Seenla (, Ch ... ",,,,,n Chc"l T{l"c tircann

llewoletter or t he ;>010:: M"sie Society of Ireland

SM,h"in 1980 NO"""'iH.r

, o , , , , , Itceent meetinC$ I

Annu ,~l CenerQi i.:eetin6

"The mu~lc of Irloh b ~ rdic ro ,nry"

" Sm"ointe ffto!n ~elln-no~ i SCo"nm .. ra"

"I'm", Bh';',,"

Return of "The Dove"

Ba U"d Seml"",.

I.F,~ , C , Conference in Brit",!n

"An ol d friend'" ;;~ d\e 1l \J~c h c r

Thnnk ll t o Our fir~t Tr eas urer

P.arly - " nd often?

keeent pu blic"tiona

M I K 0 RUS S P.LL 0 11 V I D E 0

p",ge , , 5 7

8

8

8

9 n

" "

1'h e next meetinR ",Ill be the first showing of a colour

"ldeotape in which LHko ku"""ll p h .)'9 music on t he whistle

IIn~ flute end Sin !,.." son t'" in En£li~h ",nd i ri8h , ,"usic and

30n C~ of hi:; nativ~ ;',e ~ t Cl~re reco rd"d thi3 ~,,""ner In th~

L"n rU~ I,e Centre , T.C , h, I' re ~"n ted by nr""nd;n Bre"tbn~ch .

S"turdnY 6 Ilecember " t 8 p . m.

Room ~073 . Ar t " Build;n" Trinity College, Dublin. :?

In coll"bor,~tlon ",Ith t he "nlver~i.ty lrioh DePl\rtlllcnt . Note

chnnee of venUe . 1':n tr~nee by the f'ront Ga t e of t he Colleee .

)8

, ~nnu.l C ener,,) MeetIng

ItB£ T ING

The Annual Genll!",, 1 ~' e .. t1ng wall held on <>8 June 1980 In the

prem i ses of Na ]'{ ob"l.r{ Uillealln, 15 Ile nrletta St, Oublin 1-

'I'he followin g c ommltta" W/lII elechd . Seoira e Bodley Cha ir­

mll", C"h)in u t h ge n rtai gh non . 'I'r~"U UJ"er, IHcbo l ae Car o lsn

I/on . Secre tAry . Br u.ndnn BreatMa<;:h , Fra nk Harte , Alf lI"e

Loch l a irul, To. I.:un ne)l'y . Pr o ln el"e 6 Ccnl " ..!n, Hugh Shield s .

John ,"oul den (Po r trlle h) and Noll&i e 6 II Urmoltai gh (Be lfas t)

"ere co-opt ed t o th" cOfIlnlittee at 11 e uhe equeIlt meeUn g .

Aft e r the ,," o !'l tl on of the Trell ll ure r ' 8 report and the Seo­

reta ry' .. r eport, d i e eun lon centN,d on th" d lrJ'l.cult fin an­

cl " l a it\l8 110n of th" Society and on methods of allevi a ting

it. It .88 deci ded tlla 1 8ubecriptt on r a t es would h" ve to be

u.i " fl d . Co ate , Pflrticu h .riy pO!l tllg e , he ve increllee d g reatly

oince ~he lae t s ub scrlptt on lncroae e in June 1971. 'Phe c ur­

ren t rlltes are now (l~) £.3 . 50 f o r Indl.vlduals , 1:.4 f o r t wo

Indi viduals o f ono f "m lly. M d 1: 2 f o r full-time s tudent , .

The c o rpor at .. r " te r em" ln!l Wlch..nged a t (10 .

It _as pointe d ou t t o t he IDeaUng t ha t the coming ftllatlon

.. ou ld be t llft f,oci ll t y ' s tenth, and t lls t 2 1 April 1961 wo uld

be the tenth IInnlveroa ry o f its I n u ul"U r"tl on.

'r u r; 1I U S I C OF

I It 1 S H BA R D IC P 0 E T It T

The r e Is Ilbun d"n t IIvl dence t!lat lrl a h bll r d t c pnetry , tfl e

!lyllablc poe try o f t he l ell rned c ourli- I"," t s t ha t flou rl "h e d

fle hleen 1 200 an d 1600 but di8~ pp .. "red In the uphf! Ilva\ n o f

the fcllo~'lnC c entury, ... " s sung o r chMted to a harp acc~

Pnnlment r e ther t han Dimply r .. clt .. d. Evidence AS to th ..

natur .. o f thi s ",uole ill, howllver, scare .. , 8nd th .. sub j ect

C e !I 1 T { r e 1 8

i s !lome tldnlJ of " myc t e ry. fl r aand,'in 5 l.\ada~ l. n , prof'!ss o r of

Iris h i n University Collee e , G~ l 'Ola:t , o pened t he Society 's

1980-81 sea.lOn o,dt h a con sidera ti on of the vocal muaic of the

bards . believ:inC th~ t their in s trumentsl muei c ie irretriev­

a bly lont .

