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    1 A. H. S. Megaw, Background Architecture in the Lagoudera Frescoes,Jahrbuch der sterreichischen Byzantinistik 21 (1972): 195201, . :Anka Stojakovi, Arhitektonski prostor u slikarstvu srednjovekovne Srbije[French summary: Lespace architectural dans la peinture de la Serbiemdivale], Studije za istoriju srpske umetnosti, 4 (Matica srpska -Odeljenje za likovne umetnosti, Novi Sad 1970, , .

    2 1990 ., Henry Maguire, Art and Eloquence in Byzantium,Princeton University Press, 1981), . . Oxford Dictionary of Byzantium, .Aleksandr P. Kazhdan, Oxford University Press, 1991, . 1, .29, . . 1990, . , . , .

    3 : Hans Belting,Likeness and Presence: A History of Image Before the Era of Art, . E.Jephcott, , 1994, Henry Maguire, The Icons of Their Bodies: Saintsand Their Images in Byzantium, Princeton University Press, 1996,Charles Barber, Figure and Likeness: On the Limits of Representation inByzantine Iconoclasm, Princeton: University Press, 2002, Glenn Peers,Sacred Shock: Framing Visual Experience in Byzantium, Pennsylvania StateUniversity Press, University Park 2004.

    4 , Liz James andRuth Webb, To Understand Ultimate Things and Enter Secret Places:Ekphrasis and Art in Byzantium, Art History 14, no. 1 ( 1991), . 117; Helen G. Saradi, Beholding the City and the Church: The EarlyByzantine Ekphraseis and Corresponding Archaeological Evidence, , 4, 24 (2003), .3136, , Helen G. Saradi, The Byzantine City in the SixthCentury: Literary Images and Historical Reality, , 2006, 2, The Image of the City in Literature and Art.

    31 S L O B O D A N U R I

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    5 Nicolae Iorgas Byzance aprs Byzance, Institut detudes byzantines, 1935, 1453. :Byzantium after Byzantium, The Center for Romanian Studies, RomanianInstitute of International Studies, Portland 2000. , , - . , , , .

    6 J. Meyendorff, Was there Ever a Third Rome? Remarks on the ByzantineLegacy in Russia, J. Meyendorff, Rome, Constantinople, Moscow.Historical and Theological Studies (Crestwood, NY. 1996), . 130-46.

    7 . (Slobodan uri), . , 82 , . 164, . 1814 (. 2008), . 492500.

    8 1550 1568. Giorgio Vasari, Le vite de pi eccellenti pittori,scultori e architettori. 9 ., . R. Bettarini, , 1966- ). : G. Vasari,The Lives of the Painters, Sculptors and Architects. 2 ., . G. du C. deVere, , 1996, r.I, . 51.

    9 . Vasari, Lives, r.I, . 52.10 R. Nelson, Byzantium and the Rebirth of Art and Learning in Italy and

    France, Byzantium: Faith and Power (1261-1557), . H.C. Evans, , 2004, . 516.

    33 S L O B O D A N U R I

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    11 Erwin Panofsky, Die Perspektive als Symbolische Form, Vortrge derBibliothek Warburg, 192425 ( , 1924 or 1927;), . 259330; , Erwin Panofsky, Perspective as SymbolicForm, . Christopher S. Wood, Zone Books, 1997. textual threshold that must becrossed Hubert Damisch, Lorigine de la perspective, Publisher, 1987, : Hubert Damisch, The Origin ofPerspective, . John Goodman, MIT Press, Cambridge Mass. 1994, , .

