CJIMKaHM nporpav xynona M rroTKyrrOJIHMX rrpocropay :U;pKBM MaHaCTllpa Pecase

Jaztpanxa Ilponosnh

UDC 75.052.033.046.3:726.012.8](497.11)

Y iUeKciUy ce pacupaeaa 0 uxouoepadxxou UPOZPaMYxyuona lIpK6eMallaciUupaPeca6e.allapo.luiUo 0

upeociuaeu Ilaniuoxpaiuopa U Hetiecxe nuuiypeuje yueniupannoj K)'U0/lU, «ao U 0 uoupcjuua xoja cy M02J1a

6uiUu nacnuxaua y iUeMellUMayzaouux xyuona. IloceiinaUa:JfClba iioceehena je /lUK06UMa upopoxa, KOjU cy, tcao

iiocpeonuuu U3Meljy neiia U seunse, ooiiuau cuutionuunoMeciUo y iUaM6ypy ueniiipanne «yuone. Pasuatupane cy U

ppecKe y UOiUK)'UO/lIlUM iipociiiopuua, a iipu iUoMe cyusoeojeue iipeociiiaee jeeauhenuciiia ua ualloalliUupUMa

U nepyxoiueopeuux C/lUKa XPUCiU06UX usuehy nsux.

Kynona ce, no BH3aHTHjcKHM ryMaqeIbHMa upxseaerpaheaane, cMa-rpa CHM60JIOM He6a, mTO cy Y3HMaJIH y 06­3Rp H BH3aHTHjcKH CJIHKapH npHJIHKOM OCJIHKaBaIba xpasra,IIpH TOMe je KaJIOTa xynone osaaseaa xao He6eCKH CBO,u: HJIHHe60 Ha,u: He6eCHMa, na KojeM ce HaJIa3H ,u:OM XpHCTOB.l TeCHM60JIHKe npanpzcaaana cy ce HCJIHKapH QPKBe MaHaCTHpaPecase, na je, CXO,u:HO TOMe, synona yxpamena He6ecKHM 're­MaMa H npencraaasra OHHX JIflqHOCTH xoje C He60M croje yaenocpezraou ztozrapy.

Kanoiua uenuipanue K)'UO/le

Ilpencrase y KaJIOTaMa CBHX xyrrona y QPKBH MaHa­crnpa Pecase CacBHM cy yaanrrene. Ilporpasrcxa aHaJIH3a<ppecaKa y TaM6ypHMa, Me~ymM, Y3 yrropenay aHaJIH3Ynpencrasa y QPKBaMa CnOTIIYHO OqyBaHHM KyrrOJIHHM rrpo­rpaMHMa, ,u:03BOJbaBa pexoacrpyxrmjy rrpB06HTHOr )KHBO­IIHca. TaKO je y npCTeHY OKO 'resreaa uerrrparrne KYnOJIe yPeCaBH <pparMeHTapHO osyaaaa npeztcrana He6eCKe JIHTYP­raje, a acnon Ibe ce HaJIa3e JIHKOBH npopoxa (l\PT. 1). Ty je,ztaxne,pes 0 TH~HOM rrporpasry KaCHOBH3aHTIfJCKe xyno­JIe, y qHjeM ce TeMeHY HaJIa3H CJIHKa IIaHToKpaTOpa. BpJIOcnasaa npaxep MO)Ke ce BH,u:eTH y l\pKBH MaHaCTHpa Pana­nnne, 3a.u:y)K6HHH KHe3a Jlasapa, xoja je no MHoro qeMY6HJIaY30P sa CJIHKaHH nporpass Pecaae. Ha OCHOBy rora MO)Ke ce3aKJbyqHTH ztaje H y xanora rrearpanae synone Pecaae 6HOHaCJIHKaH Xpuciuoc Ilautuoxpatuop. Ty npeTnOCTaBKY no­rsphyje H asaeurraj <I>eJIHKCa KaHHQa, KOjH je y XIX BeKY yKaJIOTH uearpanae xynone BH):leO MOHYMeHTaJIHY npencrasyXpHCTa IIaHToKpaTOpa.2 Hnax, no cBeMY cyaeha, sayaex heOCTam 'rajaa KaKO je IIaHToKpaTOp TaqHO asrnenao H na JIHje Y3 'raj JIHK nocrojao HeKH HaTnHC, mTO 6H sa 06jamIbeIbeOBe CJIHKe 6HJIO on BeJIHKOr saasaja,

BH3Hja XpHCTa, Ilapa CJIaBe, Ilanrosparopa H KOCMO­xparopa, qHje ,u:Be rrpRpo,u:e CJIaBe ~eJIH, rrpOpOl\H, a nOHe­Ka,u: H anOKaJIHIITflqHa 6Hha, 6HJIa je npe,u:CTaBJbaHa Ha HKO­HaMa H y arrCH):laMa l\pKaBajom y paHoxpHmhaHcKoj YMeT-

nocra.t Ilpencrasa y l\pKBHIlaaaraja ,ZJ;pocojaHH aa HaKCO­

cy (zrpyra nOJIOBHHa VII sexa) yxasyje aa 'ro na je IIaHToKpa­

TOpOB JIHK 'razta 6HO CJIHKaH HY TeMeHY xynona.! IlpencrasaXpHCTa IIaHTOKpaTOpa y TeMeHY KYnoJIe YCTaJIHJIa ce nax ynporpaxmra BH3aHTHjCKHX npxaaa TeKnOCJIe HKOHOKJIa3Ma

H y6p30 je nOCTaJIa aajpacnpocrpaaeaaja 06JIHK yspamasa­

Iba KaJIOTe, aa nrra yxasyjy npaaepa H3 cpeznsosaaaaraj­

cxor nepaona H HapOqHTO H3 KaCHOBH3aHTHjcKOr. Ha TYaxoaorpadmjy xynone xao CJIHKe KOCMoca YTHl\aJIH cy CBa­

KaKO uapnrpancxn reOJI03H, KOjH cy jom rrpe BJIa,u:aBHHe Ba­

cHJIHja 1(867-886) HJIaBaVI Mynpor (886-912) YKa3HBaJIH

aa Xpacra, Dora HqOBeKa, xao na mopua Hnnanapa nacerse­

He.5Y BpeMe Ilaneonora TO je nOCTaO aajpacnpocrparseaaja

10 K)'IIOJIH KaO CHM60JIY He6a: r. A. Ilpoxorray, 0 /COC1jlOAoruc6,.crojl{JOA,!eJjl6'O eJTI/V apX!'fE/C'fOV!/Ct1 'fOV {Jv'av'rlvov vaov, ATHHll 1981,110 sqq., 215-217; E. Baldwin Smith, The Dome. A Study in the History ofIdeas, Princeton 1950, passim.; L. Hautecoeur, Mystique et architecture.Symbolisme du cercle et de la coupole, Paris 1954, passim; K. E. McVey,The Domed Church as Microcosm. Literary Roots an Architectural Symbol,DOP 37 (1983) 91 sqq. (0 CHM60JIHl(H rrpsaeaor rrpocropa na rrpaaepy ca­pajcxe XJlMHe y cnasy xarenpane y E,I:\eCH).

2 cr. F. Kanitz, Serbien. Historisch-ethnographische Reisestudienaus dem Jahre 1859-1868, Leipzig 1868,26.

3 Ilpmrcpc ,l:\OHOCe, H3Meljy OCTl1IDlX: Ch. Ibm, Die Programme derchristlichen Apsismalerei vom vierten Jahrhundert bis zur Mitte des achtenJahrhunderts, Wiesbaden 1960, 42-51; S. Kaspersen, Majestas Domini ­Regnum et Sacerdotium. Zu Entstehung und Leben des Motivs bis zum Inve­stiturstreit, Hafnia 8 (1981) 83-146; W. Weber, Symbolik in der abendliin­dischen und byzantinischen Kunst. I: Von Sinn und Gestalt der Aureole, Ba­se11981,220 sqq.; K. Weitzmann, The Monastery ofSaint Catherine at Mo­unt Sinai. The Icons, 1:From the Sixth to the Tenth Century, Princeton 1976,41 sq. (B. 16), PI. XVIII, LXII-LXIII; L. Bremer, Les visions apocalypti­ques dans l'art byzantin, Arta si Archeologia 4 (1930) 1-12 (ayrop Ha3HBaOBy cneny arrOKl\JlHIlTH'IHOM BH3HjOM).

4 Cf. H. I'aonec, 0 Bv(av'rlv6,. 'fPOVA,A,OfO xca ro E!/Covoypalp!/C6'fOV lrp6rpajljla (}deJa 60v al.-1204), Araaa 1990, 31 sqq., 228; M.Chatzidakis et al., Naxos, Athens 1989, 19, Fig. 4.

5 IIHCaHH H3BOpH yxasyjy aa TO ,l:\a je CJIHKalbe XpHCTa IIaHTOKpa-TOpa y xynonasran:apHrPa,I:IcKIIX IlPKaBa sehy IX BeKY 6HnoBeOMa pacrrpo­crparseno. Jib n03HaTe rrponosena narpajapxa <I>OTHja (pecewa XOMWlU-

ja) H3rOBOpeHe rrpHnHKOM ocsehersa IlPKBe Boropozrane 0,1:\ <I>apa (864),carpaheae y 6nH3HHH XPH3QTPHKJIHHOCa uapcxe nanare, BepOBaTHO no na-nory napa Maxaana III (842-867), casnaje ce na ce y K)'IIOJIH 're IlPKBe aa­nasana M03aHQKa npezrcrasa XpHCTa IIaHToKpaTOpa [cf. R. J. H. Jenkins,C. A. Mango, The Date and Significance ofthe Tenth Homily ofPhotius,DOP 9-10 (1956) 125-140; The Homilies ofPhotius, Patriarch ofCons tan-tinapie, ed. C. Mango, Cambridge, Mass., 1958, 185 sqq.; C. Mango, TheArt ofthe Byzantine Empire. 312-1453. Sources andDocuments, Englewo-od Cliffs 1972, 186]. CJIHqaH K)'IIOnHH rrporpass HManaje BepoBaTHO H'ra­K03BaHa HOBa IlPKBa (Nea e/C/CA,T/C1{a), raxohe y napcxoj nanara; ra IlPKBaje, y rrpHCYCTBY napa Bacanaja 1(867-886), ocseheaa 880. rozraae. lli 28.H34. rrponOBe,l:\H IlapaJIaBaVI Ca3Haje ce ,l:\a ce rrpe,l:\CTaBa IIaHToKpaTOpaHana3Hna Hy K)'IIOJIH IlPKBe n:apHrPa,I:ICKOr MaHaCTIlpa Kayneac (H3 OCHOBepeCTaypIlpaHa no,l:\ naTPHjapxoM AmoHHjeM II KayneacoM, 893-901), KaO 131

Iipiueoc 1a. Lleuiupanua KyUOJIa, uciUo'llla ujyocua ciupaua; eoptsupeeuctuap: ippaeueumu Hetiecxenutuypeuje;iUaM6yp, zopteupea: upopouuHnuja, Jenucej, Je3eKWb, A6aKYM, Jepeuuja u 3axapuja (unaou); aOlbu pea: upopouu Coipouuja.

Aeouja, Aeej, Hayu, Feoeou u Ocuja (upiueoc E. )J{u6Ko6una)

Bll,ll yxpanranarsa KyIIOJIa, a rrpa TOMe je npezrcrasa Xpacraofijaunsasana na paanasnre HaQllHe.6 Ilon ,llO,llaTHIlM yraua­jeMuaparpancxax TeOJIOra y TO npesrenonpcje Ilarrroxparo­pa ospyacasaao je pa3HOBpCHllM Bll,llOBIlMa nefiecxax 611ha.CJIO:>KeHa Bll3llja Xpacra y CJIaBIl nponrapena je y KaCHOBll­sanrajcxoa nepaony npencrasoa Hefiecxe mrrypraje, mTOje rrpyzcano ztoztarno ofijannseae Ilaaroxparopose CJIllKe.OHje TaKO 6110 npencranrsan IIxao BeJIllKIl CBemTeHIlK xoja06aBJba Hefiecxy mrryprajy. Ha raj HaqllH crnncapa cy ceocnarsann na Ilocnauuuy Jeepejuua, y KOjOj aIIOCTOJI IlaBJIe,na OCHOBy Ilc 110, 4, ronopn 0 Xpacry xao 0 BeJIllKOM IIBeQHOM IIOrJIaBapy CBemTeH~KOM no peny Menxacezrexo­BOM (JeB 6,20), OHOM "KOjll je nponrao aefieca" (JeB 4, 14) II"KOjll cjene Cnecne crpane npajecrona aernraane na netie­cllMa" (JeB 8, 1).7Ilpeaa TYMaqeH>Y CBeTllX oraua, csenrre­H~Ka ynora XpllCTOBa liMa COTllpllOJIOmKO aaaserse jep jeXpIlCTOC, :>KpTByjyhll ce6e, OqllCTIlO rpexe CBeTa II IIOCTaoCBemTeHllK.8 Ty nnejy paspaztana cy IIOTOM y CBOjllM cnacn­Ma upxaena OU;Il, Meijy KojllMa cy Haj3HaqajHlljll AraaacnjeAnexcaaapajcxa, JOBaH XpIl30CTOM, Kapan Anexcannpaj­cxn, Fparopnje Hncxa, KHPllJI Jepycanmrcxa a EIIll<paHlljeKIlIIapCKll.9 TaKBO ofijannsen,e rpefiano 611 TPa:>KllTll II sacPpecKy Ilaaroxparopa y xynonn pecascxe upxae, Ha TO yxa­ayje II qllIheHllu;a ztaje Y3 H>era npeztcraarsena Hefiecxa JIll­TYPrllja, a HemTO Hll:>Ke IIBeJIllKll csenrremnta Ctaapoesaee­ii1a - CaMYllJI0, Mojcaje, APOH II3axapllja, xoja ce MOry ry-

132 MaqllTll xao rrpednrrypanaje Xpncra CBemTeHllKa. 1O

H rrpeCTOHWIKor xpasra Crarrnjana 3a~eca (886-893). Y IX HJIlI xpajev Xsesa (986-994) JIlIK Ilarrroxparopoa HaCJIlIKaH je y xyrrona IIpKBe CBeTeCodiaje y Ilaparpany (o6HOBJbeH 1354). 3a Tea npyre uaparpaztcxe IIpKBecr. Mango, Art ofthe Byzantine Empire, 194,202 sqq.; C. Mango, Materialsfor the Study of the Mosaics ofSt. Sophia at Istanbul, Washington 1962,29-35, 87-91, Fig. 1-3, 23-27, 111 sqq.; K. Wessel, Bildprograrnm, in:RbK = Reallexikon zur byzantinischen Kunst I, Stuttgart 1966, 668-671; E.Giordani, Das mittelbyzantinische Ausschmilckungssystem als Ausdruckeines hieratischen Bildprogramms, JOBG 1 (1951), 103 sqq.; Taonec, Bv­(;avn v6~ Tpovllll~, 32 sqq., 32, 55 sq., 62, 228 sqq.; A. Grabar, L'icono­clasme hyzantin. Dossier archeologique, Paris 1957,253.

6 cr. T. Ilanasracropaxac, 0 lil(x/CoCJJl~ TOV Tpovllov Trov varovTTf~ llallawIl6re!a~ lCEPl680v CJTTf Ball/Cavl/CJ) XepCJ6vTfCJo xca TTfV x».ttoo, Arana 2001,61-79.

7 E. M. Hapnnh, Apxujepej iiopeoyMenxuceoexoey, EorOCnOBJbe17/1-2 (1973) 17-42; idem, Apxujepej iio peoy Menxuceoexoey III, Boro­cnoarse 18/1-2 (1974) 17-46.

8 J. IIorroBlfn,pomaUiuKa Ilpaeocnaeue upxee II, Beorpan 1980,437-445; qapHHh,Apxujepej iio peoyMenxuceoexoey, 46.

9 IIorroBlfh,pomaUiuKa Ilpaeocnaeue upxee II, 416-432.10 Ilpezrcrase crapoaaaemax caenrremnca nanase ce y xynorra np­

KBe y ApIfJbY. Ty ce rrojaarsyje rrpenasno pemerse xa KacHlfjlfM K)'IIOJIHIfMnpencrasaaa He6eCKe narypraje If Xpacra csenrrenaxa, Cf. .n;.Bojsozrah,3UOHO cnuxapciueo upxee C6eUio2 Axunuja y Apunsy, Beorpan 2005, 37sqq.; .n;. BOjBOJ:\nh, OlluKo6UMa ctnaposaeetuuux upeoceeiuuieuuxa y 6U­3aHUiujcKoM 3UOHOM cnusapciuey c «paja XIII eexa, 3PBH 37 (1998)121-150; Lj. D. Popovic, The Old Testament High Priests in Arilje. TheirRepresentation, RelatedImages, and Theological Significance, in: Scholar,Patriot, Mentor. Historical Essays in Honor ofDimitrije Djordjevic, ed. R.B. Spence, L. L. Nelson, New York 1992,77-99; Lj. Popovic, The Prophetsin the Drum and Soffits ofthe Arilje Katholikon. A Study ofFigure Identifi­ties and Interpretation ofTheir Texts, in: Ceeiuu Axunuje y ApUJbY. Hcuio­puja u yMeUiHocUi, 360PHlfK pazrona ca aaysnor cK)'IIa, 25-28. 5. 1996,Beorpazt 2002, 121.

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- - - , - --r

/4Jme:JK: 16. Ileumpanua xyuona, saaaoua u ceeepua ctupana: 20P1bU peeuciuap: ippaeueutuu Heiiecxe nuiuypeuje;maM6yp, 20P1bU peo: UpOpOl./U JOHa, JOUll, Manaxuja, Ilauuno, Hcauja u Joeau Ilpeiueua; 001bU peo: UpOpOl./U AMoc, CaMyUllO,

3axapuja (ctuapu), Apou, Mojcuje u Muxej (uptueoc E. }/(ue1<oeuna)

Kanoiue yzaouux «yiiona

On npencrasa y KaJIOTaMa cexynnapanx K)'IIoJIa o'I)'BaHje CaMO <pparMem y jyrosarrazraoj K)'IIOJIM (npr, 4).11 3y6 spe­MeHa aenosparao je O)J;Heo CBe OCTaJIe npencrase, TaKO ztaceztaaac MOJKe CaMO narahara IIlTaje y IhMMa 6MJIO HaCJlMKaHO.

II03HaTo je ztacy Y ceKYH/l:apHMM xynonaaa BM3aHTMj­CKJilX npxasa aajxemhe 6MJIM CJlMKaHM Me,n:aJI,OHM Crronpcja­Ma Pa3JIMqMTMX BM,n:OBa XpMCTa, xao MOHM Cnorrpcjaaa Eo­roponaue Mapxanhena. AKo ce cyna npesra npnaepy M3 Pa­nanmte, xoja MMa CJIMqaH nporpaa TaM6ypa cexyanapnaxxyrrona xao Pecana, oazta cy My Pecasa y TeMeHMMa TMX xy­nona MOpaJIM 6MTH npnxasann XpHCTOC EMaHyMJI, Crapanztana, Boroporrana H apxaaheo MJilXaHJlo.12 Ha TO 6H Moraozra yKaJKe H rrOMeHYTH <pparMeHT y jyrosanaznroj KyrrOJIH. HalheMy ce MOJKe pa3a3HaTH neo OCMOKpaKe snesnexoja je 6HJlayrracana y xpyr, a xojy rpane zma YHaKpCHO nocranrsenaxaanpara, Hecyaaano je ztaje ry HaCJIHKaH cerxear nefia,IIITO rosopx na ce JIHK - BepOBaTHO 6HCTa - KOjH je y lheMY6HO npnxasaa HaJIa3HO y nefiecxoj ctpepa. To nornphyjy Haahena npencraarsean y TaM6ypy. CMM6oJIJilqHO nocsrarpa­HO, xsanpar je CJIHKa CBeTa xao JKHBOTHOr rrpocropa Jby,n:H.OH nonceha na serapn crpaae CBeTa H aa serapa serpa xojaCIhHXnysajy, ua qeTI1pH pajcxe pexe, qeTI1pH He6eCKe JKHBO­rna,e, sernpa anheocxa JIHl\aripen EorOM,sernpa xorsa pas­JIHqHTJilX fioja HqeTHpH jesanhersa. )J;Ba yxpnrreaa xaaztpararpazte CHM60rrJilqHY OCMOKpaKY ssesny xoja nocpenyje H3Me­I:)y 3eMJbe (xsaztpara) H nefia (xpyra) H ofiyxnara 060je. )J;BO-

CTpYKH xsartpar osnaxaaa H caspnrenocr KOCMoca y 06mfKYOCMor He6a H3Ha,n: IIJlaHeTa, xao H OCMM nan, aa KOjH je cezt­Mo,n:HeBHO crsaparse CBeTa 6MJIO nospmeao. OCMOKpaKa 3Be­sna onrosapa H OCMOKpaKOM MOHorpaMy XpHCTOBOM, xao HOCMOKpaKOM c~eBOM xpcry. 3aTO je y TaKBOj npencrasanacersene qeCTO npmcaaaaaa lheH 'raopan - I'ocnon. IlpesraTOMe, OH je Mopao 6HTH HaCJIHKaH y TeMeHY jyrosanazrae KY­none pecancxe npxse. Ty ce xrorao HaJIa3HTH Crapan nana,KOjH je aajxenrhe H 6HO TaKO rrpencraarsan, IIapaJIeJIy sa TOnpyzca lherOBarrpencrasa y PaBaHMl\H, raxohe y jyroaanazt­HOj KYnOJIH. IIOIIITOje y npcreny OKO resreaa ceaeposananaexynone acrmcaaa XHMHa xoja CJIaBH Boropozmuy, MOrJIO 6Hce OqeKHBaTH H zta je OHa 6HJla npeztcranrseaa y TeMeHY 'rexynone. TaKBoM saxrsysxy rrpOTHBHJla 6H ce, MeI:)YTMM, yU[­

lheHHl\a ztaje Boropomrsaa l\HKJIYC HaCJIHKaH y l:)aKoHHKo­HY, rraje, na OCHOBy 'rora, Boroponaxan JIHK Morao 6HTH H YjyrOHCTOqHOj KyrrOJIH, OHOj MCTOj Y KOjOj ce HaJIa3H y Pasa­

HHl\H. Moryhe je ztaje 6HcTaXpncra EMaHYMJIa y Pecana 6H­JIaHaCJIHKaHa y cenepoacrosaoj KyrrOJIH, HCTO xao y Pana­HHl\H. Mecro na KojeM cy ce HaJIa3HJlH JIHKOBH apxaahena6MJIO 6H ozrpeheno, npesraTOMe, y 3aBHCHOCTH on Boroponn­qHHe npencraae; y PaBaHHl\H cy OHH JKHBOrrHCaHH y cesepo­sananaoj KyrrOJIH.

II E. :>KHBKOBHh,Manacuja. ~e:JfCudipecasa, Beorpaa 1983, II .12 3a npencrase y TeMeHHMa ceKYH,lIapHHX KYilOJIa Panaaaue cf. E.

