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q = 96 Catálogo de los animales más salvajes del planeta tierra Recorder Baritone Saxophone Electronics Percussion (Renaissance C tenor recorder) A mf same level between the instruments X 7 times 1) Play the harmonic over the given fundamental (diamond notehead) mf same level between the instruments MIDI pedal 1 rhythmic accompaniment (click following) the electronic sound is to be mixed equallywith the instruments X 7 times same level between the instruments Without snares/ play with sticks 6 Rc. B. Sax. El. Perc. X 7 times 2 simile stop X 7 times

EBLIS catalogoAnimales

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Musica del Maestro Eblis Alvarez

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  • q = 96

    Catlogo de los animales ms salvajes del planeta tierra

    Recorder

    Baritone Saxophone

    Electronics

    Percussion

    (Renaissance C tenor recorder)

    A

    mf same level between the instruments

    X 7 times

    1) Play the harmonic over the given fundamental (diamond notehead)

    mf same level between the instrumentsMIDI pedal

    1 rhythmic accompaniment (click following)

    the electronic sound is to be mixed equallywith the instruments

    X 7 times

    same level between the instruments

    Without snares/play with sticks

    6

    Rc.

    B. Sax.

    El.

    Perc.

    X 7 times

    2

    simile stop

    X 7 times

  • 12

    Rc.

    B. Sax.

    El.

    Perc.

    3 rhythmic accompaniment (click following)

    18

    Rc.

    B. Sax.

    El.

    Perc.

    simile

    2

  • 24

    Rc.

    B. Sax.

    El.

    Perc.

    B

    4

    stop

    30

    Rc.

    B. Sax.

    El.

    Perc.

    5:4

    5

    5:4

    rhythmic accompaniment (click following)

    (use the wood of the mallets)

    mf

    3

  • 35

    Rc.

    B. Sax.

    El.

    Perc.

    5:4

    5:4

    (head of the mallets)

    simile

    40

    Rc.

    B. Sax.

    El.

    Perc.

    4

  • 46

    Rc.

    B. Sax.

    El.

    Perc.

    louder ff

    louder ff mf

    52

    Rc.

    B. Sax.

    El.

    Perc.

    5

  • 57

    Rc.

    B. Sax.

    El.

    Perc.

    64

    Rc.

    B. Sax.

    El.

    Perc.

    6

  • 72

    Rc.

    B. Sax.

    El.

    Perc.

    6 stop

    77

    Rc.

    B. Sax.

    El.

    Perc.

    C

    7 Different screams and fake animals (click following)

    7

  • 83

    Rc.

    B. Sax.

    El.

    Perc.

    5:4

    simile

    88

    Rc.

    B. Sax.

    El.

    Perc.

    5

    5

    5

    8

  • 93

    Rc.

    B. Sax.

    El.

    Perc.

    f

    f

    5

    99

    Rc.

    B. Sax.

    El.

    Perc.

    3

    p

    3 3

    3

    p

    3 3

    5 5

    3

    3

    3

    3 3

    3

    9

  • 106

    Rc.

    B. Sax.

    El.

    Perc.

    3

    5

    3

    5

    5 5 5

    p

    5 5

    5 5

    p

    5 5

    111

    Rc.

    B. Sax.

    El.

    Perc.

    3

    5 mf

    3

    5

    5 5

    mf

    5 5 5 5

    5 5 5 5

    5 5 5 5

    5 5 5 5

    10

  • 117

    Rc.

    B. Sax.

    El.

    Perc.

    5

    ff

    muta insopranino

    5 5

    RADICAL INCREASING OF THE INTENSITY

    5

    ff

    5

    5 5

    RADICAL INCREASING OF THE INTENSITY

    8stop

    RADICAL INCREASING OF THE INTENSITY

    very loud (ffffff)

    5 5 5 5

    5 5 5 5

    RADICAL INCREASING OF THE INTENSITY

    very loud (ffffff)

    5 5 5 5

    11

  • Colombian fake animals improvisation(improvisation for sopranino recorder,

    bariton saxophone and electronic sound)

    q=96

    123

    q=96 Rc.

    B. Sax.

    El.

    D

    low register

    high register(with a little air)

    Improvise with the given sounds (see below). Make a little pause between each sound and also longer pauses, (ca. 3" 4"). Avoid longer sounds (unless it sounds like an animal -from Colombia-) leave 5" seconds of electronic sound (after press the MIDI pedal) before the begining of the improvisation. The lasting of the improvisation is to be about 50" to 90",anyway, It's possible to make it longer or shorter depending on the fluid of the music, the character of the improvisation is to be quiet and with space for the electronic sounds.When the percussion enters, make a big increment of the intensity.

    pp

    IMITATION OF DIFFERENT BIRDS

    gliss. gliss.gliss. gliss with air

    O harmonic gliss over A

    R O

    High tones glissando.Choose tones betweenthe given interval, freevelocity.

    R

    IMITATION OF DIFFERENT ELEPHANTS AND MAMMALS

    Multiphonic

    short, almost staccatto

    O 123567

    R O

    short, almost staccatto

    Multiphonic

    12456 eb

    R

    O

    O Multiphonicfocus on partials:

    R

    R

    Sounds from differents animals from Colombia

    12

  • 129

    Rc.

    B. Sax.

    El.

    Perc.

    cresc

    AFTER CA.60" 90" SECONDS OF IMPROVISATION

    cresc

    simile

    mf

    =96

    5

    5

    x 12 times

    136

    Rc.

    B. Sax.

    El.

    Perc.

    x 3 times

    ffff

    ffff

    9

    x 3 times x 12 times

    ff

    5 5

    cresc. molto

    ff

    5 5

    13

  • q=120 or x =x

    q=120 or x =x

    141

    q=96

    q=96

    q= 120

    q= 120

    Rc.

