展覽： - artcy.ntu.edu.t file · Web view藝術/文化/史. ArtsInfo. 02 / 28 / 201. 4. 1. 感謝Cherry NK Wong, Kevin McLoughlin, Ling-en Lu, 張華芝、林莉娜、板倉聖哲、黃蘭茵所提供的資訊。

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ArtsInfo

02/28/2014

1. Cherry NK Wong, Kevin McLoughlin, Ling-en Lu, Nixi CuraArts of China Consortium

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1. Freer Gallery of Art

2. The Metropolitan Museum of Art

3. New York|Asia Society

4. Newark Museum

5. Asian Art Museum of San Francisco

6. Cantor arts center at Stanford university

7. De Nieuwe Kerk Amsterdam

8. Asian Art Museum, National Museums in Berlin

9. Smart Museum of Art

10. British Museum

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18.

1) Taoist Culture in Korea: The Road to Happiness

Location: Special Exhibition Gallery

Date: 12-10-2013 ~ 03-02-2014

http://www.museum.go.kr/program/show/showDetailEng.jsp?menuID=002002002&searchSelect=A.SHOWKOR&showCategory1Con=SC1&showCategory2Con=SC1_1&pageSize=10&langCodeCon=LC2&showID=7151&currentPage=1

2) Chinese Buddhist Steles

Location: Asian Art Section

Date: 12-10-2013 ~ 04-27-2014


3) Asian Religious Icons through Western Eyes

Location: Asian Art Section

Date: 02-25-2014 ~ 05-25-2014


Europeans first came to Asia in the 16th century for missionary work, trade, or colonial pursuits. They traveled to India, China, and other parts of Asia, leaving behind travel accounts and reports of missionary activity, some of which offer details of the writers' first impressions of Asia. While these records shed light on what was unknown and unfamiliar, they also reveal the Europeans' long-held view and prejudices. This exhibition shows how Asian religious icons were seen through Western eyes and offer an interpretation of their implications.

4) A New Collection of Asian Art

Location: Thematic Exhibition Gallery in the Medieval and Early Modern History Section, 1F

Date: 2014-03-25~2014-06-22

http://www.museum.go.kr/program/show/showDetailEng.jsp?menuID=002002001002&back=showIndexlisteng2&searchSelect=A.SHOWKOR&showCategory1Con=SC1&showCategory2Con=SC1_1&showCategory3Con=SC1_1_3&pageSize=10&langCodeCon=LC2&showID=9821

Relocated to Yongsan, Seoul in 2005, the Asian Art Department of the National Museum of Korea currently runs six exhibition sections including the India, Southeast Asia, Central Asia, China and Japan sections, and a section dedicated exclusively to the cultural heritages salvaged from the seawaters off Sinhan. At its latest theme-based exhibition, the museum will display recently collected artifacts that have not yet been presented to the public.

5) Landscapes: Seeking the Ideal Land

Location: Special Exhibition Gallery

Date: 2014-07-29~2014-09-28

http://www.museum.go.kr/program/show/showDetailEng.jsp?menuID=002002001&searchSelect=A.SHOWKOR&showCategory1Con=SC1&showCategory2Con=SC1_1&showCategory3Con=SC1_1_3&pageSize=10&langCodeCon=LC2&showID=9775

For the first time ever in Korea, this exhibition will compare and appreciate traditional landscapes paintings of East Asia. The main purpose of this exhibition is to present various interpretations of the ideal life style depicted within East Asian painting.

6) Blue and White Porcelain of the Joseon Dynasty

LocationSpecial Exhibition Gallery

Date2014-09-30~2014-11-16

http://www.museum.go.kr/program/show/showDetailEng.jsp?menuID=002002001&searchSelect=A.SHOWKOR&showCategory1Con=SC1&showCategory2Con=SC1_1&showCategory3Con=SC1_1_1&pageSize=10&langCodeCon=LC2&showID=9833

Throughout the Joseon Dynasty, blue-and-white porcelain was cherished not only for its splendid elegance and beauty, but also for its embodiment of the Confucian ideals revered by both royalty and the literati. This exhibition presents diverse examples of blue-and-white porcelain vessels from throughout the Joseon Dynasty, exploring the history and development of this superlative ceramic form.

