60 HANS ROBERT JAUSS

IlE tit poit9£la tPlroV YEVIKOU 'tlmOU ltapayov'tlllv ltOD 6pi~oUIlE w~ e~ij~ :

(a) yvwatE~ VOPJlE~ fj taWt£plKit ltOlT)t1Kl1 'tOU A.OYOtEXVIKOU y£vou~, (P) A.av9o.VOuaE~ aXEaEI~ 1tpO~ liHa YVWata epya atit auvaCP£la tij~ ia'to­pla~ tij~ A.oy()tEXVla~ Kal (y) QV'ti9EaT) IlEta~U j.lu90ltA.aala~ Kal ltpaYlla­t1KOtT)ta~, ltolT)tII(ii~ Kal ltpaKt1Kii~ AEltOupyia~ tii~ yA.waaa~, 1'1 6ltOla £Ivai w~ ouvatotT)ta aUyKplaT)~ olapKro~ OEOOIlEVT) yt<x tOV ayoxaatiKO avayvwatT) Kata tl1 Olo.pKEla 'tii~ O:vclyvlllaT)~ .• 0 tpito~ ltapclyov'ta~

Ej.lltEPU:A.ElEI O:KOIlT) t6 YEYOVO~ on 6 o:vayvwa'tT)~ IlltOPEi vo. ltpOaM.pEI Eva VEO EPYO toao atov atEvO 6pil:;ovta 'trov AOYOt£XVIKroV ltpOaooKlrov tou 000 Kai atov EUpUtEPO tii~ tlllt£lpia~ tou Piou 'tou.l:tit OOlll1 tOUtOU toil 6pi~0V'ta Kai atJ1 ouvatotT)tQ QV'tlKElll£V1Kfj~ t~aKpipwal1~ YOU IlEaw 1:fj~ tpllT)vEUnKii~ tfj~ tpwtT)aT)~ Kai tii~ QltaVtT)aT)~ 9a EltaVEA.91ll, lhav n:9£i ltp6~ aU~l1tT)aT) 1'1 aXEaT) A.oyo'tExvia~ Kai ltpaKtlKoil PlOU (PI.. XII).

VIII

'H ovvaronrra dVaDvYKporYJI1YJr; roo opi(ovra ltP0l100KlmV evor; epyov KaOll1rii, I1VV£1tWr;. Ovvarov va KaOopfI10VJ1.& ro xapaKr~pa rov wr; epyov

rexvYJr; J1.e PdaYJ T:tl fPVI1YJ Kai r~v evraDYJ r;;r; tnlopaDYJC; nov daKei' l1e eva I1VYK£KplJ1.evO K01VO. 'Ail1(}YJTlK~ dnoK).,I1YJ' tJv0J1.6J;ovJ1.e r~v dnOaraDYJ ava­

J-lEl1a I1rov npovndpxovra opi'ovra np0l100K1WV Kai r~v tJ1.fPaVII1YJ roo ve(Jv epyov. roo onoiov " npo(1).YJVlYJ J1.nopei va I1VVemfPEpel J1.uJ. 'J1.erapo).~ roo opf'ovra'. eire J1.E r~v anoppIVlYJ oiKeiwv tJ1.n£lplWv e1re J.Li r~ ovveloYJro­noiYJI1YJ tLUmv nov tKfPp6J;ovral Yla npwrq fPOpo: ar}r~ " ail1(}qTlK~ anoK).,I1YJ. nov vno).oyi'eT:a1 I1r~v K).iJ1.aKa rmv aVTlopal1£(})v rOD KOIVOD Kai rmv

dnoVlewv r;;c; KplrlK;;r; (dJ1.EoYJ tmrvxia. dnopplVlYJ if I1KaVOaAo. J1.eplKn tnu50KIJ1.aDla. paOJ1.1ala if KaOVl1reP'1J1.Ev'1 avayvwpll1I'/J. J1.nopeiva anore).tI1£l aVTlKeiJ-lEVO T;;r; [l1rOplK;;C; avti).vO'1r;.

