Flannery y Marcus Los Cacicazgos Del Formativo en México

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    Formative Mexican Chiefdoms and the Myth of the “Mother Culture”

    Kent V. Flannery and Joyce Marcus

    M useum of Anthr opology, Un iversity of M ichigan, A nn Arbor, M ichigan 48109-1079 

    Most scholars agree that the urban states of Classic Mexico developed from Formative

    chiefdom s wh ich preceded them. They d isagree over wheth er that d evelopmen t (1) took place

    over the whole area from the Basin of Mexico to Chiapas, or (2) emanated entirely from one

    unique culture on the Gulf Coast. Recently Diehl and Coe (1996) put forth 11 assertions in

    defense of the second scenario, which assumes an Olmec “Mother Culture.” This p aper

    disputes th ose assertions. It suggests that a model for rap id evolution, originally p resented by

    biologist Sewall Wright, provides a better explanation for the explosive development of For-

    mative Mexican society.   © 2000 Academ ic Press

    INTRODUCTION

    On occasion, archae ologists revive idea s

    so ana chron istic as to h ave been declared

    dead . The m ost recent attemp t cam e when

    Richard Diehl and Michael Coe (1996)

    parted the icy lips of the Olmec “Mother

    Culture” and gave it mouth-to-mouth re-suscitation.1

    The notion that the Olmec of the Gulf  

    Coast were the mother of all Mesoameri-

    can civilizations goes back m ore th an ha lf 

    a century (Covarrubias 1944), to a tim e

    when Formative archaeology was in its

    infancy. Sch olars of th e 1940s sa w gen era l

    s tylis tic s imi lar it ies betw een t he G ulf  

    Coast and the Mexican highlands; sinceOlmec centers had stone m onum ents and

    t he highlands gener ally did not, it w as

    as s umed t hat t he G ul f C oas t w as i n t he

    forefront an d the h ighlands were begging

    to be civilized . Five d ecad es of sub seq ue n t

    excavation have shown the situation to be

    m ore com plex than that, bu t old ideas d ie

    har d.

    In “Olmec Archaeology” (hereafter ab-

    breviated OA), Diehl an d Coe (1996:11)

    pr opos e t hat t here ar e t wo contr ast ing

    “schools of thought” on the relationship

    b e tw ee n t h e O lm e c a n d t h e r es t o f M e -

    soam erica. In the  Olmec-centric school the yp lace them selves, Joh n Clark, Beatr iz de la

    Fue nte, Pau l Tolstoy, an d the late Alfonso

    Caso, Ign acio Bern al, Migu el Covarru bias,

    Matthew Stirling, and George Vaillant.

    This group, they allege, agrees with them

    that the Olmec were different from their

    contempor aries in kind r ather t han de-

    gree, creating the entire sym bolic system

    of 1150–500 b.c.2 an d b ecom in g th e

    M other C ult ur e of later M esoamer ican

    civilization. In t h e  pri mus in ter pares schoolthey p lace William R. Coe, Arthu r Dem ar-

    est, John Graham, David Grove, Norman

    Ham mond , Flannery and Marcus, Robert

    St u ck en r at h , Jr ., a n d t h e la te Sir Er ic

    Thompson. They describe this school as

    believing that the Olmec were “no more

    advanced than any other” Formative cul-

    1 Wh ile Dieh l is given as th e co-auth or of th e 1996

    re sus cit at ion, h e a nd Coe a re not a lw a ys in full

    agreement. For example, Diehl believes (as do we)

    that th e Olm ec were a set of chiefdoms; Coe does not(Coe and Diehl 1980b:147). Coe believes that the

    Olmec site of San Lorenzo is a gigantic bird effigy;

    Diehl (person al comm un ication, 1990) d oes not. W e

    thus feel uncomfortable including Diehl in our re-

    buttal of what are largely Coe’s views. Our compro-

    mise is simply to refer to the Diehl and Coe (1996)

    pap er by its title, “Olmec Archaeology.”

    2 In th is pap er, lowercase “b.c.” is u sed for un cali-

    brated radiocarbon years before the Christian era.

    Journ al of Anthr opological Archaeology  19,  1–37 (2000)

    doi:10.1006/jaar.1999.0359, available online at http://www.idealibrary.com on

    10278-4165/00 $35.00

    Copyright © 2000 by Academic PressAll rights of reproduction in any form reserved.

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    ture and contributed “little if anything to

    later [Me soam erican] civilization.”

    O u r sch o ol w ou ld b e h a p p y t o c h a l-

    lenge the Olmec-centrists to a tug-of-war,

    since h alf the m embers of their team are

    dead . However, their p ortrayal of our po-sition is n ot a ccu ra te—a fam iliar p rob lem

    w hen one i s bei ng us ed as a s t r aw man.

    We would not d escribe the O lmec as “no

    more advanced” or “contributing little.”

    Their contribu tion has sim ply been exag-

    gerated by Olmec-centrists, who credit

    the Olmec with man y things their neigh-

    bors d id earlier or better.

    OA presents 11 “traits” which allegedlys how t he O l mecs ’ mat er nal r ol e i n M e-

    s oamer ica’s genealogy (D iehl and C oe

    1996:23). We find those traits unconvinc-

    in g a nd su gge st th at th ere a re b ette r

    fr am e wor ks th a n th e M oth e r C u ltu r e

    model, which we d o not fin d appropriate

    for   any  world region. On e alternative is amodel for the conditions leading to rapid

    evolution, p resented by th e distingu ishedbiologist Sewall Wrigh t (1939). Even be -

    fore refuting the 11 traits, however, we

    m ust m odify the au thors’ caricature of our

    position.

    PRIMUS INTER PARES: ACLARIFICATION

    An y m o d el for th e O lm e c a n d th e irnei ghbor s mus t be bas ed on our cur r ent

    u n d e rsta n d in g of com p le x socie tie s,

    which is far greater now than in Vaillant’s

    or Covarrubias’s day (And erson 1994;

    Carn eiro 1981, 1991; Dr en na n an d Uribe

    1987; Earle 1991a, b, 1997; Flannery 1995,

    1999; Goldman 1970; Johnson 1987; Kirch

    1984; Kirch and Green 1987; Marcus 1989,

    1992; Marcus and Flannery 1996; Spencer1993, 1998; H. Wright 1984, 1986).

    Amon g th e m ost intere sting societies in

    th e e th n ogr ap h ic a n d a rch a eologica l

    re cord s ar e ch iefdom s—societies b ase d on

    hereditary differences in rank, in which

    the chief’s auth ority extend s to satellite

    comm un ities. Chiefdom s are n ot a m ono-

    lithic category; they come in m an y d iffer-

    ent types. Some, l ike those of Panama’s

    Azuero Penins ula, w ere s edent ary and

    flam boyan t (Loth rop 1937; Linare s 1977;

    Helms 1979). Others, like those of Iran’sZa gr os M ou n t ain s , w er e p a st or al a n d

    non -flam boyant (Barth 1964; Flan ne ry in

    press). W ithin Polynesia alone, Goldm an

    (1970) has classified some chiefdom s as

    “traditional” (based more on sacred au-

    thority), others as “open” (based more on

    secular power), and still others as “strati-

    fied” (large, with a combination of sacred

    authority and secular power). Nowadayst he t er m “par amount ” oft en s ubst it utes

    for Goldman’s “stratified.” While rank in

    t radit ional chiefdoms us ually t ook t he

    form of a continuum from higher to lower

    statu s, a few p ara m ou n t chiefdom s—like

    th ose in Ha wai’i (Kirch 1984: Fig. 85)—

    achieved stratification by cutting lower-

    status families out of the genealogy, re-

    ducing them to a commoner class.In so m e p a rts o f t h e a n cie n t w or ld ,

    chiefdoms per sis ted for cent ur ies. Re-

    search in su ch regions has d efined a long-

    term process called “chiefly cycling” (H.

    Wright 1984; Anderson 1994). In this pro-

    cess, paramount chiefdoms rose, peaked,

    then collapsed am id a regional landscape

    of smaller traditional or open chiefdoms.

