Dialogos Aida

8/18/2019 Dialogos Aida

1/195

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Portrait of Aida

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The first aim of the portrait is to

capture the resem!a"ce to the mode!#

3

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That$s the eas% part#

4

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&$d !i'e to tr% to (o farther

5

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a"d ri"( out

the mode!$s perso"a!it%#

6

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&" this case it$s Aida )o!ch,

*e$re +er% !uc'% to ha+e her#


2/195

00:02:00,20 --> 00:02:03,200

The first sta(e is i" !ac' a"d *hite,

8

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*or'i"( the o!d-fashio"ed *a%,

*ith +erdaccio#

9

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&$!! mi the !ac' *ith some ochre

to (et a *armer co!or#

10

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A"d the" &$!! *or'

o" the tra"spare"c% *ith (!a.i"(#

11

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As *e '"o* each other,

*e$!! do 20-mi"ute sessio"s#


3/195

12

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/P&&#

13

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This dress###

14

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&t$s 5:10### et$s see if *e ca"

'eep (oi"( u"ti! 5:30#

15

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o* !o"( do %ou ta'e

to fi"ish a s'etch7

16

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A !itt!e s'etch7

1

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&$d sa%###


4/195

18

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"orma!!%, aout te" mi"utes#

19

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o* do %ou fee!7

20

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A portrait is

the hardest thi"( to do#

21

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&$m (!ad %ou$+e a(reed

"ot to see it u"ti! it$s fi"ished#

22

00:02:52,840 --> 00:02:58,60

& thi"' that pai"ti"( a portrait

is the most difficu!t thi"(#

23

00:03:00,400 --> 00:03:04,600


5/195

At times, & (et a""o%ed that

&$+e (ot "o ta!e"t for pai"ti"(#

24

00:03:04,880 --> 00:03:09,640

There are !ots of thi"(s

&$d !o+e to e a!e to do,

25

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ut & do"$t '"o* ho*#

26

00:03:12,600 --> 00:03:18,20

& *as *o"deri"( aout somethi"(:

if toda%, efore *e fi"ish,

2

00:03:19,960 --> 00:03:23,480

*e fi"d a pose

a"d %ou ta'e m% photo,

28

00:03:23,640 --> 00:03:2,160

*ou!d that ma'e it easier for %ou7


6/195

29

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es, it cou!d he!p me

to see %ou a"d u"dersta"d %ou#

30

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& cou!d e+e" do a s'etch

from the photo#

31

00:03:34,200 --> 00:03:39,200

/ome da%s, &$!! come o" m% o*"

ust to pai"t the ac'(rou"d,

32

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%ou do"$t "eed to e here#

33

00:03:45,20 --> 00:03:4,60

The other da%

& came out *ith a (ood o"e#


7/195

34

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& *as *ith some frie"ds,

e+er%o"e *as ta!'i"( aout ci"ema,

35

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& *as so fed up

that & sudde"!% said :

36

00:03:55,960 --> 00:03:59,120

&$d !i'e to e a !aorer

to ta!' aout p!aster#

3

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P!aster;

38

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/o as "ot to e a!*a%s ta!'i"(

aout the same thi"(#

39


8/195

00:04:0,040 --> 00:04:12,360

&s"$t it u"comforta!e to e

a!*a%s !oo'i"( i" %our mode!$s e%es7

40

00:04:12,520 --> 00:04:13,800

00:04:19,280

/o *h% do %ou !oo'

for such a short time7

42

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-/uch a short time7

-es#

43

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=ecause at the start *hat matters

are +o!umes, "ot detai!s#

44

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9/195

Aida, do %ou ha+e a !ot of trou!e

!ear"i"( %our !i"es for a fi!m7

45

00:04:36,800 --> 00:04:39,000

- 00:04:4,120

or *ords that

%ou do"$t "orma!!% use#

48

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ou *ere sa%i"( ear!ier

49

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that pai"ters are a!*a%s usi"(


10/195

the *ord se"siti+it%?,

50

00:04:5,320 --> 00:04:59,560

@e use or(a"ic#

51

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-r(a"ic7

-es#

52

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&t shou!d e or(a"ic?#

53

00:05:03,280 --> 00:05:08,840

&t mea"s "atura!,

"ot forced, credi!e#

54

00:05:09,000 --> 00:05:16,120

&f %ou ha+e trou!e *ith a !i"e,

some directors !et %ou cha"(e it


11/195

55

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a"d ma'e it more %our o*"##

56

00:05:19,120 --> 00:05:26,640

)or m% first fi!m,

& '"e* the *ho!e script % heart,

5

00:05:29,360 --> 00:05:31,360

a"d###

58

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The first time & (ot dru"',

& cou!d"$t rememer the tet,

59

00:05:39,60 --> 00:05:44,880

that$s *he" & '"e*

somethi"( had happe"ed to m% od%#

60

00:05:4,160 --> 00:05:50,040


12/195

This *a%, m% arm (oes to s!eep

faster tha" !i'e this#

61

00:05:50,200 --> 00:05:52,120

This *a%, it$s ust m% ha"d#

62

00:05:52,280 --> 00:05:56,480

=ut it$s (oi"( to happe" a"%*a%,

63

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so, *hiche+er %ou prefer#

64

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That$s it, Aida#

Tha"' %ou +er% much#

65

00:06:05,080 --> 00:06:0,560

)irst da%, ra+o;

66


13/195

00:06:08,920 --> 00:06:14,000

After doi"( this for t*e"t% %ears,

do"$t %ou fi"d it easier "o*7

6

00:06:14,160 --> 00:06:15,200

00:06:19,520

ust so %ou '"o*,

& ca" see the dra*i"(#

69

00:06:19,680 --> 00:06:21,640

ou ca" see it7

0

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@ho$s %our fa+orite pai"ter7

1

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&$+e (ot !ots#


14/195

2

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There$s a Ba!ifor"ia" pai"ter,

&$!! sho* %ou his cata!o(,

3

00:06:32,400 --> 00:06:33,60

his "ame is ichard iee"'or"#

4

00:06:34,960 --> 00:06:36,60

e$s ama.i"(#

5

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e e(a" *ith astract pai"ti"(

a"d mo+ed o" to fi(urati+e#

6

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sua!!%, it$s the other *a% rou"d#

00:06:44,120 --> 00:06:46,800

@h% did %ou choose fi(urati+e art7


15/195

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-e7

-es#

9

00:06:50,520 --> 00:06:52,640

& do"$t '"o*,

&$+e "e+er thou(ht aout it#

80

00:06:54,040 --> 00:06:56,160

&$+e "e+er thou(ht aout it#

81

00:06:5,240 --> 00:06:58,800

Are %ou etter at it7

82

00:06:59,000 --> 00:0:03,840

00:0:06,560


16/195

&f %ou ta'e a"% pai"ti"(

% A"to"io Dpe.,

84

00:0:06,20 --> 00:0:11,680

*ho$s o"e of the (reatest

/pa"ish fi(urati+e pai"ters,

85

00:0:11,880 --> 00:0:15,440

each cmC is a" astract pai"ti"(#

86

00:0:16,840 --> 00:0:19,840

=ut, "o, it$s "ot

ecause &$m etter at it#

8

00:0:20,60 --> 00:0:22,960

o %ou prefer each or mou"tai"7

88

00:0:23,840 --> 00:0:25,840

-=oth#

-ea!!%7


17/195

89

00:0:26,640 --> 00:0:2,440

es#

90

00:0:29,080 --> 00:0:32,160

A"d do %ou prefer meat or fish7

91

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/P&&#

92

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eat#

93

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@ith coo'i"( sa!t#

94

00:0:41,640 --> 00:0:44,040


18/195

95

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The first time *e met, & to!d her

that someho* & had to (et to '"o* her#

96

00:09:09,840 --> 00:09:16,240

00:09:28,680

or had a"% other reactio" to

the idea, it *ou!d e usefu! to me#

100

00:09:29,680 --> 00:09:34,240


19/195

)or eamp!e, it *ou!d sho* me

if she *as a" ope" perso" or "ot#

101

00:09:34,480 --> 00:09:38,680

& ima(i"e *e$!! esta!ish some 'i"d

of !i"', or commu"icatio",

102

00:09:40,480 --> 00:09:42,640

ut & do"$t '"o* to *hat ete"t#

103

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&t$s ama.i"( ho* a perso" ca" cha"(e

depe"di"( o" ho*

104

00:09:4,320 --> 00:09:49,920

differe"t peop!e !oo' at them#

105

00:09:50,400 --> 00:09:55,080

@he" & ma'e fi!ms,

depe"di"( o" ho* &$m shot,


20/195

106

00:09:55,240 --> 00:09:58,960

& rea!i.e that it$s someo"e$s !oo'#

10

00:09:59,120 --> 00:10:04,000

r *ith photo(raphers, sudde"!%

it$s "ot %ou, it$sE & do"$t '"o*#

108

00:10:04,160 --> 00:10:0,520

The%$+e rou(ht out a part of %ou

that %ou did"$t '"o*#

109

00:10:08,560 --> 00:10:12,840

o the% as' %ou to e a certai" *a%,

or do %ou choose7

110

00:10:13,040 --> 00:10:14,480

The% as' %ou#

111


21/195

00:10:16,040 --> 00:10:19,840

Fspecia!!% if it$s for

fashio" ma(a.i"es a"d thi"(s#

112

00:10:20,800 --> 00:10:22,840

& (et emarrassed#

113

00:10:23,040 --> 00:10:25,240

ou do7

ou do"$t !i'e doi"( that7

114

00:10:34,960 --> 00:10:3,680

o* do %ou pai"t a" epressio"7

115

00:10:3,840 --> 00:10:39,840

A" epressio"7

116

00:10:40,320 --> 00:10:41,160

/P&&


22/195

11

00:10:42,640 --> 00:10:45,520

ou as' +er% difficu!t Guestio"s;