o TPonOI IlE tOV 6noio Eva A.oYO'tEXVIKO EPYO tKaVOltOlEi, ultEppaiv£I, QltoyoT)'t£u£1 fj QV'tlKpOU£1 ti~ ltpoaooKi£~ tou ltpwtOU KOWOU 'tou a'tl1 XPOV1Kl1 anYlll1 Ka'tcl 'tl1V OltOla twpavll:;£tal auvlarii ltpocpavro~ KP1't11-plO Yla va Ka90plO'OUllE 't,!\V al0'9T)nK'; Q~ia 'tou .• H QltOKA.IO'T) QVaj.l£O'a O'tOV 6pil:;ovta npoaooKlrov Kai to EPYO, QVo.ll£O'a O''t,!\v OlK£IO'tT)tll tii~ npOY£VEO'tEPT)~ al0'9T)nKii~ tJlnElpta~ KIlt'tl1 «j.l£T:apoA.'; toil 6pil:;ovta,.80 nou Qnam:i 1'1 npooA.T)'I'T) tOU VEOU ~pyou Ka90pil:;El aUl.upwva IlE t'!\v al0'9T)nK,!\ tii~ npoaA.T)'I'T)~ tOV KaA.A.ltExvlKO xapaKtl\pa 'tou A.OYOtEXVl-

80 no. t6v /lpo ailt6v toil Husserl. ~A. G. Buck. Lemen und Erfahrung. II. It. , CJCJ. 64 K.k.

62 HA NS ROBERT JAUSS

VOPflU tOU ropalou Kal to q>alVOjlEviKel avuvtippT)to 'airovw VOT)I.lIi' toue; ta MT)yt:t, oUjlq>rova jl£ ttlV aiOST)tlKtl ti'je; ltPOOA.TJIVTJe;, O£ jlla E1t1KIV­OUVT) yt:ltvlaOT) jl£ ttlv oixroe; UvttOtaot:le; t:uyA.rottTJ Kai ltpOmpEpOjlEVT) ltpOe; UltOA.UUOll '&iSTtt:lttT)' t£xvT), Etal roOtl': va ltp£ltEI va Kata~aA.OUflt: iOlaitEpo jlOXSo, Yla va ta Ola~aOoUjlt: 'KOVtpa' ('gegen den Strich'] Otov EStOjlO tiie; EjlltElpiae; Kai va OlaKpivoUjlE EK VEOU to xapaKttlpa tOUe; roc; epyrov tEXVT)e; (~A.. IX) .