    12 V. V. Bichkov (: Bychkov), Vizantiiskaia estetika: Teoricheskie problemi ,Iskusstvo, 1977, . 7 (Kanon). , . :Dimitrij V. Ainalov, Ellinicheskie osnovi vizantiiskago iskusstva, , 1900 : Dimitrij V. Ainalov, Hellenistic Origins ofByzantine Art, N.J. Rutgers University Press, New Brunswick 1961, , Pavel Florensky,Reverse Perspective, 1920, 1967 : Pavel Florensky, Beyond Vision: Essays on the Perception of Art,ed. by Nicoletta Misler, Reaktion, 2002, . 17282, B. V.Raushenbakh, Prostranstvennie postoroeniia v drevnerusskoi zhivopisi( ), , 1975, , A. A. Saltikov,O prostranstvennikh otnosheniiakh v vizantiiskoi i drevnerusskoi zhivopisi( ),Drevnerusskoe iskusstvo, , 1975, . 398413. O. Wulff, Die umgekerte Perspektiveund die Niedersicht. Eine Raumanschaungsform der altbyzantinischen Kunstund ihre Vorbildung in der Renaissance, Kunstwissenschaftliche Beitrge A.Schmarsow gewidmet zum fnfzigsten Semester seiner akademischenLehrttigkeit, . Heinrich Weizscker , K. W. Hiersemann, 1907, .140, O. Wulff, Das Raumerlebnis des Naos im Spiegel der Ekphrasis,Byzantinische Zeitschrift 30 (1930), . 53. a figment of the art critics imagination, .P. A. Michelis, Neo-Platonic Philosophy and Byzantine Art, Journal ofAesthetics and Art Criticism 11, no. 1 (Sept. 1952), . 2145, . 3134. Misler Florensky Beyond Vision (8593).

    13 Florensky, Reverse Perspective, . 218: in those historicalperiods of artistic creativity when the utilization of space is not apparent, it isnot that the artists dont know how, but that they dont want to.

    14 : W.E. Kleinbauer, Early Christian andByzantine Architecture. An Annotated Bibliography and Historiography,, 1992, . lxxxi-xcix, The Contribution of Russian Scholars toByzantine Architecture, , , .

    15 , V.V. Bichkov ( Bychkov), Vizantiiskaiaestetika. Teoricheskie problemi, M, 1977. : . [] V. Bychkov, . , . . . ,, 1999, [] V.V. Bikov, Vizantijska estetika. Teorijski problemi,. D.M. Kalezi, , 1991. , : IV-, V- , and VI , . Kleinbauer, . 7, Bichkov. . . Byzantine Aesthetics, is in Encyclopedia of Aesthetics, . M. Kelly, .1 ( , 1998), . 32123.

    16 Ierotopiia. Sozdanie sakralnikh prostranstv v Vizantii i drevnei Rusi(. ), . A.Lidov, M, 2006, . . A. Lidov, Hierotopy. TheCreation of Sacred Spaces as a Form of Creativity and Subject of CulturalHistory, . 32-58.

    17 On this, see a more detailed discussion by Helen G. Saradi in this volume.

    35 S L O B O D A N U R I

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    Seeing: Picturing Gods Invisibility in Medieval Art, University ofPennsylvania Press, 2000. - Suger St. Denis Suger . E. Panofsky, Abbot Suger: On the Abbey Church of Saint-Denis and ItsArt Treasures, Princeton University Press, 2 ., 1979),, 18 , , Kessler, Spiritual Seeing, . 8.

    21 Bichkov, Vizantijska estetika, . 112 ..22 .., . 11718

    . Andreas Andreopoulos, Metamorphosis: The Transfiguration inByzantine Theology and Iconography, St. Vladimirs Seminary Press,Crestwood, N.Y. 2005, . 209-242.

    23 Paul C. Finney, The Invisible God: The Earliest Christians on Art, OxfordUniversity Press, 1994.

    24 . Bichkov, Vizantijska estetika, . 153, David Anderson, On the DivineImages: Three Apologies against Those Who Attack the Divine Images, St.Vladimirs Seminary Press, Crestwood, N.Y. 1980. , .

    25 Bichkov, Vizantijska estetika, 15354 Anderson, On Divine Images, 000(I 8), Cyril Mango, The Art of the Byzantine Empire, 312-1453. Sources andDocuments, University of Toronto Press MedievalAcademy of America, 1993, . 172-173.