118

00:10:46,200 --> 00:10:50,280

The face %ou$re dra*i"( "o*

must ha+e a" epressio"#

119

00:10:50,520 --> 00:10:53,080

-es, ut & do"$t *orr% aout thatE

-The e%esE

120

00:10:53,280 --> 00:10:56,440

& do"$t *orr% aout that

at the e(i""i"(#

121

00:10:5,280 --> 00:10:59,200

=ut !ater, i" the pai"ti"(7

122

00:10:59,360 --> 00:11:03,480


23/195

00:11:10,960

A"d the", compari"( the pai"ti"(

a"d %our epressio" at that mome"t,

124

00:11:11,120 --> 00:11:12,680

&$!! correct the pai"ti"(#

125

00:11:12,840 --> 00:11:14,600

=ut at first,

& o"!% !oo' for proportio"s,

126

00:11:14,60 --> 00:11:1,120

a"d tr% to (et

the (reatest resem!a"ce possi!e#

12

00:11:1,320 --> 00:11:20,000

=ut the epressio" at o"e particu!ar


24/195

mome"tE "ot u"ti! the e"d#

128

00:11:20,160 --> 00:11:23,160

&t$s a Guestio" of mi!!imeters,

if %ou$re !oo'i"( to o"e side,

129

00:11:23,400 --> 00:11:25,400

if %our e%es are ope" or c!osed#

130

00:11:25,800 --> 00:11:28,920

o %ou thi"' of %ourse!f

as a tech"ica! pai"ter7

131

00:11:29,080 --> 00:11:29,840

Tech"ica!7

132

00:11:30,000 --> 00:11:30,360

es#

133


25/195

00:11:30,520 --> 00:11:31,640

00:11:36,600

ou seem more co"ce"trated

tha" the other da%#

135

00:11:36,800 --> 00:11:40,800

Toda% & fee! happier#

The first da% *as a rea! disaster#

136

00:11:44,000 --> 00:11:46,640

A"d e+e" if there are thi"(s

that are"$t *or'i"( out,

13

00:11:46,800 --> 00:11:49,240

& ca" see *here the pro!em is#

138

00:11:49,400 --> 00:11:50,320

@here7


26/195

139

00:11:50,480 --> 00:11:55,280

The epressio" i" the e%es is (i+i"(

more trou!e tha" the mouth#

140

00:11:56,200 --> 00:11:58,000

=ut it % itE

141

00:12:00,560 --> 00:12:01,560

o* did it tur" out7

142

00:12:01,20 --> 00:12:04,160

&t ca" a!*a%s e impro+ed#

143

00:12:06,160 --> 00:12:08,080

ou$re sure & ca"$t see it7

144

00:12:08,240 --> 00:12:09,20


27/195

&$m sure#

145

00:12:10,240 --> 00:12:13,080

00:12:16,120

=ut &$m much happier *ith it#

14

00:13:16,60 --> 00:13:19,440

&$m *riti"( a p!a% at the mi"ute#

148

00:13:20,560 --> 00:13:21,640

ea!!%7

149

00:13:25,160 --> 00:13:26,800

&$d !o+e to direct it m%se!f#

150

00:13:28,400 --> 00:13:30,60

&$d !o+e to ri"( it to a director


28/195

a"d sa%:

151

00:13:30,920 --> 00:13:32,960

ere it is, *i!! %ou produce it7

152

00:13:33,120 --> 00:13:34,480

A"d that$s it#

153

00:13:36,480 --> 00:13:38,200

& spe"d m% !ife

i" the arHa Iuerrero theater#

154

00:13:38,60 --> 00:13:40,960

&$d !o+e to put it o" there

155

00:13:41,800 --> 00:13:44,480

ecause that$s *here & made

m% first sta(e appeara"ce

156


29/195

00:13:44,680 --> 00:13:46,600

a"d &$m +er% fo"d of it#

15

00:13:48,080 --> 00:13:49,880

Are %ou re(retti"( "o*

that %ou chose me7

158

00:13:50,040 --> 00:13:52,000

00:14:14,560

Jer% (!amorous;


30/195

162

00:14:14,20 --> 00:14:15,560

esE

163

00:14:16,160 --> 00:14:18,040

&t$s i" Bape /ai"t Ji"ce"t#

164

00:14:19,800 --> 00:14:20,600

A"d %ou !o+e it#

165

00:14:20,60 --> 00:14:22,280

& !o+e it#

166

00:14:22,440 --> 00:14:24,040

@hat *i!! %ou do *ith it7

16

00:14:24,200 --> 00:14:26,520

&$+e (i+e" it to the (a!!er%,


31/195

168

00:14:2,560 --> 00:14:31,360

a"d if it$s so!dE

that *ou!d e (reat#

169

00:14:31,520 --> 00:14:35,840

&$m (etti"( o+er that roma"tic idea

of "ot *a"ti"( to se!! a pai"ti"(#

10

00:14:36,000 --> 00:14:39,160

@he" & (raduated, &$d sa%:

& do"$t *a"t to se!! that?,

11

00:14:39,320 --> 00:14:41,920

ut "o*E it$s m% o#

12

00:14:42,800 --> 00:14:44,240

@e!!, that$s it#

13


32/195

00:14:45,800 --> 00:14:4,240

&t$s fi"ished#

14

00:14:4,480 --> 00:14:49,080

est for a *hi!e if %ou *a"t,

a"d *rap up,

15

00:14:49,240 --> 00:14:51,960

the" *e$!! do a"other

a"d that$!! e it#

16

00:14:54,320 --> 00:14:58,240

-ou rest, &$m here i" m% armchair###

-Are %ou a!! ri(ht, %ou$re "ot co!d7

1

00:14:58,400 --> 00:15:01,280

A it, m% ha"dsE ut that$s a!!#

18

00:15:01,440 --> 00:15:04,20

Iet *armed up for fi+e mi"utes


33/195

a"d *e$!! start a"other o"e#

19

00:15:05,120 --> 00:15:0,880

&f %ou *ere"$t a pai"ter,

*hat *ou!d %ou e7

180

00:15:08,040 --> 00:15:10,600

e7 & do"$t '"o*#

181

00:15:12,520 --> 00:15:13,000

& do"$t '"o*#

182

00:15:13,160 --> 00:15:15,440

Are %ou (ood at a"%thi"( e!se7

183

00:15:15,600 --> 00:15:1,040

%i"( o" the each#

184

00:15:1,560 --> 00:15:19,60


34/195

That$s "ot a professio"#

185

00:15:20,200 --> 00:15:21,920

& *ish it *ere;

186

00:15:22,680 --> 00:15:25,040

&$+e (ot "o idea#

ea!!%, &$+e ee" +er% !uc'%,

18

00:15:25,200 --> 00:15:28,240

ecause a teacher at co!!e(e

supported me from ear!% o"#

188

00:15:28,400 --> 00:15:31,080

ther*ise, %ou fi"ish )i"e Arts

a"d %ou$re comp!ete!% !ost#

189

00:15:35,160 --> 00:15:3,160

Are %ou !ess satisfied toda%7

190


35/195

00:15:3,320 --> 00:15:40,080

00:15:46,440

-ou$re read%7

-es#

194

00:15:4,080 --> 00:15:4,440

es7

195

00:15:4,600 --> 00:15:48,040

es#


36/195

196

00:15:48,200 --> 00:15:48,680

ea!!%7

19

00:15:48,840 --> 00:15:50,480

& fi"d it easier

to pai"t tha" to dra*#

198

00:15:50,640 --> 00:15:51,000

ou do7

199

00:15:51,160 --> 00:15:51,680

es#

200

00:16:25,480 --> 00:16:2,560

am", & ha+e to erase it#

201

00:16:2,20 --> 00:16:30,440

There$s "o room for the !e(s#


37/195

202

00:16:3,960 --> 00:16:39,960

&$m (oi"( to erase it#

203

00:16:53,880 --> 00:16:55,60

This is *hat %ou shou!d "e+er do#

204

00:16:55,920 --> 00:16:5,120

@hat7

205

00:16:5,320 --> 00:16:58,200

/P&&

206

00:16:59,320 --> 00:1:05,080

&f %ou (et this resu!t

after pai"ti"( for t*e"t% mi"utes

20

00:1:05,240 --> 00:1:0,200

a"d %ou ha+e to erase it,


38/195

208

00:1:0,360 --> 00:1:09,920

%our preparatio"

*as"$t (ood e"ou(h#

209

00:1:10,800 --> 00:1:13,160

& shou!d ha+e rea!i.ed soo"er

that there *as"$t room#

210

00:1:13,320 --> 00:1:15,60

@hat$s up7

@hat are %ou thi"'i"( aout7

211

00:1:15,920 --> 00:1:18,360

Aout the (reat *ee'e"d & had#

212

00:1:23,280 --> 00:1:24,600


39/195

00:1:25,520 --> 00:1:2,280

This is somethi"( e!se#

214

00:1:2,20 --> 00:1:29,60

=ut %ou$+e o"!% do"e t*o !i"es;

215

00:1:29,920 --> 00:1:32,080

=ut "o* & ca" see it#

216

00:1:32,880 --> 00:1:34,880

Iood#

21

00:1:35,360 --> 00:1:39,800

o %ou '"o* that a"tiiotics

are created % a"ts7

218

00:1:41,560 --> 00:1:45,60

& !ear"ed that rece"t!%,

i" a docume"tar%#


40/195

219

00:1:46,480 --> 00:1:4,360

es#

220

00:1:4,520 --> 00:1:50,120

The% disco+ered that

aout sit% %ears a(o#

221

00:1:50,280 --> 00:1:56,080

The a"ts, the o"es

that eat (ree" !ea+es,

222

00:1:56,240 --> 00:1:59,680

the% ta'e them a*a%,

the% eat them, the% +omit them#

223

00:1:59,840 --> 00:18:01,640

The" a fu"(us (ro*s,

224

00:18:01,800 --> 00:18:0,680


41/195

the% eat that, a"d the% store

some of it too, to eat !ater#

225

00:18:08,680 --> 00:18:12,480

A"d their odies,

so as "ot to (et a"% i"fectio"s,

226

00:18:12,640 --> 00:18:14,200

create a *hite !a%er,

22

00:18:14,360 --> 00:18:18,680

a 'i"d of *hite po*der

that co+ers their *ho!e od%#

228

00:18:18,840 --> 00:18:21,520

That$s a" a"tiiotic,

it$s ma(ica!#

229

00:18:21,680 --> 00:18:26,160

&t$s !i'e *he" a caterpi!!ar ecomes


42/195

a utterf!% *ith ama.i"( co!ors,

230

00:18:26,280 --> 00:18:32,200

That$s ma(ica!E the susta"cesE

*hat each i"sect is !i'eE *h%E

231

00:18:32,400 --> 00:18:34,360

o"$t mo+e %our ha"d, Aida, p!ease#

232

00:18:34,520 --> 00:18:35,040

/orr%#

233

00:18:35,200 --> 00:18:36,400

o"$t *orr%#

234

00:20:55,120 --> 00:20:5,280

o %ou thi"' %ou ha+e

a st%!e of %our o*"7

235

00:20:5,60 --> 00:21:00,520


43/195

-es7

-es, ut & cou!d"$t sa% *hat it is#

236

00:21:00,680 --> 00:21:03,400

& thi"' *hat defi"es a pai"ter

is the mome"t *he" he decides

23

00:21:03,560 --> 00:21:04,800

a pai"ti"( is fi"ished#

238

00:21:04,960 --> 00:21:0,480

Fach pai"ter fi"ishes his pai"ti"(

i" a certai" state,

239

00:21:0,640 --> 00:21:10,360

some !ea+e it more fi"ished,

others !ess#

240

00:21:10,520 --> 00:21:11,960


44/195

A"d %ou7

241

00:21:12,120 --> 00:21:1,120

& a!*a%s sa% m% pai"ti"( is fi"ished

*he" &$m fed up

242

00:21:1,280 --> 00:21:18,440

putti"( m% heart i"to it#

243

00:21:18,600 --> 00:21:20,60

=ut if %ou do"$t stop,

244

00:21:20,920 --> 00:21:2,280

is"$t there a mome"t *he" there is

so much pai"t that it$s *orse7

245

00:21:2,640 --> 00:21:29,080

ou mea" for the amou"t of pai"t7

246


45/195

00:21:29,240 --> 00:21:31,880

There must e a mome"t

*he" %ou ha+e to stop,

24

00:21:32,040 --> 00:21:34,480

or it$!! ust (et *orse#

&s that so7

248

00:21:34,640 --> 00:21:36,680


46/195

)or me, it$s "ot

the same thi"( to pai"t

252

00:21:46,920 --> 00:21:49,840

a" e!der!% perso"

