AUGUST 2016 二零一六年八月號

Queen Elisabeth Competition 伊莉莎伯女皇大賽 2016

樂培培樂 ― 林樂培鋼琴作品展演

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AUGUST 2016 | FINE MUSIC | FOREWORD 前言

High summers are usually less eventful at Radio 4. This year is different and full of flavours.

In terms of concert recordings, on top of the annual Asian Youth Orchestra performances, there is one more youthful orchestra this year. American composer Eric Whitacre, who is most noted for his ‘Virtual Choir’ initiatives, will be in town to conduct the Hong Kong Festival Orchestra in his own works.

Another event is a mega one. The Hong Kong – Vienna Music Festival sees the joint efforts of professional players, vocalists, and adult and children choristers from the two cities, led by Jimmy Chiang in Mahler’s Symphony No. 8. It’s a challenge to stage this massive work at City Hall Concert Hall, and at the same time an interesting undertaking for us to record the Symphony of a Thousand for the first time in Radio 4’s history.

There is a special meaning in a concert held at AC Hall. Founding Father of Hong Kong’s contemporary music scene Doming Lam will be 90 years old on 5 August. At this performance entitled Doming Lam’s Piano Classics, a number of the Maestro’s works will be performed by his long-term friend and music colleague Nancy Loo. Some other distinguished musicians will also appear in this free concert. Make sure not to miss the pre-concert talk to discover more about the music and the man behind it.

Another voyage of discovery ties in with Shakespeare 400. We invite you to The Rain It Raineth – A Shakespeare Journey in Words and Music where highlights from the Bard’s scenes are recited by two actors, interspersed with a selection of songs performed by two of our Young Music Makers. Come to Studio One for a unique blend of literature and music.

Live on 4 has no shortage of other great performances for your listening pleasure. You can hear Parsifal and Tristan und Isolde from this year’s Bayreuth Festival. To some opera fanatics, the Bayreuth Festival Theatre, which was purposely built to stage Wagner’s music dramas, is almost a sanctuary. Another highlight is the longstanding Queen Elisabeth Competition, held in Belgium, which has been a springboard for many young artists to launch their international careers. You can hear the two gala concerts from this year’s Competition.

In addition to concerts, please note also three delightful series. In Songs of the Earth (in Cantonese), academic and ethnomusicologist Wong Chuen-fung will share with you music and culture from along the Silk Road. Louis Lee teams up with two music-loving friends, a psychiatrist and a biomedical scientist, to investigate composers and mental health in Madly Musical (in Cantonese). And, of course, you won’t miss the English series of Musical Exchange which will be brought to you this month by the versatile and witty David Gwilt.

Spoilt for choice?

Jimmy Shiu Head, Radio 4

炎夏，第四台通常不太繁忙。今年卻例外，節目更多姿多采。

以音樂會轉播為例，每年8月我們都會為你帶來亞洲青年管弦樂團

的演出，今個夏天多了另一股年青音樂力量。以其虛擬合唱團而

聞名於世的美國作曲家韋塔克將會來港，親自領導香港節慶管弦

樂團演出自己的作品。

另一個音樂會陣容龐大。香港―維也納音樂節將有曾智斌聯同來

自兩個城市的專業樂手、獨唱家及合唱團員送上馬勒的第八交響

曲。要在香港大會堂音樂廳演出這套大型作品是一大挑戰，而第

四台亦是首次為千人交響曲錄音，我們都很雀躍呢！

從大會堂到大學會堂。香港「新音樂之父」林樂培於8月5日慶祝

九十大壽。在這場名為樂培培樂─林樂培鋼琴作品展演中，林樂

培的多年相識兼音樂好夥伴羅乃新，會聯同幾位音樂家送上大師

的傑作。音樂會免費入場，我們更誠邀你出席音樂會前講座，進

一步認識大師的生平和創作。

另一位大師 ― 莎士比亞，你當然亦要深入認識。世界各地今年均

有舉辦活動，以紀念這位大文豪逝世四百年。在唱‧誦‧莎士比

亞中，有兩位演員為你讀出莎劇雋永的文詞，其間亦由兩位樂壇

新秀唱出多首莎士比亞的歌曲，是文字與音樂完美結合的盛會。

本 月 ， 第 四 台 音 樂 會 的 節 目 更 是 大 有 來 頭 ， 我 們 會 送 上 今 年

拜羅伊特音樂節的精彩節目，當中有《帕斯法爾》和《崔斯坦與

伊索爾德》。對好些歌劇迷而言，那座特別為上演華格納樂劇而

興建的拜羅伊特劇院，差不多等於聖殿。而「第四台音樂會」另

一亮點是歷史悠久，讓不少音樂家踏上青雲路的伊莉莎伯女皇大

賽，我們會為你帶來今年比賽的兩場優勝者音樂會。

音樂會以外，更請特別留意三個很有特色的專題節目，在大地之

歌中，學者兼民族音樂學家黃泉鋒會帶來絲路上的音樂與文化。

路德維則會夥拍他兩位分別是精神科醫生和生物醫學專家的音

樂同道，送上非常音樂家，就作曲家的精神健康作深入探討。當

然，你亦不能錯過由多才多藝的紀大衛主持的談天論樂。本月，

這大受歡迎的節目將以英語談天！

以上節目會否令你覺得有點美不勝收呢？

第四台節目總監　蕭樹勝

▲ Hot picks this summer - Two great opera productions from this year’s Bayreuth Festival盛暑中的熱選 ― 兩個來自今年拜羅伊特音樂節的精彩歌劇製作

掌台人隨筆The Desk of HR4

Radio 4 would like to thank the patrons for their generous support. If you would like to become a patron of ‘FM’ Fine Music, please call us on 9073 3474 for further information during office hours.

香港電台第四台謹向以下贊助者的慷慨

支持致以最深謝意。有興趣成為「美樂

集」贊助者的朋友，可在辦公時間內致電

9073 3474 查詢有關詳情。

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SHARE Your LOVE of Music with US,

Become a PATRON『美樂集』of ‘FM’ !

Bayreuth Festival Theatre拜羅伊特節日劇院

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AUGUST 2016 | FINE MUSIC | CONTENTS 目錄

AUGUST 2016 二 零 一 六 年 八 月 號

01 FROM THE DESK OF HEAD, R4掌台人隨筆

SPECIAL FEATURES 特稿04 The Rain It Raineth – A Shakespeare Journey in Words and Music

唱•誦•莎士比亞

10 Young Music Makers Shine in Macau 樂壇新秀濠江現光芒

COVER STORY 封面故事15 Renowned Composer – Doming Lam

作曲大師 ― 林樂培

COLUMNS 專欄21 Sunday Opera 歌劇世界

24 Musical Exchange 談天論樂

27 Music from China 樂在神州

30 Songs of the Earth 大地之歌

33 Madly Musical 非常音樂家

36 Friends of Radio 4 第四台之友

37 New Releases 碟碟不休

39 Concert Highlights 音樂會轉播精選

43 Main Programme Chart 節目時間表

45 Programme Highlights 節目精華

55 ‘FM’ Classified Board 《美樂集》分類廣告

56 Coda

美樂集FINE MUSIC

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Jonathan Douglas

This year Radio 4 will be marking the 400th anniversary of Shakespeare’s death. The programme will

present a rich tapestry of themes in words and music. In the spotlight will be two wonderful young

HK singers – Vivian Yau and Jasper Sung, both former Young Music Makers. They are joined by two

narrators, Naomi Lawrence and Radio 4’s Jonathan Douglas. Together they will take the audience on an

unforgettable journey, taking in many of Shakespeare’s best known songs, scenes and characters. An

evening not to be missed.

今年第四台將會以文字和音樂紀念莎士比亞逝世四百週年，有女高音邱芷芊和男高音宋狄樟同台演出，他

們分別是第四台2011及2015年樂壇新秀。另外，還有演員羅倫斯，以及大家熟悉的第四台主持杜格尊會擔

任朗誦。觀眾將感受到一個充滿不同情感的精湛演出。

AUGUST 2016 | FINE MUSIC | SPECIAL FEATURES 特稿

It will not have gone unnoticed that this year marks the four hundredth anniversary of Shakespeare’s death. The fact

that this event has been celebrated all around the world is a reminder of how his plays transcend national, cultural,

and religious boundaries. Shakespeare belongs to everyone. Still, for Brits like myself, I think Shakespeare is always

something who helps make us feel a little proud to be British, and in these difficult and uncertain times following the Brexit

vote, I, for one, turn to the Bard for a little perspective and insight, a lifting of the spirits, and for the re-assuring reminder

that life goes on, even if, as the Clown sings at the end of Twelfth Night, The rain it raineth every day.

To mark the anniversary on Radio 4, we wanted to combine music and speech, and the idea is to present a selection

of songs and readings in a seamless flow, hopefully, where the spell will not be broken by applause or conventional

introductions. We are delighted that two wonderfully gifted Hong Kong singers, the soprano Vivian Yau and the tenor

Jasper Sung, will be performing the songs, and that actress Naomi Lawrence will be joining me in the readings of the

scenes and speeches.

No Chocolate Box Cover

I was, naturally, excited by the challenge of putting such an evening together, but where does one start? I have been

asked by colleagues what the theme will be, one even suggesting the theme of youth and love. The problem there is that

in Shakespeare the human condition is no chocolate box cover. Shakespeare does not patronise or pull his punches.

Where there is love there is the possibility of death, and where there is youth there is the reminder that youth is fleeting.

The joys and vibrancy of human life are inseparable from its cruelty and brutality. Also, on a more practical level, I felt that

the speech content should be chosen in the light of the songs our singers wanted to sing.

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AUGUST 2016 | FINE MUSIC | SPECIAL FEATURES 特稿

Initial discussions, then, centred round the choice of songs.

There are a great many Shakespeare poems, and the best

have inspired a great many settings by many composers

through the centuries. Vivian proposed an intriguing mix of

lesser-known settings, including the dramatic monologue

Lady Macbeth by New Yorker Thomas Pasatieri. Jasper

leans towards the early 20th century settings of British song

composers Roger Quilter and Gerald Finzi. I was keen to have

at least one original Elizabethan setting, and Vivian will sing the

original Willow Song from Othello.

Inevitably several of the best known are included such as O

Mistress Mine, Blow Blow Thou Winter Wind, Come Away

Come Away Death, Fear No More the Heat of the Sun in both

familiar and less familiar settings, and I decided to let the

songs dictate the choices of text.

Having Its Last Word

I liked the idea of the Clown in Twelfth Night having the last

word – just as he does in the play itself. His final line makes

a reference to the idea of the performance. Shakespeare

does occasionally like to remind us that we are watching a

performance and that some applause at the end would be

nice. More intriguingly, he also occasionally suggests the idea

of ‘real life’, itself, being the performance, most compellingly,

perhaps, and certainly, most bleakly, in Macbeth, where we

are poor players that strut and fret our ‘hour upon the stage’

and then are heard no more. With the idea in mind, of ‘real life’

as the performance, I thought, what better way to begin than

with Jaques’ famous speech about the rich drama of life in As

You Like It?

Context To The Plays

Some of the songs seem to be best presented in the context

of the plays in which they appear. Twelfth Night for example,

which seems to me to be Shakespeare’s great song play, is

also the perfect setting for its songs. The scene in which the

Duke reflects upon differences between men and women to

Viola, who he supposes to be a man, exquisitely lends itself to

the play’s songs, and Haydn even composed a song setting of

one of Viola’s speeches in this beautiful scene - She Never Told

Her Love. Vivian will sing this Haydn setting. Pasatieri’s Lady

Macbeth monologue also, clearly invites a scene from that

same play, a scene, preferably, that relates to the husband/

wife relationship and to the theme of guilt. The Willow Song,

The Rain It Raineth live concert is on 2 September (Fri)

at 8pm at RTHK Studio One. Tickets are free on a first-

come-first-served basis from the ticket form on p. 9 or

visit our website (www.rthk.hk/radio4) to download the

form, fill in and email to us: radio4@rthk.hk. You can also

listen to the broadcast on 17 September (Sat) at 8pm

with a repeat on 22 September (Thu) at 2pm.

唱‧誦‧莎士比亞現場音樂會將於9月2日(星期五)晚

上8時在香港電台一號錄播室舉行，歡迎填妥表格索取

門票。門票有限，先到先得。另外，你亦可以登入第

四台網頁 (www.rthk.hk/radio4)，下載門票索取表格、

填妥及電郵至radio4@rthk.hk。音樂會安排於9月17日

（星期六）晚上8時播出，並於9月22日（星期四）

下午2時重播。

‘She never told her love, But let concealment, like a worm in the bud, Feed on her damask cheek’ – Twelfth Night

too, I feel, requires the integrity of Desdemona’s words in Act

4 of Othello.

Other songs, though, are presented in words and scenes that

are different from their original contexts. Henry Bishop’s Lo

Here the Gentle Lark is originally from the poem Venus and

Adonis, but I have placed it together with a beautifully romantic

scene from Romeo and Juliet. The famous song Take O Take

Those Lips Away, which has inspired several great settings,

is from Measure for Measure, and in the play it relates to

Angelo’s refusing to marry Mariana because she does not

have a dowry. I will present the song, though, in the context

of Hamlet’s Nunnery Scene. And I like the idea of introducing

Blow Blow Thou Winter Wind, to be sung in Quilter’s setting by

Jasper, with the opening scene of King Lear, though it appears

originally in As You Like It.

It has been fun putting it together. Whether or not it works

remains to be seen.

As ever, you, the audience, will be the judge.

‘Lo, here the gentle lark, weary of rest, From his moist cabinet mounts up on high’

– Venus and Adonis

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AUGUST 2016 | FINE MUSIC | SPECIAL FEATURES 特稿

Vivian Yau, soprano

Being a lover of both music and literature, I am SO thrilled to be part of this project. Shakespeare was a master at bringing his audience on an emotional roller coaster, always leaving us deep in contemplation. We relate personally to each his characters because no matter what monsters they become, we always see a part of ourselves in them. One of the pieces that I am most excited to perform, is an excerpt from Thomas Pasatieri’s settings of Lady Macbeth’s monologues. Lady Macbeth is one of the most powerful and frightening female characters in literature, it will be a fun challenge to interpret her ruthlessness and slow slide into insanity in this breathtaking piece.

Jasper Sung, tenor

William Shakespeare inspired many composers to write some of the most beautiful songs in vocal music, and his themes of love and death have given the composers freedom to interpret with their own imaginations. I find it very interesting when I look at the music written by different composers based on the same text. The differences in the harmonies and music flow create a wide variety of emotions and atmospheres. I hope that I will be able to share the ideas of the composers, and I would also like to express my own feelings through my interpretation. I hope that the audience will enjoy the concert and appreciate the beauty and subtleness of Shakespeare’s text.

女高音：邱芷芊

熱衷音樂和文學的我，對於能參與莎士比亞四

百週年紀念音樂會，感到無比興奮。莎士比亞

透過他的作品，帶領讀者跟隨劇中人物起起跌

跌，讓人細味和反思自己的心路歷程，令人深

深陶醉；透過劇中的角色，每每能從中找到自

己的影子。其中我最期待與觀眾分享的曲目，

是帕薩堤利取材自《麥克白夫人》的獨白。麥

克白夫人是文學中最令人感到震撼和驚嚇的女

主角之一。要演繹她的無情、不羈，和慢慢沉

淪至瘋癲的境界，將會是一大挑戰。

男高音：宋狄樟

莎士比亞的文學作品為眾多作曲家帶來靈感，

啟發他們創作出不少動人悅耳的歌曲。他對愛

情和生死的描述，給予作曲家空間去想像和

表達他們的情感。作曲家運用莎士比亞同一段

文字編成樂曲，儘管他們所表達的是同一個主

題，卻有著不同的風格，帶來各種各樣的感情

和氣氛。我希望以自己的演繹方式把作曲家對

歌詞的理解表達出來，並期望聽眾能享受是次

音樂會和感受莎士比亞文學作品的美感和奧妙

之處。

▲ Vivian Yau, soprano 女高音：邱芷芊

▲ Jasper Sung, tenor 男高音：宋狄樟

‘Journeys end in lovers meeting, Every wise man’s son doth know.’

