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DAY GUITAR PIANO BARS CLIMBING J.S CHORD 81 3HR 82 3HR 83 3HR 84 5HR 4HR YES YES 85 6HR 86 4HR 87 5HR 88 7.5HR S.Z.K. S.Z.K. 89 6HR 90 3HR YES YES 91 3HR YES YES 92 3HR 1HR YES YES 93 2.5HR 94 4HR 2HR YES YES 95 3HR YES YES 96 3HR S.Z.K. S.Z.K. 97 JAM 98 4.5HR 2HR YES 99 3HR 1HR YES YES 100 3HR YES YES DAY GUITAR PIANO Strength Exercise DAY GUITAR PIANO 3NOTEPERSTRING BLUES 101 7HR 102 3.5HR S.Z.K. S.Z.K. 103 3HR 1HR YES YES 104 3HR 1HR YES 105 3HR 1HR 106 2.5HR 2HR 107 3HR YES YES 108 2HR 109 5HR YES YES 110 4HR YES YES 111 4HR YES YES 112 3HR 113 3HR 114 7HR 115 8HR 116 4HR SIZIKONG 117 3HR LISTEN 118 5HR YES 119 4HR

練琴計畫 2014 (Master)

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MASTERDAYGUITARPIANOBARS CLIMBINGJ.S CHORDAPPREGIOSwing.metronomeCOMP.
Poh Joy Goh: COMPING:1. Approach2. Swing Picking3. Swing Fingering4. Thumb and Fingers Pratice Separately5. Chord Inversion6. Walking Bass7.Comping with Walking Bass8 4-Degree Vocing #9. Solo Guitar TransriptingSCALE
Poh Joy Goh: SCALE:1. 7-Position2. HOPELESS Exercise (Key)3. 3-Note per String4. IntervalsCHORDTONE
Poh Joy Goh: CHORDTONE:1. Chordtone Solo2. Sequence on ChordtoneSEQUENCE
Poh Joy Goh: SEQUENCE:1. Sequence2. 2-5-13. TranscriptionS. Reading
Poh Joy Goh: S.Reading:1. Sight Reading2. Melodic Dictation/ Sight Singing3. Rhythm Dictation/ Sight Reading4. Chord Identification5. 251 Identification-Ear Master ProNDAYGUITARPIANOBARS CLIMBINGJ.S CHORDAPPREGIOSwing.metronomeCOMP.SCALECHORDTONESEQUENCES. ReadingN813HRJIM's Final Project PraticingYES13HRYESYESYESYES 823HRJIM's Final Project PraticingYES23HR1HRYESYESYESYES 833HRJIM's Final Project PraticingYES34HRYESYESYESYES 845HR4HRYESYESYESYESYESYESYESYESYES46HRYESYESYESYES 856HRYESYESYESYESYES55HR3HRYESYESYESYES YES864HRYESYESYESYES65HR2HRYESYESYESYESYESYES YES875HRJIM's Final ProjectYES73HR1HRYES YESYESYES YES887.5HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.L83HRYES YESYES YES896HRPerformingL94.5HRYESYESYESYES YESYES 903HRYESYESYESYESYESYES YES107HRYESYESYESYESYESYES LYES913HRYESYESYESYESYESYESYESYES114HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.923HR1HRYESYESYESYESYES126.5HRYESYESYESYESYESYESYESYES932.5HROrbit Folks Last Day134HRYESYESYESYESYESYESYESYES944HR2HRYESYESYESYESYES143HRYESYESYESYES YES YES953HRYESYESYESYESYESYESYES153HRYESYESYESYES YESYES 963HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.TOTALPERCENT165HRYESYESYESYES YESYES LTOTALPERCENT97JAMMartijn Last Day1615.3846153846174HRYESYESYESYES YES 1610984.5HR2HRYESYESYESYESYESYESYES2322.1153846154183.5HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.4628.75993HR1HRYESYESYESYESYESYESYESYES6562.5193HR3HRYESYESYESYES YESYES 9861.251003HRYESYESYESYESYES104100204HR3HRYESYESYESYES YESYES 160100DAYGUITARPIANOStrength Exercise
Poh Joy Goh: Strength Exercise:1. Bars Climbing2. J.S. Chord3. Hammer on /Pull off with any two fingersAPPREGIOSwing.metronomeCOMP.
