Buge i Lior Gwen Ith 00 Thom

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f^JTarpist to TierMajesty f/ie (puee7i J

VOL. 1 .

LLWYN ON /Tht-^sTiCy/vvfy 3/"

CLVCHAU ABERDYFI ^TheJk'lLs orAi^niovey/ .3/

PER ALAW /Swtvt Melody-Sn/s^tjeichani/2>l'

CO-OIAD YR HAUL /Z7ie2înôf'tKe SunJ 3/-

RHYFEU&YRCH GWYR HARLECH /?7fc'î&/f^ ,M'ilifÂ/en orâriefhJ3J

6. Rl DING OVER TH E M OUNTAI N/^?/7^///«^/'y^fe•/^*/^• A U27!cmiis/2>l

7 MORVA RHUDDLAN p'/ieHainofJihaddLmJ 3/

SERCH HUDOL /^<?.'«r5' fuscinationj . 3/

CODIAD YR HEDYDD /'T/te risingort/telaTi^'J 3/-

V GADLYS /'y/ieiay/t/iô/'noNe/nO'rvwifiShenki/i.l2>l'

MERCH MEGAN /'Mynns JJ,mc/hU-r/ 3/-

THE MINSTRELS ADIEU TOHIS NATIVE \mWOnyWei<^Jy iyJ.ntomasj2>\

VO L. 2.

\3 BUGEILIOR GWENITH &WYt4 /M-I/j-t-Z/iVi^ M^?'^%/?<2/./

4 NOS GALAN

15 DAFVDD V GARREG WEN

16 TROS Y GARREG

17 MERCK V MELINYDD

18 DEWCH IR FRWYDYR

19 AR HYD Y NOS

20 Y FWYALCHEN

21 TORRIAD Y DYDO22. CWYNFAN PRYDAIN

23 SYR HARRI DDU

/Over t/ie Stcfite/

/2?ieMille^rs Jhni^hlerJ

/Coyne t4y jhutlej

/jil t7imi>/h tAejVi^hi/

/lAe JilackbirdJ

/TA^JJuti-n o/'J)ayJ

/Brita ill's JjameniJ

/Blarl. SirJIi/r/y/

24 YMADAWIAD Y BR^n\H /r/ieJirparfurv oi' //i>'Ji'i'u/

WELSH M ELODI ^SAivunêd tor I ^7-4 VOICES with Accomp*tvr HARPi^r PIANOFORTE ify JOHN THOMAS

(7oTnplê in T/iree Volumes price Three Guineas'

J^jîcf^^: S/-

NLVVYORK

5. CAST i4-n»' .->r;;!F.ET.

LONDON

EDWIN A5HD0WN

(LimiTed)

HANOVER S9UARE.

TORONTO143. YONGE STREET.



I



K 13, ("Watch injr the Wlieat]

DEDICATED TO

THE OOWAGER LADY WILLOIIGJHRY DE BROKE.

Ar raii.vn! I.v

John Tiiom\

INTRODUCTION

PASTOEALE

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.N.B.— The htten before tfu names denote the degree oj difficulty; a.

ALVAHS, PARISH. ,. d.

to Thalberg.^

•• 5 ^

and variations OQ a favourite Air of Bellini.. ,.^ 4 o

da Sultan „.._.— > '

airs ..^ «..,.•< _— ••••— 3 "

APTOKMAS.:

rising of the sun .,..«•.» — >

race was bhenkin >

*

Mary Anne 3

fascination •-.^ *

Richard

polka

6

6

6

3 6

„ a 6

„ a «

...-._ 3 o

BELLOTTA, F.

.—^ — •m •

I— *

. —_»•• *

6

6

6

6

6

a e

a 6

a 6

6

• 6

a t

a 6

a 6

a 6

a 6

a 6

a 6

a 6

a i*a

"»

t 6

a 6

a 6

.^. . .

.

Fantaisie sur I'op^ra de Verdi ..

.

BOCHSA, K. C.

Italibn. DixMorceaux, courtaetbrillant*

and Ama tua madre (Lucrezia)

Agnese (Beatrice di Tenda) .

.

fc bello (Lucrezia Borgia)_

& Voga voga luna (La Straniera)

& Pas ridoubli (SafTo) .

voga, & Sogno talor (Parisina) .-.••ah ! vieni (Cavatine-Mazurka de Pacini).,.

I tu sei (Parisina)

^ bello (L'elisire d'amore) *.