‘Take, o take those lips away, That so sweetly are forsworn’

– Twelfth Night

– Measure for Measure

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▲ Jonathan Douglas, narrator 朗誦：杜格尊

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▲ Naomi Lawrence, narrator 朗誦：羅倫斯

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▲ Siyi Fang, accompanist 伴奏：方思懿

▲ Karen Sung, accompanist 伴奏：宋可樟

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AUGUST 2016 | FINE MUSIC | SPECIAL FEATURES 特稿

‘The Rain It Raineth - A Shakespeare Journey in Words and Music’ Ticket Request Form

「唱‧誦‧莎士比亞」音樂會門票索取表格

Date 日期 ：2/9/2016 (Fri 星期五)

Time 時間 ：8:00pm

Venue 地點 ：RTHK Studio One, Broadcasting House, 30 Broadcast Drive, Kowloon Tong, Kowloon 九龍塘廣播道30號香港電台廣播大廈一號錄播室

Name 姓名：

Address 地址：

E-mail 電郵地址：

Tel. 電話： 　 （Day 日間） 　 （Evening 夜間）

FOR4 Membership No. 第四台之友會員編號 (if applicable 如適用)：

Number of Tickets 門票數量

(Please specify the no. of tickets, maximum 2) (請列明數量，最多兩張)

Please return the completed form to:Radio 4, RTHK, 30 Broadcast Drive, Kowloon Tong, Kowloon, HK請郵寄至香港九龍塘廣播道30號香港電台第四台

Fax 傳真：2339 6427 Enquiries 查詢：2339 6425

Haydn She Never Told Her Love (Twelfth Night, II/4)

Beach O Mistress Mine (Twelfth Night II/2) Take O Take Those Lips Away (Measure for Measure IV/1)

Bishop Lo Here the Gentle Lark (Venus and Adonis, Metamorphosis of Ovid) Willow Song (Othello, IV/3)

Pasatieri Excerpt from Lady Macbeth

Argento Winter (Love’s Labour’s Lost V/2)

Quilter Blow, Blow, Thou Winter Wind from Op. 6 (As You Like It, II/7) Under the Greenwood Tree from Op. 23 (As You Like It, II/5) Take, O Take those Lips Away from Op. 23 (Measure for Measure IV/1) Hey, Ho, the Wind and the Rain from Op. 23 (Twelfth Night, V/1)

Finzi Let us Garlands Bring, Op. 18 1) Come Away, Come Away, Death (Twelfth Night, II/4) 2) Who is Silvia (Two Gentlemen of Verona, IV/2) 3) Fear No More the Heat of the Sun (Cymbeline, IV/2) 4) O Mistress Mine (Twelfth Night, II/3) 5) It Was a Lover and His Lass (As You Like it, V/3)

Argento Dirge from Six Elizabethan Songs (Twelfth Night, II/4)

海頓： 〈她從不訴說她的愛情〉(《第十二夜》，II/4)

比卓： 〈我的姑娘啊！〉(《第十二夜》，II/2)

〈挪開吧，把這雙嘴唇挪開吧〉(《一報還一報》，IV/1)

比索： 〈看哪，這溫柔的雲雀〉(《維納絲與阿多尼斯》， 奧維德《變形記》) 〈楊柳之歌〉(《奧賽羅》，IV/3)

帕薩堤利：《麥克白夫人》選段

亞根圖： 〈冬〉(《愛的徒勞》，V/2)

喬爾達： 〈吹吧！吹吧！冬天的寒風〉， 選自作品6 (《皆大歡喜》 II/7) 〈在綠蔭下〉，選自作品23 (《皆大歡喜》，II/5) 〈挪開吧，把這雙嘴唇挪開吧〉， 選自作品23（《一報還一報》，IV/1） 〈嘿！呵！風與雨！〉，選自作品23 (《第十二夜》，V/1)

費茲： 《讓我們帶上花環》，作品18 1)〈來吧，來吧，死亡！〉(《第十二夜》，II/4) 2)〈誰是舒菲亞〉（《兩位維洛拿的紳士》，IV/2) 3)〈再無懼艷陽的熱度〉(《還璧記》，IV/2) 4)〈我的姑娘啊！〉(《第十二夜》，II/3) 5)〈那是一個情人和他的姑娘〉(《皆大歡喜》，V/3)

亞根圖： 〈輓歌〉，選自《六首伊莉莎伯時期歌曲》 (《第十二夜》，II/4)

‘For beauty lives with kindness. Love doth to her eyes repair, To help him of his blindness, And being helped, inhabits there’

– Two Gentlemen of Verona

‘Under the greenwood tree Who loves to lie with me, And tune the merry note.’

– As You Like It

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Kathy Lam 林家琦

On 9 July (Sat), Hong Kong recorded the highest

temperature for July in half a century. A strong band of rain

also hit our city as Super Typhoon Nepartak edged close

to Taiwan. The amber rainstorm warning was hoisted in the

evening, and thunder and lightning lit up the Hong Kong

skyline for most of the night.

Seven members of Young Music Makers 2015, namely

Chan Kai-him (erhu), Chan Tin-chi (guzheng), Cheung Wing-

lam (soprano), Alfred Lee Kin-tat (horn), Leung Ka-lok (pipa),

Elise Liu Chi-man (marimba), and Liu Tung-bo (bassoon),

as well as colleagues from Radio 4 were much worried and

concerned if the recital in Macau could go on as usual the

next day. We were glad to see that the sun was up the next

morning, which made the trip and performance possible

at the Mandarin’s House, a UNESCO World Heritage Site.

Here is our photo log of the trip….

▲ Performing in the unique Mandarin’s House, which has a history of close to 150 years. 七位樂壇新秀在擁有有近一百五十年歷史的鄭家大屋演出。

▲ Sailing off to Macau early on a Sunday morning!

星期天大清早乘船出發去！

樂壇新秀濠江現光芒Young Music Makers Shine in Macau

受強烈颱風尼伯特外圍氣流影響，天文台在7月9日(星期六)

錄得四十八年來最熱的7月高溫。晚上風雲變色，天文台發

出黃雨警告。本港多處雷電交加，不少市民拍得駭人的閃

電，紛紛放上社交網站示威，看看那區的閃電最強。

在這一切發生的同時，第四台的七位樂壇新秀和多位同

事，熱切地期望暴雨警告可以盡快除下，雷電可以離我們

而去。因翌日早上，他們要出發前往澳門，參與由澳門青

年交響樂團主辦的「青交音樂節」，演出地點是被列入澳

門歷史城區和世界遺產名錄的鄭家大屋。

第二天早上天空放晴，澳門更烈日高掛，全日熱得令人透

不過氣。六位新秀：陳啟謙（二胡）、陳天姿（古箏）、張

穎琳（女高音）、李建達（圓號）、梁家洛（琵琶）、和廖

冬保（巴松管）無懼悶熱的天氣，一早齊集港澳碼頭向濠江

進發。而出發前二十四小時在英國靈閣嶺國際音樂比賽得到

「國際年青音樂家」組別冠軍的廖智敏（馬林巴琴），仍在飛

抵香港的航班上，快要與正前往澳門的隊友匯合。讓我們

以照片重溫當日情況……

AUGUST 2016 | FINE MUSIC | SPECIAL FEATURES 特稿10

AUGUST 2016 | FINE MUSIC | SPECIAL FEATURES 特稿

▲ Soprano Cheung Wing-lam, who now studies in the Netherlands, sang well in Johann Strauss Jr’s Spiel ich die Unschuld vom Lande from Die Fledermaus, with Tang Ho-ling at the piano.

在荷蘭修讀聲樂的女高音張穎琳也找來中學同學鄧皓羚作伴奏。她維肖維妙地演唱小約翰•史特勞斯的歌劇《蝙蝠》中的〈當我扮演天真的鄉村姑娘〉。

▲ Despite of travelling on the plane and ferry for more than 20 hours, marimba talent Elise Liu Chi-man performed with energy and spirit! (With support by SticksMusic)

經過二十多小時的飛機和船程，馬林巴琴好手廖智敏抵澳時仍精神奕奕兼十分投入地演奏。（SticksMusic協助製作）

▲ Bassoon player Liu Tung-bo and his accompanist Charles Tam Chun-him, gave their best in performing in a high temperature.

吹奏巴松管的廖冬保和伴奏譚縉謙無懼炎熱的演奏環境，落力為觀眾帶來動聽樂章。

▲ Guzheng player Chan Tin-chi skipped lunch in order to tune her instrument, which she had borrowed in Macau. She gave an impressive performance.

一抵步，陳天姿連午飯都不吃，就忙著為在澳門借來的古箏調音。她的勤力換來精彩的演出。

▲ Pipa player Leung Ka-lok is a candidate in this year’s Hong Kong Diploma of Secondary Education Examination. He will further his study in music at The Hong Kong Academy for Performing Arts after the summer.

琵琶好手梁家洛是應屆文憑試考生。他將於暑假後入讀香港演藝學院修讀音樂。

▲ Alfred Lee Kin-tat got his classmate Kevin Lam Sum-yu to accompany him on the horn. He respects his school so much that he even wore the school uniform in performance.

吹奏圓號的李建達找來同學林心宇為他伴奏。深愛母校的他還穿上校服來演奏呢！

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▲ About 70 music lovers from local and abroad packed the Mandarin’s House and responded with enthusiasm.

約七十多位來自中外的觀眾，擠滿了鄭家大屋內的大廳。

▲ HKAPA recent graduate Chan Kai-him not only gave a solo performance on the erhu but also invited his YMM colleagues to participate in an ensemble piece, marking a perfect close to the recital. They are (from right): Chan Tin-chi, Chan Sze-tung (Young Music Maker 2011), Leung Ka-lok and a friend, dizi player To Suet-hin.

香港演藝學院應屆畢業生陳啟謙，除了為觀眾送上二胡獨奏曲外，還找來多位樂壇新秀（右起：陳天姿、2011年樂壇新秀陳思彤、梁家洛，以及吹奏笛子的好友杜雪軒）一同合奏，為音樂會劃上完美句號。

Presented by 主辦：

AUGUST 2016 | FINE MUSIC | SPECIAL FEATURES 特稿

樂壇新秀濠江現光芒Young Music Makers Shine in Macau

▲ (From right) Much appreciation goes to the effort of Macau Youth Symphony Orchestra’s President Hoi Kin-wah and Secretary Jody Ng in making this recital possible. Radio 4 colleagues Daphne Lee, Charles Chik (second row from right), and Jimmy Shiu, also braved the summer heat to bring these Hong Kong talents to Macau for such a meaningful exchange.

（從右）感謝澳門青年交響樂團的理事長許健華和秘書伍曉華，為音樂會出心出力。在盛暑下帶團出發的有第四台的李德芬、戚家榮（後排右一）和蕭樹勝！

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AUGUST 2016 | FINE MUSIC | COVER STORY 封面故事

Born in Macau in 1926,

composer Doming Lam

(‘Master’ Lam) is celebrating

his 90th birthday this year. A

number of musical groups in

Macau and Hong Kong are

presenting different concerts

featuring works of ‘Master’

Lam, one of which, is ‘Doming

Lam’s Piano Classics’ to be

held later this month.

Livia Lin 凌崎偵

作曲大師 ― 林樂培音樂改變了他，

他也改寫了音樂

▲ Receiving a round of applause after the performance of Insect World at Goldener Saal Wiener Musikvereins

在維也納金色大廳聽罷自己的《昆蟲世界》後接受觀眾掌聲

▲ Doming Lam in the 50’s before pursuing further musical studies in Canada

林樂培在五十年代赴笈加國前留影

‘Master’ Lam and I first met at a composers’ conference held in

Tokyo a few years back, and my first impression of him was that he

is a very kind person with a strong passion for music! Having this

chance to interview ‘Master’ Lam, I hoped to find out more about

how he got attracted to composition and his unique thoughts about

contemporary classical music.

人稱林大師的近代作曲家林樂培，1926年生於澳門。今年，多

個港澳的音樂團體分別舉行各類型的音樂會，以慶祝林大師九十大

壽，其中一場就是本月底舉行的「樂培培樂—林樂培鋼琴作品展

演」音樂會。

林大師年事已高，為免讓他勞累，筆者原本打算安排一個簡短的電

話訪問，殊不知林大師興致勃勃，邀我見面訪談！筆者和林大師首

次見面，要數幾年前在東京參加作曲家交流會的時候。印象最深刻

的，就是林大師親切的笑容，還有那孜孜不倦和熱愛音樂的態度，

談起音樂來和年輕人沒什麼兩樣。這次能有機會訪問林大師，筆者想

更了解他如何跟音樂結下不解緣，還有他對現代音樂創作的想法。

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AUGUST 2016 | FINE MUSIC | COVER STORY 封面故事

Calling himself a mischievous kid, ‘Master’ Lam said he was so

unmanageable that his family had to send him to a Catholic school

in hopes that the priests could discipline him. Solely for the sake of

having fun participating in extra-curricular activities, young ‘Master’

Lam joined the school choir. The choral conductor was also a

prolific violinist and conductor. From him, ‘Master’ Lam took his

first violin lesson and soon found his life-long interest in composing.

In 1947, ‘Master’ Lam moved to Hong Kong, eventually receiving

his musical training at the Royal Conservatory of Music in Toronto,

the University of Southern California, and the International

Conservatory of Contemporary Music in Darmstadt, Germany.

While studying in Canada, he wrote a violin sonata, Pearl of the

Orient. ‘Master’ Lam said this sonata was his first major work

because it instilled the sound of Chinese composers into the music

circles of the world.

‘Search for roots in tradition, find ways in the avant-garde’ pretty

well sums up the composition objective of ‘Master’ Lam. Over

the past decades, his works continuously show a perfect balance

between avant-garde techniques and traditional Chinese flavour.

His highly original composition concepts and styles, and the unique

colour of East meeting West has earned him the title of ‘The Father

of New Music in Hong Kong’.

In his piano works, Moonlight over Spring River and Lament of Lady

Zhao Jun, ‘Master‘ Lam purposely chose to use the piano, and to

have it imitate the sound of traditional Chinese instruments, the

guzheng and the pipa. These two plucked string instruments are

known for their elegant tone, which would not be easy to recreate

on a keyboard instrument. ’Master’ Lam explained that he always

ensures his piano works are practical despite the groundbreaking

concepts. ‘Although I don’t play the piano, I will always try out my

piano pieces on the instrument, and make necessary revisions;

after that, I will try it out again, and make further changes.’ I believe

such rigorous composition process and serious attitude towards

writing music is what made the works of ‘Master’ Lam so well

accepted worldwide.

As I had mentioned in last month’s Fine Music, renowned pianist

Nancy Loo will be performing in the upcoming birthday celebration

concert of ‘Master’ Lam. Presented by the Hong Kong Baptist

University Department of Music, in association with Hong Kong

Composers’ Guild and RTHK Radio 4, the concert will take place

on 29 August (Mon) at 8pm, at the Academic Community Hall of

HKBU. Miss Loo will be performing classics including Moonlight

over Spring River, Lullaby, Op. 1, as well as a recently completed

work The Lord’s Prayer Caprice, especially written for her. Miss

Loo told me it is a technically demanding piece and she has to

delay the originally planned premiere to allow extra time for her

to work on it. However, when she was rehearsing the piece with

‘Master’ Lam just before the premiere in January this year, she

was told that the composition was written for 4-hand piano!

Benefiting from their decades-long collaboration, Nancy Loo’s

performance will give the audience a new level of understanding

and interpretation of ‘Master’ Lam’s piano classics. The concert will

be undoubtedly inspirational. To add to the programme, soprano

Louise Kwong will be joining Miss Loo in singing Three Night Songs

of Li Bai. Violist Andrew Ling and flautist Izaskun Erdocia will also

join this celebratory concert in performing the forth-mentioned

Violin Sonata and A Song for Wei City respectively. Who knows,

The Lord’s Prayer Caprice could be played as an encore. This is

definitely a concert you do not want to miss.

▲ Nancy Loo, ‘spokeswoman’ for ‘Master’ Lam’s piano music 羅乃新是彈奏林大師鋼琴作品的「代言人」

▲ HKCO presented a tribute concert in celebration of ‘Master’ Lam’s 80th birthday (2006) 香港中樂團為林大師辦八十大壽音樂會 (2006)

16

AUGUST 2016 | FINE MUSIC | COVER STORY 封面故事

▲ Doming Lam (front left) and his teacher, multi Academy Award winner Miklós Rózsa (front middle).

