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החדש והרע ומערבון מעין כולל, ח" ש17 ,2012 סתיו- קיץ— 3 גיליון/ אמנות מגזין

מגזין האמנות החדש והרע 3 - 2012

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מגזין האמנות העצמאי מבית מעין - עורכת: נטלי לוין (עם רועי צ'יקי ארד ויהושע סימון* New&Bad Art Magazine, Haifa, Israel

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Page 1: מגזין האמנות החדש והרע 3 - 2012

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".)8*0" "/18. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "#/ '85+ ."320 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51"4 %5822 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .352#1&". 5"+132 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-""#/ 5(9)33 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5')"#/ "#'534 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . %8 .)"5)58 ,36 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .,5"92) 56"#'337 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ,1.+ %''339 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ,1#6#") '8"5-642 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3–%2 5#2)44 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9')51/ %"$+50 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "#8'5 !,.)53 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . :/ 5"+*54 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . %'/53 ,/+55 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . %'5"3 %(#'"56 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . %+"", 8"/'+64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5"(6 ('566 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "-'5+ 25+76 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54.+ -$.379-77 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "-'50 *5)' 5-)# 5"#83 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . %5'8 -5'90 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9.'4"8 .)"#-94 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6) ,#)' 5892". "5)97 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . %+5-6 "./98 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . %*'5 -$.)99 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-""#/ .56100 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . %+&'2 %.106 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5/"6 ("."3107 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ':"2'85+ !0#+ "$'5108 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ,-'5 ,#'.)

Page 4: מגזין האמנות החדש והרע 3 - 2012

,+-8,

,#'50), ,#/,+ !"5+'0 (6'9) ,'*&5+2 ."#'"&5) "6') )/'# !"#$ %&'# ./ "0&'#, %'"."3,.,)0+, ./ /-0+ ,""#2,' ('456(,, () ,3"4+/

.%2., ,."., "$'5") .'1"2. ,)"58, ,")"/ %"2/ ,(5$'9' (64'/ ,#/ ,("", ()* !"-, 55'$. ,0".4, !"#"36+, .'+ 2"2)–.( (""5"$ ./' ,51/+, ./ ,+".), ('.,#(,,

.,2"1#51.) )'52.' -0" .'$6. 5"$2 ('25(, "/#). '+53/ !"25 ./ ('0#).' 9'9",. '&* %2., ,."., .'1"2. (')"58 %(') 8'"-2 ,#/& "#6./ %""#$+ 5'("), (-$' ('.,#(, 2"29 %"36,. ')4"' '2(& ,'/36# ,'-3)(, !"#+) ('4'28 .('"+"96 (')"58, %"2 ;9'# $85 !'*+*& '$+/# '.) (')"58 7) ,2"2)–.( %')"*'+. "/)5 54') (5"02. %+*, 0'5/ !"+" !(')+ !""'+"-' !"&+9+ !")2'+ !&"#6./ %'"."32 ."(520 8-4. ('25,

.!'", 85 .&$. (5/6)+ "50) "6)-8 ./ '"#6 .-.6/5", 5+( ("#+), ,54"/ "6)-8 ./ '#8'"- %'"."3, 5$/2 "#+8#, ,!".), -4, () '6/0 ,'2"29 3#"1""5, /02' "2'., !$, '2 $4"2/ "5*&), ':#"., ."5*&) %-'5& -0" '.) .& () 34"" "6)-8 — -3#+ .!-), () 5&/+ 0'&,/& 54'#/ "(""0,'

('+35( <+ ..&2 ('25(' ('#+) -4"&' ,0'&, (.)/2 !"89'$ "0&'#, %'"."32 !"25 !"1981 !"205 !""5'19", !"&".,( ./ !"#6, -0) )', ,*, %-'5, 045 ./ 5*&), $35, .0'&.

