Blur Setlist México 2015

8/20/2019 Blur Setlist México 2015

1/28

"Go Out"

I'm gettin' sad alone

Dancing with myself

Greedy go-getter goal

The luxury of stealth

I'm seedy and the whole

Dancing with myself

I get into my bed

I do it to myself

To the local,

To the lo-o-o, I go out

To the local

By myself

To the local

I did it to my head

There's nothing to be addressed now

There's nothing to get up about

Cause we do it all the time

The shepherd is undone

Done it all again

I get ready to go

The greed go-getter con

e going to the local


!-ohh




2/28

To many western men

It's a problem left undone

Imperious design

The purpose of luxury

" greedy go-getter in the s#y bar

$he all alone

$he get ready to go

$he does it with herself



$he does it on her own

$he does it on her own

"There's No Other Way"

%ou're ta#ing the fun

!ut of e&erythinga#ing me run

(hen I don't want to thin#


!ut of e&erything

I don't want to thin# at all

)Chorus*

There's no other way

There's no other way

"ll that you can do

Is watch them play


3/28


!ut of e&erything

%ou're ma#ing it clear

(hen I don't want to thin#

%ou're ta#ing me up

(hen I don't want to go up anymore

I'm +ust watching it all

)repeat chorus*

"Lonesome Street"

(hat do you got

ass produced in somewhere hot

%ou'll ha&e to go on the nderground

To get things done here

."nd then you ha&e to see/

If you need a yellow duc# - ser&ice done

This is a place to come to, or, well, it wasI #now a hot spot

Crossing on the guillotine

"nd if you ha&e nobody left to rely on

I'll hold you in my arms and let you drift

It's got to be that time again

"nd 0une, 0une will be o&er soon again

$o get yourself up, get past on your way

There's nothing to be ashamed of

Ta#ing o1 again

The 234 to 5ast Grinstead


4/28

.%ou'&e sent me o1 to see/

(e're going up, up, up, up, up

Coursing on our greatest night

"nd tal#ing types will let us down, again

Tal#, tal# on your arse all night

%ou wanna be there

$tep inside the tarmac ride

To the land that crime forgot

!h, +ust don't go there

Crac#s inside the tarmac ride

To the land that crime forgot, oh no

"nd if you ha&e nobody left to rely on

I'll hold you in my arms and let you drift

Going down to 6onesome $treet


6onesome $treet


6onesome $treet


6onesome $treet

"Badhead"

$o far I'&e not really stayed in touch

(ell you #new as much it's no surprise that today

I'll get up early too from a lac# of anything to do

"nd i might as well +ust grin and bear it

Because it's not worth the trouble of an argument


5/28

"nd you ha&e not really stayed in touch

(ell I #new as much it's no surprise that today

I get up for round two with nothing to do

5xcept get a touch of 7u

"nd i might as well grin and bear it


"nd in any case i'd rather wear it

It's li#e a badhead in the morning

"nd I #now

"nd i might as well grin and bear it


"nd in any case i'd rather wear it

It's li#e a badhead in the morning

)8epeat*

"Ghost Ship"

I remember 7ashbac#s lighting up magic whip

5ight o'cloc#, 9owloon emptiness, handle it

The wide old sea image I had to &iew 33 seconds ago

I didn't send you, so you will ne&er #now

I got away for a little while

But then it came bac# much harder

$winging on the cable line to :o 6in


6/28

Climbing down the ghostly wine in a battery

That light in your eyes, I search for religiously

!h, when it's not there, oh 6ord, it's hurting me

I got away for a little while


Till I e&er hold you bac# there again

(ill you be mine

Cause I'm on a ghost ship dri&ing my heart

In ong 9ong

It's the last ride boarding here tonight

!ut in the bay .out in the bay/, I need a lightning in you to shine out

Bright race

;eelin' outta body here, what can I do

It's up to the top e&eryday to +oin here with you

I had to get away for a little while


"Cofee & TV"

Do you feel li#e a chain store

:ractically 7oored

!ne of many


7/28

$o gi&e me Co1ee and T=

istory

I'&e seen so much

I'm goin' blind

"nd I'm brain-dead &irtually

$ociability

It's hard enough for me

Ta#e me away from this big bad world

"nd agree to marry me

$o we can start o&er again

Do you go to the country

It isn't &ery far

There's people there who will hurt you

'Cause of who you are

%our ears are full of the language

There's wisdom there you're sure

'Til the words start slurring

"nd you can't >nd the door


istory

I'&e seen so much

I'm goin' blind


$ociability





8/28



istory

I'&e seen so much

I'm goin' blind


$ociability





!h???we could start o&er again




"Out O Time"

(here's the lo&e song

To set us free

Too many people down

5&erything turning the wrong way around

"nd I don't #now what lo&e will be

But if we start dreaming now

6ord #nows we'll ne&er lea&e the clouds

)C!8$@*

"nd you'&e been so busy lately

that you ha&en't found the time


9/28

To open up your mind

"nd watch the world spinning gently out of time

;eel the sunshine on your face

It's in a computer now

Gone to the future, way out in space

Tell me I'm not dreaming but are we out of time

.(e're/ out of time

!ut of time )x4*

"Thought Was ! Spaeman"