or someo"e *ho$s %ou"(#

253

00:21:50,000 --> 00:21:51,400

&t depe"ds o" the suect#

254

00:21:51,560 --> 00:21:56,880

The suects that i"terest me su((est

a much more detai!ed pai"ti"(,

255

00:21:5,040 --> 00:21:59,320

or & ha+e to co"ce"trate

o" the co!or, for eamp!e, a su"set#

256

00:21:59,480 --> 00:22:02,60

&f %ou do a su"set,


47/195

%ou ca"$t "e(!ect the co!ors#

25

00:22:02,920 --> 00:22:06,320

@hat (e"era!!% (ets

%our atte"tio" i" a su"set

258

00:22:06,480 --> 00:22:08,640

are the ora"(es

that !oo' !i'e +io!ets#

259

00:22:08,800 --> 00:22:11,840

A"d the", depe"di"(

o" the suect & choose,

260

00:22:12,000 --> 00:22:16,20

&$m moreE o* ca" & put it7

ore a"a!%tica!#

261

00:22:16,880 --> 00:22:20,400

&$m more focused o" o"e aspect


48/195

tha" o" a"other#

262

00:22:20,560 --> 00:22:23,160

@hat are %ou co"ce"trati"( o" "o*7

263

00:22:23,320 --> 00:22:26,800

)or the mome"t,

ust o" the proportio"s#

264

00:22:26,960 --> 00:22:30,000

The", o+ious!%, !o(ica!!%,

&$!! co"ce"trate o" the resem!a"ce#

265

00:22:30,160 --> 00:22:31,800

That$s a" o+ious oecti+e#

266

00:22:31,960 --> 00:22:33,20

=ut %ou$re (oi"( to !oo'

for the esse"ce, ri(ht7


49/195

26

00:22:33,880 --> 00:22:35,000

&$m (oi"( to tr%#

268

00:22:40,840 --> 00:22:44,160

&$m (oi"( to fi"ish the "ec'#

269

00:22:44,320 --> 00:22:46,640

&s it easier "o* that

*e '"o* each other etter7

20

00:22:46,800 --> 00:22:50,60

es, it$s easier, a"d ao+e a!!

it i"f!ue"ces me, ut & do"$t '"o*E

21

00:22:51,440 --> 00:22:55,640

The fact of '"o*i"( %ou etter

22

00:22:55,800 --> 00:22:58,280

is (oi"( to i"f!ue"ce me

ut & do"$t '"o* i" *hat *a%#


50/195

23

00:22:58,440 --> 00:23:01,240

@hat are the e(os !i'e

i" the *or!d of pai"ti"(7

24

00:23:03,600 --> 00:23:04,440

Tric'%#

25

00:23:04,600 --> 00:23:06,600

&s that ref!ected i" the pai"ti"(s7

26

00:23:06,60 --> 00:23:10,000

Are there prete"tious pai"ti"(s,

for eamp!e7

2

00:23:11,400 --> 00:23:12,640

our Guestio"sE;

28

00:23:12,800 --> 00:23:14,880


51/195

Luestio"s that

%ou do"$t *a"t to a"s*er;

29

00:23:15,040 --> 00:23:1,20

00:23:20,400

Are there prete"tious pai"ti"(s7

281

00:23:24,960 --> 00:23:26,800

A +er% c!ear eamp!e:

282

00:23:26,960 --> 00:23:30,20

if %ou '"o* the pai"ter###

283

00:23:30,880 --> 00:23:31,480

es#

284

00:23:31,640 --> 00:23:35,080


52/195

a"d %ou see a pai"ti"( of his,

285

00:23:3,200 --> 00:23:42,120

ca" %ou see if he *a"tedE

& do"$t '"o*E to pro+e somethi"(7

286

00:23:43,640 --> 00:23:45,840

& do"$t '"o* if %ou ca"

te!! those thi"(s or "ot

28

00:23:46,200 --> 00:23:4,600

&f it$s artificia!E

288

00:23:4,60 --> 00:23:50,560

@here & ca" see as a desire

to pro+e somethi"(,

289

00:23:51,040 --> 00:23:54,840

is, for eamp!e, i" certai"

h%perrea!ist pai"ti"(s


53/195

290

00:23:55,000 --> 00:23:5,480

*hich are simp!%

a disp!a% of certai" tech"iGues#

291

00:23:5,60 --> 00:23:59,280

That$s a!! & see#

292

00:23:59,560 --> 00:24:04,240

ou ca" see the amou"t of time

the pai"ter spe"t o" the pai"ti"(,

293

00:24:04,400 --> 00:24:06,200

ut *he" %ou !oo' carefu!!%

the compositio" is care!ess#

294

00:24:06,360 --> 00:24:08,560

The pai"ti"( sa%s "othi"( to me#

295


54/195

00:24:08,880 --> 00:24:14,120

ichard iee"'or" did a pai"ti"(

of a (ir! ho!di"( a cup of coffee#

296

00:24:14,280 --> 00:24:19,600

e$s a fi(urati+e pai"ter, !i'e me,

ut he$s much !ooser#

29

00:24:19,60 --> 00:24:23,280

e uses (reat rush stro'es,

if the pai"t ru"s, he does"$t care#

298

00:24:23,440 --> 00:24:2,560

@ith his st%!e of pai"ti"(,

that *or's perfect!%#

299

00:24:28,560 --> 00:24:30,600

A"d that (ir!E

&$!! ri"( %ou the oo'E

300


55/195

00:24:30,60 --> 00:24:34,160

F+e" if she$s pai"ted +er% rou(h!%,

%ou see her ta'i"( her coffee cup,

301

00:24:34,320 --> 00:24:36,160

a"d %ou se"se

that the cup is sca!di"(,

302

00:24:36,320 --> 00:24:42,600

%ou see her separati"( her fi"(ers

so as "ot to ur" herse!f,

303

00:24:42,60 --> 00:24:44,600

a"d ho* she$s e"o%i"( the sme!!;

ou see it#

304

00:24:44,60 --> 00:24:46,400

&t$s a!! do"e *ith a fe* stro'es#

305

00:24:46,560 --> 00:24:48,960

There has to e


56/195

tech"iGue a"d sou!, ri(ht7

306

00:24:49,120 --> 00:24:51,880

There has to e somethi"(,

& do"$t '"o* *hat eact!%#

30

00:24:52,040 --> 00:24:53,080

&t does"$t eist#

308

00:24:53,240 --> 00:24:55,320

&t$s a professio"

rather tha" a tech"iGue#

309

00:24:55,480 --> 00:24:56,960

o %ou u% pai"ti"(s7

310

00:24:5,120 --> 00:25:01,960

& u% from a"tiGuaria"s,

19th ce"tur% stuff, it$s eautifu!#

311


57/195

00:25:04,120 --> 00:25:0,280

Are %ou co+eri"( it Guic'!%

so that & *o"$t tr% to see it7

312

00:25:0,440 --> 00:25:08,080

& do"$t *a"t %ou to see it#

313

00:25:08,240 --> 00:25:10,200

&t$s K, & *as"$t (oi"( to !oo'#

314

00:25:10,360 --> 00:25:11,880

=ut %ou mi(ht catch a (!impse

315

00:25:12,040 --> 00:25:14,480

a"d & do"$t *a"t that,

&$d e rea!!% ashamed#

316

00:25:14,960 --> 00:25:15,20

&t$s true#


58/195

31

00:25:1,240 --> 00:25:19,480

=ut %ou do"$t ha+e to hurr%;

318

00:25:19,640 --> 00:25:21,160

&$m "ot hurr%i"(;

319

00:25:22,920 --> 00:25:24,200

&t$s K !i'e that, is"$t it7

320

00:25:31,640 --> 00:25:35,040

"e da% &$!! (et here efore

a!! the others a"d &$!! !oo' at it#

321

00:25:3,800 --> 00:25:39,840

&$m o" te"terhoo's;

322

00:2:43,160 --> 00:2:46,800

o!o &s!a"d MeicoN


59/195

323

00:29:30,360 --> 00:29:33,320

a+e %ou e+er do"e a portrait

of someo"e smi!i"(7

324

00:29:34,440 --> 00:29:35,560

/mi!i"(, %es#

325

00:29:36,120 --> 00:29:42,240

&t must e horri!e for the mode!

to ha+e to sta% !i'e this,

326

00:29:43,120 --> 00:29:45,60

a!! the time#

&t must e horri!e#

32

00:29:46,640 --> 00:29:51,160

&t$s stra"(e, *he" & '"e*

that & *a"ted to e a" actress,


60/195

328

00:29:51,320 --> 00:29:54,480

it *as a time *he" & *as

doi"( +er% *e!! at schoo!,

329

00:29:54,640 --> 00:29:58,60

ecause & had

a +er% particu!ar *a% of stud%i"(#

330

00:29:59,920 --> 00:30:02,040

& !ear"ed e+er%thi"( % heart#

331

00:30:02,600 --> 00:30:05,360

F+e" if & did"$t u"dersta"d it,

& !ear"ed it a!! % heart,

332

00:30:05,520 --> 00:30:0,360

a"d memori.ed it#

333

00:30:0,60 --> 00:30:13,960

A"d i" m% room, & prete"ded to e

a teacher ep!ai"i"( to the c!ass:


61/195

334

00:30:14,200 --> 00:30:1,040

Toda% *e$re (oi"( to ta!' aoutE

somethi"( or other,

335

00:30:18,200 --> 00:30:21,640

a"d &$d ree! offe+er%thi"( &$d memori.ed#

336

00:30:21,800 --> 00:30:2,120

/o & a!*a%s had

ece!!e"t (rades at schoo!#

33

00:30:2,280 --> 00:30:31,000

& did"$t rea!i.e

ut *hat & *as doi"( *as acti"(#

338

00:30:31,160 --> 00:30:31,600

i(ht#

339


62/195

00:30:31,60 --> 00:30:36,320

A"d !ear"i"( a tet,

e+e" if & did"$t u"dersta"d it#

340

00:30:39,440 --> 00:30:44,160

&$d do the same thi"( *he"

m% mother made me tid% m% room#

341

00:30:44,320 --> 00:30:48,440

% c!othes *ere !%i"( e+er%*here

a"d &$d pic' them up a"d sa%:

342

00:30:48,600 --> 00:30:52,400

@hat *ou!d %ou !i'e, ma$am7

oo' at these Adidas pa"ts#

343

00:30:52,560 --> 00:30:56,000

The" &$d prete"d that & *as

*rappi"( them a"d &$d put them a*a%#

344


63/195

00:30:56,160 --> 00:31:00,360

A"d & fou"d it much easier

to tid% m% room !i'e that#

345

00:31:01,080 --> 00:31:02,480

There$s pai"t o" %our "ose#

346

00:31:02,20 --> 00:31:04,080

" m% "ose7

34

00:31:04,240 --> 00:31:05,840

@hich acre7

348

00:31:06,000 --> 00:31:06,360

@hat7

349

00:31:06,520 --> 00:31:0,960

@hich acre of m% "ose7

350


64/195

00:31:08,60 --> 00:31:09,440

@hich *hat7

351

00:31:09,600 --> 00:31:11,080

@hich acre7

352

00:31:13,840 --> 00:31:15,320

-@hichE

-Acre7

353

00:31:16,040 --> 00:31:16,960

/hit;

354

00:31:19,320 --> 00:31:21,20

Aida, %ou$re +er% difficu!t###

355

00:31:22,000 --> 00:31:23,240

to pai"t;

356

00:31:23,400 --> 00:31:24,880


65/195

& to!d %ou#

35

00:31:25,680 --> 00:31:2,080

& to!d %ou#

358

00:31:32,320 --> 00:31:33,800

=ut *h%7

359

00:31:35,120 --> 00:31:38,840

=ecause, for eamp!e,

%our a* is"$t###

360

00:31:39,000 --> 00:31:43,520

our a* is pro"ou"ced

ut it is"$t sGuare#

361

00:31:43,680 --> 00:31:46,240

&f & ma'e it too pro"ou"ced

it is"$t %ou,


66/195

362

00:31:46,400 --> 00:31:48,120

if it is"$t pro"ou"ced e"ou(h,

it$s *ro"( too#

363

00:31:48,280 --> 00:31:51,480

&t$s the same *ith %our !ips, the%$re

thic', ut if & ma'e them too thic'

364

00:31:51,640 --> 00:31:52,600

%ou$!! !oo' !i'e a ha!f-caste#

365

00:31:52,60 --> 00:31:54,400

&f & do them too fi"e,

it$s "ot %ou#

366

00:31:54,560 --> 00:31:5,040

& ha+e to e +er% precise

*ith e+er%thi"(#

36


67/195

00:31:5,200 --> 00:32:00,400

@ith some peop!e, %ou ca" (o

a it too far a"d it$s sti!! them#

368

00:32:00,560 --> 00:32:03,360

=ut "ot *ith %ou,

e+er%thi"( has to e +er% precise#

369

00:32:03,520 --> 00:32:05,560

ou$re a rea! pai";

30

00:32:0,120 --> 00:32:09,360

& to!d %ou, %ou shou!d ha+e

fou"d someo"e e!se#

31

00:32:09,520 --> 00:32:11,520

=ut & do"$t re(ret itE

32

00:32:12,20 --> 00:32:13,20


68/195

& do"$t re(ret it at a!!#

33

00:32:13,880 --> 00:32:15,320

&t$s a cha!!e"(e too, is"$t it7

34

00:32:15,480 --> 00:32:16,560

es, it is#

35

00:32:20,800 --> 00:32:24,60

& !oo' rea!!% "ast%

*he" &$m ei"( serious, do"$t &7

36

00:32:25,120 --> 00:32:28,120

00:32:31,280

& *ou!d"$t sa% "ast%#

38

00:32:31,20 --> 00:32:33,280


69/195

et me thi"' aout it###

39

00:32:33,440 --> 00:32:35,280

=ut %ou do"$t !oo' "ast%#

380

00:32:35,680 --> 00:32:41,200

00:34:25,480

This is *hat *e$!! do#

383

00:34:25,640 --> 00:34:28,880

ou do as %ou *ish *ith

the !o*er part, %our ha"ds, !e(s, etc#

384


70/195

00:34:29,040 --> 00:34:31,840

&$m (oi"( to add i"

the shado*s of %our ha"ds,

385

00:34:32,800 --> 00:34:34,200

a!! ri(ht7

386

00:34:40,160 --> 00:34:41,880

our arm *as strai(hter#

38

00:34:42,840 --> 00:34:43,960

es, !i'e that#

388

00:34:44,800 --> 00:34:45,400

Iood#

389

00:34:45,560 --> 00:34:4,20

&s %our ha"d tota!!% re!aed7


71/195

390

00:34:49,040 --> 00:34:50,280

Iood#

391

00:34:52,240 --> 00:34:54,200

@h%7 @as it !o*er efore7

392

00:34:55,200 --> 00:34:5,000

&t *as a it !ooser, ut it$s K#

393

00:34:5,160 --> 00:34:58,040

i'e that7

394

00:34:58,200 --> 00:34:59,320

es#

395

00:35:00,920 --> 00:35:02,080

@hat if %ou !ea+e

%our !e(s !i'e that7


72/195

396

00:35:02,240 --> 00:35:06,120

Are %ou more comforta!e !i'e that

or !i'e ho* %ou *ere efore7

39

00:35:0,400 --> 00:35:10,480

& do"$t '"o*#

a+e"$t %ou do"e the !e(s %et7

398

00:35:10,640 --> 00:35:12,560

&t$s ust that

%our !e(s are +er% !o"(#

399

00:35:12,20 --> 00:35:13,920

A!! the etter;

400

00:35:15,120 --> 00:35:16,600

=ut & ha+e to fit them i"#

401

00:35:1,360 --> 00:35:19,400


73/195

A!! the etter

if the%$re !o"( a"d s!e"der#

402

00:35:19,560 --> 00:35:21,640

The%$re s!e"der a!! ri(ht#

403

00:35:21,800 --> 00:35:22,320

Ireat#

404

00:35:22,480 --> 00:35:24,920

& ha+e to shorte" them a it#

Are %ou comforta!e7

405

00:35:25,120 --> 00:35:28,60

i(ht "o*, & am#

=ut is this aesthetic7

406

00:35:29,60 --> 00:35:33,120

a%e it$sE es, it$s +er% "ice

*ith %our !e(s crossed#


74/195

40

00:35:33,280 --> 00:35:36,800

&f %ou ca"

!ea+e %our foot !i'e thatE

408

00:35:3,040 --> 00:35:38,000

es, that$s !o+e!%#

409

00:35:39,480 --> 00:35:41,320

o* !o"( ca" %ou sta% !i'e that7

410

00:35:41,480 --> 00:35:43,000

&$!! o"!% '"o* that *he" E

411

00:35:43,160 --> 00:35:45,60

ou$!! '"o* *he" it starts to hurt#

412

00:35:45,920 --> 00:35:4,360

K, !et$s tr% it#


75/195

413

00:35:4,520 --> 00:35:51,000

o *hat %ou !i'e *ith the rest#

&$m (oi"( to do %our !e(s#

414

00:35:51,960 --> 00:35:53,20

% !e(s# A"d m% arm7

415

00:35:53,880 --> 00:35:56,360


76/195

419

00:36:08,800 --> 00:36:09,60

The%$re ur"i"(#

420

00:36:09,920 --> 00:36:11,360

The%$re ur"i"(7 am"#

421

00:36:11,680 --> 00:36:13,560

&t$s m% foot that$s ur"i"(#

422

00:36:13,60 --> 00:36:15,880

Are %ou hot

or has it (o"e to s!eep7

423

00:36:16,040 --> 00:36:1,160

&t$s (o"e to s!eep#

424

00:36:1,320 --> 00:36:20,240

ust o"e seco"d,


77/195

&$!! do it as Guic'!% as & ca"#

425

00:36:38,960 --> 00:36:41,160

@hat$s %our fa+orite co!or7

426

00:36:41,60 --> 00:36:42,840

TurGuoise#

42

00:36:43,600 --> 00:36:44,120

@h%7

428

00:36:44,280 --> 00:36:45,20

F+er si"ce & *e"t to eico#

429

00:36:45,880 --> 00:36:48,560

A"d *he"e+er & ca"

& put it i" m% pai"ti"(s#

430

00:36:48,20 --> 00:36:50,520


78/195

& thi"' %ou$re Guite (ree"#

431

00:36:51,240 --> 00:36:51,20

Iree"7

432

00:36:51,880 --> 00:36:53,520

es, & associate %ou

*ith that co!or#

433

00:36:54,640 --> 00:36:56,440

=ut "ot too saturated, eh7

434

00:36:5,520 --> 00:3:00,080

Bome o", !et$s "ot e too fuss%;

435

00:3:01,600 --> 00:3:05,600


79/195

00:3:09,320 --> 00:3:12,800

Peop!e te!! me

that if & *ere a co!or

43

00:3:13,240 --> 00:3:14,60

&$d e ora"(e#

438

00:3:14,920 --> 00:3:16,160

A"d & do"$t !i'e that co!or at a!!#

439

00:3:16,320 --> 00:3:18,600

ra"(e7 @e!!E

440

00:3:20,20 --> 00:3:23,520

& rea!!% !i'e "a+% !ue#

441

00:3:24,840 --> 00:3:26,520

o* ma"% co!ors are there7


80/195

442

00:3:26,680 --> 00:3:2,920

A hu(e "umer#

443

00:3:28,080 --> 00:3:29,160

o* ma"%7

444

00:3:29,640 --> 00:3:30,480

ore or !ess7

445

00:3:30,640 --> 00:3:31,120

es#

446

00:3:31,280 --> 00:3:35,840

& do"$t '"o*, ut i" the Ta!a"s

ra"(e, there must e 100 or so#

44

00:3:3,000 --> 00:3:38,200

100 co!ors#


81/195

448

00:3:38,360 --> 00:3:42,600

A"d %ou ca" a!*a%s otai" a"other

to"e % mii"( the co!ors, ri(ht7

449

00:3:42,60 --> 00:3:43,320

f course#

450

00:3:43,480 --> 00:3:45,520

r ha+e the% made

a!! the possi!e mitures7

451

00:3:45,680 --> 00:3:4,840

-


82/195

The armchair#

454

00:3:50,960 --> 00:3:52,440

/o ca" & mo+e m% !e(s7

455

00:3:52,640 --> 00:3:52,920

es#

456

00:3:53,080 --> 00:3:53,600

rE7

45

00:3:53,60 --> 00:3:55,280

es, %es, mo+e them#

458

00:3:55,440 --> 00:3:58,520

&$m addi"( the shado*s#

That *a%, & ca" *or'