:>KHBKoBHn, Pa6aHUlJa. I1,pUte:JfCU r/JpecaKa, Beorpan 1990, 8 sqq.; M. Be-JIOBHh, Pa6aHUlJa. lfciUopuja UC/lUKapCUt60,Beorpan 1999, 12-15,92 sqq. 133

Ilptueoc 2. Ceeepouciuonna K)JUOlla, iUaM6yp: xepyeuuuU cepatpuuu (IIPiUe:JIC E. )/(u6Ko6Una)

CJIH'IHe npeztcrase 6lfJIe cy yofiaxajene sarenena yra­OHHX xynona upxasa H3KaCHOBH3aHTHjcKor nepnozra. 0 TO­Me csenose cexyanapae KynOJIe npxse CBeTHX arrOCTOJIa yCOJI)'HY. qHHHce MorynHM,Llaje TaKaB nporpaa yraonax KY­nOJIa HaCTaO y Ilaparpazry, HIDKaJIOCT, MHorn uaparpancxanpmrepn H3Tor npesreaanenonparno cy )'HlUIITeHH, TaKO ztananac 0 TOMe MO)Ke CBe,LlO'lH'rHje;rJ;HHO rrpasrepH3napaxnacaupxse aexaaannser MaHaCTHpa Xope, rne je npaxasaaa 00­roponaua oxpyacena aHljeJIHMa. Kao npasrep nporpasscxorpemea,a xoje je HaCTaJIO y Ilaparpazty MO)Ke ce rrpHxBaTHTHjOIII Hnoxrenyra upasa CBeTHx arrOCTOJIa y COJIyHy, xojy cy,rro cBeMY cyzreha, OCJIHKaJIH uaparpaztcxa MajcTOpH. Y up­KBH CBeTHX arrOCTOJIa y uerrrpanaoj KYrrOJIH npaxasan jeIIaHTOKpaTOp. OKO rsera cy acmrcana CTHXOBH IIc 101 (102)20-22, KOjH ra CJIaBe xao BeJIHKOr CY,LlHjy aa CTPaIIIHOM cy­;rJ;y. TeKcToBH npopoxa yxasyjy, npa TOM, na iseroay ynorycnacarersa. Y jyroaanazraoj H ceseposananaoj KyrrOJIH 're~KBe HaCJIHKaHa je KOM6HH~ja BH3Hja npopoxa Je3eKHJba,.ll:aHlfJIa H Hcaaje. Y jyrosarrazraoj KyrrOJIH rrpencraarsen jeXpHCTOC JIoroc, OKp~eH, CXO,LlHO BH3HjH npopoxa Je3eKHJba,rerpaaopdnoaa, IIIeCTOKplfJIHM cepa<pHMHMa H BaTPeHHM KO­JIHMa. Y ceaeposanazraoj KyrrOJIH HacJIHKaH je CTapaII zraaa,xojaje OKp~eHHCTHM He6ecKHM 6HliHMa. Hajsan, y cesepo­HCTO'IHOj KyrrOJIH rrpnxasaaaje Boropoznnta ca XpHCTOM, KO­jy npare aahena, ,LlOK je npezrcraaa Y jyrosanazmoj KyrrOJIHOIIITeneHa.13 IIpHMepH H3yraonax xynona CBeTHX arrOCTOJIay COJIYHY H Pasanmre HIIaKHHCy jemraa penreaa xoja ce rro­jasrsyjy y rreTOKyrrOJIHHM npxaaaa. Y CTapOM Haropaxaay(1316-1318) H rpa'laHH~ (OKO 1320) Y 60'lHHM KyrroJIaMarrpe,LlCTaBJbeHH cy jeBaHgeJIHCTH.'4 Y Hepe3HMa (1164) H00­ropo,Ll~JDeBHIIIKoj y IIpH3peHY (OKO 1310-1313) Y KaJIO­TaMa yraoHHX KyrrOJIa HaJIa3e ce rrpe;rJ;cTaBe XpHcTa, Koje ra,Kao CHM60JI Be'lHOCTH, rrpHKa3yjy y Pa3JIJlqHTHM CTapOCHHM;rJ;06HMa.'5 Y ~PKBH ooropO,LlH~e O;rJ;HrHTPHje (A<peH,LlllKO,rrOCJIe 1312/1313) y MHCTPH Y ceKyH;rJ;apHHM KyrrOJIaMa Ha­CJIHKaHH cy rropTPeTH rrpopOKa HrraTPHjapaxa CiIiapoz 3aee­ilia, a HCTa HKOHorpa<pHja rrOHaBJba ce H y IIaHTaHaCH (OKO1430).'6 Y ~PKBH KOCMocoTHpe y BHpH (OKO 1200) Y 06e HC­TO'lHe KyrrOJIe, H3Ha,Ll rrpoTe3Hca H gaKoHHKoHa, rrpHKa3aHHcy JIHKOBH aHgeJIa, a y 3arra,LlHOM rrapy KyrrOJIa HaCJIHKaHH cy

134 XpHCTOC H oOrOpO,LlH~a.'7

He6ecKa/luiliypzuja

OqyBaHH <pparMeHTH <ppecaKa y npcreay OKO TeMeHa~eHTPaJIHe xynone rosope ztaje y Pecasa aa TOM MecTY 6lfJIanpaxasaaa Hetiecxa nuiuypeuja, H TO BeJIHKH BXO,Ll xao zteoJIHTYprHje KOjH cy, nonyr npasenrha, BepHH~HMOrJIH saae­TH(upr. 1). IIpe,LlCTaBa je fiana norrya.eaa JIHKOBHMa pa3JIH­'lllTHX anhena KOjH cy HaCJIHKaHli y TaM6ypHMa cexynaap­HHX xynona, a KOjH cy H ztanac O'lyBaHH (npr. 2-5). To rro­TBpgyjy JIHTYprHjcKe necsre HCIIHcaHe Y3 nefiecxa 6Hlia. Ta­KO cy OHH npmcasana xao aKTHBHH yqecHH~H rnrryprnje, rro­nyr napoztaKOjH npara 3eMaJbCKY JIHTYPrnjy. O,Ll rrpeztcraseJIHTYprHje y npcreay ~eHTpaJIHexynone osyaaaa cy jOIII ca­MO ,LlOlbH ,LleJIOBH JIliKOBa anhena gaKOHa KOjH cy ceHaJIa3lfJIHH3Megy cesepnor H jyzcnor nposopa xynone. Jacno ce pasa­anaje CaMO TO na cy 6lfJIHPa3JIJlqHTO oneseaa H na HeKH 0,LllbHX noce oztehy gaKOHa. CBHcy ce KpeTaJIH y npasuy HCTO­xa, rne je neposarno 6HJIa rrpaxasaua 'laCHarprresa, xoja jeaa TOM MecTyHaCJIHKaHa y npeztcrana Hefiecxe JIHTYPrHje yPaBaHH~H, aJIH H na ,LlPYTHM rr03HaTHM npmrepmra 're cue­He.'8 Henosnaro je KaKO je H3rJIe,LlaO raj zteo CJIHKe. Y Pasa­H~ ce H3Ha,Ll sracne rpneae Y3,LlH)Ke 6aJI,LlaxHH, a OKO rprresece HaJIa3e serapa anhena (nsa ca CBaKe CTPaHe) H XpHCTOCxao CBeIIITeHHK y Cpe,LlHHH. Y CBaKOM cnysajy, neposarao jena je y Pecaan, xao H y PaBaHH~H, aJIH H na MHornM,LlpyrnMnpeztcraaaua OBe cueae, TY6HO npaxasaa BeJIHKH BXO;rJ;, npaKOJeM ce CBeTH napona npnaoce aa xacny rpnesy.

IIpe,LlCTaBy Hefiecxe JIHTYPrnje YMeTHH~H BH3aHTHj­cxor xpyra Y06JIJlqlfJIH cy rrpesrarrpmsepy 3eMaJbCKe JIHTYP­raje, IIPH TOM cy ce PYKOBO,LlHJIH TeKCTOBHMa TeOJIOra, KOjHcy Ben 0,Ll paHOXpHIIIliaHCKOr spesreaa YKa3HBaJIH aa CJIH­'lHOCT H3Megy nefiecxe H 3eMaJbCKe mrrypraje. IIo lbHMaje3eMaJbCKa JIHTYprHja CaMO CJIHKa rrpOTOTHIIa - Hefiecxe JIH­TYPrHje.t9 IIPBH rr03HaTH npmrepa rrpaxasaaarsa nefiecxernrryprnje norrrry H3XI sexa H rroxaayjyztaje y TOM nepno­.LlY mrrepecosarse aa CJIHKalbe JIHTYPrHJCKHX TeMa HapO'lHTOnopacno. Ha TO yxasyje rr03HaTH JIHTYPrHjcKH CBHTaK H3Je­pyCaJIHMa (~'ta'\}pou 109), na KojeM cy rrpaxasann aHgeJIH C

13 0 K)'II0JlaMa IWKBe CBeTHX arrocrona y COJIYHY cf. Ch. Stephan,Ein byzantinisches Bildensemble. Die Mosaiken und Fresken der Apostel­kirche zu Thessaloniki,Worms 1986,40-47, 101-107.

14 s.TOi-\HIi, CtuapoHa20pu~uHO, Beorpan 1993, 73-74, 78; E. To­,llllh, Fpauauuua. Cnuxapciueo,Eeorpa).\-IIpHIIITIma 1988, 83-84, 87-90,93-94, 105, 108-109; E. :>KHBKOBHIi, Tpauanuua. Ilpiueocu rPpecaKa, Beo­rpan 1989, 11.

15 I. Sinkevic, The ChurchofSt. Panteleimon at Nerezi. Architectu­re, Programme. Patronage, Wiesbaden 2000, 40-43, Fig. XXI-XXVI,XXIX; ):(. Ilaaah, f . Ea6HIi, E020poiJUlJa Jbeeutaxa, Ilpaurmaa-Beorpan20073,49-50; E. )J{HBKOBHIi, E020poiJUlJa Jbeeuuoca. Lipiueocu rPpecaKa,Eeorpa).lI991,12-15.

16 M. Chatzidakis, Mistra. Die mittelalterliche Stadt und die Burg,Athen 1987,59,102, CJl. 35.

17 Ilpeacraaa y nenrpannoj KYrrOJlH lIpKBe KOCMOCOTllpe y BHpH jeYHHWTeHa, cf. S. Sinos, Die Klosterkircheder Kosmosoteira in Bera (Vira),Munchen 1985, 203 sqq.

18Cf. XHBKOBHIi, Pa6aHUlja, 8 sq.; EeJlOBHIi, Pa6aHUlja, 83 sq.; B. J.nypHIi, Pa6aHu~KU XU60UUC U lluiiiyp2Uja, in: MaHaciiiup Pa6aHUlja.CUOMeHUlja 0 Uleciiioj Ciii020iJUUlItJUljU, Eeorpa).ll981, 66-67.

19Jowje Teoi-\0p H3 MorrcyecTHje (392-428) o6jacHHo yJloryaHlje­Jla y He6ecKoj JlHTyprujH, cf. Les home/ies catechetiques de Theodore deMopsueste. Reproductionphototypique du ms. MinganaSyr. 561 (Selly OakColleges' Library, Birmingham), ed. R. Tonneau, R. Devreesse, Citili delVaticano 1949, 497 et passim; f. Ea6HIi, Kpalbe6a ljpK6a y CiiiyiJeHUljU,Eeorpa).l 1987, 68, Han. 60. XHjepapxHjy aHl)eJla o6jacHHo je IIceYi-\o-):(Ho­HHcHje Apeorranrr, i-\OK cy lIapHrpai-\CKH rrarpHjapxfepMaHI (715-730) HHHKOJla H3 AHi.\Hi-\e (cpe}.\HHa XI BeKa) pa3jaCHHJlH O}.\HOC He6ecKe H 3e­MlIJbCKe JlHTYPrHje, cf. PG 140, 440-442; R. Bornert, Les commentairesbyzantins de la Divine Liturgie du VIle au XVe siecle, Paris 1966, 172,205sq.; Ea6HIi, Kpalbe6aljpK6a, 68.

Ka)J.HOHHlIaMa H CBeTHM naponaaa na nIaBH, xao H XpHCTOCCBellITeHHK Meijy ffiHMa.20 IIo CBeMY cyzteha, TeK y speaeIlaneonora OTTIoqeJIO ce CrrpHKa3HBaffieM Hefiecxe JIHTYPrH­je y KynOJIaMa npxana, a npnn OqyBaHH npiorep HaJIa3H ce yKparseaoj U:pKBH y Cryzremma (1314).21 Haxo je xyrronayaex nocuarpaaa xao CHM60JIHqHa CJIHKa aefia, TeK on ranay rsoj ncsarsy zta ce )f(HBOnHIIIy nefiecxa norahaaa. Ha OlJY­BaHHM rrpHMepHMa MOJKe ce rrpHMeTHTH na cy TOKOM npexre­aa Tenpencrase ofiorahasaae HOBHM nerarsaaa Hzta cy TaKO.n:06HjaJIe HOBa saasersa. Ha HeKHMa ozt IbHX, a nocefiao naOHHMa y 3a)J.y)f(6HHaMa xparsa MHJIYTHHa, npmrerna cy Hrrpenasaa pemersa. lIHHH ce na je TeK on cpemme XIV sexaH3anacae 'rprreseno-reo na ce CJIHKa XpHCTOC CBellITeHHK.22Ilojasa Xpacra caenrreaaxa y PaBaHHU:H HapOqHTO 6H MO­rna zta yxasyje na TO zta je XpHCTOC y OBOj yn03H 6HO aacna­KaH H y Pecasn.

***Ilpeacrasa Hefiecxe narypraje y u:eHTpaJIHOj xynona

.n:on)'H>eHaje, xao IIITOje nOMeHYTo, CJIHKaMa auhena H3MeijyyCKHX rrposopa na TaM6ypHMa yraonnx KynOJIa (npr. 2-5).23Hsaxose npe.n:cTaBe penaTHBHo cy ziofipo OqyBaHe Hnoxaayjy.n:a ce ry HaJIa3e Pa3JIHlJHTH BH.n:OBH He6ecKHX CHJIa xoje, CJIa­seha Dora, yaecrsyjy y mrrypraja. Ilopehersea <ppecaKa yTaM6ypHMa yraomrx KynOJIa ca OHHMa y PaBaHHU:H .n:OJIa3Hce no aasrsysxa ztaH3Meijy ffiHXnocroja BeJIHKa CJIHlJHOCT Hztaje Pasaaaua H y TOM norneny 6HJIa Y30P npHJIHKOM OCJIH­xasaaa Pecaae.

Y ceaepoacroxaoj HjyrOHCTOqHOj KynOJIH (U:PT. 2-3),xoje ce Y3.n:HJKY H3Ha)J. nporesaca H ijaKoHHKoHa, HaCJIHKaHllcy HCKJbYllHBO xepYBHMH H ceparpaxra. HortonffiHXcey jyro­HCTOlJHOj KYnOJIH HaJIa3e jom TpHnpeztcrase MHOroOKHX 6H­ha (uo/luaMaiUa). CBHOHH HaCJIHKaHH cy npesra onacy npo­poxa Je3eKHJba: TO cy lJeTBOpOKpHJIa H IIIeCTOKpHJIa 6Hha,. . .acnon qHJHX ce norsnx KpHJIa BH.n:e nore KOJe HaJIHKYJY naaore TeJIeTa ["M aore HM6Hjaxy npase, a y CTOnaJIy 6HjaxyHMnore xao y renera" (Je31,7)]; pyxe, xoje ce nonarsajy HC­non roprsax KpHJIa, HaJIHK cy aa rsyztcxe ["M PYKe HM6HjaxylJOBjeqHje non KpHJIHMa Ha)J. xerapa crpaae" (Je3 1, 8)]. OaaY PYKaMa .n:p)f(e JIa6apYMe, on KOjHX ce naaac pasasnajy jourcasro.n:pIIIKe. HajBHIIIH .n:eJIOBH THX rrpencrasa cy, Ha)f(aJIOCT,yHHllITeHH, TaKO .n:a aaje n03HaTO zta JIH cy OBe nHKOBe npa­THJIH HaTTIHCH CXepY6UMcKOM XUMIl0M, sao llITO cy OHH ya

. .npmcasey 3ana)J.HOM napy KynOJIa, a KOJH .n:on)'H>YJY OBy CBe-06yxBaTMY CJIHKy aahena.

3ana)J.He KYnOJIe Meijyc06HOcy CJIHlJHO xoauanapaaeH Pa3JIHKYjy ce o.n: HCTOlJHHX (U:PT. 4-5). Ha lJeTHpH cTpaHe06a TaM6ypa rrpHKa3aHa cy aHTpOnOMoP<PHa He6ecKa 6Hha.lhHxoBe npe.n:cTaBe HaHCTOKy, 3ana)J.y, ceBepyHjyry HarJIa­IIIaBajy lJeTHpH cTpaHe CBeTa H no.n:cenajy Ha OiUKpU6elVe

J06a1l06o : "M 1l0TOM Bu;:tiexlJeTupH auijeJIar}.lje cToje HalJe­THpH yrJIa 3eMJl>e, H .n:pJKe qeTHpH BjeTpa 3eMaJbCKa, .n:a He

. ".n:yrne BJeTap Ha 3eMJl>Y, Hll Ha Mope, HHTH Ha HKaKO .n:pBO(OTK7, 1). lliMeijy THX apxaHijeJIa HaJIa3e cejOlli qeTupHxe­pyBHMa H cepa<pHMa. M3Ha)J. CBHX IbHXcTOje jOlli no .n:Ba npe­rrneTeHa BaTpeHa Kona, Koja o.n:roBapajy OIlHCY npopOKaJe­3eKHJba: ,,06JIHQjeM H HanpaBOM 6Hjaxy TOQKOBH" (Je3 1,16); "M Ha OlJH 6Hjaxy CBa lJeTHpH TOqKa je.n:HaKa" (Je3 10,10); " . . . H 06JIHlJjeM H HanpaBOM 6Hjaxy Kao .n:a je je.n:aH TO­lJaK y .n:pyrOM" (Je3 1, 16). CBHapxaHijeJIH IIpe.n:cTaBJl>eHH cyy Pa3JIHlJHTOj o.n:enH. CaMO je oHaj HaHCTOlJHOj cTpaHIIjyro­3ana.n:He KynOJIe o.n:eBeH y nyu u:apCKH opHaT. OpHaMeHTHca­MY o.n:eny H JIOpOC Kao u:apcKH CHM60JI HMajy H apxaHijeJIHrrpe.n:cTaBJl>eHll Ha3ana)J.Hoj cTpaHll TeKynOJIe, KaoH OHH Ha

Iiptueoc 3. Jyeouciuouua J<Yi10/lQ, illaM6yp: xepyeuuuU cepatpuuu (upiae»: E. }f(u6Koeuna)

cesepaoj Hjyzcnoj crpaaa TaM6ypa ceaeposanarme KynOJIe,.n:OK cy OCTaJIH oaeseaa y XHTOHe H XHMaTHOHe. CBHztpace ypyxasra uapcxe HHCHrHHje - xyrny H CKHIITap. M3Ha)J. nefie­CKHX 6Hha y o6e KynOJIe ncnacaa je Tpucazuon, KOjH cy ne­BaJIH cepa<pHMH xana nx je npopox Hcanja BH.n:eo na nefiy, ysDora: c(Re)Tb c(Re)Tb c(Re)Tb r[ocnoA]b C4R40A "Wl\bHH(e)GO " ~eMI\I4 C/\ARb IEro ["CBeT, CBeT, CBeT je I'ocnon Ha)J.sojcxaxa; nyaaje CBa 3eMJl>a CJIaBe rserone" (He 6, 3)]. Ta no­XBaJIHa necsia y CJIaBy CBeTe Tpojaue yjeaao je HaajcrapajaxpHIIInaHCKa XHMHa, xoja je xao HeH30CTaBHa yIIIJIa H y JIH­ryprajy. IIOMHIbe ce nocne Manor BXO,n;a, y MOJIHTBH Tpu­

ceeiue iiecue, a nOTOM je uapon H nena, ,n;OKje CBeIIITeHHK HijaKoH THXO narosapajy, qHHel1H sajemro TpH nOKJIOHa npenCBeTHM npeCTOJIOM. Hapon je rreaaH y oxnnpy Kaaoaa esxa­pHCTHje, nOCJIe MOJIHTBe KOjOM rrosaa.e Y3HOllieIbe.24 Y np­creny OKO TeMeHa ceaeposarrarme KynOJIe acnacaa je H no-

20 A. Grabar, Un rouleau Iiturgiqueconstantinopolitainet ses pein­tures, DOP 8 (1954) 174, 177-182 , Fig. 10.

21 Ea6Hn,Kpaaeea lJPK6a, 66-69. 3a rrpencrane Heoecxe rnrrypra­je YKYIIOJIaMa BH3aHTHjcKHx upxaaa cf. T. Crapozrytiuea, Ilpeoctuaea He­6ecKe nuiuypeujey K)lUOJlu. Ilpunoe upoyuaeaiey,in: Tpehajyzocnoeeucxaxontpepenuuja eusanmonoza, Beorpan-Kpymeaau 2002, 381-415; Ilana­MacTopaKlic, 0 ()UX/COCTJl~ 't'ov't'poVAOV, 135-165 .

22 0 npencranaxa Xpacra CBeIIITeHHKa cf. nypHn, Pa6altU'lKU :J1CU­

60UUC u /luiiiypzuja, 53-67. TeMa XpHcTa Kao CBeUlTeHI1Ka rr03Hamje y BH­3aHTHjcKoM CJIHKapcTBy Ben 0,1:\ XI BeKa. Ca'i)'BaHI1 IlpI1MepH YKa3yjy, Me­I)YTHM, HaTO ,l:\aje XpHCTOC Kao CBeIIITeHHK, y rryHOj CBeIIITeHJf'IKoj O,l:\enl1,HapO'lHTO pa,l:\o npHKa3HBaH TeK 0,1:\ XIV CTOJIena. IIpBH n03HaTH npl1MepHjecy cueHeIIpli'lenrha anOCTOJIa y IlpKBaMa CBeTOr HHKHTe KO,l:\ CKOIIJba HCBeTOr HHKOJIe 0P<PaHoca y COnyHy, cf. A. KCIiHrorryJIOC, O! 't'O!xorpa­<pier; 't'ovA r{ov N umMxovOpcpavov eeCTCTaAOV{/C7Ir;, AT1iHa 1964, 15, CJI.72-74; A. J..VrrypH):ly, H Ev't'o{x!a 'rorpa<pllCll 't'ovAr{ov N!/CoAaov CT't'71

eeCTCTaAov{/C7I, COnyH 1978, 38-40; K. Kirchhainer, Die Bildausstattungder Nikolauskirche in Thessaloniki. Untersuchungen zu Struktur und Pro­gramm der Malerei, Weimar 2001, 176/Abb. 4, 183/Abb. 14; II. MnJhKO­BHK-IIerreK,4e1loiiio Ita 30zpaqJUiiie MuxaUJlo u Eyiiiuxuj,CKorrje 1967, T.CXII sq.

23 0 aHl)eJIHMa HIhJlXOBOj npe,l:\CTaBH y Bl13aHTHjCKOj YMeTHOCTH cf.D. 1.Pallas, Himmelsmiichte, in: RbKIII, Stuttgart 1978,20-93; O. Wulff,Cherubim, ThroneundSeraphim. Ikonographie der ersten Engelhierarchieinder christlichenKunst I, Altenburg 1894,27-72; IIanaMaCTOpaKHC, 0 Dt­aK:OCTJl~ 't'ov't'pOVAOV, 113-134 .

24 EO;)fCaltciii6eHe Jluiiiypzuje, rrpeB. apXJIM. JyCTHH IIonOBHll, Eeo­rpa,ll 1978,34-35,56-77,94-95,112-113; K. Onasch, Liturgie und Kunstder Ostkirche in Stichworter unter Beriicksichtigung der Alten Kirche,Leipzig 1981,363. 135

lJpiUe:JIC 4. Jyeosauaoua xyuona, xanotua: OCMOKpaKa 3Be30aCHeu03HaiUUM /IUKOM XpUciUOBUM; illa.M6yp: OZ1beHU iU01JKOBU,

1JeiUupu apxanhena U 1JeiUupu xepyeuua, OOHOCHO cepadiuua(lIpiUe:JIC E. )J(uBKoBUna)

xerax XHMHe y cnaay Boropozrane - "I4CTHUIWOIO XeplSlu­

HMb H CA4BH'kHWlSlO -Kojace neaa y oxeapy Kaaoaa.eaxa­pacraje, aa xpajy JIHT)'Pmje, ana H y npyraa npHJIHKaMa.

Ilpezrcrase He6ecKHX 6Hha y TaM6ypHMa cnopenaaxxynona Pecase y CKJIa.n:y cy C rpa.n:Hl\HOHarrHHM BH3aHTHj­CKHM nporpaaasra xynona, no KOjHMa ce DOry Haj6JIIDKa 6H­ha - OHa xojaje OH rrpsa CTBOpHO HKojHMaje jenaao Moryhena nocnarpajy aefiecxy c<pepy - CJIHKajy y xynonaaa npxa­Ba.25Pa3JI~HTO oneseaa amponosropdnra aHl)eJIH H aa pas­JIHqHTe aaxaae rrpencrasrsena zrpyra 6Hha yxasyjy aa TO nacy CJIHKapH Pecase )KeJIeJIH na ynoTIIYHe CJIHKY He6aHrrpezr­CTaBe He6eCKH ztaop ca CBHM lberOBHM CTBOpeIbHMa. Xaje­papxHjy He6ecKHX 6Hha, npexa Ilceyno-Ilaonacajy Apeo­rrarmy, qHHH zreser penosa aahena, To je BpX aefiecxe BOj­CKe, rapzta DO)KHja, soja qyaa Ilarrroxparopon 'rpon, ana Hnocpeztyje H3Mel)y aefiecxor H 3eMaJbCKOr CBeTa.26 THMnpencraaasra y Pecasa cy npaxasana HBHl)elbanpopoxa, KO­ja cy y nOCe6HHM rrpHJIHKaMa MornH na BH,n:e OBa 60)KaHCKa6Hha. 0 asrnerry He6ecKHX CHJIa assenrraaajy Hac, HaHMe,npopoua Hcanja, Je3eK.HJb H )J,aHHJIo. Hcaaja je BH,n:eO me­cToKpHJIe cepa<pHMe (He 6, 2), Je3eK.HJb rrax ronopa 0 sarpe­HHM KOJIHMa HTerpaMop<pHMa, 6HhHMa ca qeTHpH JIHl\a,Koja03HaqaBa KaoxepYBHMe (Je3 1,5-12; 10,20-22), ,n:OK )J,aHH­JIO CBe,n:OqH 0 aHrponoMop<pHOM aHljerry Kora je BH,n:eo H Ha­3Bao HMeHOM raBpHJIO ()J,aH 8, 16; 9,21). Ta rpojHl\a rrpopo­Ka Koja cy HMarra BHl}elba He6ecKHX CHJIa npHKa3aHa cy yTaM6ypy l\eHrparrHe KYnoJIe y PecaBH.