Thought I was a spaceman

Digging out my heart

In some distant sand dunes

In a carpar#

Cause the desert had encroached upon

The places where we li&e

:eople li#e me >nd it

To #eep the day upset

But we ne&er succeeded

(e ne&er succeeded

In fact we failed



In some distant sand dune


10/28

In a car par#

By the empty harbor

(here the +un#ball phantoms 7ow

The >ght for happy &alley

$adly, the line wrote

Thought I found my blac# box

(ashed up on the shore

"ll outlying islands

(hat's the land for

Thought I thought I'd found it

But that was not true at all

I'd wal#ed into a bar

8aised hell

Cut the cast without me

"lways and always the same

But the ghost in writing

"nd let it be you again




In yde :ar#


Digging up my heart


%ou again


11/28


Digging up my heart


%ou again

%ou again

%ou again

"Trimm Tra##"

I got no style

I'll ta#e my time

"ll those losers on the piss again

I dose dose away

That's +ust the way it is


I'&e got trimm trabb

6i#e the 7ash boys ha&e

"nd I can't go bac#

6et it 7ow, let it 7ow

I sleep alone

I sleep alone


0ust the way it is

0ust the way it is

0ust the way it is

0ust the way it is


12/28


I got trimm trabb

6i#e the 7ash boys ha&e

"nd I can't go bac#

6et it 7ow, let it 7ow

I sleep alone

I sleep alone

"Beet$e#um"

Beetlebum

(hat you'&e done

$he's a gun

Aow what you'&e done

Beetlebum

Get nothing done

%ou beetlebum +ust get numb

Aow what you'&e doneBeetlebum

)Chorus*

"nd when she lets me slip away

$he turns me on all my &iolence is gone

Aothing is wrong

I +ust slip away and I am gone

Aothing is wrong

$he turns me on

I +ust slip away and I am gone

Beetlebum


13/28

Because you're young

$he's a gun

Aow what you'&e done

Beetlebum

$he'll suc# your thumb

$he'll ma#e you come

Co


14/28

Bu


15/28

I am in control

"s the local delegator

Ao calls today dear they'll +ust ha&e to wait dear

I o1er no guarantee at all

$o don't ta#e it lightly you'll put yourself under

%ou're made up too shiny today .in so much trouble/

Thoughts are +ust pissing away .in so much trouble/

" new type face and new day .in so much trouble/

%ou can't remember ten minutes ago .in so much trouble/

It's too much trouble

%ou're made up too shiny today .in so much trouble/

Thoughts are +ust pissing away .in so much trouble/

" new type face and new day .in so much trouble/

%ou can't remember ten minutes ago .in so much trouble/

It's too much trouble

6a la la la la

6a la la la )to fade*

"Tender"

Tender is the night

6ying by your side

Tender is the touch

!f someone that you lo&e too much

Tender is the day

The demons go away

6ord I need to >nd


16/28

$omeone who can heal my mind

Come on, Come on, Come on

Get through it


6o&e's the greatest thing


Get through it



That we ha&e

I'm waiting for that feeling

I'm (aiting for that feeling

(aiting for that feeling to come

!h my baby

!h my baby

!h why

!h my

)x*

Tender is the ghost

The ghost I lo&e the most

iding from the sun

(aiting for the night to come

Tender is my heart

I'm screwing up my life

6ord I need to >nd




17/28

Get through it




Get through it



That we ha&e




!h my baby

!h my baby

!h why

!h my

)x*


Get through it




Get through it



That we ha&e





18/28

!h my baby

!h my baby

!h why

!h my

)x*

Tender is the night

6ying by your side

Tender is the touch

!f someone that you lo&e too much

Tender is my heart you #now

I'm screwing up my life

!h 6ord I need to >nd



Get through it




Get through it



That we ha&e




!h my baby

!h my baby

!h why


19/28

!h my

)x*

"ar$ie"

Con>dence is a preference for the habitual &oyeur of what is #nown as.par#life/

"nd morning soup can be a&oided if you ta#e a route straight through what is#nown as

.par#life/

0ohn's got brewers droop he gets intimidated by the dirty pigeons

They lo&e a bit of it .par#life/

(ho's that gut lord marching??? you should cut down on your por#life mate???get some

5xercise

)Chorus*

"ll the people

$o many people

They all go hand in hand

and in hand through their par#life

9now what I mean

I get up when I want except on (ednesdays when I get rudely awa#ened by thedustmen

.:ar#life/

I put my trousers on, ha&e a cup of tea and I thin# about lea&ing the house.par#life/

I feed the pigeons I sometimes feed the sparrows too it gi&es me a sense of enormous well

Being .par#life/

"nd then I'm happy for the rest of the day safe in the #nowledge there willalways be a bit

!f my heart de&oted to it .par#life/


20/28

)Chorus*

:ar#life .par#life/

:ar#life .par#life/

It's got nothing to do with &orsprung durch technic you #now

"nd it's not about you +oggers who go round and round and round

:ar#life .par#life/

)Chorus x *

"Song ("

I got my head chec#ed

By a +umbo +et

It wasn't easy

But nothing is

Ao

)chorus*

(oo-hoo

(hen I feel hea&y-metal

"nd I'm pins and I'm needles

(ell, I lie and I'm easy

"ll the time but I am ne&er sure

(hy I need you

:leased to meet you

I got my head down

(hen I was young


21/28

It's not my problem

It's not my problem

)repeat chorus*

%eah yeah

%eah yeah

%eah yeah

!h yeah

"Ong Ong"

6a la la

6a la la

6a la la???

