2668519 Marguerite Rigoglioso Stregoneria

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    Marguerite Rigoglioso, Stregoneria,

    1

    For this inquiry I set out to investigate the following questions: What is Italian witchcraft?

    Has it

    ever been a bona fide religious system, or merely an incoherent amalgam of magico-

    religious

    practices handed down from an earlier era? What are its origins and how has it manifested

    throughout history? Was it, in fact, a demonic art? Is it practiced today? If so, in what

    form? Has

    Italian witchcraft been carried by Italian immigrants to the shores of America? If so, how

    does

    American stregoneria compare with Italian stregoneria?

    The methodologies I have used in conducting this research include historical and

    hermeneutical analysis, as well as narrative interviews. For the latter, I spoke with an

    expert on

    Sicilian folk magic as well as four Americans of Italian descent who call themselves

    streghe

    (witches) and, as such, claim to be practicing the old pre-Christian religion of Italy that

    has been

    passed down to them through their family lines. I also spoke with a contemporary

    American

    clairvoyant who is not of the strega tradition but has provided some general insights on

    the

    phenomenon. For historical and ethnographical background, I have turned mainly to thework of

    scholars such as Carlo Ginzberg, Charles G. Leland, Frederick Elworthy, Gustav

    Henningsen, Peter

    Kingsley, and Elsa Guggino. The writings of two contemporary Italian-American

    witches, Raven

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    Grimassi and Leo Martello, have provided information on modern-day Italian witchcraft.

    I should note here that the word for witchcraft in the modern Italian language is

    stregoneria. However, various writers, including Charles Leland and Raven Grimassi,

    refer to it

    as stregheria (or even the misspelled stregeria,), claming that this is the term

    historically used

    by its practitioners. As at this point in my research I have not yet confirmed whether

    witches in

    Italy have in fact ever called their craft stregheria, I will use the term stregoneria. In

    addition,

    ethnologist Elsa Guggino maintains that in Sicily the word strega is used disparaginglyto

    describe someone who practices malevolent magic; other words such as maga are used

    instead

    to denote practitioners of the healing and magical arts.

    1

    Nevertheless, for simplicitys sake I tend

    use the word strega (and its plural, streghe) throughout this paper to mean witch in

    all

    1

    Personal interview with Elsa Guggino, April 6, 2000.

    Page 3

    Marguerite Rigoglioso, Stregoneria,

    2

    senses of the word. Also for simplicitys sake, I use the feminine form of the word in

    Italian for

    both men and women.

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    Historical and Ethnographical Evidence for the Existence of Italian Witchcraft

    In Ecstasies: Deciphering the Witches Sabbath, Carlo Ginzberg examines testimonies in

    the

    European witch trials from the 14th through 17th centuries and teases out a deepsubstratum of

    popular beliefs and practices that amount to a hidden shamanic culture operating in Italy

    during that

    period. Arguing that diabolism was a projection on the part of Catholic inquisitors,

    Ginzberg

    determines from trial records that an ecstatic cult existed at the time, one centered on the

    veneration

    of a female deity or female spirits variously named Diana, Herodiana, Herodias, Abundia,

    Richella,

    Madonna Oriente, la Matrona, the Good Mistress, the Teacher, the Greek Mistress,

    the

    Wise Sibilla, the Queen of the Fairies, and so forth. She is a deity at times

    surrounded by

    animals, intent on teaching her followers the virtues of the earth.

    2

    Testimonies indicate that

    men and women, but above all, women, would ritually meet with her in shamanic trance,

    usually at

    night. One group, the benandanti of the Friuli, fought during such episodes against

    malevolent

    witches who threatened the fertility of the fields. Sometimes shapeshifting into animals

    or

    insects, other times riding on animals backs, they would end their journey by joining an

    otherworldly procession of the dead.

    3

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    Various references to toads and ointments in the trial

    records, suggests Ginzburg, indicate that practitioners may have induced such trances by

    ingesting

    or topically applying hallucinogenic substances derived from toads skin or psychoactive

    mushrooms.

    We now move to the late 1800s. Self-styled folklorist Charles Leland, in poking around

    the

    Romagna region of Tuscany (between Forli and Ravenna), stumbled upon what people

    there called

    la Vecchia Religione, the Old Religion. This tradition, he claimed, is really not a mere

    chance

    survival of superstitions here and there. . .but a complete system.

    4

    Its practitioners venerated the

    2

    Carlo Ginzburg, Ecstasies:Deciphering the Witches Sabbath (New York: Random

    House, 1991), p. 131.

    3

    Ibid., p. 155.

    4

    Charles G. Leland,Etruscan Roman Remains (Blaine, WA: Phoenix Publishing, Inc., No

    date given), p. 9.

    Page 4

    Marguerite Rigoglioso, Stregoneria,

    3

    goddess Diana and her daughter, Aradia (Herodias) the female Messiah.

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    5

    In several remarkable

    volumes, most notably Etruscan Roman Remains and Aradia: Gospel of the Witches,

    Leland

    compiled as much as he could of the mythology, folklore, and spells still being utilized by

    the

    streghe in the last decades of the nineteenth century. In his works, he traces the origins of

    stregoneria back to the Etruscan period, showing how the spirit entities still being

    addressed by the

    latter-day streghe preserved names and attributes of the old Etruscan gods, such as Tinia,

    or Jupiter,

    Faflon, or Bacchus, and Teramo (in Etruscan Turms) or Mercury. Lelands books are a

    remarkable

    compendium of lore, ceremonies, and incantations to effect cures, attract love, remove

    evil

    influences, bring certain things to pass, evoke spirits, insure good crops or a travelers

    safe return,

    divine events, cast harm upon enemies, and so forth. The practices, he notes, remained inthe hands

    of mystic families, in which the occult art is preserved from generation to generation,

    under

    jealous fear of priests, cultured people, and all powers that be.

    6

    A tradition that was

    predominantly the province of women, the rites and secrets were passed on in families to

    younger

    female members by female elders.

    A century later, we find Italian American Leo Louis Martello in his 1991 book

    Witchcraft:

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    The Old Religion, confirming the notion that the Old Religion has been passed all the

    way down

    through family lines to the present day. He writes, The strege [sic] (Witches) in our

    family go

    back for centuries. My grandmother used to read the old Tarochi deck of cards, from

    which we get

    the modern Tarot. She was the village strega and both envied and hated by priests.

    7

    In 1951,

    when Martello himself was 18, his extended Sicilian family in New York initiated him

    into the

    tradition as well. Italian stregoneria -- and Sicilian stregoneria in particular -- Martello

    says, has

    survived throughout the centuries by becoming an underground phenomenon during and

    after the

    Inquistion. That his relatives observed him from afar for years before initiating him to

    make sure

    that he would do justice to the tradition and could be trusted to maintain craft secrets, henotes, is

    5

    Charles G. Leland,Aradia: Or the Gospel of the Witches (New York: Samuel Weiser,

    Inc., 1974), p. viii.

    6

    Leland,Etruscan Roman Remains, p. 4.

    7

    Leo Louis Martello, Witchcraft: The Old Religion (New York: Citadel Press, 1991), p. 33.

    Page 5

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    Marguerite Rigoglioso, Stregoneria,

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    characteristic of strega families.

