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: 10

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""

"" 8 2

"Artof Practicing" ....... ........ ... 2 ...... ... ...... .... ..... .... ....... ......... .... ...

10

1. Always Know Exactly What You Need to Practice - and WHY()

3 3 ....

2. Organize Practice Time to Suit Circumstances()

5 1. 2. Vibrato, Staccato 3. repertoire 4. audition5.

1. 2. 3. 4. 5. ()

? make music 2 7-8

....

3. Repetition is the Mother of Knowledge Only if the PerfectedPassage is Repeated More Often than the Faulty One( perfect )

! " "

4. Practice Fast as Well as Slowly()

() idea Fingering 4 1 4 1 Metronome Metronome " "

5. Give Equal Attention to Both Arms()

, Articulation, expressive

6. Separate the Problems and Solve Them One by One()

3 .... ....... rhythm? Intonation? Articulation? Basic , ? ? ? ? ? studies, etudes

7. Practice Difficult Passages in Context()

8. Practice Performing: Don't Only Practice Practicing()

concerto, sonata

Concert Practice

audition Enjoy !

9. Practice Also Without Instrument()

tempo ( ) ..... ..... ....

(Inner hearing)

Enesco Violin Menuhin Enesco "!.!"

10. Do Not Neglect the Easy Sections: They Tend to Take Revengeon You!( )

"" " " 10 1. Building up time Building intonation 1 72. Interpretation Time Building Up time Dynamic vibrato, articulation Musical 9 3. Performance Time 8 1 Building Up