 TOTAL (3 ON EACH FAADE))

    INSTALL (N) LIGHT FIXTURES AT ENTRY(x2 TOTAL)

    INSTALL SUSPENDED SIGNS

    LINE OF BALCONY OVERHANG

    INSTALL WALL MOUNTED DOUBLE DIRECTION LIGHTING(x4 TOTAL (2 ON EACH FAADE))

    (N) TRADITIONAL GLASS AND WOOD STOREFRONT

    OPTIONAL SIGN BAND

    (N) AMBIENT NEON LIGHTING(x6 TOTAL (3 ON EACH FAADE))

    (N) IRON BALCONY TO WRAP CORNER

    EXTEND ROUGH OPENING AT WINDOWHEAD TO MATCH ADJACENT WINDOWS

    REPAINT STUCCO

    (FRONT VIEW)OPTION #1PROPOSED ELEVATION

    3'-6

    "3'

    -6"

    3'-6

    "14

    '-11

    14'-1

    114

    '-11333 444

    """

    8'-8144" 11'-1"11'-1" 10'-11"10'-11"

    7'-134" 7'-112" 7'-1

    12"

    6'-1

    13 4"

    OPTIONAL DOUBLE DOOR ENTRANCE

    1/8" = 1'-0"A

    (N) 2'-10 34" x 4'-7 14" (VERIFY DIMENSIONS)

    WOOD DOUBLE HUNG WINDOWS(x6 TOTAL (3 ON EACH FAADE))

    INSTALL SUSPENDED SIGNS

    LINE OF BALCONY OVERHANG

    (N) TRADITIONAL GLASS AND WOOD STOREFRONT

    OPTIONAL SIGN BAND

    (N) AMBIENT NEON LIGHTING(x6 TOTAL (3 ON EACH FAADE))

    (N) IRON BALCONY TO WRAP CORNER

    EXTEND ROUGH OPENING AT WINDOWHEAD TO MATCH ADJACENT WINDOWS

    PROPOSED ELEVATION OPTION #1 (SIDE VIEW)

    INSTALL WALL MOUNTED DOUBLE DIRECTION LIGHTING(x4 TOTAL (2 ON EACH FAADE))

    REPAINT STUCCO

    3/32" = 1'-0" A

    3/32" = 1'-0" B

    Mar

    tin L

    uthe

    r Kin

    g

    Thal

    ia S

    t.

    Era

    to S

    t.

    Oretha Castle Haley Boulevard

    Drawn By: J. Coln

    1/100" = 1'-0" BLOCATION PLAN

    1/8" = 1'-0" (APPROX.)A1332 Oretha Castle Haley

    PATCH & REPAIR CRACKSIN (E) STUCCO

    RELOCATE DOWNSPOUTTO SIDE OF BUILDING &PATCH/REPAIR (E) STUCCO

    REMOVE (E) SIGN

    EXISTING FRONT ELEVATION

    1/8" = 1'-0" (APPROX.)A

    PATCH & REPAIR CRACKSIN (E) STUCCO

    REMOVE (E) UNUSED ELECTRICAL CONDUITS

    ADD SCUPPER,ASSESS CONDITION OF DOWNSPOUT,AND REPAIR AS REQ'D.

    Joseph A. Coln | Beth Jacobs + Melissa Lee | Tulane City Center | Summer 2014

    As a Tulane City Center Public Interest Design Fellow, I had

    the privilege of being assigned to faade reNEW. faade

    reNEW is a project that incentivizes business and property

    owners to revitalize their storefront faades in four targeted

    corridors in the city via a reimbursable grant program.

    Tulane City Center worked with NORA (the New

    Orleans Redevelopment Authority) led by Melissa Lee

    and CLIO Associates, vis--vis founder Beth Jacobs, as we

    provided design assistance to the business owners in order to

    strengthen their applications.

    By researching historical documentation,

    examining existing urban context, and meeting with the

    owners, we were able to present designs that restored the

    integrity of buildings (of varying conditions), provided much

    needed face-lifts (via project proposals), and

    met the desires of the owners.

    faade reNEW

  • 11'-9

    "

    3'-6

    "

    15'-312" 7'-434" 15'-3

    12"

    (N) DOUBLE HUNG WINDOWSIN CORRESPONDING BAYS (x4 TOTAL)SIZE APPROXIMATELY 2'-10" WIDE x 9'-1014" HIGH.VERIFY IN FIELD.

    (N) WOOD BALUSTRADE

    (N) STUCCO CHAIN WALL

    3/16" = 1'-0"A

    3/16" = 1'-0" BEXISTING PLAN

    7'-434"

    6'-0

    "5'

    -9"

    Joseph A. Coln | Beth Jacobs + Melissa Lee | Tulane City Center | Summer 2014

  • DISTRICTING

    Design Projects

  • Joseph A. Coln | Professor Scott Ruff | 2nd Year Architecture Studio | Spring 2013

    The fi rst phase of this project was a comparative analysis

    between a complex organic specimen and a precedent

    work of architecture. Rendered here is a pomegranate and

    Corbusiers Villa Baizeau.

