Cantus Christi · 2008-07-16 · v A common practice in our day is for Chris-tians to speak of the “culture wars.” By this they usually mean the political and cul-tural skirmishes

Cantus Christi

Copyright © 2002 Christ Church, Moscow, Idaho2004 Revised Edition

Published by Canon PressP.O. Box 8729, Moscow, ID 83843.800–488–2034 www.canonpress.org

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All rights reserved. No part of this publication may be reproduced, stored in a retrieval system,or transmitted in any form by any means, electronic, mechanical, photocopy, recording, orotherwise, without prior permission of the author, except as provided by USA copyrightlaw.

The publisher gratefully acknowledges permission to reprint texts, tunes and arrangementsgranted by the publishers, organizations and individuals listed on pages xviii and 443–445.Every effort has been made to secure current copyright permission information on the Psalms,hymns, and service music used. If any right has been infringed, the publisher promises tomake the correction in subsequent printings as the additional information is received.

ISBN: Cantus Christi (clothbound) 1–59128–003- 6

ISBN: Cantus Christi (accompanist’s edition) 1–59128–004–4

Table of Contents

Manifesto on Psalms and Hymns by Douglas Wilson . . . . . . . . . . . . . . . . . . . . . . . vIntroduction to Musical Style by Dr. Louis Schuler . . . . . . . . . . . . . . . . . . . . . . . ixList of Abbreviations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xviiCopyright Holders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xviii

Section IPsalms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

Section IIHymns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197Baptism . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198Communion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202Advent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218Christmas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230Epiphany . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251Christ’s Passion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255Triumphal Entry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268Resurrection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269Ascension . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274Pentecost . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276All Saints . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280Thanksgiving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283Adoration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286Supplication . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336Evening Hymns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377

Section IIIService Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385

Indexes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 441Copyright Permissions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 443Chronological Index of Hymn Tunes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 446Index of Authors, Composers, and Sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 448Metrical Index of Tunes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 452Alphabetical Index of Tunes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 457Alphabetical Index of Titles and First Lines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 460

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A common practice in our day is for Chris-tians to speak of the “culture wars.” By thisthey usually mean the political and cul-tural skirmishes between leftist secularthinking and the more moderate and tra-ditional thinking of believers. But the prob-lem is that the phrase “culture wars” is aparticularly inept way to refer to this prob-lem. “Culture wars” would indicate a colli-sion between two distinct cultures, but thisis not what we have. Rather, we see intra-mural debates within one culture, and thatculture is the form of modernity. One sideof the debate is clear-sighted and wantsthe unbelieving assumptions permeatingthat culture to come to a full and com-plete fruition. The other side of the de-bate is confused, and wants to pretend thatthe culture surrounding them is some-thing other than what it is.

Our phrases right-wing and left-wingcame from the seating in the revolution-ary legislature of the French Revolution.The moderate revolutionaries sat on theright, while the radicals sat on the left.They had their debates, of course, but theywere all revolutionaries. What they heldin common was more fundamental thanwhat divided them. Separated by a ravine,at the bottom of the ravine they were stilljoined together. While Scripture speaks ofa bottomless pit, a place of unending andhorrible judgment, there is another bot-tomless chasm as well, a chasm which we

must come to understand fully. This bot-tomless ravine is the divide between faithand unbelief—and nothing joins them atthe bottom.

We are not currently in a culture war,but we do need to get into a culture war.But there are prerequisites. Before you canhave a war, you need weapons. And beforeyou can have a culture war, you need tohave a culture. And this is the central prob-lem that confronts Christians today asthey look around at the cultural manifes-tations of unbelief. What we see is the out-working of the “faith” established in theEnlightenment of the mid-eighteenthcentury,

Many Christians live within thisbroad Enlightenment culture, but theybelong to churches that have made theirpeace with this modernity. Our religion issafe, tucked and hidden away from allalarms. Behind our eyes and between ourears we have that gnostic spark that we calla personal relationship with Jesus. Non-believers have their equivalent spark, butall of them accept the external dictates ofscience and the state. We have accepted asa matter of faith that our internal spiritualreality does not and cannot have any par-ticular cultural embodiment that mightthreaten the status quo.

The ancient Christians in Rome hadthis option open to them, an option thatthey refused to take. Rome allowed for the

Manifesto on Psalms and Hymns

formation of a cultus privatus, religion thataccepted its duty to not challenge the au-thority of the emperor. Because Christianswould not accept this—Jesus Christ wasLord of all, and that included Caesar—they were viciously persecuted. Because wehave accepted the modern equivalent, weare left alone like Lot in Sodom, free towring our hands in dismay over the waythings are going.

We call our spiritual weekend con-ferences retreats, which kind of figures. Weevangelicals affirm our faith in an inerrantBible—inerrant in the autographs, whichof course no one possesses. We sing feel-good ditties in the public worship of God,but they are songs which have been aptlycharacterized as “Jesus is my boyfriend”songs. And you ask me how I know Helives; He lives within my heart. In all ofthis, we have not grown a Christian cul-ture. Despite the fact that millions ofChristians have lived on this continent forhundreds of years, we have not built a dis-tinctively Trinitarian and Incarnationalculture. We are too busy going along withthe latest currents in the river of unbelief.

But the Incarnation is the central re-ality of human history. Enlightenmentphilosophy would have preferred ultimatereality to be a disembodied abstract truthsomewhere else, but the Scripture tells usthat the Word was with God, the Wordwas God, and the Word took on flesh anddwelt among us. We are Christians, andour faith in Jesus Christ demands embodi-ment in every aspect of life, and settlingfor anything less than this is at root a de-nial of the lordship of Jesus Christ.

What does this have to do with thesinging of psalms? Why are these thingsbeing written in a preface to a psalter/hymnal?

The need of the hour is reformationin the Church. As reformation comes tothe Church and sweeps through it, the firstthing we will notice is that reformation isnothing like revival. Revivals, at least as wehave come to define them, are readily con-tained within the walls of our churches.Periodic religious excitements are part ofour North American religious tradition,and we know the tradition. We go slack,we get stirred up, we go slack again. ButTrinitarian, incarnational reformation re-quires embodiment in every aspect of life;it requires that the teaching of the Wordof God take shape in our lives, in our cul-ture. I never tire of saying that theologycomes out our fingertips—and what ac-tually comes out our fingertips is our truetheology.

We will discover in such reformationthat the doctrine of Christ encompassesall that is true, all that is good, and all thatis lovely. It takes on the form of a cultureand affects how we prepare our meals andhow we serve them. It affects how we plantour gardens, and how we cultivate the de-lights of the marriage bed. It affects themaking of beer and the mowing of lawns.But at the center of all this is how refor-mation affects the public worship of God,and this is obviously related to the musicwe sing. Liturgical culture drives all otherexpressions of culture. The culture we ex-hibit in the presence of our gods is the de-fining element of every culture. If we

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would repent of our cultural polytheism,we must turn back to the worship of theliving God, resolved to worship Him withreverence and godly fear, for He is a con-suming fire. Because He is a consumingfire, we do not approach the unapproach-able light humming a few snatches ofShine, Jesus Shine. Moses did not walk to-ward the burning bush with a praise CDin his Walkman.

We reveal musically whether or notwe are Christians who acknowledge thatthe praise of the Church should reflect andhonor the glory of God in the face ofChrist. Our praise of God should glorifythe Lord both in the music and the lyrics,and one test of whether this is happeningor not is whether our music and lyrics re-sult in a true cultural antithesis.

We believe that God is bringing manyin His Church to the point of a holy dis-content with all the liturgical happy-clappy that surrounds us. As aconsequence, we have decided to publishthis psalter/hymnal. We do not do thisbecause we believe ourselves to have ourreformational act together. Rather, we havebeen brought to a deep conviction of ourown abiding ignorance in these things. Weare merely confessing that ignorance, andinviting others to join us as we seek to re-cover a small portion of our heritage.

Just a few practical considerations re-main. Because we are recovering a numberof older forms of musical and lyrical ex-pression, some of the psalms and hymnscontained do represent a challenge. Learn-ing them will not necessarily be easy—but one of the things we are abandoning is

a convenience store approach to musicalworship. There are many songs here thatare an acquired taste. We can have confi-dence as we seek to acquire this taste be-cause we know that in the history of theChurch, generations of average Christiansused to rejoice in and with these songs.We also have the testimony of modernChristians, like our congregation, whohave set themselves to learn this music andhave come to experience how wonderfulit is. Psalm 95 used to sound just as strangeto us as it does now to you, and more thana few of us thought the “funky beat” ver-sion of “A Mighty Fortress” was more thana little much. But this was the originalform of the hymn, and it illustrates whyQueen Elizabeth I did not call many ofthese songs “Geneva jigs” for nothing.Learning these songs is like trying to drinka hearty oatmeal stout after years of litebeer. There will be a period of contortedgrimaces, but, when all is said and done,there is no looking back. This psalter/hymnal contains the glories of aestheticdepth.

Some may wonder whether this em-phasis on the psalms may be giving toomuch credence to what is called the ex-clusive psalmnody position. It is not ourpurpose here to enter into that controversy,but we do want to say that fear of over-reaction is not a theology of worship. Webelieve our exclusivist brethren are in er-ror when they demand that we sing noth-ing more than the psalms. But we want togive credit where credit is due and say thatthey are quite right in their insistence thatwe sing nothing less. Any form of hymn

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or chorus singing that prevents theChurch from learning all 150 psalms isprofoundly wrong-headed, and so we havededicated ourselves to a full recovery of thepsalms. We have lost an enormous trea-sury and fallen a great way—as illustratedby our need to speak of “introducing” thepsalms to Christian churches! Whateverour differences, no one maintains as apoint of doctrine that we are prohibitedfrom singing psalms. The apostle Paul, on

the contrary, calls us to it (Eph. 5:19).And last, we must recall that

Jehoshaphat sent the choir out aheadof the army, and God gave a gloriousvictory. We need to do the same thing,trusting for the same result. But beforewe head out there, in the vanguardheading into this cultural fray, we musthave something to sing.

Douglas Wilson Moscow, Idaho

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Introduction to Musical Style

Is it any surprise that the final words ofthe last Psalm exhort us, “Let everythingthat hath breath praise the LORD. Hallelu-jah!” (Ps. 150:6)? The injunction is givento us as if we might forget that this is ourhighest calling and that it rides on ourbreath—something that is drawn into ourbodies so that it can be exhaled with theglory of sound. The Psalms are full of otherinstructions as to how we should praisethe Lord. “O come, let us sing unto theLORD, let us heartily rejoice in the strengthof our salvation” (Ps. 95:1). Our singingshould be done with joy and great vigor.“O sing unto the LORD a new song” (Ps.96:1). A “new song” does not necessarilymean one that has just been composed, butdescribes the way the singer approacheshis singing of the Psalm. The Psalmshould be fresh and full of life. “Rejoice inthe LORD, O ye righteous: for praise iscomely for the upright. Praise the LORD

with harp: sing unto Him with the psal-tery and an instrument of ten strings. Singunto Him a new song; play skillfully witha loud noise” (Ps. 33:1–3). Not only areinstruments employed, but they are to beplayed skillfully. Competent musician-ship is expected by the psalmist. This isno less than praise to the Most High God.The Hebrew word used for “a loud noise”is perhaps best understood as a shout ofjoy, referring to the singers, not the instru-mentalists. Singing is a sport. It requires

the same kind of energy. When a singersings properly with full breath supportfrom the diaphragm, he will feel the ex-haustion that comes from great physicalexertion. This is one of the most difficultconcepts to teach to singers because ourculture has relegated singing to the realmof the weak rather than to the realm ofspiritual warfare. Robust singing is a must,and that goes for the men as much as thewomen. “I will praise the name of Godwith a song, and I will magnify Him withthanksgiving. This also shall please theLORD better than an ox or bullock that hathhorns and hoofs” (Ps. 69:30, 31). Above allelse, we must sing with a right heart,thanksgiving, and understanding. It is easyto sing away, enjoying only the notes andforgetting about what we are singing andto whom we are singing.

The Revelation of St. John providesus with even more insight into the sing-ing of praise to God. As John is taken upinto the heavenly realms (Rev. 4:1, 2), hesees the throne of God with all its atten-dant pictures of creatures singing Hispraise. There are the four beasts who nevercease to sing, “Holy, holy, holy, Lord GodAlmighty, which was, and is, and is tocome” (Rev. 4:8); the twenty-four elderssinging, “Thou art worthy, O Lord, to re-ceive glory and honor and power: for thouhast created all things, and for thy plea-sure they are and were created” (Rev. 4:11);

the beasts and elders singing a new song:“Thou art worthy to take the book, and toopen the seals thereof: for thou wast slain,and hast redeemed us to God by thy bloodout of every kindred, and tongue, andpeople, and nation; And hast made usunto our God kings and priests: and weshall reign on the earth” (Rev. 5:9, 10). Thenmyriads of angels join in the throng sing-ing, “Worthy is the Lamb that was slain toreceive power, and riches, and wisdom, andstrength, and honor, and glory, and bless-ing” (Rev. 5:12); and finally “every crea-ture which is in heaven, and on the earth,and under the earth, and such as are in thesea, and all that are in them, heard I say-ing, Blessing, and honor, and glory, andpower, be unto him that sitteth upon thethrone, and unto the Lamb for ever andever” (Rev. 5:13, 14).

What John had experienced in Jerusa-lem at the Temple he was now experienc-ing in the fullness of the heavenly places.We experience the reality of this as we par-ticipate in each Lord’s Day service and ap-proach the throne of God in worship. Godhas made us a temple of living stones, andHe dwells among us. He is our God andwe are His people. Like John, we too, as-cend into the heavenly places in our con-gregational worship. We too join in thecelebration around the throne with all theheavenly host. The only difference is thatthere have been another 2,000 years ofhymn writing and music making. Thesaints of the last two millennia have addedtheir voices to the heavenly chorus withall the new songs that they have written.Those songs are our heritage and are to be

sung in the Lord’s praise by us with ourfellow departed saints. We are given theopportunity to add our hymns of praiseto those that have been written before. Theglory increases if we climb on the shoul-ders of those who have gone before us. Butif, in our arrogance, we think we can ig-nore what has been taught us, we err andbring lame sacrifices of praise. We must betaught in the sanctuary in order to bringwhat is beautiful into the sanctuary. If webring only that which the world teachesus, we bring that which is an abominationin God’s ears.

WHY ANOTHER HYMNAL?Christians are people of the Book. Ourworship derives its form and content fromthe Bible. Our instruction for faith andlife is entirely drawn from the Wordrevealed to us through inspiration ofthe Holy Spirit. It should be no surprisethat Christians for centuries relied onbooks to sing their praise in worship. Thedevelopment of musical notation evol-ved in the surroundings of Christianworship as the need for transmitting andperforming music grew. The earliestnotation comes from the service books ofthe church in the ninth and tenth centu-ries. The Reformers relied on hymnals inbook form to disseminate the singing ofpsalms and hymns. Psalters and hymnalshave been the second most importantbooks of worship, just as singing is thesecond most important skill that Chris-tians learn. The Bible makes this clearthroughout the Psalms, calling us to singpraises to the Lord with skillfulness.

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But the church has experienced amove away from the use of books to singfrom. Modern technologies such as theoverhead projector have rapidly replacedthe use of hymnals in many churches.Cantus Christi is designed to retain tradi-tional psalm and hymn singing throughthe use of the printed page. The settingsare mostly in the typical cantional style,that is, four voice parts moving togetherin block chords (homophony) with themelody in the soprano voice. However,there are many departures from this stylein various settings, so that sometimes thetenor voice has the melody, sometimes allthe voices are singing in unison, and some-times the block chords give way to simplecontrapuntal melodies. But the beauty ofthe cantional style prevails and with it theinterdependence of voices. Singing ahymn in harmony is fully Trinitarian. Thevarious parts work together to make a uni-fied whole–a beautiful picture of the oneand the many. If you take away any onepart, the hymn is lacking in completeness.Each voice part is written for those mem-bers of the congregation that have thatparticular vocal range; thus the music takesinto account the diversity of the congre-gation.