3

It is generally held that the bardic poems .. ere chan ted to

music l ike thst of the laoithe Fienne{ochta, the syllabic ber­

oic l ays ths t have s urvi ved fr om medieval time6 do"n to our 0,,"

day , especi",lly in Scotl a nd . These ... ere performed on a recit­

ing monotone, approa c hed fr om one o r more notes above or bel o" .

end i ng on It descendi ng cadence and free in ti me . 'rhe weakness

of thin hypothes i s i6 that the Isoithe "'ere Probably not eom­

poced by the bard!! bu t by poets of inferio r etatus , and further

evi dence from o ther areas of the traditi on i", needed to aupport

it. Some s nat ches survive of the music of the ~..!!!!., lI.

Par tly extemporo, p(t .. tly prePared accentual folk dea th lament.

Ea c h s ec ti on of verse s tarted ... ith the e inger calling on the

dead person se i f ali ve, and was fo l lowed by the B£l Or choral

cry. The music of the verse " lI.S more or lass recitative "ith

many !lyl l able~ on one note and c omple t ely fre e time; the ~usi c

of the t:.2l ~a" ve ry different, complex , set to on e or two

words of l a ment only. nnd wit h the other mourners joining i n .

It seems tha t a l im ited re pertory of tun e a was in use through­

out the country .

The poet s who succeed ed the bll.!"da us ed lI.ccentulI1 , not syll­

abic , me tres, but otherwise, in themes and languaBe , they tried

~ t firs t to preserve the old er traditi on. It may be presw.ed

tha t they also tried t o pr e'l erve the olde r e lnt;i ng e tyle. Al­

t hough no mus i c su r vives for t he syllabic marbhnll. or lll.ment by

the bard for hi s dead chief, t...·o ",treased mllrbhnll.{ "Ub mus lc

, "'r h e mUll i c o , bard!" poetry"

were recorded, both very much in the bardi" tradition and

with the mu~ic unlike the regular acne airs often used by the

sccentu"l poeta. Again , both were performed to a recitative

" h" nt " nd both h" d 11 rcrr .~ in. It i" ver,Y likely that tbo t;e

oh" nt" " r e nurvi.v"lll of U", .,u"ie of the hardi" marbhn"L

There la also an impo rtant Piece of evidence ahowlng th~t

mueic like tha t of the 1901tho .... as used for other bard1c com­

nos-thans, O'Curry in hill t:"nner a and customa (187) st"tos

th"t hi s rathe r WBB accustomed to sing .. bard!c ~mn to the

Blessed Virgin to the 'air of those Oasia,nic pieces'. The

hymn dates back to the thirteenth cen tury .

'l'he evidence , thoueb very acanty, thus g08 s to sho .... tha t

the BRn-,O kind of music , recitative chant , waS use d for the

verse part of the cl!.oineadh , the stresaed mll.rbhnll.{, the syll­

"bic marbhnJ;{, the lll.oithe, bardie reli/!.ioUl; verse and poss­

ibl,v other bardie productions. The elefltiei t y of the chants

would have given freedom to the syllab i c mst r ea with their

linss of dlfferlne lencths a nd irregular s t ress patternB , and

the monotony of the ch~ n ts would have thr own em phaBis on t o

the words , the most important element of herOic poetry .

Profes~or 6 M3dag~in also tOuched on some Parallels found

in Scotland and in the perfOMntollcI'I of herOic poetry I n Europe

generallY. While tbe poatulation of a choral ref r rl1n to the

bardic mn r bhna pr ovides a atriking similarity to the respon­

sorisl psalmody of the I.atin Chur ch, it is hi ghly unlikely

that the lrh:h chDnt WDa borrowed from the L"tin . 'I'here may

hnv .. been" mutual influencl'l, but t he naUve element wae pr.,...

dominant.