    The Second Phase was extracting the diagrammatic

    analysis into the physical and digital realms so as to

    understand the systems at work in the building and reveal it

    in a visually appealing and informative manifestation.

    Congruent Geometries

  • Joseph A. Coln | Professor Sheena Garcia | 1st Year Architecture Studio | Spring 2012

    Using an exquisite object, (in which I chose a

    simple golden door lock) we were to engage in the practice

    of drafting by analyzing the kinetics, materiality, and

    construction of our chosen object into artfully produced

    drawings. An exhibition case derived from the drafted

    drawings was abstractly constructed to illustrate the kinetics

    and operations of the object. Digital work was utilized to

    further enhance and interpret the understanding of the

    exquisite object, as well as the introduce the fundamental

    application and diff erent operations in

    Photoshop and Illustrator.

    Exhibition Case + Exquisite Object Diptych

  • .25 _SECTION 1

    4 _SECTION 4 3 _SECTION 3

    1.25 _SECTION 2

    4.75 _SECTION 5

    5.5 _SECTION 6

    7.375 _SECTION 7

    10 _SECTION 8

    15.75 _SECTION 9

    21.75 _SECTION 10

    Joseph A. Coln | Professor Sheena Garcia | 1st Year Architecture Studio | Spring 2012

  • SITE

    A.L. DAVIS PARK

    NEW ZION BAPTIST CHURCH

    Joseph A. Coln | Professor Grover Mouton | Urban Studies Elective: Design Urbanism | Spring 2015

    The SCLC Interpretive Center was a service learning design

    partnership with Felicity Redevelopment Inc., TRUDC

    (Tulane Regional Urban Design Center), and SCLC (Southern

    Christian Leadership Conference). The project was designed

    to celebrate the SCLCs anniversary and provide a public

    congregation space, commemorating the SCLCs past and

    celebrating the future.

    Designed to be a gentle, contextual development

    in the Central City neighborhood, my proposal seeks to

    encourage local usage while also allowing for a variety of

    programming. It also incorporates other memorial elements

    as an eff ort in commemoration.

    Southern Christian Leadership Conference Interpretive Center

  • 2 Dia - MEMORIAL

    Joseph A. Coln | Professor Grover Mouton | Urban Studies Elective: Design Urbanism | Spring 2015

  • Joseph A. Coln | Professor Nate Petty | Architectural Visual Media | Fall 2011

    Organic Form + Inorganic Grid Transformations

  • Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015

    DISTRICTING

    Building FabricDensityGateway to the City

    District

    Arts & Culture

    Districts

    Low Density Residential

    High Density Residential

    Mixed-UseZones

    ShoppingDistricts

    Central Business

    District

    Joseph A. Coln | Professor Grover Mouton | Urban Studies Elective: Design Urbanism | Spring 2015

    In this interpretative design seminar in partnership

    with TRUDC (Tulane Regional Urban Design Center), we

    designed an urban plan for the Chinese city of Jintang.

    Though Jintang is a small town located an hour

    Northwest of Chengdu, projections indicate it will see rapid

    growth and is in need of a comprehensive urban design

    strategy. Orienting the plan to three universities, the old city,

    and the coalescing rivers was fundamental to design success.

    Thus, my proposal seeks to distribute amenities

    and zones in a diverse eff ective way such as having the urban

    wetlands oriented on the north and south ends of the design

    to remediate water pollution and provide public green space,

    while the zones seek to provide eff ective density for optimal

    mass transit usage. Recreational and educational amenities

    are situated in correspondence with city services to yield an

    optimal quality of life for all Jintang residents.

    Jintang Urban Plan

  • Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015

    HIGHLIGHTED STREET GRID

    Street Grid Automobile-Only Roads

    Primary Roads & Thoroughfares (~30m wide)

    Secondary Avenues (~15m wide)

    Tertiary Roads (~7m wide)

    Pedestrian Pathways (~7m wide)

    Pedestrian Waterfronts (~7m wide)

    Two New Bridges

    Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015

    NON-ROAD NETWORKS

    Midtown LoopLine that connects Recreation Island, the universities, and North Park, along with other culture and shopping hubs.

    Historic Jintang LoopLine that connects Old Jintang and New Jintang

    Uptown LoopLine that services the primarily residential parkside district

    Parkside Line One of two lines that service the North-South axis of the city A non-road based light rail line that acts as its own street, open-ing the ground level to pedestrian, retail, and commuter traffic

    Riverside Line One of two lines that service the North-South axis of the cityA primarily commuter rail.