林樂培（前排左一）與曾獲頒多屆金像獎的老師羅沙（前排中）。

▲ Chosen as one of the Five Asian Masters in composition 與另外四位國際級作曲家被選為亞洲五巨匠

被 音 樂 徹 底 重 塑 的 「 百 厭 星 」

林大師說自己兒時是一名「百厭星」，除了玩樂，對任

何事都不感興趣。家人最終拿他沒辦法，只好把他送到

修院學校學習。在修院就讀期間，年紀小小的林大師

因為貪玩參加了學校的合唱團。合唱團的指揮司馬榮神

父，原來也是小提琴家和作曲家。就是他，啟發了林大

師對音樂的興趣。其後，林大師隨神父學習小提琴，

並認定了要成為作曲家的理想。這個新環境不但真的把

「百厭星」教養成好孩子，更不經意地把音樂的種籽栽

到他心裡。就這樣成就了這位「香港新音樂之父」。

戰後林大師來到香港，無論環境有多艱難，他都會想盡

辦法繼續進修。1953年，林大師得關美楓老師推薦赴

笈加拿大，並於在學期間創作了小提琴奏鳴曲「東方之

珠」。林大師說那是他第一首大作，因為此曲讓海外國

際音樂界接觸到鮮有聽到的現代中國作曲家的音樂。林

大師多年之後學成回港，自此一直致力推動現代音樂的

發展。除協助成立亞洲作曲家同盟和香港作曲家及作詞

家協會，更幫助香港加入國際現代音樂協會。

17

貪 新 ， 但 不 厭 舊

「從傳統中尋根，在前衛中找路」是林大師一直以來非常明確的創作方向。談到他的經典鋼琴作品〈春

江花月夜〉和〈昭君怨〉，林大師說他是特意利用鋼琴這件西洋樂器，去模仿中國樂器的琵琶和古箏，藉

此推廣中國音樂。要利用鍵盤樂器去造出撥弦樂器的優雅實在不容易，林大師解釋：「想法要突破，但

音樂寫出來要實在。雖然我不懂彈鋼琴，但所創作的每首鋼琴作品，我都會親自在鋼琴試奏，並修改，再

試奏，再修改。」對於作曲的創新思維，加上嚴謹的態度，我想這正是林大師的作品如此受歡迎的原因。

完 美 組 合 － 林 樂 培 、 羅 乃 新

筆者於上期《美樂集》提過，鋼琴家羅乃新(Miss Loo)將在音樂會中演奏林大師的作品。林大師和

Miss Loo數十年來合作無間，不久之前，林大師還特意為Miss Loo改編一首鋼琴版本的《天主經的隨

想》。作品於今年1月由Miss Loo首演。這首樂曲原本安排在另一個音樂會演出，到底是怎麼一回事呢？

原來Miss Loo練習時覺得樂曲難度太高，需要多點時間去準備。不過，當Miss Loo為1月的首演相約林大

師排練時，才知道樂曲是為四手聯彈而寫！能用一雙手應付這首二人合奏的樂曲，怪不得林大師對他這位

鋼琴作品「代言人」如此信任和滿意。

「樂培培樂 ― 林樂培鋼琴作品展演」將於8月29日（星期一）晚上8時，於香港浸會大學大學會堂舉行。

當晚的演出曲目包括早前提及的〈春江花月夜〉，還有林大師的搖籃曲，作品1。是次音樂會還邀請女高

音鄺勵齡，中提琴家凌顯祐，以及長笛演奏家艾君分別演繹林大師的《李白夜詩三首》、小提琴奏鳴曲

「東方之珠」和〈渭城曲〉。說不定《天主經的隨想》有可能會成為加奏作品呢！這場集林大師橫跨數十

年的音樂創作的音樂會，相信樂迷定必引頸以待。

▲ Louise Kwong, soprano 女高音：鄺勵齡 ▲ Andrew Ling, violin 小提琴：凌顯祐 ▲ Izaskun Erdocia, flute 長笛：艾君

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AUGUST 2016 | FINE MUSIC | COVER STORY 封面故事 19

7 August : Puccini’s La Fanciulla del West

Adapted from a highly successful play by the talented American writer and theatre producer

David Belasco, The Girl of the Golden West by Giacomo Puccini (1858 - 1924) is set in California

in the mid-nineteenth century during the gold rush period. The story, allegedly based on real

events, describes the love between Minnie, the religiously devote owner of a saloon at a mining

camp, and the notorious bandit Dick Johnson. Jack Rance, the sheriff responsible for hunting

down the outlaw Johnson, is also in love with Minnie, and she defeats him in a card game by

cheating in order to save her lover’s life. Towards the end of the opera, Johnson is captured again

and about to be lynched. Minnie arrives on horseback and persuades the miners to set him free.

The two ride away into the vast deep forest to start a new life together.

La Fanciulla del West had its world premiere at the Metropolitan Opera in New York in December

1910 under the musical direction of the legendary conductor Arturo Toscanini with the fabulous

Enrico Caruso in the star tenor role. It was enthusiastically received by the public and critics

alike. The work does not rely on the usual abundance of memorable melodies typical of Puccini’s

other operas. The composer conducted interesting experiments with modernistic techniques in

orchestration and in the use of continuous texture. An appropriately impressionistic atmosphere

was created for the melodrama to unfold before the audience.

The title role is interpreted by the celebrated Swedish dramatic soprano Birgit Nilsson; Dick

Johnson is sung by Brazilian tenor João Gibin; and Jack Rance, the Sheriff, is portrayed by Italian

baritone Andrea Mongelli. The Chorus and Orchestra of Teatro alla Scala Milan are conducted by

Croatian maestro Lovro von Matačić.

14 August : Britten’s A Midsummer Night’s Dream

For us, the enchanting music of this opera by Benjamin Britten (1913 - 1976) should be a

welcome relief from the oppressive heat under our glaring August sun.

Britten’s operatic treatment of Shakespeare’s comedy is an interplay of three planes of

experience. On the first level, the world of the fairies is evoked by the haunting counter-tenor

timbre of Oberon; the mysterious magical sound of strings, harp and celesta; and the treble-

voiced chanting of the fairies. The second level, representing the royal Athenian court and the

lovers, is warmer in tone and more natural in expression. Its musical style is reminiscent of an

earlier European romantic tradition. The third level, describing the world of the simple rustics, has

an earthy humour reflected in the lumbering rhythms, march tunes, and the craftsmen’s farcical

tragedy celebrating the happy end of a nocturnal fantasy.

Composed to mark the reopening of the Jubilee Hall of Aldeburgh in 1960, the opera’s libretto

was prepared by Britten in collaboration with his life partner, the tenor Peter Pears. We shall

enjoy a fine recording conducted by the composer with a top-ranking British cast featuring

counter-tenor Alfred Deller as the fairy king Oberon, soprano Elizabeth Harwood as Tytania the

fairy queen, boy-soprano Stephen Terry as Puck, tenor Peter Pears as Lysander, and soprano

Josephine Veasey as Hermia. The Choirs of Downside and Emanuel Schools and the London

Symphony Orchestra provide magnificent support under the musical direction of Benjamin

Britten.

Lo King-man

SUNDAY OPERASundays 2:00pm

▲ Alfred Deller

▲ Birgit Nilsson in 1948

▲ (From left) Peter Pears and Benjamin Britten

▲ Lovro von Matačić

▲ Elizabeth Harwood

AUGUST 2016 | FINE MUSIC | COLUMNS 專欄

Sunday Opera’s playlist for August begins with a gangster thriller set in the American Wild West. What can be more appropriate

than an enchanted dream to mark this midsummer month in the year of Shakespeare’s commemoration? We shall counter the

heat with a tale of murder in a freezing remote district of Siberia and be moved by the act of revenge of a self-doubting prince

in windy Elsinore.

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21 August : Shostakovich’s Lady Macbeth of the Mtsensk District

As the most important Soviet composer after Prokofiev, Dimitri Shostakovich (1906 - 1975) spent

his entire creative life in Russia and experienced traumatic ups and downs in his continuous

struggle with the official party-line and artistic ideology. By the time he graduated from the St

Petersburg Conservatory at the age of 19, he was already recognised as a brilliant composer of

great originality, and he continued to develop at a rapid pace, becoming internationally admired

as the best symphonist and chamber music composer of his time.

Lady Macbeth of the Mtsensk District is the second of Shostakovich’s two completed operas.

The composer and writer Alexander Preys adapted the libretto from a short novel by Nikolai

Leskov. Katerina is married to the son of the wealthy merchant and landowner Ismailov, who

catches her in bed with her lover Sergei. The adulterous couple murders the old man, but their

crime is eventually discovered. In transit as a convict to Siberia, Katerina is taunted by Sergei’s

new mistress. She kills her rival by drowning, together with her victim, in the icy water of a river.

In a recording made in Paris, soprano Maria Ewing sings the role of Katerina. Her lover Sergei is

sung by tenor Sergei Larin. They perform with a large cast of soloists supported by the Chorus

and Orchestra of the Opera Bastille of Paris conducted by Myung-Whun Chung.

28 August : Thomas’ Hamlet

Ambroise Thomas (1811 - 1896) was an exact contemporary of Wagner and Verdi. He had

a special gift for melodies, and, at his prime, he was one of the most respected and admired

French composers. He won the prestigious Prix de Rome for composition on graduation from

the Paris Conservatoire, of which he became Professor of Composition and then the Director

later in life. He wrote a score of operas on ambitious subjects based on great literature. On two

of these, Mignon and Hamlet, his fame now rests.

First produced in Paris in 1868, Hamlet was set to a libretto by Michel Carré and Jules Barbier

that followed Shakespeare’s plot quite faithfully, retaining the key episodes and reducing only the

non-essential details and characters. Thomas was, however too eager to yield to the prevailing

French grand opera conventions and fashionable tastes of the Parisian public. This explains

the work’s less-than-frequent revival in our time. Yet it did receive a rapturous welcome and

was considered the most important French opera of its age. The protagonist’s drinking song,

his soliloquy, the King’s prayer and particularly Ophelia’s mad scene are amongst the most

celebrated highlights of the opera.

Our distinguished cast includes baritone Thomas Hampson in the title role, soprano June

Anderson as Ophelia, bass Samuel Ramey as King Claudius, and mezzo-soprano Denyce

Graves as Queen Gertrude. The Ambrosian Opera Chorus and the London Philharmonic

Orchestra give excellent support under the baton of Antonio de Almeida.

Prof. Lo King-man, producer and director of numerous opera productions in Hong Kong.

AUGUST 2016 | FINE MUSIC | COLUMNS 專欄

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▲ Thomas Hampson

▲ Programme booklet of Lady Macbeth of the Mtsensk District

▲ June Anderson

▲ Myung-Whun Chung

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Mondays 8:00pm David Gwilt

AUGUST 2016 | FINE MUSIC | COLUMNS 專欄

1 August – How Best to Listen to Music

How do people listen to music? Is there a best way to listen to music? How can one get the best out of a musical performance? These

and other aspects of listening to music were discussed in a lively fashion by my two guests, composer Chan Hing-yan and musicologist

Daniel Chua and myself. Perhaps there is no best way of getting one’s ear around the music one hears, but it has always seemed to

me that the intellect should be as involved as much as the emotions. Listen to what we all have to say about this, to me, fascinating

subject in Musical Exchange.

An evening of rare conversation with distinguished professionals who make music their life and are changing the face of Hong Kong’s classical musical scene.

8 August – National Traits in Music

Composer Chan Wing-wah and musicologist Giorgio Biancorosso joined me for a discussion of what makes

Russian music Russian, French music so clearly French and so

on through the countries of much of the world. Even though the

world has become a smaller place of recent years, composers

from different parts of the world still tend to display identifiable

national traits in their music. Is this something they are born

with, or is it something they grow up into? See what comes out

of this interesting discussion in the forthcoming programme.

▲ Chan Hing-yan ▲ Daniel Chua

▲ Chan Wing-wah

▲ David Gwilt

▲ Giorgio Biancorosso

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15 August – The Value of Competitive Music Making

Music has never seemed to me to be an art which lends itself to

competition, since what every artist is doing is attempting to discover

the true nature of the music he or she plays, and to deliver it to the

audience in the most effective manner. However, these days there

are innumerable international and local competitions, as well as

many competitions for young players. What are the benefits of

such competitions? Do they serve the music? Do they help young

musicians to improve themselves? Find out what are the views of my

guests Adrian Walter, Director of the HKAPA, and pianist Nancy Loo.

AUGUST 2016 | FINE MUSIC | COLUMNS 專欄

22 August – Chamber Music versus Orchestral Music

All my life I have been an avid chamber music player, and, although I

think the range of orchestral music has an enormous amount to offer,

it seems to me that many people concentrate too much on that aspect

of music, and so deny themselves the wonders and beauties that are

to be found in the huge range of chamber music from all periods. I am

joined for a discussion about this by Elvis Chan, violist in the RTHK

Quartet, and leader of the violas in the Hong Kong Sinfonietta, and

Richard Bamping, Principal Cellist of the Hong Kong Philharmonic.

All three of us have large experience of both kinds of music, and we try

to communicate our love of chamber music in the programme.

29 August – The Role of Government in the Arts

This is a large subject, and one with which my guests on Musical

Exchange are very familiar. Gordon Siu, Founder of the Music

Office of HKSAR, Richard Tsang, composer and experienced arts

administrator, and Michael MacLeod, Chief Executive of the Hong

Kong Philharmonic, join me in tackling this sometimes vexed subject.

What should the role of government be in encouraging the arts?

Should the government be involved at all? What are the benefits and

disadvantages of having government involved? One of the problems

for the arts is that they are expensive if they are to be done well,

and they do need a good deal of financial support. Experience in

communist Russia shows what can happen when government takes

too close an interest, and yet there is no doubt that artists lacked for

nothing in that regime, but this came with the proviso that they created

works which furthered the aims of the government. What is the best

approach for governments these days?

▲ Richard Tsang ▲ Michael MacLeod

▲ Adrian Walter

▲ Elvis Chan

▲ Nancy Loo

▲ Richard Bamping

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▲ 新疆優美的景色為作曲家帶來創作靈感

▲ 唐朝墓室壁畫 ― 韋貴妃墓中的樂伎彈箜篌

AUGUST 2016 | FINE MUSIC | COLUMNS 專欄

塵紓

逢星期五下午3時正

Music From China 樂在神州

靈禽瑞獸聚天地 嬌花蒼木說枯榮

踏入8月，「樂在神州」會承接7月中旬所開展的勢頭，繼續引領大

家一起探索以「人與大自然」為主題的各類音樂，從而了解人與大自

然之間的關係―人類如何應對大自然的各種轉變？人處於大自然環境

中如何安身立命？

為此，本月的「樂在神州」會朝着四方面進發。我們會依次品嚐以飛

禽走獸、花草樹木、山川河嶽、日月星宿為題的各種音樂，包括不同

地域的器樂與聲樂作品。為使樂迷對每集所播樂曲的主題一目了然，

我特意為每集節目擬定主題，依次是：「靈禽瑞獸聚天地」、「嬌花

蒼木說枯榮」、「登山臨江盡抒懷」、「譜曲動樂頌三光」。

至於這四集節目的選曲，可從時代、地域和樂種三方面介紹。先談時

代，節目中既選播古曲，例如以民族樂團合奏的〈滄海龍吟〉、古琴

與編鐘合奏的〈幽蘭〉、琴、簫、二胡合奏的〈洞庭秋思〉，亦有較為

現代的作品，例如箏曲〈建昌月〉、笛曲〈花泣〉等。

如果按地域而言，四集節目涵蓋了廣闊的地域，東西南北，幾乎無所

不包。例如新疆冬不拉樂曲〈紅玫瑰〉、陝西民歌〈崖畔上開花〉、

內蒙民歌〈十五的月亮〉，當然還有「廣東三寶」裡的潮樂〈楊柳春

風〉、漢樂〈雙飛燕〉、粵樂〈櫻花落〉等。

樂種方面，大家會享受到器樂與聲樂作品。單以器樂而言，節目裡既

有合奏亦有獨奏，例如箜篌獨奏曲〈高山流水〉、揚琴獨奏曲〈節日

的天山〉、敲擊合奏〈鴨子拌嘴〉、鼓樂〈老虎磨牙〉、以木琴主奏的

粵樂〈醒獅〉等。至於聲樂曲，大家會聽到藏族民歌〈金色的太陽〉、

蒙古民歌〈十五的月亮〉、同樣叫作〈對花〉的安徽和江蘇民歌、以歌

聲導賞東嶽諸般風貌的〈泰山景〉。

此外，8月份的「樂在神州」亦會選播一些頗為冷門的樂曲，例如潮

州音樂〈雙咬鵝〉和西安鼓樂〈遊月宮〉。前者是潮樂裡的一個套曲，

由不同的曲牌音樂組成，以大嗩吶和小嗩吶扮作兩隻鵝，由相戲以

至相鬥，情況十分有趣。除嗩吶外，當中有鑼鼓伴奏。至於後者，也

是一個套曲，由西安當地的三首小曲編合而成。由於演奏〈遊月宮〉

時需要八件樂器，包括笛、笙、管，這首樂曲亦稱〈亂八仙〉。稱之為

「亂」，其實是指俗樂的意思。

上述兩首樂曲最難得的地方，是由當地名家親自演奏，確保原湯原

汁。酷愛地方音樂的樂迷，當必咸表稱善。

In August, the host of Music from China (in Cantonese), Wong Kin-ting, will bring you music about nature: animals, plants, rivers, and the sky. The selections of music will be divided into different eras, regions, and genres. Tune in to Radio 4 on Fridays at 3pm for this unique moment of music from China.