Exampl es of the various chants from pUb liahed SouI'CI'IB were

sune by Profe~lIor 6 Madag~in : lamen ts for Art 6 Laoi re , Donn­

che. Bhail .. Aodhs Wac Car thaigh , MaC Fhing{n Duibb ; he also

C a 0 1 T { ~ e 1 • , pl ayed a re<:ordin6' o r IUcha~1 6 b1ghna at Donagal el nging ~

nil mn,;, ",otra.

S£.I. H-M 65

I OCO H.l.II .l.II .1.

ClI\rt"ar in i •• l 11:0 .. I nl c t urb " lion eaen-noa e"'hrAn alochte a

c hl ellocht Rh eRr t nOllel ta<:ht Chonllm"rtI barr eP\lll. l ce an cheoU

t raldi"iUnt •• 11 tl r ne o ague labhll r tll r Caol a .. hall ie d,;, mba

rud mla,iuil e. HUllo lr a labhalr ~Alre Ain. Ht Dbonnchadha ,

amhrana! a ltb.lIonta den a<:otb ar an eean-noe a .o, raoina t.l-

th{ ph./l r asn t . air l a crulnniu den Chu~n ar LA 5aabn. In

,;,rall na bP{oh.irI Utllellonn, Sr,;,l d Henrietta. At b Cliath,

<:huir eI bel,. . r n,;,durthaeht na .th. ague er a tdUUnteebt

don haol .. hb{odh ann 1 gCona .. ra. e' 6'0 sorddaann eI rr.l~

a in «0 bhCuil dra{o<:b t agua oan~durtbacht ag baint laia, «a<:h

~.araa da ' ag dui l a teacb "a tal or a l och t'.

11" ghn~ch la mul ntir Chona.Jllar a tlmpeall

_ r .r ""olafodh ',1elre ,\in., amhr,;,ln a rr. ehull. ai to er all

bpor ta<:h. ar an fJ':'ladach , ag dui ar .... al . ag haeM .bb"n. 0 ehualrt oI che . agu ll go halrl th. oota t aall"lgh a~. ag .~

" nn. I' no cohrea<:h" . Delreadb duine 1Iolllhran don <:homhluadar

Can ardnoamhelreaeht lIor bi t h . Caol ~r " bheadb ae ag glee.db

PI~. lrt 1 "'elthea} olh r a . BhIodh Clant". ana h"lIlhr~ln, lad lal~

di r. eOlleir , n';'durth" . Bhl od h lion }uch t elat.acbta, go flu

na Mn~, 11 6' ",ol "dh an amhran,,[ ague a g cllobhru lala i ndtaldb

gech ~ ell r88. lad " g e jet".obt t";o e~r" ... ch I. ' <:.11.1 a.Il "",hr.!.ln

agua ag Cur a gcuid ZIIothucban In tu} oa ,,~d. Dl. ~r r.lt •• cht

'lI!huire 'a tru.: ~:oladb go d. o la3t : Tbarr.lngiodh an t-aMh­

r~n,,{ eumanach nil. .olt~{ uatbu , agull is 1 •• asc • mbuln tir.

rein la faarr " cbllnlldb an t-IImbr; nll.{.

6 "A n aBan-noe 1 g Con a m ,. r a"

~{or cheaP ne dao1ne go ralhb /1.00 rud faot letth !IOU San

amhr~na{ocht seol n{ ralbh soo n08 al 1e BeU aoh n08 880 ne

Gaol t achta. Bhain ne h8mhr~in eadroma t8~la ague na hamb­

r~in mha11a enrltbimeBcba (no 'amhr~ln bhronacha ' , mar 8. thug

rJaire Alne orthu) Bt'l~On 1a\a an nOB , ce go mb{odb na olnn

mha lla n{oB coitianta. Chan Bled na hamhr; l n a fuair Bl e d (.

na daolne a chuaigh rompu ague nI r a lhh III fbloB eou ce chomh

BBan 18 a hh{ an n08. Tha1nig an tearma ' BBan-nOB ' iataach

l e 1", n il comortai .. I Dtraachta1s c hun Idlrdbaal~ a dheanamh

idlr nmhrfttn na Gseltl\chta sgua ambr'!!n le tlonlac,VI .

la One hathe! r l a ona mathsir la mo B fuai r Malra ~ ln . na

bamhraln at& al01 . Ba dhuina aarach an ~athal r aguS ba mho

a 8Pet... Bna hamhrain eadro:na . leitbelil An fsa1t!n , .!t!l.!!.!.!! Phelg{ Id Eaghra, An t-aR\hr~n breagacll. Bh! amllraln Ra1fter£

ar fod aiee. 6n8 l'IIathalr fuair s f Se~n 'l~n . An Raffa1rdn,

An bhr"inniU{n bllensacb. , ,

'S ambo aero, Eoclla1ll, Baile 'n

Rob" , ngua moran eOe. 6 Mbalre Cofn1db, bean tJ i Scannla!n,

" f" ".lr ei Ona Bban. ata athscr{ofa ail' ~eolrse Bodley In fus­se eheol tiro ulmll .l (feaoh leb .. leWlae) .