. H 0X£0l1 tTle; A.oyotExviae; Kai tOU KOIVOU t11e; O£v i;~aVtA.Eital Oto Otl KaSE EPYO EXEI Eva iOlaitEpo, tOtO PIKa Kai KOIVroVWA.0YIKa ltpOOOWPI-01l&VO KOIVO, Otl KaeE ouyypaq>£ae; £Ivai E~aptT)jlEVOe; aTt6 tTlV m:plppE­ouoa atjlOOq>alpa, tie; Ttt:TtotSTlOEle; Kai tTlv iOEOA.oyia toU 1C0lVOU tOU, Tj Otl it A.o YOtexvlKTl E1tttuxia TtPOUTtOS£tEI Eva ~IPA.io «TtOU EKq>pa1;et tie; TtpocrooKiee; ti'je; DllaOae;, Eva ~IPA.io TtOU UTtOKaA.UTttel crtTlv DllaOa tTlv rOla tTlv elKOVa t11e;».83 AiJtoe; 0 UvtIKEljlEvlcrIlOe;, TtOU f:vtoTti1;el tTl A.0YOTl;XVIKTl E1tttuXla crtTl crUjlTttroOT) elVajlecra crtTlv TtPOSEcrT) tOU epyou Kai tTlV Ttpocro01da jllae; KOlvroVIKfje; DllaOae;, q>£PVEI TtaVtOtE tTlv KOtVro­vwA.oyia tiic; A.oyotExviae; crt eljlT)xavia, Otav TtPETtEI va E~T)YTlcrEt ilia OlVljlT) ij jlla OlapKTl ETtiopaoT). ~Etol 0 R. Escarpit, Yla va E~T)YTl0t:t tTlv «IVEuoaioST)oll ti'je; OtapKOue; 1tapouoiae;» f:VOe; ouyypaq>Ea, £Ivai i)1tOXpE­roIlEVOe; va TtPOUTtOSEOEI «jlla OUHOYtKTl paoT) ot6 xoopo Tj OtO xp6vo»­Katl TtOlJ M11YEi OtTlV Ttepi1ttrooTJ tOU Moliere crf: jlta o.Va1taVtEX11 1tp6~A.EIVTJ: «' 0 Moliere Elval VEOe; elK6jlll yta jlae;, tOUe; raHoue; tOU 200u airova, Ylati 0 KOOjlOe; toU elK6jlT) 1;Et Kai o.KOI1TJ l1olpa1;ollaOte jla1;i tou tov TtoA.lttojl6, tie; elvttA.tl\jlEle; Kai tTl yA.roocra [ ... ]. • AHa 0 KUKA.Oe; Sa OtEVEUEI, Kai 0 Moliere Sa YEpaoEI Kai Sa TtESaVEI, otav TtESaVEI O,tI EXEI elKOjlTJ KOIV6 0 OIKOC; l1ae; TtOA.lttOjlIKOe; tUTtOe; 11f: ttl raA.A.ia tfje; E1toxiie; tOU".84 :Eav va dxt: o.Ttt:IKovioEI D Moliere jl6vov ta 'TjSTJ tiie; ETtoxiie; tou' Kai 110VO XapTJ of: tOUtTJ tTlV l>TtOtlSf:jlEVTJ 1tp6SEOTJ va YVroPIOE tErola olapKll £7tttuXia! "Otav oEv uq>icrtatat (11 OEV u<piotatal 1tla) OUjlTttroOTJ o.VallEOa ot6 epyo Kai tllV KOlvrovlKll ollaOa, OTtroe; Em 1tapaOEtYjlati Kata tllV Ttp60A.TJ1V1l tOU EPYOU of: jlla ~f:VTJ yA.roooa, 0 Escarpit OtVEt tll' A.UOll naPEI1PaA.A.Ovtae; o.VajlEOa tOUe; Eva «lluSo": «MuSoI, nou ImIVoTJ­oav ot IlEtaYEveOtEpOI, Yla vel toue; tOnOSEtll00UV Otll SeoTJ Iltae; npayjlatiKOtT)tae; elno tllV oTtota Elxav o.1t0~EvroSEi".85 :Eav va 1'jtav KaSE Ttp60A.TJ\jIT) f:VOC;; epyou, IlE t~aipEoll EKEtVl1 -rOU Ttprotou, KOIVroVIKa

83 R. Escarpil, Dos Ruch und der Leser: Emll'ur! einer Literatursoziologie. Koln/Opladen 1961

(ltPcl>UI Y£PIlQVlIcrj. OUllltAl)pClllleVl) EKBool) tOU Sociologie de 10 Iillerature. Paris 1958). o. 116.

84 AutOSI. o. 117.

" Alit66l. o. III.