TaM6yp tlelliilpa.lllle KYU0.lle

H3Mel)y npo30pa TaM6ypa l\eHrparrHe KyrrOJIe CHM6o­JIHqHO MecTO ,n:06HJIH cy ciilap03aBeiilllu UPOP0tlU (l\pr. 1, CJI.1-20). OHH yje,n:Ho H 3aOKpy)Kyjy HKOHOrpa<pcKH rrporpaMKyrrOJIa l\pKBe MaHaCTHpa PecaBe. Kao liTO je HanOMeHYTo,Dora cy Ha noqeTKYMorne BH,n:eTH CaMO He6ecKe CHJIe, Koje

136 je OH rrpBeCTBOpHO. HemTOKaCHHje BHl}elbe He6eCKor CBeTa

ouoryheao je Hnpopoumra Ctuapoe saeeiua,0 qeMYHacOHHofianeurrasajy y CBOjHM CnHCHMa. 360r 'rora cy JIHKOBH rrpo­poxa CJIHKaHH Y TaM6ypHMa xyrrona upxasa, qHMeje narna­meaa IbHXOBa nocpeznrasxa ynora H3Mel)y He6a H 3eMJDe.Taxo OHH CHM6oJIHqHO noaeayjy He6ecKH CBeT, npeztcra­BJbeH y xanorn KYIIoJIe, ca 3eMaJbCKHM CBeTOM, HaCJIHKaHHMy ,n:OIbHM 30HaMa upxae, Ty CHM60JIHKY aspaacaaajy H H3a­6paHHuararn, yrJIaBHOM H3 Cuiapoe saeeuia, ucrmcamr naCBHl\HMa xoje 're JI~HOCTH .n;p)Ke y PYKaMa. Y TaM6ypy nen­'rparme KYIIoJIe Pecase npaxaaarra cy npopoua - qeTBOpHl\aBeJIHKHX Hzmanaecropana MarrHX - KOjH cy OCTaBHJIH rnrca­na caenosancrna, Ilopen IbHX,TY ce nanase HrrpeztcraneCBe­THX Hnaje H Jenaceja, raxohe BeJIHKHX npopoxa, a HaCJIHKa­HH cy jom H CaMYHJIo, 3axapHja, APOHH Mojcaje xao npe­<pHrypal\Hje Xpacra, BeJIHKOr H BeqHTOr cBemTeHHKa,27

CBHnpopona npHKa3aHH cy yofiasajeao, xao nene <pH­rype, onesene y aajsehea 6pojy y XHTOH H XHMarnOH. H3­zrsajajy ce CBeTH Hnaja H JOBaH Ilperesa, KOjH, no o6~ajy,

noce MeJIOTe, xao H CTapo3aBeTHH caenrrenana, ozreseaa yo,n:e)K.Jl:e caor caenrreaasxor n03HBa; cTap03aBeTHH csenrre­HHl\Hy pyxaxa .n;p)Ke H CHM60JIe KOjH cy sa IbHXxapaxrepa­CTHqHH. Ca H3Y3eTKOM MojcHja, CBH noce cBHTKe; aa CBHl\H­Ma cy nperesrao HCIIHCaHH TeKCTOBH IbHXOBHX npoposan­CTaBa. )J,p)Kalbe H nomen npopoxa yxasyjy na snaxaj HCTO­xa, onaxne ,n:OJIa3H XpHCTOC xao CBeTJIOCT CBeTa H CyanenpaB,n:e.28CBe HaCJIHKaHe JI~HOCTH pacnopeheae cy no ozt­peheaoa cHCTeMY, npa qeMYcy cycenae (jmrype qeCTO nose­saae l\HTaTHMa HJIH nojeaaaocrasra H36Horpa<pHja.

Y roprsoj 30HH, xaztace nohe o,n: HCTOKa, npsaje npezt­CTaBJbeH npopox H.Iluja.29 HaKOje HaTnHC C lberOBHM HMe­HOM YHHmTeH, rrperrosaaje ce npexa yo6HqajeHoj HKOHorpa­<pHjH. To je crapan C.n:yroM ce,n:OM KOCOM H 6pa.n:OM. Ozreneaje y xpahy xaJDHHY, npexo xoje je rrpeoaseaa n03HaTa qy,n:o­TBOpHa BJIaCaHHl\a, CHM60JI lberOBe60)KaHCKe aanapeaocraH )KHBOTa y rryCTHIbH (Zl.Iap 2, 1-15). Y nenoj pyna ,n:p)KHOTBOpeH CBHTaK, ,n:OK ,n:eCHHl\OM yxasyje aa Ibera. Ha CBHTKYje HCnHCaH l\HTaTH3Ilpee KHJU2e °uapeeuua KOjH ronopa 0nenosaa.y TOrrrpopoxa: peBHlSe nOpeBHOB4Xb no r(ocnoA)H

BbUAPb (IUap 19, 10). Taj l\HTaTHCIIHCaHje, OCHM y Map­TOpaHH, CaMO jom y cpncxaa upxsaaa - y )I(~H, Boropo­,n:HqHHOj u:pKBH y IIehH, y Jlecaosy H HOBOj IlaBJIHl\H.30 Ha

25 IToTparopajy Ha3HjaHCKOM, JOBaHy XPH30CTOMY HJOBaHy ,[(a­MacKHHY, Bor je npso CTBOpHO aahene HHe6eCKe CHJIe, cf. PG 36, 519-520;PG 47,427 sq.; PG 52, 491 sqq.; PG 53, 187 sq.; Die Schriften des Johan­nes von Damaskos, II: Expositiofidei, ed. B. Kotter, Berlin 1973, 48; ITOIIO­BHh,)JoZMaiUuKa Ilpaeocnaene IJpK6e, 224 sq., 227 sqq.

26 PG 3, 177-180; Pseudo-Dionysius Areopagita. Uber die him­mlische Hierarchie. Uber die kirchliche Hierarchie, ed. G. Heil, Stuttgart1986,28 sqq.

27 3a upresse rrpOpOKa H3 PeCaBe v. :>KImKOBHh, MaHaCUja, L Cf. HC. ToMHh, P. HHKOJIHh, MaHacuja. HciUopuja - ;J1CU6oUUC, Eeorp3,l\ 1964,74 sqq., CJI. 5; E. TO,llHh, MaHaciUup Peca6a, lieorpll,ll1995, 53, 55, CJI. 28;ITaIIaMaCTOpaKHC, 0 ~uilC()(JJJ.~ ·wv 't"povltov, 35, 182-224.

28 Jorn je rrpOpOK MarraxHja 03Ha'IHO MecHjy KaO CyHI\e rrpaB,IIe(Man 3, 20), IIITO cy rrpey3eJIH MHorn lIPKBeHH IIHCI\H, cf. 11. MHpKOBHh,XeopiUoflozuja U/lU uciUOpujCKU pa36UiUaK U 602ocny:JICeR>e Upa3HUKaIIpa6oClla6He uciUol/lle IJpK6e, Eeorp3,l\ 1961, 85-86.

29 0 rrpopoKY RJrnjH HlberoBoj,IIeJIaTHOCTH cf. Lexikon fir Theolo­gie und Kirche (= LTbK) III, Freiburg 1959, 806 sqq.; P. B. ITOIIOBHh,HciUopujcKe Klbuze CiUap023a6eiUa, lieorpll,ll 1985,49 sqq.; BibliothecaSanctorum IV, Roma 1964,1022 sqq.

30 3a HaBe,IIeHe rrpHMepe cf. Th. IToIIoBHh, cPuzype upopoKay KJ!Uo­flU E020POiJUije OiJuzuiUpuje y IIenu: uiJeHiUurjJUKalJuja u iUyMa'leR>e iUeK­ciUo6a, irr:ApxueuucKoii/(aHU/IO II u lbe2060 iJo6a, MeljYHapo,IIHH HayqHH

cKYII IIOBO,IIOM 650 ro,llHHa 0,11 cMPTH, ,lleueM6ap 1987, Eeorpll,ll1991, 457;Lj. Popovic, Hitherto UnidentifiedProphetsfrom Nova Pavlica, 30rpa4> 19(1988) 41; ra6eJIHh,MaHaciUup JIeCHa60, 57-58; IlarraMaCTOpaKHC, 0 01­alCoC1JJ.~ 't"ov 't"povltov, 198.

rserosy rrojasy y Pecasa Morna je )'THI.(aTH Pasaanna, y KOjOjHrraja ,n:pX<H CBI1TaK ca HCTHM llHTaTOM y PYKaMa.31CaM mr­TaTHHjeysrsysen y mrryprajy. Barsa, Me~)'THM,nanoueny­TH,n:a ce HeKH npyra CTHXOBH zreseraaecre rnase Ilpee toeueeo uapeeuua xarajy xao napaaaja aa Ilpeofipaxea,e (LLlap19,3-9, 11-16).32 Haseneaa ziecera CTHX qJ1Ta ce HIIaK20.jyna, aa ,n:aH cnaae npopoxa Hnaje H lberOBOr nasnecea,a.TYMaqH ce xao nperparypanaja Xpacrosor aasnecersa,a CaMHnaja xao nperesa ,[(pyror ,IJ;OrraCKa XpHcToBor.33

Ilopea CBeTOr Hnaje, y npaauy xperaisa xasarsxe naqaCOBHHKy, CTOjH npopox Jenucej - [np(o)poK(b)] EI\HUH- rseros ysemnc, nparnnan Hnacnenmrx, 'IHja cenenanrocrztaryje y ,D;pyry nonoanny IX sexa crape epe.34liJIHja HJenn­cej ce 360r 're nOBe3aHOCTH [Hnnjaje on cersaxaJermceja aa­qHHHO npopoxa (Hlap 19, 19 sqq.)] qeCTO npnxasyjy jeztaanopen npyror. IIpHMepH sa TO aanase ce seh y npxna aexa­nannser MaHaCTHpa .ll:a.pHH y ATHHH, Y Kanena IIarraTHHH yIlanepsry, y npxsa Ilaaarnje ApaKHOTHce y Jlarynepa (KH­nap) H y upxsa CBeTOr 'hopha (EnHCKonH) y ofinacra MaHHna Ilenonoaesy.» KaCHOBH3aHTHjcKH npmrepa cy CBeTHraxcajapca y Mapxonyny (ATHKa), Ilanarnja OJIHMIIHOTHcay Enacoay, CBeTH arrocrorra y COJIYHY, CBeTH Hnxona "THCcreme" y KaKOneTpHjH na Knnpy, CBeTH JOBaH Kaneo yOXPHIJ:Y, CBeTH HHKHTa y Barsanasra KO,n: CKOnJba, Kparsesaupxsa y Cryzteamra, CTapO HarOpJ1qHHO, XHJIaH/l:ap, I'pasa­HHlla, Jlecaoao H MapKOB MaHacTHp.36 Y PaBaHHllH cy ,n:BO­jaua npopoxa aacnnxaaa jeaaa acnozt zrpyror HTaKO cy sep­THKarrHO nOBe3aHa.37 Hxoaorpadiaja npopoxa Jenaceja y Pe­caaa je y06H'IajeHa H onrosapa lberOBOM OIIHCy ,n:aTOM yIlpyeoj KfbU3U 0 uapeeuua (2, 23) . OH rrH'IHna anocrona IIa­ana. Ilpencraarsea je xao cpenonesan 'IOBeK, CKpaTKOM KO­COM, BHCOKHM 'IerrOM H 6pa.n:OM. Y zrecnoj pyua ,D;pX<H CBH­TaK, a neaosr yxasyje na n.era. Ha CBHTKy je ncmrcan mrrarH3Ilpyze toeuee 0 uapeeuua - 0 liJIHjHHOM ysnacxy na He60KOjH je Jenncej nOCMaTPao: W(Tb)'1E W(Tb)'1E KOI\ECNH4"Ic(P"H)AES" H KONH IEP(O) (2Uap 2, 12).38 IIo nasnecersyliJIHjHHOM nocrao je Jenacej rseros nacnertanx. 3HaK sa TO6Hrraje 'Iy,n:OTBopHa nnacaaana xojy je aacnenao. IIoMeHyTHmrrar H3Ilpyze xmuee 0 uapeeuua 'Il1'Ta ce y npaaocnaaaojnpxnn xao zmanaecra nepaxona na ztanBorojaan.ersa (6. ja­Hyapa),39 jep je CBeTH JOBaH Ilperesa no CBOjOj ,n:erraTHOCTHHOBH Hnaja, To cy cnaxapn Pecase HarrraCHJIH H THMe IIITOcy Ilperesy rrpencrasana nopen npopoxa Hnaje, 0 'IeMy hexacnaje 6l1'rH BHIIIe pesn. MCTH narar Jenncej ,n:pX<H y pyu:HH aa npezrcrasaaa y HOBOj Ilaanana H Kaneaahy.w

Crre,n:eoo y HH3Y, HajyX<Hoj CTPaHH TaM6ypa,jecTe Be­rrHKH npopOK Je3eKU/b - np(o)poK(b) IE~EKbll\b - KOjHje ,n:errOBao y BaBHJIOHCKOM poncTBy KpajeM VI BeKa n. H. e.(crr. 1).41 Y PeCaBH ce MoX<e BH):(eTH THnJ1qHa npe,n:CTaBa TOrnpopOKa, C ,n:yrOM BaJIOBHTOM KOCOM H 6pa.n:oM. Terro MY jeoKpeH)'To y,n:ecHO, a rrraBaHaJIeBO, Ka HCTOKy, ,n:OK MY je no­rrre,n: yCMepeH KaHe6y.42 Y3,n:HrHyrOM ,n:eCHHllOM, Kojaje YBH­jeHa y XHMaTHOH, 6rrarocHJba, ,n:OK y CrryIIITeHOj rreBoj pyu:H,n:pX<H CBHTaK CTeKCTOM CBornpopO'laHCTBa: BblCTb N" MNEP~K" rocnoANIl\ (Je3 37, 1). THM CTHXOBHMa HarOBeIIITeH jeMecHjaHcKH rrpenopo,n: jeBpejcKor Hapo,n:a nocrre naTIbH y er­3HJIY (OTK20, 4). OBaBH3Hja BaCKpcelba H 06HOBe jeBpejcKorHapo,n:a B~eHa je Kao CHM60rr OIIIIITer BaCKpcelba qOBeqaH­CTBa, Koje he ce 36HTH CHJIOM H ,n:ejCTBoM CBeMoryher DOCile,[(pyror ,n:orraCKa XpHCTOBOr. 360r Tora ce oBaj Ql1'TaT 0 nOJbYCKocrypHMa'IHTaKaonpBanapHMHja HajYTPelbyBerrHKe cy­6OTe, a no JepyCatlUMCKOM iUuuuKY Hy OKBHpy KBa.n:pareCHMeKaH):(H,n:aTa 3aKpIIITelbe.43MCTH llHTaTHcnHcaH je HaJe3eKH­JbeBOM CBM'TKY y TOKarrH KHJIHCe (repeMe, Karra.n:oKHja), KaoH

Ilpiueoc 5. Ceeeposaaaoua syiiona, ilpcillell OKO «anotue:Xepyeuucxa xuuua y cnaey E020pOoUl/e; illaM6yp: oznsenu

illO'lKOBU, 'leUtupu apxauhena U 'leillupu xepyeuua, 001l0C1l0cepatpuua (uptueo«: E . )J{UBKoBuha)

Yu:pKBH Boropoztane Ilepanneirre y OXPHIJ:Y, Y XHJIaH):(apy,Kparsesoj lqJKBH y Cry,n:eHHQH, y Jlecaosy H Ilaaaraja Fy­6epHHOTHCH (IIOTaMHec) aa Kpl1ry.44

31 Cf. :>KHBKoBHIi, Paeauuua, 11; EeJIoBHIi, Paeauuua, 86.32 A. Rahlfs, Die alttestamentlichenLektionender griechischenKir­

che, Berlin 1915,51.33 J. D. Stefanescu, L 'illustration des liturgies dans I 'art de Byzance

etde I 'Orient, Bruxelles 1936, 152.34 3a rronarxe 0 Jenncejy: LThKIII, 821 sq.; TIonoBHIi, llciiiopujcKe

toeuee Cmapoe Saeetua, 52; Bibliotheca Sanctorum IV, 1125 sqq.35 TIanaMaCTOpaKHC, 0 OUXI<:O(JJ1.D; rov rpovAov, 176.36 A. and J. A. Stylianou, The Painted ChurchesofCyprus, London

1985,68; E. C. Constantinides, The WallPaintings ofthe Panagia Olympi­otissa at Elasson in Northern Thessaly, Athens 1992, V102, IV24-27; A.Kcaaronynoc, H Vf"y/qnooYr11 O!CXI<:OOJ1.1]C1U; rov vcxov rCiW ArfCilv Ano­m6ACilVeEmJ"CXAov{I<:1/;, COJIYH 1953,37 sq., err. 3/2, 4/1; Lj. Popovich,Compositionaland Theological Concepts in Four Prophet Cycles in Chur­ches Selectedfrom the Period ofKing Milutin (1282-1321), Cyrillometho­dianum 8-9 (1984-1985) 209 sqq.; Ea6HIi, Kpanseea IIpKBa, 72 sq.; ra6e­JIHIi, Mauacaiup Jlecuoeo, 57-58, err, 4; Ilanauacropaxnc, 0 ouxxo(JJ1.0;rou -rpOVAOV, 8 sq., 17, 24, 28-32, 176.

37 :lKHBKOBHh, Paeauuua, 11.38 Knsuea uouaJ(anWla H3 1674. rO):\HHe npenop)"lyje CJIHKapHMa

):\a Taj I.\HTaT HcnHcyjy y3 JeJlHcejeBy npe):\CTaBy, cf. M. MeJUiIi, CiiiapuC/lUKapCKU upup)l'lnulJu II, Eeorpa.ll2002, 354-355.

39 Rahlfs, Die alttestamentlichenLektionen, 33.40 TIanaMacTOpaKHC, 0 OUXXorrJ1.0; fOV rpovAov, 34, 36, 201; Do

:lKHBKOBHh, Ila6.llulJa.l..(piUe;)fCU <ppecaKa, Eeorpa.ll1993, 11;,[{. CHMHIi-Jla­3ap, Katlenufl. C./luKapciii«o u uciiiopuja, KparyjeBlll.\ 2000, 102, Cll. 7; E.)l(HBKoBHIi, Katlenufl. l..(piUe;)fCU rPpecaKa, Eeorpa):\ 1982, V4.

41 0 Je3eKliJbY HlberoBoM ):\eny: LThK III, 1327 sq.; TIpOTocHHljeJI,[{oMeHTHjaH, HeKlJuje U3 C«eiii02 UUCMa. Ilpop0'lKeKlbuze Ciiiap023a«eiiia,Iieorpa.ll, s. a., 115 sqq.; Bibliotheca SanctorumY, Roma 1964, 405 sqq.

42 TIPOPOK Je3eKliJb YBeKje npe):\CTaBJDaH Kao CTaplll.\ C):lyrOM KO­COM. )..\plKalbe lberoBor TeJIa Melba ce naK0):\ npe):\CTaBe ):\0 npe):\CTaBe. Je­3eKliJbY 113 PecaBeBeoMajeCJIJf'laH npHKa3 TOr npopOKa y AH):lpeamy, aJIH

je OH TaMO HacJIHKaH C):lpyrHM TeCTOM HaCBHTKy, cf. J. Prolovic, Die Kir­chedes HeiligenAndreas an der Treska. Geschichte.Architektur undMale­rei einer palaiologenzeitlichen Stiftung des serbischen Prinzen Andreas,Wien 1997,85 sq.

43 Rahlfs, Die alttestamentlichenLektionen, 40, 62, 65; ,[{oMeHTH­jaH, HeKlJuje U3 C«eiii02 uUCMa, 131.

44 A.-M. Gravgaard, Inscriptions ofOld Testament Prophecies inByzantine Churches, Copenhagen 1979, 40; TIanaMaCTOpaKHC, a OUXI<:O­(JJ1.o; rov rpovAov, 5,21,28,31,212; Ea6HIi, KpatbeBa IIpKBa, 72; ra6e-JIHIi, ManaciiiupHecno«o, 58. 137

Ilpiueoc 6a. Ileniupanna xyuona, 30Ha UaHOaHillurjJa, uciuouna UjY:JICHa cuipaua: MaHOUIIUOH, jeeauhenucuia J06aH ca Ilpoxopou,Pyxa Fociioateaca cUM6011UMaje6aH!jellucilla,je6aH!jellucilla MapKO c MY30M (uptueoc H. )J(U6KOBUna)

Ilopen Je3eKH.Jl>a npaxasaa je aa jyzcaoj CTpaHH TaM­6ypa H rrpopoKA6aK}'M - np(O)pOK(b) 4RRAKtsMb (CJI. 2).11lberoBa .n:eJIaTHOCT seayje ce .n:eJIHMlfIIHO saBaBHJIOHCKO pon­CTBO, sa y no-rerax VII sexa n, H. e.45 Hserosa npencrasa yPeCaBH He npenasa OKBHpe ofipasana KOjH ce MOry BH.n:eTH yupxsaaa BH3aHTHjcKor xpyra, To je MJIa.n:Hh CKpaTKoM CMe­~OM KOCOM Hjensa BH.rt:JbHBOM 6pa.n:OM. )J;ecHHuy je yanaraoxa YBY, ocnymxyjyha mac CHe6a, mTO je HCKa3aHO H TeK­CTOM na CBHTKy KOjH .n:p)KH Y crrynrrenoj JIeBHUH: docnoA)HtsCl\HW4Xb Cl\tsx [THOH H... ](AB 3, 2). ABaKYMje aa CJIHqaHHaqHH HaCJIHKaH, aa npasiep, y Kparsesoj .QPKBH Y Cryzteaa­UH, y Aaapeanry H PaBaHHUH.46 BpJIO qeCTO je y xynonaaaupxasa nopen ABaKyMa npHKa3HBaH npopox )J;aHHJIO, no­mTO je lbeMY,npeaa npeztarsy, noxje 6HO 3aTOqeH y nehaaaC JIaBOBHMa, ABaKyM .n:OHOCHO XPaHY.47 Y KyrrOJIH PecaseCJIHKap je rrpezrcrasao )J;aHHJIa aa cesepaoj CTpaHH, nacrrpauABaKYMa, H TaKO npOCTopHO H3pa3HO IbHXOBy nOBe3aHOCT.ABaKYMOBO .n:eJIO HeKOpHCTH ce y narypraja, aJIH ce CTHXO­BHTpeneH .n:eJIHMHqHO zrpyre rnane lberOBeK1bHre nrrax no­jasrsyjy y xersproj neCMH jyraprser KaHOHa. UHTaTKOjH ceHaJIa3H y ABaKYMOBHM pyxasra y Pecasa ymao je y cacrasHpMoca.48To je rroserax TeKCTa y xojex ce npopoxyjy .n:OJIa­3aKCrraCHTe.J1JeB H lberOBanofieaa aan cssphy. Pes je, naxne,o rnacy KOjHM je aaroaenrreao OTeJIOTBOpelbe I'ocnona,e HlberOBO sacxpcerse xao nperrycnos cnaceisa, 3aTO je Beny IVsexy Tparopaje H3Ha3HjaH3a yBpCTHO ABaKYMOBe CTHXOBey CBOjyIlpyey yCKpLUH>y 6eceoy, a TO je HMaJIO oztjexa H y zte­rry JOBaHa )J;aMacKHHa (t rrpe 745).49 360r 'rora ce nOCJIeHKOHOKJIa3Ma ABaKYM rroxeo CJIaBHTH xao npopox cnacersa.BH3aHTHjCKH CJIHKapH npHKa3HBaJIH cy ra BpJIO qeCTO CTHMTeKcToM, a TaKBH npasrepa HaJIa3e ce H y PaBaHH.QH H Kane­HHhy.50 Taj CTHX H oaaj KOjH CJIe.n:H (3, 3) rOTOBO cy jezmaaUHTaTH mTO npare JIHK rrpopoxa ABaKYMa y BH3aHTHjcKojYMeTHOCTH.51 Epuuuuja Iluonucuja U3 (/Jyplle (1724-1732)nperropysyje na ce npyra CTHX Tpenernane ABaKYMOBe KIbH­re ncname aa ABaKYMOBOM CBHTKY xana ce OH npasasyje ypeny CrrpopoUHMa,52 .n:OK 'rpeha CTHX TOrnornaarsa rpeoa zranpara CJIHKY Pohersa XpHcToBor.53KH>U2a uoua Ilauuna H31674. rozraae npenopyxyje npyra CTHX rpehe rnase xao rrpo­nparrra TeKCT aa cneny Pacneha XpHcToBor.54

IIope.n:ABaKyMa rrpe.n:CTaB.J1JeH je y PeCaBH lberOB ca­BpeMeHHK H BeJIHKH rrpopoKJepeMuja - np(o)poK(b) lepe­MH4- KojHje, no cBeMY cy.n:enH, TaKo~e rrpe)KHBeO rrporoHey BpeMe HaByxo.n:oHocopa (CJI. 3).55 )J;yrOKOCH npopOKC6pa­.n:OM nO.rt:Hrao je .n:ecHY PYKY 6JIarocH.J1JajyliH Ka He6y, .n:OK yJIeBoj .n:p)KH CBHTaK C TeKCTOM CBor npOpOqaHCTBa: doc­nOA)H CK4mH MH H p4~tsMelO (Jep 11, 18). JepeMHja y CBO­jHM rrpOpOqmM rOBopHMa, Kao rrponOBe.n:HHK nOKajalba H

138 rrpOpOK KOjH onOMHlbe, H306JIHqaBa Jy.n:eje H IbHXOBe Bo~e

3aTO nrro cy 3a60paBHJIH npanor Bora, oaor KOjH HMje MHoreMHJIOCTH yqHHHO, rra cy noxena na 060)KaBajy MOJIe H THMenOra3HJIH 3aBeT YTBP~eH aa Caaajy. Y THM fieceztava 3ay3H­Maoce aapepopae KYJITa H aaxresao "OqHmlielbe zryma", HaTaj HaqHH onrrpo ce CyrrpOTCTaBHO H snaaapcxoj rrOJIHTH.QH HjaBHOM MHill.J1JeIbY, na je H3a3Bao .J1JyrH>y nojenaaax .n:py­nrraenax xpyrosa, a nocefiao anacra H caenrrenaxa. Pa3Harrporaisarsa, aafipaae nporronenarsa, xarmreaa H nperrsecsrphy HIIaK ra HHCy ynnamana H nOKoJIe6aJIH y HaMepH zta

H3HOCH csoje MHill.J1Jelbe.56Kacaaje ce sapeoopae noperxa HYKH.z:t:aH>e ueHTpaJIH3a.QHje KYJITa sanarao H XPHCTOC, na cyMHom Cnacarersa nOHcToBeliHBaJIH C npopoxou JepeMHjoM(MT 16, 14). 11XpHcTOBa .n:eJIaTHOCT Huponosena xoje cy 6H­JIe orracne no CHCTeM H3a3HBaJIe cy cpufiy yrpO)KeHHX sohaJyzteja,KOjH cy ra rrporOHHJIH Haajsaz;ocyzmna na CMPT. TaKOnaje cnysajao TO nrro ce nOMeHYTH UHTaT H3jenaaaecre rna­BeKH>U2e UpOpOKa Jepeuuje (11, 18), ca CTHXOBHMa KOjH CJIe­zte, qHTa, npeaa Ilapuepaocxou iUuuuK}', KaO rrapHMHja npaorxaca aa BeJIHKH seraprax, a rrpeMaJepycailUMCKoM iUuuuK}' Haa BeJIHKH rreTaK.57If CJIHKapH cy KOPHCTHJIH re mrrare KaKO6H aa ce6H cBojCTBeH HaqHH H3Pa3HJIH Be3Y H3Me~y Jepesraje

45 0 npopoxy ABlIK)'MY IIOCTOjH MllJIO nonarasa, cf. Bibliotheca

Sanctorum I, ROIna 1962, 2 sqq.; LThK IV, Freibrug 1960, 1295 sq.; ,D;o­MeHTHjlUi, Jlexuuje U3 C6ewOZ UUCMa, 229 sqq.