Ta t8l1a{ocbt 8g teacht 8a tsellJl-nos anois, ornllid{oeb t

n /l eb bhfuil ned~rtbll a {,said ann, .. g ull gan Ileb eor:r-ambran

nUa a chumadh. Ta nil h8mhraln r(".. fheda do " hllal ns linn", !leo,

dealra!onn 86 , a gus nf 8uim leia an 8008 og Isd. RIldl0 cas­

~ at,} acu anll garraithe anol.s. Tolsc aan , tatbar ag

tarra1db an !l ean-nos a mbuln""db faol latbatr i gConamara.

et ' , a mb~lneadb mar a mbuintcar gn~tb8mhran. ,,' hidir a ,e

~1t " fesrr do e, O' 11, ~ t"slla i e h , na d,.oine a bbfuil ,.

"" , thabb" i rt " gclann fein; , " e s in no <Ilcbennta 81rne&1n

a chur ar al{,l. "' hamhranalthe a bllei tll analn sgus no. dao!n"

oga a bhe! th ag " no. bllfonn " no. bllfoca1 Isteacb.

c sol T { r • 1 •

Ain. a r teip. bb{ taif.,d,db ds matbalr in &01. a 8} agus {

ag ra ,l, n eagai rdn go bus br{ombar .

~'i-I- Ci' -- ::::~:;:-=:::-~~,~, . .-,:;::-;-,-;.'l l ~- =et' ~':::-'F--rr?7.~-.!-?--··- 3

N •• heilh,· u . .... h' <M"I.' Ai.,... ,,. <1~'"II"~ )" I ~ ... <·, ,,, <I.d .h.,~

g :J -~" . t.

_. - ._-- . . -;;;;:~ -~'h--:;;-",, 1 .• h. i .,;:;-.;;:;-,:----;:::,.-;;:;--,~-

.,.i'n ..

• 1'.0

, •

m,o u"h d .. 'f no

. =~ -~ -----~. ~ L . ____ ~ __ . . .. .. . .. ~;;ire .hns li t DhOlU1chadha, .sU- kn oitITI traditional slngsr

fro .. Cols Pharr1\igfl (Oslw!lJ') , spoks t o the Soch t,)' on 1

November of her own exPerience of Connemara s inging and

pln,yed recordi ngo of sinSer" 1n tha t st,)'le. Hs r vsr ll i on

or On/\ lIb;;n (abovo) appeared 1n Iri ob folk music etudtn

no I , 1n an arti c le b,)' :;solrse Bodle,)'.

Nicholse Csrolan

7

8 "T h e D 0 v 8" Con r ere ne ", 8

RH 'I'UR N o , "'r H E D 0 V E"

~lnee the l",~t number of tile n",wcletter, whicb reprinted '"

'~yllablc' Bir entitled 'The Dove ' firat published In 1193 ,

"erendipity hall reveal e d that 1 \ bu. h een slipped into .. l

le~et t.o collection ... which do not indicate ite source.

S . Holden Collection of ravorite 11'1:10 1\1re . •• (Dublin &-_ Lon­

don n.d.) I 26, "n<l Stanford ' e edition of Po trh, no 6111.

'l'b"t Holden nllould reprint it , .",11 and /.:oodl but its p r 88-

8nCe In Stanford Petri8 10, ... fresh reminder tb"l publication

of the ne. edition ot Petri. undertRken by Karl a" »-",81 (8ee

Ceal T{re 16) l e aome thine . 8 would very muoh like to eee 1n

tbe neRr future.

SEM I IIAI!

PrOree.!lor Bredntcll of the !le",,," Polk Uud o Archive (Frel­

b" I'I; ) announces that the t .. elfth seminar on 'Problem" of re­

" e,r(:b On F.",,"opean b"IL;.ds' .. 111 be held from 22 to 25 July

1981 in Belffium a t a location yet to be fixed in rlnndere.