    26 Mango, Sources and Documents, . 171. .: The Holy Face and the Paradox of Representation: Papersfrom a Colloquium held at the Bibliotheca Hertziana, Rome, and the VillaSpelman, Florence, 1996, . Herbert L. Kessler Gerhard Wolf, NuovaAlfa Editoriale, 1998.

    27 Averil Cameron, The History of the Image of Edessa: The Telling of aStory, Okeanos, Essays Presented to Ihor evenko on His SixtiethBirthday, . Cyril A. Mango and Omeljan Pritsak (=Harvard UkrainianStudies 7, 1983), Cambridge, Mass.: Ukrainian Research Institute, HarvardUniversity, 1984, . 8094, Daniel J. Sahas, Icon and Logos: Sources inEighth-Century Iconoclasm, : University of Toronto Press, 1988,17680 (Definition of the Holy Great and Ecumenical Council, the Secondin Nicea).

    37 S L O B O D A N U R I

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    39 S L O B O D A N U R I

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    30 Richard Stillwell, Antioch-on-the-Orontes, . 3, Princeton UniversityPress, 1941, 153, . 30, . 28.

    31 Mango, Sources and Documents, . 1516.32 Kunst der Antike, Gorny Mosch, Giessener Mnzhandlung, ,

    158, 22 2007, 189. Michael Padgett, .

    33 R. Krautheimer, Three Christian Capitals. Topography and Politics,University of California Press, Berkeley 1983, . 2, . . 62-3, G. Fowden, Constantines Porphyry Column: The Earliest LiteraryAllusion, The Journal of Roman Studies 81 (1991), . 119-31, C. Mango,Constantines Column, Studies on Constantinople, (Aldershot, 1993), .III, . 67-90.

    34 , . Wolfgang Mller-Wiener, Bildlexikon zur Topographie Istanbul,Wasmuth, Tbingen1977, . 267. , , K Mefaa ( Umm al-Rassas, ), . H.G. Saradi, TheByzantine City in the Sixth Century. Literary Images and Historical Reality,, 2006, . 128-9, . 12 , G. W. Bowersock, Mosaics asHistory. The Near East from Late Antiquity to Islam, Cambridge, Mass,2006, . 66-67.

    41 S L O B O D A N U R I

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    35 Robert Doran, ., The Lives of Simeon Stylites, Cistercian Publications,Kalamazoo Mich. 1992, Ignacio Pea et al., Les Stylites syriens, Centropropaganda e stampa, Franciscan Printing Press, M 1975.

    36 Age of Spirituality: Late Antique and Early Christian Art, Third to SeventhCentury, , . Kurt Weitzmann, The MetropolitanMuseum of Art, 1979, . 589-90.

    37 Robert G. Ousterhout, The Virgin of the Chora: An Image and ItsContexts, The Sacred Image East and West, . Robert G. Ousterhout andLeslie Brubaker, University of Illinois Press, Urbana 1995, . 108-124.

    43 S L O B O D A N U R I

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    38 edomila Marinkovi, Image of the Completed Church. Representations ofArchitecture on Founders Portraits in Serbian and Byzantine Art, PrincipBonart Press, B 2007, , . . .., , (, , ), [ArchitecturalModels in Medieval Architecture (Byzantium, SE Europe, Anatolia)], ... , -, 3, , 2009, . 1121.

    39 Cyril A. Mango, Materials for the Study of the Mosaics of St. Sophia atIstanbul, Dumbarton Oaks Studies 8, , D.C.: Dumbarton OaksResearch Library and Collection, 1962, . 23-24, . 5.

    40 J. Cotsonis, The Virgin and Justinian on Seals of Ekklesiekdikoi of HagiaSophia, Dumbarton Oaks Papers 56 (2003), . 41-55, M. Boutyrsky,The Seals of the Great Church. The Image of the Sacred Space in theByzantine Sphragistic Iconography, . A.Lidov, Ierotopiia. Sozdaniesakralnikh prostranstv v Vizantii i drevnei Rusi [. ] (M, 2006), .465-474 ( ).