Cantus Christi is a psalter-hymnal forthe congregation of Christ Church, Mos-cow, Idaho. It does not pretend to satisfythe needs of any other particular congre-gation or any particular denomination.We are members of the Confederationof Reformed Evangelicals, a smalldenomination without a hymnal. Many

denominations have published their ownhymnals; Cantus Christi, however, is notintended to be a denominational hymnal.As Christ Church moved out of modernevangelicalism into a more historicallyrooted Reformational faith, the need forPsalm singing became a high priority. Asthe church sang Psalms, it became appar-ent that there was also a need to changehymn styles to those that approached thecharacter and the depth of the psalter.Choosing a modern hymnal for our needswas next to impossible. Most hymnalswith good musical content were filled withinclusive language, a sort of bowdleriza-tion of old poetry to suit current sensibili-ties, and tended toward liberalism. On theother hand, most evangelical hymnalshave catered to the call for eclecticism forthe sake of eclecticism alongside an over-abundance of the subjectivist hymns of thelate nineteenth or early twentieth centu-ries. Most show a simple lack of under-standing of beauty. Modern psalters oftenfare little better musically. The historicpsalters, such as the Genevan Psalter orthe Scottish Psalter, are wonderful, but agood mix of them cannot be found underone cover. Thus Cantus Christi. It is a workin progress. The first edition is fairly small,only around 275 hymns and Psalms, butthis is only the first edition of several moreto come, perhaps even someday becomingseparate hymnals and psalters. Sincenearly half of the music is not known bythe congregation at this time, there isplenty of room to grow with it before thenext edition comes out. Though this is a

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hymnal for Christ Church, Moscow it isassembled in such a way that it can beuseful for any Christian church.

THE CONTENT

PSALMSThe psalter in this first edition is not com-plete. A little less than half of the Psalmsare represented; however, this should beremedied by the next edition. The psalmscan be divided into three main categoriesaccording to musical style–metrical,chant, and through-composed.

The metrical style is the most acces-sible for beginners because it is hymn-like.In fact, metrical Psalms really are hymnsthat paraphrase a Psalm text more or lessclosely. The Genevan Psalms make up thelargest portion of this type. They were aproduct of John Calvin’s attempts at re-covering the singing of God’s word andrepresent one of the musical high pointsin the history of psalmody. These melo-dies were originally sung in unison, but Ihave chosen the simple four-part settingsof the Huguenot composer, ClaudeGoudimel, who harmonized the GenevanPsalter within two years of its completion.A source of metrical Psalms from the nextcentury is Heinrich Schütz’s BeckerPsalter (1628, 1661). This is a source thatis relatively untapped in American con-gregational singing but is a wellspring ofdelightful tunes that expresses the char-acter of each Psalm in a fresh manner. I amgrateful to Douglas Wilson for providingEnglish texts for ten of these Psalms andhope to include many more in the next

edition. A third major group of metricalPsalms is the Scottish Psalter. Some of thelanguage is a bit more difficult to fightthrough; however, because of their Scot-tish and English roots, many of the tunesare easy to learn by American congrega-tions who have sung much Englishhymnody. A final category is a group ofmetrical Psalms united only by their in-clusion in The Book of Psalms for Sing-ing, which the Christ Church congrega-tion had been using before it was decidedto put together our own psalter.

As the congregation matures in itsPsalm singing, they should be willing totry a second style of Psalm singing–chanted Psalms. The advantage of thechanted Psalm is that the congregationcan sing the actual words of the Psalmrather than a poetical paraphrase, whichis compromised by restraints of rhyme andmeter. There are two styles of chant repre-sented in this hymnal, Gregorian andAnglican. Of the two, Anglican stylechanting is more accessible to our modernears and sensibilities. The Anglican styleof chant began to be written soon after theChurch of England was established in thesixteenth century and continues to be writ-ten today. The Gregorian Psalm tones bycontrast have less musical interest, but be-cause their origins may go back to chantsof the Jewish synagogue even before thetime of Christ, they provide a musicalbridge with the saints of ancient times.

The third style of Psalm singing isthrough-composed. A through-composedPsalm is one in which the composer writesthe music according to the demands of the

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text. It has the advantage of being musi-cally interesting as well as textually accu-rate, setting out the actual Psalm textrather than a metrical version. Because themusic is flexible, texts such as “The hea-then raged tumultuously,” and “Be still,and know that I am God;” are not sung tothe same music, as in the Scottish Psalm46. The through-composed Psalm is thebest for learning the Psalm text becausethe music aids in memorizing the words.The paradigm for this style is ThomasTallis’s Psalm 95. It was composed to besung by a choir, but because of its hymn-like texture, it is accessible to congrega-tions with an adventurous spirit. To besure, it takes more time to learn, but theeffort is well worth it. Most of the ChristChurch congregation were able to sing itfrom memory in less than two years afterit was introduced. Tallis designed thispiece so that the parallel structure of theHebrew poetry of the Psalm is reflected inparallel lines of music. The congregationis divided into two groups who alternatesinging the parallel phrases. This style ofsinging (antiphonal) follows most closelythe original intention of Psalm singing asit was performed in the Temple. I amgrateful to two young American compos-ers who have set three other Psalms in thisstyle (Psalms 97, 127, and 133). Someday,I hope that Cantus Christi will contain all150 Psalms in a through-composedversion.

SERVICE MUSICA somewhat unusual section of the hym-nal, at least for modern evangelicals, is the

Service Music. This section is a collectionof song whose texts come from the ancientchurch as well as the canticles (song-likepassages) of the New Testament. In oursupposedly superior wisdom, manymoderns have thrown out these most mar-velous songs, often just because they aresung in churches which have given up thelove of the true gospel. However, theseancient songs truly take us back to earlyChristian worship, both textually andsometimes musically, to give us a taste ofwhat saints of all ages have brought beforethe throne of the living God. Savor themand bring great glory to our God and Sav-ior Jesus Christ.

HYMNSThe largest section of the hymnal is com-prised of the hymns themselves. Musically,the hymns break down into the followingchronology:

14 pre-16th century hymns,31 hymns from the 16th century,21 hymns from the 17th century,28 hymns from the 18th century,36 hymns from the 19th century, and 8 hymns from the 20th century.

The tunes are taken primarily from Ger-man and English sources, followed innumber by American and French. Germansources are preponderant because the cho-rales of the German Reformation are un-surpassed in warmth, strength, beauty, andmajesty. The Germans also had a wealthof beautiful pre-Reformation melodies todraw upon. The French sources include

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some hymns derived from Genevanpsalms, several seventeenth centuryCatholic tunes, and a carol. The Britishsources include folk melodies fromEngland, Ireland, and Wales, and hymnand psalm tunes from the sixteenth to thetwentieth century. The beauty of Tallis’psalm tunes, the beloved English carols,the dignity of the Victorian hymns, andthe glorious sweep of Ralph VaughanWilliams’ hymns are all a part of the richEnglish heritage. The American sourcesinclude some hauntingly beautiful folkhymns and three hymns from the 1990’s.Of special delight to Americans is the sing-ing school repertoire from the late eigh-teenth and early nineteenth centuries. Ithas been well received by the ChristChurch congregation, and the next edi-tion of Cantus Christi will include moreof these fuguing-tunes. The next editionshould also include many more sources,as well as a greater number of more recenttunes.

The hymns are organized in five ma-jor categories: Sacraments, Festivals, Ado-ration, Supplication, and EveningHymns. The Sacrament section includesonly one baptismal hymn, but more willbe added. Hymns in the section of theLord’s Supper are hymns that specificallyrefer to the Supper. Other hymns whichalso work well for singing at communionare scattered throughout the other sec-tions. The Festival section follows the tra-ditional church calendar of Christ’s incar-nation (Advent, Christmas, andEpiphany), Christ’s passion (triumphalentry into Jerusalem, his suffering, and

death) Christ’s resurrection, Christ’s ascen-sion, the outpouring of the Holy Spirit atPentecost, and All Saints Day. The Festi-val section concludes with the Americantraditional festival of Thanksgiving. Insinging seasonal hymns year after year, thewhole church begins to think and act ac-cording to the liturgical season. All peopleare unified into communities by a calen-dar: the calendar of national holidays, theschool calendar, the sports seasons. Theseare not bad in themselves, but they don’tpoint us to Christ, the substance. Let usbe united as the people of Christ by thecalendar of the church and the seasonalcelebration of various aspects of our salva-tion. Let the communion of the saints andour united rejoicing in so great a salvationbe the organizing and coloring factors ofour lives.

DISTINCTIVE MUSICALFEATURESThe following features have been observedin editing the Psalms and hymns in thisvolume:

1. The pages are identified by pagenumbers only. The hymns are not givennumbers as in most hymnals.

2. Generally, all the stanzas of thehymn text are found in the music thusmaking it easier for those who like to singparts. No more than six verses are everfound between the treble and bass staves.When there are five stanzas, verse three isitalicized as a visual aid. When there aresix stanzas, both verses three and four areitalicized.

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3. There are no time signatures in anyof the Psalms or hymns except in onehymn where the meter changes for the re-frain. Otherwise, the meter is obvious orso varied that time signatures only causeconfusion.

4. Generally, barlines are used inmetered hymns when the metrical unitsremain constant throughout. Otherwise,they mark textual metrical units or areomitted altogether.

5. In music without barlines, such asthe Genevan psalms, rests in all parts can-cel accidentals from the previous phrase.In music with textual barlines, the barlineslikewise cancel accidentals. Cautionaryaccidentals are sometimes given for clar-ity.

6. Except for a few cases, sopranos andaltos share stems and beams when theirnote durations are the same. Otherwise,sopranos are stemmed up and altos arestemmed down. The same holds true forthe tenors and the basses.

7. Most of the music with no barlinesshould be sung with a half-note tactus(beat) rather than with the quarter-notetactus. This is especially true of theGenevan Psalms.

8. When one syllable is placed on sev-eral notes, a slur is used to indicate whichnotes go with a particular syllable. If thenotes are eighth notes, the slur is omittedand the beam indicates the notes that be-long to the syllable. This is particularlyimportant to observe when singing hymnsthat are derived from Gregorian chants.

9. Chant should be sung with naturalspeech rhythms, never metrically.

10. In the through-composed Psalms(95, 97, 127, and 133), the rubrics dec.,can., and full appear at various places inthe music. These are traditional Anglicandesignations indicating who should besinging. Dec. stands for decani, which isthe south side or the side where the deansits. Can. stands for cantoris, which is thenorth side or the side where the Precentor(cantor) sits. Both sides join together atthe designation full.

The texts of Anglican chants arewritten below the music. The first line oftext corresponds to the music up to thefirst light double bar. Each successive linecorresponds to the next section betweenthe light double bars or a light double barand the final double bar. Then the musicrepeats back to the beginning, except whenthere is an indication of singing the 2nd half.In that case the singers do not return tothe beginning of the music but sing it fromthe halfway point to the end. Slashes, dotsand bold type are the key to fitting thewords to the music between double bars.

Slashes correspond to the bar lines inthe music. Therefore, all the words orsyllables before the first slash are sung tothe whole note (or reciting tone) in thefirst bar of each section. Sometimes theremay be an extra passing tone in themeasure with the reciting tone. When thisoccurs, the extra note is sung with the lastsyllable before the slash.

The measures with half notemovement work this way:

1. When there are two syllables

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ACKNOWLEDGMENTSThe project of Cantus Christi began at thesuggestion of Douglas Wilson. I met withDouglas Jones III and Douglas Wilson toset the guidelines for the publication ofthis hymnal. My great thanks goes to thesemen, who have been an encouragement tothe efforts of putting Cantus Christitogether. They have been more thanunderstanding and patient as this project

between the vertical lines in the text, eachsyllable is sung to one note.

2. If there are more than two syllablesbetween the slashes, the note changes willbe determined by the dots and bold type(called pointing).

a. If there are only two words andno other pointing, the first word corre-sponds to the first note and the secondword to the second note.

b. A dot is placed between syl-lables or words where there might beconfusion. The dot is the dividing point.Everything to the left of the point is sungon the first note, everything to the right ofthe point is sung on the second note.

3. If there is only one word or syllablebetween slashes it will be marked in boldtype. It is sung on both notes.

Although the music is marked inmeasures, there is no fixed rhythm. Thisis still chant, not metered music. As inmost chant, the cadence of the text dictatesthe rhythm and tempo of the chant. Themusic does not suddenly become metricalat the end of each section.

developed and grew. Thanks to the eldersfor their approval of this project. To thecongregation of Christ Church, thank youfor learning these Psalms and hymns, evenwhen they seemed too difficult at first.Thanks to the staff at Canon Press, espe-cially Doug Jones and Lucy Jones, whohave helped me step by step along the way.To my wife Kim, who spent more timeperhaps than I did on this project, my lov-ing thanks. God gave us our wives forhelpmeets, and He provided me with themost marvelous of all. Her untiring effortsat editing, and her suggestions, ideas andsupport have been the reason that thisproject has made it to this point. As Godmade husband and wife to be one flesh, sothis project is truly a product of one flesh.The greatest thanks and praise belong toour Triune God—Father, Son, and HolySpirit. The Son Himself taught us how togive thanks in the Eucharistic breaking ofbread and in drinking the cup of salvation.His sole sacrifice gives His people the bondof koinonia and binds the church in one.Soli Deo gloria!

Louis SchulerPotlatch, Idaho

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List of Abbreviations

alt. ........................ alteredanon. .................... anonymousarr. ........................ arranged byattr. ...................... attributed toc. ........................... circaC.M. .................... common meterC.M.D. ................ common meter doubledC.M. Rep. ........... common meter with repetitionCan. ..................... cantorisD. .......................... doubledD.Rep. ................. doubled with repetitionDec. ..................... decaniharm. ................... harmonized byirreg. ..................... irregularL.M. ..................... long meterL.M.D. ................. long meter doubledpub. ...................... published inrev. ........................ revisedst. .......................... stanzasts. ........................ stanzastr. .......................... translation

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Indexes

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The following copyrights/permissions are acknowledged bypage number. Additional copyright and contact information islisted at the end of this section.2 TTTTTeeeeext:xt:xt:xt:xt: Douglas Wilson, 2000. Used by permission.4 TTTTTeeeeext:xt:xt:xt:xt: Douglas Wilson, 2000. Used by permission.6 TTTTTeeeeext:xt:xt:xt:xt: Douglas Wilson, 2000. Used by permission.8 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.10 TTTTTeeeeext:xt:xt:xt:xt: Douglas Wilson, 2000. Used by permission.13 TTTTTeeeeext:xt:xt:xt:xt: Douglas Wilson, 2000. Used by permission.14 MMMMMuuuuusssssiiiiic:c:c:c:c: Timothy Dusenbury, 1999. Used by permission.TTTTTeeeeext:xt:xt:xt:xt: Douglas Wilson, 2000. Used by permission.15 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.16 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.17 TTTTTeeeeext:xt:xt:xt:xt: Douglas Wilson, 2001. Used by permission.18 TTTTTeeeeext:xt:xt:xt:xt: Taken from the Book of Psalms for Singing Copy-right 1973 Crown & Covenant Publications. Used by permis-sion.20 TTTTTeeeeext:xt:xt:xt:xt: William Helder, 1980. Used by permission.22 TTTTTeeeeext:xt:xt:xt:xt: Douglas Wilson, 2001. Used by permission.25 TTTTTeeeeext:xt:xt:xt:xt: James B. Jordan, 2000. Used by permission.26 TTTTTeeeeext:xt:xt:xt:xt: William Helder, 2002. Used by permission.28 TTTTTeeeeext:xt:xt:xt:xt: Douglas Wilson, 2001. Used by permission.30 TTTTTeeeeext:xt:xt:xt:xt: Douglas Wilson, 2001. Used by permission.31 TTTTTeeeeext:xt:xt:xt:xt: Taken from the Book of Psalms for Singing Copy-right 1973 Crown & Covenant Publications. Used by permis-sion. Music:Music:Music:Music:Music: Kingsfold, English Folk Melody; adapt. R.Vaughan Williams (1872-1958). Used by permission.36 TTTTTeeeeext:xt:xt:xt:xt: William Helder, 1980. Used by permission.39 TTTTTeeeeext:xt:xt:xt:xt: Douglas Wilson, 2001. Used by permission.41 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.42 TTTTTeeeeext:xt:xt:xt:xt: Copyright 1987, CRC Publications. All rights re-served. Used by permission.46 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.48 TTTTTeeeeext:xt:xt:xt:xt: William Helder, 1980. Used by permission.50 TTTTTeeeeext:xt:xt:xt:xt: Douglas Wilson, 2000. Used by permission.51 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.52 TTTTTeeeeext:xt:xt:xt:xt: James B. Jordan, 2000. Used by permission.53 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.