The o r g"nio er ie Or Stefaen Top .

I. r. Io!. C. CONFERENCE I , SRl'rAIN

The " eventh onoua l "onferenee of the 11 . K. N"t i on:.l COlMlitt"e

of the Internati Onal Folk Munio Council .. 111 be held from <'

t o ') April 1981 "t P"rtington Colle(\"e of' Arts . Totn"e, Dev')n.

Theme,." 'Work 1n progress' , ' Methods f' or the analysis of mul!'­

ie a nd dence ·. 'lIue ic and dance of South Asia '. 'I'he organi""r

1,., Or John Baily, Pept of' Social AnthropoloeY. Queen's Uni­

vers! ty. Selr...st.

C e 0 1 l' { r e 1 8 9

"A N o , 0 F RIEND" E D DIE BUTCHER

The dea t h of F.ddi e Hu tcher on 8 Bertember has robbed Us of the

flnont folk r.l n /;p.r I h'lve hnd ror " friend, "nd of" m:,n of

great w"rmth and l1u",,,nity. Eddie first introduced me to tra­

di t10n,,1 slnginr; when twenty-seven ye"rs ap;o we had our first

meeting . Among the sixty-odd songs I wrote down from him in

those early days, wllen Paper and pencil war" a ll th" ai ds I

knew, tb" one her" g iven i8 a fi t m"morial.

Tbe word to describe him rhYme ... with hie name: eteady. A

dependable character if there waG one, 8S s teady ae the 'Rock'

below which he lived his life; full of obstinat" ideae of hb

own , and loving to be praised ; deeply imbued with hi ... own

cultur ... and only really haPpy in ita familiar aurroundinga. It

was a compliment to the Socie ty that he made himaelf so much

at home when he nang a t Essex St, Dublin, ln SePt ember 1975.

Eddle was born in 1900 in the upper "t.nds of lOagilligan , co.

Derry. one of a f amily of ten who were mostly ~in ger~ and who

learned Bonga from the bountiful sOurce of their father, In

the thirties he married Ora cle Carr and they had a family of

two boya and three Birlll , all etl11 Hving in tbe district,

Though not given to travel he ws s persuaded on threa occaeione

to vis it Dublin, and once Dunda1k (he made a aong about that),

He sang on radi o and records - one EP an d three l.Pe - and

m3kea the major contrib ution of lIongll and lore to a book on

folk singi ng in Was ilHBan which 1 am just now proof-reading.

UnhaPpily he won't "ee it, to applaud or to reprove. My la8 t

memory of him remains the phone call be made on tbe nigbt be­

for~ be died, to chAt about 8 r ecent r adiO progra~e which

featured some of his own numeroue compos itiona,

t 0 " ~n 0 1 d r r ten d", E d d i e But cb. .. r

I'll JJ !.'jl J 1 41 Lp flll Fj J IJ (\'l i\-l\,,'1 fi,,. ~'e Ctpd: jD" S4 "'" f~ljl1 as

tfj'<l'''"tr ~"J r. rf,....f,,- ! r'\id d.,.", ..., ~d ""'m tJlt'

I-} 1 ] 1 ~ •

8uc kI~ I l1~se (rru.. tlly S/u. It.ber A »er/'1it' to Itlt' a{d arfear, /4ig gt'fg flai,... /t!Ulg dQINtl w i th04C tHuwhef­I-Ip sp~1u 1! bid lite 'lINe,... {P..,... Say;h a.,ise let M rdl be /"t~.i~t( ft,,,, f a .. \ a brr>ti' fr- CUff"IIi., Ari5e wiltr.Ol£t ».tore Sa/utat:,o" ~,\d 'lever- ~p;se Cl41 OJ. ~ltt A-rhrd.

Cir(Ji£ wid1.(}UC h1oto ~tlJt! {(triO I' Strtt.itjlLCWt1.t; ft,ftl t~id. Itlu., I d,d 90 FOr ~ ro.b~ ct,ae Ite ~te gave j ~r-t retl50<f1

For to Pf()v, lilat Ire \vas HO(; CL fOe ;

1ft

I was i14ll<bt(uJ b4(: I H.arie nu to ask. &11; .. A~ t1 hop-ed ttv..t i t fN04(d h(J/;" o(fi!ld, .. Sayi', ~"do '11J.«. ~jlOtv ~ are brefllr2f.IS,

Or wlNU: dlJ tpu I~ f~ -:4T t14la rn·~t1 '.