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黃泉鋒

「絲綢之路」向來是個靈活的文化概念。歐亞大陸各自稱是絲路成

員的國家與民族，大概各有自己一套關於絲路歷史與文化內涵的說法。

近年隨着美國的絲路合奏團（Silk Road Ensemble）和阿迦汗基金會

（Aga Khan Foundation）等文藝團體的推廣，中亞細亞和中東等絲路

核心地帶的聲音，日漸為世界音樂聽眾所熟悉。以絲路作招徠的表演形

式，更是全球大小藝術節的新寵。所謂「絲綢之路」，是否一種籠統的

音樂風格？抑或是學者和音樂家的歷史想像？還是政商權貴挪用的市場

和戰略概念？相信這都是今後世界藝壇的焦點。

逢星期日中午12時正

Songs of the Earth 大地之歌

聽見絲路—波斯、土耳其與阿拉伯的中東音樂世界

中東的語系、信仰和音樂

「大地之歌」8月開始一連三個月共十三集節目，將為聽眾帶來絲

綢之路傳統和現代的聲音。本月節目會集中聽遊中東地區的音樂。

在西方古典音樂和歌劇中，中東一向是個既神祕又可怕的東方異

域，如此扭曲、偏頗的中東印象一直持續到今天。狹義上的中東包

含三大語言文化區：北非和黎凡特（Levant）諸國（如巴勒斯坦、

敘利亞、黎巴嫩等）的阿拉伯語（Arabic）世界；以伊朗為中心的

波斯語（Persian）世界，以及土耳其和突厥語（Turkic）世界。

信仰在音樂表演中十分重要，不論是清真寺的宣禮拜贊（adhān），

還是蘇菲教派（Suf ism）優美動人的詩歌與旋律，都以音樂委身

敬畏，彈唱不卑不亢。伊斯蘭文化在絲綢之路影響廣泛，但猶太教

和東正教傳統也源遠流長。神聖也好、世俗也好，大部份音樂都以

「調式」為核心單位。調式在阿拉伯音樂稱「maqām」，波斯音樂稱

「dastgāh」，土耳其音樂則稱「makam」，是一套嚴密的音階與旋

律系統，是學習音樂的基礎，也是創作與即興演奏的不二法門。

中東音樂的表演形式

中東音樂的表演形式多樣。在西方音樂世界聽眾最為熟悉的，大概

是一種稱為「 takht」的阿拉伯室樂合奏：一般有四、五件樂器，

包括烏德琴（ūd）、卡農琴（qānūn）、蘆葦笛（nāy）、小提琴

（kamān）和鈴鼓（riqq），曲種眾多，多以套曲形式出現，也為歌

唱伴奏，以支聲復調（heterophony）合奏，與東亞絲竹室樂有很多

共通之處。這種合奏形成於十九世紀末、在二十世紀初冒起的阿拉

伯城市大為流行，如開羅（Cairo）、貝魯特（Beirut）和大馬士革

（Damascus）等。六、七十年代著名音樂大師，洛杉磯加州大學民

族音樂學的華斯教授(Ali Jihad Racy)（1943- ）將這種合奏形式從黎

巴嫩帶到美國，透過演奏、教學和研究廣泛流傳。今日北美大學音

樂系中東 / 阿拉伯樂團的曲目與風格，大多得其傳授或再傳。文化軌

跡往往出人意料：筆者數年前到巴勒斯坦（Palestine）重鎮拉姆安拉

（Ramallah）拜訪比爾宰特大學（Birzeit University）著名的薩伊德

國立音樂學院（Edward Said National Conservatory of Music），也到

處發現華斯教授教學和演奏的影響。

一部份以「 takht」形式演奏的旋律和曲式，源自歷史悠久的鄂圖

曼（Ottoman）宮廷音樂。今日土耳其首都伊斯坦堡（Istanbul），

即舊日帝國首都君士坦丁堡（Constantinople），遊客可以購票觀賞

著名的蘇菲迴旋祭禮（whirling dervishes），當中莊嚴迷人的伴奏

音樂，也來自鄂圖曼宮廷，風格奉為正宗古典。與此同時，今日土

耳其大部份國土所在的小亞細亞（Anatolia）幅員遼闊，北臨黑海，

西南接地中海，東南與阿拉伯、波斯及高加索地帶（Caucasus）

為鄰，各地保存豐富民間音樂風格。再往東便是伊朗及其承載的波

斯音樂文化：最為聽眾熟悉的波斯樂器，大概是圓球共鳴箱提琴

(kamāncheh)和兩排碼揚琴(santūr)。波斯古典音樂的調式操作和套

曲理論極為高深，自成一格，堪稱絲綢之路藝術的典範。

▲ Turkish musicians playing to accompany the Sufi ritual in ‘Istanbul 2007’ 在「伊斯坦堡2007」中，土耳其音樂家為蘇菲教派儀式演奏

▲ Palestinian musician Samer Totah teaching students at the Edward Said Conservatory of Music at Birzeit University in Ramallah, Palestine. 音樂家森瑪•吐他在巴勒斯坦的比爾宰特大學的薩伊德國立音樂學院教授音樂

AUGUST 2016 | FINE MUSIC | COLUMNS 專欄30

Arts Happenings 藝壇快訊

AUGUST 2016 | FINE MUSIC | COLUMNS 專欄

Yau Siu-pun, an active and authoritative figure in the Chinese music scene, died at midnight on 8 July. He was 64 years old.

A musician who excelled in diverse fields, teaching, performing, composing, conducting, and critiquing, Yau acquired his musical knowledge himself, being self-taught, and had a substantial understanding of many different instruments. In 1983, under the direction of Hwang Yautai, he earned a Master’s degree in ‘Research in Various Instruments in the Chinese Music Ensemble’. Having involved in teaching and performing for over 40 years, Yau had many students; he had been a music lecturer at Hong Kong Tsing Hua College and Acting Chairman of the Hong Kong Nang Yan College of Higher Education. As a composer, his output

Rachel Lai 黎慧因

Hong Kong’s Chinese Music Master Yau Siu-pun Has Died

香港中樂界音樂大師邱少彬逝世

genres ranged from ensemble and solo works, to larger forms such as concertos and musicals. In addition, he also made arrangements of many instrumental and vocal works. He also made a number of recordings.

For over 20 years, Yau served in the Hong Kong Chinese Orchestra as a performer, a writer of concert programme notes, and a conductor in many school tours. Yan Huichang, the Artistic Director and Principal Conductor of the Hong Kong Chinese Orchestra, recognises the substantial contribution Yau made in both the development of the Orchestra and in education, including taking part in world tours, playing the liuqin, sanxian and zhongruan in concerts, and composing and arranging music for the Orchestra. Among those works is the commissioned work The Transformation of Tian Shui Wai Variations, part of the Cadenzas of Hong Kong series. ‘His death is indeed a huge loss for the Chinese music scene,’ says Yan.

Chow Fan-fu, a leading music critic in Hong Kong, wrote about Yau. In his article, entitled ‘Hong Kong has lost an all-rounded musician: In heartfelt honour of Yau Siu-pun,’ Chow said that Yau possessed many qualities of a good ‘Hong-Konger’. He was smart, realistic, diligent, driving, optimistic, easygoing, and sincere. Chow also recalls that when Yau decided to step on the musical path, he was already very clear that it would not make him wealthy, but it would be enough to feed him. Yau once said, ‘Living in Hong Kong, if you have talent, are willing to work and willing to make an effort, you will surely survive.’

活躍於本港中樂界及舉足輕重的音樂家之一的邱少彬（又名邱岩生），於7月8日零晨與世長

辭，享年六十四歲。

邱少彬集教學、演奏、創作、指揮和音樂評論於一身。原來，他的音樂造詣大部份都是靠自學得

來，對各類樂器均有深入認識。1983年，在黃友棣指導下，他以《國樂團內諸樂器分析研究》

考獲碩士資格。其後他從事教學接近四十年，曾任香港清華書院音樂系講師、能仁書院音樂系代

主任，可謂桃李滿門。作曲方面，邱少彬的創作類型多樣化，包括合奏曲、獨奏曲、協奏曲、舞

台劇，另外更編寫不少器樂和聲樂作品，亦曾灌錄多張唱片。

邱少彬於香港中樂團任職近二十年，曾擔任演奏家、負責編寫場刊以及在學校的巡迴演出擔任指

揮。香港中樂團藝術總監兼首席指揮閻惠昌提到，邱少彬先後隨團到世界各地演出，亦常於音樂

會擔任柳琴、三弦和中阮獨奏，無論對樂團的發展或是中樂教育工作均貢獻良多。他曾為樂團創

作和編寫多首中樂作品，包括樂團的委約創作―「香江華彩」系列作品《天水圍變奏曲》。閻惠

昌形容邱少彬的離世是香港中樂界一大損失。

樂評人周凡夫亦撰文表揚邱少彬，題目為：「深切懷念邱少彬•香港痛失音樂全才」。他形容邱

少彬「具有『香港人』好些正面的特質，頭腦靈活、面對現實、努力工作、主動積極、性格樂

觀、不拘小節、待人以誠。」周凡夫更憶述當年邱少彬決定選擇音樂作為全職工作的時候，已很

清楚此路不會讓他賺大錢，卻不會餓死。邱少彬曾說﹕「在香港，有才能、肯工作、肯努力，必

定可以生存。」

▲ Yau Siu-pun recording in RTHK studio for Radio 4’s Arts News last January 邱少彬今年1月到電台錄音室為「藝壇快訊」作音樂會評論

Tune in to Artbeat every Saturday at noon for more arts happening around town.

請收聽逢星期一至六黃昏6時的藝壇快訊，了解海外及城中最新的藝術資訊。

The metaphor of the Silk Road has been at the centre of a great deal of creative endeavours and geopolitical ambitions in recent years, and music has rarely been absent. Starting from August on Sunday at noon, Songs of the Earth, hosted by Wong Chuen-fung in Cantonese, will bring to its listeners a series of 13 episodes of musical sounds from traditions across the Silk Road. This month we will focus on the Middle East, where the ancient Ottoman musical heritage in Turkey and Arab nations in North Africa and the Levant (Palestine, Syria, Lebanon, etc.) resonate with a wide range of Anatolia folk soundscapes and Iran’s Persian classical traditions.

音樂從來都是政治。中東戰亂連年，

傳統藝術和音樂家一直受獨裁政府

與宗教極權迫害，慘劇無數。以色

列和中東各地猶太人都不敢忘記二

千年來的大流散，聖誦(pizmonim)

至 今 吟 唱 不 斷 。 與 此 同 時 ，

近六、七十年來，巴勒斯坦人對抗

以色列的侵略與高壓隔離統治，保

家衛國的每一天，音樂都從未缺席。

巴勒斯坦著名阿拉伯裔學者薩伊德

（Edward Said, 1935 – 2003）和以色

列著名猶太裔鋼琴家巴倫邦（Daniel Barenboim）以音樂追求和平共存的

努力，還須留待歷史評價。

31

非常音樂家之一路德維

7/8 : 何謂（不）正常？也談抑鬱症

說 音 樂 家 「 不 正 常 」 ， 必 須 先 跟 「 正 常 」 下 定 義 。 麥 敦 平 會

講解精神科醫生的斷症方法。眾多偉大作曲家已逝世那麼久，

後人又如何能「事後判症」呢？以最常見的精神病之一抑鬱症

（Depression）為例，在節目中會分析病症的不同成因。柴可夫

斯基的抑鬱或許是其內在性格特徵，但拉赫曼尼諾夫的抑鬱則源

自早期作品第一交響曲首演失敗的重大打擊。舒伯特又如何？

▲ 香港中文大學醫學院精神科助理教授 麥敦平

▲ 香港中文大學醫學院生物醫學學院助理 教授張智鈞

AUGUST 2016 | FINE MUSIC | COLUMNS 專欄

星期日早上10時正

21/8 : 跳蹦蹦的薩爾斯堡之子

最 近 ， 筆 者 重 溫 了 一 齣 八 十 年 代 的 經 典 電 影 《 莫 扎 特 傳 》

（Amadeus）；看過該影片的朋友，一定會對戲中主人翁莫扎特

哈哈傻笑的相貌印象深刻。導演正正希望突顯莫扎特浪蕩不覊的

個性。這位音樂神童的「跳跳紮」，大概來自專注力缺乏過度活

躍症（Attention Deficit Hyperactive Disorder, ADHD）；對莫扎特多

加管束的父親常常拿他沒辦法。麥敦平會講解此症患者的情緒起

伏，而張智鈞在作結時則介紹另一位年代和文化跟莫扎特很不一

樣，但亦是患上此病的美國作曲家歌舒詠。

14/8 : 百病叢生的舒曼

德國作曲家舒曼也許跟自割耳朵的畫家梵高齊名。他自投萊茵河

尋死，及後被關進精神病院。舒曼患有多種精神病，但最明顯的

莫過於兩極性情緒病（Bipolar Disorder）。此病又名鬱躁症，患者

除了要承受抑鬱的折磨之外，還有精神亢奮的狀態。曾在美國波

士頓以鋼琴家身份，幾乎演出過所有舒曼室樂作品的張智鈞，會

透過數首精心挑選的舒曼作品，與麥敦平分析舒曼曲折的一生。

28/8 : 命運叩門

貝多芬一直被視為英雄式的人物，標誌着「人定勝天」、不屈

不撓的奮鬥精神。一百年前，法國大文豪羅曼•羅蘭（Romain Rolland）更以他的一生作為長篇小說《克里斯朵夫》（Jean-Christophe）主人翁的楷模，頌揚藝術家的理想主義。少年時已

顯露音樂才華的貝多芬沒有莫扎特那般幸運，有一位「照顧」他

成長的爸爸，取而代之的是一位不負責任的兇惡嚴父。貝多芬年

紀輕輕便要擔起養家的重責，年青時的經歷形成了他孤僻和複雜

的性格。除了人際關係有問題之外，貝多芬面對命運給他的各種

挑戰時更倍覺吃力，亦想過自殺，但最終透過藝術克服了如失聰

等苦難。麥敦平將分析貝多芬把苦楚昇華的心路歷程。

Join Louis Lee and his friends, Dr. Arthur Mak from the Department of Psychiatry, The Chinese University of Hong Kong, and Dr. Vincent Cheung, from the School of Biomedical Sciences, CUHK in Madly Musical (Cantonese programme) for their discussions on health and classical music composers. Tune in every Sunday at 10am to know more about common mental health, and to clarify some misunderstandings.

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西方一向有共同的觀點，就是藝術家（尤其是十九世紀浪漫時期的藝術家）大半都不是「正常人」。有些藝術家「把靈魂賣給魔鬼

來換取他們的天賦」（如意大利小提琴怪傑巴格尼尼）、有些則是行為和思想皆古怪、個性孤僻和不善社交、愛活在自己的世界裏的

聰明人。當然也有些更堪稱為「瘋癲」― 最著名的例子莫過於自割耳朵的荷蘭畫家梵高。「不正常的天才」這觀點，除了衍生出不少

傳奇和佳話，更引起科學家的興趣，嘗試以較客觀、不渲染的視角分析「天才」這回事，尤其是創作跟精神病、心理病的微妙關係。

此節目「非常音樂家」一共八集，由筆者與兩位好友 ― 香港中文大學醫學院精神科的麥敦平醫生，以及中大醫學院生物醫學學院張智

鈞博士對談，每集探討一個關於精神病與西洋古典音樂的議題。麥氏和張氏同時分別為樂評和室樂演奏家，他們既能從專業角度探討

問題，亦能從「音樂分析」出發，實在不可多得！節目同時讓聽眾了解常見的精神病，並會澄清其中一些誤解。每集節目內容如下：

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Local Young Musicians and Groups Triumph in Overseas Competitions

AUGUST 2016 | FINE MUSIC | COLUMNS 專欄

This is a time of the year when many young musicians and school choirs travel out of Hong Kong to challenge themselves in international music competitions. Many of them come home in triumph and with trophies!