54 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.56 TTTTTeeeeext:xt:xt:xt:xt: William Helder, 1980. Used by permission.58 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.60 TTTTTeeeeext:xt:xt:xt:xt: Taken from the Book of Psalms for Singing Copy-right 1973 Crown & Covenant Publications. Used by permis-sion.68 TTTTTeeeeext:xt:xt:xt:xt: William Helder, 1980. Used by permission.70 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.74 SSSSSeeeeettttttttttiiiiinnnnng:g:g:g:g: Taken from the Book of Psalms for Singing Copy-right 1973 Crown & Covenant Publications. Used by permis-sion.76 TTTTTeeeeext:xt:xt:xt:xt: Copyright 1987. CRC Publications. All rights re-served. Used by permission.80 TTTTTeeeeext:xt:xt:xt:xt: Douglas Wilson, 2001. Used by permission.82 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.87 S S S S Seeeeettttttttttiiiiinnnnng:g:g:g:g: Taken from the Book of Psalms for Singing Copy-right 1973 Crown & Covenant Publications. Used by permis-sion.88 TTTTTeeeeext:xt:xt:xt:xt: Taken from the Book of Psalms for Singing Copy-right 1973 Crown & Covenant Publications. Used by permis-sion.89 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.90 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.92 TTTTTeeeeext:xt:xt:xt:xt: Copyright 1987. CRC Publications. All rights re-served. Used by permission.93 TTTTTeeeeext:xt:xt:xt:xt: Copyright 1987. CRC Publications. All rights re-served. Used by permission.94 TTTTTeeeeext:xt:xt:xt:xt: William Helder, 1980. Used by permission.98 TTTTTeeeeext:xt:xt:xt:xt: William Helder, 1980. Used by permission.104 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.110 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.113 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.114 TTTTTeeeeext:xt:xt:xt:xt: William Helder, 1972. Used by permission.

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115 TTTTTeeeeext:xt:xt:xt:xt: Taken from the Book of Psalms for Singing Copy-right 1987 Crown & Covenant Publications. Used by permis-sion.116 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.118 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.121TTTTTeeeeext:xt:xt:xt:xt: Taken from the Book of Psalms for Singing Copy-right 1987 Crown & Covenant Publications. Used by permis-sion.122 James B. Jordan, 1990. Used by permission.124 TTTTTeeeeext:xt:xt:xt:xt: Taken from the Book of Psalms for Singing Copy-right 1987 Crown & Covenant Publications. Used by permis-sion.130 MMMMMuuuuusssssiiiiic:c:c:c:c: Greg D. Wilbur, 2001. Used by permission. TTTTTeeeeext:xt:xt:xt:xt:James B. Jordan, 1997. Used by permission.134 TTTTTeeeeext:xt:xt:xt:xt: Taken from the Book of Psalms for Singing Copy-right 1987 Crown & Covenant Publications. Used by permis-sion.136 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.138 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.140 TTTTTeeeeext:xt:xt:xt:xt: William Helder, 1980. Used by permission.141 TTTTTeeeeext:xt:xt:xt:xt: James B. Jordan, 1997. Used by permission.146 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.151 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.152 TTTTTeeeeext:xt:xt:xt:xt: Copyright 1987. CRC Publications. All rights re-served. Used by permission.154 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.158 TTTTTeeeeext:xt:xt:xt:xt: Taken from the Book of Psalms for Singing Copy-right 1987 Crown & Covenant Publications. Used by permis-sion.161 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.162 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.163 Music:Music:Music:Music:Music: Mark Reagan, 2001. Used by permission.166 TTTTTeeeeext:xt:xt:xt:xt: Taken from the Book of Psalms for Singing Copy-right 1987 Crown & Covenant Publications. Used by permis-sion.168 TTTTTeeeeext:xt:xt:xt:xt: Copyright 1987. CRC Publications. All rights re-served. Used by permission.

169 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.173 TTTTTeeeeext:xt:xt:xt:xt: William Helder , 1980. Used by permission.178 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.180 TTTTTeeeeext:xt:xt:xt:xt: William Helder , 2000. Used by permission.182 TTTTTeeeeext:xt:xt:xt:xt: Copyright 1987. CRC Publications. All rights re-served. Used by permission.183 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.186 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.188 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.189 TTTTTeeeeext:xt:xt:xt:xt: Taken from the Book of Psalms for Singing Copy-right 1987 Crown & Covenant Publications. Used by permis-sion.190 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.192 TTTTTeeeeext:xt:xt:xt:xt: Taken from the Book of Psalms for Singing Copy-right 1987 Crown & Covenant Publications. Used by permis-sion.194 TTTTTeeeeext:xt:xt:xt:xt: Standing Committee for the Publication of the Bookof Praise of the Canadian Reformed Churches. Used by per-mission.196 TTTTTeeeeext:xt:xt:xt:xt: Copyright 1987. CRC Publications. All rights re-served. Used by permission.206 TTTTTeeeeextxtxtxtxt: Greek, from Didache, c.110; tr. F. Bland Tucker(1895-1984), Copyright Church Pension Fund, used by per-mission.212 TTTTTeeeeext:xt:xt:xt:xt: John Athelstan Riley (1858-1945), alt. CopyrightOxford University Press. Used by permission. All rights re-served.213 TTTTTeeeeext:xt:xt:xt:xt: John Athelstan Riley (1858-1945), alt. CopyrightOxford University Press. Used by permission. All rights re-served.216 SSSSSeeeeettttttttttiiiiinnnnng:g:g:g:g: Healey Willan, 1918. Used by permission of theEstate of Healey Willan.217 AAAAArrrrrrrrrraaaaannnnngggggeeeeemmmmmeeeeennnnnt:t:t:t:t: Copyright 1978 Lutheran Book of Wor-ship, admin. Augsburg Fortress. Used by permission.220 SSSSSeeeeettttttttttiiiiinnnnng:g:g:g:g: Lutheran Book of Worship Nbr. 76. CopyrightGesangbuchverlag Stuttgard GmbH. Used by permission.224 SSSSSeeeeettttttttttiiiiinnnnng:g:g:g:g: Lutheran Book of Worship Nbr. 32. CopyrightGesangbuchverlag Stuttgard GmbH. Used by permission.228 SSSSSeeeeettttttttttiiiiinnnnng:g:g:g:g: Publisher: Baerenreiter-Verlag; reprinted by per-mission.241 MMMMMuuuuusssssiiiiic:c:c:c:c: Picardy; adapt. R. Vaughan Williams (1872-1958)Copyright Oxford University Press. Used by permission. Allrights reserved.254 TTTTTeeeeext:xt:xt:xt:xt: Douglas Wilson, 1990. Used by permission.

445

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272 TTTTTeeeeext:xt:xt:xt:xt: Copyright 1958 Service Book and Hymnal. Re-printed by permission of Augsburg Fortress.276 MMMMMuuuuusssssiiiiic:c:c:c:c: acc. C. Wilfred Douglas (1867-1944), CopyrightChurch Pension Fund, used by permission.278 MMMMMuuuuusssssiiiiic:c:c:c:c: Down Ampney; R. Vaughn Williams (1872-1958) Copyright Oxford University Press. Used by permis-sion. All rights reserved.280 MMMMMuuuuusssssiiiiic:c:c:c:c: Sine nomine; R. Vaughn Williams (1872-1958)Copyright Oxford University Press. Used by permission. Allrights reserved.282 MMMMMuuuuusssssiiiiic:c:c:c:c: Greg Wilbur, 1994. Used by permission.288 MMMMMuuuuusssssiiiiic:c:c:c:c: Lasst uns erfreuen; adapt. R. Vaughan Williams(1872-1958) Copyright Oxford University Press. Used bypermission. All rights reserved.290 SSSSSeeeeettttttttttiiiiinnnnng:g:g:g:g: Translation Copyright 1941. Concordia Publish-ing House. Used with permission.294 MMMMMuuuuusssssiiiiic:c:c:c:c: King’s Weston, R. Vaughan Williams (1872-1958) Copyright Oxford University Press. Used by permis-sion. All rights reserved.301 MMMMMuuuuusssssiiiiic:c:c:c:c: Christe Sanctorum; R. Vaughan Williams (1872-1958) Copyright Oxford University Press. Used by permis-sion. All rights reserved.317 MMMMMuuuuusssssiiiiic:c:c:c:c: Deo gracias, English ballad melody, Trinity Col-lege MS; adapt. R. Vaughan Williams (1872-1958) CopyrightOxford University Press. Used by permission. All rights re-served.320 MMMMMuuuuusssssiiiiic:c:c:c:c: Deo gracias, English ballad melody, Trinity Col-lege MS; adapt. R. Vaughan Williams (1872-1958) CopyrightOxford University Press. Used by permission. All rights re-served.340 AAAAArrrrrrrrrraaaaannnnngggggeeeeemmmmmeeeeennnnnt:t:t:t:t: from Twelve Folksongs and Spirituals byDavid N. Johnson, Copyright 1968 Augsburg PublishingHouse, admin. Augsburg Fortress. Used by permission.342 TTTTTeeeeext:xt:xt:xt:xt: Eleanor H. Hull (1860-1935), alt MMMMMuuuuusssssiiiiic:c:c:c:c: Slane;adapt. R. Vaughan Williams (1872-1958) Copyright OxfordUniversity Press. Used by permission. All rights reserved.344 MMMMMuuuuusssssiiiiic:c:c:c:c: Timothy D. Dusenbury, 1999. Used by permis-sion.349 SSSSSeeeeettttttttttiiiiinnnnng:g:g:g:g: Adapted from The Harmonia Sacra, Twenty-Fifth Edition. Copyright by Good Books. All rights reserved.Used by permission.366 MMMMMuuuuusssssiiiiic:c:c:c:c: John Ireland Trust. On His occasian permissiongranted free of charge.369 TTTTTeeeeext:xt:xt:xt:xt: Gilbert Keith Chesterton (1874-1936) MMMMMuuuuusssssiiiiic:c:c:c:c:King’s Lynn; adapt. R. Vaughan Williams (1872-1958) Copy-right Oxford University Press. Used by permission. All rightsreserved.378 MMMMMuuuuusssssiiiiic:c:c:c:c: Ar hyd y nos, arr. R. Vaughan Williams (1872-1958) Copyright Oxford University Press. Used by permis-sion. All rights reserved.390 TTTTTeeeeext:xt:xt:xt:xt: Willam Helder, 1979. Used by permission.396 AAAAArrrrrrrrrraaaaannnnngggggeeeeemmmmmeeeeennnnnt:t:t:t:t: Copyright 1978 Lutheran Book of Wor-ship, admin. Augsburg Fortress. Used by permission.415 Arrangement:Arrangement:Arrangement:Arrangement:Arrangement: Copyright 1958 Service Book and Hym-nal, admin. Augsburg Fortress. Used by permission.

425 TTTTTeeeeext:xt:xt:xt:xt: William Helder, 1979. Used by permission.428 AAAAArrrrrrrrrraaaaannnnngggggeeeeemmmmmeeeeennnnnt:t:t:t:t: Copyright 1978 Lutheran Book of Wor-ship, admin. Augsburg Fortress. Used by permission.

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446

Chronological Index of Hymn Tunes

Plainsong Hymnody800 Come, Holy Ghost, Our Souls Inspire

plainsong, p. 2761200?Jesus, Thou Joy of Loving Hearts

Sarum plainsong, p. 2111250 O Come, O Come Emmanuel

13th century plainsong, p. 2271300?Of the Father's Love Begotten

12th to 15th century tropes, p. 246

Late Middle Ages and Renaissance MelodiesEnglish1415 O Love, How Deep, How Broad, How High!

English carol, p. 3171415 O Wondrous Type! O Vision Fair!

English carol, p. 320German1100 We Now Implore the Holy Ghost

German Leise, p. 2791250 That Man a Godly Life Might Live

13th century pilgrim hymn, p. 3871350? Good Christian Men, Rejoice

14th century melody, p. 2381400 O Lord, We Praise Thee, p. 3181450 Arise and Shine in Splendor

15th century, p. 2521450 Now Rest Beneath Night's Shadow

15th century, p. 3801450 O Bread of Life from Heaven

15th century, p. 2121450 Lo, How a Rose E'er Blooming

15th century, p. 2421544 O Day of Rest and Gladness

German medieval traditional melody adapted byWalter, p. 314

The Age of Luther, German chorales to 15991524 Savior of the Nations, Come, p. 2251524 To Jordan Came Our Lord, the Christ, p. 1981524 From Depths of Woe I Raise to Thee, p. 3461524 From East to West, p. 2311524 Jesus Christ, Our Blessed Savior, p. 2081524 Christ Jesus Lay in Death's Strong Bands, p. 2691525 May God Bestow on Us His Grace, p. 3641525 A Lamb Goes Uncomplaining Forth, p. 2561529 A Mighty Fortress Is Our GodBSchütz, p. 3361529 A Mighty Fortress Is Our GodBBach, p. 3381539 From Heaven Above to Earth I Come, p. 2321539 All Glory Be to God on High, p. 2911541 All Glory Be to God Alone, p. 290

1543 The Law of God Is Good and Wise, p. 3751560 That Easter Day with Joy Was Bright, p. 2711574 In God, My Faithful God, p. 3551577 Lord, Thee I Love with All My Heart, p. 3621599 How Lovely Shines the Morning Star, p. 2201599 Wake, Awake, for Night Is Flying, p. 228

Calvin's Psalter1542 O Food of Men Wayfaring, p. 2131551 Comfort, Comfort Ye My People, p. 2261551 O Gladsome Light, p. 3791551 Father, We Thank Thee Who Hast Planted, p. 206

Bohemian Brethren1566 Sing Praise to God, Who Reigns Above, p. 324

Unofficial English Psalters and Hymnbooks, 1560-16371567 Lord, Teach Us How to Pray Aright -Thomas Tallis

Archbishop Parker's Psalter, p. 3721567 All Praise to Thee, My God, This Night-Tallis

Archbishop Parker's Psalter, p. 3771567 Behold the Bridegroom Cometh,-Tallis

Archbishop Parker's Psalter, p. 2181623 And Now, O Father, Mindful of the Love, p. 202

Catholic tunesFrench1650?Let All Mortal Flesh Keep Silence

French traditional carol, p. 2411675?Only-Begotten, Word of God Eternal, p. 2161681 Father Most Holy, p. 3011697 Thee We Adore, O Hidden Savior, p. 2171750 Angels We Have Heard on High, p. 230English1751 O Come, All Ye Faithful, p. 243

German Hymnody, 1599-18501601 O Sacred Head, Now Wounded, p. 2631614 All Glory Laud and Honor, p. 2681623 Now Let the Vault of Heaven Resound, p. 2721623 All Creatures of Our God and King, p. 2881640 Ah, Holy Jesus, How Hast Thou Offended, p. 2551640 If Thou But Suffer God to Guide Thee, p. 3541641 I Will Sing My Maker's Praises, p. 3081647 Now Thank We All Our God, p. 2831649 Soul, Adorn Thyself with Gladness, p. 2141653 Let Thy Blood in Mercy Poured, p. 2611653 Jesus, Priceless Treasure, p. 3561664 Blessed Jesus, at Thy Word, p. 3431665 Praise to the Lord, the Almighty, p. 3221675 Whate'er My God Ordains is Right, p. 3341678 At the Lamb's High Feast We Sing, p. 204

1704 Lift Up Your Heads, p. 2241798 The Spacious Firmament on High, p. 3301818 Silent Night, Holy Night, p. 2451838 As with Gladness Men of Old, p. 2511840 Hark! the Herald Angels Sing, p. 2361842 Fairest Lord Jesus, p. 3001850 Stricken, Smitten, and Afflicted, p. 265

English Hymnody After the Resoration to 17381705?Our God, Our Help in Ages Past, p. 3741708 Christ the Lord Is Risen Today, p. 2701764 Let Christian Faith and Hope Dispel, p. 360