(Torquato Tasso)

pour les Harpistes de toutes les fore-

own blue bell

bridal ring

Prince of Wales' march

in the old Irish style

k I'Ecossaise

wild white rose »<

!i la villageoise '.

^ la polka

moulinet

polka

Irlandaises. Favourite Irish airs in 3 bookt

Kelly and The old womanDawson and Savoumeen Deelish «

Patrick and The Moreen

de la mimoire. Select melodiea from the works of

popular composers, intended to be performed from

In 4 books each

a l'^tude. 300 short miscellaneoui and

pas^sages, calculated to give steadiness and

to the hands, flexibility and strength to the fingen,

thorough knowledge of every species of fingering.

each

ENTiRELV NEW STUDIES, calculated to give

and independence to the fingers, freedom to both

and steadiness to the wrists, a books each

extracts, forniing the second claaa of the Appendix

general course of instructions 1

exercises on a favourite melody by Bishop, being

class of the Appendix to the general course of

companion. Forty progreatire studies. 4 books

each

PROGRESSIVE PRELUDES, Calculated to promote the

of modulation through the most useful keys

(Roberto Devereux). Transcription 3

to friendship (T. Moore). Variations 3

funning. Fantasia and variations 4funning. (Variations aa sung by Mrs. Salmon) .

.

a

march a

march ;

Simple melodies arranged in a mo«t easy

»

la Syrie. Fantaisie martiale »_^— 4

(Tyrolienne de Guillaume Tell) »»..•— a

(introducing the Tartar drum) ..«»«*• a

Rossignol walu —__— I

new French march — « — a

waltz. Grand and brilliant variations ..__.. _ i

CHATTEBTON, FBEDEBICK.

nome. Petite fantaisie •.«.«•«.des Tuileries. Petit amusement .^ ___ __

de Venise. Morceau fantastiqac ...._« —«.of spring. Easter piece __— _ —

CHATTESTOH, J. BAL8IB.

practice, scales, exercises, and preludes in vmritnu, toT pupils in all degrees of advancement «

OF HIS FAVOURITE COMPOSITIONS :

Laurie. Scotch melody. Transcribed _Robin Gray. Scotch melody. Transcribed . . _

relics, No. i. Sweet Richard _relics, No. 2. Nos galan

relics. No. 3. Llandovery and Serch hudol..

relics. No. 4. Of noble race was Shenkin ....

of Irish melody. Savoumeen deelish and

Kate Kearney .^ >. _march

des Croates Q. Blumenthal)

Pasjuale. Fantasia

of Irish melody, No i ....

of Irish melody. No. a ....

save the Queen. Variatioiu

row. Variations

American march •

trovatore (The prison scene)

Mavouraeen and Dermot astora

d'amore. Fantasia

gitana. The new cachucha

noces. Fantasia, introducing Danish air ....««of Wales (Three Welsh airs)

dream. Capriccio . .

.

bloom is on the rye (Bishop).

light of other days ( Kalfe ) ...

7 6

10 o

5 o

4 o

5

3

3 o

S a

3 •

S e

3 o

3

3 o

3 o

3 o

3 o

._--___ 3

3 o

3 o

._..___ a 6

__ 3 o

3 o

3 o

2 6

3 o

3

3 o

3 o

3 o

CHIPP, T. P. $.d.

I love but thee (T. Moore). Introduction and variatioiu _— 3 o

DirsSEE, 0. B.

The Harpist's friend. A series of popular melodies

:

Stands for difficult ; b, moderately difficult c, tasy ; d, very easy.

OBERTHUR, CHARLES—, -niiituU.

Merch MeganThe rising of the li

March of the menLilla's a lady . .

.

Savoumeen deelish

La rosa waltz

OOH^ROID, E

Lucrezia Borgia. Fantasia on Donizetti's opera

Norma. Fantasia on Bellini's opera

HOLST.

'Etrbhnes aux dames." Select airs, Jie.

:

1. True love. German air

e. Le vaillant troubadour

The farewell of Raoul de Coucy.....

Le depart du jeune Grec

Adolphine. German air *••

German Waltzes

Ve banks and braes o' bonny Doon^Vhat beauties does Flora disclose. Scotch air and •

Quick march

9. Stanco di pascolar. Venetian air .....•.—

la Di piacer (La gazza ladra) - — —— — ••

HUNT, W. B.