    B. Sax.

    Perc.

    E

    x16 times

    5

    x8 times

    10 11 12 13

    ELECTRONIC: screams, samples and synthetic sounds, triggered by the MIDI pedal on each step

    press the pedal onlythe first time of the repetition pattern

    5 x16 times

    x8 times

    q= 120

    q= 120

    145

    Rc.

    B. Sax.

    Perc.

    x16 times

    14 15 16 17 18

    x16 times

    14

  • 150

    Rc.

    B. Sax.

    Perc.

    x8 times

    19 20 21 22

    x8 times

    q=96

    q=96

    154

    Rc.

    B. Sax.

    Perc.

    x4 times

    23 ELECTRONIC SOUND:

    x4 times

    15

  • q= 120

    q= 120

    155

    q=96

    q=96

    Rc.

    B. Sax.

    Perc.

    x4 times

    24 25

    ELECTRONIC SOUND:

    x4 times

    q= 120

    q= 120

    158

    q=96

    q=96

    q= 120

    q= 120

    Rc.

    B. Sax.

    Perc.

    x2 times

    x3 times

    26 27 28 ELECTRONIC SOUND:

    x2 times

    x3 times

    16

  • q=96

    q=96

    162

    q=96

    q=96

    Rc.

    B. Sax.

    Perc.

    x4 times

    29 30

    x4 times

    q= 120

    q= 120

    164

    Rc.

    B. Sax.

    Perc.

    x4 timesx18 times

    muta in tenor

    ELECTRONIC SOLO

    31 32 33

    X16 TIMES: (leave thepattern ca. 16 times and then press the pedal)

    34

    gliss.

    32 sustained sinus tones

    7"-10"

    x3 times

    x18 times

    17

  • q= 120

    q= 120

    169

    Rc.

    B. Sax.

    El.

    Perc.

    F

    f

    x16 times

    play regardless of the electronic sound

    f

    35 36

    press the pedal on the first note of thepassage

    different synthetic sounds as a background

    play regardless of the electronic sound

    Dynamic:same level between the instruments

    175

    Rc.

    B. Sax.

    El.

    Perc.

    18

  • 181

    Rc.

    B. Sax.

    El.

    Perc.

    188

    Rc.

    B. Sax.

    El.

    Perc.

    cresc.

    19

  • 195

    Rc.

    B. Sax.

    El.

    Perc.

    5 5

    5 5

    simile, cresc.

    5 5

    5 5

    202

    Rc.

    B. Sax.

    El.

    Perc.

    5

    5

    5

    5

    20

  • 208

    Rc.

    B. Sax.

    El.

    Perc.

    5

    5

    different sounds of voices and cresc.

    5

    5

    214

    Rc.

    B. Sax.

    El.

    Perc.

    5

    3 3 3 3

    5

    3

    3

    3

    3

    3 3 3 3

    5

    3

    3

    3

    3

    5

    3 3 3 3

    21

  • 221

    Rc.

    B. Sax.

    El.

    Perc.

    55 5 5 5 5

    55 5 5 5 5

    5

    5 55

    5 5

    5 5 5

    5 5 5

    228

    Rc.

    B. Sax.

    El.

    Perc.

    3

    3 5

    7

    3 3 5 737 different sounds of voices and cresc.

    7

    3 3 5

    7

    22

  • 235

    Rc.

    B. Sax.

    El.

    Perc.

    (play regardless of the electronic sound)

    5 3 3 5 3 3

    5 3 3 5 3 3

    (play regardless of the electronic sound)

    35

    3 3

    5 3

    35 3

    242

    Rc.

    B. Sax.

    El.

    Perc.

    5 5 3 3

    5 5 3 3

    3 3

    5 5

    5 53

    3

    23

  • 248

    Rc.

    B. Sax.

    El.

    Perc.

    (play regardless of the electronic sound)

    5 5

    5 5

    (play regardless of the electronic sound)

    5

    5

    5

    5

    255

    Rc.

    B. Sax.

    El.

    Perc.

    5 5 3 3

    5 5 3

    3

    5 5 3 3

    5 5 3 3

    24

  • 262

    Rc.

    B. Sax.

    El.

    Perc.

    3 5

    3 5

    Very loud sound of voices and synthetic sounds

    3 5

    35

    270

    Rc.

    B. Sax.

    El.

    Perc.

    5

    5 3

    3

    5 5 3 3

    Very loud sound of voices and synthetic sounds

    5 3

    5 5 3 3

    5

    3

    25

  • 277

    Rc.

    B. Sax.

    El.

    Perc.

    (play regardless of the electronic sound)

    5

    5

    simile

    (play regardless of the electronic sound)

    5

    5

    284

    Rc.

    B. Sax.

    El.

    Perc.

    5 7 3 3

    7

    5 7 3 3 7

    5 7 3 3 7

    5 7 3 3

    7

    26

  • 291

    Rc.

    B. Sax.

    El.

    Perc.

    7 3 3

    5

    7 3 3 5

    ff Very loud sound of voices and synthetic sounds

    7 3 3

    5

    (play regardless of the electronic sound)

    5

    7 3 3

    300

    Rc.

    B. Sax.

    El.

    Perc.

    5

    5

    (play regardless of the electronic sound)

    5

    5

    27

  • 308

    Rc.

    B. Sax.

    El.

    Perc.

    5

    5

    Very loud sound of voices and synthetic sounds

    5

    5

    316

    Rc.

    B. Sax.

    El.

    Perc.

    5

    5

    Very loud sound of voices and synthetic sounds

    5

    5

    28

  • 323

    Rc.

    B. Sax.

    El.

    Perc.

    327

    Rc.

    B. Sax.

    El.

    Perc.

    38 30"

    Automatic fade out of the voices

    29