English Evangelicalism 1738-18021763 Come, Ye That Love the Lord, p. 3481769 Come, Thou Almighty King, p. 3451770 Rejoice, the Lord Is King, p. 3261770?Great God of Wonders!, p. 3021775?O Worship the King, p. 3211792 Come, Ye Disconsolate, p. 2101793 Jesus Shall Reign, p. 3111797 Glorious Things of Thee Are Spoken, p. 3041802 The Day Is Past and Gone (English), p. 382

English Melodies1550 What Child Is This, p. 2501750 God Rest Ye Merry, Gentlemen, p. 2341833 The First Noel, p. 248

Dutch Melodies1626 We Gather Together, p. 285

Irish Melodies1750?I Bind unto Myself Today, p. 3501750 Be Thou My Vision, p. 3421750 St. Patrick's Breastplate, p. 3501750?How Sweet and Awful Is the Place, p. 258

Welsh Hymns1784 God, That Madest Earth and Heaven, p. 3781800?Immortal, Invisible, God Only Wise, p. 3101840 Author of Life Divine, p. 2051855 Jesus! What a Friend for Sinners!, p. 2591855 Come, Thou Long-Expected Jesus, p. 2191879 Jesus, Lover of My Soul, p. 3581890 O the Deep, Deep Love of Jesus, p. 264

American Hymnody, 1776-19001784 O Let My Name Engraven Stand, p. 3701788 ‘Tis by Thy Strength the Mountains Stand, p. 3321790 Through Every Age, Eternal God, p. 2661793 All Hail the power of Jesus' Name!, p. 2921824 When I Survey the Wondrous Cross, p. 2671828 O for a Thousand Tongues to Sing, p. 3151836 Joy to the World! the Lord Is Come, p. 2401850 It Came Upon the Midnight Clear, p. 239

1867 God Moves in a Mysterious Way, p. 3531868 O Little Town of Bethlehem, p. 2441870 Love Divine, All Love Excelling, p. 313

American Folk Hymns1813 Once More, My Soul, p. 3731825 Ah Jesus Lord, Thy Love to Me, p. 3401843 What Wondrous Love Is This, p. 335

The British 19th Century-Evangelical and ActivistScottish1756 Behold! the Mountain of the Lord, p. 298English1775?O God of Bethel! by Whose Hand, p. 3161780 The God of Abraham Praise, p. 3281803 Behold the Glories of the Lamb, p. 2961815 Jesus, Thy Blood and Righteousness, p. 2601825 And Can It Be That I Should Gain, p. 2861836 How Sweet the Name of Jesus Sounds, p. 3071875 How Bright These Glorious Spirits Shine, p. 306

Victorian Composers1836 Lead On, O King Eternal, p. 3121851 Thou Hidden Source of Calm Repose, p. 3761859 Come, Ye Thankful people, Come, p. 2841861 Holy, Holy, Holy!, p. 3051864 The Church's One Foundation, p. 3271866 Jesus, the Very Thought of Thee, p. 3591868 Crown Him with Many Crowns, p. 293

The Edwardians, 1890-19201897 See, the Conqueror Mounts in Triumph, p. 274

England-the 20th Century Renaissance1906 For All the Saints RVW p. 2801906 Come Down, O Love Divine RVW p. 2781906 O God of Earth and Altar RVW p. 3691919 My Song Is Love Unknown Ireland p. 3661925 At the Name of Jesus RVW p.294

20th Century American1990 Let All the Stars in the Skies Give Praise, p. 2541994 The Son of God Goes Forth to War, p. 2821999 Christ Is Made the Sure Foundation, p. 344

CHRONOLOGICAL INDEX OF HYMN TUNES

447

448

Index of Authors, Composers, and Sources

A Selection of Hymns 292Addison, Joseph 330Ahle, Johann R. 343Alexander, Cecil Frances Humphreys 349Alexander, James Waddell 263Alford, Henry 284Allein Gott in der Höh’ sei Ehr 396Ambrose, St. 225American folk hymn 335, 340Anon. (Author Unknown) 162, 188, 208, 279, 285, 290,

316, 317, 318, 343, 345Antiphoner (Poitiers, 1746) 216Aquinas, Thomas 217Arnold, J.H. 438

Bach, J. S. 204, 212, 252, 262, 263, 268, 334, 338, 356, 362Baker, Henry W. 35, 246Baker, Theodore 242, 285Barnby, Joseph 40Barnes, Edward Shippen 230Barton's Psalms (1706) 144Bernard of Clairvaux 211, 263, 359Bianco da Siena 278Blacker, Maxwell J. 216Bohemian Brethren's Kirchengesänge (1566) 324Bourgeois, Louis 139, 437Bridges, Matthew 293Bridges, Robert 255, 379Bright, William 202Broadwood, Lucy 31Brondsema, Samuel G. 42Brooks, Phillips 244Brownlie, John 261Bruce, Michael 298Byrne, Mary 342

Camidge, Matthew 32Campbell, Robert 204Campbell, Thomas 286Caniadau y Cyssegr 310Cantus Diversi 243Caswall, Edward 359Chapman, J. Wilbur 259Chesterton, Gilbert Keith 369Christ ist erstanden 269Christmas Carols, Ancient and Modern (1833) 248Clausnitzer, Tobias 343Collection of Motetts or Antiphons (London) 210Concentus Novi, Augsburg (1540) 142Corfe, Joseph 9Cosin, John 276Coverdale, Miles 3, 9, 32, 40, 86, 108, 126Cowper, William 353

Cox, Frances Elizabeth 324Croft, William 175, 374Crossman, Samuel 366Crüger, Johann 76, 214, 226, 255, 261, 283, 356Cummings, William Hayman 236Cutler, Henry S. 150

Dachstein, Wolfgang 256Daniel ben Judah 328Darwall, John 121, 326Davies, Samuel 302Dearmer, Percy A. 301Decius, Nicolaus 262, 291, 396Decker, Joachim 208, 346Deutsche Kirchenamt, Strasbourg (1525) 364Deutsche Lieder (1574) 355Deutsche Messe (1827) 407Didache (c. 110) 206Dix, Leopold L. 74Dix, William Chatterton 250, 251Doddridge, Philip 316Draper, William H. 288Dusenbury, Timothy D. 14, 344Dykes, John B 120, 305, 359

Easy Hymn Tunes (1851) 376Eber, Paul 260Edwards, John David 205Ein shöner Geistlicher und Christlicher newer

Berckreyen (1552) 314Ellerton, John 231Elvey, George J. 284, 293English melody 234, 250, 317, 320, 369English carol, Traditional 234, 248, 250Ernewerten Gesangbuch, Stralsund (1665) 322Evans, David 342

Farrant, Richard 3Feilée, François de La 301Francis of Assisi 288Francis, Samuel Trevor 264Franck, Johann 214, 356French carol 230French traditional carol 241Freylinghausen, J.A. 415Freylinghausen's Gesangbuch (1704) 224Fryxell, Regina H. 396, 414, 428, 440

Gardiner, William, Sacred Melodies (1815) 260, 321Gastorius, Severus 334Geistliche Lieder, Leipzig (1539) 232Geistliche Kirchengesänge, Köln (1623) 272, 288Geistliche Volkslieder, Paderborn (1850) 265

449

INDEX OF AUTHORS, COMPOSERS, AND SOURCES

Genevan Psalter (1542) 8, 10, 13, 15, 16, 26, 41, 68, 90, 151, 213Genevan Psalter (1543) 58, 94, 98, 136, 154, 180Genevan Psalter (1544) 36, 79, 82Genevan Psalter (1549) 186, 390Genevan Psalter (1551) 18, 20, 42, 46, 48, 51, 53, 54, 62, 70, 76, 104, 114, 139, 140, 146, 149, 161, 162, 169, 172, 183, 188, 206, 226, 379, 425, 437Genevan Psalter (1562) 89, 110, 113, 116, 118, 138, 152, 173, 190, 194, 196Gerhardt, Paul 256, 308, 340, 380German melody 212, 238, 242, 252, 269, 318German Medieval traditional melody 314German Leise 279Gesius, Bartholomäus 387Geystliche gesangk Bücklein (1524) 231, 346, 404Giardini, Felice de 345Gibbons, Orlando 202Gieschen, Gerhard 252Gilbert, Davies, Some Ancient Christmas Carols (1823)

248Gilbert, Harold W. 415Gillet, Alexander 353Gläser, Carl Gotthelf 315Goss, John 86Goudimel, Claude 4, 8, 10, 13, 15, 16, 18, 20, 26, 36, 41,

42, 46, 48, 51, 53, 54, 56, 58, 62, 66, 68, 70, 79, 82, 89,90, 94, 98, 100, 104, 110, 113, 114, 116, 118, 136, 138,140, 146, 149, 151, 152, 154, 161, 168, 169, 172, 173,178, 180, 183, 186, 188, 190, 194, 196, 206, 213, 379,390, 425

Gramann, Johann 142Grant, Robert 321Greek hymn 206, 261, 379Gregorian Psalm Tones 25, 52, 75, 141Gruber, Franz 245

Harmonia Sacra (1867) 353Hassler, Hans Leo 263Hastings, Thomas 210Hatton, John 311Haydn, Franz Joseph 34, 124, 304, 330Haydn, Johann Michael 316, 321Heber, Reginald 282, 305, 378Hedge, Frederick H. 336, 338Heermann, Johann 255Helder, William 20, 26, 36, 48, 56, 58, 68, 94, 98, 114, 116, 118, 138, 140, 151, 154, 173, 180, 190, 390, 425Helmore, Thomas 227Herman, Nikolaus 271Hintze, Jakob 204Holden, Oliver 292Horologion 218How, William Walsham 280Hull, Eleanor 342Huss, John 208Hymns Ancient and Modern (1861) 344

Hymns and Sacred Songs (1707) 258Ireland, John 366Irish (ancient) 342Irish (ancient) hymn melody 349, 352Irish (old) hymn melody 35, 258Irish traditional melody 74, 342Irvine, Jessie Seymour 38Isaac, Heinrich 380

Jarman, Thomas 134, 296Jesu dulcis memoria 211Jewish melody 328Johnson, David N. 340Jordan, James B. 25, 52, 122, 130, 141

Kelly, Thomas 265Kelway, Joseph 109Ken, Thomas 377, 437Kethe, William 139Kimball, Jacob 370Kirchengesangbuch (Strasbourg, 1541) 290Klug, Joseph, Geistliche Lieder (Wittenberg, 1543) 368, 375Kocher, Conrad 251Kremser, Edward 285Kugelmann, Johann 142Kuipers, William 79, 118, 152

Lamberts, Lambertus J. 172Latin 213, 216,Latin antiphon 227Latin carol 238Latin Credo (1300) 404Latin hymn 204, 212, 213, 216, 243, 269, 271, 276, 301,

317, 344Lawes, Henry 9Leipzig 355Leland, John 382Littledale, Richard F. 278Litany in the Phrygian Mode 414Liturgy of St. James 241Logan, John 298, 316Lowry, Robert 166Loy, Matthias 375Luther, Martin 198, 225, 232, 269, 279, 318, 336, 338, 346, 364, 368, 387, 404, 408Lyon, Meyer 328Lyra Davidica (London, 1708) 270

Mason, Lowell 240, 267, 315Massie, Richard 198, 269, 364, 387Mattes, John C. 242Meineke, Charles 436Mendelssohn, Felix 236Mêthode du plain-chant (1782) 301Miller, Edward 189

450


Mohr, Joseph 245Monk, William H. 251Montgomery, James 372Moore, Thomas 210Moore's Psalm-Singer's Pocket Companion 298Morgan, Justin 266Moultrie, Gerard 218, 241Münster Gesangbuch (1677) 300Mure, Sir William 38Musae Sionae (1609) 242Musikalisches Hand-Buch, Hamburg (1690) 105

Neale, John Mason 227, 238, 246, 268, 271, 320, 344Neander, Joachim 115, 322Nederlandtsch Gedenckclanck (1626) 285Neumark, Georg 354New Harmony of Zion (1764) 360Newton, John 302, 304, 307Nicolai, Philipp 220, 228Noel, Caroline M. 294

Oakeley, Frederick 243Olearius, Johannes 226Olivers, Thomas 328Opitz, Martin 252Orgelbuch, Strasbourg (1577) 362Osiander, Lucas 198, 231, 279, 318

Palmer, Horatio R. 192Palmer, Ray 211Parish Choir (1851) 193Parry, C. Hubert 274Parry, Joseph 358Patrick 350Perronet, Edward 292Pfalz 428Pilgrim hymn 387Plainsong 227, 276, 396, 428, 440Polack, W. Gustav 290Poole, Clement W. 87, 306Praetorius, Hieronymus 291Praetorius, Michael 238, 242Praxis Pietatis Melica 261, 283, 356Pritchard, T. C. L. 38Pritchard, Rowland Hugh 219, 259Processionale, Paris (1697) 217Prudentius, Aurelius Clemens 246Psalter (1912) 92, 93Psalter Hymnal (1987) 92, 93Purcell, Henry 122

Ravenscroft's Psalter (1621) 12Read, Daniel 158Reagan, Mark 163, 170Redner, Lewis H. 244Regnart, Jacob 355

Reinagle, Alexander Robert 307Repository of Sacred Music, II (1813) 88Reynolds, William M. 225Rhabanus Maurus 276Riley, Athelstan, 212, 213Rinkart, Martin 283Rippon, J. 292Roberts, John 310Rodigast, Samuel 334Rous, Francis 38Russell, Arthur Tozer 262

Sandy, William 248Sarum Breviary (1495) 320Sarum Plainsong 211Schaff, Philip 212Schalling, Martin 362Schlesische Volkslieder, Leipzig (1842) 300Schmid, Bernhard 362Schop, Johann 308Schubert, Franz 407Schütz, Heinrich 2, 6, 17, 22, 28, 30, 39, 50, 80, 142, 336Schütz, Johann J. 324Scottish Psalter (1615) 78, 84, 159, 162, 175Scottish Psalter (1650) 12, 38, 105, 144, 167, 193Scottish Psalter (1929) 306, 360Sears, Edmund H. 239Sedulius, Coelius 231Seiss, Joseph Augustus 300Shurtleff, Ernest Warburton 312Silesian melody 300Smart, Henry 312Smith, Walter Chalmers 310Soest 428Southern folk tune 340Southern HarmonySpaeth, Harriet R. 242Stanford, Charles Villiers 349Stone, Robert 412Stone, Samuel John 327Strasbourg (1539) 4, 56, 66, 100, 168, 178Strodach, Paul Zeller 272Surrexit Christus Hodie 270Swan, Timothy 332Swedish Mässbok (1942) 414, 440

Tallis, Thomas 92, 93, 126, 218, 372, 377, 386, 392, 393,398, 406, 410, 413, 416, 420, 426, 430

Tans'ur, William 160Tate & Brady, A New Version of the Psalms of David (1735) 160Tate & Brady, Supplement to the New Version (1708) 374Teschner, Melchior 268The Becker Psalter (1661) 336

451


The Book of Psalms for Singing 31, 34, 60, 74, 87, 88,115, 120, 121, 124, 134, 150, 158, 166, 182, 189, 192

The Dorian Service (1550) 126, 393, 398, 406, 410, 413,416, 420, 426, 430

The Sacred Harp (1859) 373Theodulph of Orleans 268The Southern Harmony (1843) 335Thring, Godfrey 293Teutsch Kirchenampt, Strasbourg (1525) 256Traditional English carol 234, 248, 250Traditional English melody 369Traditional, very ancient 411Traditional Welsh melody 378Tucker, F. Bland 206Turle, James 122

Valerius, Adrianus 285van der Kamp, W. 15, 16, 41, 46, 51, 53, 54, 58, 62, 66,

70, 82, 89, 90, 113, 146, 169, 178, 183, 186, 194van der Boom, D. 138VanDooren, G. 18VanOene, W. W. J. 8, 100, 110, 116, 149Vaughan Williams, Ralph 31, 241, 272, 278, 280, 288, ..