Poh Joy Goh: COMPING:1. Approach2. Swing Picking3. Swing Fingering4. Thumb and Fingers Pratice Separately5. Chord Inversion6. Walking Bass7.Comping with Walking Bass8 4-Degree Vocing #9. Solo Guitar TransriptingSCALE
Poh Joy Goh: SCALE:1. 7-Position2. HOPELESS Exercise (Key)3. 3-Note per String4. IntervalsCHORDTONE
Poh Joy Goh: CHORDTONE:1. Chordtone Solo2. Sequence on ChordtoneSEQUENCE
Poh Joy Goh: SEQUENCE:1. Sequence2. 2-5-13. Transcription213HRYESYES YESYES 224HRYES YESYES YESYES DAYGUITARPIANO3NOTEPERSTRINGBLUESAPPREGIOSWING.METRONOMECOMP.SCALECHORDTONESEQUENCE235HRYESYESYESYESYESYESYES 1017HRYESYESYESYESYESYES244HRYESYESYESYESYESYESYES 1023.5HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.254.5HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.1033HR1HRYESYESYESYESYESYESYES264HRYESYESYESYESYES 1043HR1HRYESYESYESYESYES275HRYESYESYESYESYES YES1053HR1HRYESYESYESYES283HRYESYESYESYESYES YES 1062.5HR2HRYESYESYES293HRYESYESYESYESYES YES YES1073HRYESYESYESYESYESYES303HR YESYES YESYES 1082HRDOUBLE DOUBLE BASS NIGHT316.5HRYESYESYESYESYESYES LYES1095HRYESYESYESYESYESYES325HRYESYESYESYESYESYESYESYES1104HRYESYESYESYESYESYESYES334HRYESYESYESYESYESYESYES YES1114HRYESYESYESYESYESYES347HRYESYESYESYESYESYESYES 1123HRYESYESYES355HRYESYESYESYESYESYESYES 1133HRYESYESYES364HRYESYESYESYES YESYESYESTOTALPERCENT1147HRYESYESYESYESYESYES373HRYESYESYESYESYES YES 851158HRYESYESYESYESYES386HRYES YESYESYESYESYES 3823.751164HRSIZIKONG393HR2.5HRYESYESYESYESYES YES 11471.251173HRLISTEN403HR3HRYESYESYESYES YES 1601001185HRYESYESYESYESYESYESYESYES413HR3HRYESYESYESYESYESYESYES
Poh Joy Goh: For Extending Paratice:1. Pratice ChordTone With Some Sequences O.R Traids.2. Pratice more Blues in different keys!!3. Play the Triplets game for Building up Band Teamwork.4. For Walking Bass ,Comping and even more, think about Triples even when just playing Quarter Notes. 5. Don't use a metronome as quarter notes in downbeats. Imagine the clicks are on maybe, the Third note of Triplets, the Second note of Triplets, or even The first and the third notes of First Triplet and Second note of Second Triplets. Just don't make it normal, or resulting nothing improved.1194HRYESYESYES423HR3HRYESYESYESYESYESYESYES
Poh Joy Goh: FOR EXTENDING PRATICE:1. Alternate picking in Triplets. Try to put different accent in them.2. Play "Waltz Game" in band.3. PRATICE CHORTONE STRICTLY & FREQUENTLY.
Poh Joy Goh: S.Reading:1. Sight Reading2. Melodic Dictation/ Sight Singing3. Rhythm Dictation/ Sight Reading4. Chord Identification5. 251 Identification-Ear Master Pro1207HRYESYESYESYES433HRYESYESYESYES YESYES
Poh Joy Goh: FOR COMPING:1. Approach ideas can be used on comping too.(Able to use the Approach of the chord which is at the moment you play, or the aprroach of the next chord)2. Put the V of the chord or substitution into comping to create richer sound when it is suitable to play more.1214HR 443HRYES YESYESYES YESYESYES
Poh Joy Goh: For Bass And Drums:1. Play the Game [Lay]. Sometimes the bass is a little bit faster than drums, sometimes slower. Each one must think as 'I want to be slower/faster than him/her', creating the sound that isn't match on the beat, but not really slower and faster, just not on the beat. Some masters do it also, they may like the sound like this. This can really help each one listen to each other. After Playing this, you will get the sound in match easier since you've listened to others and though about being faster/slower than him/her.2.