C e 0 I 'I' { r e 1 8

k'/lid (;I-~, 'i(,cl1' hc-C) rausc it:- t5 lega.l J wr.~ St?lLi: Pt) ttt~ FDWI?r~ above, 91;, Patrick. he fef& tflt fOttl tdCUTOtt . Fi>~ to j()(i, /.(~ li , b-1()ri1eH!j !bile . And I It hut.. kl.1.l'J ht of his bal,ll(:'r Its CtW.5e f will a.f."tl!Js defB'l.-td ~

If IjtM. rt!r1d i., '((It .a""uafs of 5<nrb..t.rE' Yo,.. wdl tl(Ve~ cttsr'S( all Ot-dd f'r/f1,d .

As 5000 os fl( (;iu'sfletl tftOf': V(J.t$N HiS' I1arp Pll fl is S'/.,ou/d.l'r h9 tt,tFlv We ki~laly SItOok,. /.WHds a~ld til,ftL ptttt1:'d f(ii,d si,. , htust bf4 1J04 adieu..

llJec, a, carriage Wltf-J /(gllt ItO'3e5 usqJldl!tI 711P a114t'ls tll'Oi( l ld did atf2t"d, AlIi t1~ (as{; t.t.Ortfs tIt ~PO/;!t at: Cur r ' rH ',q Was to 1iec,£'r- c(e<5pi-::;.e Ill! (iel fa friet1d,

I I

Eddl. B ... tch.r ... 111 b. rem.mb.r.d ... lth aff.ction b.r lII"ny "ho

h''lVe learne,! from him, a nd not only lIong!! . Th. ed ... cation ha

besto ..... d ... al!! . n experience ; it 18 not obtainable fr04l prInt,

",ed ia. Or any lell rne d instit ... tion.

H ... g h Shields

THANKS TO OUR FIRST TREASURER

Tom MWln.lly h"" been Hon. Tre .. s ur.r o f the Society dnc. It

baennl for over nine yea rs h. hlls performed .ffici.ntly and

punctually .. fWlctinn more dem .. nrling than our .lender reeD .......

ces OIIi&bt Itl3d one to aIpec\. Now ree1dent in CI .. re, b. b .. s

found 11 .. ison inconvenient 1n Vie ... of our D ... bl!n foc .... .

I'hl1e reUrinc aD Trea,urer, he r .... ln ...... ember of the co ....

mittee, We thank. hi .. ( or !:Ita service in tbe (Driller (WlcUon

1 , , .. T r e R 8 U r e r

·,n" look forwa r d to active Participation fl"om him in the lUll.­

er. Ou r new Treaflurer ' B add r ess l e given below.

A , D O F TElI ?

From time to time, members are in doubt a8 to wbether or not

the.1 I\re In ",r r ea t s. Usually tbey 1Ire. I f you have not Paid

" 8ubRcrip tion since the June A. G. Io! ., please send It now t o

the Uon . Trea surer :

Cai t l! n ut fie ea rta i gh

Si t e 12 , Greenmoun t Road ,

Terenure , I>ub lin 6 .

y"" may rest all 8ured that any ext!"", Pa,Ylllent In e r ror ",Ill no t

be si lently rligested. The subscription rllt"" are on Page 2 .

R F; C 1': N T PUPLICA'l' I ONS

'l'w., recent :,,,b11c8otlon8 of Na i'{obald UBl"" nn a r e :

Ilrellnd(.n Breathnllch i'lp"s and piping In I rell'l.Jld , an l11uII­

trllted brochure produced for N. f' .U.'1I exhibition .. ith t his

title Rt the ' <;en"" of lre\"nd ' f esUv(\l i n I.ondon enrHe r

~hin yc'\ r;

Dave ileca rty Reed!Tll\ltinc m"de e"sy , .. do-it.-yourllolf manual

..,hich .. i 11 be Pllrticuh, r ly welcomed by prllc~ ts;ng piperll.

!lath ArC '1vnil"bl" from I1 . P . U, 15 Iten rle~t& ::it , Dublin I :

ll rellthnach ' 85p. (Europe 901' . , U . ~ . I, . n)

l1eg"rty : 0 . 15 ( r-:urope 1:1 . 20 , U . ~ . A . 0. 50)

includinG pos t age and Pack l nr; . rroceedn to the re(l t .,rn~ion

fund f or th" n ew he"dqullr t e r 3 of t.' . P . U • • on which a pr or, r es8

r eport wi ll appell r 1n our next n ewalet~er .