不少學校合唱團與年輕音樂家近日衝出香港，挑戰多項國際音樂比賽。今年一如以往，成績彪炳。

Adrian Sit 薛毅章 (Conducting 指揮)

Adrian Sit was awarded First Prize in the First International Conductors’ Competition Augsburg, held between 2 – 7 July. Adrian mentioned that he felt especially delighted to work with the Augsburg Philharmonic Orchestra leading Richard Strauss’ Don Juan in the semi-final. Adrian graduated from the Hong Kong Baptist University with a Bachelor’s degree in Music, and is currently pursuing a Conducting Master’s degree at the Royal Conservatoire of Scotland. Since arriving in Glasgow he has conducted prestigious orchestras including the BBC Scottish Symphony Orchestra and the Royal Scottish National Orchestra.薛毅章於7月2至7日舉行的第一屆德國奧格斯堡國際指揮比賽，勇奪冠軍。令薛毅章感到榮

幸的，是能夠於準決賽率領奧格斯堡愛樂樂團，演奏李察•史特勞斯的《唐璜》。薛毅章於

香港浸會大學音樂系取得學士學位，現時於蘇格蘭皇家音樂學院修讀指揮碩士課程。他曾與

多個著名樂團合作，如英國廣播公司蘇格蘭交響樂團、皇家蘇格蘭國家樂團等。

Elise Liu 廖智敏 (Marimba 馬林巴琴)

Elise Liu Chi-man was winner with the marimba in the category of ‘Young International Musician’. During the final, Elise performed Astor Piazzolla’s Verano Porteno and Pietro Mascagni’s Intermezzo from Cavalleria Rusticana. She has just completed Form 5 from the Diocesan Girls’ School. She is also one of Radio 4’s Young Music Makers 2015. 廖智敏參與「國際年青音樂家」組別，取得冠軍。她在決賽中以馬林巴琴演奏皮亞蘇拉的〈布爾諾

斯艾利斯之夏〉和馬斯康尼《鄉村騎士》的間奏曲。廖智敏剛於拔萃女書院完成中五課程。她亦是

香港電台第四台2015年的樂壇新秀。

Sabrina Chan 陳曉睿 (Sheng 笙)

Sabrina Chan won first place in the ‘Open Folk Solo (Instrumental)’ category playing Wen Jialiang’s Winter Hunt. The 15-year-old Sabrina is currently a student in the Heep Yunn School, and was also a winner of the 68th Hong Kong Schools Music Festival in the category of ‘Sheng Solo – Advanced’. In 2013, Sabrina was selected as one of Radio 4’s ‘Yes I Can!’ recitalists.陳曉睿參與「民族音樂獨奏(公開組)」組別，以中國傳統吹管樂器笙演奏文佳良的〈冬獵〉獲冠。

陳曉睿現年十五歲，就讀協恩中學，亦為第六十八屆香港學校音樂節的「笙獨奏―深造組」冠軍得

主。陳曉睿是2013年第四台「Yes I Can! 音樂廳」演奏者之一。

Rachel Ng 吳淑晴 (Voice 聲樂)

Rachel Ng Shuk-ching won first place in the category of ‘Vocal Solo under 16’. One of the songs in her repertoire was the compulsory Schubert’s Die Forelle. Rachel is 15 years old, and is currently a Form 4 student in the Diocesan Girls’ School.吳淑晴於「16歲以下獨唱」組別中，勇奪冠軍。是次參賽歌曲包括大會指定舒伯特的〈鱒魚〉。吳淑

晴現年十五歲，為拔萃女書院中四學生。

本地年輕音樂家及團隊 凱旋歸來 Rachel Lai 黎慧因

Individual 個人賽事

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First International Conductors’ Competition Augsburg 第一屆奧格斯堡國際指揮大賽

Llangollen International Musical Eisteddfod 靈閣嶺國際音樂節

▲▲

The annual music festival – Llangollen International Musical Eisteddfod was held in North Wales between 5 - 10 July. This year three young Hong Kong musicians won championship in different categories.

一年一度的靈閣嶺國際音樂節於7月5至10日在威爾斯北部舉行。今年三位來自香港的年輕音樂家，於不同組別中勇奪冠軍。

34

Arts Happenings 藝壇快訊

AUGUST 2016 | FINE MUSIC | COLUMNS 專欄

Wah Yan College Kowloon 九龍華仁書院

Under the direction of Lesley Chan, Wah Yan College Kowloon Boys’ Choir won five prizes in the 17th International Choral Kathaumixw held between 5 - 9 July in Slovenia, including First Prize in the categories of ‘Youth Choir under age 25’, ‘Chamber Choir’ and ‘Contemporary Choral Music’, and a first-runner up in the category of ‘Children’s Choir under age 16’. They were also given the ‘Choir of the World at Kathaumixw Award’. A totem pole will be shipped to Hong Kong and fixed here in half a year’s time, which represents music, culture and friendship.在陳家曦的領導下，九龍華仁書院合唱團於7月5至9日舉行的第17屆卡塔

苗國際合唱節中贏得五個獎項。他們於「二十五歲以下青年合唱團」、

「室樂合唱團」及「現代合唱音樂」組別中勇奪冠軍，而「十六歲以下兒

童合唱團」組別則奪得亞軍。他們更獲頒「卡塔苗世界合唱團大獎」。標

誌著音樂、文化與友誼的卡塔苗圖騰柱，將於半年後送抵香港。

Marymount Secondary School 瑪利曼中學

The Marymount Secondary School Choir participated in the 27th Béla Bartók International Choir Competition held between 7 - 10 July in Debrecen, Hungary. Under the direction of Jane Lau, they were named the champion in the ‘Youth Choir’ category and won the ‘Best Interpretation Prize in Contemporary Music’. 瑪利曼中學合唱團於7月7至10日參與在匈牙利德布勒森舉行的第二

十七屆巴托國際合唱節。在瑪利曼中學音樂總監劉迪恩的領導下，

合唱團於「青年合唱團」組別中贏得冠軍，並獲頒「現代音樂最佳

演繹獎」。

27th Béla Bartók International Choir Competition 第二十七屆巴托國際合唱節

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Heep Yunn School 協恩中學

The Heep Yunn School Choir joined the 8th International Youth Music Festival held in Bratislava, Slovakia, between 7 - 10 July. Under the direction of conductor Joyce Yu, the School Choir won three prizes, including Gold Awards in the categories of ‘Children’s Choir under 16’ and ‘Contemporary Music’, as well as the ‘Grand Prix Award’. Under conductor Tang Wing-hong, the school orchestra and ensemble also won Gold Awards in the categories of ‘Orchestra under 21’, and ‘Orchestra under 16’ respectively. 協恩中學於7月7至10日參加了於斯洛伐克布拉迪斯拉發舉行的國際

青年音樂節。在指揮余智敏帶領下，協恩中學合唱團勇奪三個獎項，

包括「十六歲以下兒童合唱團」和「現代音樂」金獎，以及「全場總

冠軍」。指揮鄧永康亦率領協恩中學樂團及合奏組，分別於「二十一

歲以下樂團」及「十六歲以下樂團」組別獲得金獎。

8th International Youth Music Festival 第八屆國際青年音樂節

Group 團隊

17th International Choral Kathaumixw 第17屆卡塔苗國際合唱節

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Tune in to Artbeat every Saturday at noon for more arts happening around town. 請收聽逢星期一至六黃昏6時的藝壇快訊，了解海外及城中最新的藝術資訊。

35

www.finemusic.org.hk

Friends of Radio 4 Society Limited第四台之友協會有限公司

會籍年費 Annual Membership Fee

個人會員 Individual Member : HK$120家庭會員 Family Member : HK$150半費會員 Concession Member : HK$60

（只供學生、65歲或以上長者及殘疾人士）

(Only for students, senior citizens aged 65 or above, and people with disabilities)

亞斯頓教育 • Aston Education

伯樂音樂學院 • Baron School of Music

嘉林琴行 • Collin Music Co. Ltd.

琴之屋 • Eddie’s House of Strings

偉樂琴行 • Eddy Music Co. Ltd.

香港鋼琴教育專業學院 • HK Prof. Piano Education Academy

繆斯琴行 • Muse Music Company

向日葵文化良品 • Sole Cultural Goods

華偉音樂藝術中心 • S T Music & Art Centre

通利琴行 • Tom Lee Music Co. Ltd.

Friends’ Discounts

Friends’ Exclusive Benefits

• 《美樂集》郵寄至府上

• 各大琴行、唱片公司及種種不同的優惠

• 優先獲得指定的第四台音樂會門券

• 參加第四台之友特備活動

• Fine Music delivery to your home• Purchasing discount from major piano companies, music shops and other institutes• Priority in getting designated Radio 4 recital tickets • Exclusive activities and programmes

Friends of Radio 4 Membership Application Form第四台之友協會會員申請表

Name 姓名：

Tel. 電話（Office 日間）： （Home 晚間）：

Mobile 手提電話：

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E-mail 電郵地址：(Please use English block letters 請以正楷填寫)

Membership 會籍：

Individual 個人會員 HK$120

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* Concession Member 半費會員 HK$60

* 請附上學生證、長者咭或殘疾人士登記證影印本。

* Please enclose photocopy of student ID, senior citizen card or registration cardfor people with disabilities.

Enquiry 查詢電話：9073 3474

Some more about you其他資料：

Sex 性別：

Age 年齡：

Occupation 職業：

(This part is optional 可選擇不填此部分)

請將表格連同劃線支票寄往：九龍尖沙嘴郵政局郵箱97497號，第四台之友協會收（抬頭請填「第四台之友協會有限公司」）

Please send your application form and cheque to: Friends of Radio 4 Society P.O. Box No. 97497 at Tsim Sha Tsui Post Office (payable to “Friends of Radio 4 Society Limited”)

Please allow 3 weeks for processing of membership and 5 weeks for delivery on the first issue of Fine Music. 會員證將於三星期內寄到府上；而第一期《美樂集》將於五星期內郵寄至閣下地址。

Rachel Lai and a group of music critics guide you through some of the most interesting new releases to keep you in touch with the

latest in fine music recordings. The segments are also available on Radio 4’s website for streaming: radio4.rthk.hk

黎慧因和多位樂評人在「碟碟不休」中，為你介紹最新推出的影音製作。環節更可於網上重溫：radio4.rthk.hk

Rachel Lai 黎慧因

Monday and Friday 5:30pm 逢星期一及五下午5時30分

5 AUG

2 SEP

12 AUG

22 AUG

29 AUG26 AUG

8 AUG

15 AUG 19 AUG

AUGUST 2016 | FINE MUSIC | COLUMNS 專欄 37

Date 日期 Highlights 重點推介

4/8 (Thu 四) 8:00pm

BBC Proms 2016

It is called the ‘World’s Greatest Classical Music Festival’ and it’s now in its 122nd season. Starting off our series of Proms concerts this year is naturally the First Night from the Royal Albert Hall. Tchaikovsky’s ravishing Romeo and Juliet Fantasy Overture launches the Festival’s celebrations marking the 400th anniversary of the death of Shakespeare. Argentine cellist Sol Gabetta makes her Proms debut in Elgar’s hauntingly lyrical Cello Concerto. Rounding off the programme is a cantata that Prokofiev fashioned from his film score to the patriotic film Alexander Nevsky, here sung by Olga Borodina. The BBC Symphony and two BBC choruses are conducted by Sakari Oramo. There are many more Proms to come….

英國廣播公司逍遙音樂節2016

今年踏入第一百二十二屆的逍遙音樂節，首場演出曲目包括柴可夫斯基的《羅密

歐與朱麗葉》幻想序曲，以紀念莎士比亞逝世四百週年，還有阿根廷大提琴家加

比塔演奏艾爾加的大提琴協奏曲，以及女中音歐爾嘉•鮑蘿汀娜演唱浦羅歌菲夫

的清唱劇《亞歷山大•涅夫斯基》。指揮奧拉姆於皇家亞爾拔音樂廳領導英國廣

播公司交響樂團及兩隊合唱團演出，為「全球最大型的古典音樂節」揭開序幕。

還有多場逍遙音樂節將陸續送上……。

9/8(Tue 二) 8:00pm

Parsifal

We present the Bayreuth 2016 production of Wagner’s last work, Parsifal, a sacred music drama with a plot drawn from medieval legend. It was written specifically for the special acoustic and ambience of the Bayreuth Festival Theatre from where this live recording comes. Conductor Helmut Haenchen leads the Bayreuth Festival Orchestra & Chorus with tenor Klaus Florian Vogt as Parsifal and mezzo-

soprano Elena Pankratova as Kundry.

10, 17/8 (Wed 三) 8:00pm

15, 22/8 (Mon 一) 2:00pm

Repeat 重播

Queen Elisabeth Competition

Since its foundation, the Queen Elisabeth Competition (Brussels) is considered one of the most challenging and prestigious music competitions in the world – and it is more than that. From the competition’s website: ‘The Queen Elisabeth Competition is, for many, a slice of life, an enchanted interlude in which culture seems to make some slight inroads into the gloom cast by crises, rationalisation, epidemics, rain, and conflict.’ Indeed it is and you can escape with us over two evenings when we bring you the Piano Competition 2016 and its rich and varied repertoire. In these concerts you can hear the sixth to second laureates and the First Prize winner, Lukáš Vondráček, the only Czech musician to have won the prestigious award.

AUGUST 2016 | FINE MUSIC | COLUMNS 專欄

音樂會轉播精選 HIGHLIGHTS OF CONCERT BROADCASTS

▲ Helmut Haenchen, conductor 指揮家：希遜

▲ Lukáš Vondráček, piano 鋼琴：方杜傑克

▲ Sol Gabetta, cello 大提琴：加比塔

▲ Olga Borodina, mezzo-soprano 女中音：歐爾嘉•鮑蘿汀娜

帕西發爾

拜羅伊特音樂節2016上演華格納最後完成的歌劇《帕西發爾》。故事源自中世紀傳說，作曲家根據拜羅伊特節日

劇院的音響和四週環境度身訂造創作此劇。在演出中，指揮希遜帶領節日樂團及合唱團，聯同男高音霍特飾演帕

西發爾，女中音彭卡拉杜娃飾演杏德爾。

伊莉莎伯女皇大賽

布魯塞爾伊莉莎伯女皇大賽自創辦以來一直是最享譽全球的音樂比賽之一，第四台為你帶來本年大賽的兩場優勝

者音樂會，曲目相當豐富多樣。本屆冠軍得主是鋼琴家方杜傑克，是首位奪冠的捷克演奏家。除了送上他的演出外

(17 / 8)，在兩場音樂會中亦可以欣賞第二至第六名得獎者的精湛演繹。

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Date 日期 Highlights 重點推介

19/8 (Fri 五) 8:00pm

24/8 (Wed 三) 2:00pm

Repeat 重播

David Greilsammer and the Hong Kong Sinfonietta

‘Greilsammer’s conducting and piano playing generate a

freshness and imagination that allow each of the works to

be enjoyed as a dynamic interpretation in its own right.’

(The Telegraph) Known for his inspiring and innovative

programming, David Greilsammer appears as pianist and

conductor with the Hong Kong Sinfonietta in a programme

of Rameau’s Orchestral Suite from his Operas, Haydn’s

‘Drumroll’ Symphony, and Mozart’s Piano Concerto No. 17

in G, the last movement of which has a theme Mozart’s pet

starling could sing, though always with one note out of tune.

26/8(Fri 五) 8:00pm

31/8 (Wed 三) 2:00pm

Repeat 重播

Yellow River

The Yellow River Piano Concerto is an adaptation of

Xian Xinghai’s The Yellow River Cantata by a team of

composers from the Central Philharmonic Society. Among

the members of the creative team is Shi Shucheng, himself

an accomplished pianist who has performed the work

throughout the world to critical acclaim. In this concert,

he delivers his own insights into this signature piece with

the Hong Kong Chinese Orchestra. Renowned conductor

Chen Tscheng-hsiung brings also works spanning across

Chinese and Western music, including Chen Ning-chi’s

The Phoenix that Rises from the Ashes featuring Wu Lin

as konghou soloist, and Shostakovich’s Festive Overture

in Maestro Chen’s own adaptation.

黃河

「黃河」鋼琴協奏曲，由中央樂團五位作曲家根據冼星

海的《黃河大合唱》改編而成。石叔誠是創作小組其中一

員，他亦是優秀的鋼琴家，曾將樂曲帶往世界各地彈奏，

屢獲好評。在音樂會中，他會融入對「黃河」鋼琴協奏曲

的深刻見解，聯同香港中樂團演奏此曲。同場亦有著名資

深指揮陳澄雄，帶來橫跨中、西樂多首作品，包括由陳能

濟創作、吳琳獨奏的箜篌協奏曲「浴火鳳凰」，以及由陳

澄雄親自移植，蕭斯達高維契的節日序曲。

▲ David Greilsammer and the Hong Kong Sinfonietta 格拉斯曼與香港小交響樂團

▲ Shi Shucheng, piano 鋼琴：石叔誠

▲ Chen Tscheng-hsiung, conductor

指揮：陳澄雄

▲ Chen Ning-chi, composer 作曲家：陳能濟

▲ Wu Lin, konghou 箜篌：吳琳

格拉斯曼與香港小交響樂團

英國《電訊報》形容「格拉斯曼的指揮與鋼琴演奏，富有新意及想像，為每首作品帶來別開生面的精彩演繹。」格拉

斯曼向來以選曲新穎聞名，這次身兼鋼琴家和指揮，與香港小交響樂團合作，演奏法國作曲家拉摩的歌劇管弦組曲、

海頓的「鼓聲」交響曲，以及莫扎特的G大調第十七鋼琴協奏曲，其終樂章主題，連莫扎特養的椋鳥都懂得唱，不過

總有一個音走音。

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Date 日期 Highlights 重點推介

27/8(Sat 六) 8:00pm

1/9(Thu 四) 2:00pm

Repeat 重播

Whitacre conducts Whitacre: The Hong Kong debut

Here comes Eric Whitacre in person. His extraordinary global popularity is attained not only through his Grammy Award–winning music and bestselling albums, but also his multifaceted charisma in his multiple roles as conductor, innovator, and public speaker. The Hong Kong Festival Orchestra and Voices share the stage under his baton in his Hong Kong debut in orchestral works and choral favourites: Lux Aurumque, Cloudburst, Leonardo Dreams of His Flying Machine, and many more, surely not to be missed with the rock-star composer himself on the podium.