    8

    It is because of the secrecy enshrouding the tradition, he

    maintains, that stregoneria is not more widely known than it is today.

    Enter Raven Grimassi. An Italian American who also claims to come from a strega

    family,

    Grimassi has taken Italian stregoneria out of the broom closet, making certain aspects of

    it available

    to the wider public. In his several volumes, including the 1995 Ways of the Strega. Italian

    Witchcraft: Its Lore, Magick and Spells, Grimassi presents what he calls the Aridian

    Tradition,

    originally established in North America as a branch of Tanarra [the form of stregoneria he

    says was

    traditionally practiced in central Italy].

    9

    The remarkably systematized religion he presents, a

    purported blending of several northern and central Italian stregoneria practices, is, he

    notes, an

    attempt to restore the original Tradition.

    10

    As such, the stregoneria he describes has a coherent

    cosmology, mythology, and set of specific practices. While some hereditary streghe

    complain that

    aspects of Grimassis stregoneria are inauthentic, borrow too heavily from Lelands

    work,

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    ignore the many regional varieties of stregoneria, and wrongly incorporate aspects of

    American

    New Age philosophy, many agree that at least some of the folklore and rituals he offers

    are indeed

    grounded in strega traditions.

    11

    A growing number of Americans interested in paganism are

    turning to stregoneria la Grimissi to guide them in their work in covens or as individual

    practitioners. Grimassi himself heads a coven in California.

    And what of Italy today? Has the strega tradition survived in that country and are there

    those who claim to still be practicing la Vecchia Religione? My preliminary research

    indicates yes.

    Fabrisia (who prefers that her last name not be used), a hereditary Italian-American strega

    who now

    lives in Tennessee, says that several male witches from the Bologna area have

    corresponded with

    her via the Internet since discovering her Web site on Italian witchcraft(www.Fabrisia.com).

    8

    Martello, What It Means to Be a Witch, Occult, January1974, p. 4, and private

    interview with Martello, April

    14, 2000.

    9

    Raven Grimassi, Ways of the Strega. Italian Witchcraft: Its Lore, Magick and Spells (Saint

    Paul: Llewellyn

    Publications, 1995), p. xviii.

    10

    Ibid., p. xviii.

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    11

    Information relayed during interviews with my informants, April 2000.

    Page 6

    Marguerite Rigoglioso, Stregoneria,

    5

    They are hereditary witches and tell me that what they practice has been passed down to

    them

    through their families and hasnt changed since the 1500s, she says.

    12

    Farther south, in Sicily, we find that popular magic is still widely used. A very large

    number of people from all classes believe in magic in Sicily, ethnologist Elsa Guggino

    says.

    13

    However, as mentioned earlier, she notes that practitioners of magic there are generally

    not called

    streghe because that term is understood to signify the diabolical witch image that is

    now

    widely considered to have been creation of the Catholic church. Rather, they are known

    by a

    plethora of names, including maga, mago (the masculine version), magara, maara, and

    so forth.

    The maghi that Guggino has observed are generally hired by others to perform a variety

    of rituals

    that will assist in the physical and psychic healing or protecting of the clients themselves

    or their

    loved ones. The use of the malocchio, or evil eye, a spell intended to cause harm to

    another

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    person (as well as spells to counteract it), is also widespread and commonly conducted by

    maghi at

    their clients request. As her work abundantly demonstrates, contemporary Sicilian magic

    is highly

    syncretic, with many elements of Catholicism (prayers, names of saints) entering into the

    spells and

    rituals (something that was hardly present in the stregoneria of northern Italy during

    Lelands

    time). While the maghi that Guggino describes are not of the New Age variety (the

    latter exist

    but do not fall under the scope of her research), they have not stated to Guggino that they

    are

    practicing the Vecchia Religione, either. Interestingly, Guggino has not found evidence

    for the

    latter. Given that Leo Martello and other streghe of Siclian origin provide compelling

    anecdotal

    evidence that the Old Religion was still operating in Sicily at least as recently as 35 years

    ago,

    however, it may well be that Guggino has not been privy to the phenomenon because the

    strega

    families have maintained their iron curtain of secrecy. Clearly this remains an interesting

    avenue for

    further research.

    The Roots of Stregoneria

    12

    Interview with Fabrisia, April 2000.

    13

    Interview with Elsa Gugguno, April 14, 2000.

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    Marguerite Rigoglioso, Stregoneria,

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    Having briefly established the existence of stregoneria as a form of pre-Christian religion

    that has

    survived into the present day in both Italy and the United States, I would like to explore in

    a more

    indepth fashion the various connections between stregoneria and its antecedents in the

    Mediterranean, West Asia, and Africa.

    Perhaps the most dramatic document providing clues in this regard is the so-calledGospel

    of the Witches, which Leland claims to have obtained from a Romagnolo strega he

    referred to as

    Maddalena. He says of this document, I do not know definitely whether my informant

    derived

    part of these traditions from written sources or oral narration, but I believe it was chiefly

    the

    latter.

    14

    While its authenticity is disputed by some scholars, many contemporary hereditary

    streghe embrace it, asserting that it contains lore and rituals that they were taught by their

    families.

    The Gospel (in English translation) begins like this:

    Diana greatly loved her brother Lucifer, the god of the Sun and of the moon, the god of

    light

    (Splendor), who was so proud of his beauty, and who for his pride was driven from

    Paradise.

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    Diana had by her brother a daughter, to whom they gave the name of Aradia (i.e.

    Herodias).

    In those days . . .the rich made slaves of all the poor.

    Diana said one day to her daughter Aradia. . . .

    Tis true indeed that thou a spirit art,

    But thou wert born but to become again

    A mortal; thou must go to earth below

    To be a teacher unto women and men

    Who fain would study witchcraft in thy school. . . .

    And thou shalt be the first of witches known. . . .

    And when the priests or the nobility

    Shall say to you that you should put your faith

    In the Father, Son, and Mary, then reply:

    Your God, the Father, and Maria are

    Three devils. . .

    For the true God the Father is not yours;

    For I have come to sweep away the bad,

    The men of evil, all will I destroy!. . . .

    Now when Aradia had been taught, taught to work all witchcraft, how to destroy the evil

    race

    (of oppressors), she (imparted to her pupils) and said unto them:

    When I shall have departed from this world,

    Whenever ye have need of anything,

    Once in the month, and when the moon is full,

    14

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    Leland,Aradia, pp. vii-viii.

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    Marguerite Rigoglioso, Stregoneria,

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    Ye shall assemble in some desert place,

    Or in a forest all together join

    To adore the potent spirit of your queen,

    My mother, great Diana. . .

    15

    Votaries are thereafter enjoined to bake cakes of meal, wine, salt and honey in the shape

    of a

    crescent moon, to meet together and eat while naked, and to make love. Vervain and rue

    are

    mentioned as plants sacred to Diana.

    Aradia, says Leland, is Herodias, who was regarded very early on in stregoneria folkloreas

    being associated with Diana as chief of the witches. And, in fact, the carefully researched

    scholarly

    work of Ginzburg, mentioned earlier, confirms both the association between these two

    figures as

    well as their connection with Italian witchcraft, at least as far back as the 14th century.

    Leland

    further notes that Herodias is a name that comes from West Asia, where it denoted an

    early form of

    Lilith. Both figures, he says, had Isis as their precursor.