    It is incr easingly clear t hat par amountchiefdoms formed by t aking over t heir

    wea ker n eighb ors (Carn eiro 1981, 1991).

    Their collapses resu lted from such factors

    as comp etition betwee n chiefly fam ilies or

    factions, endem ic raiding, agricultural

    failure, or dem ographic imb alance, and

    usually took the form of fragmentation

    back int o t he s maller uni ts fr om w hich

    th ey h ad b ee n cr ea te d. W e vie w th eO lm e c a s on e m o re se t of p ara m ou n t

    chiefdoms that rose, peaked, and eventu-

    ally collapsed in a land scap e of traditional

    and open chiefdoms.

    A rare paramount chiefdom might suc-

    ceed in subduing and incorporating other

    2   FLANN ERY AND MARCUS

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    large chiefdom s, creating a polity so great

    that it could n o longer b e ad m inistered as

    a chiefdom (Spencer 1998). This is how

    ind igenous states formed in Madagascar

    (Dewar and Wright 1993) and am ong the

    Zulu, As hanti, H unza, and H aw ai’ians(Flann ery 1999). It is becoming increas-

    ingly clear that the first states in south-

    west Iran, Egypt, Peru, Oaxaca, and the

    M aya r egion als o formed t his w ay ( H .

    Wright 1986; Flannery 1995; Marcus 1992,

    1993, 1998a; Marcus and Flannery 1996). It

    m akes the stu dy of chiefdom s all the m ore

    interesting to discover that, on at least

    some occasions, they became the “precur-sors” of states (Carn eiro 1981; H . Wright

    1984).

    It took more than 1000 years for Mexi-

    co’s Formative societies to become com-

    plex enough t o s er ve as pr ecur s or s for

    states. By the middle of the second mil-

    lenn ium b.c., agricultural villages were

    spre ad over th e wh ole area from th e Basin

    of Mexico to th e Pacific Coast of Ch iapas.Som e, bu t n ot all, of these village societies

    had been r eor gani zed i nt o s t at es by t he

    beginning of the Ch ristian era.

    We kn ow less abou t this tran sitiona l pe -

    riod than we should, since some archae-

    ologists assume that their sites belong to

    chiefdom s without p rodu cing eviden ce of 

    the requ isite sociopolitical institutions.

    Else wh e re w e h a ve su gge ste d th a t a sm any as ten lines of eviden ce m ay be n ec-

    essary to confir m a chiefdom (Marcus an d

    Flannery 1996:110). At this writing, we are

    co n fid e n t t h at t h e Va lle ys o f M e xico ,

    Pueb la, Morelos, an d Oaxaca, an d various

    parts of Guerrero, Chiapas, and southern

    Veracruz-Tabasco had chiefly societies b y

    1150 b.c. We are less confid en t ab out a reas

    su ch a s th e Teh u acán Valley an d th e Ca ñ -ad a de Cuicatlán, b ut they show evide nce

    of modest chiefdoms by 600–450 b.c.

    (Spencer 1993).

    Most chiefly centers of 1150–450 b.c.

    were in frequent contact with each other,

    exchanging goods like obsidian, marine

    shell, iron ore m irrors, an d the like (Pires-

    Ferr eira 1975). Tlap acoya in the Basin of 

    Mexico sent Paloma Negative and Cesto

    Wh ite pottery to San José Mogote in the

    Valley of Oaxaca; Oaxaca sent Leandro

    G r ay a n d D elfi n a Fin e G r ay p o tt er y t oTlapacoya and to San Lorenzo, Veracruz

    (Marcus 1989:192; Flann ery an d Marcus

    1994:259–263, 286). San Jos é M ogot e re -

    ce ive d tu r tle sh e ll d r u m s a n d p e ar ly

    freshwater mussels from the San Lorenzo

    r egion ; it a lso r ece ive d G u am u ch al

    Brushed pottery from Chiapas (Flannery

    an d Marcus 1994:286). Magn etite from

    Oaxaca reached San Pablo in M orelos an dSan Lorenzo in Veracruz (Pires-Ferreira

    1975).

    Th e re a re t wo r ea so n s w h y su ch e x-

    changes of goods should not surp rise u s.

    The first is that intersite distances were

    not great. Given foot travel estimates of  

    4.5 km p er h (Morley 1938:234) o r 32 km

    p er d ay (H am m on d 1978), even a trip from

    the Basin of Mexico to the Chiapas Coastwould take less than a m onth. The second

    reason is that chiefly elites are always ea-

    ger for p restigious gifts from other chiefly

    elites.

    THE OLMEC IN WIDER CONTEXT

    L e t u s n o w l o o k a t t h e O l m e c i n t h e

    context of chiefdom s worldwide. The ap o-gee of this flamboyant society took place

    betwee n 1150 a nd 300 b .c. on Mexico’s

    Gu lf Coa st (Grove 1997). Wh at w e kn ow of 

    its demographic history suggests typical

    chiefly cycling. San Lorenzo, perh aps the

    earliest O lmec cent er , peaked bet ween

    1150 and 900 b .c.; it th en su ffered a loss of 

    population and many of it s s tone monu-

    m en ts were d efaced, most likely by a rivalch ie fd o m (C oe a n d D ie h l 1980a , b ;

    Cyphers 1997). San Lorenzo’s population

    was partially restored between 600 an d

    400 b.c., after which it collapsed again and

    lay abandoned for centuries rather than

    becoming part of a state.

    3MEXICAN CHIEFDOMS AND MOTHER CULTURE

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    La Venta, a second Olmec center some

    90 k m t o t h e n o rt h ea st , r os e t o p r om i-

    ne nce betwee n 900 and 600 b.c. (Drucker

    et al. 1959; Gon zález Lau ck 1996). It is

    probably no accident that La Venta’s rise

    coin cide d with San Loren zo’s 900–600 b.c.h ia tu s. W h eth er La Ve nta or a th ir d

    chiefly center was responsible for defac-

    ing San Lorenzo’s monuments, this cycle

    of synchron ized rises an d collapses is typ-

    ical of chiefdom s comp eting for labor an d

    r esour ces (H . W r ight 1984; Ander s on

    1994).

    In d e ed , th e O lm e c r ese m b le d m a n y

    other chiefdom s worldwide. Som e of theirchiefly centers covered hu nd reds of hect-

    ares, like the largest Mississippian centers

    of N or th Am e rica . Th e O lm e c b u ilt

    e a rth e n m o u n d s lik e s om e P olyn e sia n

    chiefdom s. They set u p hu ge stone sculp-

    ture s like chiefdom s on Easter Islan d, an d

    carved wooden statues and jade sumptu-

    ary goods like th e M aori. Wh ile th ey were

    not identical to any of those other chief-

    doms, the difference was more of degree

    than kind.

    Many chiefly centers sprawled over ar-

    eas larger than that of a typical Bronze

    Age city. This results from the fact that

    chiefs cann ot control pe ople at a distance,

    as states can; many chiefs therefore con-

    centrated thousan ds of farm ers, warriors,and craftsmen as close to their residences

    as p ossible. Conversely, wh en a ch iefdom

    “cycled dow n,” it s loss of population

    could be as spectacular as that recorded

    from San Loren zo at 900 b.c. by Sym ond s

    an d Lun agó m ez (1997:135).

    Even at the ir peaks, San Loren zo and La

    Venta were smaller than Cahokia, a Mis-

    sissippian chiefly center in Illinois. At itsap ogee in A.D. 1250, Cah okia is e stima ted

    to have covered 13 km 2 (Miln er 1998:109;

    Pauketat 1994). This is six times the cur-

    rent estimate for La Venta (González

    Lauck 1996:75) and twice the most hyper-

    bolic estima te for San Loren zo (Lu na gó-

    mez 1995).3 Surveys of the American Bot-

    tom , th e a llu via l va lle y su r rou n d in g

    Cah okia, suggest th at th e site’s imm ed iate

    “sustaining area” may have covered 3000

    km 2. By A.D. 1400 it h ad collap sed with ou t

    becoming part of a state.Like the Olmec, Cahokia was once con-

    ceived of as a “mot her cult ur e.” Fort y

    years ago, when we had much less infor-

    m a t io n t h an w e d o n o w, t h e Am e r ica n

    Bottom was considered “something of a

    font from which all Mississipp ian [cul-

    ture] arose, even the source of invading

    w aves of popul at i on” f or ot her par t s of  

    the eastern United States (Anderson 1994:144). O ver t he pas t four decades, t hat

    m o d e l o f C a h ok ia n m o th e r cu lt u re h a s

    been replaced by a multiple-center model.