The blue balb of Scotland. Introduction and variations

LABABBE, THEODOBE.

3-

4-

5-

6.

7-

8.

>n pii

The last rose of summer Variations.

There is no home like my own. Variations.

.

UEYEB, P. C.

3 e

b Auld Robin Gray. Divertimento 3 o

i Melange (introducing "My lodging " and " The rose-tree in

fall bearing''

)'• * 4 o

OBEBTHtJB, CHABLES.

i Op. 35. Addio, mia vita, addio ! Barcarolle a 6

a Op. 36. Souvenir de Londres. Fantaisie et variations brillantei

sur un »heme original _.6 o

t Op. 37. Reminiscences des Mousquetaires. Fantasia on

Halevy's opera 3 o

i Op. 33. Bijou de Nabuco. Grande fanuisie sur 1' op^ra de

Verdi -. 7 o

i Op. 39. La milancolie de F. Prume. Transcription .... a 6

b Op. 38. Una lagrima sulla tomba di Parish Alvari. Eligie.. 5 o

b Op. 51. La belle Emmelioe. Impromptu ^ « 3 *

b Op. 57. Trois 4tudks caracteristiques :

1. La cascade 3 *

a. La coquette s o

3. La consolation 3 o

b Op. 61. " Grms OF German song." Twelve recreations

:

I. Adelaide Beethoven 3 o

Thefirst violet Mendelssohn 3 a

Zuleika Mendelssohn a o

Cooling zephyrs Schuben 3 o

The huntsman, soldier, and sailor Spohr a 6

A ride I once was taking (Trab, trab) Kucken a •

My harp now lies broken (Maid of Judah) Kticken 3 o

My heart's on the Rhine Speyer 3 o

From the Alp the horn resounding Proch a 6

With sword at rest (The standard bearer) Lindpaintner 3

II. When the swallows fly towards home (Agathe) Abt a o

la. Oh ! wcrt thou mine for ever KQcken a o

( Op. 19. "HoMMAGEl Schubert." Trois mtiodies :

1, Ve flow'rets that to me she gave 1 6

a. Praise of tears ->•> s 6

3. Norman's Gesang i 6

b Op. 94. " R^criSatioms musicalbs." 3 (}erman melodies

:

I. Streamlet cease Curschmann a o

a. Forth I roam Kalliwoda a o

3. If o'er the boundless sky Molique a o

b Op. 90. " Voyage EN Suisse." Trois morceanx originaux:

I. BSIe 3 «

a. Zuric 3 i

3. St. Gallois 3 *

b Op 103. Trois Etudes de Charles Mayer et d'Adolphe Henselt

transcrites

:

I. Grace C.Mayer a 6

a. La fontaine C.Mayer 3 o3. Si oiseau j'^tais A. Henselt 3 o

( Op. X06. Three characteristic melodies :

I. Wenn ich ein VSglein war ...utx. »...»„ 3 o

3. Lisple Laute, lisple linde • » 3 o

3. Virgo Maria (O Sanctissima) » 3 o

e Op. 110. " PsNStfES MusiCALES." Trois piices dc salon

!

z. Repose a o

3. Sorrow and relief a i

3. Cradle song a 6

a Op. 115. Bonnie Scotland. Fantaisie btillante (Scotch airs) 6 o

b Op. 118. Les montagnes Boh^miennes. Chant national d'apris

Leopold de Meyer a 6

b Op. 131. Trois morceaux caractiristiqaes

:

I. La gitana 3 o«, M^lodie mazurque 3 o

J. La gazelle 3 o

b Op. X37. Sacred melodies:

I. Martin Luther's hymn a 6

3. Old hundredth psalm a 6

3. Before Jehovah's awful throne a 6

4. Airs from "The creation " (Haydn) 4 o

5. Vital spark of heavenly flame a 6

6. Agnus Dei (Mozart) a 6

b Op. iz8. Deux melodies de I'op^ra Les huguenots(Meyerbeer):Nobles seigneurs. Cavaline du page a

Op. X33.

Op. I4».

Op. 1 44.

Op. 146.

Op. Z39. " itoLiAN chords." Three melodies .

X. Gems of the crimson<oloured even _.a. She was a creature strange as fair ^ _-3. 'Tis sweet when in the glowing west —

Nereides. Sketch

L'invitazione del gondoliere. Sketch

II trovatore. Fantasia on Verdi's opera ...