.!6'9 () !"$-'" '##") %""-$/ %'"9"#. !"-$ '#"", ,"5'0/ ,."." -'9""' 2"2)–.( (""5"$ -3# ('++'8(,, "+". ."28+2 "('#0," (")+4$, ,"5.32 3"4,/ ,!.'/+ "9) ./ '(&'5$( () ("4,. !"#'4"8 (- "."$6 ./ 7& .& "#'4"8 ,58+ ("+'8+, ('#+), ./ ,"5'19",2 '#. 5'&* ). .,".$, 2'05 .) ,#'6,

.('#+) (-'2$ ('28$2 ('+".) ./ $/'," ./ 5+)+2 .)5/"2 ('"1".'6 ('&'5$( ./ %+'8+ () %"2,. '#"9"# !-'8, %'"."32 ,#/2 ,*)+/ ,+-# .35'2#-.') ./ -$2, 196"#+ 75- !""0' ('#+) %"2 5/8, ()' ,%'+"9 %+4$. ('/5+' ,("(520, ,.)/, .)' "1".'6, !'8+, .) ('#'6 ('+*'" 5('" ,,#'50),

.,1"/,' -9++, .) 7"54/& (582+' (/.'/+ $24) ('#6,. $4+)+ ,"!""*&5+, !"#')"*'+, (8"0+" ,.3 5")+ ./ ,-'2$ ,5)/, %"2 ,"0&'#, %'"."32 %""1/-.'3 "24 ,")24–"#"-+ 51/+. ('25( ('-9'+ %"2 5/8, () 21", ()12+ 90–, ('#/ 5)(+ 1962 (#/+ %+5(.) ./ 1981 ,%')"*'+, -9'+ ./ ,/-0 ,9"6(' "6'1') 12+ $"4+ %+), !$ ,1"+–%'")5' .)5/"2 ("('25( ,"48"651#'3 ./ !"#'/)5 !"&".,( ('"2")#2

.;9&. ('#+) %"2 90", () 5")+ 352#1&". 5"+1 !'" .& 54'" )',/ ('-'2$, 18"'56.' :.+ 51"6 %+). ,#6'+ "0&'#, %'"."32 9'8'6, '.&'( %'"."3, *&5+2 ,'.) .& %"2 .!'" !'", ""0' ('#+) %"2 5/8, () 3"4+, ,,#/ 7/+2

.2"2)–.( %')"*'+ -3# ,#'50), ,#/, ./ 82)+, %'"&5)+ !"&+9+' !""'+"- 8"( )'4+. ('#+). ,)&-+ 51/+' 5'2"4, (*"2 ,,".6) ,($/'6 ('#$*3 ./ !"+"2 )8''-/ ,)5# !3' (0) .35 -'$ .82)+2 "1#''.5 -"86( ('",. .'&" ,,./ %2'.,+ ()4'" 5/) ,("+'8+,

.('2'052 ,",( )",

!"#$ %&'# (&5$+

2012 ,!"#$ %&'& ,(")#") ')* Avi Bohbot, Schwarze Nacht, 2012

Page 5: מגזין האמנות החדש והרע 3 - 2012

!"#$ 7 %&'# 6

2012 ,%+"),% -"./& 0')% 1') .#!/% &"(') ,.)'23 )'!' ↗Yariv Spivak, Eliminating the distance between home and the workplace, 2012

2012 ,%,"/$ ,!0* 1"!' ↑Yaron Attar, Rumor, 2012

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!"#$ 9 %&'# 8

2011 ,!"# "#$ ,%&' (%) Barak Zemer, Sleeping man, 2011

Page 7: מגזין האמנות החדש והרע 3 - 2012

!"#$ 11 %&'# 10

1996-1995 ,())*+",# ()-$.)*$,# /0)', /"&1 2$/, ,34 ").,

($6/'+ ,.)5/"2 !""*&5+, !"#')"*'+, () 80'+ )', ,2/ ,.3 5")+ ./ ('-'2$, (5-9 )-''. "-& (")24, ,5'*#4, ./ ,8"-2 5'2$. 5'+) .)5/"2 "5"'') !'."4 .& "& ,-2'$,+ !"#8(+' ('-9'+ !"+'.4(, %+ 80'+ ")24, 5'*#4, .!"")24 ('-'9 '2 !"6/0# ). "& '.) !"5'*) '2 !"5(9'+ ). 5/) !'.4( ./ ,34, ') !'956 .)24,' ,#"-+, () !"(5/+,