1. Freer Gallery of Art

1Promise of Paradise: Early Chinese Buddhist Sculpture

Opens December 1, 2012- Indefinitely

2WOMEN IN CHINESE PAINTING

November 9, 2013April 27, 2014

Freer

In the Confucian ideology that pervaded traditional Chinese society for more than two thousand years, women did not determine the course of their own lives. In most regards, they were subservient to and dependent on the male members of their families. Despite these strictures, women played a critical role in creating and sustaining the economic and cultural fabric of Chinese society. Illustrating some of the active roles played by women in traditional Chinese society, the thirty works in this exhibition introduce goddesses, court ladies, empresses, silk makers, entertainers, courtesans, literary heroines, military figures, and the only woman to rule China as emperor. Also examining the role of women in the art world, a number of the paintings showcase the accomplishments of female artists.

3CHIGUSA AND THE ART OF TEA

February 22July 27, 2014

Arthur M. Sackler Gallery

The power of seeing, the power of naming. Japanese collectors in the sixteenth century used the compact tea room as the setting for interacting with objects. Looking closely at form and surface, they singled out exceptional works and gave them personal names. These named objects could develop a reputation and a history as they were displayed and used in tea gatherings. Chigusa and the Art of Tea shows how one Chinese storage jar was transformed into a vessel worthy of display, adornment, and contemplation. Diaries of tea events reveal what the writers admired about Chigusa, which appears alongside other cherished objectsChinese calligraphy, Chinese and Korean tea bowls, Japanese stoneware jars and wooden vesselsused during this formative era of Japanese tea culture.

4Chigusa and the Art of Tea

February 22, 2014 July 27, 2014

Museum:Sackler Gallery

Location:Sublevel 1

Japanese collectors in the 16th century used the compact tea room as the setting for interacting with objects. Looking closely at form and surface, they singled out exceptional works and gave them personal names. These named objects could develop a reputation and a history as they were displayed and used in tea gatherings.This exhibition shows how one Chinese storage jar was transformed into a vessel worthy of display, adornment, and contemplation. Diaries of tea events reveal what the writers admired about Chigusa (tea-leaf storage jar), which appears alongside other cherished objects -- Chinese calligraphy, Chinese and Korean tea bowls, Japanese stoneware jars, and wooden vessels -- used during this formative era of Japanese tea culture.

2. The Metropolitan Museum of Art

1Small Delights: Chinese Snuff Bottles

July 19, 2013June 15, 2014

Location: Gallery 207

http://www.metmuseum.org/exhibitions/listings/2013/chinese-snuff-bottles

2Colors of the Universe : Chinese Hardstone Carvings

December 11, 2013July 6, 2014

Location: Gallery 221

http://www.metmuseum.org/exhibitions/listings/2013/chinese-carving

Stone carving is one of the oldest arts in China, its beginnings dating back to remote antiquity. Although jade, the mineral nephrite, was held in the highest esteem, all stones that could achieve a luster after polishing, be it agate, turquoise, malachite, chalcedony, quartz, jasper, or lapis lazuli, were also appreciated. Stone carving experienced an efflorescence during the Qing dynasty (16441911), when an abundant supply of raw materials, exceptionally accomplished craftsmen, and, in particular, keen imperial patronage contributed to the creation of numerous superb works.

The stone carvings of the Qing period can be grouped in three categories: personal adornments such as rings, bracelets, and pendants; articles for daily use (mainly in the scholar's studio) such as brush holders, water pots, and seals; and display pieces such as copies of antiques, miniature mountains, and animal and human figures, the latter being the largest of the group. The carvings can also be classified by their decorative style: archaic or classical, meaning their shapes were derived from ancient ritual vessels; "Western," which bore the influence of contemporary Mughal art from northern India; and new or modern, meaning novel shapes and designs created during the Qing dynasty.

A common decorative theme, especially among works of the new style, was the use of rebuses, which are symbols associated with auspicious meanings, to convey wishes for prosperity, longevity, good fortune, perpetuation of a family line, or academic success. The tradition began early but remained largely in the popular culture until the sixteenth and seventeenth centuries, when significant social changes and increased imperial patronage helped elevate the rebus to the high art of the court.