    16

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    The link between Diana and Isis is

    further underscored by the fact that they shared many sacred attributes, including the

    crescent moon

    (also a symbol for horns) and the lotus.

    17

    Thus, from this chain of associations alone we can trace the origins of stregoneria to the

    religion of ancient Egypt, which venerated Isis. Further links with Africa can be seen in

    the fact that

    the Roman statues of Diana of Ephesus are made of black marble, showing that they were

    intended

    to represent the queen of the witches in at least one of her aspects -- that of nurturing

    mother --

    as a black goddess.

    18

    As Lucia Chiavola Birnbaum has demonstrated in her forthcoming book,

    Dark Mother, images of the black goddess reveal a deeply buried racial memory of

    humankinds

    origins in Africa and of our first deity as having been a dark African Mother.

    19

    Isis worship most likely served as a precursor to stregoneria in Italy more directly from

    the

    1st century B.C. to the 5th century A.D., when it was deliberately brought back into many

    countries

    15

    Ibid., pp. 1-6.

    16

    Ibid., p. 103.

    17

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    Frederick Elworthy, The Evil Eye: The Origins and Practices of Superstition (London:

    Collier Books, 1958), p.

    355.

    18

    Ibid., p. 191.

    19

    See Lucia Chiavola Birnbaum,Dark Mother: African Origins, Godmothers, and the

    Uncruel Revolution,

    forthcoming.

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    Marguerite Rigoglioso, Stregoneria,

    8

    in Western Europe under the Roman empire. One of the temples to Isis was founded

    during that

    period in the Italian city of Benevento, a place mentioned numerous times in the witch

    trials and in

    Lelands Aradia as a locale where streghe met.

    20

    Whether these meetings occurred in the

    phenomenal world or in the trance realm is unclear. Regardless, the multiple references to

    Benevento in the lore indicate that it was a particularly important center for stregoneria.

    In

    Benevento and all over Italy, the focus on healing that was an important part of the Isis

    religion

    21

    was carried into stregoneria, whose practitioners used herbs and magic to treat people for

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    innumerable ills.

    Stregoneria also obviously derived from other, earlier mystery religions of the

    Mediterranean. As mentioned previously, Leland traces stregoneria in the Romagna

    region to the

    magico-religious practices of the Etruscans, a non-Indo-European people whose existence

    in Italy

    has been dated to somewhere around 1000 B.C.E. Many of these practices, including

    occult

    remedies for disorders, were carried into the early Roman period. Authors such as Cicero,

    Tacitus,

    Livy, and Virgil explicitly state that their divination and religious practices were drawnfrom

    Etruscan sources. In fact, Etruscan books of magic were popular in Roman times, and the

    information contained therein was not just reserved for the elite but shared by the

    common

    people.

    22

    It is significant to note that one of the attributes of Diana, as with her Greek precursor,

    Artemis, was as protector of women in childbirth.

    23

    Streghe, her priestesses, thus also had an

    important role as midwives, dispensing herbs to help usher along the birth process and

    ease the pain

    of labor. The two main herbs cited as being sacred to Diana are rue and vervain. The

    cima di

    ruta or sprig of rue, in fact is a symbol that was and is still popularly worn as an amulet

    by

    streghe. It consists of three main branches (symbolizing the triple nature of the goddess).

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    At the

    tips of each branch (which bifurcate into a total of eight small branches) are symbols such

    as the

    crescent moon, the lotus, the hand, and the key (each one of which alone can serve as aprophylactic

    20

    Martello, Witchcraft, p. 85.

    21

    Birnbaum,Dark Mother, p. 19.

    22

    Leland,Etruscan Roman Remains, p. 11.

    Page 10

    Marguerite Rigoglioso, Stregoneria,

    9

    against the evil eye

    24

    ). While much is written about the many healing uses of rue and vervain and

    their connection with Diana, none of the sources I have found mention this interesting

    fact, which I

    discovered independently by consulting Gatto Trocchis Magia e medicina popolare in

    Italia: both

    were used as abortive agents.

    25

    Indeed, sometimes midwives inserted the root of the rue plant

    directly into the uterus to induce abortion.

    26

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    Clearly this piece of information has been so taboo

    that it has escaped the detection even of great strega sleuths such as Leland himself. In

    discovering

    it, I had the insight: Is the sprig of rue a symbol of womens power to take away life? Ifso, the

    wearing of it by streghe as a sign of loyalty to their craft and to Diana could thus have

    been as a

    defiant, subversive statement indeed about womens power (particularly during the time

    of the

    Inquisition) -- and one that I suspect remains largely buried in the collective unconscious,

    even in

    the minds of most streghe today. This is not surprising. It is the awful, death-wielding

    aspect of

    the Goddess - and ourselves - that we are still trying to come to terms with on the

    collective level. It

    is, perhaps, the darkest aspect of the Dark Mother. The sprig of rue may thus well be a

    signifier for

    the chthonic mysteries, pointing to stregoneria as a practice ultimately chthonic in nature,itself.

    Further evidence for this notion can be found in the fact that the lore and iconography

    surrounding Diana in the classical Roman era is also connected to that of the Greek

    goddesses

    Demeter (herself considered a form of Isis

    27

    ), Persephone, and Hecate, whose chthonic-based

    religion was widely practiced in southern Italy and Sicily.

    28

    Diana was closely associated with

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    Hecate as queen of the witches, and in this aspect was considered a deity whose realms

    were

    nocturnal (hence her association with the moon) and underworldly.

    29

    We can also see echoes of

    the mother-daughter/descent myth of Demeter and Persephone in the story of Diana and

    her

    daughter Aradia, who descends to earth to help humankind. Further, one of the Roman

    names

    of Diana was Diana Triformis, indicating that she was considered a triple goddess who

    communed

    23

    Elworthy, p. 350.

    24

    Ibid., p. 355.

    25

    Gatto Trocchi,Magia e medicina popolare in Italia (Rome: Newton Compton, 1982), pp.86, 106.

    26

    Ibid., p. 106.

    27

    Birnbaum,Dark Mother, p. 14.

    28

    Peter Kingsley, inAncient Philosophy, Mystery and Magic andIn the Dark Places of

    Wisdom, characterizes the

    Demeter/Persephone religion in this way.

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    Page 11

    Marguerite Rigoglioso, Stregoneria,

    10

    with heaven, earth, and hell. As such, she had three distinct names: in heaven . . .the

    Moon; upon

    the earth Diana; in hell Prosperpine [the Latin name for Persephone].

    30

    She was also considered in

    another threefold form as Hecate/Diana/Prosperpine.

    31

    The Sicilian Difference

    In Sicily, we find a number of possible cross-influences that have led to the particular

    flavor of

    stregoneria practiced there. First of all, some scholars speculate that the Sikels (I believe

    this is the

    English translation of the Italian Siculi), a people who settled in Sicily at least as far

    back as

    1500 B.C.E.,

    32

    may have been Etruscan migrants who arrived by sea.

    33

    The likelihood that these

    migrating Etruscans would have brought their beliefs with them suggests that Sicily may

    well have

    been sprinkled with the same seeds from which northern Italian stregoneria derived. The

    Greek

    inhabitants of Sicily, who began establishing settlements on the island in the 8th century

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    B.C.E.,

    adopted one of the pre-existing sacred spots of the Sikels, namely the city of Enna and its

    environs

    (including Lake Pergusa), for their own religious purposes.