294, 301, 369, 378Veni, Creator Spiritus 276Victimae Paschali laudes (1100) 269

Wade, John Francis 243Wainright, John 60Walker, William 335Walter, Johann 225, 231, 314, 346, 404Watts, Isaac 240, 258, 266, 267, 296, 311, 332, 348, 370, 373, 374Webb, Benjamin 317Webbe, Sr., Samuel 210Weingärtner, Sigismund 355Weisel, Georg 224Welsh melody, Traditional 378Wesley, Charles 205, 219, 236, 270, 286, 313, 315, 326, 358, 376Wesley, John 260, 340Wesley, Samuel 108Wesley, Samuel Sebastian 327West, Elisha 382Westra, Dewey 76, 104, 136, 151, 161, 168, 190, 196Whately, Richard 378White, Ernest 211Whitefield's Collection (1757) 345Wilbur, Gregory D. 130, 282Wilkin's Psalmody 84Willan, Healy 216Williams, Aaron 348Williams, Thomas John 264Willis, Richard S. 239Wilson, Douglas 2, 4, 6, 10, 13, 14, 17, 22, 28, 30, 39, 50,

80, 254

Wilson, Hugh 167Winkworth, Catherine 142, 214, 224, 226, 228, 232, 283, 291, 322, 334, 343, 354, 355, 356, 362, 368Woodbury, Isaac B. 34, 182, 330Woodford, James Russell 217Wordsworth, Christopher 274, 314Wyeth, John 88, 373Yattendon Hymnal (1899) 255Yigdal-A Christian paraphrase 328Young, John Freeman 245

Zinzendorf, Nicolaus Ludwig von 260Zundel, John 313

452

Metrical Index of Tunes

S.M.S.M.S.M.S.M.S.M.EVENING HYMN ......................................................................... 382ST. THOMAS .................................................................................. 348

S.M.DS.M.DS.M.DS.M.DS.M.D.....DIADEMATA .................................................................................. 293

C.M.C.M.C.M.C.M.C.M.AMANDA ......................................................................................... 266ANTIOCH ........................................................................................ 240AZMON ............................................................................................ 315COLCHESTER ............................................................................... 160COLESHILL .................................................................................... 144CONSOLATION ............................................................................ 373CRIMOND ......................................................................................... 38DUNDEE .......................................................................................... 159EFFINGHAM .................................................................................. 105FRENCH ........................................................................................... 159GLASGOW ..................................................................................... 298MARTYRDOM ............................................................................... 167MARTYRS .......................................................................................... 78MORNING SONG ........................................................................ 373RAINBOW ....................................................................................... 332ST. AGNES ....................................................................................... 359ST. ANDREW ................................................................................. 360ST. ANNE ......................................................................................... 374ST. COLUMBA ........................................................................ 35, 258ST. PETER ........................................................................................ 307SALISBURY ....................................................................................... 12SALZBURG ..................................................................................... 316STROUDWATER ............................................................................ 84UNION .............................................................................................. 353

C.M. rep.C.M. rep.C.M. rep.C.M. rep.C.M. rep.DESERT ................................................................................... 134, 296LYNGHAM ............................................................................. 134, 296

C.M.DC.M.DC.M.DC.M.DC.M.D.....ALL SAINTS NEW ....................................................................... 150CAROL .............................................................................................. 239FIRST MODE MELODY ............................................................ 372GREYOAKS .................................................................................... 282KINGSFOLD .................................................................................... 31PETERSHAM ........................................................................... 87, 306THIRD MODE MELODY ..................................................... 92, 93

L.M.L.M.L.M.L.M.L.M.AGINCOURT HYMN ........................................................ 317, 320AMANDA ......................................................................................... 266CHRISTE REDEMPTOR ............................................................ 211CHRISTUM WIR SOLLEN LOBEN SCHON .................... 231DEIRDRE ......................................................................................... 352DEO GRACIAS ..................................................................... 317, 320DUKE STREET .............................................................................. 311ERHALT UNS, HERR ......................................................... 368, 375GERMANY ...................................................................................... 260HAMBURG ..................................................................................... 267INVITATION .................................................................................. 370J’AY DE MA VOIX À DIEU CRIÉ ............................................ 188OLD HUNDREDTH ........................................................... 139, 437

OR SUS, SERVITEURS DU SEIGNEUR ............................. 172ROCKINGHAM ............................................................................. 189RUSSIA ............................................................................................. 158SEIGNEUR, JE N’AY POINT LE COEUR FIER .................. 169VENI, CREATOR SPIRITUS .................................................... 276VOM HIMMEL HOCH ............................................................... 232VOUS TOUS QUI LA TERRE HABITEZ ............................ 140WER NICHT SITZT IM GOTTLOSEN RAT ......................... 2WER WIRD, HERR ........................................................................ 17WESLEY ........................................................................................... 182

L. M. with refrainL. M. with refrainL. M. with refrainL. M. with refrainL. M. with refrainSOVEREIGNTY ............................................................................ 302WONDERS ..................................................................................... 302

L.M.DL.M.DL.M.DL.M.DL.M.D.CREATION ...................................................................................... 330EIGHTH MODE MELODY ....................................................... 377SAGINA ............................................................................................ 286ST. PATRICK ................................................................................... 349SCHMÜCKE DICH ...................................................................... 214TALLIS’ CANON ............................................................................ 377

5 5 8. 5 5 85 5 8. 5 5 85 5 8. 5 5 85 5 8. 5 5 85 5 8. 5 5 8CRUSADER’S HYMN .................................................................. 300SCHÖNSTER HERR JESU ........................................................ 300

6 5.6 5.6 5.6 5.6 5. 6 5. 6 5. 6 5. 6 5. 6 5. D D D D D.....KING’S WESTON ......................................................................... 294

6 6 4. 6 6. 6 46 6 4. 6 6. 6 46 6 4. 6 6. 6 46 6 4. 6 6. 6 46 6 4. 6 6. 6 4ITALIAN HYMN ............................................................................ 345

6 6 5. 6 6 5. 7 8 66 6 5. 6 6 5. 7 8 66 6 5. 6 6 5. 7 8 66 6 5. 6 6 5. 7 8 66 6 5. 6 6 5. 7 8 6JESU, MEINE FREUDE ............................................................... 356

6 6. 6 6. 4 4. 4 46 6. 6 6. 4 4. 4 46 6. 6 6. 4 4. 4 46 6. 6 6. 4 4. 4 46 6. 6 6. 4 4. 4 4DARWALL ........................................................................................ 326LOVE UNKNOWN ...................................................................... 366

6 6. 6 6. 4 4 4 4 rep.6 6. 6 6. 4 4 4 4 rep.6 6. 6 6. 4 4 4 4 rep.6 6. 6 6. 4 4 4 4 rep.6 6. 6 6. 4 4 4 4 rep.ST. CATHERINE’S ......................................................................... 192

6 6. 6 6. 4 8 46 6. 6 6. 4 8 46 6. 6 6. 4 8 46 6. 6 6. 4 8 46 6. 6 6. 4 8 4DARWALL’S 148TH .......................................................................... 121

6 6.6 6.6 6.6 6.6 6. 6 6. 6 6. 6 6. 6 6. 6 6. D D D D D.....FINGAL .............................................................................................. 74

6 6 6. 6 6 6. 6 6 7. 6 6 76 6 6. 6 6 6. 6 6 7. 6 6 76 6 6. 6 6 6. 6 6 7. 6 6 76 6 6. 6 6 6. 6 6 7. 6 6 76 6 6. 6 6 6. 6 6 7. 6 6 7LES CIEUX EN CHACUN LIEU ................................................ 26

6 6. 6 6. 8 86 6. 6 6. 8 86 6. 6 6. 8 86 6. 6 6. 8 86 6. 6 6. 8 8CROFT’S 136TH .................................................................................. 75ST. JOHN .......................................................................................... 193

6 6. 6 6. 8 8. rep.6 6. 6 6. 8 8. rep.6 6. 6 6. 8 8. rep.6 6. 6 6. 8 8. rep.6 6. 6 6. 8 8. rep.LOVELY ............................................................................................ 205RHOSYMEDRE ............................................................................. 205

453

METRICAL INDEX OF TUNES

6 6 7. 6 6 76 6 7. 6 6 76 6 7. 6 6 76 6 7. 6 6 76 6 7. 6 6 7NUNC DIMITTIS ................................................................ 379, 425

6 6. 7 7. 7 76 6. 7 7. 7 76 6. 7 7. 7 76 6. 7 7. 7 76 6. 7 7. 7 7AUF MEINEN LIEBEN GOTT .................................................. 355

6 6. 7 7. 7 8. 5 56 6. 7 7. 7 8. 5 56 6. 7 7. 7 8. 5 56 6. 7 7. 7 8. 5 56 6. 7 7. 7 8. 5 5IN DULCI JUBILO ........................................................................ 238

6 6.6 6.6 6.6 6.6 6. 8 4. 8 4. 8 4. 8 4. 8 4. D D D D D.....LEONI ................................................................................................ 328

6 6 8. 7 7 86 6 8. 7 7 86 6 8. 7 7 86 6 8. 7 7 86 6 8. 7 7 8SEIGNEUR, GARDE MON DROIT ........................................ 46

6 6 11. 6 6 116 6 11. 6 6 116 6 11. 6 6 116 6 11. 6 6 116 6 11. 6 6 11DOWN AMPNEY .......................................................................... 278

6 7. 6 7. 6 6. 6 66 7. 6 7. 6 6. 6 66 7. 6 7. 6 6. 6 66 7. 6 7. 6 6. 6 66 7. 6 7. 6 6. 6 6NUN DANKET ALLE GOTT ................................................... 283

7 6. 7 6. 6 7 67 6. 7 6. 6 7 67 6. 7 6. 6 7 67 6. 7 6. 6 7 67 6. 7 6. 6 7 6ES IST EIN ROS ENTSPRUNGEN ........................................ 242

7 6. 7 6. 7 6. 7 67 6. 7 6. 7 6. 7 67 6. 7 6. 7 6. 7 67 6. 7 6. 7 6. 7 67 6. 7 6. 7 6. 7 6DU FONS DE MA PENSEE ....................................................... 168

7 6.7 6.7 6.7 6.7 6. 7 6. 7 6. 7 6. 7 6. 7 6. D D D D D.....AURELIA .......................................................................................... 327HERZLICH TUT MICH ERFREUEN .................................... 314HERZLICH TUT MICH VERLANGEN ............................... 263KING’S LYNN ................................................................................. 369LANCASHIRE ................................................................................ 312ST. THEODULPH ......................................................................... 268VALET WILL ICH DIR GEBEN ............................................... 268

7 6. 7 6. 7 7 67 6. 7 6. 7 7 67 6. 7 6. 7 7 67 6. 7 6. 7 7 67 6. 7 6. 7 7 6HOCH FREUET SICH DER KÖNIG ....................................... 30

7 7 6. 7 7 67 7 6. 7 7 67 7 6. 7 7 67 7 6. 7 7 67 7 6. 7 7 6INNSBRUCK, ICH MUSS DICH LASSEN ......................... 380NE VEUILLES PAS, Ô SIRE ................................................. 8, 213O ESCA VIATORUM ............................................................. 8, 213

7 7 6. 7 7 87 7 6. 7 7 87 7 6. 7 7 87 7 6. 7 7 87 7 6. 7 7 8O WELT, ICH MUSS DICH LASSEN ........................... 212, 252

7 7. 7 77 7. 7 77 7. 7 77 7. 7 77 7. 7 7EASTER HYMN (with Alleluias) ................................................ 270NUN KOMM, DER HEIDEN HEILAND .............................. 225

7 7. 7 7. Ref.7 7. 7 7. Ref.7 7. 7 7. Ref.7 7. 7 7. Ref.7 7. 7 7. Ref.GLORIA ............................................................................................ 230

7 7. 7 7. 7 77 7. 7 7. 7 77 7. 7 7. 7 77 7. 7 7. 7 77 7. 7 7. 7 7CHANTEZ DE DIEU LE RENOM .......................................... 173DIX ...................................................................................................... 251O SEIGNEUR, LOUÉ SERA ...................................................... 113

7 7.7 7.7 7.7 7.7 7. 7 7. 7 7. 7 7. 7 7. 7 7. D D D D D.....ABERYSTWYTH ........................................................................... 358ALLE MENSCHEN MÜSSEN STERBEN ............................. 204SALZBURG ..................................................................................... 204

7 7 7 7. 7 7 7 7. 7 77 7 7 7. 7 7 7 7. 7 77 7 7 7. 7 7 7 7. 7 77 7 7 7. 7 7 7 7. 7 77 7 7 7. 7 7 7 7. 7 7MENDELSSOHN .......................................................................... 236

7 7. 7 7. 7 7 87 7. 7 7. 7 7 87 7. 7 7. 7 7 87 7. 7 7. 7 7 87 7. 7 7. 7 7 8O LAMM GOTTES UNSCHULDIG ..................................... 262

7 7. 7 7 8 . 7 7 87 7. 7 7 8 . 7 7 87 7. 7 7 8 . 7 7 87 7. 7 7 8 . 7 7 87 7. 7 7 8 . 7 7 8OR SOIT LOUÉ L’ETERNEL ..................................................... 196

7 7. 7 7. 8 8. 8 87 7. 7 7. 8 8. 8 87 7. 7 7. 8 8. 8 87 7. 7 7. 8 8. 8 87 7. 7 7. 8 8. 8 8VOUS TOUS PRINCES ET SEIGNEURS ............................. 53

7 8. 7 8. 7 6. 7 6. 7 6. 7 67 8. 7 8. 7 6. 7 6. 7 6. 7 67 8. 7 8. 7 6. 7 6. 7 6. 7 67 8. 7 8. 7 6. 7 6. 7 6. 7 67 8. 7 8. 7 6. 7 6. 7 6. 7 6NUN LOB, MEIN SEEL ............................................................... 142

7 8. 7 8. 7 77 8. 7 8. 7 77 8. 7 8. 7 77 8. 7 8. 7 77 8. 7 8. 7 7JESUS, MEINE ZUVERSICHT ................................................ 261

7 8 . 7 8. 8 87 8 . 7 8. 8 87 8 . 7 8. 8 87 8 . 7 8. 8 87 8 . 7 8. 8 8LIEBSTER JESU ............................................................................. 343

8s. 10 lines8s. 10 lines8s. 10 lines8s. 10 lines8s. 10 linesWIR GLAUBEN ALL AN EINEM GOTT .............................. 404

8 4 7. 8 4 78 4 7. 8 4 78 4 7. 8 4 78 4 7. 8 4 78 4 7. 8 4 7ENTENS À CE QUE JE CRIE ...................................................... 89LAS! EN TA FUREUR AIGUË .................................................... 68

8 4. 8 4. 8 8. 8 48 4. 8 4. 8 8. 8 48 4. 8 4. 8 8. 8 48 4. 8 4. 8 8. 8 48 4. 8 4. 8 8. 8 4AR HYD Y NOS ............................................................................. 378

8 6. 8 6. 7 6. 8 68 6. 8 6. 7 6. 8 68 6. 8 6. 7 6. 8 68 6. 8 6. 7 6. 8 68 6. 8 6. 7 6. 8 6ST. LOUIS ........................................................................................ 244

8 6. 8 6. 8 68 6. 8 6. 8 68 6. 8 6. 8 68 6. 8 6. 8 68 6. 8 6. 8 6CONSOLATION .............................................................................. 88CORONATION .............................................................................. 292MORNING SONG .......................................................................... 88

8 6. 8 6. 8 6. 8 4 88 6. 8 6. 8 6. 8 4 88 6. 8 6. 8 6. 8 4 88 6. 8 6. 8 6. 8 4 88 6. 8 6. 8 6. 8 4 8GOD REST YE MERRY .............................................................. 234

8 7. 8 7. 4 4 4 4 7. 8 7. 6 68 7. 8 7. 4 4 4 4 7. 8 7. 6 68 7. 8 7. 4 4 4 4 7. 8 7. 6 68 7. 8 7. 4 4 4 4 7. 8 7. 6 68 7. 8 7. 4 4 4 4 7. 8 7. 6 6MEIN HERZ DICHTET EIN LIED MIT FLEIß .................... 80

8 7. 8 7. 4 4 7. 4 4 78 7. 8 7. 4 4 7. 4 4 78 7. 8 7. 4 4 7. 4 4 78 7. 8 7. 4 4 7. 4 4 78 7. 8 7. 4 4 7. 4 4 7MEIN LICHT UND HEIL ............................................................. 50