Poh Joy Goh: For Extending Paratice:1. Pratice ChordTone With Some Sequences O.R Traids.2. Pratice more Blues in different keys!!3. Play the Triplets game for Building up Band Teamwork.4. For Walking Bass ,Comping and even more, think about Triples even when just playing Quarter Notes. 5. Don't use a metronome as quarter notes in downbeats. Imagine the clicks are on maybe, the Third note of Triplets, the Second note of Triplets, or even The first and the third notes of First Triplet and Second note of Second Triplets. Just don't make it normal, or resulting nothing improved.
Poh Joy Goh: FOR EXTENDING PRATICE:1. Alternate picking in Triplets. Try to put different accent in them.2. Play "Waltz Game" in band.3. PRATICE CHORTONE STRICTLY & FREQUENTLY.
Poh Joy Goh: FOR COMPING:1. Approach ideas can be used on comping too.(Able to use the Approach of the chord which is at the moment you play, or the aprroach of the next chord)2. Put the V of the chord or substitution into comping to create richer sound when it is suitable to play more.
Poh Joy Goh: For Bass And Drums:1. Play the Game [Lay]. Sometimes the bass is a little bit faster than drums, sometimes slower. Each one must think as 'I want to be slower/faster than him/her', creating the sound that isn't match on the beat, but not really slower and faster, just not on the beat. Some masters do it also, they may like the sound like this. This can really help each one listen to each other. After Playing this, you will get the sound in match easier since you've listened to others and though about being faster/slower than him/her.2.
Poh Joy Goh: Comping:1. Approach2. Swing Picking3. Swing Fingering4. Thumb and Fingers Pratice Separately5. Walking Bass6. Chord Inversion7.Comping with Walking Bass8 4-Degree Vocing #9. Solo Guitar Transripting
Poh Joy Goh: Am Blues scale(A C D #D E G A ) is able to play on A7, C7, D7, #D7, E7, G7.
Poh Joy Goh: Strength Exercise:1. Bars Climbing2. J.S. Chord3. Hammer on /Pull off with any two fingers
Poh Joy Goh: COMPING:1. Approach2. Swing Picking3. Swing Fingering4. Thumb and Fingers Pratice Separately5. Chord Inversion6. Walking Bass7.Comping with Walking Bass8 4-Degree Vocing #9. Solo Guitar Transripting
Poh Joy Goh: SCALE:1. 7-Position2. HOPELESS Exercise (Key)3. 3-Note per String4. Intervals
Poh Joy Goh: CHORDTONE:1. Chordtone Solo2. Sequence on Chordtone1233HRYESYESYESYESYESYESYES456HRYESYESYESYESYESYESYES L1243HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.464HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.1253HRYESYESYESYESYESYES476.5HRYESYESYESYESYESYESYESYESYES12618HRszk48SICK PA FOR ANIMATION WHOLE DAY IN TAIPEI1273HRYESYYY493.5HRYESYESYESYESYESYES 1283HRYESYYYYYY503HRYESYESYESYES 1294HRYESYYYYYY513.5HRYESYESYESYESYESYESYES130HK Coming524HRYESYESYESYESYESYES1313hr533HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.1323HR5411HRYESYESYESYESYESYESYESYES1333HR553HR2HRYESYESYESTOTALPERCENT1343HR563HRYESYESYESYESYESYESL2415.7894736842135pack up573HRYESYESYESYESL3120.39473684211363hr588HRYESYESYESYESYESYESYESYES9763.81578947371374HR593HRYESYESYESYESYES1521001385HR604HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.1395HR616.5HRYES YESYESYESYESYES
Poh Joy Goh: For Extending Paratice:1. Pratice ChordTone With Some Sequences O.R Traids.2. Pratice more Blues in different keys!!3. Play the Triplets game for Building up Band Teamwork.4. For Walking Bass ,Comping and even more, think about Triples even when just playing Quarter Notes. 5. Don't use a metronome as quarter notes in downbeats. Imagine the clicks are on maybe, the Third note of Triplets, the Second note of Triplets, or even The first and the third notes of First Triplet and Second note of Second Triplets. Just don't make it normal, or resulting nothing improved.