3/9(Sat 六) 8:00pm

8/9(Thu 四) 2:00pm

Repeat 重播

The Hong Kong – Vienna Music Festival: Mahler Symphony No. 8

The Hong Kong – Vienna Music Festival is an initiative by the Vienna Boys’ Choir, aiming at promoting collaboration and exchange between music talents of the two cities. Concluding the six-week Festival is a performance of Mahler’s epic Symphony No. 8. Nicknamed the Symphony of a Thousand, the work utilises a gigantic force of eight vocal soloists, joint choruses, and a huge orchestra. Celebrated soloists from Vienna and Hong Kong are joined by choirs and musicians of flagship orchestras, together with students from tertiary institutions from both cities in this unprecedented collaboration with

the Vienna Boys’ Choir led by Jimmy Chiang.

維港音樂節：馬勒第八交響曲

「維港音樂節」由維也納兒童合唱團創辦，致力推動香港與維也納兩地音

樂人才交流合作。長達六星期的音樂節，以馬勒的曠世鉅作第八交響曲劃

上圓滿句號。樂曲規模浩大，採用八位獨唱家、聯合合唱團及大型樂團，

故別名為「千人交響曲」。指揮曾智斌，領導來自香港與維也納的著名獨

唱家、合唱團、兩地旗艦樂團樂手及高等和大專院校的音樂學生，還有維

也納兒童合唱團，帶來前所未有的跨文化合作演出。

Mon - Fri 星期一至五 : 7:55am, 12:55pm, 5:55pm, 10:55pmWeekends 週末 : 9:55am, 4:55pm, 10:55pm

– be in touch in 3 minutes — 三分鐘錦囊

Topic 內容 Host 主持

星期一 : 聽見絲路 黃泉鋒

星期二 : 今日話當年 馬盈盈

Wed : Zooming In Rachel Lai

Thu : Arts News Jonathan Douglas

Fri : The Golden Voices Lo King-man

星期六 : 碟碟不休 胡銘堯

星期日 : 樂在神州 塵紓

AUGUST 2016 | FINE MUSIC | COLUMNS 專欄

▲ Eric Whitacre, composer & conductor 作曲家及指揮 : 韋塔克

▲ Jimmy Chiang, conductor 指揮：曾智斌

韋塔克‧節樂：香港首演

韋塔克稱得上是當代作曲界巨星，獲全球樂迷追捧，魅力無遠弗界，不僅贏得格林美大獎，專輯榮登排行榜榜首，更

集指揮、創作人、講者等多重身份於一身，才華非凡。韋塔克在香港的首演，會指揮香港節慶管弦樂團及節慶和聲演

出，送上管弦樂及合唱作品包括《金色之光》、《豪雨》、《達文西夢想的飛行器》等首本名曲，豈容錯過。

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Aubade 晨曲

Morning Call with Jonathan Douglas清晨妙韻 杜格尊

Music Infusion 樂樂無窮Ben Pelletier

彭禮傑

Sunday Morningon 4

週日早晨 Synthia Ko

高德儀

Minutes That Matter

Non-stop Classics美樂無休

Ben Pelletier / Stacey Rodda / Nichola Hall彭禮傑 / 盧迪思 / 賀妮歌

Play by Ear 週末隨想Synthia Ko

高德儀

Madly Musical 非常音樂家 Louis Lee 路德維

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Artbeat Jonathan Douglas 杜格尊

Songs of the Earth 大地之歌

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News at One

Music à la Carte (Tue ﹠ Thu : Chinese Music) 午間精點 (星期二及四：中樂篇) Daphne Lee / Rebecca Siu / Kathy Lam / Tina Ma 李德芬 / 蕭程佳明 / 林家琦 / 馬盈盈

Live on 4 第四台音樂會

(Repeat 重播)

International Rostrum of Composers 2016

國際作曲家交流會議2016 Tang Lok-yin / Raymond Chung 鄧樂妍 / 鍾子豪

(Repeat 重播)

R4 Buddies四台插班生

Raymond Chung鍾子豪

Sunday Opera歌劇世界Lo King-man

盧景文

Rupert Chan 陳鈞潤

(1st Sunday 首個週日）

(1st b/c: Wed) (首播：星期三)

(1st b/c: Thu) (首播：星期四)

(1st b/c: Fri) (首播：星期五)

(1st b/c: Sat) (首播：星期六)

Music from China樂在神州

Wong Kin-ting 塵紓

Four for Classics with Rachel Lai 四時行樂 黎慧因

Collage點指美樂

All or Nothing情有獨鍾

Ben Pelletier / Tina Ma 彭禮傑 / 馬盈盈

Children’s Corner 親親童樂日

Nancy Loo 羅乃新New Releases (Mon ﹠ Fri) 碟碟不休 (星期一及五) News at Six

Arts News 藝壇快訊Tunes to

Remember人約黃昏後

Emma Liu / Synthia Ko廖碧楨 / 高德儀

Jazz and more... with Kathy Lam 不太古典 林家琦

All or Nothing情有獨鍾

Cantilena 自投羅網

Nancy Loo 羅乃新

Musical Exchange 談天論樂

David Gwilt 紀大衞

Live on 4 第四台音樂會

International Rostrum of Composers 2016

國際作曲家交流會議2016 Tang Lok-yin / Raymond Chung

鄧樂妍 / 鍾子豪

Sunday Divertimento

星夜樂逍遙Wendy Ng

伍穎文Nocturne 夜心曲

Tina Ma / Livia Lin 馬盈盈 / 凌崎偵

Chamber Fragrance

寫意室樂Ben Pelletier / Rebecca Siu

彭禮傑 / 蕭程佳明Jazzing Up

爵士靈感Eugene Pao 包以正

Bilingual 雙語B Cantonese 粵語C English 英語E

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* Reflections 晚禱 Mon-Fri (星期一至五)11:57pm

RTHK Radio 4 香港電台第四台 FM Stereo 97.6-98.9MHz http://www.rthk.org.hk

AUGUST 2016 | FINE MUSIC | MAIN PROGRAMME CHART 節目時間表 43

AUGUST 2016 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華

1/8/2016 (Mon 星期一)11:00am SHOSTAKOVICH 蕭斯達高維契 String Quartet No. 5 in B flat, Op. 92 30’Borodin Quartet降B大調第五弦樂四重奏，作品92鮑羅丁四重奏

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Lugano FestivalAlexander Gurning (p)Alexander Mogilevsky (p)Daniel Rivera (p)Elio Coria (p)Bach (arr. Reger): Brandenburg Concerto No. 3 in G, BWV1048 15’Busoni: Fantasia contrappuntistica 27’Bach (arr. Reger): Brandenburg Concerto No. 5 in D, BWV1050 22’

Lugano Festival, Martha Argerich Project, on 28/6/2016.

盧加諾音樂節卻寧（鋼琴）莫志尼夫斯基（鋼琴）利維亞（鋼琴）歌利亞（鋼琴）巴赫（雷格改編）：G大調第三布蘭登堡 協奏曲，BWV1048布梭尼：對位幻想曲巴赫（雷格改編）：D大調第五布蘭登堡 協奏曲，BWV1050

2016年6月28日盧加諾音樂節阿嘉莉殊計劃。

2/8/2016 (Tue 星期二)11:00am SCHUBERT 舒伯特 Symphony No. 6 in C, D. 589 32’The Classical Band / Bruno WeilC大調第六交響曲，D. 589古典樂隊 / 般盧‧偉爾

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Granada International Music FestivalSpanish Nat. Youth Orch. / Christian Zacharias (p & cond)Schumann: Manfred Overture, Op. 115 12’ Piano Concerto in A minor, Op. 54 32’Widman: Aria 7’Brahms: Symphony No. 3 in F, Op. 90 38’

Granada International Music Festival, on 28/6/2016.

8:00pm LIVE ON 4 第四台音樂會Lugano FestivalAndrey Baranov (v)Dora Schwartzberg (v)Alissa Margulis (v)Nora Romanoff (va)Jing Zhao (vc)Stephen Kovacevich (p)Alexander Gurning (p)Martha Argerich (p)Mozart: Violin Sonata in E minor, K. 304 13’Fauré: Piano Quintet in C minor, Op. 115 32’Vladimir Vogel: Composition for One and Two Pianos 10’Ravel: Gaspard de la nuit 23’

Lugano Fest ival , Martha Arger ich Project , on 29/6/2016.

盧加諾音樂節伯倫諾夫（小提琴）舒華斯堡（小提琴）瑪姬力絲（小提琴）羅曼諾夫（中提琴）趙靜（大提琴）高華斯域殊（鋼琴）卻寧（鋼琴）阿嘉莉殊（鋼琴）莫扎特：E小調小提琴奏鳴曲，K. 304佛瑞：C小調鋼琴五重奏，作品115韋高：為一部及兩部鋼琴而寫的作品拉威爾：夜之加斯巴

2016年6月29日盧加諾音樂節阿嘉莉殊計劃。

4/8/2016 (Thu 星期四)11:00am RICHARD STRAUSS 李察‧史特勞斯Cello Sonata in F, Op. 6 27’ Quirine Viersen (vc) Silke Avenhaus (p)F大調大提琴奏鳴曲，作品 6 維亞遜 （大提琴）亞韻歐斯（鋼琴）

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Pre-Tour Concert 2016Hong Kong Children’s Cho. / Kathy FokDominic Lam (p & cond)Austin Yip: That It Will Never Come Again 4’Joshua Chan: Autumn Night 3’Warren Lee: What If the World Lost Its Voice 6’Steve Ho: In Search of Plum Flowers in the Rockies 3’ Let Music Flow 4’Fung Lam: Yellow Crane Tower 4’Darius Lim: Echoes of the Lost World 7’and more...

Presented by Hong Kong Children’s Choir. Recorded at Tsuen Wan Town Hall on 16/7/2016.

格勒達國際音樂節西班牙國家青年樂團 / 沙赫利亞斯（鋼琴及指揮）舒曼：曼弗雷德序曲，作品115 A小調鋼琴協奏曲，作品54韋特文：詠歎調布拉姆斯：F大調第三交響曲，作品90

2016年6月28日格勒達國際音樂節。

8:00pm LIVE ON 4 第四台音樂會Manon: Anna Netrebko (s)

Des Grieux: Marcello Giordani (t)

Lescaut: David Pershall (br)

Vienna State Opera Cho. & Orch. / Marco Armiliato

Puccini: Manon Lescaut 120’

Recorded at the Vienna State Opera on 30/6/2016.

曼儂：妮卓高（女高音）領主：佐丹尼（男高音）雷斯高：培薩（男中音）維也納國家歌劇院樂團及合唱團 / 阿米利阿圖浦契尼：曼儂‧雷斯高

2016年6月30日維也納國家歌劇院錄音。

3/8/2016 (Wed 星期三)11:00am STANFORD 史丹福特 Serenade in F, Op. 95 29’

Capricorn

F大調小夜曲，作品95山羊座合奏團 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Live at the Wigmore

Pascal Rogé (p)

Debussy: Suite bergamasque 17’

Ravel: Sonatine 12’

Poulenc: Les soirées de Nazelles 17’

Recorded at Wigmore Hall, London, on 9/6/2014.

威格摩音樂廳的迴響羅瑞（鋼琴）德布西：貝格莫組曲拉威爾：小奏鳴曲浦朗克：拿薩勒的晚會

2014年6月9日倫敦威格摩音樂廳錄音。

節目精華Programme Highlights

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2016海外演出預演音樂會香港兒童合唱團 / 霍嘉敏林浩恩（鋼琴及指揮）葉浩堃：不會來了陳錦標：秋夕李偉安：假如世界沒有聲音何崇志：尋梅洛基山 韻樂共流林丰：黃鶴樓林健雄：迷失世界的回音及更多⋯⋯

香港兒童合唱團主辦。2016年7月16日荃灣 大會堂錄音。

8:00pm LIVE ON 4 第四台音樂會 BBC Proms 2016Sol Gabetta (vc)Olga Borodina (ms)BBC Sym. Cho.BBC Nat. Cho. of WalesBBC Sym. Orch. / Sakari OramoTchaikovsky: Romeo and Juliet Fantasy Overture 20’Elgar: Cello Concerto in E minor, Op. 85 29’Prokofiev: Alexander Nevsky, Op. 78 41’

The First Night of the Proms recorded in the Royal Albert Hall, 15/7/2016.

英國廣播公司逍遙音樂節2016加比塔（大提琴）歐爾嘉‧鮑蘿丁娜（女中音）英國廣播公司交響樂團合唱團英國廣播公司威爾斯國家合唱團英國廣播公司交響樂團 / 奧拉姆柴可夫斯基：羅密歐與朱麗葉幻想序曲艾爾加：E小調大提琴協奏曲，作品85浦羅歌菲夫：亞歷山大‧涅夫斯基，作品78

2016年7月15日英國廣播公司逍遙音樂節首晚倫敦皇家亞爾拔音樂廳錄音。

Sakari Oramo 奧拉姆

AUGUST 2016 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華

8:00pm BAYREUTH FESTIVAL 拜羅伊特音樂節Bayreuth FestivalParsifal: Klaus Florian Vogt (t) Kundry: Elena Pankratova (ms)Gurnemanz: Georg Zeppenfeld (b)Klingsor: Gerd Grochowski (b)Amfortas: Ryan McKinny (br)Titurel: Karl-Heinz Lehner (b)Bayreuth Fest. Orch. & Cho. / Hartmut HaenchenWagner: Parsifal 270’

Recorded at the Bayreuth Festival 25/7/2016.

拜羅伊特音樂節帕西發爾：霍特（男高音）杏德爾：彭卡拉度娃（女中音）居尼曼士：錫柏費特（男低音）京士梭：告魯塞維斯基（男低音）岩霍達斯：麥鍵尼（男中音）堤托洛：尼拿（男低音）拜羅伊特節日樂團及合唱團 / 希遜華格納：帕西發爾

2016年7月25日拜雷特音樂節錄音。

10/8/2016 (Wed 星期三)11:00am FRANCAIX 法蘭適 Les demoiselles de la nuit 36’ Ulster Orch. / Thierry Fischer晚間的少女奧斯特樂團 / 泰利‧費殊

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 5/8/2016, 8:00pm節目與2016年8月5日晚上8時相同

8:00pm QUEEN ELISABETH COMPETITION 伊莉莎伯女皇大賽Alberto Ferro (p)Aljoša Jurinić (p)Chi Ho Han (p)Royal Flemish Phil. / Thierry FischerBeethoven: Piano Concerto No. 4 in G, Op. 58 33’Chopin: Piano Concerto No. 1 in E minor, Op. 11 39’Rachmaninov: Piano Concerto No. 2 in C minor, Op. 18 37’

Recorded at the Queen Elisabeth Competition Brussels, 6/6/2016.

費魯（鋼琴）祖里力（鋼琴）韓智浩（鋼琴）皇家佛萊明愛樂樂團 / 費沙貝多芬：G大調第四鋼琴協奏曲，作品58蕭邦：E小調第一鋼琴協奏曲，作品11拉赫曼尼諾夫：C小調第二鋼琴協奏曲， 作品18

2016年6月6日布魯塞爾伊莉莎伯女皇大賽錄音。

11/8/2016 (Thu 星期四)11:00am JANÁČEK 楊納傑克 Sinfonietta, Op. 60 23’London Sym. Orch. / Michael Tilson Thomas小交響曲，作品60倫敦交響樂團 / 狄遜‧湯馬士

5/8/2016 (Fri 星期五)11:00am VAUGHAN WILLIAMS 佛漢威廉士Violin Sonata in A minor 27’ Marianne Thorsen (v)Ian Brown (p)A小調小提琴奏鳴曲多爾森（小提琴）布朗（鋼琴）

2:00pm INTERNATIONAL ROSTRUM OF COMPOSER 2016 (REPEAT) 國際作曲家交流會議 2016（重播）Linda Leimane (Latvia): Silhouettes. Behavious for Cello, Piano and Percussion莉汶（拉脫維亞）：剪影‧行為，為大提琴、 鋼琴與敲擊樂而寫

8:00pm LIVE ON 4 第四台音樂會Asian Youth OrchestraAsian Youth Orch. / Richard PontziousCopland: Fanfare for the Common Man Appalachian SpringHolst: The Planets

Presented by Asian Youth Orchestra. Live from Hong Kong Cultural Centre Concert Hall.

亞洲青年管弦樂團亞洲青年管弦樂團 / 龐信柯普蘭：平民的號角聲阿帕拉契亞之春霍爾斯特：行星

亞洲青年管弦樂團主辦。香港文化中心音樂廳現場直播。

6/8/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Asian Youth OrchestraAsian Youth Orch. / James JuddTchaikovsky: Symphony No. 6, ‘Pathètique’Dvořák: Symphony No. 8

Presented by Asian Youth Orchestra. Live from Hong Kong Cultural Centre Concert Hall.