    34

    It is here that they brought their

    legend of Demeter and Persephone and built a great temple to their grain goddess (the

    latter in 480

    B.C.E.

    35

    ). It has been suggested that the religion was easily adopted by the indigenous people

    because it closely resembled Sikelian beliefs and practices in which the nether-world

    held first

    place.

    36

    (Just how closely the latter resembled Etruscan practices remains to be investigated).

    Frederick Elworthy even notes, it is very pertinently asked whether the Latin [names for

    these

    Greek goddesses,] Ceres, Libera, and Dis were approximations in sound to the names of

    the

    original deities of the hill of Enna.

    37

    29

    Leland,Etruscan Roman Remains, p. 151.

    30

    Elworthy, p. 348.

    31

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    Ibid., p. 349.

    32

    Alta Macadam,Blue Guide: Sicily (New York: WW Norton, 1993), p. 11.

    33

    Martello, Witchcraft, p. 146.

    34

    Elworthy, p. 335.

    35

    Macadam, p. 182.

    36

    Elworthy, p. 335.

    37

    Ibid., p. 336.

    Page 12

    Marguerite Rigoglioso, Stregoneria,

    11

    The question of ancient names becomes quite relevant to our discussion of Sicilian

    stregoneria. For Leo Martello claims that the name of the original Sikelian goddess prior

    to

    Demeter and Persephone (who themselves became blurred and sometimes

    indistinguishable

    38

    ) has

    been preserved but is known only to Sicilian streghe. Sicilian witch covens, he writes,

    descended from [the Sikelian] tradition, still use the name of the ancient Sikelian

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    goddess, one that

    has never been revealed or published.

    39

    If Martellos assertion is accurate, we can see that while

    Sicilian stregoneria retains Dianic elements, it appears to be a specific outgrowth of the

    Sikelian/Greek mystery religion that centered on Demeter and Persephone (and their

    Sikelian

    precursor). Martello underscores this idea in a description of his Sicilian strega

    grandmother:

    My grandmother was openly a witch but secretly a high priestess of the Old Religion.

    Once a month, at the time of the full moon, she joined with others in worship of the

    mother

    goddess near the foothills of volcanic Mount Etna and the once-sacred Lake Pergusa

    where

    Persephone was kidnapped. Enna was her hometown, but she moved away when she got

    married. At age 16, she was initiated into the ancient rights of la vecchia religione. Her

    family were direct descendents of the Sikels who founded Sicily.

    40

    Mount Etna is another spot that is associated in mythology with various goddesses,

    including

    Demeter. As I have noted elsewhere,

    41

    Lake Pergusa was considered to be a sacred locale by

    Sicilys ancient inhabitants - most likely because its periodic reddening was seen as a

    great cosmic

    blood mystery, one that symbolized the menstruation of the goddess herself. Thus in

    Martellos strega grandmother we have evidence for the direct continuation of the mystery

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    religions

    from ancient times until at least the early 20th century.

    Other evidence regarding the continuation of the Demeter/Persephone religion by streghe

    in

    the modern era centers on lore regarding two statues of the Madonna and Child in Enna

    in which

    the baby is female. Martello, who was told by streghe relatives to peek under the

    swaddling clothes

    of one of the statues located in a small Ennese church during his visit to Sicily in 1964,

    relates what

    he says is the true story his family told him about it:

    38

    Peter Kingsley,Ancient Philosophy, Mystery, and Magic (New York: Oxford University

    Press, 1995), p. 352.

    39

    Martello, What it Means to Be a Witch, p. 3.

    40

    Ibid. Given that Mount Etna is several hours away from Lake Pergusa by car, we can only

    assume that Martellos

    grandmother participated in rituals at these various locales at different times in her life

    (not on the same night, for

    example).

    Page 13

    Marguerite Rigoglioso, Stregoneria,

    12

    The sculptor who made the Madonna with a female Jesus belonged to la vecchia religione

    .

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    . .and in this way paid tribute to his Goddesses, Demeter and Persephone. Shrewdly he

    realized that no one would look too closely under the swaddling clothes to determine if

    their Jesus was male or female. Even the thought would have been considered

    sacrilegious. He counted on their taking for granted that the Madonnas child was a male

    Jesus. Old Religionists knew better and had many a laugh over it.

    42

    Of interest here is the story that Bellezza Squillace recounts

    43

    regarding her initiation into

    the strega tradition of her own family, whose members felt a strong identification with

    Sicily

    although they hailed from the southern part of the Italian mainland. She recalls being

    three or four

    years old and climbing into the manger of the life-sized nativity scene in front of her

    church in Saint

    Paul, Minnesota at Christmas time. I picked up the baby Jesus and said, I knew it! Its a

    girl!

    she says. My streghe grandparents just laughed and laughed and laughed. It was shortly

    after

    that, Squillace believes, that they began to teach her the old ways. While Squillace notes

    that the

    story of Demeter and Persephone was one of the myths her family passed down to her,

    she says

    she was unaware of the existence of the female Jesus in Sicily until I brought it to her

    attention.

    Peter Kingsley, an expert on Sicilian pre-Christian religions, describes the

    Demeter/Persephone/Hecate religion as one that was in the hands of women.

    44

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    Clearly it

    retained that quality as it evolved into stregoneria, a tradition that was and is female

    dominated in

    Sicily just as it has been further north in Italy. Being, as mentioned, chthonic in nature, itsfocus

    was on the Underworld, a shamanic realm of mystery and terror that was also a

    paradoxical

    place - one that had to do with both death and healing, darkness and light. Initiation into

    this

    religion, Kingsley notes, involved descent into a chamber,

    45

    a custom that has been continued

    into contemporary times by Sicilian streghe. Martello tells the story of his own initiation:

    [My Sicilian relatives] blindfolded me and took me by car, probably somewhere either on

    Long Island or in New Jersey. We got out of the car and they lowered me down into

    something. They told me I had to stay there until they came to get me. . . .Im down there

    and I reach around and all of a sudden, what am I feeling: dirt!. . . .I was in an open

    grave.

    46

    41

    Marguerite Rigoglioso, The Rape of the Lake, Pandora, Spring 1999., pp. 30-33.

    42

    Martello, Witchcraft, p. 138.

    43

    Interview with Bellezza Squillace, April 9, 2000.

    44

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    Kingsley,In the Dark Places of Wisdom (Inverness, CA: The Golden Sufi Center, 1999),

    p. 97.

    45

    Kingley,Ancient Philosophy, Mystery, and Magic, p. 246.

    46

    Interview with Leo Martello, April 14, 2000.

    Page 14

    Marguerite Rigoglioso, Stregoneria,

    13

    Sicilian-American strega Lori Bruno, 60, who now lives in Massachusetts, tells of a

    similar

    experience. When I was 18 and again when I was 51, I entered a cave in Canada, she

    says.

    During those nights I experienced visions and journeys in the darkness. That was my

    initiation

    into my familys tradition. It was a symbolic burial. And it was a going back to theMother.