46 Cf. lia6Hh,Kpanseea I/pK6a, 72, CJI. 21, :>KJmKOBHh, Pa6aHUI/G,11;Prolovic.Dre Kirche des HeiligenAndreas, 87, Fig. 18,Abb. 6. 0 rrpo­pOKY ABaKyMy Hiseroaoj HKOHorpaqJHjH cf. Ch. Walter, The Iconography

ofthe Prophet Habakkuk, REB 47 (1989) 258 sqq.47 C£ T. Eckhardt,Engel undPropheten, Recklinghausen 1959,14.48 ,D;OMCHTHjlUi, Jlexuuje U3 C6ewOZ UUCMa, 233-234.49 Cf. G. Millet, La dalmatique du Vatican. Les elus images et

croyances, Paris 1945,51; lia6Hh,Kpaneea I/pK6a, 73. 0 rrpoposancrayA!laKYMOBOM cf. C. C. Torrey, TheLives ofthe Prophets. Greek Text andTranslation, Philadelphia 1946,28 sq., 43 sq.

50 Cf. :>KHBKoBHll, Paeauuua, 11; lieJIOBHh, Paeauuua, 86 sq.; CH­MHh-Jla3ap, Kaneuuh, 101.

51 Cf. Gravgaard, Inscriptions, 46; Ilanaaacropaaac, 0 ~UXKO(JJ.LOC;

1'OV 1'pOVAOV, 233. Cf. H Menah, Ctuapu cnuxapcxu UpupJl'lHUI/U II,

314-315; L1wvvcn'ov 1'OV t:KtPOVpVa. EpJlT/Vda 1'71C; 'wrparpuC11C; 1'exv71C;,ed. A. Papadopoulos-Kerameus, Saint Petersbourg 1909, 79; M. Me):lHli,Cuiapu CflUKapCKU UPUPY'lHUI/U III, lieorpa,l:l2005, 244-245.

52 Dionysios, 'EPJl71vda, 78; Meztah,Cuaipu CflUKapcKU Upupy'lHU­I/U III, 242-243.

53 Dionysios, 'EpJl71ve{a, 78-79; Me,l:lHh, Cwapu CflUKapCKU upu­

PY'lHUI/U III, 242-245.54 Me,l:lHh, CiUapu CflUKapcKU UPUPY'lHUI/U 11, 314-315.55 LThKV, Freiburg 1960, 893 sqq.; ,D;oMeH'I'HjlUi, JIeKt/uje U3 C6e­

WOZ UUCMa, 108;Bibliotheca Sanctorum VI, Roma 1965, 204 sqq.56 0 rrpopoKY JepeMHjH H lheroBoM ,l:IeJIY cf. LThK, V, Freiburg

1960, 893 sqq.; ,D;oMeH'I'HjlUi, JIeKt/uje U3 C6ewOZ UUCMa, 69-106, IIoce6Ho69-71,77; Bibliotheca Sanctorum VI, ROIna 1965,204 sqq.

57 Rahlfs, Die alttestamentlichen Lektionen, 39, 55, 64; ,D;oMeHTH­jlUi, JIeKt/uje U3 C6ewoZ uUCMa,77.

l(pilie:JIC 66. Ileniupansa xyuona, soua uanoaniliurjJa, saaaoua u ceeeptta ciupaua: Kepauuou, jeeauhesuciua HYKa c My30M,

Pyxa Tocuootea ca CUM6o/lUMajeeauhenuciiia, jeeanhenuciiia Mailiej c My30M (lipilie:JIC B. )J{u6Koeuna)

H XpHCTa. TaKO Epuuuuja /{uoHucuja U3([>ypne rrpenopyqyjezreseraaecra CTHX H3jenaaaecre rnaae Jepeaajaae KlbHre KaO

nponparna TeKCT sa npeztcraay IIyr aa rOJIHrry.58 Hem CTHXxao y PeCaBH (Jep 11, 18) HCIIHcaHje na JepeMHjHHoM CBHTKYy HOBOj IIaBJIHU;H H Jl>y60CTHlhH.59

Ha aananaoj CTpaHH TaM6ypa pecascxe KynOJIe npa­xasaaje MJIa,n:HrrpopoK3axapuja - np(o)poK(b) ~4X(4)pI4(CJI. 4).60 Taj npopox, nperrrocnernsa on zmanaecropaneMaJIHX npopoxa, HaCJIHKaH je 'raxohe yofiaxajeao, y xapax­TepHCTHqHoj n03H, ca KpaTKoM KOBpuaBoM KOCOM H 6e36pa.ne. Y cnynrreaoj JIeBHUH ,n:P)KH CBHTaK, ,n:OK ,n:eCHOM py­KOM noxasyje aa lbera. 61Ha CBHTKy je naparppaaapaa TeKCTH3 rseroae KIbHre KOjH ce O,n:HOCH na n03HaTY BH3Hjy Boranrro ,n:OJIaJH janryha na Marapu;y - RHASX(b) r(ocnoA)4diAU",T4 N4 WOI\4 ... (3ax 9,9). OBe pena cxsarajy ce xaonpOpOqaHCTBO 0 XpHCTOBOM ynacxy y JepyCaJIHM, 360r qe­ra cy HX HMaJIH Y BH.D:Y H jeBaHljeJIHCTH npHJIHKOM onacaXpacrosor ynacxa y JepyCaJIHM (MT 21, 5; JH 12, 15). TajU;HTaT H3nena 3axapHjHHor qHTace 3aTO aa noaexepjy npenrrpaanmc IJ;BeTH.62 IIpH TOM ce narnanrana na je yJIaCKOMXpHCTOBHM y JepyCaJIHM acnys.eao rrpOpOqaHCTBO 3axa­pHjHHO H .lJ:aBH,n:OBo.63 IIOMeHyrH U;HTaT seoua je qeCTO HC­nHCHBaH aa CBHTKy 3axapHjHHoM, a nojaarsyje ce, aa npa­Mep, y KapaHJIHK KHJIHCe (I'epesre, Kanaztoxaja), y Mapro­pamr, KaneJIH IIaJIaTHHH y Ilanepsry, y D;pKBH BoropozraneIIepHBJIenTe y OXPH.D:Y, Y MaHacmpy Baroneny na CBeTOjropa, UpKBH qacHor KpCTa y IIeJIeH):(pHjy (Kanap), y MapKO­BOM MaHaCTHpy H Aanpeanry.e- K1bU2a iioiia Ilauuna H Ep­

uuuujaIluouucuja U3(]JypHenpenopyqyjy ra CJIHKapHMa KaOnpareha TeKCT ya cneny XpHCTOBor yJIaCKa y JepyCaJIHM.65

Y aarrazmosr ,n:eJIY TaM6ypaPecase HaCJIHKaH j e HMaJIHnpopoKJoHa - np(o)pOK(b) 'iWN4 (CJI. 5).66 IIpHKaJaHje KaOCTapHjH cen qOBeK, C KpaTKOM KOCOM H xpahou OKpyrJIOM6pa,n:OM.67 Y necaoj pyu;H.n:p)KH CBHTaK ca D;HTaTOM - pSlI(S)

r(ocnOA)b Kb Mwli HAH Rb NINSRI rp4A (JOH 1, 1-2); re pesanoztcehajy na rseroso qy,n:OTBOpHO crracerse H3 Mopay xoje je6HO 6aqeH(JOH 1, 4 - 2, 11),68 aJIH cy HCTOBpeMeHo Hnpopo­qaHCTBO 0 cnacersy rsyncsor pona nocpencrsou Cnacarerse­BHM. IIOIIITOTaj D;HTaT YKa3yje H Ha XpHCTOB CHJIaJaK Y a,n:, aTHMe H HaBacKpcelbeXpHCTOBO, qma ce, no ~apU2paiJcKoM

illuiiuKy, aJIH H no JepyCarlUMCKOM, HanOBeqepjyrrpe.n: BeJIH­Ky cy6ory. JepYCarlUMCKU illuiiuK rrpe.n:B~alberoBo qHTalbe H3aBpeMe 6,n:eHHjayo~ EorojaB.lJ>elba H Y CKpca.69IIPBH CTHXH3rrpBor norJIaB.lJ>a JOHHHe KlbHre HCIIHCaH je Ha CBHTKY npo­pOKOBOM y Kare.n:paJIH y qe<paJIYY, Y D;pKBH IIaHarnje IIapHrO­pHTHce y ApTH, y rpaqaHHD;H, EOroPO~HHOj D;pKBH y IIemH y D;pKBH IIaHarnje OJIHMIIHOTHCe y EJIacoHY, ,n:OK ce .n:pym

CTHX HCTe rnase Hallam aa JOHHHOM CBHTKY Y Ilaaaraja XpH­

ceneyca y Mecry C1pOBOJIOC na KHrrpy.70

Y3 cnezreher rrpopoxa H3 HH3a npezrcraaa y uearpan­HOM TaM6ypy Pecase aaje ce casysao HaTIIHC ca HMeHOM (CJI.6). Hrrax, lberoBa HKoHorpa<l>Hja (cpezroaesan qOBeK C.n:yrOM

KOCOM H KpaTKOM 6pa.nOM), KaO H U;HTaT HCIIHCaH aa CBHTKY,jacao yxaayje aa TO naje pea 0 npopoxy Jouny.t) Heros U;HTaT- H~1\E1O WTb A(lS)X4 MOlErO N4 RiU (JJI 2,28) - rosopa 0

MecHjaHcKoM BpeMeHY H H3JIHBalbY 6JIaro,n:aTHHX ztaposa naaapon Hapaarsa, a TYMaqH ce H xao rrpoposancrao 0 CHJIacKYCBeTOr .lJ:yxa aa arrOCTOJIe. 360r TOra ce raj OMOMaK, ca CTH­XOBHMa KOjH MY nperxozie H KOjH cnene, qma xao napasrajana rrpasnnx IIe,n:eCeTHHD;e.72 K1bU2a uoua Ilanuna H EpMUHU-

58 Dionysios, 'Bpunveia; 79; Menah, CtuapuCJlUKilPCICU iipupyunu­uu III, 248-249.

59 Ilanaaacropaxac, 0 OUX.ICOcrJ.L~ 1:0V 1:POVA.OV, 34-35,209;:>IUm­KOBHIi, IIQ8/Iul/a, 11; C. 1'>ypHli, Ibytioctuuna. I.(pK8a YciielbaBoeopoou­IJUHOit, Beorpan 1985, 76 (ry je, rpeIIIKoM,CTIlX 11 H3 18. rrraae 03HllQeHKaO 11, 12).

60 0 rrpOPOKY H IberoBoM,!\eJIY cf. LThK X, Freiburg 1965, 1299sqq.; ,[(oMeIITHjaR, Jlexuuje U3 Ceeuioe uucua, 247 sqq.

61 CJlH'IHa 3axapHjHHa rrpeztcrana HaJIlI3H ce y Aanpeanry H, aepo­BaTHO, y I.\PKBH Boroponaue Jl>eBHIlIKe y IIpH3peHY (HaTIDlC ca HMeHOMHHjeosysaa), cf. Prolovic, Die Kirche des Heiligen Andreas, 85, Fig. 18;:>KHBKoBHIi, Boeopoouua Jbeeuuixa, 11. Y I.\PKBH Boroponane Ilaxaxapa­CTOC y Ilaparpany 'reno 3axapHjHHo npaxasaao je aero KaO y PeclIBH, lUIH

je ,!Ip)Kalbe rnaae zrpyrasaje, cfH. Belting, C. Mango, D. Mouriki, TheMo­saics and Frescoes ofSt. Mary Pammakaristos- Fethiye Camii - at Istan­bul, Washington 1978, en, 40.

62 Rahlfs, Die alttestamentlichenLektionen, 38.63 Cf. MllpKOBHIi, Xeopiuonoeuja, 139.64 Gravgaard,Inscriptions.,89 sq.; Ilanaaacropaxac, 0 O!alCocrJ.L~

1:0V 1:POVA.DV, 5,23,33,239; Prolovic,Die Kirche des HeiligenAndreas, 85.65 Me,!\HIi, Ctaapu CJlUKapCICU iipupyunuuuII, 310-311; Dionysios,

'EpJ.L1/ve{a, 80; Menah, CiiiapuCJlUKapCICU upupyuuuuu III, 248-249.66 0 rrpOPOKY JOHH H IbeTOBOM ,!\eJIY cf. ,[(OMeIITHjaR, Jlexuuje U3

Ceeuioe iiUCMa, 196-197; LThK V, liB sqq.; Bibliotheca Sanctorum VI,492 sqq.

67 JOHll je aa CJlH'IaR Ha'lHH rrpeztcranrsea y HOBOj IIlIBJIHl(H, v.:>KHBKOBHh, Ilaenuua, 10. JOHHHa asonorpatpaja CJlH'IHaje, IIHaQe, JeJIHce­jesoj. ,[(plKaILe IberoBor rena Melbace IIaK O,!\ npencrane no rrpencrase, ITa

aaje MepIDIO sa npenoaaaaarse TOrnpopoxa,68 Y PYKOIIHCHMa je Qecro rrpe,!\CTliBJDaHO CrracliBllILC JOHHHO H3

Mopa, cf. S. Dufrenne, L'illustration des psautiers grecs du moyen age I.Pantocrator 61, Paris. grec. 20, British Museum 40731, Paris 1966,36,66,PI. 32, 60.

69 Rahlfs, Die alttestamentlichenLektionen, 40, 61, 65.70 Cf. Gravgaard, Inscriptions, 69; IIarraMaCTOpaKHc, 0 O!alCocrJ.L~

1:0V 1:POVA.OV, 6, 9, 23, 29-30, 227; A. K. OpJIllH,llOC, H IIap1/ropJ]ncrcra1:1/(; }\P1:T/(;, ATliMa 1963, 121, cn. 7; Constantinides, The Wall Paintings,1/101,11122-23; To,llH1l., rpaIJaHUija, 81.

71 0 rrpOpOKy JOHJIY HlbCroBOM ,!\eJIY V.LThKV, 982 sq.;,[(oMelITH­jaR, JIeKijuje U3 C8eiiiOit iiUCMll, 173 sq.; Bibliotheca Sanctorum VI, 486.

72 Rahlfs, Die alttestamentlichenLektionen, 66. 139

CII. 1. Ilpopo« Jesesum CII. 2. Ilpopox A6aK}'M CII. 3. Ilpopo« Jepeuuja

ja Iluonucuja U3 (/Jypne npenopysyjy re pesa xao nparehaTeKCT sa c:QeHY CIDIacKaCBeTOr ,[{yxa na arrOCTOJIe.73

CTapHnpopox Manaxuja - np(~)p~K(") M"A"X'" ­.uyrOKOC H 6pllJlaT, npencraarsea je, y3 npopoxa ,[{aHIDIa, yceaepnoss nerry TaM6ypa (CJI. 7).74 Y nesoj pY:QH .up)KH CBH­TaK, )]:OK )]:ecHoM finarocarsa. Ha CBHTKy je rrapadipasapaaTeKCTlberoBornpopOqaHCTBa-RHmAKdoenoA)" RSAHK"ronpsRHwsro (MaJI 1, 5) -yKojeM ce ronopa o Jby6aBHDO)KH­joj npexa H3a6paHOM HapOJl:Y. Taj YB0.aHH TeKCT H3 KlbHreMaJIaxHjHHe Hexopacra ce y JIHTyprHjH H HHjeqeCTO acna­CHBaH Y3 rrpencrase oaor npopoxa. Hanasa ce JOIII casto y:QpKBH CBeTHX arrOCTOJIa y ConyHY.75

Ilpopox Ilauuno JIaKO ce MO)Ke rrpenosaara (CJI. 8)HaKO je HaTrrHC nopen rseroaor JIHKa YHHIIITeH (H TeMe npo­pOKOBe rnase, xao H opeon, .aeJIHMlfqHO je OIIITeneHo). To jeMJIllJlM 6e3 6pllJle, CKpaTKoM KOBPUaBOM KOCOM H Yxapax­TepHCTJrqHoj nepcajcxoj HOIIIIbH, xoja nonceha aa naae Ibe­ronor CJI~60Balbarranepcajcxosr ,n;BOpy.76 Y pyxasra .up)KH,aa pa3JIHKY on OCTaJIHX npopoxa, orsopeay KlbHrY; OHa YKa­syje na TO na je ,[{aHIDIO, rro jeapejcxox KaHOHY, xaraorpadiqHje ce .aeJIO He KOpHCTH KaO POTYnyc npIDIHKOM 6orocny­)Kelba, Ben CTOjH HapOJl:Y aa yCJIy3H xao Ko)]:eKc.77Ha ,[{aHH­JIOBOj KlbH3H Y Pecasa HCIIHCaHe cy noserae pesa lberOBOronaca Dora aa npecTOJIHMa - RHASX" AOHAS ms npt (e-re­AH) (,naH7,9) - KOjH cy JOIII y jeapejcxosi rrpezraa.yryMaqe­HHxao TPOH BeJIHKOr cyaaje, a y Hoeou saeeiuy (MT 19, 28;JIK22, 30; OTK3, 21)joIIIjacHHje- KaoTPOH BeJIHKOrcy,n;H­je Xpacra H npencxasaa,e 0 rseroaosr .upyrOM ,n;OJIacKY. 3aToKteuea uoua Ilauuaa H3 1674. romme H HaJI~e na ce rajTeKCT acnacyje Y3npencrasy ,npyror ,u:OJIaCKa XpHcTOBor.78

Ilpessa IlpeoujepycanuucsauPYKOUUCY, nperropyseao je nace Tepesa ncnacyjy Y3,[{aHIDIOB JIHK, a CJIHKapH cy HXqeCTOKOpHCTHJIH.79 TaKO HX HaJIa3HMO Y3 ,[{aHHJIOBe rrpeacrase y:QpKBH Boropozraue O,n;HrHTPHje y Ileha, y Jlecaosy, Mapxo­BOM MaHaCTHpy, xanapcxoj UpKBH qacHor xpcra y IIeJIeH­zrpajy H Y :QPKBH Kyprea zte Ap~eIII y PyMyHHjH.80

rJIaBa rrpopoKa HaCJIHKaHOr y ceBepoHCTOqHOM )]:enyTaM6ypa, Kao H HaTIIHC C lberOBRM RMeHOM, HerroBpaTHo jeYHHIIITeHa. TeKcTHaCBHTKY KOjH OH .up)KH, M~yrnM, YKa3yjeHa TO ,n;ajepeq 0 rrpopoKY Hcauju,81 IIITO rrOTBp~yje H MeCTOIIITO ra Ta JIlfqHOCT 3aY3HMa y HH3Y, rrOIIITO ce I1caHjaHajqe­rnlie rrpHKa3yje y HCTOqHOM ,n;eny KY"0JIe. OCHM TOra, H,u:p)Ka­Ibe rrpopoKa- Y3,n;HrH)'Ta ,n;eCHHQa Koja 6JIarocHJba - KapaK­TepH~HO je 3aHCaHjHHe rrpe,n;CTaBe.82IIpHKa3aHje rrope,n;

140 rrpopOKa~ 3aTO IIITO cy o6ojH:Qa HMa.JIa BH3Hjy :DoraHa

rrpeCTOJIHMa Onaopaan :QHTaT H3 nerra Hcaajanor npencra­srsa noserax OIIHca lberOBe BH3Hje: RHAtX" docn~A)"

etAs..... " H" nptCTOAt RH ... (He 6,1).83 TYMaqH ce KaO npa­npesra aa BeJIHKH nan Tocnomsa, TO jeer aa Ilocnemsa cyn(OTK 4, 2). 360r 'rora ce OH ynorpefirsaea y JIHTYPrnjH y qe­TBpTaK npyre aenerse BeJIHKOr nocra, a rro JepycanuucxouiiiuuuKY H 2. cPe6pyapa (Cpererse I'ocnoznse), aJIH H 6. jYJIa.84

OCRM y Pecasa, raj :QHTaT HaJIa3H ce na CBHTKY HcaHjHHoM Hy :QPKBH Ilanaraja KpHHana Xaocy H y KaneHHliy.85

Ilocnemsa JIlfqHOCT y HH3Y Y ropa.ea pezryjecre JoeauIlpetueua, HaCJIHKaH H3Me~y Hcaaje H MJIHje, IIITOHMaCHM­60JIlfqHO saasea,e. JOBaH Ilperesa je y Pecasa, IIITO je y06H­qajeHo xana ce OH CJIHKa y KY"0JIH, rrpaxasan na HCTaKH)'TOM

73 Menah, Cuiapu CJlU/<apCKU iiPUP)"lHU"IU II, 318-319; Dionysios,'Bpunvela, 79; Merrah,Cfiiapu CJlUKapCKU iipupyusuuu III, 250-251.

74 0 npopoxy Manaxaja HlheroBoM zteny:LThK VI, Freiburg 1961,1321 sq.; ):{oMeHTHjaH, Jlexuuje U3 Ceeiuoe uucua, 257-264; BibliothecaSanctorum VIII, Roma 1967, 570.

75 Ilarraaacropaxac, 0 OUx,/cOGj.wr; 1'OV 1'pov.Ilov, 8, 241; KcHHrO­rryJIOC, H 'I'T/fPtOClJr11 ota/C6Gj.tT/Gtr;, 37, CJI. 3/1.

76 ):{aHHJIO je nocneo y nepcajcxo poncrao rroIIITO je HaBYXOLlOHO­cop OCBOjHO JepyCaJIHM 605. roztmre crape epe. Y6p30je, Me!jyrHM, .lIOCTIl­rao BHCOK yrJICLl aa nepcajcxosr nsopy HrrpHBHJICroBaHy rr03HIJ;Hjy KOLl BH­me nepcajcsax nnaaapa. 0 oneha npopoxa ):{aHHJIa cf. K..Wessel, Daniel,in: RbK I, 114. 0 npopoxy HlberoBoM lKHBOT)' cf. Bibliotheca SanctorumIV, 448 sq.; LThKIII, 150 sqq.; ):{OMeIITHjaH, Jlexuuje U3 Ceeuioe iiUCMa,137 sqq.; A. Pa3YMOBCKHH, e6RmOU npopoxIlauun U ezo xuuea,C.-IIerep­6ypr 1891; H. ):{aDHL{oBHh-PaL{OBaHOBHh, cPpecKa 6U3Uje iipopotca Ilanunay f/PK6U C6.AiiocfiioJUly Ilehxoj iiaiUpujapwuju, Starine Kosova i Metohije2-3 (1963) 199-120; Wessel, Daniel, 113-120 (0 ):{aHHJIOBOj npencraaa yBH3alITHjcKoj YMeTHOCTH).

77Cf. LThK III, 150;Prolovic,Die Kirche desHeiligen Andreas, 87.78 Meztah,Ciuapu CJlUKapCKU iipupyunuuu11,350-351.79 Ibid., 170-171; Gravgaard,Inscriptions, 25.80 Ilanaaacropaxac, 0 &tXKOGj.tDr; 1'OV 1'pov.Ilov, 24, 30-32, 37,

216; ra6eJIHh, Mauaciuup JIecH060, 58.81 0 lKHBOTy HztenyHcaHjHHOM cf. LThKV, 779-782; ):{OMCHTHjaH,

Jlexuuje U3 Ceetuoe iiUCMa, 16-69; Bibliotheca Sanctorum VII, Roma1966,927 sqq.

82 Y TaKBOM CTaDY Hcaajaje rrpeztcranrsen, aa rrpHMep, y KpaJDeBOjI\PKBH YCryLlCHHI\H, YI\PKBH CBCTOr HHKHTe y EaalUIHMa KOLl CKOIlJba, yrpa'IaHHIJ;H, y YcrrCHcKoj I\PKBH HaBOJIOTOBOM rrOJbY Hy AHLlpcarny, cf.Ea6HIi, Kpatbe6a '1pK6a, 38 (CJI. II), 72 (CJI. 17); Popovich, Four ProphetCycles, 312, Fig. 10; )J{HBKOBHh, TpafJaHU"IQ, VI; II. If. JlH4>IIIHI4 MOHy­MellmaJlbHaJI :JICU60nUCb H06zopooa XIV-XV 6eK06, MOCKBa 1987, 496;Pr010vic, Die Kirche des Heiligen Andreas, 84 sq.

83 HCTH l\HTaT HaJIa3H CC Ha CBHTKY HCaujHHOM y KaJIeHHhy (cf.CHMHIi-JIaJap, Kanellun, 101).

84 Rahlfs, Die alttestamentlichen Lektionen, 36, 58, 67 sq.85 IIarraMaCTopaKllC, 0 O!tX/COGj.tor; 1'OV 1'pov.Ilov, 19, 36, 204; )J{Jm­

KOBHIi,KaneHun,U3;CHMHIi-JIaJap,KaneHun,101,cJI.3,6.