Poh Joy Goh: SEQUENCE:1. Sequence2. 2-5-13. Transcription140REST623HRYESYESYESYESYES YES
Poh Joy Goh: FOR EXTENDING PRATICE:1. Alternate picking in Triplets. Try to put different accent in them.2. Play "Waltz Game" in band.3. PRATICE CHORTONE STRICTLY & FREQUENTLY.14110HR633.5HRYESYESYESYESYES YES
Poh Joy Goh: FOR COMPING:1. Approach ideas can be used on comping too.(Able to use the Approach of the chord which is at the moment you play, or the aprroach of the next chord)2. Put the V of the chord or substitution into comping to create richer sound when it is suitable to play more.14210HR643HRYES YESYESYES
Poh Joy Goh: For Bass And Drums:1. Play the Game [Lay]. Sometimes the bass is a little bit faster than drums, sometimes slower. Each one must think as 'I want to be slower/faster than him/her', creating the sound that isn't match on the beat, but not really slower and faster, just not on the beat. Some masters do it also, they may like the sound like this. This can really help each one listen to each other. After Playing this, you will get the sound in match easier since you've listened to others and though about being faster/slower than him/her.2.
Poh Joy Goh: For Extending Paratice:1. Pratice ChordTone With Some Sequences O.R Traids.2. Pratice more Blues in different keys!!3. Play the Triplets game for Building up Band Teamwork.4. For Walking Bass ,Comping and even more, think about Triples even when just playing Quarter Notes. 5. Don't use a metronome as quarter notes in downbeats. Imagine the clicks are on maybe, the Third note of Triplets, the Second note of Triplets, or even The first and the third notes of First Triplet and Second note of Second Triplets. Just don't make it normal, or resulting nothing improved.14310HR658.5HRYESYESYESYESYESYESYESYESL
Poh Joy Goh: Comping:1. Approach2. Swing Picking3. Swing Fingering4. Thumb and Fingers Pratice Separately5. Walking Bass6. Chord Inversion7.Comping with Walking Bass8 4-Degree Vocing #9. Solo Guitar Transripting14410HR66HAVING GUITAR REPAIRED
Poh Joy Goh: Am Blues scale(A C D #D E G A ) is able to play on A7, C7, D7, #D7, E7, G7.14510HR673HRYESYESYESYESYES 14610HR685.5HR2.5HR YES YESYESYESYESYES14710HR696HR1HRYESYESYESYES YESYESYESYES1483HR704HRYESYESYESYESYESYES YES149Traveling714HRYESYESYESYESYES YES1503HR724HRYES YESYESYESYESYES L1513HR735HRYESYESYESYESYES YESYES1523HR744HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.1535HR753HRYESYESYESYES YES1546HR766.5HRYESYESYESYESYESYESYESYESYESTOTALPERCENT155(mon)5HR774HRYES YESYESYESYES 85.2631578947156(Fan birth)3HR 783HRYESYESYESYES YES YES4126.97368421051573HR797HRYES YESYESYESYESYES LYES10367.76315789471585HR803HRYESYESYESYES YES1521001598HR813HRJIM's Final Project PraticingYES
Poh Joy Goh: For Extending Paratice:1. Pratice ChordTone With Some Sequences O.R Traids.2. Pratice more Blues in different keys!!3. Play the Triplets game for Building up Band Teamwork.4. For Walking Bass ,Comping and even more, think about Triples even when just playing Quarter Notes. 5. Don't use a metronome as quarter notes in downbeats. Imagine the clicks are on maybe, the Third note of Triplets, the Second note of Triplets, or even The first and the third notes of First Triplet and Second note of Second Triplets. Just don't make it normal, or resulting nothing improved.1605HR823HRJIM's Final Project PraticingYES
Poh Joy Goh: FOR EXTENDING PRATICE:1. Alternate picking in Triplets. Try to put different accent in them.2. Play "Waltz Game" in band.3. PRATICE CHORTONE STRICTLY & FREQUENTLY.161Sing jazz jam3HR833HRJIM's Final Project PraticingYES
Poh Joy Goh: FOR COMPING:1. Approach ideas can be used on comping too.(Able to use the Approach of the chord which is at the moment you play, or the aprroach of the next chord)2. Put the V of the chord or substitution into comping to create richer sound when it is suitable to play more.1623HR845HR4HRYESYESYESYESYESYESYESYESYES
Poh Joy Goh: For Bass And Drums:1. Play the Game [Lay]. Sometimes the bass is a little bit faster than drums, sometimes slower. Each one must think as 'I want to be slower/faster than him/her', creating the sound that isn't match on the beat, but not really slower and faster, just not on the beat. Some masters do it also, they may like the sound like this. This can really help each one listen to each other. After Playing this, you will get the sound in match easier since you've listened to others and though about being faster/slower than him/her.2.
