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8/13/2019 Chen Taijiquan History - Por Qichen Guo
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Chen Style Taijiquan is the earliest historically verifiable school ofTaijiquan in existence. The style is characterized by changes of tempo balancing acute
and slow motions, a twisting, twining quality of body movement, and bursts of
explosive energy. While practice can and does improve one's health, Chen style
Taijiquan also goes the furthest of the five recognized family styles in maintaining a
distinctly martial orientation.
There has been an explosive growth in the number of practitioners in the years since the
Cultural Revolution as members of the Chen family and their students began teaching in
the West in the late seventies.
It is commonly accepted that Taijiquan was developed in the farming village of
Chenjiagou in Wenxian County, Henan Province, China.
Chen Wanting Chen Wangting (1600-1680), a retired military officer and a ninth
generation family member of the Chen Family, is credited with having originated Chen
Style Taijiquan around 1644. Known methods, forms and theory suggest that Taijiquan
is a synthesis, combining elements of Shaolin Boxing (the famed Temple is fairly close
by) and several other forms of martial art. Taijiquan theory is largely, however, based
on "The Book of Changes" along with concepts from the meridian theory of traditional
Chinese medicine, as detailed in "The Yellow Emperor's Classic of Chinese Medicine".
Some postures in the forms can also be traced back to the "36 postures" compiled in the
"Quan Jing" section of "The Military Handbook"- a text on strategy; discipline; and
marital arts by a famous general, Qi Jiguang during the Ming Dynasty.
Chen Wangting created a total of seven sets, including one set of Long Fist; five sets of
Taijiquan and one set of Cannon Fist. He placed an emphasis on mental and physical
relaxation, training "yi", or intention, and a balance of slow and fast motions which
incorporated strikes; takedowns; and joint locks into the forms.
Unique to Chen Wangting's style of movement was a smooth and graceful twisting or
"twining" character, which came to be referred to as "chansijing" or "torque". He is also
credited with creating push hands drills, in which students practice "adhering" to each
others movements to increase their sensitivity to their partners' intentions, which
thereby function as a bridge between solo practice and free sparring.
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It is a testament to the style's effectiveness that the Chen Family came to rely on their
skills not only to fend off successfully armed bandits, but also to supplement their
incomes from farming. For centuries, young men of the village served as couriers,
soldiers, bodyguards and escorts. Thus, the Chen Family had reason to keep their
training methods a closely guarded secret, and in the family, for five generations.
Chen Wangting & Jiang Fa
At this point in the narrative, historians of the style often make mention of Jiang Fa
(18_?- ?), an officer who fought with Li Jiyu, a close friend of Chen Wangting, in an
uprising against the Ming Dynasty. When the Qing Dynasty was established, Li and his
troops surrendered, only to face persecution from the Qing government. Jiang Fa sought
sanctuary in Chen's Village, where he took the guise of a household servant. In private,however, Chen Wangting treated him as a friend. They worked together exchanging
their ideas about martial arts. As a result Jiang Fa is commonly credited with having
contribution to the early development of the Chen family style.
Chen Changxing and Yang Luchan
Prior to the post-Cultural Revolution (1966-1976) era, perhaps the best-known member
of the Chen Family, in the West, was Chen Changxing (1771-1853)of the fourteenth
generation family practitioner. He is famous for incorporating the Taijiquan practice in
all of his daily activities. Always in "Taiji-mode," his posture was always upright. As a
result, he was nicknamed "Mister Tablet."
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Yangluchan Contrary to family tradition, Chen Changxing taught a few outsiders.
Among them was Yang Luchan (1800 -1873),renown for developing his own form, a
modified version of the Chen Chanxing's original long form - Liaojia Yilu. Yang's
descendents (Yang Shouhao, Yang Cheng-fu) were among the earliest exponents of
Taijiquan to teach publicly, beginning in Beijing in 1911, and the art quickly spread
worldwide from there. Three other styles (Wu; Sun; and Wu Style) would eventuallybranch out from the Yang Style. Thus, we can safely say that all other forms of
Taijiquan are ultimately derived from the original Chen Style long form.
Chen Fake
Chen Fake Chen Fake (1887-1957),a seventeenth generation family practitioner, and
ninth generation stylist, expanded greatly on early efforts to bring Chen style Taijiquan
to the mainstream of Chinese martial arts. He started following with his father (Chen
Yienzhi), who was retained by the second President of the Chinese Republic (1900-
1906) and his family as their personal and private martial arts instructor, a role of greatdistinction in its day. There are numerous stories of Chen Fake's abilities as a martial
artist, his courage and skill when establishing his reputation in Beijing, where he came
to teach in 1928. In time he was held in high esteem for not making a single enemy
throughout his career as a professional martial artist, wisely navigating the complex,
and highly competitive society of high-level martial art arena in the capital of his day.
Chen Fake taught in Beijing for nearly 30 years, enhancing the reputation of the family
style, and establishing a distinguished lineage of his own students. Amongst them: Chen
Zhaokwei (son); Chen Zhaopei; Feng Zhiqiang; Gu Liuxing, etc...
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Chen Zhaopei and Chen Zhaokui
Chen Zhaopei 18th generation practitioner Chen Zhaopei (1893-1973) studied under
Chen Jin and Chen Fake since he was a child. Invited to teach at Tun Ren Tong, the
famous medical establishment, in 1918, his reputation as a martial artist quickly grew
and he was soon invited (1930) to teach at the prestigious Nanjing Central Martial Arts
Academy. During the Second World War, he quitted the Academy and fought in the
resistance movement. Wherever and whenever possible, he continued to teach.