C/!. 4. Ilpopox 3axapuja (unaou) C/!. 5. Ilpopo« Jona C/!. 6. Ilpopox JOWl

Mecry, na HCTOqHOj CTpaHH TaM6ypa, TaKO));a aarsapa Kpyrropaer pena npopoxa. Iberosa rnasa, KaO 1'1 HCaHjHHa, 1'1HaTIIHC ca HMeHOM aenoaparno cy yHHIIITeHH. Hrrax,rrpeno­saaje ce no ranaaaoj axoaorpaoaja: CTOjH y KOHTpaIIOCry, ana ce6H HMa aCKeTcKY ozrehy, xoja ra rrpafimosaaa CBeTOMHnaja, Ilpesra CBe));OqeILy jenaahenacre JIyKe, JOBaR je no­THl\aO 1'13 caenrreaanxe noponnne (JIK 1, 5) 1'1 JlUlBeo je xaoacxera y rryCTHILH, ));aJIeKO 0)); aacerseaax o6JIacTH (JIK 1,80). TaMO je, npesrarrpoponarrcray HCaHjHHOM, nporroaeziaoxpnrrea,e 1'1 xajarse xao npanpesry sa ));OJIaJaK Cnacarerses.CXO,lJ;HO TOMe, JOBaH Ilperesa ce 0)); paaoxparuhaacxor ne­paozta npencraarsa y xarsaaa 0)); KaMH.Jbe nnaxe, npexo xojeje rrpefiasea orpras. TaKO ce npaxasyje y KpIIITeILYXpHCTO­BOM, aJIH 1'1 xana ce CJIHKa KaO H3));BojeHa qmrypa, rronyr OHey KyrrOJIH PecaBe.86,ll;ecRY PYKY rrortarao je 6rrarocH.JbajyliH,));OK y rresoj ));p)I(H zryraxax KpCT 1'1 O));MOTaHH CBHTaK CTeK­CTOM: en lU'NbLl,b n{o}m"iH Rb~EI\\AIEH rp-kXbl (JH 1,29); Tepexa JOBaR je, npesra CBe));OqaHCTBY jesaahenacre JOBaRa,aaroaopno xaztaje XpHCTOC ));OrraJHO K lbeMY na xpnrrerse,360r rora CJIHKapCKe epMHHHje rrpenopyqyjy zra ce raj TeKCTHCIIHcyjeys cneny Kpnrrersa XpHcToBor.87HCTH CTHX yrpa­sapaaje aa OKOB pyxe CBeTOr JOBaHa KOjH ce xyaa y Tonxa­na capajy y Heranfiyny. Osaj l\HTaT 6rrHcKo je nOBe3aH caHcaHjHHHM onHCOM TpnelliHBocTH CKOjOM je cnyra IimKHjHnO));HOCHO MYKe 1'1 CTpa)J;aILa (He 53, 7). 360r Tora je, rrpestaJepyCaflUMCKOM iilUUUlO', raj l\HTaT1'13 HCaHjHHe KILHre KO­pHIIIneH y npesre qeTp));eCeTHHl\e aa xaraxyveae KOjH cy ceKpIIITaBaJIH npen YCKpC (TpHHaeCTa nexnaja aa xaraxysre­He).88 JOBaH Kpcrrrrers je y xynonaxra BH3alITIljcKHX upxanaaajsemhe rrpHKa3HBaH C THM l\HTaTOM y pyxaaa. IIpHMepHce HaJIaJe y l\PKBH CBeTOr C030HTa y Tepasnjy (Ilenono­He3),l\pKBHqacHor KpCTa y xanapcsoja Mecry IIeJIeH));pHjy,y Jlecaosy 1'1 AH)J;peaIIIy.89

CBeTH JOBaH Kpcrarers aaje cnysajao y KynOJIH npa­KaJaH ya craposaaerae npopoxe, 1'1 TO 6am ys Hcaajy 1'1 Hna­jy. Hcanja je, nopen 'rora IIITOje HMaoBH3Hjy Bora 1'1 6Hnaxoja ra oxpyzsyjy, rrpopoxosao, nonyr Manaxaje, ));OJIaJaKJOBaHoB Kao rrpeTeqe XpHCTa (Hc 40, 3; MaJI 3, 1; MT 3,3;MK 1,2-3; JIK 3,4).90360r TOrace IIpereqa CJIaBH Kao rrpo­pOK 1'1 maCHHK KOjH je HarOBeCTHO ));OJIaJaK CnacHTellieB, aTHMe je 03HaqeH 1'1 Kao HOBH HrrHja. IIpeTXo));HJilqKa yJIoraCBeTOr JOBaHa y O,lJ;Hocy Ha XpHcTa HamameHa je Ha BHIIIeMeCTa y jeBaHlje.JbHMa (MT 3, 1-6; MK 1,2-8; JIK 3,3-18).JeBpejcKH HCTOpJilqap JOCH<p <l>rraBHje (37 - OKO 95) rOBopHo IIpeTeqH KaO 0 IIJIeMeHHTOM qOBeKy KojHje, n03HBajyliH Ha

npaseznrocr 1'1 n06mKHocT,60)J;pHO napozt y rseroeoj Te)KILHxa caBpIIIeHoM. Y KpIIITeIbY <l>JIaBHje BH)J;H PHTYaJI aa OqJil­nrherse TeJIa, a Hesa oxajarse rpexosa, jep je )J;yIIIa, no ILeMY,npaaezmaa )l(HBOTOM BenrrpeTXO,lJ;HO osamheaa tAntiquitatisJudaicae, 18, 117-118).91 Xpamhaaa Y CBeTOM JOBaHY Kp­CTHTelliY BH)J;e npoposa KOjH ce nojaaao npen ));OJIaJaK )J;yXOB­HO ofiaapeaor Mecnje. TaKO je OH y jeaaahersaaa rrpeztcra­B.JbeH xao npOnOBe)J;HHK noxajarsa 1'1 npopox ca ecxaTOJIO­IIIKHM 1'1 MecHjaRCKHM OqeKHBaILHMa (MT 3, 7-12; JlK3, 7-9).Ilpesrajeaaahemrcrava MapKY (1, 7) 1'1 JIYKH (3, 16), Ilperesaje HaroBeCTHO jase 1'1 )J;yXOBHO xpnrrerse, TO jeer OrILeHO. Kp­IIITeILasoja je JOBaR ofiaarsao RY));e TaKO noxajaae KaO npen­yCJIOB saonponrraj rpexa (MK 1, 4-5). 360r csera rora Ilpere­qJilje6HJIO ocarypaao MeCTO nopen npopoxa y BeliHHH xynonanpsasa BH3aHTHjcKor xpyra, a npa TOM je BpJIO qeCTO npaxa­3HBaH nopen npopoxa Hcaaje, KOjH ra je HarOBeCTHO (TaKaBnpaaep HaJIaJH ce 1'1 y l\PKBH CBeTOr Aanpeje aa TpecKH),92xao 1'1 nopen rrpopoxa Hnnje, CKOjHM ce nopezm.

Y ));OILeM pezty y TaM6ypy xynone pecaacxe npxsenpaxasaao je jom ));BaHaeCT CTap03aBeTHHX JIJilqHOCTH. Y3HCTOqHH npoaop, y rrpaany xperarsa xasarsxe aa qaCoBHHKY,HaCJIHKaHje npopox Cotponuja - np{o}poK{b} ew~oNH"­));eBeTH Meijy MaJIHM npoponaaa (en. 9).93 Ta npencrasa aa­JIaJH ce TaqHO HCnO)); <pHrype CBeTOr Hnaje. CTapHnpopox C

86 TaKBlInpencraaa Ilperesaaa 3aCHHBlI ce Ha OITHcy lberOBor lKH­BOTa y nycrarsa (MT 3, 1-4; MK 1, 4-6). Jenna 0)); npBHXHaJIa3H ce na no­3HaTOj HKOHH ca Caaaja H3 VI sexa, a xoja ce sysa y pyCKOM McropHjCKOMMY3ejy, v. O. Wulff; M. Alpatoff Denkmiilerder Ikonenmalerei in kunst­geschichtlicherFolge, Berlin-Moskau 1925,22,258, Abb. 8; O. Wulff, Bi­bliographisch-kritischerNachtragzu Altchristlicheund byzantinischeKunst,Potsdam 1936, 311, Abb. 289; A. Bi Banx, BusaumuiicxoeUCKYCCTfl80 8 co­6paHURX C08emcKOZO Cotosa, JIeHHHrPa));-MocKBlI 1966, en, 111-112; K.Weitzmann, Die Ikone. 6. bis 14. Jahrhundert,Miinchen 1978, 52, or. 7. 0JOBaHY KPCTHTeJhY H lberoBHM rrpeztcraaassa cf. LThK V, 1084 sqq.; E. D.Sdrakas, Johannesder TduferinderKunst des christlichenOstens,Mimchen1943, 27-28; Prolovic, Die Kirche des Heiligen Andreas, 84.

87 Cf. Dionysios, 'Bpunveia; 88; Meztah, Ctuapu C.flUKapCKU iipu­pyuuuuu III, 262-263.

88 Rahlfs, Die alttestamentlichen Lektionen der griechischen Kir­che,62.

89 IIanaMacTOpaKHC, 0 OUXICOGJlCX; 1'OV 1'po6J..ov, 10, 24, 31, 33,243; ra6enHh, MaHaCiiiupJIecHo8o, 59; Prolovic, Die Kirche des HeiligenAndreas, 84.

90 C£ )J;OMeHTHjaH,JIeKlluje U3 C8eiiioz uUCMa, 7, 46.91 FlaviusJosephus. JildischeAltertiimer,ed. H. Clementz,Wiesba­

den 2004, 886.92 C£ ProloviC, Die Kirche des Heiligen Andreas, 84 sq., Fig. 18.93 0 npopoKY CO<lJOHHjH H lberoBoM ));eny cf. LThK IX, Freiburg

1964, 887; )J;oMeHTHjaH, JIeKtjuje U3 C8eiiiOZ UUCMa, 235-240. 141

CA. 7. Ilpopox MaJUlXUja CA. 8. Ilpopox Ilanuno CA. 9. Ilpopox Cotponuja

~OM, ce,n;OM KOCOM H peJIaTHBHO KpaTKoM KOBPUaBoM 6pa­,n;OM npaxasaa je y rrpo<PHJIY. ,[{OK y neaoj pyna ,n;pJKH npa­60p aarracarse, ,n;eCHOM acnacyje rro,n;YJKH CBHTaK KOjH BHCHoxasea H3Ha.n; Ibera. OH name TeKCT caor rrpoposaacraa ­T"KO rA(,,)do)AIE docnOAh. nOTpbnHTE ME HI. A(b)Hb HI.UI ... (Codi3, 8) - xoje ce ryMaqH xao BH3Hja cnacersa. 360rMecHjaHcKe nopyxe raj I\HTaT ce, ca CTIlXOBHMa KOjH cnene(8-15), qHTaKaO rrapasraja aa aeseprsy BeJIHKe cy6OTe.94yOBHM CTHXOBHMa Corponaja roaopn 0 cy.n:y (BaBHJIOHCKOporrcrso) KOjH rpetia zta rrpenopozta aapozt, nacnara ra HyqHHHHOBHM H60JDHM Hero IIITOje 6HO, a TO he ce ,n;orO,ll;HTHxaztace Tocnon aahe ycpen aapona KOjH he na crraceon 3JIa.CTap03aBeTHH ztorahaja xoje je rrpopoa npencxasao 6HJIH cyTHrr HJIH 3aJIOra ztorahaja IIITOcy HMaJIH ztaaacryne y HOBOMsasery. 3aTO xpmnhaaa y TOM rrpopoaarrcray BH,n;e npedrary­panajy Crpamaor cyna H norahaja KOjH cy HaCTYIIHJIH rro­nrro je XpHCTOC pazta cnacersa JDy,n;H crpanao H y 'rerry cesparao y CJIaBy.95 360r TOrace rrOMeHYTH I\HTaT H3C0<P0HH­jaaor npoposrancraa (3, 8) rrperropysyje CJIHKapHMa xaonpareha reKCT Y3cI\eHYBacxpcersa XpHCToBor.96HCTH I\H­TaTncnacan je ua CO<pOHHjHHOM CBHTKY HYI\pKBHIlaaarnjeIlaparoparace y Apra, 3arnM y Ilaaaraja XpHCeJIeycH y KH­napcxosr Mecry CTpOBOJIOC, y Boroponana Ilepnanerrm yOxpany, Y I'pasaaarra, Xanaaaapy H ,[{eqaHHMa.97 HKOHO­rpadicxa nocsrarpano, CO<pOHHjH H3 Pecase CJIHqaH je rrpo­pOK JOHJI Y KaJIeHHny, a aa HCTH HaqHH Coooaaja je HaCJIH­KaH H y TIoraHoBy.98

Ilopea Codroaaje, a O,n;Max acnon Jenaceja, CTOjH A6­ouja - np(o)poK(b) "HAYE - xeraprn Me~y MaJIHM rrpopo­I\HMa (CJI. 10).99 Ilpaxaaaa je xao cpenosesaa qOBeK Cxpar­KOM KOCOM H OKpyrJIOM 6pa,n;OM. ,[{eCHOM pyKOM finarocarsa,a y nesoj ,n;pJKH CBHTaK. AB,n;HjHHO ,n;eJIO, xoje 6pojH CaMOzrsanecerjeaaa CTHX, xpamhaacxa TeOJI03H TYMaqe KaO rrpa­CJIHKy nofiene xpamhaacse I\pKBeHa,n; naraacxaa CBeTOM. Hnopen 'rora, aajeztaa on AB,n;HjHHHX CTHXOBa HHjeynrao y ca­CTaB rnrrypraje. MOJK,n;a je 3aTO Aazraja rrpaxasan y Pecasa Cpesmra: KTO G(Or)b HEAHKb IAKO G(Or)b H"Wb [lIc 76 (77)13], rrOBe3aHHM CreKCTOM H3J(pyze K1bUZe Mojcuje6e (15,11). lIo TYMaqelbY ATaHacHjaAJIeKCaH.D:PHjcKor, Taj rrCaJIaMACa4>OB rroyqaBaTOMe ,n;a Tpe6a rrpHTHI\arnje,n;HHO Eory H ylbeMY TpaiKHTH YTexy, jep, rro HaBe,n;eHOM CTHXy, Eor CBerrpeBacxo,n;H Hje,n;HHo OH TBOpH qy,n;eca KaKBa cy lbeMYyro,n;­Ha.IOOlIoMeHYTH rrCaJIaM jecre TaK03BaHH BeJIHKH rrpoKH­MeH, KOjH ce qHTaHaBeqeplbYHeKHX BeJIHKHX rrpaJHHKa, Kao

142 illTO cy He,n;eJDa rracxe, TOMHHa He,n;eJDa, lIe,n;eceTHHI\a HPo-

~elbe XpHCTOBO.IOI Taj I\HTaT ncnacan je aa CBHTKy jezraorBeOMa OIIITeheHOr H crora nerroaaaror npopoxa y KaJIeHH­hy.102 He 6H ce CMeJIa HCrryCTHTH H3BH,n;a HHMoryhHoCTnaje H y KaJIeHHllY pes 0 npopoxy AB,n;HjH.

Cnezrehay HH3Y, HajYJKHOM zterryTaM6ypay PeCaBH, ancnon Je3eKH.JbeBe <pHrype, rrpeztcraanea je npopox Azej ­np(o)poK(b) "ITEH - zrecera Me~y MaJIHM rrpcpottajra (CJI.11).103 lIpHKaJaH je KaO rrpohenas crapau BHCOKor xeaa, C~OM cezrosr KOCOM na 3aTHJbKY H 6pa,n;OM cpezuse,n;yJKHHe.HH Arejeso ,n;eJIO He KOpHCTH ce y JIHTyprHjH, rra je MOJK,n;a360r 'rora aa CBHTKy y a.erosoj JIeBHI\H HCrrHCaH TeKCT APY­ror ayropa - I\HTaT H3 Maxejesor npoposaacrsa: H TI.lAOME IE~P"TOHb HH"IHM mE MbHWYH IE( (MHX 5, 2). Ona­6paHH reKCT O,n;HOCH ce na BHTJIejeM KaO MeCTO poheaa H rro­MaJalba ,[{aBH):\OBOr, aJIM: M: xao MeCTO poheaa MecHjHHOr. 360r'rora raj :QHTaT H3 MaJIaxHjHHe KIbHI"e rrapappaaapajy ajenaa­~eJIHcrn (MT 2, 6; JH 7, 42), nosozreha ra y Be3Y Cpo~elbeM

XPHCTOBJIM, KaO H C TpOjHI\OM CBeTHX xparsesa, lIo Jepyca­AUMCKOM iliUUU1<y, rroMeHYTH I\HTaT qlfTa ce aa seseprsy Y0qlfEorojaBJDelba.l04Kteuea uoua Ilanuna rrperropyqyje ra CJIHKa­

pHMa xao npareha reKCT Y3 cI\eHY Poheaa XpHCTOBor,l05

Ilopen npopoxa Areja, a ncnonAB~ HaCJIHKaH jeHajYJKHoj crpann raatiypajom H rrpopoKHayM - np(o)poK(b)H"tsMb - ce.n;MH Me~y MaJIHM npopouaaa (CJI. 12).106 Ilpezr-

94 Rahlfs, Die alttestamentlichen Lektionen, 40, 65.95 ):{OMeHTHjaH, Jlexuuje U3 Ceeiuoe uucua, 239-240.96 Dionysios, 'Epunveia, 82; Menah, Cfiiapu C/lUKapCKU iipu­

pyrlHUijU III, 250-251.97 Cf. Gravgaard, Inscriptions, 87; Ilanaxacropasac, 0 &&1(0­

ouo; 't"ov 't"poVA.OV, 5-6, 22, 29,31,236; 0PJIaH,llOC, H IIapT/'YWI)'Uuua,122, CJI. 9; Tonah, Tpauauuua, 81; M. MapKOBHh, Ilpozpau »cueouuca yxyuonu, in: 3UOHO cnuxapcmeo uanactuupa Ileuaua. Fpaha U cfiiyouje,Beorpaa 1995, 103.

98 :lKHBKOBHIi, Kaneuuh, U3; CHMHh-1Ia3ap, Kanenuh, 101; E.)I(HBKoBHIi, Iloeauoeo.Liptueocu rjJpecaKa,Beorpan 1986, 12.

990 AB,WljH Hrseroaow ):IeJIY: LThKI, Freiburg 1957, 11; ):{oMeH­THjaH, Jlexuuje U3 Ceetuoe uucua, 196-201.

100 CBeTH OTllI\ ATaHaC~e, apXHeIIHCKOII aJIeKCaH):IpHjcKH, Tyua­'Ie/be iicaflaMa, in: CBeTH ATaHllcuje BeJIHKH, CBeTH Bac~e BeJIHKH,EIla20C/lOBU. oyulO Maja, rociiooa, EeorpM 2003, 193-194.

101 Cf. Hrrp. Be.IlUKU fiiuiiuK (ycwae ijpKeeHu), red. B. HHKOJIajeBJUl,Eeorpa):ll9844, 86, 198,201,212.

102 :lKHBKOBHh, Ka.fleHUn,1/3;CHMHh-1Ia3ap, KafleHUn, 102, CJI. 2.103 0 Arejy HIheroBoM ):IeJIY: LThKI, 188; ):{oMeHTHjaH, JIela/uje U3

CBefiioz iiUCMa,241-246.104 Rahlfs, Die alttestamentlichen Lektionen, 61.105 Me):IHh, CiUapu C/lUKapCKU iipupy'lHUijU II, 308-309.106 0 rrpoPOKY HaYMY HIheroBOM ):IeJIY: LThK VII, 779; )l:oMeHTHjaR,

JI~je U3Ceewoz iiUCMa, 224-228; Bibliotheca Sanctorum IX, 697 sqq.

CA. 10. Ilpopo« Aeouja CA. 11. Ilpopo« Azej CA. 12. Ilpopo« HaYM

CTaB.1I>eH je y06lfIIajeHo - CJIIfIIaH je XpHCTY, ca ypezrao aa­qem.1I>aHOM KOCOM H 6pa,[(OM cpernse ):(y)KHHe. HaYMje, xaonpopox yrexe, HarOBeCTHO Kp03nponacr npeaaor rpana HH­HHBe (KOjH ce H ,[(Oro,[(HO OKO 625. roznme n. H. e.) xpaj BJIa­,[(aBHHe cynaja Ha,[( l13paH.1I>eM. 3aToce rseroao sparxo ,[(eJIO,xoje ceaaase HeKOpHCTH y 60rocny:>Kelhy, TYMaqH, yonnrre­HO rneztajyha, KaO XpHCTOBa nofiena nan ~aBOJIOM H xaoCHM60JI cnaceaa, Ha CJIHUH y PeCaBH npopox ,[(p:>KH CBHTaKna KojeM je HCIIHCaH TeKCT IIc 108, 5: 6b~H~ceT cedocnoA)b IEAHHb Rb A(b)Hb O. To je, sanpaao, jeaaaaecraCTHX 56 (57) ncamra, xojaje HCTOBeTaH CrreTHM CTHXOM 107(108) ncansaa. Ilpeaa TYMaqelhY Araaacaja Anexcaaapaj­cxor, OBH rrCaJIMH O,[(HOce ce aa OHO mTO je XpHCTOC aa.1I>y,[(eCaBplIIHO xanaje y rrOCJIe,[(IhHM ,[(aHHMa,jaBHBmH ceaa 3eM.1I>Hy 'reny, 0,[( IhHXoncexao TpyJIe:>KHOCT (rrpOIIa,[(.1I>HBOCT). Hasocepana cnaceaa .1I>y,[(H XpHCTOC CHHCXO,[(HO,[(O ,[(06pOBO.1I>HOrYMalhelha H 6HO nocnymaa qaK,[(O CMPTH na KpCT)', oner hece, rro TYMaqelhY aaseneaor CTHXa, Y3HeTH aa aefieca, rra heTaKO CBOjHM ycxohersea CBy 3eM.1I>Y HCrryHHTH CJIaBOM.107 IIo­MeHYTH rrCaJIMH He KOpHCTe ce y 60rOCJIY:>Kelhy, aJIH cy, rro­mTO - CXO,[(HO HaBe,[(eHoM TYMaqelhY Araaacaja AneKCaH­npajcxor - croje y Be3H ca XpHCTOBHM crpanarsea H sacxp­cersess, rrpepaheaa H YTKaHH y XHMHe xoje ce nesajy TOKOMCTpaCHe censome, a same nyra aa BeJIHKH rreTaK,l08

IIPOPOK Feoeon - np(o)pOK(b) "'IEA(~)\\IH(b) - KOjHje HaCJIHKaH acnon npopoxa Jepeaaje, npeztcraarsea je KaOcpezrosesaa qOBeK C KpaTKoM KOCOM H OKpyrJIOM 6pa,[(OM(CJI. 13),109 .ll:ecHHuoM 6JIarocH.1I>a, a y nenoj PYUH ,[(p:>KH CBH­TaK na KojeM je HCrrHCaH TeKCT 0 rrpofia BYHe na~ H3Kn.uze 0 cyoujaua: docnOA)H 4..... ~ P~KOIO MOIEH cn(4)ce(Cyzi 6, 36). TH CTHXOBH 06jamlhaBajy ce KaO CHM60JI 60­:>KaHCKOr ,[(06POqHHCTBa, npeofipaacaja Boroponasaaor HOTeJIOTBOpelha XpHcToBor,110 a qHTajy ce KaO necera napa­MHjana rrpasnax Borojaarseaa (6. jaHYap).111

Ocuja - np(o)poK(b) wm - rrpBH Me~y MaJIHM rrpo­pOUHMa, npeztcraarsea je aa 3aIIa,[(HOj CTpaHH TaM6ypa, HC­non MJIa,[(or npopoxa 3axapHje (CJI. 14). Hserosa xoca HoKpyrJIa6pa,[(a cy, KaoHre)leOHOBe, KpaTKe, a06eMapyKaMa)lp:>KH CBHTaK HaKojeMje HCrrHCaH TeKCT lherOBor rrpopo~­CTBa: HA-kT~ HRb~RP4THT~ ceKb docnoA)~ 8(0r)0'( (Oc6,1). Y nOmaB.1I>HMa Koja y OCHjHHOj KlhH3H rrperxo,[(e OBOMCTHXy rrpopoK je YKa3ao Ha He,[(eJIa H He,[(OCTaTKe Jy,[(ejauaHrrpe,[(cKa3aO ,[(a he ce OHH OTprHYTH H BpaTHTH rocrro,[(y, qHjece rrpaBocy~e MoparrocrnhH MepOM KaJHe CBaKor O,[(CT}'rrHH­Ka. TaKO rrpopOK y rrOMeHYTOM UHTaTY rr03HBa Ha rrOBpaTaK

Focnozry, jep je OH Taj KOjH pasnape, aJIH H acnersyje, pana,aJIH Hsasaja, Cnacen,e je, ,[(aKJIe, y Iio:>KHjoj pyna, a OHO he ce,[(eCHTH rro npencxaaarsy OCHjHHOM y rpeha naa, Xpamhaaasane Y TOj OCHjHHOj BH3HjH npencxasaa,e aacxpcea.a XpH­CTOBOr. Ha TO MHCJIH HarrOCTOJI IIaBJIey Ilocnanuuu KOpUH­hauuua, xana, rosopeha 0 Hcycy XpHCTY, HaBO,[(H: "H,[(a 6Hyxonan, H,[(aycra rpeha ztaa, rro rrHCMY" (lKop 15, 4). Crpa­naa,e H sacxpcea,e Mecajaao jecy 3Hau;H IiO:>KaHCTBa KojHMaje npexaayro pofioaan,e rpexy H~aBony CBHX OHHX mTO cTY­rrajy y sajenaany ca XpHCTOM. 360r rora ce, rro JepyCaAUM­

CKOM iUUUUl<y, HaBe,[(eHH UHTaT H3 ztena Ocajaaor qHTa, caCTHXOM KOjH MY nperxozra (5, 13) H OHHMa KOjH CJIe,[(e (6,2-3), aa 60rocny:>Kelhy y cpezry CTpaCHe ce,[(MHue. ll2

IIPOPOK AMoc - np(o)poK(b) 4MOCb - OCHjHH CTa­paja caapesreaas H rpeha Me~y MaJIHM npoponmra, HaCJIH­KaH je acnon JOHe, aa 3aIIa,[(HOj CTpaHH TaM6ypa (CJI. 15).IIpe,[(cTaB.1I>eH je KaO cpenosesaa qOBeK C ):(yroM, ypenaoonemrsaaosr KOCOM H 6pa,[(OM cpeznse )ly:>KHHe. OKpeHYT jeyzrecno H ):(p:>KH Y JIeBHUH CBHTaK na KojeMje HCrrHCaH TeKCTlherOBor rrpoposancrna: npocHT~ ~ docnoA)4 A4 mHR4B~AeTb A(~)W4 R4... (AM 5,6). THM CTHXOM npopox MOJIHaapon zta ce 06paTHI'ocnozry H,[(aTaKO KajalheM360r rpexo­sa (OIIHCaHHX Y nperxonaau rrOmaB.1I>HMa KlhHre) OTKJIOHHnecpehy mTO ,[(OJIa3H ca CKOpHM rra,[(OM ,[(OMa H3paH.1I>eBOr,KOjH npopox aarosenrraaa. Taj rr03HB jeapejcxox napony aaMOJIHTBeHO ofipaharse Tocnony MO:>Ke ce TYMaqHTH H KaOnpanpeaa aaorrpourraj rpexa H crracKOjH he CBOjHM crpaaa­lheM H aacxpcersesr xparuhanaaa osroryhara Mecaja, THMrrpe nrro, npesraTYMaqelhY xpamhaaa, AMoc y CBOM zterryTOH aaroaenrrasa. Taso ce y OCMOM rrOmaB.1I>Y ztena npopoxo­sor BH)lH rrpencxaaaa,e pacneha Cnacarerseaor. 360r Torace CTHXOBH H3 OBe rnase (AM 8, 9-12), rro JepyCaAUMCKOM

iUuuuKy, qHTajy KaO napaaaja na BeJIHKH rreTaK. ll3 Y saap­mHHM CTHXOBHMa nocnenae rnaae csor nena (9, 11-15)

107 Araaacaje, apxaermcxon llJIeKCaH)q)HjcKH, Tyuauetee ucana­Ma,139-140,270-271.

108 P. K. Kirchhoff, Die Ostkirche betet. Hymnen aus den Tageszei­ten der byzantinischen Kirche II, MUnster 1963, 351-459.