Poh Joy Goh: For Extending Paratice:1. Pratice ChordTone With Some Sequences O.R Traids.2. Pratice more Blues in different keys!!3. Play the Triplets game for Building up Band Teamwork.4. For Walking Bass ,Comping and even more, think about Triples even when just playing Quarter Notes. 5. Don't use a metronome as quarter notes in downbeats. Imagine the clicks are on maybe, the Third note of Triplets, the Second note of Triplets, or even The first and the third notes of First Triplet and Second note of Second Triplets. Just don't make it normal, or resulting nothing improved.1638HR856HRYESYESYESYESYES
Poh Joy Goh: Comping:1. Approach2. Swing Picking3. Swing Fingering4. Thumb and Fingers Pratice Separately5. Walking Bass6. Chord Inversion7.Comping with Walking Bass8 4-Degree Vocing #9. Solo Guitar Transripting
Poh Joy Goh: FOR EXTENDING PRATICE:1. Alternate picking in Triplets. Try to put different accent in them.2. Play "Waltz Game" in band.3. PRATICE CHORTONE STRICTLY & FREQUENTLY.16411HR864HRYESYESYESYES
Poh Joy Goh: Am Blues scale(A C D #D E G A ) is able to play on A7, C7, D7, #D7, E7, G7.
Poh Joy Goh: FOR COMPING:1. Approach ideas can be used on comping too.(Able to use the Approach of the chord which is at the moment you play, or the aprroach of the next chord)2. Put the V of the chord or substitution into comping to create richer sound when it is suitable to play more.
Poh Joy Goh: For Bass And Drums:1. Play the Game [Lay]. Sometimes the bass is a little bit faster than drums, sometimes slower. Each one must think as 'I want to be slower/faster than him/her', creating the sound that isn't match on the beat, but not really slower and faster, just not on the beat. Some masters do it also, they may like the sound like this. This can really help each one listen to each other. After Playing this, you will get the sound in match easier since you've listened to others and though about being faster/slower than him/her.2. 16512HR875HRJIM's Final ProjectYES1667HR887.5HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.L1678HR896HRPerformingL168(sun8HR903HRYESYESYESYESYESYES YES1695HR913HRYESYESYESYESYESYESYESYES1703HR923HR1HRYESYESYESYESYES1716HR932.5HROrbit Folks Last Day1724HR944HR2HRYESYESYESYESYES1735HR953HRYESYESYESYESYESYESYES1742HR963HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.TOTALPERCENT175(SUN)6HR97JAMMartijn Last Day1615.38461538461766HR984.5HR2HRYESYESYESYESYESYESYES2322.11538461541773HR993HR1HRYESYESYESYESYESYESYESYES6562.51783HR1003HRYESYESYESYESYES1041001793HR1805HR1815HR182 (SUN)3HR1838HR1849HR1858HR1867HR1877HR1884HR189(sun)6HR1904HR1913HR(almost1923HR19310HR19411HR1957HR196(SUN)Store assist197Dragon birth1983HR almost1993HR2008HR2018HR202 (travel2HR203(SUN)cleaning2044HR2053HR2063HR2074HR2083HR szk2093HR210 (SUN)4HR2115HR2123HR2134HR2145HR2153HR szk2164HR217 (sun)5HR2187HR2193HR2204HR2214HR22210HR2234HR224 (SUN)4HR2255HR2264HR2273HR2285HR2293HR2303HR231 (sun)competition jazz rookie2322HR2333HR2343HR2355HR2364HR(szk2372HR238(sun3HR2393HR2405HR2417HR242Taichung Jazz2433HR2452.5HR246(sunTaichung Jazz2474HR2486HR249the beat brothers2506HR2514HR2523HR253(SUN)9HR2543HR2554HR2565HR2574HR2584HR2593.5HR260(SUN)3HR2614HR2623HR2636HR2644.5HR2653HR2664HR267(sun)6HR2686HR2694HR2704HR2714HR2726HR2736HR274(sun)4HR2753hR2763HR277master