459

00:3:58,20 --> 00:38:00,320


83/195

*he" %ou$re "ot here#

460

00:38:00,640 --> 00:38:02,400

our ri(ht !e( is###

es, !i'e that#

461

00:38:04,920 --> 00:38:08,480

Ba" %ou pu!! %our ha"d

ac' a !itt!e7

462

00:38:13,880 --> 00:38:16,60

A"d adapt it to the shape

of %our thi(h a it more7

463

00:38:19,120 --> 00:38:21,320

Adapt it to the shape

of m% thi(h a it more7

464

00:38:21,520 --> 00:38:23,000


84/195

/hit, ha"( o"#

465

00:38:24,320 --> 00:38:25,800

/P&&

466

00:38:26,080 --> 00:38:2,160

i'e that#

46

00:38:46,040 --> 00:38:49,880

"e da% &$d !o+e

to e a!e to u% pai"ti"(s#

468

00:38:50,040 --> 00:38:51,600

a%e o"e e+er% %ear#

469

00:38:52,160 --> 00:38:54,520

Pai"ti"(s that mo+e me, %ou '"o*7

40

00:38:54,60 --> 00:38:56,480


85/195

&t$s a" i"+estme"t#

41

00:38:56,640 --> 00:38:59,200

&t a!! depe"ds

o" the pai"ter %ou choose#

42

00:38:59,360 --> 00:39:05,280

As a" i"+estme"tE That$s difficu!t#

There are o"!% a fe*#

43

00:39:05,840 --> 00:39:0,560

ust rece"t!%,

& *as at a co"fere"ce

44

00:39:0,20 --> 00:39:12,880

a"d the% *ere sa%i"( the i( "ames

for *hom peop!e pa% fortu"es,

45

00:39:13,120 --> 00:39:15,60

!i'e the o"e *ho u%s a co*,


86/195

46

00:39:15,920 --> 00:39:18,000

cuts it i" ha!f

a"d puts it i" forma!deh%deE

4

00:39:18,200 --> 00:39:19,20

Peop!e pa% fortu"es for that#

48

00:39:19,880 --> 00:39:21,160

o"$t te!! me the% do that;

49

00:39:21,320 --> 00:39:22,240

es#

480

00:39:22,400 --> 00:39:2,440

A (u% i" Ar(e"ti"a ecame +er%

fashio"a!e *he" he tied up a do(,

481

00:39:2,880 --> 00:39:29,680


87/195

a"d fi!med it

u"ti! it died of hu"(er#

482

00:39:30,480 --> 00:39:32,320

That$s "ot art for me#

483

00:39:32,480 --> 00:39:34,000

The *orst thi"( *as

it *as sho*" i" ehiitio"s,

484

00:39:34,160 --> 00:39:36,400

"ot e+e" i" his o*" p!ace,

485

00:39:36,560 --> 00:39:3,840

it *as i" i( art (a!!eries#

486

00:39:38,080 --> 00:39:39,600

That$s dis(usti"(;

48


88/195

00:39:40,120 --> 00:39:41,200

o %ou thi"' that$s ri(ht7

488

00:39:41,400 --> 00:39:43,040

& thi"' it$s dreadfu!#

489

00:39:45,120 --> 00:39:48,280

There$s a +er% fi"e !i"e et*ee"

490

00:39:48,520 --> 00:39:51,480

*hat$s art a"d *hat$s stupidit%,

is"$t there7

491

00:39:55,560 --> 00:39:5,160

Bra.% ideas#

492

00:39:5,320 --> 00:39:58,200

es#

493


89/195

00:39:58,640 --> 00:40:04,360

ea!!%, the art *or!d i" (e"era!

is prett% asurd, is"$t it7

494

00:40:04,520 --> 00:40:08,880

The fact that %ou ha+e ima(i"atio",

that %ou thi"' of differe"t thi"(s,

495

00:40:09,20 --> 00:40:14,600

ca" produce thi"(s that are cra.%

or thi"(s that are ri!!ia"t#

496

00:40:16,040 --> 00:40:19,920

A"d it used to e +er% importa"t

to e pro+ocati+e, *as"$t it7

49

00:40:20,080 --> 00:40:20,560

es#

498

00:40:20,20 --> 00:40:23,880


90/195

a% & as' *hich *as

%our most epe"si+e pai"ti"(7

499

00:40:24,080 --> 00:40:2,080

The i((est pri.e & e+er (ot

for a pai"ti"( *as 18,000 O#

500

00:40:2,280 --> 00:40:30,120


91/195

504

00:40:36,560 --> 00:40:40,320

if the% rou(ht schoo!chi!dre"

to see ehiitio"s7

505

00:40:40,520 --> 00:40:42,600

A"d tau(ht them

506

00:40:42,840 --> 00:40:4,680

that o"e da% the% cou!d u%

a pai"ti"( the% !i'ed7

50

00:40:4,880 --> 00:40:49,360

That *ou!d e (reat#

508

00:40:49,520 --> 00:40:53,440

=ecause the% ri"( chi!dre"

to art (a!!eries


92/195

509

00:40:53,600 --> 00:40:56,240

a"d !et them dra* there,

for eamp!e#

510

00:40:56,400 --> 00:40:59,440

& thi"' that$s +er% i"teresti"(#

511

00:40:59,680 --> 00:41:02,440

=ut & do"$t thi"' the%$re rou(ht

to see ehiitio"s#

512

00:41:02,680 --> 00:41:04,320

es, a"d if the% *ere###

513

00:41:04,520 --> 00:41:0,360

The% cou!d !ear" that

o"e da% the% cou!d u%

514


93/195

00:41:08,200 --> 00:41:11,120

*or's of art, that it$s possi!e,

that it$s "ot so epe"si+e,

515

00:41:11,320 --> 00:41:15,000

that if the% !i'e somethi"(,

*ith time, the% cou!d u% it#

516

00:41:16,040 --> 00:41:22,200

& thi"' that there are set ideas,

!i'e that art is o"!% for the rich#

51

00:41:22,920 --> 00:41:24,000

o*$s it (oi"(7

518

00:41:24,160 --> 00:41:25,000

&$m happ%#

519

00:41:25,160 --> 00:41:25,480

ea!!%7


94/195

520

00:41:25,640 --> 00:41:28,560

&" fact & *as thi"'i"( aout

!etti"( %ou come here

521

00:41:28,20 --> 00:41:30,440

a"d co+eri"( %our e%es

a"d (oi"( !i'e this,

522

00:41:30,640 --> 00:41:32,800

so %ou cou!d see it,

ut ust for a seco"d#

523

00:41:33,000 --> 00:41:35,040

ou$re proud of it, that$s (reat;

524

00:41:35,200 --> 00:41:3,640


95/195

525

00:41:3,800 --> 00:41:40,080

*he" & said to m%se!f:

Iod, it$s a disaster;

526

00:41:40,320 --> 00:41:41,360

=ut ust for a seco"d#

52

00:41:41,60 --> 00:41:42,60

&$d do it !i'e this###

528

00:41:43,320 --> 00:41:44,120

K7

529

00:41:44,960 --> 00:41:46,440

K, if %ou !i'e#

530

00:41:4,480 --> 00:41:48,20

=ut ust a seco"d#


96/195

531

00:41:49,280 --> 00:41:50,360

00:41:53,240

o & ha+e to c!ose m% e%es7

533

00:41:53,400 --> 00:41:54,880

es, c!ose them#

534

00:41:56,440 --> 00:41:5,240

ere7

535

00:41:5,400 --> 00:41:58,240

@ait#

536

00:41:58,400 --> 00:42:01,680

% ha"ds are free.i"(, are"$t the%7

Bome this *a%#


97/195

53

00:42:02,880 --> 00:42:04,120

&$m so ecited;

538

00:42:04,680 --> 00:42:08,360

ust t*o seco"ds# o"$t *orr%

aout the resem!a"ce %et#

539

00:42:08,520 --> 00:42:09,280

K#

540

00:42:09,440 --> 00:42:10,680

1, 2, 3E

541

00:42:11,600 --> 00:42:12,440

&t$s (reat;

542

00:42:13,360 --> 00:42:14,200

There#


98/195

543

00:42:14,20 --> 00:42:15,480

)a"tastic;