64 HANS ROBERT JAUSS

~mOpEt va XPTlOlIl&UO&l 00<; napaS&lYlla. TIapaHTlAa liE ttlV tv t<i> IlEta~U ltaYlCoolliw<; SlaOTlIlTl Madame Bovary toU Flaubert, KIJKAOCPOPljOE it ATla~OVT]lltvTl OtlllEpa Fanny tOU lpiAOIJ tOU Feydeau' ,.lOAovon to lluB10tOPTllla tOU Flaubert OtaSTlKE alp0PlltlIl1U<; SiKTl<; Y1a npOOpOAtl tfi<; S'lIlooia<; a{80\)<;, t6 IlIJS10tOPTlj.la tou Feydeau l:1tlO1ClaOE KataPXtlv ttl Madame Bovary: it Fanny £lCaVE OE ilia XPov1a SElCatpEi<; EK5OO&l<; lCai YVOlPlO"E £tOt tttoia Elt1tIJxia nou SEV ElXE ~tlO"f;1 to TIapi01 ano ttlV btOXtl tfi<; AloIa tOU Chateaubriand. Ta SIJO j.lIJStotoP'llllata ltpOlCatEAa­pay alt6 SEllanlC'll QnO\jlTJ ti<; npoooo1ClE<; he<; VEOIJ lCOlVOU, ltOU -OUIl­Ipwva lit t'llV ciVaAIJOTJ tou Baudelaire- ElXE altOppi\jlE1 lCaSE pOllavttOll6 lCai altExSav6tav E~iooIJ t6 U\jITJAO lCai t6 alpEAE<; tou naSoIJ<;.89 TIpaYlla­tEUovtaV ~na KOlV6tonTJ lOTopia: T'll 1l00xEia ot Eva nEptpaHov aOTrov Ti'j<; btap;(ia<;. Kai ol SIJ6 oIJyypalpEi<; ij~Epav va Soloouv, ntpa ano ti<; avallEvollEVE<; AE1tTOIlEPElE<; TroV l:PWt1Krov OKT\VroV, l:vtIJnWOlaK'll TpOn'll OE Ilta TptYWVtK'll O";(tOTJ alplJSaTwlltVTJ an6 t'll oUIlPanKOTTlTa TroV npOKatoxWv TOO<;. TIp6PaHav TO tEtPlllllEVO SElla tfi<; ~'llA1a<; liE £vav VEO IpWnOll6, avttO"TpElpovta;; ti<; aVaIlEV6IlEVE<; 0XEOEt<; trov tP1roV KAaOtKrov POAWV: () Feydeau pa~EI T6v v&ap6l:paot'll tfj;;jemme de trente ans, 1l0Ao\'on ElXE n1a lKaVOnOl'll0Et tou<; noSolJ<; TOU, va STJAEUEI tOV aUSIJYo Ti'j<; CPWIlEVTJ<; tOU Kai va MTlYEiTal OT'llV KataOtpolp'll E~attia<; allTfj;; tii;; paOaVlO"nKfj<; KaTaOtaOTJ;;' () Flaubert StVEl oTi<; a1tloTiE<; tfj<; yuvaiKa;; tOU ytatpou ti'j<; Enapxia<; (0 Baudelaire Sa ti<; l:PIlTlvEUOEt 00;; AEnt'll EKSOX'll tou dandysme) Iltav anpoo5OKTltTl EKPIlOTl: 1'[ lpatOP'll 1l0PIp'll tOU anatTJIlEVOIJ Charles Bovary Elvat EKEtVTJ nou Sa npooMpEt OtO ttAO;; U\jITJAa xapaKTTlPlonKa. rtl1V EnioTlIlTJ lCpmlCl1 tOU Ka1pou Sa alCOUOtOUV IpWVE;; nou Kata8tlCasOUV T600 tl1 Fanny 000 Kai Ttl Madame Bovary 00<; npoi:ovTa Ti'j;; vta;; 0XOAi'j;; TOU PEIlAlO"Il0U, Otl1v onoia lCaTa­j.laptupouv on aj.llplO"PTJTEi Ti;; {SEE;; Kai apvEitat (JAil Ta iSaVtKa navw Ota onoia SE!lEAtOlSTJKE 1'[ lCOtVWV1Ktl Ta~Tl tij;; ~EUtEPTl;; AUtOlCPIlTO­pill<;.90 To 1857, !lETa to SaVatO TOU Balzac, TO KOlVO Mv aVE!lEVE tinoTE