La traviata. Souvenir de I'opâ de Verdi .

Twelve operatic airs, tzm

ea149. " Gems of Verdi.'

scribed

Ah ! chelamorte Trovato

II balen del suo sorriso Trovato

Si la stanchezza TrovatoStride la vampa .Trovat

La mia letizia I Lombar

La donna h mobile Rigole

Parigi.ocara Travia

Ah, fors'ilui Travi

Di Provenza il mar Travi

xo. Libiamo (Hrindisi) Travia

II. Ernani involami Ema

13. Va pensiero Nabu

Op. 158. " 'iEMn.H RAMBLES." Four musical sketches :

X. Sea nymphs

3. fclurmuring waves •••

3. My bark glides through the silver wave .

4. Water sprites

Andalusia. Bolero ^rilUnl ..

The keel row Fanfasia

Santa Lucia. Neapolitan air

tin ballo in r<iasc!«rj|^Fantaisie"C'cH'S''

. •••«•• —

Op. 159-

Op. 1^6.

Op. 167.

Op. 170

Songs without words : /I. Dans ces instants ito

' coeorpense

a. Ich denkr iein, weon durch den H»in der Nachttgal

3. Eilende Wolken, gegler der Lufte

4. Eme'.ina i •••-»..—5. Selii;e Taze \ •.•,..»»...*.

6. NachgcfUhl «.-«7. Adieu, charmant pays de France

B. Fori, methinks, till I grow old ^ *..»•••

9. L'air est doux, le ciel est beau •«»»10. Ange aux yeux bleus »

11. We rove among *He roses a-a

13. Au bord du Rhin ^. •«•

13. Au bord de la Lahn \. ..••••••>•

14. Au bord dela Nahe n ••

15. Au bord du Ncckar •16. Auf leichtem Zweig

17. Ah ! be not sad

iB- Remind me not

the

"Voyage lyriqub.'

I. Norway.

a. Sweden.

3. Denmark.

4. Russia (God savt

Emperor).

5. Prussia,

6. Prussia.

7. Poland.

8. Saxony,

9. Bavaria.

xo. Austria (Haydn't hymi).

IX. Hungary.19. Sardinia.

Twenty-four National Ain

13. Romagna.

14. Naples.

15. Spain.

16. Portugal.

17. Swit2«tlAuu

.e

France (La Marseil

France (Les Girondi

Belgium.

ai. Holland.

aa. England (Rok Brit

3. America (Hail Colu

34. England (God sa

[Q

19.

STEIL. W. H.

My lodging it on the cold ground (variations) ..»._«••

STREATHER, WILLIAU.

Deh vieni alia finestra. Serenade from Don Juan ..»*.

Home, sweet home, of Thalberg, iranscribcd ....

TAILOR, OERHARD.

C^m' fc gentil (Don Pasquale). Transcription

Fantasia on Irish melodies (The harp that once, B«Ucv« mall, and Meeting of the waters)

Two favourite Irish melodies (Coolin and The minstrel b

Variations

Rigoletto. Fantasia on Verdi's opera w^^.*.*.

THOMAS, JOHN.

Welsh melodies. Tran>cnbed :

I. The ash grove *.»»•.• »»«.a. The bells of Aberdovey u....m^ Sweet melody, sweet Richard .,.......«•

4. The rising of the bun

5. The march of the men of Harlech6. Kidtngover themuuiitain(originalmelodyby J.Tko

7. The pîn of Rhuddtan

8. Love's fascination -.

9. The rising of the lark

10. The camp (Of noble race was Shenkin)

11. Megan's daughter

xa. The minstrel's adieu to his native land (original me

by J. Thomas)

13. Watching the wheat

14. New year's eve

15. David of the white rock* or The dying bard to his

x6. Over the stone

17. The miller's daughtei ««.....

18. Come to battle «....— .•«19. All through the night..... •••.

ao. The blackbird .••»• ....ai. The dawn of day ......aa. Britain's lament •••«•.«S3. Black Sir Harry ••......•• —34. The departure of the king ..

I La source. Caprice of J. Blumenthal, transcribed .

' rh« harmonious blacksmith, of Handel, transcribed

.

WRIGHT. T. H\ Caledonian Fantasia, introducing favourite Scotch

\

Com' bgentil

(DonPasquale^ Fantasia

' Deh calma oh ciel (Otelfo). Transcription

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Buge i Lior Gwen Ith 00 Thom