8 7. 8 7. 4 4. 8 88 7. 8 7. 4 4. 8 88 7. 8 7. 4 4. 8 88 7. 8 7. 4 4. 8 88 7. 8 7. 4 4. 8 8WAS GOTT TUT .......................................................................... 334

8 7 . 8 78 7 . 8 78 7 . 8 78 7 . 8 78 7 . 8 7ST. COLUMBA ................................................................................. 35

8 7. 8 7. 5 5 5. 6 78 7. 8 7. 5 5 5. 6 78 7. 8 7. 5 5 5. 6 78 7. 8 7. 5 5 5. 6 78 7. 8 7. 5 5 5. 6 7ICH LIEB DICH, HERR ................................................................. 22

8 7. 8 7. 6 6. 6 6 78 7. 8 7. 6 6. 6 6 78 7. 8 7. 6 6. 6 6 78 7. 8 7. 6 6. 6 6 78 7. 8 7. 6 6. 6 6 7EIN FESTE BURG ................................................................ 336, 338

8 7. 8 7. 6 8. 6 78 7. 8 7. 6 8. 6 78 7. 8 7. 6 8. 6 78 7. 8 7. 6 8. 6 78 7. 8 7. 6 8. 6 7GREENSLEEVES ........................................................................... 250

454


8 7. 8 7. 7 7. 8 88 7. 8 7. 7 7. 8 88 7. 8 7. 7 7. 8 88 7. 8 7. 7 7. 8 88 7. 8 7. 7 7. 8 8AINSI QU’ON OIT LE CERF BRUIRE ........................... 76, 226FREU DICH SEHR ................................................................ 76, 226

8 7. 8 7. 7 8. 7 48 7. 8 7. 7 8. 7 48 7. 8 7. 7 8. 7 48 7. 8 7. 7 8. 7 48 7. 8 7. 7 8. 7 4CHRIST LAG IN TODESBANDEN ....................................... 269

8 7. 8 7. 7 8. 7 88 7. 8 7. 7 8. 7 88 7. 8 7. 7 8. 7 88 7. 8 7. 7 8. 7 88 7. 8 7. 7 8. 7 8A TOI, MON DIEU ........................................................................ 42

8 7. 8 7. 8 78 7. 8 7. 8 78 7. 8 7. 8 78 7. 8 7. 8 78 7. 8 7. 8 7BONNIE ............................................................................................ 344NEANDER ....................................................................................... 115PICARDY ......................................................................................... 241

8 7. 8 7. 8 7. 4 6 78 7. 8 7. 8 7. 4 6 78 7. 8 7. 8 7. 4 6 78 7. 8 7. 8 7. 4 6 78 7. 8 7. 8 7. 4 6 7HERR, HÖR, WAS ICH WILL BITTEN DICH ....................... 6

8 7. 8 7. 8 7. 78 7. 8 7. 8 7. 78 7. 8 7. 8 7. 78 7. 8 7. 8 7. 78 7. 8 7. 8 7. 7CORDE NATUS EX PARENTIS .............................................. 246DIVINUM MYSTERIUM .......................................................... 246

8 7. 8 7. 8 7. 7 8. 7 78 7. 8 7. 8 7. 7 8. 7 78 7. 8 7. 8 7. 7 8. 7 78 7. 8 7. 8 7. 7 8. 7 78 7. 8 7. 8 7. 7 8. 7 7SOLLT ICH MEINEM GOTT ................................................... 308

8 7. 8 7. 8 7. 8 7. 78 7. 8 7. 8 7. 8 7. 78 7. 8 7. 8 7. 8 7. 78 7. 8 7. 8 7. 8 7. 78 7. 8 7. 8 7. 8 7. 7CHRIST UNSER HERR ZUM JORDAN KAM .................. 198DER HERR ERHÖR DICH .......................................................... 28ES WOLL UNS GOTT GENÄDIG SEIN ............................. 364

8 7.8 7.8 7.8 7.8 7. 8 7. 8 7. 8 7. 8 7. 8 7. D D D D D.....AUSTRIAN HYMN ............................................................. 124, 304BEECHER ......................................................................................... 313EBENEZER ....................................................................................... 264HYFRYDOL ........................................................................... 219, 259O MEIN JESU, ICH MUSS STERBEN ................................... 265RUSTINGTON .............................................................................. 274TON-Y-BOTEL ............................................................................... 264

8 7.8 7.8 7.8 7.8 7. 8 7. 8 7. 8 7. 8 7. 8 7. D D D D D..... r r r r reeeeeppppp.....ULSTER ............................................................................................ 166

8 7. 8 7. 8 8 78 7. 8 7. 8 8 78 7. 8 7. 8 8 78 7. 8 7. 8 8 78 7. 8 7. 8 8 7ALLEIN GOTT IN DER HÖH’ ................................................. 291AUS TIEFER NOT ........................................................................ 346MIT FREUDEN ZART ................................................................ 324

8 7. 8 7. 8 8 7. 8 8 78 7. 8 7. 8 8 7. 8 8 78 7. 8 7. 8 8 7. 8 8 78 7. 8 7. 8 8 7. 8 8 78 7. 8 7. 8 8 7. 8 8 7AN WASSERFLÜSSEN BABYLON ........................................ 256

8 8. 4 4. 8 8. 4 4 and alleluias8 8. 4 4. 8 8. 4 4 and alleluias8 8. 4 4. 8 8. 4 4 and alleluias8 8. 4 4. 8 8. 4 4 and alleluias8 8. 4 4. 8 8. 4 4 and alleluiasLASST UNS ERFREUEN ........................................................... 272

8 8. 4 4. 8 8. 3 3 and alleluias8 8. 4 4. 8 8. 3 3 and alleluias8 8. 4 4. 8 8. 3 3 and alleluias8 8. 4 4. 8 8. 3 3 and alleluias8 8. 4 4. 8 8. 3 3 and alleluiasLASST UNS ERFREUEN ........................................................... 288

8 8 7. 8 8 7. 8 8. 8 8. 4 8 88 8 7. 8 8 7. 8 8. 8 8. 4 8 88 8 7. 8 8 7. 8 8. 8 8. 4 8 88 8 7. 8 8 7. 8 8. 8 8. 4 8 88 8 7. 8 8 7. 8 8. 8 8. 4 8 8HERZLICH LIEB HAB ICH DICH, O HERR ...................... 362

8 8. 7 88 8. 7 88 8. 7 88 8. 7 88 8. 7 8JESUS CHRISTUS, UNSER HEILAND ................................ 208

8 8 7. 8 8 7. 4 4 4 4. 88 8 7. 8 8 7. 4 4 4 4. 88 8 7. 8 8 7. 4 4 4 4. 88 8 7. 8 8 7. 4 4 4 4. 88 8 7. 8 8 7. 4 4 4 4. 8WIE SCHÖN LEUCHTET ......................................................... 220

8 8 7. 8 8 7. 8 8 7. 8 8 78 8 7. 8 8 7. 8 8 7. 8 8 78 8 7. 8 8 7. 8 8 7. 8 8 78 8 7. 8 8 7. 8 8 7. 8 8 78 8 7. 8 8 7. 8 8 7. 8 8 7DU MALIN LE MESCHANT VOULOIR ............................... 66QUE DIEU SE MONSTRE SEULEMENT ............................ 100

8 8. 8 7. 48 8. 8 7. 48 8. 8 7. 48 8. 8 7. 48 8. 8 7. 4DIES SIND DIE HEILGEN ZEHN GEBOT ........................ 387

8 8 8. 7 78 8 8. 7 78 8 8. 7 78 8 8. 7 78 8 8. 7 7DIE ERD UND WAS SICH AUF IHR REGT ........................ 39

8 8. 8 8. 8 88 8. 8 8. 8 88 8. 8 8. 8 88 8. 8 8. 8 88 8. 8 8. 8 8ALL EHR UND LOB .................................................................... 290CREATION ........................................................................................ 34MELITA ............................................................................................. 120SLUMBER ........................................................................................ 340STELLA ............................................................................................. 376VENI EMMANUEL ...................................................................... 227

8 8. 8 8. 8 8. 6 68 8. 8 8. 8 8. 6 68 8. 8 8. 8 8. 6 68 8. 8 8. 8 8. 6 68 8. 8 8. 8 8. 6 6MACHT HOCH DIE TÜR ......................................................... 224

8 8. 8 8. 48 8. 8 8. 48 8. 8 8. 48 8. 8 8. 48 8. 8 8. 4ERSCHIENEN IST ........................................................................ 271

8 8. 8 8. 9 98 8. 8 8. 9 98 8. 8 8. 9 98 8. 8 8. 9 98 8. 8 8. 9 9C’EST EN JUDEE PROPREMENT .......................................... 114O DIEU, TU COGNOIS QUI JE SUIS ................................... 183SEIGNEUR, PUIS QUE M’AS RETIRÉ ................................... 54

8 8. 8 8. 9 9. 8 88 8. 8 8. 9 9. 8 88 8. 8 8. 9 9. 8 88 8. 8 8. 9 9. 8 88 8. 8 8. 9 9. 8 8VOUS TOUS LES HABITANS DES CIEUX ....................... 190

8 8 9. 8 8 98 8 9. 8 8 98 8 9. 8 8 98 8 9. 8 8 98 8 9. 8 8 9DU SEIGNEUR DIEU EN TOUS ENDROITS .................. 151LA TERRE AU SEIGNEUR APPARTIENT ............................. 41MON AME EN DIEU TANT SEULEMENT .......................... 90

8 8 9. 8 8. 9 8 88 8 9. 8 8. 9 8 88 8 9. 8 8. 9 8 88 8 9. 8 8. 9 8 88 8 9. 8 8. 9 8 8O DIEU DES ARMEES, COMBIEN ........................................ 118

8 8. 9 9. 88 8. 9 9. 88 8. 9 9. 88 8. 9 9. 88 8. 9 9. 8HOW LONG, O LORD ................................................................. 14JUSQUES À QUAND AS ESTABLI .......................................... 15

8 9 8. 8 9 8. 6 6 4. 8 88 9 8. 8 9 8. 6 6 4. 8 88 9 8. 8 9 8. 6 6 4. 8 88 9 8. 8 9 8. 6 6 4. 8 88 9 8. 8 9 8. 6 6 4. 8 8WACHET AUF ................................................................................ 228

8 8 9 9. 8 8 8 88 8 9 9. 8 8 8 88 8 9 9. 8 8 8 88 8 9 9. 8 8 8 88 8 9 9. 8 8 8 8DEBA CONTRE MES DEBATEURS ........................................ 62

8 9. 8 9. 8 9. 8 98 9. 8 9. 8 9. 8 98 9. 8 9. 8 9. 8 98 9. 8 9. 8 9. 8 98 9. 8 9. 8 9. 8 9IL FAUT QUE DE TOUS MES ESPRITS .............................. 180

8 9 9 8. 9 8 8 98 9 9 8. 9 8 8 98 9 9 8. 9 8 8 98 9 9 8. 9 8 8 98 9 9 8. 9 8 8 9O DIEU, OÙ MON ESPOIR J’AI MIS ..................................... 104SEIGNEUR, ENTEN À MON BON DROICT ...................... 20

9 8. 9 8.9 8. 9 8.9 8. 9 8.9 8. 9 8.9 8. 9 8.O DIEU, DONNE-MOY DELIVRANCE ...................... 186, 390

455


9 8. 9 8. 6 6 5. 6 6 59 8. 9 8. 6 6 5. 6 6 59 8. 9 8. 6 6 5. 6 6 59 8. 9 8. 6 6 5. 6 6 59 8. 9 8. 6 6 5. 6 6 5DIEU NOUS SOIT DOUX ET FAVORABLE ....................... 98RESVEILLEZ VOUS, CHACUN FIDELE .............................. 58

9 8. 9 8. 8 89 8. 9 8. 8 89 8. 9 8. 8 89 8. 9 8. 8 89 8. 9 8. 8 8NEUMARK ...................................................................................... 354WEN NUR DEN LIEBEN GOTT ............................................ 354

9 8. 9 8. 9 8. 9 89 8. 9 8. 9 8. 9 89 8. 9 8. 9 8. 9 89 8. 9 8. 9 8. 9 89 8. 9 8. 9 8. 9 8CHANTEZ À DIEU NOUVEAU CANTIQUE ................... 136OR SUS, LOUEZ DIEU TOUT LE MONDE ........................ 94RENDEZ À DIEU ................................................................. 154, 206

9 8. 9 9. 8 69 8. 9 9. 8 69 8. 9 9. 8 69 8. 9 9. 8 69 8. 9 9. 8 6REVENGE-MOY, PREN LA QUERELE ................................... 79

9 9. 8 8. 8 89 9. 8 8. 8 89 9. 8 8. 8 89 9. 8 8. 8 89 9. 8 8. 8 8O PASTEUR D’ISRAEL, ESCOUTE ....................................... 116

9 9. 9 7. 8 8. 8 69 9. 9 7. 8 8. 8 69 9. 9 7. 8 8. 8 69 9. 9 7. 8 8. 8 69 9. 9 7. 8 8. 8 6CHANTEZ À DIEU CHANSON NOUVELLE ................... 194

9 9. 9 9. 8 89 9. 9 9. 8 89 9. 9 9. 8 89 9. 9 9. 8 89 9. 9 9. 8 8O DIEU, MON HONNEUR ET MA GLOIRE ..................... 146O DIEU, QUI ES MA FORTERESSE ........................................ 51

9 9. 10 99 9. 10 99 9. 10 99 9. 10 99 9. 10 9RAMAH WEEPING ...................................................................... 254

9 9. 11 10. 49 9. 11 10. 49 9. 11 10. 49 9. 11 10. 49 9. 11 10. 4NUN BITTEN WIR ...................................................................... 279

10 6. 11 7. 11 7. 10 610 6. 11 7. 11 7. 10 610 6. 11 7. 11 7. 10 610 6. 11 7. 11 7. 10 610 6. 11 7. 11 7. 10 6A TOY, Ô DIEU, QUI ES LÀ-HAUT AUX CIEUX .............. 161

10 8 8. 10. 7 7 6. 6 6 610 8 8. 10. 7 7 6. 6 6 610 8 8. 10. 7 7 6. 6 6 610 8 8. 10. 7 7 6. 6 6 610 8 8. 10. 7 7 6. 6 6 6APRES AVOIR CONSTAMMENT ATTENDU .................... 70

10 10. 9 1010 10. 9 1010 10. 9 1010 10. 9 1010 10. 9 10SLANE ............................................................................................... 342

10 10. 10 1010 10. 10 1010 10. 10 1010 10. 10 1010 10. 10 10ADORO TE DEVOTE ................................................................. 217

10 10. 10 10 1010 10. 10 10 1010 10. 10 10 1010 10. 10 10 1010 10. 10 10 10OLD 124TH

....................................................................................................................................................... 162OR PEUT BIEN DIRE .................................................................. 162

10 10. 10 10. 10 1010 10. 10 10. 10 1010 10. 10 10. 10 1010 10. 10 10. 10 1010 10. 10 10. 10 10SONG 1 ............................................................................................. 202YORKSHIRE ..................................................................................... 60

10s. 16 lines10s. 16 lines10s. 16 lines10s. 16 lines10s. 16 linesJESAIA, DEM PROPHETEN ..................................................... 408

10 10. 10 10. 10 11 1110 10. 10 10. 10 11 1110 10. 10 10. 10 11 1110 10. 10 10. 10 11 1110 10. 10 10. 10 11 11D’OÙ VIENT CELA, SEIGNEUR .............................................. 10

10 10. 10 410 10. 10 410 10. 10 410 10. 10 410 10. 10 4

SINE NOMINE ............................................................................... 28010 10. 10 1210 10. 10 1210 10. 10 1210 10. 10 1210 10. 10 12

OR EST MAINTENANT ............................................................ 138

10 10. 11 1110 10. 11 1110 10. 11 1110 10. 11 1110 10. 11 11LYONS ............................................................................................... 321

10 11. 10 11. 11 1110 11. 10 11. 11 1110 11. 10 11. 11 1110 11. 10 11. 11 1110 11. 10 11. 11 11SOIS MOI, SEIGNEUR ................................................................. 18