    The Mississipp ian is now see n a s “em erg-

    ing” (Smith 1990) sim ultaneously from

    loca l W oo dla n d cu ltu r es a ll o ve r th e

    Southeast, and “any recourse to popula-

    t io n m o ve m e n t is su s p ect ” (An d e r so n

    1994:144).Even within the 3000 km 2 American

    Bottom , Milner (1990:29) wou ld n ow see

    Cahokia as   pr imus in ter pares,   t he domi -nant polit ical ent it y am ong a num ber of  

    organizationally similar (if less complex)

    semiautonomous chiefdoms which exer-

    cised considerable control over their own

    t er r it or ies —s omet hi ng anal ogous , in

    other words, to Powhatan ’s confed eracy of 200 villages (Roun tree 1989). And erson

    (1994:141) po ints t o a sign ifican t d iffere n ce

    between Cahokia and most early states:

    “the comp lete absen ce [at Cah okia] of ev-

    idence for formal, differentiated adminis-

    trative structures.”

    While it lacked adm inistrative struc-

    tures, Cahokia did build earthen mounds.

    On e of these, Monks Moun d, stands 30 mhigh and cover s an ar ea 300     212 m

    (Anderson 1994:138). It is the largest

    3 The largest estimates for San Lorenzo would in-

    clude, within the boundaries of that one site, locali-

    ties which oth er rep orts consider separate sites in the

    settlement hierarchy below San Lorenzo.

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    e ar th e n str uctu re in th e N ew W or ld ,

    dwarfing even the largest pyramid at La

    Venta (Drucker et al. 1959:11).

    Som e Polynesian chiefdom s also bu ilt

    m oun d group s rivaling La Venta. The Tu’i

    Tonga , or h ered itary chief, of Tonga ru ledfrom a fortified ceremonial center called

    La pah a on th e islan d of Ton ga ta pu

    (McKern 1929; Kirch 1984:228). Stretching

    along the shore of a lagoon for 1.5 km,

    Lapaha featur ed a s er ies of pl azas and

    20–30 earthe n m oun ds, b oth circular an d

    rectangular. Historically known chiefs or

    their brothers and sisters lie bu ried un der

    specific mounds.Several Polynesian chiefdom s, most n o-

    tably Easter Island, erected monumental

    s tone s tatues analogous t o t he coloss al

    heads of San Lorenzo and La Venta (Fig.

    1). Based on ethnohistoric records, Bahn

    and Flenley (1992) suggest that the huge

    statues or   moai  of Easter Island represen timp ort ant ancest or s. They w ere s et on

    slopes above villages to stand guard dur-ing the ceremonies of their descendants,

    but were sometimes toppled by victorious

    enemies. Easter Island was an open chief-

    dom in Goldm an ’s (1970:21) term s, not

    n ea rly a s p ow er fu l a s th e p ar am ou n t

    chiefdoms of Tonga and Hawai’i. Despite

    this, Easter Island carved 900 to 1000  moai (Van Tilburg 1994), roughly 100 times as

    many colossal heads as are known fromSan Lorenzo (Diehl and Coe 1996:15).

    Many chiefdoms carved jade, another

    activity for which the Olmec are known.

    Among th e m ost spectacular were the  t ikis of jadeite or n eph rite carved by the Maori

    (Mea d et a l. 1985), a tr ad itiona l Polyne sian

    chiefdom. Some carvers were renowned

    t h ro u gh o u t N e w Ze ala n d , a n d t h e b e st

     jad es were given n am es an d beca m e h eir -looms for the elite.

    Maori chiefs also supported carvers of 

    w ood e n h ou se p osts a n d sta tu e s (e .g.

    Me ad et al. 1985: Pl. 37, 39, 47, 58). Th is

    craft is another with which the Olmec are

    now credited, based on the discovery of  

    waterlogged wooden busts in a spring atEl M an at ı́, Ver acr u z (Or tı́z an d Rod rı́gu ez

    1989, 1999). As Fig. 2 sh ou ld m ake clear,

    how ever , t he bes t M aor i car ver s t ook a

    backseat to no one, including the Olmec.

    Maori chiefs’ hou ses h ad carved lintels,

    t hr es holds , s ide post s, r oof beams , and

    sup port p osts. Each hou se was considered

    a work of art and given a name. Similar

    craftsman ship was lavished even on stor-age h ouses, which might be given n ames

    like Te O ha, “The Abund ance.” M aor i

    chiefs also com m issioned Mee ting H ouses

    for t heir follower s. The r oofs of t hese

    Meeting H ouses were sup ported by hu ge

    upr ight post s, s omet imes car ved t o r e-

    FIG. 1.   M any chiefdom s erected stone sculptures

    of chiefly ancestors. (a ) Moai 27 from Easter Island

    (height 5.45 m). (b ) C olo ss al H e ad 4 fr om Sa n

    Lorenzo (height 1.78 m). Redrawn from Van Tilburg

    (1994) and de la Fuente (1975).

    5MEXICAN CHIEFDOMS AND MOTHER CULTURE

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    semble warriors; the door posts were also

    carved, often depicting legendary ances-tors.

    San Lorenzo h as p roduced one feature

    which (although enigmatic) hints that the

    O lmec may have had compar able publ ic

    bu ildings, bu t with roofs supp orted b y ba-

    salt colum ns instead of wooden posts. The

    evidence consists of a carved basalt col-

    um n (now broken in ha lf), its up right base

    set in a patch of red clay floor with asso-

    cia te d ste p s a n d a ston e -lin e d d r ain

    (Cyphers 1997: Fig. 7.15).4

    In su m , th e O lm e c fi t com for ta blywith in th e p a ra m ete rs of ch ie fd om s

    worldwide. They bu ilt m ound s and plazas

    like Tongan chiefdoms, carved jades and

    wooden statues like the Maori, erected co-

    lossal heads like Easter Island, and con-

    centrated thousand s of farm ers, warriors,

    and artisans in sprawling settlements as

    the chiefs of Cahokia d id. The Olm ec look

    im pressive relative to their contemp orar-ies, bu t not in comp arison to later societies

    like those centered at Teotihu acán and

    M on te Albán .

    THE 11 OLMEC-CENTRIC TRAITSPROPOSED IN OA

    In spite of the Olmecs’ resemblance to

    other chiefdoms, Coe has always imag-ined th em to be a colonizing em pire, “Me-

    soam erica’s first true civilization.” Let us

    look at the 11 “traits” which he and his

    co-author b elieve sup port th e O lm ec-cen-

    tric view (Diehl and Coe 1996:11).

    Trait 1.   San Lorenzo an d La Venta had“multitiered, hierarchical settlement sys-

    tems that integrated towns, smaller vil-

    lages, tiny hamlets, craft workshops andsp ecial ritu al locales”—system s th at “oc-

    curred nowhere else in Mesoamerica until

    centuries later.” (Convinced that “special

    ritual locales” were unique to the Olmec,

    th e a u th or s of O A u se th em a ga in a s

    Trait 7.)

    Som eone eviden tly hasn ’t been reading

    the settlemen t pattern literature. Every

    4 The basalt column is called Monument 57. Un-

    fortun ately, the patch of red clay floor with steps h as

    been nicknamed “El Palacio Rojo,” an easily rem em-

    bered but misleading label since we lack a plan of 

    the b uilding, and what we d o have looks nothing like

    a Mesoamerican palace (see Flannery 1998 for exam-

    ples).

    FIG. 2.   Many chiefdom s were noted for elaborate

    wood carving. (a ) Maori carved post (height 175 cm).

    (b ) Carved bust from El M anat ı́ (height 55 cm).

    Drawn from ph otos in Mead et al. (1985) and Ort ı́z

    an d Rod rı́gu ez (1989).