    41 Maguire, Icons of Their Bodies, .. , . Mango,Sources and Documents, . 171.

    42 S. Mnatsakanian, Aghtamar. The Church of the Holy Cross, 915-921, LosAngeles, 1986 Lynn Jones, Between Islam andByzantium: Aghtamar and the Visual Construction of Medieval ArmenianRulership, Ver.: Ashgate, Burlington 2007, . 4, . . 5961.

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    45 S L O B O D A N U R I

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    44 Jones, Between Islam and Byzantium, . 3. 45 S. uri, Gracanica, King Milutins Church and Its Place in Late Byzantine

    Architecture, Pennsylvania State University Press, University Park 1979, .28 . 28.

    46 M.S. Milojevic, Putopis dela prave (Stare) Srbije, Dravna tamparija, 1872,. Nikola Pasic, B 1998, . 2, . 151. Milojevic , S. Gopcvi, Makedonien undAlt-Serbien, 1889, . . 232.

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    47 S L O B O D A N U R I

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    50 Ernst Kitzinger, The Mosaics of the Church of Saint Marys of the Admiral inPalermo, D.C.: Dumbarton Oaks Research Library andCollection, 1991, . 23-33, . 1-4.

    51 , State Historical Museum, GIM, Sin. 1043 (Sin. 31-d), . 3v., .Helen C. Evans William D. Wixom, The Glory of Byzantium: Art andCulture of the Middle Byzantine Era, A.D. 8431261, The MetropolitanMuseum of Art, 1997, . 282.

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    49 S L O B O D A N U R I

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    51 S L O B O D A N U R I

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    63 James Webb, To Understand Ultimate Things andEnter Secret Places, . 11 Saradi, Beholding the City and the Church,3334. Ruth Webb, TheAesthetics of Sacred Space: Narrative, Metaphor, and Motion in Ekphraseisof Church Buildings, DOP 53 (1999), . 5974.

    53 S L O B O D A N U R I

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    65 ., I.i. 47-49, .21-23.66

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    69 ( ) ( ) , . . , . 15

    55 S L O B O D A N U R I

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    57 S L O B O D A N U R I

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    72 Florensky, Iconostasis, . 62. 73 , . 61-2.74 Svetlana Raki, Serbian Icons from Bosnia-Herzegovina: Sixteenth to

    Eighteenth Century, Pankovich, 2000, . 19296, SvetlanaRaki, Ikone Bosne i Hercegovine (1619. vijek), Republiki zavod za zatituspomenika kulture, B 1998, . 4649, fig. XIV.

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    Century, JuneSeptember 1994, Church of Saint George in the Old Fortress,Corfu, 1994, . 104-7, . .

    59 S L O B O D A N U R I

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    1 Slobodan uri, P. Corby Finney - Princeton University Press Art Museum Arkadi Choufrine, MichaelPenn Toronto - 2007 Carmen Maier .