544

00:42:15,640 --> 00:42:16,160

ou !i'e it7

545

00:42:16,320 --> 00:42:16,920

es#

546

00:42:1,560 --> 00:42:18,60

es, %es, %es#

54

00:42:22,080 --> 00:42:23,560

That$s it#

548

00:42:31,280 --> 00:42:34,080

Ba" %ou !ift %our arm for a seco"d7


99/195


100/195

00:43:05,280

oes it ha+e to do

*ith the positio"7

556

00:43:05,480 --> 00:43:12,280


101/195

00:43:19,800 --> 00:43:22,800

&f *e$re doi"( the face,

there *o"$t e much ta!'i"(, ri(ht7

561

00:43:22,960 --> 00:43:24,280

i(ht#

562

00:43:24,640 --> 00:43:26,080

/P&&

563

00:43:2,60 --> 00:43:32,280

o"$t *orr%, Aida, if %ou fa!! as!eep

it$s "o pro!em#

564

00:43:33,840 --> 00:43:3,000

&f & *ere %ou###

&$d e as!eep a!read%,

565

00:43:3,640 --> 00:43:39,60

*ith this heat, a"d the time E


102/195

566

00:43:39,920 --> 00:43:41,640

A"d the (as#

56

00:45:43,680 --> 00:45:46,840

&s m% head ha"(i"( for*ard

a !itt!e too much7

568

00:45:49,280 --> 00:45:51,840

&t$s fa!!i"( it % it#

569

00:45:54,520 --> 00:45:5,080

"e da% & *as made up as a ma"#

50

00:45:5,520 --> 00:45:58,840

o* do %ou mea"7

51

00:45:59,000 --> 00:46:01,840

The% thic'e"ed m% e%ero*s,


103/195

the% (a+e me a mustache#

52

00:46:02,000 --> 00:46:05,080

A"d & !oo'ed !i'e a ma", & s*ear#

53

00:46:05,60 --> 00:46:06,960

&t *as i"credi!e#

54

00:46:0,120 --> 00:46:09,440

The% sa% that the more

s%mmetrica! %our face isE

55

00:46:11,080 --> 00:46:13,600

& mea", (ir!s *ho ha+e

a +er% s%mmetrica! face,

56

00:46:13,60 --> 00:46:18,280

it$s easier to ma'e them up

to !oo' !i'e me"#


104/195

5

00:46:19,480 --> 00:46:21,400

&$+e "e+er u"derstood *h%#

58

00:46:22,000 --> 00:46:26,320

& do"$t '"o*,

& cou!d"$t te!! %ou#

59

00:4:39,080 --> 00:4:41,200

The "et time, *e$!! fi %our hair#

580

00:4:43,800 --> 00:4:45,280

o* do %ou mea"7

581

00:4:46,200 --> 00:4:4,240

)i m% hairE

582

00:4:4,400 --> 00:4:49,080

ou$re (oi"( to do m% hair

the "et time7


105/195

583

00:4:49,240 --> 00:4:49,680

es#

584

00:4:49,840 --> 00:4:51,840

A"d %ou$!! fi"ish it the "et time7

585

00:4:52,160 --> 00:4:55,440

&t$s possi!eE

586

00:51:35,520 --> 00:51:3,960

@hat happe"ed *ith %our spatu!a

toda%, Iui!!ermo7

58

00:51:41,960 --> 00:51:43,320

& for(ot it#

588

00:51:44,800 --> 00:51:4,240

&$m a it for(etfu! rece"t!%#


106/195

589

00:51:4,960 --> 00:51:49,480

&t must e a(e###

590

00:51:50,040 --> 00:51:52,320

=ut *i!! it *or' the same

*ith a card7

591

00:51:52,480 --> 00:51:53,200

es#

592

00:51:53,400 --> 00:51:55,880

The%$re idea! for eati"( pai"t

593

00:51:56,040 --> 00:51:59,080

a"d for scrapi"( ice off cars#

594

00:52:02,840 --> 00:52:04,520

i(ht, !et$s (et started###


107/195

595

00:52:04,20 --> 00:52:05,60

&$!! co"ti"ue *ith the face#

596

00:52:05,920 --> 00:52:0,520

K, toda% &$m (oi"( to co"ce"trate#

59

00:52:0,680 --> 00:52:08,160

Ireat#

598

00:52:08,320 --> 00:52:09,800

et$s see if & ca"#

599

00:52:11,320 --> 00:52:12,60

ou te!! me ho*###

600

00:52:12,920 --> 00:52:14,120

-A!! ri(ht#

-Eho* to sit#


108/195

601

00:52:14,280 --> 00:52:1,200

ou ca" re!a %our arm, if %ou *a"t#

602

00:52:25,520 --> 00:52:2,840

The rai" is !o+e!%#

Ba" %ou hear it7

603

00:52:29,000 --> 00:52:30,880

&t$s a !o+e!% sou"d#

604

00:52:35,400 --> 00:52:3,240

a%e it$!! i"spire %ou a it#

605

00:52:3,480 --> 00:52:38,680

a%eE

606

00:52:38,920 --> 00:52:39,20

/oE


109/195

60

00:52:42,680 --> 00:52:45,240

ea+e"s, it$s rai"i"( hard;

608

00:52:52,160 --> 00:52:53,160

o* is it7

609

00:52:55,000 --> 00:52:55,920

)i"e#

610

00:52:58,040 --> 00:53:00,640

& ha+e to do somethi"(

to the e%es,

611

00:53:00,800 --> 00:53:02,240

ut &$!! do it !ater###

612

00:53:02,400 --> 00:53:03,400

@hat is it7


110/195

613

00:53:03,640 --> 00:53:05,920

& sti!! ha+e to *or' o" the !eft e%e,

614

00:53:06,600 --> 00:53:09,440

=ut &$!! do it after !u"chE

&t$s a!*a%s (ood

615

00:53:09,960 --> 00:53:11,160

"ot to !oo' at it for a *hi!e,

616

00:53:11,320 --> 00:53:13,880

the" it$s easier to see *hat$s *ro"(#

61

00:53:15,800 --> 00:53:1,880

F!e+e" da%s, Aida#

618

00:53:19,880 --> 00:53:21,080

&t$!! e *orth it#


111/195

619

00:53:21,60 --> 00:53:22,560

& hope so#

620

00:53:23,080 --> 00:53:24,800

& fi"d it re!ai"(#

621

00:53:24,960 --> 00:53:26,480

es, %ou !oo' +er% comforta!e#

622

00:53:26,640 --> 00:53:29,840

@e!!, some da%s

are easier tha" others#

623

00:53:30,080 --> 00:53:31,880

&t depe"ds o" *hat &$m thi"'i"(,

624

00:53:32,040 --> 00:53:34,080


112/195

if there$s somethi"( *orr%i"( me#

625

00:53:34,360 --> 00:53:3,120

eep do*", &$m Guite "er+ous,

626

00:53:3,320 --> 00:53:38,480

e+e" if & seem re!aed#

62

00:53:38,800 --> 00:53:42,200

/ometimes m% mi"d is

some*here e!se, thi"'i"(,

628

00:53:42,360 --> 00:53:43,520

a"d other timesE

629

00:53:44,520 --> 00:53:45,640

&$m re!aed#

630

00:53:51,080 --> 00:53:54,080


113/195

@o*, that$s it;

@hat a" e%e;

631

00:53:54,240 --> 00:53:55,440

ea!!%7

632

00:53:55,800 --> 00:53:56,600

&"credi!e;

633

00:53:5,040 --> 00:53:59,040

& ha+e Guite a *ide "ec', ha+e"$t &7

634

00:53:59,880 --> 00:54:01,560

&$+e (ot m% o*" theor%#

635

00:54:02,280 --> 00:54:03,560

ou do7 @hat is it7

636

00:54:03,920 --> 00:54:06,20


114/195

As & ha+e "o stre"(th

i" m% ac' or i" m% adome",

63

00:54:06,880 --> 00:54:10,280

for eamp!e, *he" &$m at the (%m,

638

00:54:10,20 --> 00:54:13,640

& ta'e the strai" i" m% "ec'#

639

00:54:14,360 --> 00:54:16,320

% "ec' hurts a !ot#

640

00:54:1,320 --> 00:54:20,240

& *as to!d it$s +er% road#

641

00:54:20,560 --> 00:54:22,280

& had"$t "oticed it#

642

00:54:22,480 --> 00:54:24,000


115/195

&t$s muscu!ar#

643

00:54:26,640 --> 00:54:30,680

@e ha+e a teacher at the (%m

a"d a!! the *ome" !o+e him,

644

00:54:31,000 --> 00:54:33,200

*hate+er their a(e#

is c!ass is a!*a%s fu!!#

645

00:54:33,480 --> 00:54:36,960

The (u% must e i" his fortiesE

646

00:54:38,040 --> 00:54:40,680

###or e+e" more,

64

00:54:41,480 --> 00:54:43,280

a"d he treat us rea!!% ad!%,

648


116/195

00:54:43,440 --> 00:54:45,360

a"d & thi"' *e !i'e that#

649

00:54:45,920 --> 00:54:48,20

ou fat !umps,

mo+e %our asses;

650

00:54:48,880 --> 00:54:49,60

e ta!'s !i'e that7

651

00:54:49,920 --> 00:54:51,320

es, ust !i'e that,

652

00:54:51,480 --> 00:54:52,60

ut he$s +er% fu""%#

653

00:54:52,920 --> 00:54:55,440

@e fa!! aout !au(hi"(

*he" he ta!'s to us !i'e that#


117/195

654

00:55:04,040 --> 00:55:06,800

A"d %ou a!! !i'e that7

655

00:55:0,160 --> 00:55:09,280

es, ecause the c!asses

are rea!!% tou(h,

656

00:55:09,680 --> 00:55:11,920

horri!e,

65

00:55:12,480 --> 00:55:15,240

a"d he$s (i+e" us a!! "ic'"ames#

658

00:55:15,960 --> 00:55:16,840

ou '"o*7

659

00:55:1,520 --> 00:55:20,960

e$s (i+e" us

+er% fu""% "ic'"ames#


118/195

660

00:55:21,440 --> 00:55:22,280

i'e, he sa%s to a (ir!:

661

00:55:22,440 --> 00:55:25,440

@hat$s up, Termi"ator,

did %ou eat a co*, or *hat7

662

00:55:25,680 --> 00:55:30,920

r Io o"; o+e that f!a% ass

of %ours;# e$s rea!!% terri!e#

663

00:55:31,080 --> 00:55:32,040

A"d it does"$t a""o% %ou7

664

00:55:32,200 --> 00:55:36,680


119/195

00:55:3,160 --> 00:55:40,600

e sa%s those horri!e thi"(s

ut i" a" affectio"ate *a%#

666

00:55:40,60 --> 00:55:41,160

es, %es#

66

00:55:41,320 --> 00:55:44,680

&f %ou did"$t '"o* him,

&$m sure %ou$d fee! a*fu!#

668

00:55:45,200 --> 00:55:46,800

=ut he ma'es us !au(h#

669

00:55:46,960 --> 00:55:50,320

e rea!!% (oes too far,

ut he$s +er% fu""%#

60

00:55:50,960 --> 00:55:53,120


120/195

@he" & *as !itt!e,

& *as i" !o+e *ith a o%,

61

00:55:53,280 --> 00:55:55,080

he *as a %ear %ou"(er tha" me,

62

00:55:55,680 --> 00:55:5,560

a"d he$d a!*a%s ma'e fu" of me

o" the us#

63

00:55:5,20 --> 00:56:01,200

e a!*a%s said: cor'%, cor'%,

& "e+er '"e* *hat it mea"t#

64

00:56:02,280 --> 00:56:02,920

Bor'%#

65

00:56:03,240 --> 00:56:03,60

Por'%7


121/195

66

00:56:03,920 --> 00:56:04,680

Bor'%#

6

00:56:04,840 --> 00:56:05,280

Bor'%7

68

00:56:05,440 --> 00:56:05,840

es,

69

00:56:06,000 --> 00:56:08,040

)rom the fish, corcD",

& (uess, & do"$t '"o*#

680

00:56:08,520 --> 00:56:09,440

Bor'%#

681

00:56:10,200 --> 00:56:10,960

& do"$t '"o*#


122/195

682

00:56:11,560 --> 00:56:13,080

&$+e ee" ca!!ed a!! sorts of "ames:

683

00:56:13,440 --> 00:56:14,60

ump!i"(E

684

00:56:15,600 --> 00:56:16,920

At drama schoo!,

685

00:56:1,080 --> 00:56:19,360

& *as ca!!ed: dump!i"(,

the dump!i"(?#

686

00:56:19,520 --> 00:56:20,120

The dump!i"(?7

68

00:56:20,280 --> 00:56:21,000

es#


123/195

688

00:56:23,920 --> 00:56:26,240

A"d ips#

689

00:56:32,360 --> 00:56:34,800

Aidi, Aido+itch###

690

00:56:35,080 --> 00:56:35,880

A"%*a%###

691

00:56:39,360 --> 00:56:40,480

ou$re happ%, are"$t %ou7

692

00:56:40,840 --> 00:56:41,680

es#

693

00:56:41,920 --> 00:56:43,520

es, %es, & see that &$m#####

694


124/195


125/195

00:5:06,920 --> 00:5:08,040

-r did %ou cha"(e it7

- 00:5:08,920

& ust !oo'ed#

02

00:5:08,960 --> 00:5:11,120

ou came a!! the *a% here

ust to !oo' at it7

03

00:5:11,960 --> 00:5:15,20

es, !i'e & said, there are da%s

*he" & !ea+e fee!i"( happ%,

04

00:5:16,640 --> 00:5:18,640

a"d *he" & come ac' a *ee' !ater,

05

00:5:18,800 --> 00:5:22,400

&$+e for(otte"