    6   FLANN ERY AND MARCUS

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    major chiefly center of the period 1150–

    450 b.c. whose hinterland has been sys-

    t emat ically s ur veyed had villages and

    hamlets hierarchically below it. The Basin

    of Mexico (Sanders, Parsons, and Santley

    1979; N ied er be rge r 1996: Ma p 1), th e Val-ley of Mo re los (H irth 1980, G rove 1987),

    the Valley of Oaxaca (Kowalewski et al.

    1989; Marcus and Flann ery 1996), the

    Chiapas coast (Clark and Blake 1994), and

    northern Belize (Hammond 1991) all had

    hierarchies of villages and hamlets below

    major centers. As for “craft workshops,”

    exampl es include t he M atadamas cher t

    q u arr ies (Wh alen 1986) a n d Fábr ica SanJosé saltwor ks (Dren n an 1976) in th e Val-

    ley of Oaxaca. “Spe cial ritua l locales” are

    a lso w id e sp r e ad ; co n sid e r th e p a in t ed

    cliffs and caves above the site of Tlapa-

    coya in the Basin of Mexico which, ori-

    ented east toward the volcanoes Ixtacci-

    huatl and Popocatepetl, receive the early

    light of sun rise an d “m ay have constituted

    a significant component of sacred space”(Niederberger 1996:87). The painted cave

    of Oxtotitlán in Gu errero (Grove 1970)

    would be a second example.

    Trait 2.   Although we “cannot yet deci-pher the meanings,” San Lorenzo and La

    Vent a “w ere laid out as cosmograms .”

    This is sheer speculation, based on Coe’s

    belief t hat San Lorenzo w as laid out t o

    rese m ble a “gigan tic bird flying east” (Coean d Diehl 1980a:387). This notion is re-

    futed by geological studies which show

    that, although modified by architectural

    t er r acing, t he over all s hape of t he San

    Lorenzo plateau is largely the result of  

    n at u ra l e ro sion (Cyp h er s 1997:102–105).

    While true cosmograms have not been

    found, many early Mesoamerican cultures

    used solar or astral pr inciples in orientingimp ortan t b uildings. As e arly a s 1350 b.c.,

    t he occupant s of t he Valley of O axaca

    w er e a p p a re n tly a lig n in g t h eir M e n ’s

    Houses to the sun’s path during the equi-

    n ox. This resulted in an orien tation 8° N of 

    east, or as it is often given, 8° W of north

    (Flan n er y an d M ar cus 1994:31–33; M ar cus

    an d Flann ery 1996:87). C om p lex A at La

    Venta had a similar orientation (Drucker

    et al. 1959), but since the Oaxaca Men’s

    Hou ses an teda te Com plex A by 500 years,

    o n e ca n h a r d ly cr ed it t h e O lm e c w ithMexico’s fi rst solar or astral alignm en ts.

    Trait 3.   Alt hough admi tt ing t hat “w elack pr ecis e dat a on t he s ize of O lmec

    polities,” the au thors of OA argue that th e

    territories controlled by Olmec centers

    may have been “significantly larger than

    those of their contem poraries.” The truth

    is tha t we also lack pre cise d ata on th e size

    of their contem poraries’ p olities, m akingthe whole topic speculative.

    Trait 4.   The Olmec, OA asserts, “had ahighly soph isticated symb ol system ex-

    pressed in a coherent art style.” We defer

    our discussion of this trait to a later sec-

    tion, where we sh ow that San Lorenzo had

    only a su bset of the repertoire of symbols

    used through out early Mexico.

    Trait 5.  The O lmec invented m onum en-tal stone carving, which was “a defining

    characteristic of every Mesoam erican civ-

    iliza tio n .” W e a gr ee t h at m o n u m e n t al

    sculpture was a defining characteristic of 

    the Olmec; the question is, how accurate

    an ind icator of sociop olitical com p lexity is

    it ? W e have alr eady s how n t hat East er

    Island , a m odest chiefdom by Polynesianstandard s, produced 100 times as man y

    coloss al heads as ar e known fr om San

    Lorenzo.

    Trait 6.   Predictably, the authors of OAuse the colossal heads for a second trait.

    Bo th t h e h e a d s, a n d t h e w oo d en b u st s

    found in t he s pr ing at El M anatı́, ar e

    t hought by t hem t o be “ por t r ai t s of r ul -

    ers.” Again, this is p ure speculation. Liket he s t at ues of E as t er I s l and, t he O l mec

    colossal head s m ight rep resent chiefly an-

    cestor s. As for th e b u sts of El Man atı́, the y

    might be (1) ancestors, like some Maori

    woodcarvings, or (2) surrogate sacrificial

    victims tossed into a spring.

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    Trait 7. This trait, “sp ecial ritua l locales,”has already bee n discussed un der Trait 1.

    Trait 8.  The ballgame, O A claims, find sits “oldest known evidence” in Olmec de-

    posits; San Lorenzo’s Palangana moun d

    complex (600–400 b.c.) “is the first known,purposefully constructed ballcourt.” This

    ass er tion is contr adict ed by H ill et al.

    (1998), wh o claim to h ave foun d a 1400 b.c.

    ballcourt at Paso de la Amada, Chiapas.

    The game itself is surely older than the

    O lm e c; w e e ve n h a ve on e p r ece ra m ic

    camp site with a boulder-lined area that

    could be for ballgames (Marcus and Flan-

    n ery 1996:58–59).The most convincing evidence for an

    early Mexican b allgame comes from rub-

    ber b alls preserved by waterlogging in th e

    sp rin g at El Ma n at ı́ (O rtı́z a n d Rod rı́gu ez

    1989, 1999). The discovery of these balls,

    however, is an accident of good preserva-

    tion. We cannot assum e that sim ilar ball-

    games w er e unknow n i n t he hi ghl ands ;

    after all, there are very early figurines of ballp layers at El Op eñ o, Mich oa cán (Oliv-

    eros 1974).

    Trait 9. The au thors of OA u se El Man atı́for a second trait: the first “ritual use of  

    ru bb er.” It m akes sense tha t the first ritual

    u s e o f ru b b e r m ig h t o ccu r o n t h e G u lf  

    Coast, wh ere ru bb er tree s a re n ative—just

    as it ma kes sense tha t the first ritua l use of 

    obsidian and magnetite might occur in thehighlands, where those raw materials are

    n a tive . Th e p o in t is , e ve ry r eg io n h a s

    something it did “first.”

    Trait 10.   But wait; El Man atı́ gets usedfor a   third  trait. It provides th e O lmec withthe oldest eviden ce for “infan t sacrifice in

    water-related rituals.”

    The truth is th at by the tim e El Man atı́

    was occupied, infant sacrifice had existedin Mexico for thousands of years. Several

    infan ts were sacrificed (perh ap s even can-

    n iba lized ) in Leve l XIV of Coxcat lán Ca ve

    in the Tehu acán Valley, an occupation

    dating to 5000 b.c. (MacNeish et al. 1972:

    266–270). The fact th at th e occu p an ts of 

    th e ar id Teh u acán Valley u sed a d ry cave

    for such sacrifices, while the occupants of 

    th e h u m id G u lf C oa st u se d a sp rin g,

    hardly seems earth-shaking.

    Trait 11.   Th e O lm e c h a d “e xt en s ive

    t r ade net w or ks . ” W hi l e t hey admi t t hatmost    Formative cultures had extensive

    ne tworks, the au thors of OA insist that th e

    O lm e c “m o ve d a g re at er q u a n t ity a n d

    m ore d ifferent kind s of goods” than their

    contempor aries (t hey t hen pad t he lis t

    w it h “pr obable expor ts ” for w hich w e

    have no ph ysical evidence.) The fact is

    that we cur ren tly have n o objective, qu an -

    t ifi ed m e a su r e o f go od s m o ve d b y a n y

    Form ative society, espe cially in th e case of 

    perishables.

    We cann ot resist pointing ou t the irony

    of th e O A auth ors’ po sition on Trait 11: All

    Fo rm a t ive cu lt u re s h a d t ra d e , b u t t h e

    O l m e c h a d t h e   most   t rade. Doesn’t that

    make t he O lmec  pr imus in ter pares? 