    47

    It is interesting to note that the Sicilian-American streghe themselves whom I have met

    seem to have

    what could be considered a certain underworldy quality about them. By that I mean

    they have a

    no-nonsense intensity and an air of mystery and secretiveness about them, and theymaintain a

    concern with combating negative spirit forces operating in their environment and in

    society. The

    fierceness of Sicilian streghe has also been noted by Martello and others. Unlike most

    other

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    Witchcraft traditions, he writes,

    the Sicilian and some Italian branches do not hesitate to threaten the deities. . . .This

    Sicilian quality is not one of disrespect of blasphemy. It is one of positive self-assertion, a

    recognition of our own inner divinity, and a sense of personal power in our own lives that

    neither man nor God nor Goddess can undermine.

    48

    Perhaps even more compelling in this regard is Bellezza Squillaces out and out assertion

    that her streghe relatives prepared her to become a death priestess.

    49

    I was taught to

    understand the cemetery and the death rites, to be able to face the fear of death so that I

    could go to

    that realm over and over again, she says. Having been prepared for such a role, she notes,

    I am

    called to the deathbed of all of my relatives to annoint them. They will not die until I get

    there. In

    addition, Bellezza says she regularly journeys to the Underworld in shamanic trance and

    works in

    her nocturnal dream state for a variety of ends, including obtaining wisdom from the

    divine realm,

    effecting healings, and intervening to change events in the phenomenal world such that

    they may

    have a more positive outcome. In one of my dreams I saw a car accident that my brother

    was

    going to have, she recounts. I changed things so that the truck didnt hit him head on

    but jack-

    knifed so that they would both end up in a ditch and survive. The accident happened just

    that way a

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    47

    Interview with Lori Bruno, April 6, 2000.

    48

    Martello, Witchcraft, p. 145.

    49

    Interview with Squillace.

    Page 15

    Marguerite Rigoglioso, Stregoneria,

    14

    day later.

    50

    Clearly what we have here is a priestess of Persephone, the goddess who, more than

    being just the maiden who picked flowers at the edge of the lake, was the Queen of the

    Underworld,

    the ruler of the dead. Bellezza is no doubt one in a long line of priestesses of Persephonewho have

    operated in Italy, Sicily, and beyond as sacred mediators between this world and the one

    beyond the

    veil.

    Historical evidence linking stregoneria in Sicily to the Demeter and Persephone religion

    (or

    its Sikelian antecedent) is not unequivocal but still suggestive. My main historical sourcethus far

    has been a chapter by Gustav Henningsen entitled The Ladies from Outside: An

    Archaic

    Pattern of the Witches Sabbath. In it, Henningsen examines approximately 70 case

    records of

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    trials of Sicilian witches held from 1547 to 1701 by the tribunal of the Spanish Inquisition

    in

    Palermo. The trials involved donne di fuori (women from the outside), as they were

    called, a title

    that was alternately applied both to witches themselves and to supernatural, fairy-like

    entities who

    accompanied them on their nocturnal sojourns.

    Henningsen determines from the trial records that a Sicilian fairy cult was thriving on

    the

    island at least during the time of the Inquisition, if not even earlier. It was led mainly by

    women

    who served as charismatic healers and cured ills caused by the fairies. Several nights a

    week,

    they would rush out in spirit. . .and take part in the meetings and nocturnal journeyings.

    51

    Interestingly, many of the names used to address the fairies were identical to those that

    northern

    Italian witches used for their deities (as cited earlier in Ginzberg), although Henningsendoes not

    directly mention Diana or Herodias among them. The striking similarities point to the

    strong ties

    that must have existed between Sicilian and northern Italian witchcraft, strengthening the

    notion that

    the practices in both places originally derived from a common source (the Etruscans?).

    And the fact

    that two of the names used in both places are The Greek Lady and the Wise Sybil

    becomes

    particularly significant in the case of Sicily. I strongly suspect that the Greek Lady was

    a

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    reference to the ancient goddesses Demeter and/or Persephone. I also suspect that the

    mention of

    50

    Ibid.

    Page 16

    Marguerite Rigoglioso, Stregoneria,

    15

    the Wise Sybil reflected an archaic memory of the sybil at Delphi, who Lucia Chiavola

    Birnbaum demonstrates was associated with the Roman Diana of Ephesus.

    52

    An Underworld of a Different Sort: Stregoneria, the Mafia Connection, and

    Malta

    A discussion of Sicilian stregoneria would not be complete without an inclusion of Leo

    Martellos

    stunning but compelling assertion that the phenomenon of the Sicilian mafia has its

    origins in la

    Vecchia Religione. He writes:

    Sicily, because of its constant conquest by other nations, became a country of secret

    societies. . . .Because [Sicilians] could not achieve justice by the indifferent foreign rulers,

    who kept changing, each new conqueror bringing in a whole new set of harsh laws and

    religious ideas, secret societies with oaths of initiation, blood vows, and code words were

    inaugurated. Centuries ago these were made up mainly of the Old Religionists. . . Their

    joy

    was given full reign only when they worshipped in the woods on moon-filled nights while

    armed sentries guarded all passes to their mountain retreats. At first defenders of the

    faith,

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    the poor, and the oppressed, some of them became power-mad and worked for the feudal

    lords. They gradually dropped the worship of the Goddess and became an all-male

    chauvinist society. They retained some of the rituals for initiation purposes, but dropped,

    and eventually lost, both the worship and the origins of the rites. There were many

    schisms,

    splits, offshoots, and formations of rival societies.

    53

    In particular, Martello points to several important aspects of mafia initiation rituals -- the

    kiss, the

    blood oath, the vow never to reveal the secrets, and the use of the knife

    54

    as originating in

    stregoneria rites.

    To the many contemporary theories about where the word mafia comes from, Martello

    adds two more, which also tie it to the Old Religion. According to some streghe, he says,

    the

    word itself is an anagram which means faithful adoration of the Mother. It stems from

    the Latin

    words mater, meaning mother, and fidelitas, faithfulness.

    55

    Even more interesting is the

    second theory he posits: that the word mafia is a combination and elision of ma for

    mother

    51

    Gustav Henningsen, The Ladies from the Outside: An Archaic Pattern of the Witches

    Sabbath, in Bengt

    Ankarloo and Gustav Henningsen, eds.,Early Modern European Witchcraft: Centres &

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    Peripheries (Oxford:

    Clarendon Press, 1990), p. 195

    52

    Birnbaum,Dark Mother, p. 105.

    53

    Martello, Witchcraft, p. 151.

    54

    Ibid., p. 153.

    55

    Ibid.

    Page 17

    Marguerite Rigoglioso, Stregoneria,

    16

    (mater in Latin; madre or mamma in Italian) and filia for daughter.

    56

    The mother and daughter

    in this case would be none other than Demeter and Persephone. While there may be no

    conclusive

    proof for either of these theories, certainly they provide an interesting dimension to our

    discussion

    of Sicilian stregoneria.

    Another fascinating assertion Martello makes is that Malta, an archipelago just south of

    Sicily, also has a living witchcraft tradition. The strege [sic] undergrounds of both

    islands have

    long maintained close ties,

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    57

    he says. As in Sicily, witchcraft in Malta would have emerged from

    its own the ancient Goddess religion, for which there is ample evidence in the

    archeological record

    as well as in the local lore. The fact that the Maltese language has no word for father,

    notes

    Martello, bespeaks to its longstanding tradition of matriarchy, which no doubt was part

    and parcel

    of the goddess culture.