10 11. 10 11. 11 10. 11 1010 11. 10 11. 11 10. 11 1010 11. 10 11. 11 10. 11 1010 11. 10 11. 11 10. 11 1010 11. 10 11. 11 10. 11 10POURQUOI FONT BRUIT .......................................................... 4

10 11. 11 1010 11. 11 1010 11. 11 1010 11. 11 1010 11. 11 10D’OÙ VIENT, SEIGNEUR, QUE TU NOUS AS

ESPARS ...................................................................................... 110J’AIME MON DIEU ...................................................................... 152

10 11 11. 10 410 11 11. 10 410 11 11. 10 410 11 11. 10 410 11 11. 10 4LE FOL MALIN EN SON COEUR ............................................ 16

11 8. 11 8. 5. 9 9. 6 7. 511 8. 11 8. 5. 9 9. 6 7. 511 8. 11 8. 5. 9 9. 6 7. 511 8. 11 8. 5. 9 9. 6 7. 511 8. 11 8. 5. 9 9. 6 7. 5GOTT SEI GELOBET .................................................................. 318

11 10. 11 1011 10. 11 1011 10. 11 1011 10. 11 1011 10. 11 10CONSOLATOR .............................................................................. 210DONNE SECOURS, SEIGNEUR .............................................. 13L’OMNIPOTENT À MON SEIGNEUR ET MAISTRE ..... 149

11 10. 11 10. 10 10. 10 1011 10. 11 10. 10 10. 10 1011 10. 11 10. 10 10. 10 1011 10. 11 10. 10 10. 10 1011 10. 11 10. 10 10. 10 10LE SEIGNEUR EST LA CLARTÉ ............................................... 48

11 11. 10 10. 11 1111 11. 10 10. 11 1111 11. 10 10. 11 1111 11. 10 10. 11 1111 11. 10 10. 11 11ESTANS ASSIS AUX RIVES AQUATIQUES ...................... 178

11 11. 10 10. 11 11. 10 1011 11. 10 10. 11 11. 10 1011 11. 10 10. 11 11. 10 1011 11. 10 10. 11 11. 10 1011 11. 10 10. 11 11. 10 10O BIENHEUREUX CELUI DONT LES COMMISES ......... 56PROPOS EXQUIS FAUT .............................................................. 82

11 11. 11 511 11. 11 511 11. 11 511 11. 11 511 11. 11 5CHRISTE SANCTORUM .......................................................... 301HERZLIEBSTER JESU ................................................................ 255ISTE CONFESSOR ...................................................................... 216ROUEN ............................................................................................. 216

11 11. 11 1111 11. 11 1111 11. 11 1111 11. 11 1111 11. 11 11JOANNA ........................................................................................... 310ST. DENIO ....................................................................................... 310

11 11. 11 11. 11 1111 11. 11 11. 11 1111 11. 11 11. 11 1111 11. 11 11. 11 1111 11. 11 11. 11 11MON DIEU ME PAIST SOUS .................................................... 36

11 12. 12 1011 12. 12 1011 12. 12 1011 12. 12 1011 12. 12 10NICAEA ............................................................................................ 305

12 9. 6 6. 12 912 9. 6 6. 12 912 9. 6 6. 12 912 9. 6 6. 12 912 9. 6 6. 12 9WONDROUS LOVE ................................................................... 335

12 11. 12 1112 11. 12 1112 11. 12 1112 11. 12 1112 11. 12 11KREMSER ........................................................................................ 285

456


14 14. 4 7 814 14. 4 7 814 14. 4 7 814 14. 4 7 814 14. 4 7 8LOBE DEN HERREN ................................................................... 322

14 14. 14 1414 14. 14 1414 14. 14 1414 14. 14 1414 14. 14 14SECOND MODE MELODY ...................................................... 218

IrregularIrregularIrregularIrregularIrregularADESTE FIDELIS ......................................................................... 243STILLE NACHT ............................................................................. 245THE FIRST NOWELL ................................................................. 248GLORIA PATRI .............................................................................. 436

457

A TOI, MON DIEU ........................................................................ 42A TOY, Ô DIEU, QUI ES LÀ-HAUT AUX CIEUX .............. 161ABERYSTWYTH ........................................................................... 358ADESTE FIDELIS ......................................................................... 243ADORO TE DEVOTE ................................................................. 217AGINCOURT HYMN ........................................................ 317, 320AINSI QU’ON OIT LE CERF BRUIRE ........................... 76, 226ALL EHR UND LOB .................................................................... 290ALL SAINTS NEW ....................................................................... 150ALLE MENSCHEN MÜSSEN STERBEN ............................. 204ALLEIN GOTT IN DER HÖH .................................................. 291AMANDA ......................................................................................... 266AN WASSERFLÜSSEN BABYLON ........................................ 256ANTIOCH ........................................................................................ 240APRES AVOIR CONSTAMMENT ATTENDU .................... 70AR HYD Y NOS ............................................................................. 378AUF MEINEN LIEBEN GOTT .................................................. 355AURELIA .......................................................................................... 327AUS TIEFER NOT ........................................................................ 346AUSTRIAN HYMN ............................................................. 124, 304AZMON ............................................................................................ 315

BEECHER ......................................................................................... 313BONNIE ............................................................................................ 344

CAROL .............................................................................................. 239C’EST EN JUDEE PROPREMENT .......................................... 114CHANTEZ À DIEU CHANSON NOUVELLE ................... 194CHANTEZ À DIEU NOUVEAU CANTIQUE ................... 136CHANTEZ DE DIEU LE RENOM .......................................... 173CHRIST LAG IN TODESBANDEN ....................................... 269CHRIST UNSER HERR ZUM JORDAN KAM .................. 198CHRISTE REDEMPTOR ............................................................ 211CHRISTE SANCTORUM .......................................................... 301CHRISTUM WIR SOLLEN LOBEN SCHON .................... 231COLCHESTER ............................................................................... 160COLESHILL .................................................................................... 144CONSOLATION ..................................................................... 88, 373CONSOLATOR .............................................................................. 210CORONATION .............................................................................. 292CREATION ............................................................................... 34, 330CRIMOND ......................................................................................... 38CROFT’S 136TH ................................................................................ 175CRUSADER’S HYMN .................................................................. 300

DARWALL ........................................................................................ 326DARWALL’S 148TH .......................................................................... 121DEBA CONTRE MES DEBATEURS ........................................ 62DEIRDRE ......................................................................................... 352DEO GRACIAS ..................................................................... 317, 320DER HERR ERHÖR DICH .......................................................... 28DESERT ................................................................................... 134, 296DIADEMATA .................................................................................. 293DIE ERD UND WAS SICH AUF IHR REGT ........................ 39DIES SIND DIE HEILGEN ZEHN GEBOT ........................ 387DIEU NOUS SOIT DOUX ET FAVORABLE ....................... 98DIVINUM MYSTERIUM .......................................................... 246DIX ...................................................................................................... 251DONNE SECOURS, SEIGNEUR .............................................. 13D’OÙ VIENT CELA, SEIGNEUR .............................................. 10

D’OÙ VIENT, SEIGNEUR, QUE TU NOUS ASESPARS ....................................................................................... 110

DOWN AMPNEY .......................................................................... 278DU FONS DE MA PENSEE ....................................................... 168DU MALIN LE MESCHANT VOULOIR ............................... 66DU SEIGNEUR DIEU EN TOUS ENDROITS .................. 151DUKE STREET .............................................................................. 311DUNDEE .......................................................................................... 159

EASTER HYMN ............................................................................. 270EBENEZER ....................................................................................... 264EFFINGHAM .................................................................................. 105EIGHTH MODE MELODY ....................................................... 377EIN FESTE BURG ................................................................ 336, 338ENTENS À CE QUE JE CRIE ...................................................... 89ERHALT UNS, HERR ......................................................... 368, 375ERSCHIENEN IST ........................................................................ 271ES IST EIN ROS ENTSPRUNGEN ........................................ 242ES WOLL UNS GOTT GENÄDIG SEIN ............................. 364ESTANS ASSIS AUX RIVES AQUATIQUES ...................... 178EVENING HYMN ......................................................................... 382

FINGAL .............................................................................................. 74FIRST MODE MELODY ............................................................ 372FRENCH ........................................................................................... 159FREU DICH SEHR ....................................................................... 226

GERMANY ...................................................................................... 260GLASGOW ..................................................................................... 298GLORIA ............................................................................................ 230GLORIA PATRI .............................................................................. 436GOD REST YE MERRY .............................................................. 234GOTT SEI GELOBET .................................................................. 318GREENSLEEVES ........................................................................... 250GREYOAKS .................................................................................... 282

HAMBURG ..................................................................................... 267HERR, HÖR, WAS ICH WILL BITTEN DICH ....................... 6HERZLICH LIEB HAB ICH DICH, O HERR ...................... 362HERZLICH TUT MICH ERFREUEN .................................... 314HERZLICH TUT MICH VERLANGEN ............................... 263HERZLIEBSTER JESU ................................................................ 255HOCH FREUET SICH DER KÖNIG ....................................... 30HOW LONG, O LORD ................................................................. 14HYFRYDOL ........................................................................... 219, 259

ICH LIEB DICH, HERR ................................................................. 22IL FAUT QUE DE TOUS MES ESPRITS .............................. 180IN DULCI JUBILO ........................................................................ 238INNSBRUCK, ICH MUSS DICH LASSEN ......................... 380INVITATION .................................................................................. 370ISTE CONFESSOR ...................................................................... 216ITALIAN HYMN ............................................................................ 345

J’AIME MON DIEU ...................................................................... 152J’AY DE MA VOIX À DIEU CRIÉ ............................................ 188JESAIA, DEM PROPHETEN ..................................................... 408JESU, MEINE FREUDE ............................................................... 356JESUS CHRISTUS, UNSER HEILAND ................................ 208JESUS, MEINE ZUVERSICHT ................................................ 261

Alphabetical Index of Tunes

458

ALPHABETICAL INDEX OF TUNES

JOANNA ........................................................................................... 310JUSQUES À QUAND AS ESTABLI .......................................... 15

KING’S LYNN ................................................................................. 369KING’S WESTON ......................................................................... 294KINGSFOLD .................................................................................... 31KREMSER ........................................................................................ 285

LA TERRE AU SEIGNEUR APPARTIENT ............................. 41LANCASHIRE ................................................................................ 312LAS! EN TA FUREUR AIGUË .................................................... 68LASST UNS ERFREUEN .................................................. 272, 288LE FOL MALIN EN SON COEUR ............................................ 16LE SEIGNEUR EST LA CLARTÉ ............................................... 48LEONI ................................................................................................ 328LES CIEUX EN CHACUN LIEU ................................................ 26LIEBSTER JESU ............................................................................. 343LOBE DEN HERREN ................................................................... 322L’OMNIPOTENT À MON SEIGNEUR ET MAISTRE ..... 149LOVE UNKNOWN ...................................................................... 366LUX ET ORIGO ............................................................................. 396LYONS ............................................................................................... 321LYNGHAM ............................................................................. 134, 296

MACHT HOCH DIE TÜR ......................................................... 224MARTYRDOM ............................................................................... 167MARTYRS .......................................................................................... 78MEIN HERZ DICHTET EIN LIED MIT FLEIß .................... 80MEIN LICHT UND HEIL ............................................................. 50MELITA ............................................................................................. 120MENDELSSOHN .......................................................................... 236MIT FREUDEN ZART ................................................................ 324MON AME EN DIEU TANT SEULEMENT .......................... 90MON DIEU ME PAIST SOUS .................................................... 36

NE VEUILLES PAS, Ô SIRE ................................................. 8, 213NEANDER ....................................................................................... 115NEUMARK ...................................................................................... 354NICAEA ............................................................................................ 305NUN BITTEN WIR ...................................................................... 279NUN DANKET ALLE GOTT ................................................... 283NUN KOMM, DER HEIDEN HEILAND .............................. 225NUN LOB, MEIN SEEL ............................................................... 142NUNC DIMITTIS ................................................................ 379, 425

O BIENHEUREUX CELUI DONT LES COMMISES ......... 56O DIEU DES ARMEES, COMBIEN ........................................ 118O DIEU, DONNE-MOY DELIVRANCE ...................... 186, 390O DIEU, MON HONNEUR ET MA GLOIRE ..................... 146O DIEU, OÙ MON ESPOIR J’AI MIS ..................................... 104O DIEU, QUI ES MA FORTERESSE ........................................ 51O DIEU, TU COGNOIS QUI JE SUIS ................................... 183O ESCA VIATORUM .................................................................. 213O LAMM GOTTES UNSCHULDIG ..................................... 262O MEIN JESU, ICH MUSS STERBEN ................................... 265O PASTEUR D’ISRAEL, ESCOUTE ....................................... 116O SEIGNEUR, LOUÉ SERA ...................................................... 113O WELT, ICH MUSS DICH LASSEN ........................... 212, 252OLD 124TH ......................................................................................... 162OLD HUNDREDTH ........................................................... 139, 437OR EST MAINTENANT ............................................................ 138OR PEUT BIEN DIRE .................................................................. 162OR SOIT LOUÉ L’ETERNEL ..................................................... 196OR SUS, LOUEZ DIEU TOUT LE MONDE ........................ 94

OR SUS, SERVITEURS DU SEIGNEUR ............................. 172

PETERSHAM ........................................................................... 87, 306PICARDY ......................................................................................... 241POURQUOI FONT BRUIT .......................................................... 4PROPOS EXQUIS FAUT .............................................................. 82

QUE DIEU SE MONSTRE SEULEMENT ............................ 100

RAINBOW ....................................................................................... 332RAMAH WEEPING ...................................................................... 254RENDEZ À DIEU ................................................................. 154, 206RESVEILLEZ VOUS, CHACUN FIDELE .............................. 58REVENGE-MOY, PREN LA QUERELE ................................... 79RHOSYMEDRE ............................................................................. 205ROCKINGHAM ............................................................................. 189ROUEN ............................................................................................. 216RUSSIA ............................................................................................. 158RUSTINGTON .............................................................................. 274

SAGINA ............................................................................................ 286ST. AGNES ....................................................................................... 359ST. ANDREW ................................................................................. 360ST. ANNE ......................................................................................... 374ST. CATHERINE’S ......................................................................... 192ST. COLUMBA ........................................................................ 35, 258ST. DENIO ....................................................................................... 310ST. GEORGE’S WINDSOR ....................................................... 284ST. JOHN .......................................................................................... 193ST. LOUIS ........................................................................................ 244ST. PATRICK ................................................................................... 349ST. PETER ....................................................................................... 307ST. THEODULPH ......................................................................... 268ST. THOMAS .................................................................................. 348SALISBURY ....................................................................................... 12SALZBURG (7 7. 7 7. D.) ............................................................. 204SALZBURG (C.M.) ....................................................................... 316SCHMÜCKE DICH ...................................................................... 214SCHÖNSTER HERR JESU ........................................................ 300SECOND MODE MELODY ...................................................... 218SEIGNEUR, ENTEN À MON BON DROICT ...................... 20SEIGNEUR, GARDE MON DROIT ........................................ 46SEIGNEUR, JE N’AY POINT LE COEUR FIER .................. 169SEIGNEUR, PUIS QUE M’AS RETIRÉ ................................... 54SINE NOMINE ............................................................................... 280SLANE ............................................................................................... 342SLUMBER ........................................................................................ 340SOIS MOI, SEIGNEUR ................................................................. 18SOLLT ICH MEINEM GOTT ................................................... 308SONG 1 ............................................................................................. 202SOVEREIGNTY ............................................................................ 302STELLA ............................................................................................. 376STILLE NACHT ............................................................................. 245STROUDWATER ............................................................................ 84

TALLIS’ CANON ............................................................................ 377THE FIRST NOWELL ................................................................. 248THIRD MODE MELODY ..................................................... 92, 93TON-Y-BOTEL ............................................................................... 264

ULSTER ............................................................................................ 166UNION .............................................................................................. 353

VALET WILL ICH DIR GEBEN ............................................... 268

459

ALPHABETICAL INDEX OF TUNES

VENI, CREATOR SPIRITUS .................................................... 276VENI EMMANUEL ...................................................................... 227VOM HIMMEL HOCH ............................................................... 232VOUS TOUS LES HABITANS DES CIEUX ....................... 190VOUS TOUS PRINCES ET SEIGNEURS ............................. 53VOUS TOUS QUI LA TERRE HABITEZ ............................ 140