109 3a nO.l\ance 0 [e.l\C0HYcf. LThKIV, 887.110 IIonoBHh, HciiiopujcKe KItJUZe Ciiiapo2 3a8eU4a, 20 sq.; cf. H

LThKIV,887.111 RahIfs, Die alttestamentlichen Lektionen, 33.112 Rahlfs, Die alttestamentlichen Lektionen, 64. 0 npopoK)' OCHjH

HIDeroBOM .l\eJIY: LThKVII, 1260 sq.; ,l(oMeHTHjaH, HeKlluje U3CeeU402uu­

CMa, 161-172.113 RahIfs, Die alttestamentlichen Lektionen, 65. 143

CA. 13. Ilpopox Teoeou CA. 14. Ilpopo« Ocuja CA. 15. Ilpopo« AMoc

AMoc sasyje ztahe onarracKHHHja )l;aBH,L\OBa 6HTH 06HOBJbe­na, a 'raztahe CBH HapO,L\H KOjH nosanajy JlMe I'ocrromse 6HTHcjezrarseaa 1'1 )KHBeOe y H306HJbY, Y qeMYTeOJI03H BH,L\e BH­sajy XpHmOaHCKe u:pKBe.l 14 TH CTHXOBH Asrocone KlblITeanax HHCy HamJIH onjexa y fiorocnyzcetsy rrpaBOCJIaBHe up­KBe, KaO HHrr03HB aa MOJIHTBy (AM 5, 6). Ilo IlapuepaocxouUluiiuKY, sa pa3JIHKy on JepyCaAUMCK02, AMOCOBO ,n;eJIO yorr­nrre ce He ynorpefinaaa y 60rocJIY)KeIbY.

IIpBH npopox Cuiapoesaeeuia, nojcsoaoha, rrOJIHTHqap1'1 rrOCJIe,L\IbH jespejcsa cynnja CaM)'WlO - np(o)poK(b)C4MlSHI\(b) - HaCJIHKaH acnon npopoxa JOHJIa, npasasaa jey06nqajeHo, KaO jespejcxa CBemTeHHK (CJI. 16).115 Ha rJIaBHHMa KpYHOJIHKY cnenrreaasxy KaIIY, zrpyrasajy on OHHX xojeaoce OCTaJIH npopoua CBeillTeHHIUL Y ztecaojpyna ,n;p)KH porca YJbeM (1CaM 16, 13), CJlM60JI 60)KaHCKe MohH 1'1 cnacersa(JIK 1, 69); IbHMe je rrosrasao )l;aBH,L\a sa napa, aJIH 1'1 HaI'OBe­crno Boropozmny 1'1 6e3rpemHo3aqeoe.116Y neaoj pyu:H .n:p)KHCBHTaK aa KojeMje naparppasapaa CTHX H3lberoBe npne KlbH­re: T4KO rl\(4ro)I\IET(b) r(O(noA)b nONlEme rl\(4ro)I\HMOIE (1CaM2, 27).117 l{HTaT ronopa 0 ,n;eTHIbCTBy CaMYHJIO­BOM. IlpBH neo Ilpee KR>U2eCaMyuA06e, ztoaaaeneaor U:HTa­ra, qHTace rroJepyCaAUMCKOM UluiiuKY y BpeMe BeJIHKOr rro­CTa, 1'1 TO Y noaeaersax (ICaM 1, 1-23) 1'1 YTOpaK (1CaM 1,23- 2, 26) npyre aezierserroCTa. 118l{HTaTaa CBHTKy CaMyHJIO­BOM H3Pecane, MegyrHM, He KOPHCTH ce y JIHTYPmjH.

Ilopen CaMYHJIa HaCJIHKaH je na cesepaoj crpana TaM­6ypa CTapH 3axapuja - np(o)poK(b) ~4X(4)pI4 - MY*Je­JIHCaBeTHH 1'1 oran JOBaHa Ilperese (CJI. 17).119 Cxenrrea jencnozt JIHKa npopoxa Manaxaje, KOjH je npenaaneo ,lJ;OJIa3aKaa CBeT lberOBor CHHa JOBaHa. TaKO aaje cnysajao TO nrro3axapHja ,n;p)KH y JIeBHUH CBHTaK aa xojeu je HCIIHCaH U:HTaTo pohersy JOBaHa Ilperese 1'13 Jeeauhena iio JIyKU:UI\(4rO)c(l\O)R(e)Nb r(OcnOA)b u(or)b I (1\4Rb laKO nee­tTH (JIK 1, 68). 3axapHja je, KaO 1'1 CaMYHJIo, rrpaxasan ycaenrreaasxoj o,n;e)K,L\H, nonrro je normrao 1'13 pozta csenrre­HIfqKOr,a 1'1 caMje 61'10 CBemTeHHK (JIK 1, 5). Y,n;ecHoj pyu:H,n;p)KH Ka.n;HOHHu:y, CHM60JI CBemTeHlfqKOr rr03HBa (Ep 16,6-7; 16, 17-18; 16,37-39; 16,46-47),yKojojTeOJI03HBH,L\eEoropo,n;IfqHHY rrpe<pHrypau:Hjy. Ka.n;HOHHU:a, rrpeMa 06ja­mlbelbY rrarpHjapxa repMaHa I (715-730), CHM60JIlfqHOrrpe,n;cTaBJba XpHCTOBy Jby,n;cKY rrpHpo,n;y, KOjyje OH rrpHMHOo,n; EOrOpO,lJ;Hu:e. )I{epaBHUa y Ka.n;HOHHU:H CHM60JIHme 60­)KaHCKY rrpHpo.n:y XpHCTOBy, ,n;OK ce ,n;HM KOjH ce ,n;H)Ke 1'13 Ka­,n;HOHHu:e TYMaqH KaO rrpHcyCTBO CBeTOr )l;yxa.l20)l;pyraqHje

144 HCKa3aHO, Ka.n;HOHHu:a CHM60JIHille 1'1 EOropO,n;Hu:y, Koja je

HOCHJIa XpHCTa y ce6H (zcepasana). THM rropehetsea YKa3Y­je ce aa Boroponasaay nocpennasxy ynory npa OBaIIJIOne­Iby CrraCHTeJbeBOM.

Cnezreha y HH3Y, a TaqHO acrrozt rrpopoxa )l;aHHJIa,rrpencraarseaje rrpopoKApoll- np(o)poK(b) ""pONb - rrp­BH CBemTeHHK Ciuapoe saeeiua (CJI. 18).121 HaCJIHKaH jeyofiasajeao, KaO crapan zryre xoce 1'1 zryre marsare 6pa.n;e,HCTO OHaKO KaKO je 61'10 rrpaxasan y KYrrOJIaMa npxne CBeTOrAXHJIHja y ApHJbY 1'1 XpHCTa Xope y Ilaparpany, 3aTJIM yEOroPO,n;IfqHHOj U:pKBH y Ileha, y PaBaHHU:H 1'1 y OJITapy zte­qaHCKOr xpaMa.122Y PeCaBH je, HCTO xao y U:pKBH Xope y Ila­pnrparty 1'1 y )l;eqaHJlMa, ca Aponose JIeBe crpane npencra­BJbeH rseros 6paTMojcHje (113JI 15,20), KOjH raje npoaaneoy CBemTeHHKa. EH6JIHjCKH CTHXOBH (Han 4, 14; 19,22 sqq.)yxaayjy aa TO na je APOHjom y ErHIITy npoassenea sa CBe­urreaaxa, a 61'10 je norrropa MOjCHjy, rseroaa "YCTa" H,,rrpO­pOK" (113JI 4, 16; 7, 1), rrpHJIHKOM nperonopa C <papaoHoM.360r rora je APOH aa aanroj CJIHU:H npencraarsea y csenrre­HIfqKOj ozieha. Hserosa rr03HUHja BpXOBHor CBemTeHHKa 1'13­

pazcenaje, rrpe csera, TJlMe mTO HOCH HarrpCHHK ca zrsanaecr.n:parHX KaMeHOBa 1'1 TaK03BaHHM ypHMOM 1'1 TYMHMOM (113JI29, 4-9). Ilo OCTaJIHM rrojenanocraaa (zryra opaasserrracanaTYHHKa, rrozraesaaa y crpyxy, orpras 1'1 Te<pHJIa aa rJIaBH) Ibe­rosa o,n;e)K,L\a Hepasnaxyje ce MHoro on3axapHjHHe 1'1 Caay­HJIOBe oztehe, Y nesoj pyu:HAPOH ,n;p)KH Y3,n;IITHyr jonr jenan

114 0 AMocyHrseroaoj KlbH3H cf ~oMeHTHjaH,Jlexuuje U3 CeeuioeiiUCMa, 183-195; LThKI, 447 sq.

us 0 npopoxy CaMyHJIy HlLeroBoM ,l:IeJIY cf. LThK IX, 303-305;LThKIV, Rom-Freiburg-BaseI1972, 38 sq.

116 CaMYRJIO ce xecro npaxasyje c porosr, TaKBa rserosa npencrasaMOllCe ce BH,l:\eTH, aa npmrep, Yupxna Xope YIlaparpany, Y~e'laHHMa HKaJIeHHhy, cf. P. A. Underwood, The Kariye Djami, New York 1966, vol.II, PI. 83/b; E. B. Ilonosah, Ilpoepau »cueouuca y OIlUlapCKOM iipociiiopy,in: 300110 cnuxapcuieo uanacuiupa Ileaaua, 78; )I{JmKOBHli, KOIleIlUh, 1/2;CHMHh-Jla3ap, Kaneuuh, 100.

117 E. Tozrah csrarpa ,l:Iaje aa OBOM CBHTKY HCrrHCaH ztpyra rracycH3

Te KlbHre - l Casr 12, 15 (Tonah, Mauaciuup Peca6a, 55).118 Rahlfs, Die alttestamentlichen Lektionen, 62.119 3a rrO,l:lanre 0 3axapHjH c£ LThKX, 1300; Le/VIII, Rom-Frei­

burg-Basel 1976, 634 sqq.120 PG 98, 400 CD.121 3a OCHOBHe rrO,l:laTKe 0 ApoHY cf. LThK I, 3 sq.; LCl V,

Rom-Freiburg-Basel 1973, I.122 Cf. BOjBO.z:IHli, 3uooo C/lUKOpciU60 "IPK6e C6eiU02 AxuIluja, 35;Un­

derwood, Kariye Djami II, PI.82;Th. IIorrOBHli, cPuzype upopoKay K)'iioIlU £0­zopoiJmle OouzuUipuje,446; :>KHBKOBHh, P06allulla, 10;IieJIOBHh, P06allulla,85; V. R. Petkovic, La peinture serbe du moyen age II, Beograd 1934, PI.CXXX; IIoIIOBHli, IIpozPaM :J/CU6oiiuca Y OIlUlaPCKOM iipociiiopy, 78.

C/!. 16. Ilpopox Cauyuno C/!. 17. Ilpopo« 3axapuja (ciUapu) C/!. 18.IIpopoKApoH

CHM60JI - pacnserany IIaJIHI~y,0 KOjOj ce ronopn y EH6mIjH.OHa CBe):(OqH 0 TOMe zta je APOHH3a6paHHK [OCIIO):(IbH, jepje jennno lberOBa IIaJIHIIa, CHM60JI cJIyx<6e caenrreaa-rxe,IIPOIlBeTaJIa y IIIaTOpy CBe):(OqaHCTBa (Ep 17, 16-23). ITo aa­pehersy I'ocnoztrsesr, xoje je cnposeo Mojcnje (Bp 17, 25),Aponosa IIaJIHIIa 0):( 'rana je qyBaHay CKHHHjH KaO CHM60JIsaaera Focnonrser, 3HaK HeIIOKOpHHMa H ):(OKa3 60:>KaHCKOrH360paApoaa sa rrpBocBemreHHKa.l23 XpHUIliaHHy ApOHO­BOj IIaJIHI\H BH,I(e npednrrypanajy EoropO,I(HIIe H CHM6o­JIIflIHY CJIHKY fiearpenraor aaseha H fieceaeaor pohersa XpH­CTOBor 0):( ,ZJ;eBe Mapaje; H Mapaja je Me~y IDpaRJbCKHM zte­BHI\aMa 6HJIa H3a6paHa 0):( I'ocnozra, Hseros 3HaK sa TO npe­II03Haoje rrpBOCBeIIITeHHK 3axapHja, IIa jy je rrpHJIHKOM aa­Be):(eIba IIOCTaBHO aa rpeha creIIeHHK :>KpTBeHHKa. TaKO jeOHa 0):( razta :>KHBeJIa y xpasry, rae joj je aaheo ):(OHOCHO xpany(Ilpoiuojeeauhene JaK06/be60, VII, 1 - VIII, 1). Y necaojPYIlHAPOH na npencrana y Pecasn .IJ:P:>KH H CBmaKna KojeMje HCIIHCaH I1maT H3 Ileiue toeuee Mojcujeee: r(ocnO,4,)"o(or)" TROlEro N(6)OO H N(6)OO NOO (IToH310, 14). TaIIapH­MHjaqma ce, npexa JepyCaAUMCKOM WUUUlCY, y IIeTaKIIeTeaenerse BeJIHKOr IIoCTa.l24

Kao mTO je HarroMeHYTO, Mojcuje - np(o)poK(h)MW'fCH 16 - IIpBHHnajaeha npopox, OCHHBaq H soha Hspaa­rsa, IIpHKa3aH je nopen 6paTaApOHa, y .IJ:PyrOM pe.IJ:Y <Imrypanpopoxa y PeCaBH (CJI. 19). HacJIHKaHjeKaO MJIa):(Hli Cspar­KOM KOCOM HBeOMa KpaTKOM 6pa.IJ:0M.125 ITOrryT CaMYRJIa, 3a­xapaje H Apona, H OH je oztenea y CBemreHIflIKY o):(e:>K):(y, CTHM mTO IberoB orpras, sa pa3JIHKY 0):( OCTaJIHX, HHje YKPa­urea, Mojcaje je je):(HHH npopox KOjH Y PYKaMa HeMa CBmaK.OH.IJ:P:>KH IIJIHTKY IIOCy.IJ:Y Y KOjOj ce HaJIa3H xpsar; Y 'raj xpsarje, IIO aapehersy Mojcajeaou, APOH CaKYIIHO MaRY H IIOTOMra CTaBHO rrpezt [OCIIo):(a, ztace qyaa y CKHHHjH 0):( KOJIeHa ):(0KOJIeHa, sa napezme reaepanaje (H3JI 16, 33). XpHUIliaHH YMOjCHjy BH,I(e JaKOHO):(aBI\a Kp03 xora je Bor nporoaopao Hnpopoxa KOjH je ysasao aa XpHCTa KaO Mecajy, OCHM 'rora,KaO BO~, ID6aBHTeJb, BeJIHKH npopox H IIocpe):(HHK IDMe~y

Bora H Hspaarsa, Mojcnje je npaofipaa XpHCTa, onnrrer HC­KYIIHreJba, apxoanor npopoxa Haesnor IIocpe,I(HHKa H3Me~yBoraH CBeTa. H y MaHH BH,I(e xpanrhaaa IIpOTOTHII XpHCTa, TOjeer cHM60JI lberoBor eaxapacrajcsor reJIa H KpBH (JH 6,31-35). Kpqar y KojeMce qyaa MaRa rrpe):(CTaBJba rrpe<lmrypa­:QHjy Eoropo):(HIIe. 3aToje y PecaBH HaKpqary HacJIHKaHO IIO­IIpcje Eoropo):(HI\e y CTaBy OpaHTe. Ha Taj HaqJIH CHM60JIlfllHOje HCKa3aHa Be3a Eoropo):(HI\e (Kpqara) ca XpHCTOM (MaHOM),jep, KaO illTO Y Kpqary CTOjH MaRa, TaKO je Eoropo):(HI\a HOCH-

JIa Xpncra y ce6H. THMe je YKa3aHO na Boropomrsnay IIO­cpe,I(HIflIKY yrrory rrpH MHCTepHjH OBaIIJIOneIba. I1CTa npen­CTaBa Mojcnja CIIOCy):(OM sa MaRY H JIHKOM Boropozraue narsoj MO:>Ke ce BH,I(eTH y I1pKBH XpHCTa Xope y Ilaparpany, KaOHY ,ZJ;eqaHJIMa, rne y IIOCy):(H CTOjH Hcezurospaxa caehaax cayrra.n:.eHHM cBeliaMa.l263apa3JIHKY 0):( THX IIpHKa3a, Mojcnje yPaBaHHI\H .IJ:P:>KH IIOCy.IJ:Y 6e3 Boropozraxaae rrpe,I(CTaBe.127 YI1pKBH aa BOJIOTOBOM IIOJbY IIaK 6HO je npaxasaa MeJIXHCe­,I(eK Cxpaarou, ,I(OK ce y Kaneaahy MO:>Ke BH,I(eTH BepoBaTHOAPOH CTHM CHM60JIOM. HH na je):(HoM IIoMeHYToMnpnxasy naIIOCy.IJ:H HeMa Boroponaxane rrpe,I(cTaBe.128

Kpyr npopoxa y norsoj 30HH TaM6ypa sarsapa MaJIHrrpopoKMuxej - np(o)poK(h) M"iXIE" (CJI. 20); npaxasaaje aaHCTOqHOj crpaaa TaM6ypaH CTOjH nopen Mojcaja, Cjenae, HCOcPoHHje, Czrpyre cTpaHe.l29MHXej je npeztcraanea CJIIflIHOXpncry. Y JIeBHI\H .IJ:P:>KH O):(MOTaH CBmaK, ua KojeMje HCIIH­CaH xpaj npaor H IIOqeTaK .IJ:Pyror CTHXa qeTBPTor IIOrJIaBJbaIberoBe KIbHre:T"KO rA("rO)AIET(h) r(ocnO,4,)b RbU,4,pmH­T6Ab nplH,4,lST AIO,4,[H]1E (MHX 4, 1-2). TH CTHXOBH IIOmyHOonronapajy CTHXOBHMa npyror IIOrJIaBJba ztena HCaHjHHor(He 2, 2 sq.). 3aTO Heqy):(H TO mTO je JIHK npopoxa Hcaaje IIO­CTaBJbeH aacnpaa Maxeja, Haase, HaBe):(eHH CTHXOBH, KaO HMHXejeBH CTIlXOBH KOjH sa IbHMa CJIe,I(e, HMajy MecHjaHCKHxapaxrep, a qmajy ce sa npesae 60roCJIyx<eIba y cpeny qeTBP­re nenerse IIOCJIe YcKpca. I3Ono JepyCaAUMCKOM iUUUUlCY, na-

123 Ilarar H3 liH6Jmje nar je rrpesra HeMa'IKOM npenozry ca xe6pej­cxor (Einheitsubersetzung - yrJIaBHOM ce KOpHCTH y HayqHoM PlVlY) Hrrpexa rp'IKOM npesozry. Y Eu6/luju xojy je 1'Iypa,Z:(aHHqHh npeseo na cprr­CKH je3HK,l\OIIIJIO je, asrnezta, zto rpemxe (HJIH je xopanrhea HeKH CTapHnpennoaeax), na ce ry pazia0 uarary lip 17, 1-10. ,[(lUIH'IHhjeCTHXOBe lip17, I-IS HeMallKe H rpsxe Eu6/luje npaxrsysno nornasrsy 16H 06eJIeJKHosao lip 16,36-50. CBH OCTaJIH l.\HTaTH y OBOMPlVlY,l\aTH cy npesranpenoztyn. ,Z:{aHHqHha, HllKO noaexan ,l\OJIl13H no O,l\cTYIIlUDa y HYMepaI\HjH CTHXa,

jep ,[(aHHqHh HaCJIOBe nornanrsa HHjeHYMepHcaO, a rro aesrasxoj H rpsxo]liH6JmjHOHH cy 06eJIelKeHH sao npaa CTHX.

124 Rah1fs, Die alttestamentlichen Lektionen, 63.125 0 MOjCHjy H H.eroBOM ztenycf. LThK VII, 648-654; La III,

Rom-Freiburg-BaseI1971,282-297.126 Underwood, Kariye Djami II,PI.82;Petkovic, La peinture serbe II,

PI.CXXIX; IIOIIOBHh, Ilpozpau :JICU8Oiiuca y O/lWapCKOM upoctuopy, 78.127 X<HIlKoBHh, PaIJaHU'l'l, 11; Benonah, Paeauuua, 86, 249, CJI.

XXVIII.128 11. M. JlH4>IillII\, MOHyMeHmaAbHaR :JfCU80nUCb H06zopooa

XlV-XV IJeKOIJ, MOCKBa 1987, CJI. 41; )l{HBKOBHh, KatleHUIz, 1/2; CH­MHh-1I113ap, KatleHUIz, 99.

129 0 rrpOPOKY MHXejy HH.eroBoM ,l\enycf. LThKVII, 390 sq.; ,[{o­MeHTHjaH, HeKlluje U3C6eiUoz UUCMll, 217-223.

130 ,[{oMeHTHjaH, HeKlluje U3 C6ewoz uUCMa, 221, 223; Rahlfs, Diealttestamentlichen Lektionen, 44. 145

Ilotuxyuonuu upociuopu Y2aOllUX KJ!i10Aa

131 Rahlfs, Die alttestamentlichen Lektionen, 63.132 Me,llHli, Cfllapu CJlUKapCKU iiPUPY'lHUllU II, 312-313, 356-357.133 :>KHBKOBHh,MaHacuja, II.134 )I(HBKoBHn, Pa«aHUija, 12-15; EeJIoBHli, Pa«alluija, 96 sqq.

IIaH.ZJ;aHTHljlH CBHX yraoaax xynona Pecase yxparueaacy OpHaMeHTHMa. Y rroTKyrrOJIHHM rrpocropmra aajaeposar­naje cy 6HJIe npasasane CTap03aBeTHe JIJiqHOCm, xoje cy ce,

H3rJIe.ZJ;a,aajaemhe HaJIa3HJIe y Me.ZJ;aJDOHHMa (npr. 2-5). To

norsphyje H HamHC np(o)p(O)Kb KOjH ce jom MO)Ke nposn­TaTH acnon ceBepOHCTOqHe xynone. Tparona aarnaca [npo­

POKb, CT4, npae ... , ... 4ellAI. .. ] He .ZJ;03BOJbaBajy npenosaa­sarse ljlparMeHTapHO osysaaax JIJiqHOCTH.133 BaJDa, Me~y­

mM, pasynara C THM .ZJ;a cy TY 6HJIH npHKa3aHH rrpe cseraiipeuu XpUCiilOBU (npae ...) U ocuianu iipaeeouuuu, jep cy

DlllI Ha HcmM rrOBpmHHaMa HaCJIHKaHH y PaBaHHllH. 134

IIpe.ZJ;cTIlBe CBeTHTeJba y roplhHM rrp030pHMa ~aKOHHKOHaH

rrpOCKOMH.ZJ;Hje, mTO ce, HCTHHa je, He MOry H.ZJ;eHTHljlHKoBa­

TH, YKa3yjy Ha TO .ZJ;a cy ce H y rOplhHM rrp030pHMa, Hcrro.ZJ;

ona 3axapHje. Ha ynory BoroponauenpHJIHKOM HHKapHa.QHje Crracnrersayxasyje ce, npe csera, npe.ZJ;CTIlBaMa CTIl­

p03aBeTHHX CBemTeHHKa H IhHXOBHX

CHM6oJIa. OHH ce TY MOry TYMaqHTH He

casro KaO npeparypanaje XpHCTOBe Ben

H xao nperese arrOCTOJIa H lbHXOBHX aa­CJIe.ZJ;HHKa CBemTeHHKa, OHHX KOjH aa­crasrsajy XpHCTOBO ):\eJIO H Kp03 xoje.QpKBa .ZJ;aJDe XillBH.