    58

    One piece of contemporary lore in Malta that he relates is particularly

    fascinating in this regard. The story concerns a number of grade-school children and their

    teachers

    who, as the August 1940 issue of National Geographic reports, descended into the

    underground

    maze of temples, tunnels, and catacombs in Malta and never returned. Of this incident,

    Martello

    writes:

    Many Sicilian and Maltese Witches say that the true secrets of Hal Saflini [or the

    Hypogeum, the large underground chamber in Malta that was used for ritual purposes in

    ancient times,] have not been discovered and that those teachers and children are not dead

    but are now part of a living race of people still surviving in their underground homes, still

    worshipping the ancient deities, and protected from discovery by various booby-traps that

    could initiate landslides should explorers get too close. The teachers and young children

    who were lost insured the propagation of their race - new blood mingling with old -

    providing a stronger stock for their Maltese underground matriarchy.

    59

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    Whether this story has any phenomenological truth to it or not, it certainly suggests that

    the

    memory of matriarchy - and the hunger for it in present times -- remains strongly

    embedded in the

    psyche of both the Sicilians and the Maltese. At the very least, the possibility of the

    existence of a

    Maltese witchcraft tradition with ties to Sicilian stregoneria is an intriguing topic for

    future research.

    56

    Ibid.

    57

    Ibid., p. 98.

    58

    Ibid., p. 100.

    Page 18

    Marguerite Rigoglioso, Stregoneria,

    17

    Stregoneria Today

    Contemporary Italian-American streghe echo Martellos claim that in Sicily, Italy, and

    among

    Italian Americans in the United States, the old religionists have survived to this day by

    raising their

    children publicly as Catholics, while privately and deliberately teaching them the old

    beliefs and

    practices. One of the more dramatic stories in this regard comes from Lori Bruno.

    60

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    Significantly,

    Bruno counts among her ancestors Giordano Bruno, the Italian heretic. Giordano himself

    considered Diana an important deity, held that witches were the midwives of social

    reform, and

    maintained that the Egyptian religion as transmitted in the Hermetic literature was

    superior to

    Christianity.

    61

    As a result of his radical ideas, he was burned at the stake in Italy in 1400. Lori

    Bruno also claims descendancy from Gawhar the Sicilian, who she says was a military

    leader

    sent by the caliph of Baghdad to conquer Egypt in 969 A.D. One of her distant great

    grandmothers, she notes, also lived in Sicily in the 14th century and brought the wrath of

    the

    Church down upon herself for using the practical and magical healing knowledge she had

    learned

    from Sicilys Arab colonizers to treat sufferers of the bubonic plague. They hung herupside

    down in the market place, says Bruno, because they said she was violating Gods will.

    Thus,

    along with stregoneria, the fear of authorities was handed all the way down to Brunos

    own

    generation. In our studies, we dont write anything down, she says. I was taught that

    you

    dont leave paper lying around or the Inquisition will get you.

    Bruno, who grew up in Brooklyn, says that her familys practices involved regularly

    calling

    on the old gods, including Diana, Apollo, Hecate, Demeter, Persephone, and the ancient

    Siculian

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    goddess, on occasions such as the full moon and other holidays. One of the rituals they

    conducted was a puberty rite in which a girl or boy of 12 years old was passed through a

    sapling

    that had been split in two. Some of the childs hair, along with an image of a god orgoddess, was

    inserted into the split and then the tree was tied back together to grow around and enclose

    the

    objects. I later found a photograph in Life magazine of people doing that very ritual in

    Sicily,

    59

    Ibid., p. 101.

    60

    Interview with Bruno.

    Page 19

    Marguerite Rigoglioso, Stregoneria,

    18

    she says. (In fact, I have that issue of Life in my files.) Other rites included burying red

    eggs in

    the east at sunrise on Easter morning, and burying silver coins with honey in the ground,

    she says,

    to honor the Earth Mother. Meanwhile, Bruno says with a chuckle, We were all good

    Catholics. We played their game right in front of them.

    For Bruno, the practice of stregoneria is, at core, one of service to humanity. The

    ultimate

    purpose of our craft is to make the world a better place to live in, to help people thrive

    and not

    destroy, she says. For example, she recalls her streghe relatives engaging in magical

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    interventions

    to attempt to influence the outcome of World War II. I remember very distinctly that

    something

    secret was done in Sicily with one of our relatives to prevent Hitler from coming andhurting our

    people. I also remember my mother reciting special prayers so that Hitler would be

    stopped before

    getting into England. Sicilian streghe, she says, joined the Resistance, as well,

    participating in

    activities such as forging baptismal records to help Jews. Today, Bruno herself offers her

    services

    as a psychic to her local police force in Massachusetts to assist them in finding

    perpetrators and

    victims of crime. Since turning 51 (the age at which she says a Sicilian strega may begin

    to teach),

    Bruno, now 60, has also headed a coven called the Lord and Lady of the Trinacrian

    Rose

    (Trinacria being the ancient Greek word for Sicily). By starting a non-family coven, shehas

    become one of the few Sicilian streghe in the United States to go public. Through it,

    she is

    passing her teachings down to Sicilian- and non-Sicilian-descended people alike who

    wish to

    commit to the strega path. In the final analysis, she says, stregoneria is all about love.

    You can

    learn all the techniques you want, but without heart, the magic isnt going to flow.

    For Minnesota resident Bellezza Squillace, 55, coming to consciouness about the fact that

    her family practiced the Old Religion has been a long, ongoing process.

    62

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    As I started

    learning about paganism years ago, she said, I realized: This is what Ive been living all

    my

    life! Her familys own practices, she noticed, had a decidedly old-world, Italian flavorand had

    always been carried out as a matter of course, without fanfare. Often the teachings were

    enfolded in

    61

    Loretta Orion, Never Again the Burning Times: Paganism Revisited(Prospect Heights, IL:

    Waveland Press,

    Inc., 1995), p. 89.

    62

    Interview with Squillace.

    Page 20

    Marguerite Rigoglioso, Stregoneria,

    19

    womens activities such as cooking or sewing. Rolling a ball of yarn for knitting, for

    example, was

    akin to entering and exiting the mythological labyrinth or maze - an activity that

    allowed one to

    problem-solve on a right-brained, intuitive level. One person had the skein of yarn on

    either hand,

    the other person was making the ball, she explains. A rhythm was created, like theswaying of

    the ocean, as the arms went up and down and the hands spiraled. This was the entering

    of the

    maze, a time in which the two of you would talk about the issues at hand. By the time

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    you

    finished, you had new insights into your life.

    63

    Squillace recalls how her relatives also told her stories about figures such as Medeusa, the

    Sirens,

    Hecate, Demeter, and Persephone, as well as the Italian witch Befana and Saint Lucia.

    These stories

    served as another method of instruction in problem resolution, she notes. I was taught

    that the

    Fatas, the fairies, were shapeshifters. They could take the form of a beautiful woman or

    an old

    bum on the street. That meant you always had to treat everyone you encountered with

    respect,

    because you never knew who might be a Fata. You certainly didnt want to offend one.

    Squillace was also taught that the fierce female entities known as the Furies could be

    called

    upon for assistance, a practice she herself has used in extreme situations. They are called

    in to

    right an injustice perpetrated by someone in a position of authority or to avenge the

    matriarchy,

    she explains. Ive invoked them in two different rituals. Once I did it to help catch a man

    who

    was raping and killing women, and burning their bodies in a park. The next day the man

    was

    arrested.