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    12 De VitaMosis 2.71140, Leopold Cohn Paul Wendland, ., PhilonisAlexandrini Opera Quae Supersunt, . 4, G. Reimer, 18961915, . 4, . 217-33 F. H. Colson, PhiloWorks, 10 vols., Loeb Classical Library, Harvard University Press, Mass. 1966, .6, . 485-517, , De Vita Mosis 2.141-60, Cohn-Wendland 4, . 23337. .Valentin Nikiprowetzky, La spiritualisation des sacrifices et le cultesacrificial au Temple de Jrusalem chez Philon dAlexandrie, Semitica 17(1967), . 97116 Marguerite Harl, Cosmologie grecque et reprsentationsjuives dans luvre de Philon dAlexandrie, Philon dAlexandrie: Lyon1115 septembre 1966, Ed. du Centre National de la Recherche Scientifique, 1967, . 189203 Annewies Van den Hoek, Clement of Alexandriaand His Use of Philo in the Stromateis: An Early Christian Reshaping of aJewish Model, Brill, Leiden 1988, . 5, The Temple, Vestments and theHigh Priest, . 116-47, . 117, Klawans, Purity, . 11623. , . John M. Dillon, The Middle Platonists:80 B.C. to A.D. 220, Cornell University Press, N.Y. 1996. - , . Philo ofAlexandria, The Contemplative Life, The Giants, and Selections, . .David Winston, John Dillon, Paulist Press, 1981, Winston, . 2-7, . David Runia, Philo ofAlexandria and the Timaeus of Plato, Philosophia Antiqua 44, Brill,Leiden 1986, . 50519.

    13 Nikiprowetzky, La spiritualisation des sacrifices, . 97-116, . Jutta Leonhardt, Jewish Worship in Philo of Alexandria, Mohr Siebeck,Tbingen 2001, . 6566 Klawans, Purity, . 117.

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    15 , Philo De Vita Mosis 2, . 74-76, Cohn-Wendland 4, .217-18.

    16 Philo De Ebrietate . 8592, Cohn-Wendland 2, . 185-87 De Vita Mosis2, . 12730, Cohn-Wendland 4, . 229-30.

    17 Philo Legum Allegoriarum 2, . 54-55 3.46-48, Cohn-Wendland 1, .101:3-10, . 123:7-23.

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    19 , De Vita Mosis 2, . 109-126, . 133-35, Cohn-Wendland 4, . 226-29, . 231, . 231:22, De Ebrietate . 136-38, Cohn-Wendland 2, . 196-97. - (De Vita Mosis 2, . 88, Cohn-Wendland 4, . 22021).

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    28 - , .P. C. Finney, Topos Hieros und christlicher Sakralbau invorkonstantinischer berlieferung, Boreas 7 (1984), . 193226.

    29 P. C. Finney, Sacred Place Again, Antigedad y Cristianismo 21 (2004),. 6974, .72. , . Donald Juel, Messianic Exegesis: ChristologicalInterpretation of the Old Testament in Early Christianity, Fortress Press, - 1988, . 14, ,. Elisabeth Schssler-Fiorenza, Cultic Language in Qumran and in theNT, Catholic Biblical Quarterly 38 (1976), . 15977 , . Koester,Dwelling of God, . 4 . 186 . -, peer, Qumran . C. K. Barrett, The Interpretation of the Old Testament in theNew, P. R. Ackroyd C. F. Evans, The Cambridge History of the Bible,. 1, From the Beginnings to Jerome, Cambridge University Press, - 1970, . 377411, . 386402. peer Qumran, . James H. Charlesworth, The Pesharim and Qumran History:Chaos or Consensus? Lidija Novakovic, Eerdmans,Grand Rapids, Mich. 2002, . 116, 68, 70.

    30 M. 14, 58; . M. 13, 2 15, 29, . 6, 14, . 2, 1922. , . E. P. Sanders,Jerusalem and Its Temple in Early Christian Thought and Practice, Lee I. Levine, Jerusalem: Its Sanctity and Centrality to Judaism, Christianityand Islam, Continuum, 1999, . 90103.

    31 . - Paul Minear,Images of the Church in the New Testament, 1960 WestminsterJohn Knox, Louisville 2004, .

    32 . 12, 12, 1231 . . 12, 45, . 4, 116 . 3,1415. , . Sanders,Jerusalem and Its Temple, . 93100.

    33 . 2, 410, . 2, 5: .

    34 . 5, 2133 (), . 11, 3 . 11, 3 ( ) . . 3, 29 ( ) .21, 922, 17 ( ), Minear,Images, . 5456.