3. Asian Art Museum of San Francisco

The Carved Brush showcases 24 artworks by acclaimed Chinese artist Qi Baishi.

October 29, 2013 July 13, 2014

http://www.asianart.org/exhibitions_index/carved-brush

4. Nelson-Atkins Museum of Art

Living with the Spirits: Decorating Homes in Traditional China

January 31, 2014July 20, 2014

Gallery 222

http://www.nelson-atkins.org/art/exhibitions/living-with-spirits.cfm

During festivals and seasonal occasions in China, family members select brightly colored prints to display on their doors, windows, walls and furniture. These prints, called New Year pictures (nianhua), heighten the cheerful holiday feeling.

More than decoration, they represent cultural and spiritual values. They depict positive images of deities that protect the family, emblems of good fortune and theatrical scenes. The installation in the gallery re-creates the decoration of a traditional Chinese home.

Laurence Sickman, the former curator and director who started the world-renowned collection of Chinese art at the Nelson-Atkins, acquired this collection of popular prints. While living and studying in China from 1930 to 1935, he decorated his own home with the colorful prints.

5. Asian Art Museum, National Museums in Berlin

World in Miniature: Dialogue between Zhang Hong (1577-ca. 1652) and Michael Lee (1972- )

Tue 24 September 2013 - Sun 16 March 2014

http://www.smb.museum/en/exhibitions/detail.html?tx_smb_pi1%5BexhibitionUid%5D=995&cHash=493ae7c0835066ed0e210dbb32db17ca

6. Smart Museum of Art

Performing Images: Opera in Chinese Visual Culture

February 13 June 15, 2014

http://smartmuseum.uchicago.edu/exhibitions/inspired-by-the-opera-contemporary-chinese-photography-and-video/

During the Ming (13681644) and Qing (16441911) dynasties, Chinese passion for opera and theater permeated the visual and material world of everyday life. Opera lay at the heart of Chinese social life, from the village to the court, and the spectacle of theater was enjoyed not only on the stagein costumes, props, and face paintingbut also across the full spectrum of Chinese visual culture, from scroll paintings to popular prints.

One of the first major exhibitions of its kind in the West, Performing Images focuses on the vibrant imagery, rather than ethnographic artifacts, of Chinese opera. The exhibition examines the extent to which operatic characters and stories were represented in pictorial and decorative motifs in a wide array of media including ceramics, illustrated books, painted fans, prints, photographs, scroll paintings, and textiles. Featuring nearly eighty remarkable objects on loan from major museum collections, the exhibition and its catalogue reveal how Chinese visual and performing traditions were aesthetically, ritually, and commercially intertwined.

7. British Museum

Ming: 50 years that changed China

18 September 2014 4 January 2015

The Sainsbury Exhibitions Gallery

https://www.britishmuseum.org/about_us/news_and_press/press_releases/2014/ming.aspx

Loans will be coming from 10 Chinese institutions and 21 international lenders

Features new research and discoveries

1. "Warfare, Beauty and Belief: Innovations from the West That Changed China's Art and Culture, 1500 BC - 1000 AD"

Slade Lectures in Fine Art 2013-2014

Jessica Rawson (University of Oxford)

University of Cambridge UK

4 March

"Tents, Tombs and Horse Trade: The Tang and the Turks"

11 March

"Guns, Paper and Porcelain Go West"

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1. Tang Center, Princeton University

Wit and Humor: Visualizing Playfulness in East Asian Art

Graduate Student Symposium

1 March 2014, 9:30 am5:30 pm101 McCormick Hall, Princeton University

Organized by the P.Y. and Kinmay W. Tang Center for East Asian ArtCosponsored by the Princeton University Art Museum

http://www.princeton.edu/tang/symposia/gs/Wit2014.html

SYMPOSIUM PROGRAM

Saturday, 1 March 2014101 McCormick Hall

Registration and Coffee, 8:309:30 am

Morning Session 9:30 am12:30 pm

Welcome

Wai Yee Chiong, Princeton University

Keynote Lecture

Material Translations: Wit in Japanese Lacquer

Dr. Christine Guth, Senior Tutor, Asian Design and Material Culture Specialism

Royal College of Art

Career Play: Rewards, Promotions, and Officialdom in an Early Western Han Board Game