    TRAITS CONSPICUOUS BY THEIR

    ABSENCE

    As interesting as the 11 traits given in

    OA are the “firsts” the au thors do   not   list

    for the Olmec. These includ e the first use

    of l ime plast er , adobe br ick, and s tone

    masonry, three materials emblematic of  

    Classic Mesoamerican civilization. OA

    cann ot list these as O lmec inn ovations be -

    cause their first use occurred in the Mex-

    ican highlands. In the Valley of Oaxaca,

    fo r e xa m p le , lim e p la st er w as u s ed in

    Me n ’s H ou ses as ear ly as 1350 b.c.; adob es

    were u sed in p u blic buildings by 1000 b.c.;

    and stone m asonry platforms up to 2.5 min h eight were in u se b y 1000 b.c. (Ma rcus

    an d Flan ner y 1996:87, 109–110). By th e tim e

    such construction techniques reached Com-

    plex A, La Venta (Drucker et al. 1959), they

    had been used in the highlands for cen-

    turies.

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    A DETAILED LOOK AT TRAIT 4

    We now look at Trait 4, the “highly so-

    p h is tica te d O lm e c s ym b o l s yst em / a r t

    style.” OA asserts that this style spread

    over a ll of Mesoam erica be twee n 1150 an d

    850 b.c., and it s pr incipal component s

    w ere “monum ent al, t hr ee-dimens ional

    stone sculpture; hollow whiteware figu-r in e s d e p ictin g b a bie s; a n d C alza d as

    Carved pottery” (Diehl and Coe 1996:23).

    The OA auth ors insist that these elem ents

    “are ind igenous in San Lorenzo’s Initial

    Olmec period culture an d ap pear as intru-

    sive e lemen ts a t San José Mogote in the

    Valley of O axaca; Tlatilco, Tlapa coya, an d

    Las Bocas in central Mexico; several sites

    in Gu errero; and Abaj Takalik, La Blanca,

    and t he M azatá n r egion in t he Pacifi c

    coastal region of Ch iapas and Gu atem ala”

    (ibid.). As we shall see, th e available da ta

    do n ot sup port the n otion that carved pot-

    tery and hollow bab y dolls are “intru sive”

    in the highlands of Mexico.It is now clear that widespread regional

    styles existed in Mexico even before the

    Olmec rose to prominence. Between 1400

    and 1150 b.c., as point ed out by C lar k

    (1991: Fig. 8), Mexico was divided into at

    least two ceramic style provinces (Fig. 3).

    FIG. 3.   Map of Formative Mexico, showing style provinces and places mentioned in the text.

    Hachured area, highland province. Shaded area, lowland province. The style boundary emerged at

    1400–1150 b .c. (Clark 1991: Fig. 8) an d re m ain ed inta ct th rou gh 1150–850 b .c. 1, Tlatilco; 2, Tlap a-

    coya; 3, Coapexco; 4, Gualupita and Atlihuayan; 5, Nexpa and San Pablo; 6, Chalcatzingo; 7, Las

    Bocas ; 8, Ajalpan an d Co xcatlán Ca ve; 9, Teop an te cuan itlán ; 10, O xtotitlán Ca ve; 11, No chixtlán an d

    Etlaton go; 12, Cu icatlán ; 13, San José Mo gote an d Tierra s Lar gas; 14, La Vent a; 15, San Loren zo; 16,

    El Man atı́; 17, Las Lim as; 18, Mirad or-Plum ajillo; 19, Ch iapa de Corzo; 20, Paso de la Am ad a.

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    The Basin o f Mexico, Mor elos, Pu eb la, the

    Tehu acán Valley, the Valleys of Oaxaca

    an d N ochixtlán , a n d th e Cu icatlán Ca ñ -

    ada all shared red-on-bu ff bowls, bottles,

    and jars (Fig. 4). East of Tehu acán andOaxaca, this red-on-buff complex gradu-

    ally gave way to one linking southern Ve-

    racruz, Tabasco, and Chiapas. This low-

    la n d com p le x fe atu r ed   tecomates    orneckless jars with bichrome slips, fluting,

    or crosshatch ing (Fig. 5).

    Despite these regional differences, a

    f ew pot t er y t ypes w er e pr es ent on bot h

    sides of the style boundary. One of these

    was a pure white product called “kaolin

    w are,” believed on t he basis of p etr o-grap hic an alysis to ha ve been m ad e in two

    to three different regions (Fig. 6). Also

    foun d on both sides of the bou nd ary were

    tecomates   decorated with rocker stampingin zones (Fig. 7). Such vessels make the

    point that plastic decoration was already

    FIG. 4.   A complex of red-on-b uff vessels chara cterized the valleys of the h ighland style p rovince

    at 1400–1150 b.c. (a ) Jar from Burial 1 of Nexpa. (b ) Jar from Tierras Largas. (c ) Jar from Tlapacoya.(i ,j ) Jar an d b ottle from Ajalpan . (d, e ) Hemispherical bowls from Tierras Largas. (f, g ) Hem ispherical

    bowls from Tlapacoya. (h, k ) H emispherical bowls from Ajalpan. (Redrawn from Grove 1974;

    Niederberger 1976; Flannery and Marcus 1994; MacNeish et al. 1970.)

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    p op u lar at 1400–1150 b.c., in wh at we as-

    sume the Olmec-centrists would have to

    consider “Grand m other Cultures.”

    The So-Called “Early Horizon” 

    Som et im e ar ou n d 1200–1150 b.c., in th e

    wor d s of Tolstoy (1989:275), “cond itions

    over much of Mesoamerica evidently fa-

    vored dem ographic growth, craft special-

    ization, increased interregional exchange,

    greater dis parit ies in s ocial r ank, andm ore elaborate ceremonialism.” Certain

    communities (often the largest in each re-

    gion) seem to d isplay th ese ch aracteristics

    more than others. The increased interre-

    gional excha nge m en tioned by Tolstoy in-

    volved obsidian, m arine shell, iron ores

    FIG. 5.   Southern Veracruz, Tabasco, and Chiapas were part of a lowland style province at

    1400–1150 b.c. (a ) Chilpate Red-on-Cream tecomate, San Lorenzo. (b ) Tepa Red-and-White teco-

    mate, coastal Chiapas. (c ) Centavito Red fluted tecomate, San Lorenzo. (d ) Cotá n Red flutedtecomate, coastal Ch iapas. (e ) Tusta Red fluted tecomate, coastal Chiapas. (f  ) Achiotal Gray

    tecomate with zoned crosshatch, San Lorenzo. (g ) Salta O range tecomate with zoned crosshatch,

    coastal Chiapas. (Redrawn from Coe and Diehl 1980a; Blake et al. 1995.)

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    and pigments, jade, mica, stingray spines,

    t u rtle sh e ll d r u m s , a n d p o tt er y. O fte n

    fl amboyant , t he pott er y came in w hit e,

    b la ck, gr ay, r ed , r ed -a n d -w h ite , a n d

    black-and-white. Its plastic decoration,

    while still includ ing rocker stam ping, now

    featured delicate fine-line incising, deep

    excising or carving, and combinations of 

    these. Man y of the carved an d incised m o-tifs of 1150 b.c. were so stereotyped and

    pan -Mesoamerican that some scholars as-

    s ig n t h em t o a n “Ea rly H o rizo n ” (se e

    Grove 1989 for discussion).

    Olmec-centrists wan t u s to believe th at

    this style was created by the Olmec and

    im posed on the rest of Mexico. There are

    several reasons why that is u nconvincing.

    On e rea son is that M exico d id   not,   in fact,become one un iform style province be-

    tween 1150 and 850 b.c. Ceramic assem-

    blages from the Basin of Mexico, Puebla,

    Mor elos, and Oa xaca—comp on en ts of th e

    old re d -on -b u ff p rovin ce—still re sem bled

    each other m ore than they did the assem-

    blages of the lowland s. Assemb lages from

    southern Veracruz, Tabasco, an d Chia-

    pas —component s of t he old lowland

    p rovince—still fou n d th eir stron gest ties

    w ith e ach oth e r. An oth e r r ea son th e

    Olmec-centrists’ model will not work is

    t hat many of t he cer ami c f eat ur es t hey

    attribute to the Olmec appear earlier, are

    more abun dant, and /or are better mad e atTlap acoya, Tlatilco, Las Bocas, an d San

    José Mogote than at San Lorenzo or La

    Venta (Grove 1989).