IIpe):\CTaBe npopoxa H IhHXOBH

.QHTaTH BeOMa npe.QH3HO yxasyjy na Te­

Me soje cy rrpasasaae y .ZJ;OIhHM 30HaMa

pecancxe .QPKBe. IIope.ZJ; C.QeHa H3 XpH­

CTOBor )KHBOTa, CaCBHM je H3BeCHO zta je

y Pecasa 6HO HaCJIHKaH H acnprraa llH­

KJIyC )IillBoTa Boropoznrsaaor. Ilpezt-CA. 20. Ilpopo« Muxej CTIlBe y KyrrOJIH yxasyjy aa TO .ZJ;a cy ce

. aa YHHmTeHHM rrOBpIIIHHaMa 3H.ZJ;OBa y

J~OM ztenynaoca Mome HaJIa3HTH H C.QeHeH3 XillBOTIl JOBa­

aa KpCTHTeJba, 0 qeMY rosope H C.QeHe C npHKa3HMa ztorahajarrOCJIe saseha y KojHMa ce nojaarsyje JeJIHCaBeTa, Mam JOBa­

HOBa. Henocpenao H3a THX cneaa HaJIa3e ce, HaMMe, 3H.ZJ;He rro­

spmaae qHje cy ljlpecKe C BpeMeHOM BellHHOM YHHmTeHe. TOK

rrpeOCTIlJIHX cneaa C npencrasaaa H3 XillBOTIl H .ZJ;eJIaTHocm

Hcyca XpHCTIl y jy)KHOM neny aaoca He yxasyje aa TO .ZJ;a cy aapa3MaTPaHHM MecmMa HeKa):I 6HJIe npencraarsene nexe .ZJ;py­

re C.QeHe onor .QHKJIYca. Ynora arrOCTOJIa narnanrena je y pe­

CaBCKOj llpKBH y06JiqajeHHM cnenasaa y KOjHMa ce OHH npaxa­3yjy KaO nparaona H yqeHHllH XpHCTOBH, KaO H CJIHKallieM

0.ZJ;a6paHHX JIHKOBa H3 pena ceaaaneceropaue arrocrona y Me­

.ZJ;aJDOHHMa y OJITapCKOM npocropy. He 6H ce CMeJIa, Me~ymM,

HCrryCTHTH H3 BH.ZJ;a HH MoryhHoCT na cy ce aa rroMeHYTHM Me­

CTHMa HaJIa3HJIe nexe zrpyreC.QeHe y Be3H C zrenaraomhy arro­

crona, rrpe caera .ZJ;BaHaeCTOpH.Qe. Ha TY MoryhHoCT ynyhyjyBemn~e 3H):\He rrospmane, HapOqlITO y cesepaoa neny naoca,aa KOJHMa cy ljlpecKe crpaztane, a aa KOjHMa HHCy MOpaJIe 6H­

TH rrpasasaae CaMO C.QeHe crpanarsa XpHcTOBor, lberoBa qy.ZJ;a

H napafione, IIITO naaac ):\oMHHHPa Y TOM neny peCaBCKOr xpa­

Ma. Ha OBO yxasyje H qHlheHH.Qa .ZJ;a je pecaacxa .QPKBa nocae­hena CBeTOj TpojH.QH H .ZJ;a na Taj npasnax ynora arrOCTOJIa ):\0­

JIa3H .ZJ;0 naposnror aspaacaja, rra cy OHH crora H nporpasrozaCJIHKapCTBa MonIH 6HTH nocefiao HCTaKHYTH.

CA. 19. Ilpopox Mojcuje

Be.ZJ;eHH CTHXOBH qHTIljy ce y cpeny zrpyre rrenerse BeJIHKOr

rrOCTIl.l31 K~U2a iWiiaIlauuna rrperropyqyje HX sa HCIIHCHBa­

Ihe Y3 npencrasy npopoxony y xyrronaxa .QPKaBa H xao rrpo­

nparaa TeKCT Y3 cneay Ilpeoopaaeaa XpHCTOBor. 132

Kao IIITO ce H3 rrpeTXO.ZJ;He aHaJIH3e MO)Ke rrpHMeTHTH,

y PeCaBH je OCTBapeH OCMHIIIJbeH H360p KaKO npopoxa TaKO

H TeKCTOBa KOjH HX npare, rOTOBO CBH Ba)KHHjH rrpopoua - a

Me~y IhHMa CBH BeJIHKH npopoua, qHjH ce TeKCTOBH aajse­mhe KopHCTe y 60rocJI~eIhY, .ZJ;OK ce OHH caMH qeCTO CJIHKa­

jy y .QpKBaMa saaaarajcxor YMeTHJiqKOr xpyra - npHKa3aHH

cy y roprsoj 30HH. OHH HemTO Malhe Ba)KHH, KaO H CTIlp03a­

BeTHH CBenITeHH.QH npopoua, .ZJ;06HJIH cy MeCTO y zrpyroj 30­

HH. IIpHMeTHO je, OCHM rora, .ZJ;a rrpopona HHCy CMemTeHH

H3Ha,lJ, npaxasa rrpaaaaxa aa xoje ce onaoce IhHXOBa rrpopo­

qaHCTBa, HHTH THM npaananaaa onrosapajy acnacaaa TeK­

CTOBH. Haxo ce TaKaB CHCTeM O.ZJ;Hoca rrOHeKa.ZJ; nojasrsyje y

BH3aHTHjCKHM .QpKBaMa, Ihera pecancxa nerrrpamra xynona,C 063lipOM aa CBOjy BeJIJiqHHY H 6poj HaCJIHKaHHX craposa­BeTHHX JIJiqHOCTH, Hlfje ):\03BOJDaBaJIa, jep 6H 6HO npesameCJIO)KeH. OCHOBHH CHM60JIHqHH H xajepapxajcxa CHCTeM

nax CHrypHO je H .ZJ;OCJIe.ZJ;HO cnposenen, KaKO y rrorneny 0.ZJ;a­

6lipalha rrpopoxa CMeIIITeHHX y roprsy, O.ZJ;HOCHO ztorsy 30RY,

TaKO H Y norneny IhHXOBHX Me~yc06HHxO.ZJ;Hoca H O.ZJ;Hoca

rrpessa C.QeHaMa H ljlHrypaMa HaCJIHKaHHM y .ZJ;OIhHM 30HaMa

npxae. M3a6paHHM .QIITaTHMa y PeCaBH je H3HeTa cazceraOCHOBHa TeMa XpHIIInaHCKe ljlHJI030ljlHje H seposaaa. IIpH

TOM cy najxemhe 0.ZJ;a6HpaHH .QHTaTH KOjH ce KopHCTe y 60­

rOCJI~eIhY. Ta qHlheHHlla noaesaaa je, C jenae crpaae, C

rrpeztcrasoa Hefiecxe JIHTYPrHje, xoja ce, KaO IIITO CMO BH.ZJ;e­

JIH, HaJIa3H H3Ha.ZJ; npopoxa, H, ca zrpyre crpaae, C HaCJIHKa­

HOM 3eMaJbCKOM JIHTYPrHjoM xojy crryzcecaera oua y OJITa­

py. MCTO TaKO je ycnocraerseaa sesa ca CBaKO.ZJ;HeBHOM ae­MaJbCKOM JIHTYPrHjoM, xojy CBeIIITeHHllH, rro CJIH.QHHe6eCKe

narypraje, cnyxe y .QpKBH .ZJ;O .ZJ;aHaIIIIhHX .ZJ;aHa. Hajseha6poj uarara y pyxaxa npopoxa H3 Pecaae nocsehea je naj­3HaqajHHjHM BeJIHKHM rrpa3HH.QHMa, rrocefiao OHHMa y KOjH­

Ma .ZJ;OJIa3H):\O H3pa)Kaja rrojaBa Bora H CBeTe TpojHlle. Ty crra­

.ZJ;a H IIe.ZJ;eceTHH.Qa, KOjy MaHacTlipcKa .QPKBa y PeCaBH rroce6­

HO CJIaBH. BeoMa cy HamailleHe H MYKe XpHcTOBe, Koje ce 3a­

BpmaBajy PacrreneM, KaO H BacKpcelhe XpHCTOBO, rrpe.ZJ;yCJIOB

crracelha JbY.ZJ;CKor po.ZJ;a Koje rrOTOM CJIe.ZJ;H. Y3 XpHCTIl H Ihe­

rOBe rrpa3HHKe, HHCy 3arrOCTIlBJbeHe HH yJIore JOBaHa Kpcm­

TeJba H Boropo.ZJ;H.Qe, a HH arrOCTOJIa H CBeIIITeHHKa Kao CJIe,ZJ;­

6eHHKa XpHCTOBHX. YJIora JOBaHa KpCTHTeJba HamameHaje

rrpe.ZJ;CTaBoM TOr cBeror, aJIH H .QHTaTOM y PYKaMa lheroBor146

yraonax K)'IIOJIa, BepOBaTHO HaJIa3HJIH JIHKOBH npeztaxa Hnpanezmaxa. TaKaB saxrsysax ,[(OHOCH ce na OCHOBy ozteheHCTaBOBa ,[(OHeKJIe OqYBaHHX CBeTHTe.Jba.

CJIHKaIbe CTap03aBeTHHX npaorana H IIpaBe,[(HHKa aaIIOTKyrrOJIHHM IIOBpmHHaMa BH3aHTHjCKHX upsaaa HMaCHM­60JIHqaH xapaxrep jep IbHXOBO IIpHCyCTBO osaaxaaa IIOTBp­,[(y 3eMarr,CKor )KHBOTa XpHCTOBor. IDHXOBHM CMeillTaIbeMaa TeIIOBpmHHe YKa3HBaHO je, HaMMe, aa oaannoherse XpH­CTOBO H aa lberoBy CBemTeH~KYH uapcxy JI03Y xoja ce MO­)Ke nparara Kp03 MHore reaepanaje lberoBHX aesrarscsaxnpenaxa. Ih60poM npenaxa, IIOHeKa,[( IIO Marejesoa jesaa­ljeJby (1-25), a KaTKa,[( IIOmrryprajcxaa HJIH HeKHM zrpyraaTeKCTOBHMa, qeCTO je onpehasaa csracao CJIHKaHOr rrporpa­MaHYKa3HBaHO je aa CTaJIHO rrpHCyCTBO THX JI~HOCTH Y n:p­KBH H JIHTYPmjH. OHH ce y rnrrypraja naposnrro CJIaBe TO­KOM zrse nenerse rrpen rrpasnax Pohea.a Xpacrosor, xana ce,rrpHJIHKOM qHTalba Jeeanhena iio Maiuejy (y Hezrersy CBe­THX OTaI\a H ua Oa,[(IbH naa) H IIoje,[(HHaqHO IIOMHlby,135

Cyneha IIO II03HaTHM KYIIOJIHHM CIIOMeHHI\HMa, npe­I\H XpHCTOBH cy, 6ap y IIepHO,[(y IIOCJIe HKOHOKJIa3Ma, najxe­mhe CJIHKaHH y IIOTKyrrOJIHHM IIpOCTOpHMa. TaKO ce H3jezrae6ece,[(e JIaBaVI (OKO 900) casaaje ztacy OHH 6HJIH HaCJIHKa­HHaeh y roplbHM 30HaMa naparpaztcxe npxae CTHJIHjaHa 3a­yn:eca,136 IIpBH OqyBaHH npnsrepa TaKBOr pacnopezta XpH­CTOBHX npenaxa IIOTHqyraxohe H3cpenaoaasarrrajcxor- IIe­paozta HMOry ce BH,[(eTH y n:pKBH Hea MOHHaa Xnocy, xao Hy n:pKBH MHpO)KCKOr MaHaCTHpa y IIcKoBy, a HCTO MeCTOIbHXOBH JIHKOBH 3aY3HMaJIH cy H y Hepe,[(HI\H. TaKaB HKOHO­rparpcxa nporpaa KYIIOJIHHX upxasa npeyaerje Hy KaCHOBH­3aHTHjcKoM IIepHO):(y, H3 xojer je casysaa MHOro aeha 6pojIIpHMepa.Jenaa 0,[( Haj3aHHMJbHBHjHXjeCTe oaaj y KparsenojI\pKBHy CTY,[(eHHI\H, rne cy, C063RpOM aa qHlbeHHI\Y ztajeI\pKBa nocseheaa JOaKHMy H AHH, rrpeua, nopehaaa npesiapenocneny H3Marejesor jesaahersa, ,[(06HJIH HCTaKHyTO Me­CTO y aorsoj 30HH TaM6ypaK)'IIOJIe, noaesyjyha TaKO CuiapuHHOBU3a6eiU. 137 IIoHeKa,[( cy IIaKnpena CJIHKaHH Haa IIOTP­6ymjHMa JIYKOBa KOjH noce KYIIOJIy HJIH aa 60qHHM IIOTKY­IIOJIHHM 3H,[(OBHMa. TaKBH upasrepa MOry ce BH,[(eTH y MH­JIemeBH, CBeTHM aIIOCTOJIHMa y Ileha, y COIIohaHHMa HApHJbY. Y ApHJbYcy CBeTH JoaKHM H AHa rrpaxasarra na JIY­Ky ys oJITap,138 Y n:pKBH Eoropozrane IIepHBJIeme y OXpH):(yJIHKOBH npapoznrrersa, MeljYTHM, CMemTeHH cy na JIYK KOjHyoxsapyje aIICH):(y.139 AKo je rasaa IIpeTIIOCTaBKa,[(a cy HC­IIO,[( crropezmax K)'IIoJIaPecase 6HJIH IIpHKa3aHH IIpeI\H XpH­CTOBH, onna je TO MOpaJIO 6HTH ysmseao IIO ysopy aa Pana­HHn:y, qHje je CJIHKapCTBO, Kao mTO je HaIIOMeHYTO, y MHoroqeMY6HJIO IIpHMep 3a CJIHKape PeCaBe.

IlalloalliUu¢u ttelliUparme K)JUO/le

Ha IIaH,[(aHTHljlHMa HCIIO,[( I\eHTPaJIHe K)'IIOJIe PeCaBeHaJIa3e ce IIpe,[(CTaBeje6all!jelluciUa (n:pT. 6). OHHce HaIIaH­,[(aHTHljlHMa CJIHKajy HajKacHHje 0,[( XI BeKa, illTO IIOTBpljyjyO~aHH CIIOMeHHI\H, KaO mTO cy CBeTa ColjlHja y KHjeByHJIH I\pKBa Hea MOHH Ha XHOCy. Y n:pKBH Hea MOHH, KojaHMa CJIO)KeH KyrrOJIHH CHCTeM ca TPOMIIaMa, jeBaHljeJIHCTHcy rrpHKa3aHH Ha MeCTHMa Koja o,[(roBapajy IIaH,[(aHTHljlH­Ma,140 Y KaCHOBH3aHTHjcKoM IIepHo):(y OHH cy IIOCTaJIH rOTO­BO HCKJbyqHBa ,[(eKopan:Hja IIaH,[(aHTHljla I\eHTPaJIHe KyrrOJIe,o qeMY CBe,[(Oqe MHom rrpHMepH. THIIHqaH rrpHMep jeCTeHn:pKBa MaHacTRpa PecaBe.

IIpe,[(CTaBe jeBaHljeJIHCTa y PecaBH ,[(OCTa cy omreheHe..1IHKoBHjeBaHljeJIHCTa H1bHX0Ba HKoHorpaljlHjaMOry ce HIIaKy IIOTII)'HOCTH pa3a3HaTH. IIpeII03Hajy ce IIO yCT!lJJ>eHOj HKO­HorpaljlHjH, CHM60JIHMa KOjH cy Y3 IbHXIIpe,[(CTaBJbeHH, KaoH

IIO O~aHHM HaTIIHCHMa. Ha ceaepoacrosnou IIaH,[(aHTHljlyHaCJIHKaH je jesanhenacra Marej, Ha JIHCTY KOjH MYrrpHHOCHrrepcoaadraxanaja OO)KaHCKe IIpeMY,[(poCTH HCIIHCaHje IIOqe­TaK lberoBor jeaaahersa: KHHr4 PWAhCT84 ,(CO'[C'h)

X(pH)c(TO)84 ... ArrOCTOJI HjeBaHljeJIHCTa JOBaH - c(8ehh.

IW[4H'h] - rrpeztcraarseaje aa jyrOHCTOqHOM naanaarmpy;oH,[(HKTRpa TeKcTyqeHHKyIIpoxopy- np[oxop'h] -KojHjeaeh HCIIHcao IIOqeTHe pesa JOBaHOBOr jeaanhersa: [8h H4'U­

AO Bt] CAW[80]. Ilpeacraaajesaahenacre Mapxa HaJIa3H ceaa jyr03aIIa,[(HOM IIaH,[(aHTHljly. Harnac ClberoBHM HMeHOMcasroje ,[(eJIH~HOOqYBaH: c(8ehhl. Ha KlbH3H xoja CTOjHaa rryJITY HCIIHCaH je IIOqeTaK TeKCTa lberOBor jeaaahersa:~4'UAO e\('(4rre)AH4 ,(co)'[(c'h) X(pHCTO)84 I4Kome, aoxjeaa KlbH3H y lberOBHM PYKaMa HaIIHCaHO: HmelS L ..]HrlS

L..Ire L..]8h. II, aajsaa, JIyKa - c(8ehh. AlSK4 - jesaa­ljeJIHCTa H ayrop Ileaa auOCiUO/lCKUX, rrpezrcrasrseaje aa ce­Bep03aIIa,[(HOM naanaararpy. Ce,[(H C KIbHrOM aa KpHJIY Hnparrpeaa ce sa IIHCaIbe onrrpeha KaJIaMOC. Ha orsopeaojKlbH3H xoja CTOjH na rryJITY HCIIHcaH je IIOqeTaK lberOBor je­aanhersa: nOHeme lSBO M. Ca H3Y3eTKOM JOBaHa, xojaje rrpH­Ka3aH y IIeooHH na Ilarsrocy, OCTaJIH jeBaHljeJIHCTH ospyace­HHcy y06~ajeHoM CJIHKaHOM apxHTeKTYPoM Cpacxonnrmr6aJIKOHHMa, rrpH qeMY ce OHa na rrpeztcraaa jeaaahenacreMareja MO)Ke IIope,[(HTH CIIpHKa3HMa na CJIHI\H TOrjesaahe­JIHCTe y PaBaHHI\H,141 CI\eHe yrrorrryrsyjy H opxapaha CrryJITOM, aa KojHMace HaJIa3H IIpH60p aa IIHCaIbe,142

Mecra na KojHMa cy jeBaHljeJIHCTH HaCJIHKaHH acsasyjyCHM60~0H IbHXOBy IIOBe3aHOCT. Ha HCTO~OM rrapy IIaH­,[(aHTHljla, KaO nerrocpeznmyqeHHI\H XpHCTOBH, npaxasarra cyMarej H JOBaH. THMeje IIOKa3aHa H IIOBe3aHOCT IbHXOBHX ne­JIa jep je, IIOjezmox rrpeztarsy, JOBaH npeneo Marejeso jenan­ljeJbeCxefipejcxor aa rpssn, JIYKaHMapKO,[(06HJIH cy MaIbeBa)KHa MeCTa, aa 3aIIa,[(HOM napy IIaH,[(aHTHljla, rzte ce CJIHKajyy MHOrHM n:pKBaMa H3spesreaa Ilaneonora, Y CpIICKHM xpa­MOBHMa TaKaB pacnopezt rracana jeaaahersa yofiasajea je HMO)Ke ce BH,[(eTH, aa IIpHMep, y oOroPO,[(~HHOj H KparseaojI\pKBHy CTY,[(eHHI\H, y )I{~H, COIIohaHHMa, Aanpeamy, KaOH Y n:pKBaMa MOpaBCKe Cpfiaje, Meljy KojHMacy PaBaHHI\a HKaJIeHHh,143

JeBaHljeJIHCTH cy y PeCaBH, H3Y3eB JOBaHa, IIpe,[(CTa­BJbeHH CIIepCOHHljlHKaI\HjOM OmKaHCKe IIpeMY):(PocTH, xojaje, npeaa ysopy H3 aHTHKe, HaCJIHKaHa KaO MJIa,[(a nesojxa.JOBaH IIaK IIpHMa 60)KaHCKO aaaaxayhe aenocpeztao Caefia,nrro je rrpaxaaaao 3paKOM KOjH H3cerneara nefia ,[(OJIa3H ,[(0lberOBe maBe. IIaKO JOBaH ,[(P)KH KaJIaMOC, OH He 3aIIHcyje

135 BenuKU TUUUK, 78-82.136 Cf. Mango, The Art ofthe Byzantine Empire, 203-205.137 lia6H1i, KpatbeBa llpKBa, 76 sqq.138 BOjBO.l\Hh, 3UOHO C/lUKapciUBo llpKBe CBeiUoz Axwiuja, 51 sq.139 MHJbKoBHK-IIerreK,)7enoiUo, 48.140 B. H. Jla3apeB, M03auKU CotjJUU KueBcKOU, MOCKBa 1960,

85-88, CJI. 10-15; D. Mouriki, The Mosaics ofNea Moni on Chios, Athens1985,49-51, PI. 10, 11, 136.

141 )KHBKoBHn, PaBallUllQ, 11.142 0 HaMerrrrajy, rrpe.l\CTlIBaMa rrpH60pa 3a IIHClUbe HapXHTeKTOH­

CKOj rr03a,/\HHH HaCJIHKaMajeBaHl)eJIHCTa cf. H. Hunger, K. Wessel, Evan­

gelisten, in: RhKI1, Stuttgart 1971,474-482; Ii. M 1'lop~eBHIi, IIpeociUaBe

upu60pa 3a UucaRJeU OUpeMyKRJuze y CpUCKOM CpeORJOBeKOBlloM C/lUKap­

ciUB)', in: 360pllUK BIUlOuMupa MowUIla, lieorpa,/\ 1977,87-112; M. Po­60B,CpeolloBeKoBllu Mamepuanu U ullcmpYMellmu 3a nucalle om TbPIlOBO

U llezoBama OKOflHOcm, in: l(apcmByBawmWlm zpao TbpIlOB. ApxeoflOZU'le­

CKU npOJ'lBaIlWl, ed.A. IIorroB, M. AJIeKcHeB, Co<l>HJ1 1985,235-242.143 Cf.lia6H1i, KpatbeBa llpKBa, 87, 90; Ii. :>KHBKOBHIi,)J(u'la.l(piUe­

:JICU tjJpecaKQ,lieorpa,/\1985, 17-21; idem, Coilotulllu.l.(piUe:JICU tjJpecaKa,

lieorpa,/\ 1984, 8 sq.; idem, PaBallUllQ, 4; DeJIOBHh, PaBallUllQ, 90 sqq.;:>KHBKoBHIi, Kanellun, 6 sq.; CHMHIi-JIa3ap, Kanellun, 103sq.; Pro1ovic, Die

Kirche des Heiligen Andreas, 89 sqq. 147

TeKCT, Ben ra ,l:{HKTHpa yqeHHKY IIpoxopy, npHKa3aIIOM KaKOcezra nopen Ibera. Ilpezrcrasa CBeTOr JOBllHa CIlpoxopox MO­:>Ke ce nparnm y BH3aIITHjCKOj YMeTHOCTH on X nexa, a HaPO­qHTO qeCTO JOBaH je TaKO npHKa3HBaH Y KaCHOBH3aIITHjCKOMrrepHo.n:y.l44 Cnena je sepoaarao HaCTIlJIa y Ilaparpany KaOanycrpanaja JOBllHOBor :>KHBOTa HaMelbeHa pyxonacy CHMeo­aa Merarppacra, Kao OCHOBa saTYnpencrasy cJIY:>KH.lIo jeJKu­iUuje ceeiuoe Joeaua xoje je caCTaBHO H3BeCHH IIpoxop, aepo­BaTHO y Erpecy, OKO 500. ro.n;HHe.l45 3a Pa3.llllKY on paHHjHXnpencrana, xoje jeBaH1)eJIHCTY noxasyjy y crojehex CTaBy, aa<ppecuH y PeCaBH OH cezra, HCTO KaO H IIpoxop, llITO ce y BH­3aIITHjCKOj YMeTHOCrn ycrarsyje TeK y XIV BeKY.l46OCHM TO­ra, jacao je na <ppecKa noxasyje JOBaHa H IIpoxopa y nehaaaaa IIaTMOCy Y TPeHYTKY aacraaxa jesaahersa, jep H3IIpoxo­posor rrepa, KaO llITOje rroMeHYTO, H3JIa3e noserae pesa je­saahersa, M Taj zterars nojasrsyje ce TeK y XIV BeKY, nonrronpe 'rora MecTO HaCTaHKajesaahersa mtje 6HJIOTa~O onpehe­HO; rrpesra TPa.n;HUHjH, CBeTH JOBaH HaIIHcaOje OiUKpU6e1benaIlarsrocy, a jeaanherse y E<pecy.l47