Luke Habberstad, Department of History, University of California, Berkeley

Sick Pleasure: On the Humorous Valence in Yamai no sshi (Scroll of Diseases and Deformities)

in Medieval Japan

Chun Wa Chan, Department of the History of Art, University of Michigan

The Thirty-Year Echo: Early Film Comedy of Taiwan and South Korea

Evelyn Shih, Department of East Asian Languages and Cultures

University of California, Berkeley

Discussion

Discussant: Dr. Christine Guth

Moderator: Wai Yee Chiong

Afternoon Session 2:155:30 pm

What's So funny about Writing about Literati Painting in Northern Song China? How Poetry Misunderstood Painting

Yao Hua, Department of Chinese Language and Literature, Peking University

Clever Couplings: Re-reading the "Fashionable" Eight Parlor Views

Jeannie E. Kenmotsu, Department of the History of Art, University of Pennsylvania

From Sacred to Satirical: A Collaboration between Katsukawa Shunsh and K Skoku

Wai Yee Chiong, Department of Art and Archaeology, Princeton University

Time and Identity: The Past, Present, and Future in Chinese Caricatures

at the Turn of the Twentieth Century

I-Wei Wu, Institute of Chinese Studies, University of Heidelberg

Discussion

Discussant: Dr. Christine Guth

Moderator: Sol Jung, Princeton University

Concluding Remarks

Sol Jung, Princeton University

2. "Zheng He's Maritime Voyages (1405-1433) and China's Relations with the Indian Ocean" World from Antiquity conferenceUniversity of VictoriaVictoria, BC22-24 August 2014

[from H-ASIA, 6/23/13]

Eighty-seven years before Christopher Columbus's first transatlantic voyage, another of the world's greatest navigators, the Chinese admiral Zheng He (Cheng Ho), launched the first of the seven voyages he would lead across the Indian Ocean between 1405 and 1433. This international conference on August 22-24 at the University of Victoria, focuses both on Zheng He's epic voyages in the early fifteenth century, and on China's millennia of relations with the Indian Ocean world (extending from East Africa and the Middle East through South and Southeast Asia to the Far East).

Conference themes will include ecological diversity and interconnections, transportation over land and sea, the migration of plants, animals and people, the exchange of goods and gifts, contacts through diplomacy and warfare, the spread of religions and technologies, as well as other forms of interactions between China and the Indian Ocean world from ancient to modern times, especially around Zheng He's era. The conference's working languages will be English and Chinese, and papers can be written and presented in either language. The Centre for Asia-Pacific Initiatives (CAPI) at the University of Victoria is hosting the conference.

The deadline for submission of abstracts (maximum 300 words) and personal contact information isFebruary 15, 2014. The deadline for submission of papers in English or Chinese (max. 10,000 words in MS Word) is July 31, 2014. The early registration fee is CAN$100 (CAN$50 for students), payable by May 15, 2014. (The registration fee will be waived for a student presenter of an accepted paper). The late registration fee (after May 15, 2014) is CAN$150 (CAN$100 for students).

Participants are expected to pay for their own travel and lodgings. We can provide information on travel and lodging in Victoria and have a preferred conference rate with the Inn at Laurel Point.

This conference reflects active participation by the University of Victoria in the international Major Collaborative Research Initiatives program, The Indian Ocean World: The Making of the First Global Economy in the Context of Human-Environment Interaction.

Please send abstracts and contact information (name, title, institution, e-mail address, postal address, and phone number) [email protected]. For more information see http://www.capi.uvic.ca/events.

Documents

展覽： - artcy.ntu.edu.t file · Web view藝術/文化/史. ArtsInfo. 02 / 28 / 201. 4. 1. 感謝Cherry NK Wong, Kevin McLoughlin, Ling-en Lu, 張華芝、林莉娜、板倉聖哲、黃蘭茵所提供的資訊。