    Squillace recalls other old family practices, such as using fish for divination. You watch

    a fish in

    a pond or a tank and say, If it swims this way, the answer to my question is yes; if it

    swims that

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    way, the answer is no, she explains, adding that she is now passing such practices onto

    her

    young granddaughters. Mirrors, she was also taught, must always be consecrated by being

    buried

    before theyre used. Furthermore, they must be turned or covered for a period of time

    after a

    person dies. I didnt put a lot of stock in this until after my father died and I kept seeing

    his

    63

    This story is particularly intriguing because it points to the matriarchal underpinnings of

    the Greek myth of

    Theseus, who is aided in his journey into the labyrinth by Ariadnes ball of yarn.

    Page 21

    Marguerite Rigoglioso, Stregoneria,

    20

    reflection in the mirror. Id turn around and he wouldnt be there. Now I dont look into a

    mirror

    unless its been consecrated, she says.

    While Squillaces family considered these activities as natural as breathing, they did teach

    their young charge that their members were different, somehow set apart from the

    mainstream,

    and that their differences should not be advertised to anyone. They told me, We believe

    differently, but you still go to church. You go along, she recalls.

    Fabrisia, 44, who grew up in a large Italian-American community in Massachusetts, also

    remembers things being different for her family, as well.

    64

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    We all went to church, but the old

    Italian ladies said Ave Diana instead of Ave Maria, she says. Fabrisia also recalls her

    grandmother turning the statue of Mary away from what she was doing when she was out

    in her

    herb garden harvesting plants for remedies and spells. Her paternal grandmother, great-

    grandmother, and aunt, all of whom were born in northern Italy, identified themselves as

    streghe

    and told Fabrisia they were practicing their own religion. They began teaching her from

    a

    young age the family traditions, particularly the knowledge about herbs. Not surprisingly,

    one of

    their favorite plants was rue.

    Fabrisia remembers that it was typical for her female relatives to hang wind chimes all

    over

    the yard. My aunt believed that when the chimes rang they announced the presence of a

    fairy,

    Fabrisia recalls. She also remembers her elders regularly leaving food out in the garden as

    an

    offering to the deities. One ritual they taught her, which Fabrisia uses regularly, invokes

    protection

    from a bad storm. You go to each door of the house, lay pennyroyal down as an offering,

    and

    recite: Winds of the East, winds of the West, I beg you give us rest. Winds of the North,

    winds

    of the South, I ask you please blow around me, she says. I did that ritual one day when

    a

    tornado swept through our town in Massachusetts. I saw my gas grill go up and down

    without

    tipping over, and we could feel the wind going around our house while on the house

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    across the

    street the shutters and shingles came ripping off. We hardly had any damage at all. Now

    any time

    theres a storm my kids say, Ma, quick! Get the pennyroyal!

    64

    Interview with Fabrisia.

    Page 22

    Marguerite Rigoglioso, Stregoneria,

    21

    It is interesting to note that all of my informants referred to a controversy currently raging

    in

    streghe circles over the use of nakedness in rituals. As mentioned earlier, the Gospel of

    the

    witches published by Leland enjoins participants to meet, greet, eat - and subsequently

    make love -

    in skyclad fashion. Several of the streghe told me that Raven Grimassis coven enacts theGreat

    Rite during certain celebrations. That is, the high priest or high priestess has ritual

    sexual

    intercourse with another coven member in front of the entire coven. While Grimassi

    apparently

    claims that this ritual is a part of the original stregoneria tradition, my informants all tell

    me they

    were not taught that this was a part of the Vecchia Religione.

    Several of them also mention a prophesy (which Grimassi also talks about in Ways of the

    Strega) that has been handed down by streghe, stating that humanity would pass through

    four ages:

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    the age of the mother, the age of the father, the age of the son, and the age of the daughter.

    Squillace and Fabrisia believe that we have now or will very soon be entering the age of

    the

    daughter, a time in which women and the Goddess will be honored again.

    The Role of Negative Magic

    Before I conclude this paper, I should mention that during the Italian Renaissance,

    magic and

    witchcraft were two strands of magical practice that sometimes ran independently of

    one another

    and sometimes wove together. Peter Burke, in his chapter Witchcraft and Magic in

    Renaissance

    Italy, points out that magic was an important part of the world views of major

    Renaissance

    figures such as the aforementioned Giordano Bruno, Marsilio Ficino, Giovanni Pico, and

    others

    during the 15th and 16th centuries. These intellectuals revived the magic that was praised

    by the

    ancient writers they so respected.

    65

    The Italian magician was generally considered to be

    someone who used rituals and spells for good or evil, whereas the witch referred to

    people -

    mainly women - who did harm by supernatural means without rituals and spells, and

    sometimes

    without meaning to do so. While some would hold that magic belonged to the educated

    and

    witchcraft belonged to the common people, Burke argues that this distinction was, in

    fact,

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    Marguerite Rigoglioso, Stregoneria,

    22

    blurred. Moreover, the distinction between magic and witchcraft was also frequently

    blurred;

    that is, magicians were often thought to be wicked, and witches to use spells and

    rituals, he

    notes.

    66

    What contributed to this blending was the work of Hugh of St. Victor, who in the 12th

    century had divided magic into five parts. One of them was maleficium, which he

    defined as evil

    deeds done by the help of demons. Burke notes that in the witch trials of the 15th and

    16th

    centuries in northern Italy, maleficium was one of the most common accusations.

    Interestingly, the revival of magical practices among the male elite in Italy also

    corresponds

    with the peak of the witch hunt there.

    67

    While men were not exempt from this purge (witness

    Giordano Bruno), it was the women practitioners who were mainly targeted. Many

    feminist authors

    in recent years have rightly pointed to the fact that this was an attempt by the male power

    structure

    to further diminish womens power and role in the psychic arts, healing, and midwifery.

    What is little discussed, however, is whether women witches actually engaged in negative

    magic

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    designed to harm others, and, if so, what this means for women today as we attempt to

    reclaim our

    power.

    Any scholar of witchcraft will soon discover that the use of magic to bring harm upon

    another has indeed historically been widely practiced by streghe all over Italy and Sicily.

    While it is

    difficult to determine which admissions of evil-doing in witch trial records refer to

    authentic

    practices and which are the result of intimidation or torture on the part of the authorities,

    we do have

    a plethora of ethnographical evidence pointing to the use of malevolent spells on the partof streghe.

    Charles Leland devotes a whole chapter of Etruscan Roman Remains to evil

    incantations that he

    states were commonly used among the Romagnolo people even in the late 1800s. Among

    them are

    spells to stop a man from loving another woman, to cause marital strife between a couple,

    to bring

    misfortune upon a household, and even to kill a person. While I am still gathering

    evidence as to

    the efficacy of such spells, I have thus far found at least one fairly contemporary story

    that tells of a

    witch in San Pancrazio (of the legendary Romagna region) at the turn of the 19th century

    who is

    65

    Peter Burke, Witchcraft and Magic in Renaissance Italy: Gianfrancesco Pico and his

    Strix, in Sidney Anglo,

    ed., The Damned Art: Essays in the Literature of Witchcraft(London: Routledge & Kegan

    Paul, 1977), p. 33.