.,#"-+, %'01"2 .$ ,5"2$& 2/0# ,&'(2/ ("1".'6, (')"4+, () !"(''$+' !"+.$(+ !"#')"*'+, "& .3 %$'1 '* ,-'2$2 ,",/.& (5'8"2 ') !""8, "#0'&, 5-9. ,2"1#51.) !"$"4+ !#") !"#')"*'+, .!".$'6 !, ("1".'6–(".&.&, ,1".), ,8'/, ('0'& !$ ,.'$6 !"6(/+' !"&+'( !, ,76,. ).)

.!-" .$ !"&+(#' ,)24,' ,./++, "-5/+' -4. !"-86(+ ,,#"-+, ./ ,1"./ "#'#3#+ ./ ,"'+9 ,"48#'6 !#", !"#')"*'+,/ !'/+

.!80+.' !"")24 !"#8(+& !3''9. /" ,!""('25(& !"''9'+' !"")24 !"5'*) %')"*'+ ,.)5/" %')"*'+ ,,6"0 %')"*'+ ,2"2)–.( %')"*'+ () .3 80+ ('-'2$, (5-92

.-'50 %"$ %')"*'+' ,".45, %')"*'+ ,%3 (+5

%'!.% 0.'#/ ,1"*'4"/% +5& .)')*–&0 1"*'4"/ 0.'#/

Page 8: מגזין האמנות החדש והרע 3 - 2012

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2011 ,-'6"*'4"/% 0!+3 7"0/ ,'&*.4#' '$ :-'*)% -'+"/,) ←Upcoming pages: Shai Yehezkelli, from the Museums series, 2011

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Page 11: מגזין האמנות החדש והרע 3 - 2012

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2011 ,Stairways ,'6$ ".!/ &'8 ↗Gil Marco Shani, Stairways, 2011

2011 ,(./ ,'6$ ".!/ &'8 ↑Gil Marco Shani, Maket, 2011

Page 12: מגזין האמנות החדש והרע 3 - 2012

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2012 ,(*$+#* ,*-& ./#0.) The Perfect Human ,%0#1 !%( Keren Cytter, The Perfect Human (Still from a video), 2012

Page 13: מגזין האמנות החדש והרע 3 - 2012

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2010 ,0'/+.* %,$ %9"!,0% 7"0/ ,8!)6(9'& !'/( ←Tamir Lichtenberg, from: Academic Hour, 2010

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Tamir Lichtenberg, Factory outlet, 2010

Page 16: מגזין האמנות החדש והרע 3 - 2012

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2012 ,:*% &, %&, -, #"! ,!+''6$ !03* →Ester Schneider, Spirit with a leaf on the nose, 2012

2011 ,%&9 ,!"*'6$ '6"! ↑Roni Shneior, Bride, 2011

Page 19: מגזין האמנות החדש והרע 3 - 2012

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2012 ,)& ,%!'3)* !2'6'8 Jennifer Abessira, Heart, 2012

2011 +!# ,1. &*'!* Ariel Kane, Hared, 2011

Page 20: מגזין האמנות החדש והרע 3 - 2012

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2011 ,%2/ ,%(&/ 1"'8 ↗johnfmalta.com

Page 21: מגזין האמנות החדש והרע 3 - 2012

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2011 ,"8*'(63) %//#% ,%(626'* ".'!+2federicoinfante.com