Meanwhile, by 1958, decades of foreign occupation, war, revolution and economic
privation had taken its toll and the status of Taijiquan was at an all-time low in Chen's
Village: there was concern that the style might die out in its' place of birth. At the
request of the village elders, Chen Zhaopei returned to village and served as the chief
instructor, where he was responsible for passing on the Old Frame and traditional
weapons sets to the 19th generation, in particular to the designated standard-bearers, thepresent-day "Four Tigers of Chen's Village", all of whom have since dedicated
themselves to the propagation of the style and thereby gone on to build worldwide
followings.
Unfortunately, the effort would cost him dearly. Despite near constant persecution and
public humiliation, and at great personal risk, Chen Zhaopei continued to train the 19th
generation through the long years of the Cultural Revolution. Finally just the prohibition
against Taijiquan as a traditional art began to lift in 1972, Chen Zhaopei, succumbed to
illness and exhaustion. Today he is credited with helping to maintain and spread the
family style in difficult times, and honored for single-handedly reviving the style in the
Village of its birth despite immense obstacles.
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Chen Zhaokui Chen Zhaokwei (1928 - 1981), also a member of the eighteenth
generation, joined his father, Chen Fake, in Beijing at the age of 3. He is widely
recognized today as one of the most gifted of the Chen Family practitioners of the style
in the 20th century and shares most of the credit for passing on of the New Frame set to
the public-at-large. He taught mainly private groups, in Beijing and various parts of the
country. During a series of visits to the Village, he passed on the New Frame set to thedesignated standard bearers of the style, who in time became known as the "Four Tigers
of Chen's Village". Largely due to his efforts, both Frames, Old and New, are now
taught side-by-side in most schools teaching Chen Style of Taijiquan.
His accomplished disciples include: "The Four Tigers" of Chenjiagou; "The Three
Zhangs" of Zhengzhou; and Ma Hong of Xijiazhong.
Four Contemporary Masters:
Chief Instructor of the Los Angeles Chen Tai Chi Center, Master Qichen Guo, studiedwith two of the "Four Tigers of Chen's Village" and with two of the "Three Zhangs" in
Zhengzhou, the capital city of Henan Province. In order, he has trained with:
Chen Xiaowang Grand Master Chen Xiaowang - (1946-) 19th generation . Grandson
of Chen Fake, Chen Xiaowang trained under Chen Zhaopei and Chen Zhaokwei,
becoming known as one of the "Four Tigers," the representative exponents of the 19th
generation in Chenjiagou. In 1980 he won first place in the National Wushu
Tournament, beginning a string of first place honors on the national level. He is the
creator of two short forms, the 19- and 38- posture routines. He leads an international
following from his base in Australia, and is famous for his expression of fajin or
"releasing explosive power."
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Grand Master Zhang Maozhen- (1943-). Since he was a toddler, Zhang Maozhen was
trained in the Small Frame and Old Frame sets under the direction of his father Zhang
Laiyun, a disciple of Chen Zhiming, a 9th generation practioner; and Leo Xienpei,
Principal of Henan Martial Arts Academy. He later trained under Chen Zhaokwei,
learning the New Frame set, and became known, in time, as one of the "Three Zhangs of
Zhengzhou" . Although a non-villager, He is closely associated with seniors such asChen Moushen; Chen Baixian etc. in Chenjiagou. Zhang advocates training of the
middle section, and is expert on neutralising attacks with movements of his chest and
waist. He recently saw the publication of his book on the art, "The Essence of Chen
Style Taijiquan."
Chen Zhenglei Grand Master Chen Zhenglei - (1949-) 19th generation.
Grandnephew of Chen Fake, Chen Zhenglei is one of the "Four Tigers of Chen
Village." He began his training under his uncle, Chen Zhaopei, at age 8, and continued
under Chen Zhaokwei when he returned to Chenjiagou to teach the next generation theNew Frame Set. A born competitor, in his youth, Chen Zhenglei won a string of gold
medal victories on the provincial and national levels. He became a celebrated coach; the
teams he led regularly taking gold and silver medal honors in competition. Official
appointments followed. He has done much to spread the family style, developing the
18-posture "essentials" short form, traveling to over 50 countries to teach, and authoring
numerous publications, videotapes and DVDs. In his teaching he emphasizes form,
respect for tradition; and dedicated practice.
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Zhang Zijun Grand Master Zhang Zijun - (1944-)Also one of the "Three Zhangs of
Zhengzhou", followed and studied with Chen Zhaokwei from 1973 through 1981 until
Chen Zhaokwei passed away. He is an unconventional teacher, training students to
emphasize directing the movement of the body with the extremities, and a systematic
approach to training that can shorten the amount of time necessary for someone to
master the applications of the style, in particular joint-locks (qinna) and throws. A self-
described "Taiji Idle-er", he leads large followings in both Henan and Sichuan
Provinces, China.
Our Place in the Tradition:
Qichen Guo
An officially recognized Taijiquan Master and bearer of the rank, "5th Degree Master of
Wu Shu" (martial arts), Master Guo Qichen is a specialist in traditional Chen Style
Taijiquan. He brings together the training methods of all four grandmasters he studied
over a quarter century of intense training in Chenjiagou and Zhongzhou, both in Henen
Province, China. Today, Guo Qichen draws on his background from the Physical
Education Bureau and devotes himself to a careful analysis of traditional training
methodologies. He tests key concepts and integrates the essential principles into his
practice and training.
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In 2001 Guo Qichen founded The Los Angeles Chen Tai Chi Center in Los Angeles,
where he quickly attracted a devoted following. There his teaching can encompasses an
emphasis on meditation and health, as well as a focus on combat and self-defense. He
believes that the legacy of the great grandmasters of Taijiquan was never meant to be
segmented into rival camps, and strives to unite the very best of the major pedagogical
streams within the Tradition of Chen Style Taijiquan into a coherent whole and sharethis knowledge with a wide and interested audience.