WACHET AUF ................................................................................ 228WAS GOTT TUT .......................................................................... 334WEN NUR DEN LIEBEN GOTT ............................................ 354WER NICHT SITZT IM GOTTLOSEN RAT ......................... 2WER WIRD, HERR ........................................................................ 17WESLEY ........................................................................................... 182WIE SCHÖN LEUCHTET ......................................................... 220WIR GLAUBEN ALL AN EINEN GOTT .............................. 404WONDERS ..................................................................................... 302WONDROUS LOVE ................................................................... 335

YORKSHIRE ..................................................................................... 60

460

A Lamb Goes Uncomplaining Forth .............................. 256A Mighty Fortress Is Our God-Schütz ........................ 336A Mighty Fortress Is Our God-Bach ............................ 338Agnus Dei ............................................................................. 410Ah, Holy Jesus, How Hast Thou Offended ................. 255Ah, Jesus Lord, Thy Love to Me ..................................... 340All Creatures of Our God and King ............................... 288All Glory Be to God Alone .............................................. 290All Glory Be to God on High .......................................... 291All Glory, Laud, and Honor ............................................. 268All Hail the Power of Jesus’ Name! ............................... 292All Peoples, Clap Your Hands for Joy ............................... 87All People That on Earth Do Dwell ............................... 139All Praise the LORD, O Sons of Light! ............................ 190All Praise to Thee, My God, This Night ..................... 377Along the Streams of Babylon, in Sadness .................... 178And Can It Be That I Should Gain ................................. 286And Now, O Father, Mindful of the Love ...................... 202Angels We Have Heard on High .................................... 230Arise and Shine in Splendor ............................................ 252As the Hart , About to Falter .............................................. 76As with Gladness Men of Old ......................................... 251Ascribe to Yahweh, Sons of Mighty Ones ........................ 52At the Lamb's High Feast We Sing ................................. 204At the Name of Jesus .......................................................... 294Author of Life Divine ........................................................ 205

Be Gracious unto Me, O God ............................................. 88Be Not Far Off, for Grief Is Near ...................................... 31Be Pleased to Save Me, God, I Pray ................................ 104Be Thou My Vision ........................................................... 342Before Thee Let My Cry Come Near ............................ 158Behold, How Good and How Pleasant .......................... 170Behold the Bridegroom Cometh ...................................... 218Behold the Glories of the Lamb ....................................... 296Behold! the Mountain of the Lord .................................... 298Benedictus-Tallis ................................................................. 420Bless Now the Man Who Does Not Walk ........................ 2Blessed be the Lord God of Israel ................................... 420Blessed Is He That Considereth the Poor ........................ 75Blessed Is the Man ................................................................... 3Blessed Jesus, at Thy Word .............................................. 343Blessed the Man That Fears Jehovah .............................. 166Blest Is the Man Whose Trespass Is Forgiven ............... 56

Chide Me, O LORD, No Longer ............................................. 8Christ Is Made the Sure Foundation .............................. 344Christ Jesus Lay in Death's Strong Bands ...................... 269Christ the Lord Is Risen Today ....................................... 270Come, Bless the LORD with One Accord ........................ 172Come Down, O Love Divine ............................................ 278Come, Holy Ghost, Our Souls Inspire ......................... 276

Alphabetical Index of Titles and First Lines

Come, Thou Almighty King ............................................ 345Come, Thou Long-Expected Jesus ................................... 219Come, Ye Disconsolate ....................................................... 210Come, Ye Thankful People, Come ................................... 284Come, Ye That Love the Lord ........................................... 348Comfort, Comfort Ye My People .................................... 226Create in Me a Clean Heart, O God ............................... 415Credo ...................................................................................... 398Crown Him with Many Crowns .................................... 293

Doxology .............................................................................. 437

Except the LORD Build the House .................................... 163

Fairest Lord Jesus ................................................................ 300Father Most Holy ............................................................... 301Father, We Thank Thee Who Hast Planted ................. 206For All the Saints ............................................................... 280From Depths of Woe I Raise to Thee ............................ 346From East to West .............................................................. 231From Heaven Above to Earth I Come ........................... 232From Heav'n O Praise the LORD ...................................... 192

Give Ear, O LORD, to All My Thoughts ............................... 6Gloria in excelsis-Decius .................................................. 396Gloria in excelsis-Tallis .................................................... 393Gloria Patri ........................................................................... 436Glorious Things of Thee Are Spoken .......................... 304Glory be to God on high ........................................... 393, 396Glory be to the Father ........................................................ 436God Is My Light, My Refuge, My Salvation ................... 48God Is Our Refuge and Our Strength ............................... 84God Moves in a Mysterious Way ................................... 353God of Vengeance, O Jehovah ........................................... 124God Rest Ye Merry, Gentlemen ....................................... 234God Shall Arise and by His Might ................................ 100God, That Madest Earth and Heaven ............................. 378God the LORD Is King ........................................................ 138God the Lord Is Known in Judah .................................... 115Good Christian Men, Rejoice .......................................... 238Great God of Wonders! ..................................................... 302

Hallelujah! Praise the LORD and Extol ............................ 173Hallelujah! Praise the LORD, In His House ................... 196Hark! the Herald Angels Sing ......................................... 236He Who in Evil Does Rejoice ............................................. 66Hear How the Lord on Sinai's Mountain ..................... 390Help, LORD, Your Law the Godly Cease to Savor ........... 13Holy, Holy, Holy! .............................................................. 305Holy, holy, holy, Holy is the Lord! ................................. 407Holy, holy, holy, Lord God of hosts ............................... 406

461

ALPHABETICAL INDEX OF TITLES AND FIRST LINES

How Bright These Glorious Spirits Shine! ................. 306How Long, O LORD, Will You Forget? ............................... 14How Long, O LORD, Wilt Thou Forget? ........................... 15How Lovely, LORD of Hosts, to Me ................................ 120How Lovely Shines the Morning Star ........................... 220How Sweet and Awful Is the Place ................................. 258How Sweet the Name of Jesus Sounds .......................... 307

I believe in one God, the Father Almighty ..................... 398I Bind unto Myself Today ................................................. 349I in the LORD Do Put My Trust .......................................... 12I Love the LORD, the Fount of Life and Grace ................ 152I to the Hills Will Lift Mine Eyes .................................. 159I Waited and I Waited for the LORD ................................... 70I Waited for the LORD ............................................................ 74I Will Extol Thee, LORD ....................................................... 54I Will Sing My Maker's Praises ...................................... 308If Thou But Suffer God to Guide Thee ......................... 354Immortal, Invisible, God Only Wise ............................. 310In Every Time I'll Always Bless the LORD ........................ 60In God Alone My Soul Finds Rest ................................... 90In God, My Faithful God .................................................. 355In Judah's Land Prevails God's Fame ............................... 114Isaiah, Mighty Seer, in Days of Old ............................... 408It Came upon the Midnight Clear .................................... 239It's Good to Thank the LORD ............................................. 121

Jehovah to My Lord Has Said .......................................... 150Jesus Christ, Our Blessed Savior ..................................... 208Jesus, Lover of My Soul ..................................................... 358Jesus, Priceless Treasure ................................................... 356Jesus Shall Reign ................................................................. 311Jesus, the Very Thought of Thee ..................................... 359Jesus, Thou Joy of Loving Hearts .................................... 211Jesus, Thy Blood and Righteousness .............................. 260Jesus! What a Friend for Sinners! .................................... 259Joy to the World! the Lord Is Come ............................... 240Judge Me, O God, and Plead My Cause ............................ 78

Kyrie eleison ........................................................................ 392

Lead On, O King Eternal ................................................... 312Let All Mortal Flesh Keep Silence ................................ 241Let All the Earth with Loud Rejoicing .............................. 94Let All the Stars in the Skies Give Praise ..................... 254Let Christian Faith and Hope Dispel ............................. 360Let Israel Now Say in Thankfulness ............................. 162Let Thy Blood in Mercy Poured ..................................... 261Lift Up Your Heads ............................................................ 224Listen to My Cry, and Hear Me ......................................... 89Lo, How a Rose E'er Blooming ........................................ 242LORD, from the Depths to Thee I Cried .......................... 167Lord, have mercy upon us .................................................. 392Lord, have mercy upon us, and incline our hearts to keep this law .................................................................... 386

Lord, Keep Us Steadfast in Thy Word .......................... 368Lord, now lettest Thou Thy servant depart in peace ......................................................................... 426, 428LORD, Rebuke Me Not in Anger ......................................... 68LORD, Rescue Me from Foes, I Pray Thee ..................... 186Lord, Teach Us How to Pray Aright ............................. 372Lord, Thee I Love with All My Heart .......................... 362LORD, Who Shall Dwell Within Your House? ................ 17Love Divine, All Love, Excelling ..................................... 313

Magnificat ............................................................................. 416May God Be Merciful and Bless Us .................................. 98May God Bestow on Us His Grace ................................ 364My God, My God, Look upon Me .................................... 32My Heart Has Found a Ready Theme ............................. 80My Savior God Is All My Light ........................................ 50My Song Is Love Unknown .............................................. 366My soul doth magnify the Lord ....................................... 416My Soul, Now Bless Thy Maker ................................... 142

Not every one that sayest unto me ................................... 413Now Let the Vault of Heaven Resound .......................... 272Now Rest Beneath Night's Shadow ................................ 380Now Thank We All Our God ......................................... 283Nunc dimittis ....................................................................... 426

O Be Not Silent, Heed and Hear Me ............................. 146O Bread of Life from Heaven ........................................... 212O Clap Your Hands Together, All Ye People .................... 86O Come, All Ye Faithful .................................................... 243O Come, Let Us Sing unto the LORD ............................... 126O Come, O Come, Emmanuel ......................................... 227O Come with Thanks, God's Goodness Praising ........ 154O Day of Rest and Gladness ............................................. 314O Food of Men Wayfaring ................................................ 213O for a Thousand Tongues to Sing .................................. 315O Gladsome Light .............................................................. 379O God of Bethel! by Whose Hand .................................. 316O God of Earth and Altar ................................................. 369O God, Why Dost Thou Cast Us Off for Aye ............ 110O Israel's Shepherd, Hear Our Pleading ....................... 116O Judge Me, God of My Salvation ..................................... 79O Lamb of God Most Holy! ............................................ 262O Lamb of God, that takest away the sins of the world ................................................................................. 410O Let My Name Engraven Stand .................................... 370O Little Town of Bethlehem ............................................. 244O Lord and Master, Thou ................................................. 425O LORD God, to Whom Vengeance Belongeth .............. 122O LORD, Hear Thou My Righteous Cause ....................... 20O LORD, I Love You, God, My Strength ............................. 22O LORD in Whom I Do Abide ......................................... 169O Lord, My God, Most Earnestly .............................. 92, 93O LORD My God, Thou Searchest Me ........................... 183O LORD of Hosts, O God of Grace .................................. 118

462

ALPHABETICAL INDEX OF TITLES AND FIRST LINES

O LORD Our Governor ............................................................ 9O LORD, Our King Rejoices ................................................. 30O LORD, Thy Judgments Give the King .......................... 105O Lord, We Praise Thee ................................................... 318O Love, How Deep, How Broad, How High! .............. 317O Sacred Head, Now Wounded ...................................... 263O Sing a New Song to the LORD ..................................... 134O the Deep, Deep Love of Jesus ........................................ 264O Thou My Soul, Bless God the LORD .......................... 144O, 'Twas a Joyful Sound to Hear ...................................... 160O Vindicate Me, LORD ........................................................... 46O Wondrous Type! O Vision Fair! ................................. 320O Worship the King ........................................................... 321O You Mighty, Give the LORD .............................................. 53Of Lovingkindness and Justice Will I Sing .................... 141Of the Father's Love Begotten ............................................ 246Offertory Sentence ............................................................. 413Once More, My Soul ......................................................... 373Only-Begotten, Word of God Eternal ............................ 216Our Father, Which art in heav'n ........................................ 412Our Father, Who art in heaven ......................................... 411Our God, Our Help in Ages Past .................................... 374Out of the Depths of Sadness ........................................... 168

Praised Be the LORD! I Shall Impart ............................... 151Praise God, for He Is Kind .............................................. 175Praise God from Whom all blessings flow ................... 437Praise to the Lord, the Almighty ..................................... 322Preserve Me, God, I Put My Trust in Thee .................... 18

Rejoice, the Lord Is King ................................................... 326Rejoice Ye in the LORD, O Righteous .................................. 58Responses to the Commandments ................................... 386

St. Patrick's Breastplate ...................................................... 349Sanctus-Schubert ................................................................ 407Sanctus-Tallis ....................................................................... 406Savior of the Nations, Come ............................................ 225See, the Conqueror Mounts in Triumph ....................... 274Silent Night, Holy Night ................................................. 245Sing Praise to God, Who Reigns Above ........................ 324Sing to the LORD, a New Song Voicing ........................... 136Song of Simeon .................................................................... 428Soul, Adorn Thyself with Gladness .............................. 214Stricken, Smitten, and Afflicted ...................................... 265Strive, LORD, with Those Who Strive with Me .............. 62

Te Deum ............................................................................... 430That Easter Day with Joy Was Bright ............................ 271That Man a Godly Life Might Live ................................ 387The Church's One Foundation ......................................... 327The Day Is Past and Gone ................................................ 382The Decalogue ..................................................................... 390The Earth Belongs to God Our LORD ................................ 39The Earth Is the LORD's ......................................................... 40

The Eyes of All upon Thee Wait .................................... 189The First Noel .................................................................... 248The Fool Says in His Heart, “There Is No God” ......... 16The God of Abraham Praise ............................................ 328The Heavens Are Declaring the Mighty One's Glory ... 25The King of Love My Shepherd Is .................................... 35The Law of God Is Good and Wise ................................ 375The LORD Be Praised! Come and Adore Him ............... 194The LORD Hear Thee in Troubled Times ........................ 28The Lord Is King of Earth's Domain ................................ 41The LORD's My Shepherd, I'll Not Want .......................... 38The LORD My Shepherd in His Love Defends Me ......... 36The Lord of Heaven Confess ........................................... 193The Lord's Prayer-Ancient .............................................. 411The Lord's Prayer-Stone ................................................... 412The LORD unto My Lord These Words Has Spoken . 149The Sacrifices of God Are a Broken Spirit .................. 414The Son of God Goes Forth to War ............................... 282The Song of Simeon ........................................................... 425The Spacious Firmament on High ................................. 330The Spacious Heavens Declare .......................................... 26Thee, O God, Yes, Thee We Praise ................................. 113Thee We Adore, O Hidden Savior ................................. 217Thou Hidden Source of Calm Repose .......................... 376Through Every Age, Eternal God .................................... 266‘Tis by Thy Strength the Mountains Stand .................. 332To All My Brothers I'll Declare ......................................... 34To Jordan Came Our Lord, the Christ ........................... 198To Thee, O LORD, I Call in Anguish .................................. 51To Thee, O LORD Who Dwellest in the Height ........... 161Truly God Is Loving unto Israel ..................................... 108

Unto Thee, O LORD, My Savior .......................................... 42

Wake, Awake, for Night Is Flying ................................... 228We All Believe in One True God .................................... 404We Gather Together ........................................................... 285We Now Implore God the Holy Ghost ........................ 279We praise Thee, O God ..................................................... 430What Child Is This ............................................................ 250What Wondrous Love Is This ......................................... 335Whate'er My God Ordains Is Right ............................... 334When I Survey the Wondrous Cross ............................. 267Why Do the Heathen Nations Vainly Rage? ..................... 4Why Do You Stand Far Off, O God .................................. 10With All My Heart My Thanks I'll Bring ................... 182With All My Heart, O LORD, I Praise ........................... 180With All My Voice to God I Cry ................................... 188With Noble Themes My Heart and Mouth Are Ringing ............................................................................... 82

Yahweh Reigns! Let the Land Rejoice! ............................. 130You Lands and Peoples of the Earth ................................. 140

Documents

Cantus Christi · 2008-07-16 · v A common practice in our day is for Chris-tians to speak of the “culture wars.” By this they usually mean the political and cul-tural skirmishes