126/195

*h% & *as so satisfied#

06

00:5:23,240 --> 00:5:24,280

=ut &$m sti!! happ%#

0

00:5:24,600 --> 00:5:26,440

id %ou *a"t me to smi!e7

08

00:5:26,600 --> 00:5:28,800

es, *e$!! see aout that !ater#

09

00:5:28,960 --> 00:5:32,040

&t$s true that *he" %ou smi!e

%our e%es cha"(e, ut ust a it#

10

00:5:32,280 --> 00:5:34,560

ust a !itt!e it#

11

00:5:34,800 --> 00:5:35,160


127/195

i'e that#

12

00:5:35,520 --> 00:5:36,320

ess#

13

00:5:48,240 --> 00:5:49,960

00:58:09,360

That$s (ood#

1

00:58:09,560 --> 00:58:12,240


128/195

18

00:58:12,400 --> 00:58:13,680

do"$t force it,

19

00:58:13,880 --> 00:58:15,320

&$m (oi"( to do the e%e#

20

00:58:19,800 --> 00:58:21,560

& hear %ou scratchi"(#

21

00:58:22,600 --> 00:58:24,160

es, a!! o+er the e%e;

22

00:58:24,480 --> 00:58:25,120

ea!!%7

23

00:58:25,280 --> 00:58:26,000


129/195

24

00:58:31,120 --> 00:58:32,360

@hat are apers?7

25

00:58:33,600 --> 00:58:34,080

Apers?7

26

00:58:34,240 --> 00:58:35,040

es#

2

00:58:3,320 --> 00:58:38,560

&" *hat co"tet7

28

00:58:39,480 --> 00:58:40,560

Apers?7

29

00:58:43,880 --> 00:58:45,040

@hat are the%7

30


130/195


131/195

00:59:08,920 --> 00:59:09,520

Jerdaccio#

3

00:59:09,680 --> 00:59:10,960

That$s it, +erdaccio;

38

00:59:11,120 --> 00:59:12,520

Jerdeo is the *i"e;

39

00:59:12,680 --> 00:59:13,560

Apers?#

40

00:59:14,000 --> 00:59:15,200

A s!ip of the to"(ue;

41

00:59:15,360 --> 00:59:1,160

@hat *as & thi"'i"( aout;

42

00:59:30,800 --> 00:59:31,320


132/195

@hat *as that7

43

00:59:31,480 --> 00:59:32,280

% pho"e#

44

00:59:32,440 --> 00:59:33,200

/P&&

45

00:59:38,920 --> 00:59:42,400

The oo' &$m readi"(

is a comic *ritte" % a frie"d#

46

00:59:43,040 --> 00:59:45,880

&t$s ca!!ed

oro"s do"$t (i+e %ou f!o*ers,

4

00:59:46,040 --> 00:59:50,400

a"d it ta!'s aout the differe"t

'i"ds of moro"s that eist#


133/195

48

00:59:50,960 --> 00:59:53,60

/he defi"es them +er% *e!!#

49

00:59:55,680 --> 00:59:5,360

o* *ou!d %ou defi"e me7

50

00:59:5,560 --> 01:00:01,480

ou7 /he *ou!d defi"e %ou#

51

01:00:01,20 --> 01:00:03,20

ou$re the 'i"d of (u%###

52

01:00:03,920 --> 01:00:05,360

f moro"E

53

01:00:0,160 --> 01:00:10,360

*ho is so rese"tfu!

that he sa%s to himse!fE


134/195

54

01:00:10,520 --> 01:00:12,960

ou$re so preudiced aout thatE

55

01:00:13,120 --> 01:00:16,360

& do"$t *a"t to e i" a coup!e,

&$m etter o" m% o*"?, a"d so o"#

56

01:00:16,520 --> 01:00:16,800

es#

5

01:00:16,960 --> 01:00:21,080

@he" %ou see a coup!e 'issi"(

at the rai!*a% statio",

58

01:00:21,240 --> 01:00:22,480

%ou sa% That$s (ross?,

59

01:00:22,640 --> 01:00:23,60

ut rea!!% %ou e"+% them#


135/195

60

01:00:23,920 --> 01:00:26,800

01:00:32,480

ou !oo' !i'e

%ou$re thi"'i"( aout thi"(s#

63

01:00:32,640 --> 01:00:35,160


136/195

&$m touchi"( m% chi" ecause

& ca" fee! some !itt!e umps#

66

01:00:43,400 --> 01:00:45,000

/hit;

6

01:00:48,240 --> 01:00:50,640

& thi"' that art is epe"si+e#

68

01:00:51,520 --> 01:00:53,60

=ut & thi"' it$s "ecessar%#

69

01:00:54,080 --> 01:00:54,840

That it$s epe"si+e7

0

01:00:55,160 --> 01:00:5,640

-


137/195

01:00:5,880 --> 01:01:00,400

A *or!d *ithout art,

2

01:01:00,560 --> 01:01:03,120

*ithout e"tertai"me"t,

*ithout cu!ture,

3

01:01:03,280 --> 01:01:06,000

*ou!d e a horri!e, (re% *or!d#

4

01:01:10,120 --> 01:01:13,640

&f &$m e+er ro'e, Iui!!ermoE

5

01:01:15,280 --> 01:01:16,400

& mi(ht se!! the pai"ti"(#

6

01:01:16,560 --> 01:01:1,480

Iood idea,


138/195

01:01:1,640 --> 01:01:20,400

ut o" co"ditio"

& ca" he!p %ou spe"d the mo"e%;

8

01:01:22,440 --> 01:01:24,680

Are %ou (oi"( to pai"t the chair

this co!or7

9

01:01:24,920 --> 01:01:25,600

es#

80

01:01:2,440 --> 01:01:28,920

&t *o"$t e so ri(ht,

81

01:01:29,080 --> 01:01:34,600

there$!! e a certai" sie""a to"e,

ust there *here the !i(ht is,

82

01:01:34,60 --> 01:01:36,840

a"d the rest *i!! ha+e


139/195

83

01:01:3,000 --> 01:01:41,240

a *armer to"e,

ut more as shado* tha" co!or#

84

01:01:41,400 --> 01:01:42,920

=ut it *o"$t e scar%7

85

01:01:43,080 --> 01:01:43,840

01:01:49,840

@he" & (o to the Prado

& come out depressed#

8

01:01:51,200 --> 01:01:54,120

There$s so much !ac',

so much ro*",

88


140/195

01:01:54,280 --> 01:01:58,200

so much###

Iod, & do"$t '"o* *hat e!se###

89

01:02:04,560 --> 01:02:0,600

&t$s ee" a(esE & shou!d

(o more ofte" to the Prado#

90

01:02:09,080 --> 01:02:11,120

a+e %ou "e+er thou(ht

91

01:02:11,280 --> 01:02:13,240

of ha+i"( a"other o E

92

01:02:13,20 --> 01:02:16,640

or i"+esti"( i" somethi"(

i" case o"e da%

93

01:02:16,800 --> 01:02:20,600

%ou "e+er se!! a"other pai"ti"(,


141/195

for eamp!e7

94

01:02:21,240 --> 01:02:21,20

01:02:22,440

01:02:23,000

01:02:25,200

ou$re that sure of %ourse!f7

98

01:02:25,360 --> 01:02:28,840


142/195

ut & thi"' that toda%

& ha+e a certai" securit%

800

01:02:31,400 --> 01:02:34,880

that &$+e ma"a(ed

to achie+e *ith m% pai"ti"(#

801

01:02:35,040 --> 01:02:39,560

A"d & certai"!% *ou!d"$t do

a"%thi"( other tha" pai"t#

802

01:02:40,60 --> 01:02:45,240

&$d se!! *hat &$+e (ot,

a"d !i+e m% remai"i"( %ears#

803

01:02:46,520 --> 01:02:49,680

&$d se!! e+er%thi"(#

804

01:02:50,20 --> 01:02:54,880

& do"$t see m%se!f *or'i"( at


143/195

a"%thi"( e!se# A"d, a"%*a%, at *hat7

805

01:02:55,320 --> 01:02:5,840

& ofte" *o"der

if thi"(s (o ad!% for me,

806

01:02:58,000 --> 01:02:59,880

a"d & "eed mo"e%,

80

01:03:00,280 --> 01:03:01,640

ecause art is !i'e that###

808

01:03:01,800 --> 01:03:02,440

es###

809

01:03:03,160 --> 01:03:06,640

*hat do & do7

@here do & i"+est m% mo"e%7

810


144/195

&" propert%7

811

01:03:08,920 --> 01:03:11,320

o & ope" a ar !i'e e+er%o"e does7

812

01:03:11,960 --> 01:03:12,840

@hat do & do7

813

01:03:15,60 --> 01:03:16,640

Bome o", Aida ;

814

01:03:1,400 --> 01:03:1,960

@hat7

815

01:03:18,320 --> 01:03:20,080

That$s +er% dramatic;

816

01:03:22,440 --> 01:03:24,120

ou$re (oi"( to e K;


145/195

81

01:03:24,920 --> 01:03:28,520

"ce, at a casti"(, i" the e"d & (ot

the part, ut the% as'ed me:

818

01:03:28,680 --> 01:03:32,240

@hat re!atio"ship do %ou ha+e

*ith spaces7

819

01:03:36,680 --> 01:03:38,440

&t rea!!% thre* me#

820

01:03:38,920 --> 01:03:44,200

@e!!, i" ope" spaces & fee! free,

821

01:03:46,000 --> 01:03:48,560

at ease###, a!! that#

822

01:03:48,20 --> 01:03:50,800


146/195

& started sa%i"(

the stupidest thi"(s#

823

01:03:50,960 --> 01:03:53,480

& *a"ted the part,

824

01:03:53,640 --> 01:03:55,640

a"d & (ot it, ut###

825

01:04:02,200 --> 01:04:03,400

That$s it#

826

01:04:04,240 --> 01:04:05,280

Bhi!dre",

82

01:04:05,800 --> 01:04:06,840

*e$+e fi"ished#

828

01:04:0,000 --> 01:04:09,520


147/195

A"d m% arm7 % ha"d7 The rest7

829

01:04:09,680 --> 01:04:10,560

&t$s do"e;

830

01:04:10,20 --> 01:04:11,400

&t$s do"e7

831

01:04:11,560 --> 01:04:13,280

=ut %ou did"$t do it toda%#

832

01:04:13,20 --> 01:04:14,200

r did %ou7

833

01:04:14,360 --> 01:04:18,080


148/195

e!a#

835

01:04:23,640 --> 01:04:25,240

&$m (oi"( to sho* it to %ou#

836

01:04:25,680 --> 01:04:2,20

"e, t*o, three#

83

01:04:28,320 --> 01:04:29,920

h, it$s eautifu!;

838

01:04:30,080 --> 01:04:32,120

& !o+e it;

et me see it a(ai";

839

01:04:32,280 --> 01:04:35,120

"e, t*o, three#

840

01:04:35,920 --> 01:04:39,320


149/195

& !o+e it, & !o+e it, & !o+e it;

