20
CORSICAN LITANY by VACLAV NELHYBEL INSTRUMENTATION Full Score-Conductor C Piccolo (3) 1st Flute (3) 2nd Flute (2) Oboe (2) 1st & 2nd Bassoon Eb Clarinet (4) 1st Bb Clarinet (4) 2nd Bb Clarinet (4) 3rd Bb Clarinet (2) Eb Alto Clarinet (3) Bb Bass/Contrabass Clarinet Eb Contra-Aito Clarinet 1st Eb Alto Saxophone 2nd Eb Alto Saxophone Bb Tenor Saxophone Eb Baritone Saxophone (3) 1st Bb Cornet (3) 2nd Bb Cornet (3) 3rd Bb Cornet (4) F Horn 1st Trambane 2nd Trambane 3rd Trambane Baritone (TC) (2) Baritone (BC) (4) Tubas Timpani (4) Percussion: Chimes, Gong, Cymbals; Tom-Toms, Snare Drum; Tenor Drum; Bass Drum for Concert Band Duration-7: 00 min. ln many parts of the world it was once com- mon practice during burial ceremonies to have professional mourners dramatize the grief of the bereaved by means of loud and emotional lamentations, repeated endlessly like a chant. ln some places, notably the Med- iterranean countries, these laments were actually sung, usually by women who were skilled in this macabre art and could command pay for their services. Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had been murdered. The latter then became a song of grief so intense, so filled with pain, that it could only be assuaged by an act of direst vengeance. The murderer was accused and identified by name, and the singer solemnly swore to see to it that he who had murdered would pay for it with his life. The composer has based his CORSICAN LITANY on a vocero first known to have been sung in 1775 at the funeral of a country doctor named Mateju who had been murdered by his own patient, one Natale. The melody is intro- duced mournfully, but grows steadily in pas- sionate intensity until an astanishing climax is reached in the final menacing oath ot ven- geance. BOURNE CO./New York

CORSICAN LITANY - Amazon S3Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had

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Page 1: CORSICAN LITANY - Amazon S3Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had

CORSICAN LITANY by VACLAV NELHYBEL

INSTRUMENTATION

Full Score-Conductor C Piccolo

(3) 1st Flute (3) 2nd Flute (2) Oboe (2) 1st & 2nd Bassoon

Eb Clarinet (4) 1st Bb Clarinet (4) 2nd Bb Clarinet (4) 3rd Bb Clarinet (2) Eb Alto Clarinet (3) Bb Bass/Contrabass Clarinet

Eb Contra-Aito Clarinet 1st Eb Alto Saxophone 2nd Eb Alto Saxophone Bb Tenor Saxophone Eb Baritone Saxophone

(3) 1st Bb Cornet (3) 2nd Bb Cornet (3) 3rd Bb Cornet (4) F Horn

1st Trambane 2nd Trambane 3rd Trambane Baritone (TC)

(2) Baritone (BC) (4) Tubas

Timpani (4) Percussion: Chimes, Gong,

Cymbals; Tom-Toms, Snare Drum; Tenor Drum; Bass Drum

for Concert Band Duration-7: 00 min.

ln many parts of the world it was once com-mon practice during burial ceremonies to have professional mourners dramatize the grief of the bereaved by means of loud and emotional lamentations, repeated endlessly like a chant. ln some places, notably the Med-iterranean countries, these laments were actually sung, usually by women who were skilled in this macabre art and could command pay for their services. Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had been murdered. The latter then became a song of grief so intense, so filled with pain, that it could only be assuaged by an act of direst vengeance. The murderer was accused and identified by name, and the singer solemnly swore to see to it that he who had murdered would pay for it with his life. The composer has based his CORSICAN LITANY on a vocero first known to have been sung in 1775 at the funeral of a country doctor named Mateju who had been murdered by his own patient, one Natale. The melody is intro-duced mournfully, but grows steadily in pas-sionate intensity until an astanishing climax is reached in the final menacing oath ot ven-geance.

BOURNE CO./New York

Page 2: CORSICAN LITANY - Amazon S3Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had

2

Piccolo

Flutes

Oboe

Bassoons

Eb Clarinet

Timpani

Percussion

Composed for and dedicated to the Louisiana Tech University Symphonie Band, Ruston, Louisiana- Raymond G. Young, Head, Department of Mz;sic

CORSICAN LIT ANY For Concert Band

Espressivo ( J = 66) CD V ACLA V NELHYBEL

Jf4 &1' ij - I - I - I I I I

I - I - I - I - I - I I I.

"';)

l!P:&I' I - I I I - I - I I Jl.

Ol

-r--

' CHZMES

PP 1\it---! ltr-!

-,;;;;>

,p ft

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=- •• ..-""

... .. ... .. I ..,. ... • . 7-::>---p

. Pi'-s;c=tt-· f.__! ! f "! ,. ! • -"!: Cls.1,2. p

-•(;, Copyright 197ß Bourne Co .. New Ym·k. NY

All Rights Rcserved. International Copyright Secured Printcd in USA

Page 3: CORSICAN LITANY - Amazon S3Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had

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Page 4: CORSICAN LITANY - Amazon S3Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had

4

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Page 5: CORSICAN LITANY - Amazon S3Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had

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Page 6: CORSICAN LITANY - Amazon S3Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had

6

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Page 7: CORSICAN LITANY - Amazon S3Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had

L. __ _

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Page 8: CORSICAN LITANY - Amazon S3Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had

8

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Page 9: CORSICAN LITANY - Amazon S3Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had

Picc.

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r'

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-

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Page 10: CORSICAN LITANY - Amazon S3Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had

10

Fls.

1

2 Picc.

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3

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T.Sax.

Bar.Sax.

1

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3

4Hns.

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Cond.

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Perc.

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Page 11: CORSICAN LITANY - Amazon S3Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had

agituto,., piu mosso 11

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Ob.

T.Sax.

Bar. Sax.

4Hns.

T'M l Bar.

Tubas

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f

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Page 12: CORSICAN LITANY - Amazon S3Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had

12

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Co"'.

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Trbs. 2 3

Bar.

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oJ- . =- > > ". > ;:::-". Cond.

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Page 13: CORSICAN LITANY - Amazon S3Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had

1 I

13 @ poco a poco accel .

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Page 14: CORSICAN LITANY - Amazon S3Corsican laments, like Corsican deaths, were divided into two types: the ordinary Iamento for death fram natural causes, and the vocero if the mourned had

14 @

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