亞洲青年管弦樂團亞洲青年管弦樂團 / 朱特柴可夫斯基：第六交響曲，「悲愴」德伏扎克：第八交響曲

亞洲青年管弦樂團主辦。香港文化中心音樂廳現場直播。

7/8/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Puccini: La Fanciulla del West 126’Minnie: Brigit Nilsson (s)Dick Johnson: João Gibin (t)Jack Rance: Andreà Mongelli (br)Cho. & Orch. of Teatro alla Scala di Milano / Lovro von Matačić浦契尼：西方女郎米妮：尼爾遜（女高音）莊臣：捷賓（男高音）蘭斯：蒙捷利（男中音）米蘭斯卡拉歌劇院樂團及合唱團 / 馬達卓殊

8:00pm INTERNATIONAL ROSTRUME OF COMPOSERS 2016 國際作曲家交流會議2016Svetlana Maraš (Serbia): Dirty Thoughts 12’馬勒斯（塞爾維亞）：污穢的思想

8/8/2016 (Mon 星期一)11:00am BEETHOVEN 貝多芬 Piano Sonata No. 32 in C minor, Op. 111 27’ John O’Connor (p)C小調第三十二鋼琴奏鳴曲，作品111奧康那（鋼琴）

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 3/8/2016, 8:00pm節目與2016年8月3日晚上8時相同

9/8/2016 (Tue 星期二)11:00am Mozart 莫扎特 Piano Trio in G, K. 496 26’Wiener Schubert TrioG大調鋼琴三重奏，K. 496維也納舒伯特三重奏

2:00pm Mozart: Marriage of Figaro Overture 5’Royal Promenade Orch. / Nigel Simpson莫扎特：費加洛的婚禮序曲皇家逍遙管弦樂團 / 森遜

Haydn: Symphony in D, Hob. I:96, ‘The Miracle’ 23’Berlin Phil. / Herbert von Karajan海頓：D大調協奏曲，Hob. I:96，「奇蹟」柏林愛樂 / 卡拉揚

Mendelssohn: Violin Concerto in E minor , Op. 64 27’Anne Akiko Meyers (v)Philharmonia Orch. / Andrew Litton孟德爾遜：E小調小提琴協奏曲，作品64美亞斯（小提琴）愛樂樂團 / 李頓

Holst: The Planets, Op. 32 51’New York Phil. / Leonard Bernstein霍爾斯特：行星，作品32紐約愛樂 / 伯恩斯坦

Richard Pontzious 龐信

47

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 6/8/2016, 8pm節目與2016年8月6日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會BBC Proms 2016Behzod Abduraimov (p)Alexei Petrenko (narrator)Munich Phil. Orch. / Valery GergievRavel: Bolero 16’Rachmaninov: Piano Concerto No. 3 in D minor. Op. 30 42’Ustvolskaya: Symphony No. 3, ‘Jesus Messiah, Save us!’ 14’R. Strauss: Suite from ‘Der Rosenkavalier’, Op. 59 25’

Prom 4 recorded in the Royal Albert Hall, 18/7/2016.

英國廣播公司逍遙音樂節2016亞度萊莫夫（鋼琴）帕頓高（旁述）慕尼黑愛樂樂團 / 斐拉利‧葛濟夫拉威爾：波萊羅拉赫曼尼諾夫：D小調第三鋼琴協奏曲， 作品30烏薛維絲嘉也：第三交響曲，「彌賽亞耶穌， 救救我們！」李察‧史特勞斯：玫瑰騎士組曲，作品59

2016年7月18日英國廣播公司逍遙音樂節第四晚倫敦皇家亞爾拔音樂廳錄音。

12/8/2016 (Fri 星期五)11:00am TANEYEV 坦尼耶夫 Concert Suite, Op. 28 42’ David Oistrakh (v)Philharmonia Orch. / Nicolai Malko音樂會組曲，作品28大衛‧愛爾斯泰克（小提琴）愛樂樂團 / 馬高

Behzod Abduraimov 亞度萊莫夫

Valery Gergiev 斐拉利‧葛濟夫

17/8/2016 (Wed 星期三)11:00am CHARPENTIER 夏邦泰 Messe de minuit pour Nöel 29’Aradia Ensemble / Kevin Mallon子夜彌撒曲 亞華狄亞合奏團 / 馬倫

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 12/8/2016, 8:00pm節目與2016年8月12日晚上8時相同

8:00pm QUEEN ELISABETH COMPETITION 伊莉莎伯女皇大賽Alexander Beyer (p)Henry Kramer (p)Lukáš Vondráček (p)Brussels Phil. Orch. / Stéphane DenèveRachmaninov: Piano Concerto No. 3 in D minor, Op. 30 42’Ravel: Piano Concerto in G 22’Beethoven: Piano Concerto No. 3 in C minor, Op. 37 35’

Recorded at the Queen Elisabeth Competit ion Brussels, 9/6/2016.

拜亞（鋼琴）克藍瑪（鋼琴）方杜傑克（鋼琴）布魯塞爾愛樂樂團 / 丹尼法拉赫曼尼諾夫：D小調第三鋼琴協奏曲，作品30拉威爾：G大調鋼琴協奏曲貝多芬：C小調第三鋼琴協奏曲，作品37

2016年6月9日布魯塞爾伊莉莎伯女皇大賽錄音。

18/8/2016 (Thu 星期四)11:00am MARTINŮ 馬天奈Serenade for String Orchestra in E 23’Prague Ch. Orch. / Oldrich Vleck為弦樂團而寫的E大調小夜曲布拉格室樂團 / 維勒克

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 13/8/2016, 8pm節目與2016年8月13日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會BBC Proms 2016Ray Chen (v)BBC Sym. Orch. & Cho. / Andrew DavisTchaikovsky: The Tempest 18’Payne: Of Land, Sea and Sky 20’Bruch: Violin Concerto 24’Vaughan Williams: Toward the Unknown Region 12’

Prom 15 recorded in the Royal Albert Hall, 26/7/2016.

英國廣播公司逍遙音樂節2016陳銳（小提琴）英國廣播公司交響樂團及合唱團 / 安德魯‧戴維斯柴可夫斯基：暴風雨潘恩：在地上，海裡和空中布魯克：小提琴協奏曲佛漢威廉士：向不知名地域進去

2 0 1 6 年 7 月 2 6 日 英 國 廣 播 公 司 逍 遙 音 樂 節 第十五夜倫敦皇家亞爾拔音樂廳錄音。

8:00pm INTERNATIONAL ROSTRUME OF COMPOSERS 2016 (REPEAT) 國際作曲家交流會議2016（重播）Tam Ka Shu (Hong Kong): Tam-tam Sonata 13’譚家樹（香港）：大鑼奏鳴曲

15/8/2016 (Mon 星期一)11:00am TCHAIKOVSKY / TANEYEV 柴可夫斯基 (塔尼約夫編) ‘Do you hear the nightingale?’ from ‘Romeo and Juliet’, Op. 40, No. 4 14’ Suzanne Murphy (s) Keith Lewis (t)Scottish Nat. Orch. / Neeme Järvi你聽見那夜鶯嗎？選自《羅密歐與朱麗葉》， 作品40，第4首梅菲（女高音）利維士（男高音）蘇格蘭國家樂團 / 約菲

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 10/8/2016, 8:00pm節目與2016年8月10日晚上8時相同

16/8/2016 (Tue 星期二)11:00am HAYDN 海頓 Symphony No. 49 in F minor, Hob. I:49 24’Orpheus Ch. Orch.F小調第四十九交響曲 ，Hob. I:49奧菲斯室樂團

2:00pm Mozart: Horn Quintet in E flat, K. 407 16’Paris Ch. Ensemble莫扎特：降E大調圓號五重奏，K. 407巴黎室樂合奏團

Elgar: Cello Concerto in E minor, Op.85 31’Robert Cohen (vc)Royal Phil. Orch. / Charles Mackerras艾爾加：E小調大提琴協奏曲，作品85羅伯特‧高恩（大提琴）皇家愛樂樂團 / 麥嘉理斯

Berlioz: Symphonie Fantastique 55’Berlin Phil. / Daniel Barenboim白遼士：幻想交響曲柏林愛樂 / 巴倫邦

8:00pm LIVE ON 4 第四台音樂會 BAYREUTH FESTIVALTristan: Stephen Gould (t)Isolde: Petra Lang (s)Brangäne: Christa Mayer (ms)King Mark: Georg Zeppenfeld (b)Kurwenal: Iain Paterson (br)Bayreuth Fest. Orch. & Cho. / Christian ThielemannWagner: Tristan und Isolde 250’

Recorded at the Bayreuth Festival 1/8/2016.

拜羅伊特音樂節崔斯坦：高特（男高音）伊索爾德：蘭加（女高音）班簡尼：美亞（女中音）剛禾王馬葛：薩帕費特（男低音）顧凡拿：帕德臣（男中音）拜雷特節日樂團及合唱團 / 菲利曼華格納：崔斯坦與伊索爾德

2016年8月1日拜雷特音樂節錄音。

2:00pm INTERNATIONAL ROSTRUM OF COMPOSER 2016 (REPEAT) 國際作曲家交流會議 2016（重播）Prog. as 7/8/2016, 8pm節目與2016年8月7日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Live at the WigmoreJames Ehnes (v)Bach: Partita No. 3 in E, BWV1006 17’ Partita No. 2 in D minor, BWV1004 30’

Recorded at Wigmore Hall, London, on 6/1/2014.

威格摩音樂廳的迴響艾尼斯（小提琴）巴赫：E大調第三組曲，BWV1006 D大調第二組曲，BWV1004

2014年1月6日倫敦威格摩音樂廳錄音。

13/8/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Proms 2010Julia Fischer (v)London Phil. Orch. / Vladimir JurowskiScriabin: Rêverie 5’Shostakovich: Violin Concerto No. 1 in A minor 35’Prokofiev: Symphony No. 3 in C minor 33’

Recorded at the Royal Albert Hall, London, on 15/8/2010.

英國廣播公司逍遙音樂節2010費莎（小提琴）倫敦愛樂樂團 / 尤洛夫斯基史嘉爾亞賓：夢幻曲蕭斯達高維契：A小調第一小提琴協奏曲浦羅歌菲夫：C小調第三交響曲

2010年8月15日倫敦皇家亞爾拔音樂廳錄音。

14/8/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Britten: A Midsummer Night’s Dream 144’Oberon: Alfred Deller (ct)Tytania: Elizabeth Harwood (s)Puck: Stephen Terry (treble)Lysander: Peter Pears (t)Choirs of Downside and Emanuel SchoolsLondon Sym. Orch. / Benjamin Britten布烈頓：仲夏夜之夢奧比朗：艾佛‧狄勒（假聲男高音）泰妲尼亞：夏活（女高音）匹克： 泰利（童聲）利辛達：皮爾士（男高音）唐西特及伊曼紐學校合唱團倫敦交響樂團 / 布烈頓

James Ehnes 艾尼斯

AUGUST 2016 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華 49

19/8/2016 (Fri 星期五)11:00am HAYDN 海頓Symphony No. 94 in G, ‘Surprise’ 23’London Phil. Orch. / Georg SoltiG大調第九十四交響曲，「驚愕」倫敦愛樂樂團 / 蘇提

2:00pm INTERNATIONAL ROSTRUME OF COMPOSERS 2016 (REPEAT) 國際作曲家交流會議2016（重播）Prog. as 14/8/2016, 8pm節目與2016年8月14日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會David Greilsammer & The Hong Kong SinfoniettaHong Kong Sinfonietta / David Greilsammer (p & cond)Rameau: Orchestral Suite from OperasHaydn: Symphony No. 103 in E flat, ‘Drum Roll’Mozart: Piano Concerto No. 17 in G, K. 453

Presented by Hong Kong Sinfonietta. Recorded at Hong Kong City Hall Concert Hall, on 25/6/2016.

格拉斯曼與香港小交響樂團香港小交響樂團 / 格拉斯曼（鋼琴及指揮）拉摩：歌劇組曲海頓：降E大調第一百零三交響曲，「鼓聲」莫扎特：G大調第十七鋼琴協奏曲，K. 453

香港小交響樂團主辦。2016月6月25日香港 大會堂音樂廳錄音。

20/8/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Proms 2012BBC Scottish Sym. Orch. / Andrew ManzeVaughan Williams: Symphony No. 4 in F minor 31’ Symphony No. 5 in D 38’ Symphony No. 6 in E minor 33’

Recorded at the Royal Albert Hall, London, on 16/8/2012.

英國廣播公司逍遙音樂節2012英國廣播公司蘇格蘭交響樂團 / 曼茨佛漢威廉士：F小調第四交響曲 D大調第五交響曲 E小調第六交響曲

2012年8月16日倫敦皇家亞爾拔音樂廳錄音。

Andrew Manze 曼茨

25/8/2016 (Thu 星期四)11:00am ELGAR 艾爾加Sea Pictures, Op. 37 23’ Janet Baker (ms) London Sym. Orch. / John Barbirolli海之畫，作品37貝嘉（女中音）倫敦交響樂團 / 巴比洛利

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 20/8/2016, 8pm節目與2016年8月20日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會BBC Proms 2016Rosa Feola (s)Le Cercle de l’Harmonie / Jérémie RohrerMozart: Symphony No. 39 in E flat, K. 543 29’Mendelssohn: Infelice, Op. 94 13’Mozart: Ah, io previdi, K. 272 13’Mendelssohn: Symphony No. 4 in A, Op. 90, ‘Italian’ 27’

Prom 9 recorded in the Royal Albert Hall, 22/7/2016.

英國廣播公司逍遙音樂節2016費奧娜（女高音）圓的和弦樂團 / 羅樂莫扎特：降E大調第三十九交響曲，K. 543孟德爾遜：不快，作品94莫扎特：啊，我預見到，K. 272孟德爾遜：A大調第四交響曲，作品90， 「意大利」

2 0 1 6 年 7 月 2 2 日 英 國 廣 播 公 司 逍 遙 音 樂 節 第九晚倫敦皇家亞爾拔音樂廳錄音。

26/8/2016 (Fri 星期五)11:00am ENESCO 伊納斯高Violin Sonata No. 3 in A minor, Op. 25 25’ Isaac Stern (v) Alexander Zakin (p)A小調第三小提琴奏鳴曲，作品25以撒‧史頓（小提琴）沙健（鋼琴）

2:00pm INTERNATIONAL ROSTRUME OF COMPOSERS 2016 (REPEAT) 國際作曲家交流會議2016（重播）Prog. as 21/8/2016, 8pm節目與2016年8月21日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Fiordiligi: Lenneke Ruiten (s)Dorabella: Kate Lindsey (s)Despina: Sandrine Piau (s)Ferrando: Joel Pietro (t)Gugliemo: Nahuel di Pierro (br)Don Alfonso: Rod Gilfry (b)Cape Town Opera ChorusFrieburg Baroque Orch. / Louis LangréeMozart: Così fan tutti 180’

Recorded at the Aix-en-Provence Festival 5/7/2016.

費奧迪麗姬：洛丹（女高音）杜拉貝拉：蓮斯（女高音）德絲賓娜：皮奧（女高音）費蘭多：比艾多（男高音）古烈摩： 彼洛（男中音） 阿方溯：紀飛（男低音）開普敦歌劇院合唱團費伯格巴洛克樂團 / 蘭格利莫扎特：女人心

2016年7月5日普羅旺斯艾克斯音樂節錄音。

24/8/2016 (Wed 星期三)11:00am SCHUMANN 舒曼 Fantasiestücke, Op. 12 24’ Martha Argerich (p)幻想樂曲，作品12亞嘉莉殊（鋼琴） 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 19/8/2016, 8:00pm節目與2016年8月19日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Marita Solberg (s)Ben Johnson (t)Mischa Schelomianski (b)Vocal Academy, BerlinLe Cercle de l’Harmonie / Jérémie RohrerMendelssohn: Symphony No. 5 in D, Op. 107 29’Schubert: Stabat Mater, D. 383 38’

Recorded at the KlaraFestival, Antwerp, 21/3/2016.