I got on a boat on a hot sunny day

To get out of this town

Cause the tarmac was melting and the people seemed to sway$tuc# in the underground

To the isle of the blac# #ites and the wishing tree

I wanna be with you

!n the slow boat to 6antau through misty seas

I wanna be with you

I pulled out the harbour with precession behind

"nd I'm feeling the lo&e of you

$o you better get to charge until I see you again

%ou #now +ust what to do


22/28

If you're caught up in the gales on the +un# boat sea

I wanna be with you

(hit the pilgrims the mountains in the high trape


23/28

)Chorus*

(ell you and i

Collapsed in lo&e

"nd it loo#s li#e we might ha&e made it, yes it loo#s li#e we'&e

ade it to the end

(hat happened to us

$oon it will be gone fore&er

Infatuated only with oursel&es

"nd neither of us can thin# straight anymore

)Chorus x *

"This s ! Lo)"

"nd into the sea goes pretty 5ngland and me

"round the Bay of Biscay and bac# for tea

it traEc on the dogger ban#

p the Thames to >nd a taxi ran#$ail on by with the tide and go asleep

"nd the radio says

)Chorus*

This is a low

But it won't hurt you

(hen you are alone it will be there with you

;inding ways to stay solo

!n the Tyne forth and Cramity

There's a low in the high forties

"nd $aturday's loc#ed away on the pier


24/28

Aot fast enough dear

!n the alin head, Blac#pool loo#s blue and red

"nd the Fueen, she's gone round the bend

0umped o1 6and's 5nd

"nd the radio says

)Chorus x *

"Stereotypes"

The suburbs they are dreaming, they are a twin#le in her eye

$he's been feeling fris#y since her husband said goodbye

$he wears a low cut t-shirt runs a little bmw

$he's most accommodating when she's in her lingerie

(ife swapping is the future, you #now that it would suit you

)Chorus*

%es, they're stereotypes, there must be more to life

"ll your life you are dreaming and then you stop dreaming;rom time to time you #now you should be going on another bender

The suburbs they are sleeping but she's dressing up tonight

$he li#es a man in uniform he lo&es to wear it tight

They are on the lo&er's sofa they are on the patio

"nd when the fun is o&er watch themsel&es on &ideo

The neighbours may be staring, but they are +ust past caring

)repeat chorus*

%es, they're must be more to life, they're stereotypes


25/28

(ife swapping is the future, you #now that it would suit you

)repeat chorus*

"Gir$s !nd Boys"

$treet's li#e a +ungle

$o call the police

;ollowing the herd

Down to Greece

!n holiday

6o&e in the H's

Is paranoid

!n sunny beaches

Ta#e your chances loo#ing for

)Chorus*

Girls who are boys

(ho li#e boys to be girls(ho do boys li#e they're girls

(ho do girls li#e they're boys

"lways should be someone you really lo&e

"&oiding all wor#

Because there's none a&ailable

6i#e battery thin#ers

Count your thoughts on 3 4 2 >ngers

Aothing is wasted

!nly reproduced

Get nasty blisters

Du bist sehr schon


26/28

But we ha&en't been introduced

)Chorus*

"*or Tomorro)"

e's a twentieth century boy, with his hands on the rails

Trytng not to be sic# again and holding on for tomorrow

6ondon ice crac#s on a seamless line, he's hanging on for dear

6ife

$o we hold each other tightly and hold on for tomorrow?

)chorus*

$inging la la la la la

olding on for tomorrow

$he's a twentieth century girl, with her hands on the wheel

Trying not to ma#e him sic# again, seeing what she can borrow

6ondon's so nice bac# in your seamless rhymes, but we're lost on The westway

$o we hold each other tightly and hold on for tomorrow

)chorus*

)middle*

Trying not to be sic# again and holding on for tomorrow?

$he's a twentieth century girl hanging on for dear life

$o we hold each other tightly and hold on for tomorrow


27/28

)chorus*

.0im stops and gets out the car, goes to a house in emperorJs gate,

Through the door and to his rrom, then he puts the t& on, turns

It o1 and ma#es some tea, says modern life it's rubbish, then

$usan comes into the room, she's a naught girl with a lo&ely

$mile and says let's ta#e a dri&e to primrose hill it's windy

There and the &iew is so nice, london ice can free


28/28

(ell, here's your luc#y day

It really, really, really could happen

%es, it really, really, really could happen

(hen the days they seem to fall through you, well +ust let them go

(ell, it really, really, really could happen

%es, it really, really, really could happen

(hen the days they seem to fall through you, well +ust let them go

0ust let them go

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Blur Setlist México 2015