Page 22: מגזין האמנות החדש והרע 3 - 2012

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Page 23: מגזין האמנות החדש והרע 3 - 2012

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2010 ,%(6&2 ,&8–1) !6)* ↑Avner Ben-Gal, Planet, 2010

2011 ,%4'4, %&"0#% &$ '/'62% %/&", ,&8–1) !6)* ↖Avner Ben-Gal, The Inner World of Aziza the Cat, 2011

)')*–&0 1"*'4"/ 0*5"%) ,1''($8!) &,' :09!", ."Biogenetics" !23% 7"0/ From the book "Biogenetics" Editor: Yael Bergstein, published by Tel Aviv Museum

Page 24: מגזין האמנות החדש והרע 3 - 2012

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3"*!($ 1',/ :-'/"&'5 Photos: Maayan Strauss

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.*$%0" !#2& :9#&*/#1 Photos: Maayan Strauss

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2012 ,1+*/! '.".'4 ,'6."! -%&* ↗Elham Rokni, Fireworks Ramadan, 2012

Page 28: מגזין האמנות החדש והרע 3 - 2012

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Page 29: מגזין האמנות החדש והרע 3 - 2012

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2012 ,0/"3!2 ,1"!'8 106"' Yonatan Giron, Advertisement , 2012

2012 ,&/$# -"- &.$/ ,1"$!8 %$/ Moshe Gershon, Scale-and-electric, 2010

Page 30: מגזין האמנות החדש והרע 3 - 2012

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Page 31: מגזין האמנות החדש והרע 3 - 2012

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2012 ,-$ *&& ,%!'3)* !2'6'8 ↑Jennifer Abbesira ,Untitled, 2012

2012 ,0"/'!, ,1/''% .'$"/ →Moshik Hayman, Piles, 2012

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exhibited at Julie M. Gallery in 1978

Page 37: מגזין האמנות החדש והרע 3 - 2012

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%$'*" $'* 600 &,/ "/0# %'&, )! )!, !0*) %/3!"2$ %/"5,Petition published on Erev Rav site signed by over 600 men and women

Page 38: מגזין האמנות החדש והרע 3 - 2012

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06."0/ %6/4% ↑Repair Order

2011 ,0"6/* -')%"* ',"!* 0* -'/'!#/ ↖Boycotting the event "ohavim amanot"

Page 39: מגזין האמנות החדש והרע 3 - 2012

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Page 40: מגזין האמנות החדש והרע 3 - 2012

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Nir Nader and Erez Harudi - Preparation For High Court, 1994

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Herbst. THEORIE ZUR PRAXIS — Magazine of Steirischer Herbst Festival 2011, Graz

Open House: Where do artists come from?, Theodor Ringborg, guest producer, iaspis, Stockholm

Page 43: מגזין האמנות החדש והרע 3 - 2012

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Artist Sigalit Landau, academic guest of the Business Club of Tel Aviv UniversityWith Professor Yossi Klafter president of the University and Amos Shapira.

14.07.2011, The day when Dafhni Leef placed the first tent on Rothschild Boulevard 2011 ,1"'3 ,1!". +!"

Vered Koren, Sivan, 2011

Page 44: מגזין האמנות החדש והרע 3 - 2012

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Focus on Peter J Maltz

31.04.12 - Art Survivor V.I.P, Color pencils and Tipp-Ex on paper 12.01.12 - Who's in Tel Aviv and who isn't, Ink on paper 02.03.12 - A trip in the art field, Watercolors, pencil, ink and Tipp-Ex on paper09.02.12 - My contribution to the local bush (*bush in Hebrew = discourse) , Felt pen and Tipp-Ex on paper22.03.12 - I ALWAYS WANTED TO BE A MOROCCAN, Acrylic on paper