89 l:t6: "Madame Bovary par Gustave Flaubert", oeuvres eompleles. Paris 1951. o . 998: Ta rclwraia xp(ma rou Louis-Philippe dXav &;i rir; rcl£vmi£t; t~dpu£,,; 6v6c; "vwpar<>; "06 eptlh(amv dleap" d"" ro "alxvic51 rijr; rpavroofat;· 0 VEot; pvlhuroployptitpOt; OPWf; Ppto"Kt dVrlptromot; pt pill KOlvwvia d,,0..\6rwr; KOptUptv". Karl X£lPOrepO d,,6 KOP£UpiV". d"op"\aKwpiv" Kai dc5"qxiyo. "oulitv £VfWO£ rptSpo "apa pavo Yla rli poOo"..\oola {fielion} Kai dya"" "apa pavo Yl(i rliv ic5IOKr"ula.

'" npJlA. aut69l, o . 999, !Ca9ro~ !Cal t6 !Catl']yopl']tljplO, tljv ay6p£uol'] tOO UUVl']y6pou !Cai

tljv 6,,,6fj)aol'] tii~ oi!Cl']~-Bovary, ot6 Flaubert, CEuvres, ed. de la Pleiade, Paris 1951, tiJt!. 1,00.

649-717, IOlait£pa o. 717 [tn.: Mavrap M"oPapu, eloaYCllylj-~tafj)paol'] M"al-'''~ Au!Co60lJ~.

68 HANS ROBERT JAUSS

npoKU'tUA.llljltte; OE aVOlloA6Yll'tll VOPIlU Kat tKouYXpovH;'tt, XCOpte; va 'to OUVttoll'tonotti, 'to VOlllla 'tOU KEtllEVOU -roD nUpEA.SOV'tOe;. "OnOlOe; 7ttO'tEUEI o'tt 6 tPllllVEU'tT\e; Sa £npEnt ano ilia SEOll E~CO ano 'ttlV iOTopia, nupuw;pt1;,oV'tue; OAU 'ta 'o<j)aAllu'ta' 'trov npoKu't0XCOV 'tOU Kat 'tlie; [OTOpl­Kiie; npOOA'1Ij111e;, va o\U7ttO'tWOEI Ilt aIlEoo'tll'ta KUt nA.'1Po'tll'tu, XaPll ot Ilui {mAtl KU'taoUOll o'to KEt).lEVO, 'tllv 'aXPOVtKtl aA.llSE1a' 'tOU vO"').lu-rot; tvoe; A.OYO'tEXV1KOU epyou, «OuYKaA.Un'tEt 'to YEYOVOe; on it r01U it io'to­P1Kll OUVEtollOll ~piOKE'tUI EllnAEY).lEvll oTi]v io'topia tlie; tniopUOlle;". , Anupvtitat «'tie; npolinoStoEte; tKtivEe; -OX1, aO<j)aA.roe; , uu8aipE'tEe; KUt oU).lntCO).la'ttKtt; ana, avnSt'tcoe;, SE).lEA1WOcle;- nou olEnouv 't1l OtK.., -rou KaTUV0'101l" KUt 'to 1l0VO nou KaVEI ElVat va au'tanu'tii'tut npo<puOt1;,O).lE­voe; av'ttKEt).lEV1KO'tll'tu, "Tt 6noia OtllV npuy).lu'ttK6'tTJ'tu £~ap'tii'tat ano 't6 nooo VO).lI).lOn01TJ).ltvu ElVUt ta tpco'tll).lu'tu nou St'tEl».97