    Alm ost 30 year s ago, Joralem on (1971)

    assembled an inventory of 176 allegedly

    “Olmec” motifs. While widely cited by

    Olmec-centrists (e.g. Coe and Diehl 1980a,

    b), this stud y has two flawed assum ptions:

    (1) a b elief that every m otif was O lmec n omatter what region it came from, and (2)

    the notion that every motif was a deity.

    Joralemon cr eat ed a “pant heon” of al -

    leged “Olmec gods,” bu t he did so relying

    heavily on decorated wares from Tlatilco,

    Tlapacoya, Las Bocas, an d other sites in

    FIG. 6.   Desp ite M exico’s division into style p rovinces at 1400–1150 b.c., som e luxury potte ry

    types sh owed up everywh ere. Above, collared tecoma tes in kaolin ware from San José Mogote (a,b )

    and San Lorenzo (c ). Below, ka olin b ottles fro m San José M ogote (d ) and San Lorenzo (e ). (Redr awn

    from Flannery and Marcus 1994; Coe and Diehl 1980a.)

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    t he M exican highlands , r at her t han on

    Gulf Coast pottery. As a result, a funny

    thing hap pened to the “pantheon” on theway to San Lorenzo: most of i ts “gods”

    dr opped out. D is appoint ed O lmec-cen-

    trists failed to realize that th is was be cause

    the bulk of Joralemon’s moti fs were not Ol mec at all , but h ighland M exican.

    A few years later, Pyn e (1976) stu d ied

    595 exam ples of de corated pottery from

    1150–650 b.c. in th e Valley of Oa xaca.

    Pyne identified 18 free-standing motifs,the full inven tory of which can b e found

    in Figs. 12.5–12.6 of Flan n e ry a n d M ar cu s

    (1994). Rather than referring to these as

    “gods,” Pyne sim p ly called th em “Motifs

    1-18.” She d id p oint ou t th at Motifs 1–6

    r e s e m b l e d a b e i n g C o e h a d c a l l e d t h e

    “fi r e -s e r p e n t ” o r “s ky -d r a g o n ,” w h ile

    M ot ifs 8–14 r es emb led anot her bei ng,

    th e “wer e-jagu ar ” (Pyne 1976:273). Be-

    c a u s e t h e c e r a m i c s P y n e s t u d i e d c o u l d

    b e lin k ed t o h o u se fl oo rs , b u r ia ls, o r

    fe a t u r e s (a n a d v a n t a ge Jo r a le m o n d i dn o t h a v e ) , P y n e w a s a b l e t o p o i n t o u t

    that Motifs 1–6 an d Motifs 8–14 were

    m ut u ally exclus i ve, t hat is , as s ociat ed

    w it h di ffer ent hou s eholds or r es iden t ial

    wards (Pyne 1976:278).

    Even tu ally, b y com b in in g O to-

    m a n g u e an e th n o h is to ry w ith a n e ve n

    larger sample of ceramics, Marcus (1989)

    concl uded t hat mos t of t he mot i f s w er en o t “ g o d s ” a t a l l , b u t r e f e r e n c e s t o t h e

    g re a t w or ld - d ivis io n s Ea r th a n d Sk y

    (Flan n er y an d Ma rcu s 1994:136–149).

    Motifs 1–6 d ep icted Sky in i ts “angry”

    f o r m , L i g h t n i n g , a “ s e r p e n t o f fi r e ” i n

    the sky (Figs. 8a–c). Motifs 8–14 de -

    pi ct ed Ear t h—s omet im es as an Ear t h

    m a s k (Fig . 9) b u t o ft e n in it s “a n g r y”

    form, Earthquake, complete with a clefth e a d r e p r e s e n t in g a fi s su r e i n t h e e a r t h

    (Fig. 8d).

    Th e r e as on s u ch m o t ifs w e re w id e -

    spread in early Mexico is because Earth

    and Sky w er e p ar t s of an ancient cos mo-

    l ogi cal di chot omy, not becaus e of any-

    thing the Olmec did. Grove (1989) sug-

    ges ts t hat m uch of t he s ym bol ic cont ent

    e xis te d b e fo re 1150 b .c. a n d is m o r elikely t o r efl ect t he com m on ances t r y of  

    Formative cultures than the ingenuity of  

    one cult ur e. By t he t im e t he m ot ifs fi r s t

    a p p e ar ed o n ce ra m ics, t h ey w er e a l-

    read y stylized a nd ha d regional varian ts.

    Fo r e xa m p le , w h ile Ea rt h w as o ft en

    sh ow n a s Ea rth q u a ke in th e tr em o r-

    pr on e h ighl ands , ot her ar t i sans r efer r ed

    t o Ea rt h b y r en d e r in g t h e fo ot o f t h eG r eat C r ocodi le on w hos e b ack t hey be-

    lieved they resided (Fig. 10; see Marcus

    1989).

    In sum, despite references to the period

    1150–850 b.c. as an Ear ly H or izon , M exico

    was still d ivided into roughly the same

    FIG. 7.   Some decorative techniques were shared

    by the highland and lowland style provinces at 1400–

    1150 b.c. Here we see tecomates with zoned rocker

    stamping, in Matadamas Orange from Tierras Lar-gas (a ), Tatagapa Red from San Lorenzo (b ), and an

    un specified ware from Tlatilco (c ). (Redrawn from

    Flann ery and Marcus 1994; Coe and Diehl 1980a;

    Porter 1953.)

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    stylistic p rovin ces see n at 1400–1150 b .c.(Fig. 3). Ties between the Basin of Mexico,

    M orelos, Puebla, and O axaca r emained

    stron g, with Sa n José M ogote an d Tlatilco/ 

    Tlapacoya using sim ilar distinctive arti-

    facts (Figs. 11, 12) and displaying similar

    m otifs on sim ilar vessels (Fig. 13). Ties

    between Veracruz/Tabasco and Chiapas

    also rem ained close; for e xam ple, a Brain-

    e rd -Rob in son m a trix ca lcu la te d b yAgrinier (1989) shows strong similarity in

    ceram ic assem b la ges b etween San

    Lorenzo (Veracruz) a nd Mirador-Plum a-

     jillo (Ch ia p as). Fu rth er artifact sim ila rities

    b e tw ee n t h ose t wo sit es in clu d e t h ou -

    s an d s o f ir on o re “lu g n u t s” o r m u lt i-

    drilled cubes (Fig. 14). These unusual ar-tifacts—p rese n t also at Las Lima s, Vera -

    cru z (Agrin ier 1989:21)—are virt u ally ab-

    sent to the west of the style boundary.

    EVALUATING THE CLAIM OF“INTRUSIVENESS”

    Having shown that the major stylistic

    p rovin ce s of e arly M exico we re u n -changed by the rise of the Olmec, let us

    look at the claim in OA that “monumental

    three-dimensional stone sculpture; h ol-

    low whiteware figurines depicting babies;

    and Calzadas Carved pottery” were “in-

    t ru s ive e le m e n ts ” a t h ig h la n d ce n te rs

    FIG. 8.   Representations of Sky/Lightning (a–c ) and Earth/Earthquake (d–f  ) on t he pot t e ry of  1150–850 b.c. (a ) Lightn ing as a “serpen t of fir e,” Tlatilco. (b ) Pyne’s Motif 1 (a stylized version of 

    Lightning in which the eyebrow flames are sine curves and the serpent’s gums are inverted Us),

    San José M ogo te. (c ) Motif 1 set at a 45° angle, as it often was in the highland s. (d ) Angry versions

    of Earth with its head cleft by a seismic fissur e, Tlapacoya. (e ) Stylized Earth mask with cleft h ead

    framed by “music brackets,” Tierras Largas. (f  ) Pyne’s Motif 13, Earth’s cleft head, as it often

    appeared on white ware in the highlands (see Fig. 19).