Page 47: מגזין האמנות החדש והרע 3 - 2012

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!"#$ 107 %&'# 106

2011 ,,!% !%% ,!$'2 0'&'8 Gilit Fisher, The Bad Mountain, 2011

(!0* 1"!' :-"&'5) 2010 ,,8! ,;')".!/ -#6/ ',"! Roy Menachem Markovich, Moment, 2010 (taken by: Yaron Attar)

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!"#$ 109 %&'# 108

2011 ,"&," '/,2 ".4# ,%+"! %6"&* Alona Rodeh, Strengthen Time and Increased, 2011

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ARTICLES

TEMPLE MOUNT Zvi Goldstein with a fresh look on the future of the museum . . . 13

PILLOW TALK Tamir Lichtenberg tries his pajamas on. Natalie Levin . . . . . . . . . . . . . . . . . . . . 22

ROCK N’ ROLL LIZARD Keren Katz with curious reviews from NYC: John Malta, Tilmens and Infalta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

OFERIKO BROS. AND CO. Maayan Strauss takes a boat with Zim sailors to America . . 45

ACRE UNDER SNOW Nathan Alterman foresees gentrification . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

FROM COPERNICUS TO DAPHNI LEEF Boaz Levin and Iran Dorfman propose revolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

SHOW ME THE MONEY Natalie Levin was robbed at the TAM “Art-Money-Power” conference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

THE STRUGGLE documents corresponded and actions from the artists’ protest archive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

THE PARLIAMENTARY ASSISTANT Omer Krieger’s “State Artist” Manifesto . . . . . . . . 80

ARTISTIC BUSH IN FLAMES Focus on Peter Jacob Meltz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

MUEZZIN MAGIC some words regarding Daniel Kiczales’ The Messenger . . . . . . . . . . . . . 91

ALARMING STOP SIGN Iran, the exhibition text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

JESUS CHRISTIE’S Auctions as performances, auctioneers as artists . . . . . . . . . . . . . . . 101

ARTISTS

Tamar Hirschfeld . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Front CoverAvi Bohbot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5Yariv Spivak . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6Yaron Attar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7Barak Zemer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8, 63Meir Gal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11Shai Yehezkelli . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15-17, 69, Back CoverGil Marco Shani . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18Keren Cytter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Tamir Lichtenberg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22Esther Schneider . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32Roni Shnieor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33Ariel Caine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34Jennifer Abessira . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36, 58John Malta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37Federico Infante . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39Avner Ben Gal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42Maayan Strauss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44Elham Rokni . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50Zamir Shatz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53Moshe Gershon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54Yonatan Giron . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55Moshik Hayman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56Ruth Patir . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64Merav Maroody . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66Gilad Melzer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76Nir Nader and Erez Harodi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77-79Vered Koren . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83Daniel Kiczales . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Ari Libsker and Anna Eppel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94Shelly Federman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97Elad Rosen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98Pearl Schneider . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99Len Baukhman. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100Gilit Fisher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106Roy Menahem Markovich . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107Alona Rodeh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Table of content

Page 58: מגזין האמנות החדש והרע 3 - 2012

The NEW & BADArt MagazineSummer Autumn 2012 / Issue no. 3

Editor: Natalie LevinCo-Editors: Joshua Simon, Roy Arad

Editors Board: Zvi Elhyani, Hadas Kedar, Roee Rosen, Elisheva Levy, Maayan Strauss,Jennifer Abbesira, Mati Shemoelof, Boaz Levin, Keren Katz, Ariel Kleiner, Kohavit Kedoshim, Noam Edry, Avi Bohbot

Front Cover: Tamar Hirschfeld, Gaddafi, 2012Back Cover: Shai Yehezkelli, From the museums series, 2011

Design: Avi BohbotText editing: Yinon KachtanPublished By: Maayan Association for Poetry

www.maayanmagazine.com

Subscriptions, comments, sending visual materials and text:[email protected] Box 16277, Tel Aviv - Ja!a 6116, Israel

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Page 59: מגזין האמנות החדש והרע 3 - 2012

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