. 0 Hans-Georg Gadamer, tllv KP1T1Kll 'tou 6notou 0't6v iO'tOplIco aVTtKEt).lEV10).l6 UiOSE'tro t&1l, nEpltypaljlE oT6 EPYO 'tou Wahrheit und Methode [' AAtlStia Kai MtSoooe;) TllV aPXll 'tlie; iowpiae; Tlie; tniopaolle; [Wirkungsgeschichte] -1') onoiu EmXtlpti va anOKUAUIjfEI tllV npay).laTt­KOTTJ'ta Tlie; iotopiae; OttlV iota TllV Ka'tavOl101l98- roe; t<pap).loYll OtllV io'toptKtl napaOOOTJ Tlie; A.OYI Kil.; tile; tpWT1l0TJe; Kai Tlie; anaVT1l0TJe;· npOr08WVTac;; Ttl StOTJ wu Collingwood OTI «llnOpoullE va KaTaV01l00U).lE Eva Ktl).lEVO, ).lOVOV E<POOOV EXOU).lE lCatUV0tl0El t6 EpWTTJ).lU oT6 onolo aUT6 OiVEt amlVTTJoTJ»,99 0 Gadamer OtlXVEt lhl t6 tpcDT'1).lU nou avaouv­StTOU).lE otv ).lnopti va napallEivEI ma ot6v apXtlC6 TOU Opt~ov'ta, btEtOll uUT6e; 0 {otoptlC6C;; opi~ovtae; nEpllCAtlcTUt naVTotE ijoll an6 t6v 6pi~OVTU tOU otlCOU ).lae; nap6V'toe;: (,H lCatav6TJoTJ ElVat naVtOtE Tt olaotlCaoia tOU ouYlCEpaollOU [VerschmelzungJ opl~6vtcov nou <PalVOIlEVllCa 1l6vov u<pi­OtaVTal 6 Evac;; aVE~aptllta an6 tov lino) •. loo T6 {OtOPllC6 EpcDtlllla otv ElVUI ouvat6v va. otaStt a<p' !;autou, nptnEI va. avuolatUncoSti ot6 np6~Alllla «nou OUV10tU Tt napa.oooll TOU rta. lliie;».101 Kat' aUT6v t6v tpono, E7tlAUovtat Ta. npO~l..llllatu nou 0 Rene Wellek ElXE nEplypa.IjIEI roe; aOlt~ooo tlie; A.oyotExvllCilc;; a~10A6Y1l011e;: Sa npf:ntl 6 <p1A6A.oroe; va. a~lOA.oyEi Eva A.OYOtEXvtlC6 epyo an6 tllV 6m1lCll ycovia tOU nuptA.S6vtoc;;, Ilt OTlIlEiO a<pEtll piae; t6 nap6v ij ~a.OEt tfie; 'EtUllllyopiae; trov u{wvcov'; 102

97 H.-G. Gadamer, Wahrheil und Methode. Tilbingen 1960, aa. 284-28S . .. Auto9., a . 283 .

.. Aut6S., a. 3S2.

100 Aut691, a . 289. 101 Aut691, a. 3S6.

102 Wellek, 1936, a. 184' toii r1hou, 1965, aa. 20-22.

72 HANS ROBERT JAUSS

0XEOll tOU m'lyxpOVOU Kui tOU n:epuaIlEVOU, otO nAuimo tft~ on:oiu~ to &pyo tOU nup£AOov'tO~ IlnopEi va anUVtTJO£l Kui va j.la~ '1t£i Kan', j.lOVOV afj>ou b m'l'YXpovo~ naputllpll'tTt~ OEO£l npollyoullEVW~ t6 tpmtllllU 1to\> 9a to t~uyaY£l ano tTJV 10'toPlKTJ toU D:1toj.lOVWOll. "O'tuv OtO Wahrheit und Methode ~ Ku'tUVOll0llopi~£tul-KUt ' avuAoyiuv npo~ to 'yiyv£09al to\) dval' [Seinsgeschehen] t'OU Heidegger- ro~ •• E1rEv9£011 OtO yiyv£09al tft~ 1tupaOOOll~, onou O"UVt£A£itul 1'\ Q:OUlAel1tt" OlUIl£ooMPllo" nup£A-90vto~ Kai nupovto~ .. , 115 1'/ «nUpayroYlKTt on YIlTt 1tOU tvunaPX£l otTtV KatUVO"oTJ>,116 KlVOUV£UEl va tKj.lll0£VlOt£i. Autrl " napaywYlKtl A£l­toupyiu j.lla~ i:v npoo&p Katav6110,,~, 1'\ onoiu Ej.ln£plEX£l Kat' avaYKllv ttlV KpmKtl tfl~ 1tupaooo,,~ llKui ttl Atl9", Oa anOt£AEO£l D:KOAou9w~ ttl pao" Yla t6 npoypuj.llla tfl~ O"Uyypufj>i'j~ j.llii~ iOt'Opiu~ tft~ AoyotExvia~