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    (Diehl an d Coe 1996:23). H ow does one

    evaluat e s uch a claim? To ar gue t hat a

    specific area was the center of origin for

    a n a rtifa ct ca te gor y, w e b elie ve youshould to b e ab le to show th at it occurred

    fi r st in t hat ar ea; that i t w as m ore abun-

    dan t in th at area; that it d isplayed greater

    va rie ty in t h at a re a; a n d / o r t h at it w as

    more skillfully made in that area. Let us

    see if these criteria are m et.

    M onumental Three-D imensional Stone Sculpture 

    The Gulf Coast does indeed have m on-

    um ental stone sculpture in greatest abu n-

    FIG. 10.   Alternative ways of depicting Earth on

    p otte ry, 1150–850 b.c. (a ) Angry Earth (with cleft

    head and anthropomorphized world directions) in-

    cised on a Pilli White vessel from Tlapacoya. No

    vessel with a motif this complex has been found in

    the San Lorenzo phase, which lacked an incisedwhite ware compar able to Pilli Wh ite. (b ) The hide of 

    a crocodile , a s de pict ed on a hum a n figure from

    Atlihuayan. The foot of the crocodile (often mistak-

    enly called a “paw-wing” motif) was widely used as

    a symbol for Earth (see text). (Redrawn from Nied-

    erberger 1987: Fig. 439; Benson and de la Fuen te

    1996:187.)

    FIG. 9.   Fine-line incised versions of Earth on pot-

    tery, highland style province (1150–850 b.c.). (a )

    Earth mask on Pilli White vessel, Tlapacoya; the

    crossed bands in the mouth are Pyne’s Motif 7. (b )

    Stylized Earth m ask on Leandr o Gra y vessel, Tierras

    Largas. (Redrawn from Niederberger 1976; Flannery

    and Marcus 1994.)

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    dan ce and variety. San Lorenzo alone has

    produced more than 70 stone monu men ts,

    includi ng 10 coloss al heads (C ypher s

    1997). To be sure, since m an y h ead s we re

    found r eused, r ededicated, defaced, r e-

    worked, or out of context, we cannot besure how many actually date to the Early

    Horizon. Many similar monu men ts from

    La Ven ta are thou ght to be Midd le Form a-

    tive (850–500 b.c.) in d ate (Dru cker et al.

    1959; Ham mond 1988; Graham 1989;

    Grove 1997).

    The r eal qu est ion is , how oft en does

    such sculptu re ap pear as an “intrusive el-

    emen t” in the Mexican highlands? Teo-p a n te cu a n it lá n (G u e rr er o) h a s so m e

    thre e-dim en siona l mon um en ts (Martı́ne z

    Don juán 1985, 1994), bu t m ost of th es e ar e

    M i ddl e For mat i ve and mi ght have been

    i nfl uenced by t he much near er hi ghl and

    site of Cha lcatzingo (Grove 1987). Oa x-

    aca’s Early Horizon sculptures, such as

    Mon um en ts 1 an d 2 of San José Mogote,

    are not Olmec in style (Marcus 1989:165;Flan ne ry an d Ma rcus 1994: Fig. 18.9). In

    the Basin of Mexico neither Tlatilco, Co-

    ap exco, nor Tlap acoya ha s prod uced ston e

    m onu m ents imitating th ose of the O lm ec.

    Thus, wh ile conced ing a Gu lf Coast origin

    for colossal heads, we find little evidence

    for t heir “int r usion” int o t he M exican

    highlands.

    H oll ow W hi teware Figurin es D epictin g Babies 

    Hollow white-slipp ed “baby dolls” ap -

    pear to h ave been present at every major

    M exican site of 1150–500 b.c. Tlatilco, Tla -

    pacoya, Gualup ita, Las Bocas, Teopan te-

    cuan itlán , San José Mogote , Etlaton go,

    San Lorenzo, La Vent a, and Paso de la

    Amada have all p r oduced fr agment s or

    comp lete specim ens.

    For hollow white dolls, we lack detailedst atis tics co m p a ra b le to t h ose fo r t h e

    carved pottery discussed below. It is in-

    structive, however, to examine examples

    for which proveniences are known or al-

    leged. Conside r th e catalogues for two re-

    cent exhibits of supposedly “Olmec” art:

    (1) on e h eld b y the N ationa l Gallery of Art

    in Washington, D.C. (Benson and de la

    Fue nte 1996) and (2) one he ld by The ArtMu seu m of Princeton Un iversity (1996).

    The Na tiona l Ga llery catalog illustrates

    seven hollow white dolls of young indi-

    vidu als. All are masterpieces; none are

    from the Gulf Coast. Two are from Tla-

    tilco, two are from Tlapacoya, one is from

    FIG. 11.   Diagn ostic of the high land style pr ovince at 1150–850 b.c. were wh ite-slipp ed sp oute d

    trays, used to m ix an d p ou r p igmen ts. From L to R, these exam ples com e from Tlatilco (Porter 1953),

    Gu alup ita (Vaillan t an d Vaillan t 1934), an d Tierr as Largas (Flann ery an d Mar cus 1994). Diam eter of 

    a, 15.5 cm. Such trays were not a significant part of the Gulf Coast inventory; Coe and Diehl (1980a)

    apparen tly did n ot find a single one at San Lorenzo. We wond er wh y Olmec-centrists continu e to

    feature spou ted trays from th e highland s in their exhibits of “Olmec art” (Art Museu m of Princeton

    University 1996:325). Such indiscriminate application of the term “Olmec” waters down whatever

    regional and cultural significance it m ight have had, redu cing it to a synonym for “pretty.”

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    Las Bocas, one is from Atlihuayan (More-

    los), and the last is “said to be” from Xo-

    chipa la (Gu err ero). Pages 130–139 of the

    Princeton catalogue illustrate nine m orewhich look relatively auth entic.5 The al-

    leged proveniences are: three from Las

    Bocas; two from Gu errero; one each from

    Tlapacoya, “Morelos,” and “the central

    highland s of Mexico;” and one listed sim -

    ply as “Mexico,” although it was once at-

    tributed to Las Bocas (Coe 1965: Fig. 184).The dolls illustrated in both catalogues

    exceed in craftsmansh ip any hollow figu -

    rine found by Coe and Diehl (1980a:261–

    279) at San Lorenzo or by Drucker et al.

    (1959) at La Venta. This reinforces what

    we learned 35 years ago with Coe’s (1965)

    publication of  The Jaguar’s Children:  if youw ant mas ter pieces in t he hollow w hit e

    bab y doll genr e, turn to the Mexican h igh-lands. Such baby dolls were neither de-

    mons tr ably earlier , n or mor e abundant ,

    nor more varied, nor more skillfully made

    on the Gu lf Coast; ind eed, one could m ake

    a case that their epicenter was Mexico’s

    central highland s.

    Coe is aware o f th is fact, an d h as tried to

    dismiss it by argu ing that wh ile fragm en ts

    of hollow wh ite d olls occur in “househ old

    deb ris” at San Lorenzo, they were treated

    as “prized burial furniture” at highland

    sites like Las Bocas or Gualupita (Coe

    1989:77). Th e arch aeological d ata d o no t

    support this contrast. The restored baby

    doll shown in Fig. 15 was p ieced together

    from fragments in “occupational refuse”

    at Tlap acoya (Tolstoy an d Parad is 1970:

    347). Pieces of hollow white dolls occur

    regu larly in h ouses an d m idde ns at Valley

    of Oaxaca sites, even ham lets as small as

    Tierras Largas (Marcus 1998b: Figs. 10.25,

    11.14, 11.44, 12.7, 12.15, 12.22, 14.15, 14.34,

    15.2). And at Etlaton go in th e N ochixtlán

    Valley, a broken hollow doll was swept

    5 It is disturbing to see how many of the objects in

    the Princeton exhibit resulted from looting. Page af-

    ter page of the catalogue attributes pieces to private

    collections. Don’t look for the names of any Mexican

    archaeologists in th e table of contents; they wou ldn’t

    have been caught dead participating in this display

    of their stolen patrimony. It is p erhap s forgivable

    when a peasant farmer plows up an important piece

    in his field and sells it to feed his family. It is unfor-

    givable wh en a p rofessional archaeologist or art his-

    torian, who knows better, validates looting by au-

    thenticating and glamorizing such pieces.