class peng yu wen2785HR2794HR2805HR281(SUN)8HR2824HR2833HR2845HR2854HR2863HR287yu wen concert288(SUN)3HR and composing289composing290composing2915HR2924HR2934HR2943HR295(SUN)8HR2964HR2973HR2984HR2992HR300Toeic preparing301composing302(SUN)4HR3033HR3042HR3055HR3063HR3075HR3082HR309(SUN)3HR3106HR3114HR3122HR3132HR3142HR3157HR316(SUN)szk3175HR3183193203HR32114HR3224HR323(sun) Hope master class4HR324RIP325RIP3263HR3273HR328RIP3294HR330(SUN)Going home3315HR332RIP3338HR33410HR3355HR32610HR331(SUN)10HR3323HR3338HR3348HR3355HR3365HR337RIP338(SUN)5.5HR3394HR3401.5HR3415HR3426HR3438HR3446HR345(SUN)8HR3467HR3476HR3485HR3498HR3505HR351RIP352(sun)4HR35210HR3538HR3544HR3553HR3562.5HR3570.5HR (listening358(SUN)1HR Listening359RIP3600.5HR (listening3612HR362RIP362Traveling363RIP364(SUN)3HR365RIP3664HR3673HR3685HR3693HR3705HR371(SUN)RIP3725HR3733HR3745HR3755HR3762.5HR3776HR378(SUN)4HR3796HR380RIP3817HR3825HR3835HR3842HR385(SUN)3HR3864HR3873HR388RIP3895HR3904HR3914HR392(SUN)RIP3932HR3942HR3952HR396RIP397RIP3982HR399(SUN)3HR4005HR4017HR4024HR403Sorrow Day4045HR4053HR407(SUN)2HR4084HR4093HR (composing)4103HR(composing)4112HR412RIP4136HR414(SUN)4153HR4163HR4175HR4185HR4196HR4202HR421(SUN)2HR4214HR4223HR423(2HR4243HR4252HR4262HR427(SUN)6HR4285HR4292HR4304HR4312HR4325HR433RIP434(SUN)RIP435()3HR436
DAY1-30DAYGUITARPIANOBARS CLIMBINGJ.S CHORDAPPREGIOSwing.metronomeCOMP.SCALECHORDTONESEQUENCES. ReadingN13HRYESYESYESYES 23HR1HRYESYESYESYES 34HRYESYESYESYES
Poh Joy Goh: FOR COMPING:1. Approach ideas can be used on comping too.(Able to use the Approach of the chord which is at the moment you play, or the aprroach of the next chord)
Poh Joy Goh: For Extending Paratice:1. Pratice ChordTone With Some Sequences O.R Traids.2. Pratice more Blues in different keys!!3. Play the Triplets game for Building up Band Teamwork.4. For Walking Bass ,Comping and even more, think about Triples even when just playing Quarter Notes. 5. Don't use a metronome as quarter notes in downbeats. Imagine the clicks are on maybe, the Third note of Triplets, the Second note of Triplets, or even The first and the third notes of First Triplet and Second note of Second Triplets. Just don't make it normal, or resulting nothing improved.
Poh Joy Goh: FOR EXTENDING PRATICE:1. Alternate picking in Triplets. Try to put different accent in them.2. Play "Waltz Game" in band.3. PRATICE CHORTONE STRICTLY & FREQUENTLY.46HRYESYESYESYES 55HR3HRYESYESYESYES YES65HR2HRYESYESYESYESYESYES YES73HR1HRYES YESYESYES YES83HRYES YESYES YES94.5HRYESYESYESYES YESYES 107HRYESYESYESYESYESYES LYES114HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.126.5HRYESYESYESYESYESYESYESYES134HRYESYESYESYESYESYESYESYES143HRYESYESYESYES YES YES153HRYESYESYESYES YESYES 165HRYESYESYESYES YESYES L174HRYESYESYESYES YES 183.5HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.193HR3HRYESYESYESYES YESYES 204HR3HRYESYESYESYES YESYES 213HRYESYES YESYES 224HRYES YESYES YESYES 235HRYESYESYESYESYESYESYES 244HRYESYESYESYESYESYESYES 254.5HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.264HRYESYESYESYESYES TOTALPERCENT275HRYESYESYESYESYES YES2410283HRYESYESYESYESYES YES 6928.75293HRYESYESYESYESYES YES YES14761.25303HR YESYES YESYES 240100
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