    Street-Based Light Rail

    Independent Light Rail

    Urban Canal

    Water SystemsLight Rail Lines

    Northern Wetland that serves to clean and filter water as it travels through the urban canal (and further downriver)

    Park that acts as commodity for all of Jintang Hosts amentities such as concert stands, hiking, green lawns, sports fields, etc.

    Green zones that meet the rivers edge in natural, minimally developed designs.developed designs.

    Public Parks that act as points of centrality or destinationthroughout New Jintangs many districts and introduce nature in urban contexts

    Southern Wetland that serves as flood retention, filtration system, and public park amenity

    FILTRATION WETLAND

    CITY-SCALE PARK

    RIVERFRONT GREENS

    NEIGHBORHOOD PARKS

    URBAN WETLAND

    NATURAL ZONES

    Joseph A. Coln | Professor Grover Mouton | Urban Studies Elective: Design Urbanism | Spring 2015

  • Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015

    COMMERCIAL DISTRICTS

    CENTRAL BUSINESS DISTRICTDistrict that is home to the largest offices and businessesUsed as a signal at the sourthern end of the

    city to establish a skyline, distinct and

    marketable for Jintang

    SHOPPING DISTRICTSDistricts that encourage the healthy habit of

    (sustainable) consumerism

    Hosts storefronts, malls, whole shopping avenues and related offices and services

    Max. Height: 50m (150) Min. Height: No less than 3 floors

    Setbacks: Min = 0m (0) Max = 3.25m (10)Parking: 25% of occupancy, 75% of

    workers must be On-Site or in

    neighborhood

    Open Space: 15% of SiteGreen Spaces: 10% of Site (at or

    above grade)

    Typology: Large building footprints with sufficient relief for pedestrian occupancy and parking (as necessary)

    Max. Height: 150m (500 ~ 50 floors) Min. Height: No less than 10 floors

    (Vertical) Setbacks: after 80m (200)Parking: 80% of occupancy, must be

    On-Site

    Open Space: 10% of SiteGreen Spaces: 10% of Site (at or

    above grade)

    Typology: Massive structures that have more vertical direction; site conditions allow for orientation towards urban wetland

    Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015

    MIXED-USE DISTRICTS

    MIXED-USE ZONESZoning that incorporates residential,

    commercial, office, and community

    programming

    Seeks to create neighborhood scale & zones

    of transition between zones by both the

    scale of developments and the makeup of the

    respective zones

    Max. Height: 35m (120) Min. Height: No less than 4 floors

    Setbacks: Min = 1.5m (15)Parking: 75% of occupancy must be

    On-Site or in neighborhood

    Open Space: 25% of Site (30% if O.S.s are located Interiorly)Green Spaces: 35% of Site (at or

    above grade)

    Zone Specific: MUDs adjacent to residential districts must be 20% community spaces MUDs adjacent to shopping districts

    must be 45% office

    and 40% residential

    MUDs adjacent to office zones must be at least 25% residential 30% community, and 20% retail spacesTypology: Dense pattern of buildings

    that follow the rythyms and

    symmetry of adjacent

    districs, are transitional

    heights and create open

    spaces within its respective

    organization

    Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015

    CULTURAL DISTRICTS

    GATEWAY TO THE CITY DISTRICTDistrict that serves to be transition from old

    Jintang and New Jintang

    Houses visitors center, city and regional museums;Other landmarking elements

    ARTS & CULTURE DISTRICTS Districts that serve as cultural spirit of

    Jintang

    Hosts theaters, nightclubs, museums, dance schools, demonstration resturants, art galleries, and other institutional build-

    Max. Height: 50m (150) Min. Height: No less than 3 floors

    Setbacks: NoneParking: 50% of occupancy, 50% of

    workers must be On-Site or in

    neighborhood

    Open Space: 20% of SiteGreen Spaces: 25% of Site (at or

    above grade)

    Typology: Monumental building footprints (in either vertical or horizontal directions)with sufficient orientation to views, parks, and water

    Max. Height: 30m (100 ~ 10 floors) Min. Height: No less than 4 floors

    Setbacks: Max = 1.5m (5)Parking: 50% of occupancy must be

    within neighborhood scale

    Open Space: 15% of Site (20% if O.S.s are located interiorlyGreen Spaces: 15% of Site (at or

    above grade)

    Typology: Structures that are similar to in footprint to Old Jintang or that are existing structures

    Tulane Regional Urban Design Center Interpretive Urban Design Seminar Spring 2015