素寶（女高音）莊遜（男高音）舒洛米安斯基（男低音）柏林聲樂學院合唱團圓的和弦樂團 / 羅樂孟德爾遜：D大調第五交響曲，作品107舒伯特：聖母悼歌，D. 383

2016年3月21日安特衛普卡拉那音樂節錄音。

21/8/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Shostakovich: Lady Macbeth of the Mtsensk District 155’Katerina: Maria Ewing (s)Sergei: Sergei Larin (t)Orchestre et Choeurs de l’Opéra Bastille / Myung-Whun Chung蕭斯達高維契：姆山斯克縣的麥克白夫人嘉德莉娜：伊榮（女高音）薩該：拿連（男高音）巴士底歌劇院樂團及合唱團 / 鄭明勳

8:00pm INTERNATIONAL ROSTRUME OF COMPOSERS 2016 國際作曲家交流會議2016Supponen Lauri (Finland): Ti-ti-uuu 12’羅莉（芬蘭）：鐵—鐵—於

22/8/2016 (Mon 星期一)11:00am SHOSTAKOVICH 蕭斯達高維契 Cello Sonata in D minor, Op. 40 23’ Leonid Gorokhov (vc) Irina Nikitina (p)D小調大提琴奏鳴曲，作品40葛洛霍夫（大提琴）尼基提娜（鋼琴）

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 18/8/2016, 8:00pm節目與2016年8月18日晚上8時相同

23/8/2016 (Tue 星期二)11:00am HANDEL 韓德爾 Ode for the Birthday of Queen Anne 25’ Cho. of Kings College, CambridgeAcad. of Ancient Music / Stephen Cleobury安尼女王誕辰頌歌劍橋英皇書院合唱團古樂學院合奏團 / 史提芬‧奇利奧貝利

2:00pm Sibelius: Violin Concerto in D minor, Op. 47 31’Shlomo Mintz (v)Berlin Phil. / James Levine西貝流士：D小調小提琴協奏曲，作品47明斯（小提琴）柏林愛樂 / 利雲

Grieg: Piano Concerto in A minor, Op. 16 30’Stephen Bishop Kovacevich (p)BBC Sym. Orch. / Colin Davis葛利格：A小調鋼琴協奏曲，作品16比索‧高華卓域殊（鋼琴）英國廣播公司交響樂團 / 戴維斯

Rachmaninov: Symphonic Dances, Op. 45 34’Concertgebouw Orch. / Vladimir Ashkenazy拉赫曼尼諾夫：交響舞曲，作品45阿姆斯特丹音樂廳樂團 / 亞殊堅納西

Jérémie Rohrer 羅樂

Rosa Feola 費奧娜

AUGUST 2016 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華 51

8:00pm LIVE ON 4 第四台音樂會Yellow RiverShi Shucheng (p)Wu Lin (Konghou)Hong Kong Chinese Orch. / Chen Tscheng-HsiungDmitri Shostakovich (Chen Tscheng-hsiung arr.): Festive Overture, Op. 96Chen Ning-chi: The Phoenix that Rises from the AshesHan Yong: Three Realms of TibetThe Central Philharmonic Society: The Yellow River Piano ConcertoLiu Changyuan: Memories

Presented by Hong Kong Chinese Orchestra. Recorded at Hong Kong Cultural Centre Concert Hall, on 22/7/2016.

黃河石叔誠（鋼琴）吳琳（箜篌）香港中樂團 / 陳澄雄蕭斯達高維契（陳澄雄改編）：節日序曲， 作品96陳能濟：浴火鳳凰韓永：西藏三界 中央樂團：「黃河」鋼琴協奏曲劉長遠：憶

香港中樂團主辦。2016年7月22日香港文化中心音樂廳錄音。

27/8/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Whitacre conducts Whitacre: The Hong Kong DébutHong Kong Festival Orch. / Eric WhitacreWhitacre: Lux Aurumque Cloudburst Leonardo Dreams of His Flying Machine and more…

Presented by Hong Kong Festival Orchestra. Recorded at Tsuen Wan Town Hall Auditorium, on 22/7/2016.

韋塔克‧節樂：香港首演香港節慶管弦樂團 / 韋塔克韋塔克：金色之光 豪雨 達文西夢想的飛行器及更多⋯⋯

香港節慶管弦樂團主辦。2016年8月19日荃灣大會堂演奏廳錄音。

28/8/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Thomas: Hamlet 158’Hamlet: Thomas Hampson (br)Ophelia: June Anderson (s)Claudius: Samuel Ramey (b)Gertrude: Denyce Graves (s)Ambrosian Opera Chorus, London Phil. Orch. / Antonio de Almeida

8:00pm LIVE ON 4 第四台音樂會Bellezza: Sabine Devieilhe (s)Piacere: Franco Fagioli (ct)Disinganno: Sara Mingardo (ms)Tempo: Michael Spyres (t)Le Concert d’Astrée / Emmanuelle HaïmHandel: Il Trionfo del tempo e del disinganno, HWV 46a 132’

Recorded at the Aix-en-Provence Festival 6/7/2016.

貝娜薩：蒂維爾（女高音）比薩：法高利（假聲男高音）迪辛嘉諾：明嘉度（女中音）譚保：斯柏爾斯（男高音）奧斯蒂樂團 / 凱欽韓德爾：時間與幻滅的勝利，HWV46a

2016年7月6日普羅旺斯艾克斯音樂節錄音。

31/8/2016 (Wed 星期三)11:00am BERLIOZ 白遼士 Les Nuits d’Été, Op. 7 28’ Jan DeGaetani (ms)Eastman Ch. Ensemble / David Effron夏夜，作品7狄加坦尼（女中音）伊士曼室樂合奏團 / 艾弗龍

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 26/8/2016, 8:00pm節目與2016年8月26日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Doming Lam’s Piano ClassicsNancy Loo (p)Louise Kwong (s)Doming Lam: Uncle Suite 7’ Three Night Songs of Li Bai 8’ Lamentations of Lady Chiu-Jun 10’ Recorded at Academic Hall on 29/8/2016.

樂培培樂：林樂培鋼琴作品展演羅乃新（鋼琴）鄺勵齡（女高音）林樂培：舅舅組曲 李白夜詩三首 昭君怨

2016年8月29日大學會堂錄音。

1/9/2016 (Thu 星期四)11:00am CHAUSSON 蕭頌Poème de l’Amour et de la Mer, Op. 19 39’ Waltraud Meier (ms)Philadelphia Orch. / Riccardo Muti愛與海之詩，作品19華歐特‧美亞（女中音）費城樂團 / 梅狄

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 27/8/2016, 8pm節目與2016年8月27日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會BBC Proms 2016Steven Osborne (p)BBC Phil. Orch. / Juanjo MenaGinastera: Ollantay 14’Britten: Piano Concerto 30’Schubert: Symphony No. 9 in C, D. 944, ‘Great’ 47’

Prom 24 recorded in the Royal Albert Hall, 2/8/2016.

英國廣播公司逍遙音樂節2016奧斯本（鋼琴）英國廣播公司管弦樂團 / 萬那希納斯特拿：奧蘭蒂布烈頓：鋼琴協奏曲舒伯特：C大調九交響曲，D. 944，「偉大」

2016年8月2日英國廣播公司逍遙音樂節第二十四夜倫敦皇家亞爾拔音樂廳錄音。

2/9/2016 (Fri 星期五)11:00am SCHREKER 舒烈卡Romantic Suite, Op. 14 27’ BBC Phil. Orch. / Vasili Sinaisky浪漫組曲，作品14英國廣播公司愛樂樂團 / 西乃斯基

2:00pm INTERNATIONAL ROSTRUM OF COMPOSERS 2016 (REPEAT) 國際作曲家交流會議 2016（重播）Prog. as 28/8/2016, 8pm節目與2016年8月28日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Proms 2012BBC Scottish Sym. Orch. / Donald RunniclesWagner: Siegfried Idyll 18’Bruckner: Symphony No. 8 in C minor 73’

Recorded at the Royal Albert Hall, London, on 3/8/2012.

譚馬士：哈姆雷特哈姆雷特：漢普遜（男中音）奧菲利：安德遜（女高音）冦迪斯：雷美（男低音）謝托特：葛華絲（女高音）亞布斯安歌劇合唱團倫敦愛樂樂團 / 艾美達

8:00pm INTERNATIONAL ROSTRUME OF COMPOSERS 2016 國際作曲家交流會議2016Oscar Bianchi (Switzerland): Partendo 22’碧安慈（瑞士）：分隔

29/8/2016 (Mon 星期一)11:00am BORODIN 鮑羅丁 String Quartet No. 2 in D 29’ Borodin String QuartetD大調第二弦樂四重奏鮑羅丁弦樂四重奏

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 28/8/2016, 8:00pm節目與2016年8月28日晚上8時相同

30/8/2016 (Tue 星期二)11:00am CHOPIN 蕭邦 Piano Sonata No. 3 in B minor, Op. 58 29’ Cécile Ousset (p)B小調第三鋼琴奏鳴曲，作品58奧西（鋼琴）

2:00pm Mozart: Piano Trio in B flat, K. 502 24’Beaux Arts Trio莫札特：降B大調鋼琴三重奏，K. 502美藝三重奏

Saint-Saens: Carnival of the Animals 30’Johnny Morris (n)Slovak Radio Sym. Orch. / Ondrej Lenard聖桑：動物狂歡節莫里斯（旁白）斯洛伐克電台交響樂團 / 蘭納

Wieniawski: Violin Concerto No.2 in D minor, Op. 22 23’Itzhak Perlman (v)Orchestre de Paris / Daniel Barenboim維尼奧夫斯基：D小調第二小提琴協奏曲， 作品22普爾文（小提琴）巴黎管弦樂團 / 巴倫邦

Haydn: Symphony in F sharp minor, Hob. I:45, ‘Farewell’ 27’Orpheus Ch. Orch.海頓：升F小調交響曲，Hob. I:45，「告別」奧菲斯室樂團

Emmanuelle Haïm 凱欽

Steven Osborne 奧斯本

AUGUST 2016 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華 53

英國廣播公司逍遙音樂節2012英國廣播公司蘇格蘭交響樂團 / 溫力高斯華格納：齊格飛牧歌布魯克納：C小調第八交響曲

2012年8月3日首晚倫敦皇家亞爾拔音樂廳 錄音。

3/9/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Hong Kong - Vienna Music FestivalMembers from:City Ch. Orch. of Hong KongHong Kong Phil.Vienna Radio Sym. Orch.Vienna State Opera Orch. and more… / Jimmy ChiangMahler: Symphony No. 8

Presented by Vienna Boys Choir Music Academy Foundation. Recorded at Hong Kong City Hall Concert Hall, on 28/8/2016.

維港音樂節樂團成員由以下樂團組成：香港城市室樂團香港管弦樂團維也納電台交響樂團維也納市立歌劇院樂團及更多⋯ / 曾智斌馬勒：第八交響曲

維也納兒童合唱團音樂學院基金主辦。2016年8月28日香港大會堂音樂廳錄音。

Donald Runnicles 溫力高斯

• Radio Television Hong Kong • Music Office • Hong Kong Cultural Centre • Hong Kong Cultural Centre • Hong Kong City Hal • Shatin Town Hall • Tsuen Wan Town Hall • Tuen Mun Town Hall • Kwai Tsing Theatre • Yuen Long Theatre • Ngau Chi Wan Civic Centre • Sai Wan Ho Civic Centre • Sheung Wan Civic Centre • 香港電台 • 音

樂事務處 • 香港文化中心 • 香港大會堂 • 沙田大會堂 • 荃灣大會堂 • 屯門大會堂 •葵青劇院 • 元朗劇院 • 牛池灣文娛中心 • 西灣河文娛中心 • 上環文娛中心

• Tom Lee Music Co. Ltd. Retail branches including: Tsimshatsui, Wanchai, Shatin, Causeway Bay, Taikoo, Aberdeen, Western District, Olympian City, Kowloon Bay MegaBox, Hunghom, Hang Hau, Luk Yeung Galleria, Tsing Yi, Tuen Mun, Yuen Long, Tai Po • Eddy Piano Co. Ltd. Retail Branches including: Kowloon City, Mongkok, Hung Hum, Tseung Kwan O, Tai Po, Homantin • Tsang Fook Piano Co. Ltd. Wanchai • Hong Kong Children’s Strings Branches including Causeway Bay, Tai Kok Tsui • Muse Music Company • Harmony Music Co. Ltd. Prince Edward • Hong Kong Records Tsimshatsui & Admiralty • Pro-sound Ltd. • ST Music & Art Centre • Rosealan Music • Sole Cultural Goods • Youth Square • Hong Kong Zhang Shixiang International Violin School • Dynamics Music • Aria Academy of Music • 通利琴行 分行包括：尖沙咀、灣

仔、沙田、銅鑼灣、太古、香港仔、西環、奧海城、九龍灣(Megabox)、紅磡、

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灣、大角咀 • 繆斯琴行 • 凱聲琴行 太子 • 香港唱片有限公司 尖沙咀及金鐘 • 寶韻

Pro-sound Ltd • 華偉音樂藝術中心 • 樂爵士琴行 • 向日葵文化良品 • 青年廣場 • 張

世祥國際小提琴學校 • 艾莉亞音樂學院

• Hong Kong Children’s Choir • Music Department of the University of Hong Kong • Music Department of the Chinese University of Hong Kong • Music Department of the Hong Kong Baptist University • The Hong Kong Academy for Performing Arts • Hong Kong Music Institute • The United Academy of Music • Hong Kong International Institute of Music • Hong Kong Percussion Centre • Baron School of Music • Hong Kong Professional Piano Education Academy Tin Hau, QuarryBay & Tsuen Wan • The Hong Kong Institute of Education • Lingnan University • 香港兒童合唱團 • 香港大學音樂系 • 香港中文大學音樂系 • 香港浸會大學音樂系 • 香港演藝學院 • 香港音樂專科學校 • 聯合音樂學院 • 香港國際音樂學校 • 香港敲

擊樂中心 • 伯樂音樂學院 • 香港鋼琴教育專業學院 天后、鰂魚涌、荃灣 • 香港教

育學院 • 嶺南大學

• Hong Kong Public Libraries Including: Hong Kong Central Library, Kowloon Central, Fa Yuen Street, To Kwa Wan, Lai Chi Kok, North Point, Shatin, Sheung Shui, Tai Po, Tsuen Wan, Tuen Mun, Yuen Long, North Kwai Chung • Hong Kong Museum of Art • Hong Kong Museum of History • 香港公共圖書館 包括：香港中央圖書館、九龍中央圖書館、花園街、土瓜灣、荔枝角、北角、

沙田、上水、大埔、荃灣、屯門、元朗、北葵涌 • 香港藝術館 • 香港歷史博物館

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AUGUST 2016 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華54

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AUGUST 2016 | FINE MUSIC | CLASSIFIED BOARD 分類廣告

聯合音樂院

The United Academy of Music

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55

I learned that I was not logical enough to be a criminal psychologist the day

before I handed in my university application, yet applying for music would get me

into a Top 20 university, and it would be good for the school’s reputation. When

I first started university, I often asked myself, ‘Why am I studying things that I

don’t enjoy?’ Then I realised art is a reflection of one’s self-identity in the most

unaffected manner and because art is very personal, it has no right or wrong.

Although artistic expression comes in many forms, it is music in which I see

beauty. My goal is to play an important role in the management, promotion, and

advocacy of art organisations on a national and international level.

I have always been fond of the saying ‘think outside the box’. This statement

accurately describes how I tackle all the problems and challenges I face on a

daily basis. As an artist and academic, I find that hands-on training is the best

way to learn. Interacting with other students and professionals helps me to learn

and retain information much more affectively. While the pursuit of being an art

administrator is my prime goal and objective today, my wide variety of activities

and interests help to keep me well rounded and personable.

This year, I have had the honour to be a summer intern at Radio 4, so that I can

learn more about music and radio, to meet more professionals, and to tackle

more challenges. I was absolutely thrilled to watch producers doing live shows

and meeting guests and artists face to face, including the RTHK Quartet and

Howard Elias, the film critic, because I can get first-hand information on their

expertise. I am always hungry for more knowledge, therefore I often read books.

English literature is also something I am quite fond of; I particularly enjoyed

writing and compiling the materials for the Shakespeare concert featured in this

month’s Fine Music.

In my free time, I teach blind and autistic young adults violin, piano and music in

general. Teaching them requires a lot of patience and skill. There are times that I

feel so defeated and want to give up, but I guess you wouldn’t know how much

you have achieved if you don’t go on.

Well, I believe studying music really has its perks and I don’t think studying as a

criminal psychologist will bring me to where I am today.

Ronnie Yeung 楊晴

▲ Helping out in the ‘Artist-in-Residence’ concert 參與「駐台演奏家」音樂會的幕後工作

I can finally work in a recording studio rather than being recorded

我最終能在錄音室工作，而非拉奏小提琴

▲

死線了 — 在申請大學的前一天，我才願意接納自己

根本沒有足夠的邏輯思維成為一位犯罪心理學家。畢

竟是從小就接受樂器訓練，那就選音樂吧！藝術是非

常個人化的，沒有對錯之分。藝術表現的形式有許多

種，其中，只有音樂最能感動人心。

今年，很榮幸能在第四台當暑期實習生，了解更多有

關古典音樂和廣播的知識，實在讓我大開眼界，特別

是現場觀看直播節目和有機會與藝術家見面，包括香

港電台弦樂四重奏和影評人霍華德•埃利亞斯。從他

們身上，我明白更多專業知識。除此以外，我曾修讀

英國文學，也有助我在準備今期《美樂集》中莎士比

亞音樂會的材料。

課餘時，我也教視障及患自閉症的青年人演奏小提琴

和鋼琴。兩年的教學生涯中，讓我明白「施比受更為

有福」的道理是可以透過音樂實踐出來，而犯罪心理

學定必不會塑造出今日的我。

AUGUST 2016 | FINE MUSIC | COLUMNS 專欄56