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    66

    Ibid., p. 34.

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    believed to have succeeded at killing a priest by use of a spell.

    68

    More recently, ethnographer Luisa

    Del Giudice, in her paper Cursed Flesh: Faith Healers, Black Magic and (Re-

    Membering) Death

    in a Central Italian Town, discusses how a number of people in her ancestral town of

    Terracina

    maintained that the use of black magic was responsible for the death of her 37-year-old

    brother-

    in-law in 1988.

    69

    If we turn now to Sicily, we note that Gustav Henningsen has observed that no one there

    was killed

    by the Inquisition for being a witch, contrary to what happened in the rest of Europe from

    the 14th

    through 17th centuries. The reason, he says, is that the Inquisition and the Church were

    for the

    most part unsuccessful at persuading the local people to characterize the donne di fuori

    as

    demonic in nature.

    70

    At the same time, negative magic was regularly used by witches

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    71

    and

    remains widespread on the island even today. Elsa Gugginos books on Sicilian magic, in

    fact, are

    peppered with stories of witches who even call upon the devil, himself in their work.

    They view him

    as merely one of many entities they can invoke to both heal and harm.

    Once we open the door to the understanding that streghe have regularly used negative

    spirits

    (including the devil) and harmful spells in their work, we begin to peek into a very

    spooky room,

    indeed. It is a room, in fact, that can start looking remarkably similar to the one painted

    by the

    Catholic church during the witch trials. For we must inevitably ask: If negative magic is

    and has

    been used, where does such a practice begin and end? Can we entirely dismiss some of

    the more

    sensationalistic accusations derived from the witch trials, such as that witches rituallysacrificed

    children?

    Looking at this issue of child sacrifice, history alone strongly suggests (and some scholars

    would say clearly demonstrates) that human and child sacrifice may well have been

    practiced in

    many different cultures from very ancient times onward. Spiritual feminists balk at this,

    particularly

    67

    Ibid., p. 33.

    68

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    See Teresa Picarrazzi, ed.,Lus. The Light. Ermanna Montanari Performs Nevio Spadoni

    (West Lafayette, IN:

    Bordighera Press, 1999).

    69

    Luisa Del Giudice, Cursed Flesh: Faith Healers, Black Magic and (Re-Membering)

    Death in a Central Italian

    town, in Quaderni di Storia: Antropologia e Scienze del Linguaggio (forthcoming).

    70

    Henningsen, p. 205.

    71

    Ibid., p. 195.

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    Marguerite Rigoglioso, Stregoneria,

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    when such accusations are made against societies that were goddess-oriented and perhaps

    women-

    centered. We would rather think that such activities are the product of the male

    imagination than

    our own actions. However, a powerful clairvoyant I spoke with, who wishes to remain

    anonymous,

    makes the following remarkable statement:

    72

    As a clairvoyant, people come to me for many different reasons. Some people come to me

    from their Christian perspective; other people come to me through their black magic

    perspective. Through trance and psychic means, I have access to those lifetimes in which I

    learned how to use both sides -- darker forces, lighter forces, whatever you want to call it.

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    I

    have very clear and vivid memories of eating children and being in circles of people, men

    and women, witches, warlocks, what have you. They were called by a number of different

    names. I have very vivid experiences of snatching children. And I have very vivid

    memories

    of us killing one another if there was any breach of trust.

    The purpose of eating the babies was to empower ourselves with life, to nourish

    ourselves.

    Just as many ancient and contemporary cultures have used the placenta as food, I think

    these people came to the awareness, maybe as cannibals do, that eating the body andblood

    of new babies provides one with life-giving force. It is similar to the practices of Native

    Americans and others in which they ritually drink the blood or eat the flesh of certain

    animals to incorporate the qualities of those animals into their own being. Even today,

    many

    people still participate in absorbing the life force of small children either by feeding off

    their

    energy, engaging with them sexually, or just by being around them. They simply want a

    part of that new life force. Earlier in our history, there were people in what were

    becoming

    civilized communities who were still practicing those spiritual beliefs in a very embodied

    way. And they were not in touch with the heart-chakra such that they could experience the

    pain they were inflicting on others. They were just out there in that experience of power,or

    force, or blood lust. . . .

    When I go into trance, I get vivid images of practices that were very dark being

    conducted

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    by women in witchcraft circles. Even to this day, I have a lot of clients for whom their

    work

    is based entirely on She cursed me, I curse her. And they become entirely engaged in the

    exchange of punishment of one another. . . .A woman came to me and asked me to cursethe

    boyfriend of her daughter, who got the girl pregnant at 17. I wouldnt get involved. My

    practice is to get out of these games. But she wasnt happy with that and went to someone

    else to take the boy out. And, lo and behold, that boy was killed in a car accident on the

    spring equinox of the same year his son was born. She called up and said, Ive done

    something horrible. But behind her remorse was a level of satisfaction that shed gotten

    what she wanted.

    I include the words of my clairvoyant informant here not to offer conclusive proof that

    Italian streghe have engaged in child sacrifice. I do so merely to help us open our thinking

    and not

    close off possibilities about how women and men may have used and misused their

    spiritual powers

    in the past -- and may be continuing to do so today. I have brought up the discussion of

    stregonerias negative side as a conclusion to this paper because as a scholar who hopes to

    contribute to the evolution of humanity - and as a feminist engaged in helping women

    come to true

    72

    Interview with anonymous clairvoyant, April 29, 2000.

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    empowerment -- I believe it would be irresponsible of me to do otherwise. While it is

    important to

    perpetuate, reclaim, and restore the strega tradition, as many of us are now doing, it is

    also important

    that we do so without naivete. In the world view that I and many others hold, magical

    practices can

    influence the phenomenal world. The strega, like any shamanic practitioner, encounters a

    whole

    range of powerful energies and entities and must navigate among them with wisdom and

    maturity.

    S/he must also make decisions regarding what s/he encounters - decisions that can have a

    significant impact on the lives of others. Those who would engage with stregoneria,

    either as clients

    or practitioners, need to be aware of the fact that the tradition is a multifacted one that

    deals in both

    the light and the darkness.

    Moreover, as women come to greater empowerment by adopting roles as streghe or

    priestesses, it is important that we do not gloss over the damage, harm, and suffering that

    may well

    have been perpetrated by those who have gone before us or that we ourselves may have

    engaged in

    during previous incarnations. I am not suggesting that we revert to a blaming-the-

    victim

    mentality toward women, which would further oppress us. Nor am I suggesting that

    women

    become sickly sweet Glenda Goodwitches in compensation for real or imagined past

    misconduct.

    Rather, I am suggesting that we acknowledge our own Shadow - on both the individual

    and

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    collective level - and that we take care to manage it appropriately, as Carl Jung would

    have us do.

    For I believe that coming to true power as women means taking responsibility, without

    excuses, for

    both the good and the bad that we are capable of and that we have engaged in throughout

    the ages.

    By holding to the view that streghe of the past, however oppressed, had choices and

    should be held

    fully accountable if they used their powers for negative ends, we remind ourselves that

    we, too,

    however oppressed, have choices. In doing so, we challenge ourselves to reach a more

    evolved level

    of consciousness. From there, the road to true liberation opens up before us.