    RESIDENTIAL DISTRICTS

    HIGH DENSITY RESIDENTIAL Zoning for high-intensity residential

    High rise condos and apartmentsPrimarily for commuters within the city,

    transit riders, and citizens who yearn for a

    denser style of living

    LOW DENSITY RESIDENTIALZoning for less intense residential

    Walkable streetscapes and multi-family

    dwellings will be common

    Primarily for family, vacation, retirement & second homes

    Max. Height: 15m (50) Min. Height: No less than 3 floors

    Setbacks: Min = 4.5m (15)Parking: 85% of occupancy must be

    On-Site

    Open Space: 30% of SiteGreen Spaces: 35% of Site (at or

    above grade)

    Typology: Attached dwellings with \ ring-like orientation to create inner courtyards, front yards and maximum views outside of the block

    Max. Height: 90m (300 ~ 30 floors) Min. Height: No less than 6floors

    Setbacks: Max = 6m (20) Min = 1.5m (5)Parking: 75% of occupancy must be

    On-Site

    Open Space: 15% of Site Green Spaces: 25% of Site (at or

    above grade)

    Typology: Thick footprints that are vertically directioned and oriented around courtyards and towards views

    Joseph A. Coln | Professor Grover Mouton | Urban Studies Elective: Design Urbanism | Spring 2015

  • Tulane University. New Orleans, LA Masters of Architecture Minors in Economics and Urban Studies

    Tulane Offi ce of Undergraduate Admissions, New Orleans, LA Student Worker

    Tulane Offi ce of Study Abroad, New Orleans, LA Front Offi ce Coordinator

    Tulane City Center, New Orleans, LA Public Interest Design Intern

    Vector Marketing Corporation Advanced Sales Representative

    Barcelona, Spain CIEE Archicture + Design

    Guatemala City | Petn, Guatemala Chi Alpha Global Expedition Team

    Copn, Honduras The House Missions Team

    PHONNE: 562-822-1418

    EMAILL: [email protected] LINKEEDIN: www.linkedin.com/in/JoAnCo

    Solicittudes en espaol son bienvenidos.

    Condensed Resum Contact

  • Min. Height: No less than 4 floorsMin. Height: No less than 4 floorsMin. Height: No less than 4 floorsMin. Height: No less than 4 floorsMin. Height: No less than 4 floors

    Setbacks: Max = 1.5m (5)Setbacks: Max = 1.5m (5)Setbacks: Max = 1.5m (5)Setbacks: Max = 1.5m (5)Setbacks: Max = 1.5m (5)Setbacks: Max = 1.5m (5)Parking: 50% of occupancy must be Parking: 50% of occupancy must be Parking: 50% of occupancy must be Parking: 50% of occupancy must be Parking: 50% of occupancy must be Parking: 50% of occupancy must be Parking: 50% of occupancy must be

    within neighborhood scale within neighborhood scale within neighborhood scale within neighborhood scale within neighborhood scale within neighborhood scale within neighborhood scale

    Open Space: 15% of Site (20% if Open Space: 15% of Site (20% if Open Space: 15% of Site (20% if Open Space: 15% of Site (20% if Open Space: 15% of Site (20% if Open Space: 15% of Site (20% if O.S.s are located O.S.s are located O.S.s are located O.S.s are located O.S.s are located O.S.s are located interiorly interiorly interiorly interiorly

    Green Spaces: 15% of Site (at or Green Spaces: 15% of Site (at or Green Spaces: 15% of Site (at or Green Spaces: 15% of Site (at or

    above grade) above grade) above grade) above grade) above grade) above grade)

    Typology: Structures that are similar Typology: Structures that are similar Typology: Structures that are similar Typology: Structures that are similar Typology: Structures that are similar Typology: Structures that are similar to in footprint to Old to in footprint to Old to in footprint to Old to in footprint to Old to in footprint to Old to in footprint to Old to in footprint to Old Jintang or that are existing Jintang or that are existing Jintang or that are existing Jintang or that are existing Jintang or that are existing Jintang or that are existing Jintang or that are existing Jintang or that are existing Jintang or that are existing Jintang or that are existing structures structures structures structures structures

    1/8" = 1'-0" (APPROX.)

    PATCH & REPAIR CRACKSIN (E) STUCCO

    RELOCATE DOWNSPOUTTO SIDE OF BUILDING &PATCH/REPAIR (E) STUCCO

    EXISTING FRONT ELEVATION1/8" = 1'-0" (APPROX.)

    PATCH & REPAIR CRACKSIN (E) STUCCO

    RELOCATE DOWNSPOUTTO SIDE OF BUILDING &PATCH/REPAIR (E) STUCCO

    EXISTING FRONT ELEVATION1/8" = 1'-0" (APPROX.)

    PATCH & REPAIR CRACKSIN (E) STUCCO

    RELOCATE DOWNSPOUTTO SIDE OF BUILDING &PATCH/REPAIR (E) STUCCO

    EXISTING FRONT ELEVATION