841

01:04:39,800 --> 01:04:42,360

ou e+e" (ot

these !itt!e !au(h !i"es#

842

01:04:42,520 --> 01:04:42,880

es#

843

01:04:43,080 --> 01:04:43,920

&t$s fa"tastic,

844

01:04:44,080 --> 01:04:45,480

a"d it !oo's so !i'e me#

845

01:04:45,640 --> 01:04:46,320

Ireat#

846

01:04:46,560 --> 01:04:46,920


150/195

Ireat#

84

01:04:4,080 --> 01:04:48,520

& reco("i.e m%se!f#

848

01:04:48,20 --> 01:04:49,840

Ireat#

849

01:04:50,040 --> 01:04:52,320

@e!!, *e$re a!most fi"ished#

850

01:04:53,240 --> 01:04:54,520

Ba"$t & see it a(ai"7

851

01:04:54,680 --> 01:04:55,680

01:04:5,680

&t$s rea!!% fa"tastic;


151/195

853

01:04:5,920 --> 01:05:00,560

&t$s so (ood#

& rea!!% did"$t epect it#

854

01:05:00,60 --> 01:05:02,240

e%;

855

01:05:2,840 --> 01:05:29,560

&s there +erdaccio or "ot7

856

01:05:29,20 --> 01:05:32,400

es, there$s +erdaccioE

Jerdeo;

85

01:05:32,920 --> 01:05:35,640

Toda% *e$re (oi"( to start

*ith the (!a.i"(#

858


152/195

01:05:36,20 --> 01:05:3,320

The *hat7

859

01:05:3,520 --> 01:05:38,400

The (!a.i"(#

860

01:05:39,240 --> 01:05:42,280

&$+e "e+er ee" sure

eact!% *hat that is#

861

01:05:42,680 --> 01:05:46,040

01:05:5,20

& thou(ht it *ou!d e more de!icate#


153/195

864

01:06:00,280 --> 01:06:01,480

&$m ama.ed#

865

01:06:02,480 --> 01:06:04,60

&t !oo's more !i'e &#

866

01:06:1,280 --> 01:06:20,320

=ut are %ou pai"ti"(

the *ho!e thi"(7

86

01:06:20,480 --> 01:06:21,080

Fh7

868

01:06:22,600 --> 01:06:23,280

@hat did %ou sa%, Aida7

869

01:06:23,440 --> 01:06:25,800

Are %ou pai"ti"( the *ho!e thi"(7


154/195

80

01:06:2,320 --> 01:06:28,320

A!most#

81

01:06:30,680 --> 01:06:33,280

& ha+e to 'eep doi"( it

o" a!! the !itt!e spots,

82

01:06:33,440 --> 01:06:35,60

u"ti! the pai"t pe"etrates,

83

01:06:36,000 --> 01:06:38,480

a"d %ou ust see the rush stro'es#

84

01:06:40,880 --> 01:06:45,240

At times, & *o"der

*here &$m (oi"( to put it#

85

01:06:46,400 --> 01:06:48,360

=ecause it$s me#


155/195

86

01:06:48,520 --> 01:06:50,880

&ma(i"e peop!e

comi"( i"to m% house,

8

01:06:51,120 --> 01:06:54,640

a"d seei"( Aida i" the armchair#

88

01:06:54,800 --> 01:06:58,480

&t$s a it !i'e:

e%, (ir!, that$s some e(o;?

89

01:06:58,800 --> 01:0:01,240

&$!! ha+e to ha"( it i" a p!ace

880

01:0:01,400 --> 01:0:05,520

*here %ou ca" see it

ut it is"$t too o+ious#


156/195


157/195

01:0:21,280 --> 01:0:23,800


158/195

893

01:0:41,960 --> 01:0:42,680

/P&&

894

01:0:42,840 --> 01:0:43,960

epe"di"( o" the !i(ht#

895

01:0:44,320 --> 01:0:45,60

A frie"d as'ed me:

896

01:0:45,920 --> 01:0:4,840

@h% are %our !ips so red7

89

01:0:48,120 --> 01:0:50,960

& said: =ecause e+er% "i(ht

efore & (o to ed,

898

01:0:51,160 --> 01:0:53,160

& put o" red !ipstic',


159/195

899

01:0:54,360 --> 01:0:5,600

the pi(me"t is asored

a"d m% !ips !oo' !i'e this#

900

01:0:5,60 --> 01:08:01,360

A"d the poor thi"(

*e"t to ed e+er% "i(ht###;

901

01:08:04,20 --> 01:08:06,60

=ut is that %our "atura! co!or7

902

01:08:08,360 --> 01:08:09,080

es#

903

01:08:11,640 --> 01:08:14,080

"ti! o"e da% her mother cau(ht her

904

01:08:14,280 --> 01:08:1,520


160/195

a"d she to!d her m% made-up theor%E

905

01:08:25,20 --> 01:08:2,20

ou must ha+e ee" a ha"dfu!;

906

01:08:29,600 --> 01:08:31,440

/ta"d up for a mi"ute#

90

01:08:33,080 --> 01:08:35,160

& *a"t to see %ou i" a" apro"#

908

01:08:35,320 --> 01:08:36,680

Bome o"#

909

01:08:3,200 --> 01:08:38,200

P!ease#

910

01:08:39,000 --> 01:08:40,20

As %ou$re hot###


161/195

911

01:08:44,120 --> 01:08:45,520

This dress is difficu!t;

912

01:08:46,040 --> 01:08:4,200

eah#

913

01:08:48,120 --> 01:08:49,360

@hat are %ou doi"(7

914

01:08:49,520 --> 01:08:50,280

@ait###

915

01:08:50,880 --> 01:08:51,440

/hit;

916

01:08:51,880 --> 01:08:53,640

&s it too sma!!7


162/195

91

01:08:54,240 --> 01:08:58,200

&t$s ecause of a!! the f!ou"ces

a"d o*s o" the dress#

918

01:08:58,800 --> 01:08:59,880

That$s it#

919

01:09:02,080 --> 01:09:04,920

@hat do & ha+e to do "o*7

920

01:09:0,000 --> 01:09:09,360

Put %ourse!f i" m% p!ace

for a mi"ute#

921

01:09:11,200 --> 01:09:13,840

=ut & to!d %ou,

&$+e "e+er pai"ted efore#

922

01:09:14,040 --> 01:09:14,840


163/195

@hich profi!e7

923

01:09:15,000 --> 01:09:15,920

@here do & !oo'7

924

01:09:16,080 --> 01:09:1,400

That *a%#

925

01:09:19,240 --> 01:09:20,160

/P&&

926

01:09:21,120 --> 01:09:24,840

)irst of a!!, & do"$t '"o*

ho* to fit %ou i"#

92

01:09:26,560 --> 01:09:29,080

& do"$t '"o* *here to e(i"###

928

01:09:30,520 --> 01:09:31,360


164/195

/P&&

929

01:09:55,800 --> 01:09:59,640

&$+e (ot "o idea *hat &$m doi"(#

930

01:10:02,60 --> 01:10:05,480

That$s "ot ri(ht#

=ut, a"%*a%E

931

01:10:29,000 --> 01:10:31,480

&$m sorr%;

932

01:10:38,120 --> 01:10:40,640

Ba" & erase this or "ot7

933

01:10:40,800 --> 01:10:43,160


165/195

935

01:10:45,960 --> 01:10:49,360

%ou ca" ta'e

some di!uted turpe"ti"e a"dE

936

01:10:49,520 --> 01:10:52,440

ou shou!d ha+e (o"e

it % it, mar'i"( the !i"es#

93

01:10:52,600 --> 01:10:53,680

o"$t te!! me that;

938

01:10:53,840 --> 01:10:55,280

=ut ca" & erase it or "ot7

939

01:10:55,440 --> 01:10:56,320

@i!! & (i+e %ou a hi"t7

940

01:10:56,880 --> 01:10:5,560


166/195

@hat7

941

01:10:5,60 --> 01:10:59,160

a+e %ou do"e the e%e %et7

942

01:10:59,320 --> 01:11:00,880

- 01:11:06,560

@ith a si a"d a four,

%ou ha+e %our portrait;?

944

01:11:06,800 --> 01:11:09,080

&t *ou!d ha+e ee"

etter tha" this;

945

01:11:09,440 --> 01:11:11,920

Are %ou ma'i"( fu" of m% "ose7


167/195

946

01:11:12,360 --> 01:11:16,920

@hat do & do "o*7

ou$re a!! !au(hi"(#

94

01:11:19,080 --> 01:11:19,920

o the shado*s;

948

01:11:20,080 --> 01:11:21,600

ea!!%7

949

01:11:26,520 --> 01:11:28,960

ou$re much etter !oo'i"(

i" rea! !ife#

950

01:11:29,200 --> 01:11:32,20

That$s +er% "ice of %ou#

Tha"' %ou#

951

01:11:56,000 --> 01:11:59,120


168/195

& rea!!% "eed to ta'e c!asses#

952

01:12:04,480 --> 01:12:09,040

&$m doi"( the armchair

so %ou ca" !oo' *here %ou *a"t#

953

01:12:09,920 --> 01:12:14,160

/orr%, & did"$t te!! %ou efore,

%ou ca" rest#

954

01:12:1,600 --> 01:12:21,480

01:12:26,20

@hat *ou!d it e7

956

01:12:26,920 --> 01:12:29,160

&s it this o"e here7


169/195

95

01:12:33,920 --> 01:12:38,040

&f %ou ta'e some %e!!o* a"d mi it

*ith a it of that sie""aE

958

01:12:38,240 --> 01:12:39,640

-This o"e7

- 01:12:4,560

-&t$s K#

-A"d some thi""er7

962


170/195

01:12:48,920 --> 01:12:50,080

ere#

963

01:13:2,360 --> 01:13:28,520

A!! ri(ht, that$s it#

964

01:13:28,680 --> 01:13:29,60

eah7

965

01:13:31,040 --> 01:13:33,040


171/195

01:13:44,240 --> 01:13:45,920

&t !oo's !i'e %ou, does"$t it7

969

01:13:46,080 --> 01:13:48,000

&t$s rea!!% (ood#

90

01:13:48,160 --> 01:13:49,440

/ta"d eside it#

91

01:13:49,600 --> 01:13:51,280

ere7

92

01:13:53,640 --> 01:13:54,560

&s it too i(7

93

01:13:54,20 --> 01:13:56,920

)i"ish it;

94

01:13:5,160 --> 01:13:5,640


172/195

95

01:13:5,800 --> 01:13:58,160

01:13:59,160

i'e this7

9

01:13:59,520 --> 01:14:01,280

ou$re ide"tica!#

98

01:14:02,120 --> 01:14:04,240

& !o+e the co!or#

99

01:14:05,680 --> 01:14:0,200

&t$s rea!!% c!ea"#

980

01:14:09,240 --> 01:14:10,600

&$m 'eepi"( it#

981


173/195

01:14:13,040 --> 01:14:15,400

-Ireat#

-ou (a+e me a" F(%ptia" profi!e#

982

01:14:15,560 --> 01:14:1,560

-i'e that###

-&$+e (ot "o idea#

983

01:14:1,60 --> 01:14:20,320

@ith the e%e !oo'i"( ahead#

984

01:14:25,960 --&g

Documents

Dialogos Aida