    35 , . 7, -, . Koester Dwelling of God, . 76186. , . Harold W. Attridge, The Epistle to theHebrews: A Commentary on the Epistle to the Hebrews, . HelmutKoester, Fortress Press, 1989, John Dunnill, Covenant andSacrifice in the Letter to the Hebrews, Cambridge University Press, - 1992 Marie E. Isaacs, Sacred Space: An Approach to the Theology of theEpistle to the Hebrews, JSOT Press, Sheffield 1992, Kenneth L. Schenck,Cosmology and Eschatology in Hebrews: The Settings of the Sacrifice,Cambridge University Press, 2007. , . J. Massyngberde Ford, Revelation: Introduction,Translation, and Commentary, Doubleday, Garden City, N.Y. 1975 AdelaYarbro-Collins, Cosmology and Eschatology in Jewish and ChristianApocalypticism, Brill, Leiden 1996. -, . Sanders, Jerusalem and Its Temple, - , . Koester, Dwelling of God, . 1, . 1. - (. 9, 4 . 11, 19).

    69 K A T H L E E N E . M c V E Y

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    37 , 9, . 12 7, 2 TheApostolic Fathers: Greek Texts and English Translations of Their Writings,2 ., . . J. B. Lightfoot J. R. Harmer, Macmillan, 1891, . Michael W. Holmes, Baker, Grand Rapids 1999, . 14445 . 15455.

    38 , 15, 3 (Holmes, . 14647), ., , 12, 1, . [= .] . 3738 (Holmes, . 6871).

    39 : . 34.58 (Holmes . 6667) -: . 36.1, 61.3, 64.1 (Holmes . 6869, . 9899, . 100101): : . . 4041 (Holmes . 7275). , . 32.2, 48.4 (Holmes . 6263, . 8283).

    40 16.1 (Holmes, . 31617).41 5, . 3240 Otto Sthlin, ., Clemens Alexandrinus, . 2,

    16, 3 ., GCS 52 (Akademie Verlag, 1960), . 34654; : Fathers of the Second Century: Hermas, Tatian,Athenagoras, Theophilus, and Clement of Alexandria (Entire), ANF 2, .The Rev. Alexander Roberts, D.D., James Donaldson, LL.D., GrandRapids, Mich. 1951 - , . Van den Hoek, Clement of Alexandria, . 5,The Temple, Vestments and the High Priest, . 11647.

    42 Van den Hoek (Clement, 14546) : - , . , . Arkadi Choufrine, Gnosis, Theophany, Theosis: Studies inClement of Alexandrias Appropriation of His Background, Patristic Studies5, Peter Lang, 2002.

    43 , 5.33.12 (Sthlin 347:1118).44 5.36.3 (Sthlin 350:1819); ANF 453. 45 5.40 (Sthlin 353:1730 354:14). 46 5.32.3 (Sthlin 347:711).47 5.35.1, 5.37.1 (Sthlin 349:912, 351:813). -

    5.37 (Sthlin 351:89), ANF453: .

    48 5.40.3 (Sthlin 353:12 and 354:14). : Sthlin353:2930, . ANF 454, . Van den Hoek, Clement of Alexandria, .141.

    49 Hom. Ex. 9, Origne, Homlies sur LExode, Texts Latin, Introduction,Traduction et notes par Marcel Borret, SC 321, ditions du Cerf, 1985, . 278305, Origen: Homilies on Genesis and Exodus, FC 71, .Hermigild Dressler, O.F.M., .., . Ronald E. Heine, D.C.1982, . 33445.

    50 . 9 . 16, 9; . 5, 2; . 14, 13; 23:4, 41, 45; FC 71, 33536.

    51 Hom. Ex. 9.3 (Borret . 28894, 290:68 FC 71, . 33740, .33839).

    52 Hom. Ex. 9.4 (Borret . 294-304 FC 71, . 34045).53 . Hom. Ex. 9.4. (Borret . 294 FC 71, . 34041).54 . Hom. Ex. 9.4. (Borret . 304; FC 71, . 345).55 . . 26.

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