Kao llITO je noueayro, ya jeBaH1)eJIHCTe cy y PecaaaHaCJIHKaHH H IbHXOBH CHM60JIH, KOjH, ,IJ;p:>KenH jeaanhersa,H3BHPyjyH3cersreaara nefia mTO ce HaJIa3e H3Me~y IIaH.n;aH­rn<pa, aa cesepaoj H jysoroj crpaaa, TH cersreara npeztcra­BJbeHH cy CPYKOM I'ocnonaoa KaO CHM60JIOM crsapanasxeMOM. qeTHpH aefiecxa 6Hha H3 Je3eKHJbeBe BH3Hje aefia,OIIHCaHa KaO :>KHBOTHlba ca xerapa JIHua (Je31,6-12), a 0 KO­JHMa rosopa HJOBaH Teonor y OiUKpU6e1bY (4,6), npaxasyjyce y CJIHKapcTBy jom on paaoxpamhaacxor nepaona, Beh jeJIHOHCKH 6HCKyII Hpaaej (II BeK)zroseoCBaKO on THX JIHua yBe3Y Cjezraaa jeBaH1)eJIHCTOM, noziersyjyha HX jeBaH1)eJIH­CTHMa xao cHM60JIe. THMe je aspasceaa aepacxazraaa nesaH3Me~y jeBaH1)eJIHCTa Hnefia,xao Hje.n;HHCTBOjeBaH~eOCKHX

TeKCTOBa. Pyxorraca HaCTajaJIH on X ztoXIII CTOJIena noxa­syjy zta y TOM nepaony jesaaherracra HHCy YBeK .n;06HjaJIHHCTH CHM60JI. TeK on XIII nexa yCTaJIHJIO ce TO naje MarejesCHM60JI aaheo, MapKOB KpHJIaTH JIaB, JIYKHH KpHJIaTH 6HK,aJOBaHOB opao.l 48

Cnaxae rrpezicraae jeBaH1)eJIHCTa, C nepcoaadiaaana­jaaa DO:>KaHCKe IlpeMY,IJ;pOCTH, cersrearaaa He6a H CHM60­JIHMa jeaaahenacra, nojasrsyjy ce qeCTO y YMeTHOCTH spe­MeHaIlaJIeOJIora.l49 IlPHKa3H H3 Pecase MOry ce nopemrraca OHHMa y Boroponaxaaoj IJ:PKBH y Ileha H HapOqHTO cacrrOMeHHUHMa MOpaBCKe Cptiaje, TaKO ztace napanene HaJIa­3e H y PaBaHHUH H KaJIeHHhy.l50

M3Me~y jeBaH1)eJIHCTa MaTeja H JOBaHa Ha HCTOqHOjcrpaHHje, Me~y rraH.n;aHrn<pHMa, HaCJIHKaH HepyKoiU60pe1lU

y6pyc. HacnpaM Ibera je, H3Me~y 3arra.n;Hor rrapa ITaH.n;aHTH­<pa, rrpHKa3aHa lberoBa CJIHKa Ha KepaMUo1ly.l51 To cyqeJba­Balbe HepYKOTBopeHHX CJIHKa XpHCTOBHX MHorocTPYKo jeCHM60JIHqHO H Ha Ca:>KeT HaqHH rrpe.n;cTaBJba JIereH.n;y 0 MaH­.n;HJIHOHY H3E.n;ece, KOjH je caMXpHCTOC Ha qy.n;OTBOpaH Ha­qHHCTBOpHO H rrOCJIaO ABrapy, KpalbYE.n;ece. Ilpe.n;cTaBe ceo.n;Hoce HaoHaj .n;eo JIereH.n;e rro KojeMje HepYKOTBOpeHa CJIH­Ka OCTaBHJIa OTHCaK HaKepaMHoHY, TaKolje qy.n;OTBOpaH, Ka­.n;a je 6HJIa caKpHBeHa y UHrJIaHH KO.n; XHjepOrrOJIHca. MaH­.n;HJIHOH je OCTaBHO jom je.n;aH OTHCaK y caMOM rpa.n:y E.n;ecH,Ka.n;a je, TOKOM BJIa.n;e He3Ha60:>Kaua, 6HO 3a3H.n;aH H3Ha.n;rpa.n;CKHX BpaTa, r.n;e je CTajao Kao 3amTHTHHK rpa.n;a. Y Bpe­Me IIepcHjcKe OIIca.n;e E.n;ece, 544. ro.n;HHe, MaH.n;HJIHOH je Haqy.n;oTBopaH HaqHH IIpoH~eH, a y3 Ibera ce HaJIa3HO H OTH­caKHa KepaMHoHY KOjH je OH y Me~YBpeMeHY OCTaBHO. 360rTOracy rp~aHH E.n;ece BepOBaJIH .n;aje rpa.n; npHJIHKOM orrca­.n;e crraceH yrrpaBo 3axBalbyjYM 3amTHTH Te HepyKoTBopeHe

148 CJIHKe. 06e CJIHKe qyBaHecy y UpKBH Y E.n;ecH H CMaTpaHe cy

HajBehHM 3aDITHTHHUHMa rpazta, Y Me~YBpeMeHY je ra XpH­CTOBa CJIHKa rrOCTaJIa II03HaTa y ueJIOM BH3aHTHjCKOM nap­CTBy, ITa H Y 3eMJbaMa xoje cy crajane IIO.n; yranajex BH3aH­raje, 06e nepyxorsopeae CJIHKe npeaoraene cy IIepHO.n; HKO­HOKJIa3Ma, sa Pa3JIHKY on qy.n;OTBOpHe CJIHKe XpHCToBe H3KaMYJIHjaHe. Kaztaje, 843. roztaae, KyJIT CJIHKa y BH3aHTHjHrrOHOBO 6HO ycnocraarsea, arrrepecoaaae sa aepyxorsope­He CJIHKe je IIOpaCJIO nonrro cy OHe csrarpaae peJIHKBHjaMauapcrsa. TaKO cy 944. rozmae MaH.n;HJIHOH H KepaMHOH rrpe­HeTH H3Enece, xoja ce HaJIa3HJIa non snamhy Apafirsana, yl{apnrpa.n;.l52 Ty cy zrosexaaa ys aajaehe IIOqaCTH. IIocJIecsesaaocra onpacaae y IbHXOBy sacr CMemTeHH cy, jeaaaHaCIIpaM ztpyror, y UpKByBoropozraneozi<I>apa, xoja ce CMa­'rpana PH3HHUOM napcrsa. Y apesre JIaTHHCKe BJIaCTH y Ila­parpany MaH.n;HJIHoHje BepOBaTHO npeaer aa 3arra.n;, me je yTO BpeMe arrrepecoaarse aa nepyxorsopeae CJIHKe 3HaTHOnopacno. Ty ce H ry6H 'rpar CJIHUH H3Enece, qHjHje KYJIT, yMe~YBpeMeHY nrapoxo pacrrpocrparsea, OCTao na :>KHBH HrrOCJIe rseaor HeCTaHKa. BH3aHTHjcKH CJIHKapH qeCTO cy npH­Ka3HBaJIH MaH.n;HJIHOH, nonesan casr, a nonexan, xao y Peca­BH, Crseronmr ornCKOM ua KepaMHOHY.l 53

XpHCTOBa CJIHKa xoja je HaCTaJIa 6e3 nocpenosaaarsyncxe pyxe, TaKO mTOje Cnacarers npHCJIOHHO TKaHHHY yacnoje JIHue, cnyacana je on .n;aBHHHa xao CBe.n;OqaHCTBO 0 Ibe­rOBOM H3rJIe,IJ;y H OTeJIOTBOpelby Dora. Ilpa TOMe cy CBe Ibe­Hesyncrsopae oc06HHerrpenere H na CJIHKy aa KepaMHOHY,rronrro je H OHa HaCTaJIa 6e3Jby.n;CKor nocpezronarsa. Kao 'ra­KBe, 're CJIHKe rrOCTaJIe cy Ba:>KaH CHM60JI xpmnhaacxe YMeT­aocra, CJIHKapH cy HX IIpe.n:CTaBJbaJIH H npe HKOHOKJIa3Ma,na 6H IIOTOM IIOCTaJIe H HeH30CTaBaH MOTHB y rrporpasnnraIJ:PKaBa BH3aHTHjcKor xpyra. O.n;Pa3 TeOJIOillKHX pacnpanasoheaax y X H XI BeKY 6HJIe cy IIpOMeHe y nporpaxasra BH­3aHTHjcKHX npxana. Y xpaMOBHMa C KYIIOJIOM xoja noxaaaaa IIaH.n;aHTH<pHMa 're rrpeztcrase ce on rana rOTOBO HeH30­CTaBHO CJIHKajy H3Me~y IIaH.n;aHTH<pa. CaMO ce y KyrrOJIHHMnpxsaaa qHjH CJIHKaHH nporpaa CJIe.n;H crapa nporpaacxapenrersa HJIH y OHHMa YKojHMace 360r HeKHX npyrax Pa3JIO­ra O.n;cryIIHJIO on y06HqajeHor pacnopezta <ppecaKa MaH.n;H-

144 Cf. Hunger, Wessel, Evangelisten, 466 (ca MHOrHM rrpassepa­Ma); R. S. Nelson, TheIconography ofPreface and Miniature in the Byzan­tine Gospel Book, New York 1980, 7 sqq.

145 Cf. Acta Joannis, ed. Th. Zahn, Erlangen 1880, LVIII, LX, 154;Hunger, Wessel, Evangelisten, 466. 0 CBeroM JOBaHy cf. H LCI VII,Rom-Freiburg-Basel, 1974, 108-130; Bibliotheca Sanetorum VII, 757-797.

146 Cf. J. Prolovic, John and Sokrat (y IIITaMIIH).147 Ibid.148 Cf. K. Wessel, Evangelistensymbole, in: RbKII, 508 sqq. (c MHO­

rHM rrpHMepHMa); G. Galavaris, The fllustrations ofthe Prefaces in Byzanti­ne Gospels, Wien 1979, 36-49; Nelson, The Iconography ofPreface, 7 sq.,112; Ea6H1i, Kpatbe8a "IpK8a, 67.

149 0 rrpe.n:CTaBaMajeBaljeJIHCTa y BIDllHI'HjCKOj YMeTHOCTH H0 IbH­XOBOM IlopeKJIY H3 aHTHKe cf. A. M. Friend, Jr., The Portraits ofthe Evan­gelists in Greek and Latin Manuscripts, I, Art Studies 5 (1927) 115-147; 7(1929) 3-29; K. Weitzmann, Das klassische Erbe in der Kunst Konstanti­nopels, Alte und neue Kunst 3/2 (1954) 41-59; idem, Geistige Grundlagenund Wesen der Makedonischen Renaissance, K6ln 1963; idem, ClassicalHeritage in Byzantine and Near Eastern Art, London 1981; C. Pa.n;ojqHli,J[UK08U UHCuupucaHux, in: idem, TeKcW08U u ppecKe, HOBH Ca.n; 1965,9-22; Hunger, Wessel, Evangelisten, 452 sqq.; J. Prolovic, Die Miniaturendes sogenannten Dovolja-Tetraevangeliars (Belgrad, NBS, Rs, 638), JOB45 (1995) 283 sqq.

150 B. J. l'IypHli, C. lllipKoBHIi, B. Kopah, IlehKa uaillpujapUluja,Eeorpa.n; 1990,cll.85,86,88;~KoBHIi,Pa8aHutja,4/4;](IfBKOBHIi,Ka­IUmuh,6.

151 ToMHli, HHKomm, MaHacuja, T. CVII; ](IfBKOBHh, MaHacuja, I.152 KepaMHOH ID XHjepanOJIHca rrpeHeT je y ~apHrpa.n; 968. TO.n;H­

He,y BpeMe Blla.n;e llapa H=4>opa <I>oKe (963-969).153 Cf. J. Prolovic, Mandylion. Das "wahre Bild" Christi in der

byzantinischen Kunst (y IIITaMIIH).

JIHOH H KepaMHOH He CJIHKajy na TOM Mecry HJIH cy (aajxe­mhe KepaMHOH) H30CTaBJI>eHH. IIpH TOM ce TOKOM BpeMeHaMelbarra caao asoaorpadraja MaH,ll;HJIHOHa. ,l(OK je KO,n; CTa­pHjHX npmrepa npeztcrana noztpaayaesana CJIHKY na sarer­HYTOM IIJIaTHY, on XIII nexa aajxenrhe ce npasasyje xao CJIH­xa na y6pycy 3aKaqeHOM na xpajesaaa, mTO je yqHlbeHo HyPeCaBH. CJI~He rrpencraae MOry ce BH)l;eTH y MHorHM cprr­CKHM I\pKBaMa, Meljy KojHMa cy HConohaaa (npencrasa aaynasy y nporesac), :>KwIa, Tpaxaaana, Boropozrana JbeBH­mxa y IIpH3peRY, Boroponaxaaa I\pKBa y IIehH, ,l(eqaHH HMarean. HajBaJKHHjH CrrOMeHHI\H Mopascxe Cpfinje noxa­3yjy IIaK, KaO HHeKH ztpyra paaaja rrpastepa, ztaMaH,IJ;HJIHOHy TO speae HMa HTaKBy axoaorparpajy, ana HoRY crapajy,TaKO je y PaBaHHI\H y6pyc 3aTerHYT, ,n;OK y Kaneaahy, KaO yPeCaBH, BHCH, sasasea aa KpajeBHMa.I 54

Ilpezrcrase jesaahenacra H nepyxoraopeaax CJIHKa yrroTKyrrOJIHOM npocropy npxaaa noce sanrecrpyxy CHM60­JIHKy. JeBaHljeJIHCTH cy ,n;06HJIH MecTO H3Meljy He6a (xyno­JIa) H 3eMlbe (aaoc) KaO CaCTaB.JbaqH TeKCTOBa H0602 saee­ilia, OHHX TeKCTOBa aa KojHMa noxaaa XpHmhaHCTBO, a xojeje CaM Tocnon nocnao CHe6asa rsyzre aa qeTHpH crpaae CBe­Ta. 3aTocy aYTOpH qeTHpH jesaahersa, KaO nocpenaana H3­Meljy nefia H3eMlbe, npaxasaaa aa qeTHpH rraH,IJ;aHTH<pa. Mqy,n;OTBopHa HepYKoTBOpeHa CJIHKa, HCTO xao jeaaahersa, rro­T~e on Dora HCTBOpeHa je aa qOBeqaHCTBO. To cy nena DO­)KHja, mTO y PeCaBH norsphyje Hnpencrasa Pyxe Tocuoon.e

H3Meljy cesepaax Hjysorax rraanaararpa; 1b0M ce na CHM60­JIHqaH HaqHH H3paJKaBa craapanasxa caara DO)l(Hja. Ilpezr­CTaBaMa jesaahenacra na rraH,ll;aHTH<pHMa H HepYKOTBOpe­HHX CJIHKa H3Meljy IbHX, aa HCTOj BHCHHH, HCKa3aHa je y Pe­CaBH Hje,n;HaKOCT H3Meljy pesa HCJIHKe I'ocnoznse. Tyjenaa­KOCT H3pa3HO je y CBOM ztenyjour BacHJIHje BeJIHKH, yrrope­ljyjyhHjeBaHlje.Jbe HCJIHKapcTBo.I55 DpaHHTe.JbH HKOHa y no­6a HKOHOKJIa3Ma HapOqHTO cy qeCTO HCTHI\arrH B~OCT pe­qHHCJIHKe KaO nena I'ocnomsax HCTOr saaaaja, npa qeMY jeaepyxorsopeaa CJIHKa ,n;06HJIa nocefiao MeCTO nonrro je rro­THI\arra nenocpezmo on Dora. KOJIHKO cy, naxne, BaJKHa je­BaHlje.Jba, y KojHMa je 3a6eJIe)KeHa pes XpHCToBa, TOJIHKO jeBaJKHa HHepYKOTBOpeHa CJIHKa, KOJOM je rrpaxasaaa lberOBaHaCJIHKaHa pes, TeoJI03H cy npa TOM HCTHI\arrH)];a xpamhaa­CTBO rrOqHBa na 06e 're rrOCJIaHHI\e Focrroznse - ua pena HnaCJIHI\H. Teonomxe pacnpase aamne cy onjexa Hy BH3aHTHj­CKOj yMeTHOCTH, rra cy ce TaKO jeBaHljeJIHCTH HHepYKOTBO­pene CJIHKe npaxasaaana na HCTOj BHCHHH Hjenaa nopennpyrax y rrOTKyrrOJIHOM rrpOCTOpy.I56

154 Cf. :lKHBKOBHh, COUOhaHU, 29, 42; Ea6Hh,Kpanseea upxea, 77,cll.22, 78,Cll.33;:lKHBKoBHll,lKu~a,18;E. To~Hll,~. ~aK-~e~,)1e­uauu, Beorpazt 2005, 338, err.260; B. P. IIeTKOBHll, n. EOillKOBHll, Mana­csuupIleuauu, Beorpan 1941, II, 29; :lKHBKOBHh, Pa6aHUlIQ, 4/4; )J(HBKO­BHll, Kaneuuh, 6.

155 PG 31, 489A, 509 A.156 Cf. Prolovic, Mandylion.

The Decorative Program of the Domes and Area under the Domesin the Church of the Monastery Resava

Jadranka Prolovic

Because the dome is interpreted as a symbol of theheavens, it is reserved for heavenly subjects. The calotte ofthe dome is seen as a vault of heaven or "heaven in theheavens" and, as such, as the "house of Christ". As thecommentator in the 19th century reports, the image ofChristPantokrator was once located at the zenith of the centraldome ofResava. The preserved scenes and figures below thedome, specifically the heavenly liturgy and the prophets,confirm the original existence of this image. Together theybuild an iconology that was very widespread in late Byzan­tine art. The composition of the central dome of Resavaresembles in its complete appearance, supported by someparticularities, the central dome of Ravanica, which servedas a model for the artists of Resava. One can find closeparallels for the decoration of the side domes in Ravanica.The similar arrangement ofheavenly powers in the tamboursof the domes in Ravanica and Resava indicate that, like inRavanica, Christ Emmanuel, the Age ofDays, the Mother ofGod and the Archangel Michael could have been depicted inthe zenith of the side domes of Resava. This type of deco­rative scheme in side domes is common in late Byzantinemonumental painting.

The remaining fragments with images of angels asdeacons positioned in the ring around the zenith ofthe centraldome show that the Heavenly Liturgy was depicted here,specifically the Large Entrance which, aside from the

communion, was the only part of the liturgy visible to thefaithful. In Resava, the Heavenly Liturgy is completed by theimages of crowds of angels, which are portrayed in thetambours ofthe side domes. The liturgical hymns that accom­pany these images ofangels confirm this order. The renderingof orders of angels in the tambours of the side domes inResava comply with the traditional program in which theseheavenly beings - who being closest to God, who were hisfirst creations and the only to whom a look in the heavenlyspheres is always possible - are depicted in His nearestproximity in the dome as a symbol of heaven. The differentclothing of the anthropomorphic angels and the differentlyfashioned robes of the other heavenly beings show that thepainter wanted to illustrate the heavenly court with God'sheavenly hosts and their hierarchical order. According toPseudo-Dionysios Areopagites, the hierarchy was composedofnine ranks. It was the top levels of the heavenly army andguard that protect the throne ofthe Pantokrator and that serveas mediators between heavenly power and humans. Withthese depictions ofheavenly beings in the tambours ofthe sidedomes in Resava, the visions of the prophets, who in seldommoments could see these beings, are illustrated.

The twenty-four prophets, who have received theirsymbolic location underneath the Heavenly Liturgy in thespaces between the windows in the tambour, complete theiconographic program of the central dome. The prophets of 149

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the Old Testament could sometimes look upon God, as theyreport in their writings. For this reason they were arranged inthe tambour of the dome directly beneath the depiction of theheavenly world, which can be seen in the calotte surroundingthe Pantokrator. With this symbolic placement, the prophetsconnect Heaven and the heavenly world with the Earth and theearthly world. Accordingly, they link the heavenly and godlynature of Christ with his human nature. Here in Resava, allfour major and twelve minor prophets who composed theirown works are depicted. Also Elijah and Eliseus, who eventhough they wrote nothing serve as major prophets, wereshown here in the tambour. Samuel, Zacharias, Aaron andMoses, who represent the prefiguration of Christ as the Highand Eternal Priest, are also depicted. Furtherly, their arran­gement expresses a hierarchy among the prophets. Those whoare more important and whose work is more often used in theliturgy received a space in the upper register. Selectedquotations from the works of the prophets written on theirscrolls summarize the most important themes of Christianphilosophy and Christian belief. These quotations had, for thelarge part, also been incorporated into the liturgy. This fact isto be coupled with not only the depiction of the HeavenlyLiturgy on the zenith of the dome but also with the Liturgy ofthe Holy Fathers in the apse of the church, as well as with theliturgy performed daily in the church, which itself is in turnmodelled on the Heavenly Liturgy. Most of the quotationswere dedicated to holy days on which the appearance of Godand of the Holy Trinity are expressed. One of these isPentecost, which the church at Resava especially celebrated.The quotations further emphasize the suffering of Christ onthe cross and particularly the Anastasis. The prophets depictedsuggest not only the Messiah; they also emphasize theimportance of the Mother of God, of John the Baptist, andfurtherly ofthe apostles and priests as successors ofJesus. JohnProdromos is shown by his presence and by the quotation in thehand of his father, Zacharias. With their symbols, the OldTestament priests point out the role ofthe Mother ofGod in themystery of the Incarnation and the Salvation of Man. They arenot only as prefigurations ofChrist present, but also as the OldTestament predecessors of the apostles and their priestlyfollowers, who continued the work ofChrist through which thechurch survives. The depictions of the prophets and the quota­tions in their hands contribute with certainty to the paintedthemes that are illustrated in the lower zone of the church. It isimportant to note, that they do not always stand directly abovetheir corresponding scene. The central dome ofResava was toocomplicated for this kind of arrangement that is often found inByzantine chuches. All other symbolic relationships are ho­wever presented in superior style in the central dome ofResava.

The surfaces beneath the four side domes and mostlikely those of both upper windows in the south wall of thediakonikon and the north wall of the prothesis of Resavawere probably primarily decorated with the ancestors ofChrist and the Righteous. Their presence is to be interpretedsymbolically as a confirmation of the earthly life of Christand furtherly suggest the Incarnation and the roles of Christas priest and king, which can be followed through the gene­rations ofhis human ancestors. These figures also stand for aconnection between the New and Old Testaments.

In the central dome of Resava, the evangelists arearranged in the pendentives while renderings of the man­dylion and keramion (east and west) and of the blessingHand ofGod (north and south) cover the surfaces in between.The evangelists are placed in this position starting in the 11thcentury at the latest. In the late Byzantine period, the evan­gelists became almost exclusively decoration for the penden­tives; the church ofResava is such a typical example.

The arrangement of the evangelists on the pendentivesofResava demonstrate not only the relationship between theevangelists themselves, but also between their works. Thus,as direct disciples of Christ, the evangelists Matthew andJohn received their positions on the eastern pendentives. Therelatedness of their works are further expressed through thisarrangement. Luke and Mark received the less prominentpositions on the western pendentives of the central dome.The evangelists are depicted in the same placement in manydomed churches from the Palaiologian era in the entireByzantine area of influence.

With the exception of John, all of the evangelists inResava are shown with the personification ofHeavenly Wis­dom, which is depicted symbolically as a young womanaccording to models from Antiquity. John receives the super­natural power as rays directly from heaven and dictates to hispupil Prochoros. Aside from the evangelists themselves,their heavenly symbols are also located in Resava, which,along with the Gospel, glide from the Hand of God out of aheaven segment. Similar depictions of the evangelists withpersonifications ofHeavenly Wisdom, heaven segments andthe symbols of the evangelists were quite popular in latePalaiologian times.

As already mentioned, the ''true images" of Christ arelocated in the areas between the pendentives. As it wasproduced through direct contact with the face ofthe Saviour,the mandylion serves as proof for the human features ofChrist and confirms his human incarnation. All ofthe charac­teristics of the mandylion are naturally reflected in the copyof the keramion. Because of their meaning, both of these"true images", of which the first depictions are pre-ico­noclastic, became one of the most important symbols ofChristian art. After iconoclasm, depictions of the acheiro­poietoi from Edessa proliferated; the mandylion was themore prevalent object of the arts. As a consequence oftheological debates and a changing image program in thearcades beneath dome during the 11th century, the man­dylion and keramion were moved to the area between thependentives and are hardly missing from this location in anydomed church from this point on.

The depictions of the evangelists and of both ''trueimages" in the vaulting directly under the dome have a deepsymbolic meaning. As the authors of the Gospels, upon whoseworks Christianity is based, they received this space betweenEarth (naos) and Heaven (dome). Like the Atlas of Antiquity,they carry the word (evangelium) of Christ, which was spreaddirectly from God through the four Gospels to the people on thefour sides of the world His image, which Christ sent to Abgarand which, like the word, possesses a supernatural power, alsocomes directly from God. In Resava, the creative power ofGodis presented symbolically in the form of His hand Thearrangement ofthe evangelists and both ''true images" express avery important equation between the word and the image ofChrist. This parallel has occupied Christian theorists from thebeginning; already Basil the Great explained "What the word ofhistoric writing brings to the ears, painting shows silentlythrough the image". During and after iconoclasm, theologiansespecially emphasized the word and image as equally importantmethods ofproclamation. Thus, the Gospels, through which thewritten word of God is communicated, are equal to the ''trueimages", which convey the unwritten word ofChrist. As can belearned from the teachings ofChristian theorists, Christianity isbased upon both of these, the word and the image. Thetheoretical occupation with this aspect is reflected in the arts aswell, to the extent that the evangelists and the ''true images" arepositioned next to each other in the decorative program ofByzantine churches. This arrangement became typical for thesesurfaces and can be continually followed in domed churchesstarting in the 11th century.