an6 ttl oKoma tfl~ ui091lnKfi~ ti'j~ 1tp60Alllj1"~. To 7tpoypUj.lj.lU uUt6 7tPE7tEl va. AapEl un' OljllV toU ttlv lotoplK6tlltu tfl~ AoyotExviu~ OE tPl7tAtl KUT£u9uvo,,: OtOV a~ova tft~ olaxpoviu~, O"AaOtl Ota oUj.lfj>pu~6-j.l£vu ti'j~ 1tPDOAllljl"e; tOlV AoYOt£XVlKolV epywv (PA. X), OtDV a~ovu tft~ O"Uyxpoviue;, 0l1AUOTJ OtD nAuiolO tOU auottlj.lutO~ avaq>opae; Ti'je; AoYOt£­xviae; Illae; OUYKEKplj.lEV"e; btoxfle;, Ka9me; Kui Ottl OlaOOXTt 7tapDj.lOlWV O"UOtT]llatWv (PI... XI) Kui TEAoe; Ottl 0XEO" ti'je; hooAoYOt£XvlKi'je; D:VEAt~T\~ IlE t6 Y£VlK6 yiyv£08al tile; totopiae; (PI... XII).

x

• H afuBrrrlK~ Tfit; 1tpOUA.'1"'/'f<; oev emTpbtel jJ.ovo va uv)J.apovjJ.£ TO V0'ljJ.a Kai T~ jJ.oprp~ TOO A.O}'O'C£XVIKOV ~pyov UT~V {U'COPIK~ aVtlnTv,;'1 Tfit; KaTaVO'l­U~t; TOV' analTel tnm).tov va tnavevnJ.uuovjJ.£ TO KaBe epyo UT~ ·A.oyoTexvIK~ uelpa' Tfit; Imofat; dnoTeA.ei jJ.epot;. roUTe va KaBOp{UOVjJ.£ T~V {UTOpIK~ 8eu'I Kai U'IjJ.oo{a TOV UTa yevlKoTepa UvwppaJ;ojJ.eva TiTe; A.oYOTeXVlKnt; tjJ.n8Ipfat;. To PiTjJ.a ano jJ.lav {uTopia TiTe; npOuA.'1"''1t; Trov epywv ue jJ.la OvvajJ.IK~ {uTopia Tift; A.0yoTexvfat; aVaOelKvvel ath~ T~V -reA.evTaia dx; olaOlKaufa onov ~

naB'I'ClK~ npOuA.'1"''1 TOO avayvWUT'I Kai TOO KPITIKOO ano~el UT~V tvepyTf" TIK~ np6uAr,,,,'1 Kai T~ vea 0'ljJ.lovpy{a TOO uvyyparpea. Me tUla AOY'a, TO ~Pyo nov meTal jJ.nopei va tmA.vuel Ta jJ.oprplKa ;j ~BIKa npopA.~jJ.a'Ca nov KA.'1POOO- . T'lue TO np0'lYOV/ieVO epyo Kai, jJ.e T~ uelpa TOV, va 8euel vea.

lIS "0.11., 0. 275.

116 AU~69\. 0. 280.

78 HANS ROBERT JAUSS

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