    FIG. 12.   Also diagnostic of the highland province

    at 1150–850 b.c. were en igmatic gr ou nd -ston e  yugui- 

    tos  or “tiny yokes.” Some scholars b elieve th ey werepart of the paraphernalia for a ballgame. (a ) From

    San José Mogote (Flanner y and Marcus 1994:Fig.

    13.9). (b ) From Tlatilco (Porter 1953:Pl. 13H). Width of 

    (b ), 15.5 cm.

    17MEXICAN CHIEFDOMS AND MOTHER CULTURE

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    into a trash-filled pit with th e rem ains of a

    dead dog (Blomster 1998).

    Pottery wi th Pan- M esoameri can Carved Motifs 

    Finally, let us examine the claim in OA

    that Calzadas Carved p ottery was an “in-

    trusive elem ent” at sites like Tlapacoya

    and San José Mogote. Since key strati-

    grap hic un its from Tlap acoya, San José

    Mogote, and San Lorenzo have been p ub -

    lished in detail, we can comp are all three

    sites to see if the evidence supports this

    claim. We will look at several aspects of 

    the pottery with pan-Mesoamerican mo-

    tifs—its abu n da n ce in term s of sh erd s p er

    cubic m eter; the p ercentage of the ceram ic

    assemblage it makes up; i ts diversity in

    s ur face color and vess el s hape; and t he

    va rie ty of p a n -M esoa m er ica n m o tifs

    present in each region.

    The Basin of M exico 

    We begin at Tlapacoya in the Basin of 

    Mexico (Niederberger 1976, 1987). Nieder-

    FIG. 13.   Between 1150 an d 850 b.c. potter y as-

    s e m bl a ge s of t he hi ghl a nd s t yl e provi nc e s ha re d

    s im i la r c om bi na t ions of ve s se l s ha p e a nd m ot if.

    H e re w e s e e da rk bot t l e s w i t h c ros s ha t c he d s un-

    bu rst m otifs from Tlatilco (a ) an d Sa n José M ogo te

    (b ). (Redr awn from Porte r 1953:Pl. 6I; Flan ne ry an d

    Ma rcu s 1994:99). H eigh t of (a ) 16.2 cm.

    FIG. 14.   Just as highland Mexican sites of 1150–

    850 b.c. shar ed groun d-ston e  yuguitos, m any lowland

    s it es s ha re d m ul tidrille d iron ore cube s or “lug

    nuts.” These examples, averaging 3.1 cm thick, come

    from Mirador-Plumajillo (a–c ) and San Lorenzo (d–f  ).

    (Drawn from photographs in Agrinier 1989:25; Coe

    and Diehl 1980a:242.)

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    berger’s un it “Zohap ilco-Tlapacoya IV”

    was a stratigraph ic tren ch one m eter wide,

    dug by natural stratigraphy. The relevant

    phases are Nevada (Levels 13, 12), 1350–

    1250 b.c.; Ayotla (Levels 11, 10, 9), 1250–1000 b .c.; a n d Ma n an tial (Levels 8, 7, 6),

    1000–800 b.c. Profile dr awings suggest

    that 39 m of the tre nch were op en ed to the

    de pth of Level 9, while n o m ore th an 30 m

    were open ed to Level 13 or below (Nied-

    erberger 1976: Pl. 3, 4).

    The t rench it self w as qui te long, and

    few of the levels ra n for its full len gth . For

    examp le, Level 9 ran for 20 m an d was 60cm t h ick , so a p p r oxim a t ely 12 cu b ic

    meters were removed (1     20     0.6 m).

    Rough ly 12 m 3 of Level 8 were excavated;

    t he volum e r emoved fr om Level 7 w as

    only 4.4 m 3 (1     11     0.4 m). We have

    chosen to highlight Levels 9 –7 at Tlap a-

    coya because they have the highest fre-

    qu ency of pan -Mesoamerican m otifs. The

    vol umes of ear t h r emoved can be com-

    pa red with those at San José M ogote an d

    San Loren zo (see below).

    Now let us look at Fig. 16, the graph of sh e rd fr eq u e n cie s in N ie d er be rge r’s

    tren ch, and Table 1, the sherd coun ts of all

    Tla p a co ya p o tt er y t yp e s b e ar in g p a n -

    Mesoamerican motifs. Note, first of all,

    t hat 6 p ott er y t ypes at Tlapacoya bear

    pan-Mesoamerican motifs. Such motifs

    occur on local dark gray wares (Tortuga

    Polishe d an d Volcán Polish ed ); gray w are

    possibly imp orted from Oaxaca (AtoyacFine G r ay); w hit e- rimm ed black w are

    (Valle White-rim Black); white-slipp ed

    ware (Pilli White); and resist white ware

    (Paloma Negative).

    Next, note how comm on man y of these

    types were . Tortuga Polishe d was the sec-

    o n d m o st a b u n d a n t w ar e o f t h e Ayo tla

    ph ase, outnu m bered on ly by the sherds of 

    utilitarian jars (Chalco Smoothed). Tor-tuga Polished was 20% of the sherds in

    Levels 13-6; the re we re 7728 she rd s of it in

    Level 8 alone . Volcán Polishe d , a related

    ware constituting less than 5% of the pot-

    tery, reache d a p eak of 787 she rd s in Level

    9. The se two gray wa res b ore m an y differ-

    ent motifs, from carved versions of Pyne’s

    Motifs 1, 2, and 7 to fine-line incised or

    ha chur ed versions of her Motifs 12 an d 15(Niederberger 1976: Pl. 35, 37).

    Third, note that Tortuga Polished and

    Volcán Polishe d wer e local typ es; the y d id

    not appear suddenly at 1150 b.c., as if in-

    tr od u ce d fr om e lse wh e re . Both w er e

    p r ese n t th r ou gh ou t th e N e va d a p h a se

    (1350–1250 b.c.), with Tortu ga Polishe d

    representing more than 20% of the classi-

    fied sherds at that time. Valle White-rimBlack—another type already present at

    Tlap aco ya by 1350 b.c.—wa s a lso u se d for

    pan -Mesoamerican m otifs (Niederberger

    1976: Pl. 45).

    What adds to the variety of Tlapacoya

    p o tt er y is t h e fa ct t h at w h it e- slip p e d

    FIG. 15.   Pilli W hite hollow d oll from Tlapacoya.

    This doll was found in pieces in household refuse; ithas since b een restored as shown. H eight, 41.5 cm.

    (Drawn from a photo in Benson and de la Fuente

    1996:185.)

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         F     I     G .

         1     6 .

        F   r   e   q   u

       e   n   c    i   e   s   o    f   c    l   a   s   s    i    fi   e    d   s    h   e   r    d   s    i   n

        L   e   v   e    l   s    1    3  –    6   a    t    Z   o    h   a   p    i    l   c   o  -    T    l   a   p   a   c   o   y   a    I    V ,

        B   a   s    i   n   o    f    M   e   x    i   c   o .

        P   o    t    t   e   r   y    t   y   p   e   s    b   e   a   r    i   n   g   p   a   n  -    M

       e   s   o   a   m   e   r    i   c   a   n

       m   o    t    i    f   s   a   r   e   p   r    i   n    t   e

        d    i   n   c   a   p    i    t   a    l    l   e    t    t   e   r   s .

        (    B   a   s   e    d   o   n

        N    i   e    d   e   r    b   e   r   g   e   r    1    9    7    6   :    P    l .    3    2 .    )

    20   FLANN ERY AND MARCUS

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    wares were also used for pa n-Mesoameri-

    can motifs. Pilli Wh ite appeared in nu -

    mer ous bowl forms , s ome car ved w it h

    Pyne’s M otif 1 and other s s how ing her

    M ot ifs 10 a n d 15 in fi n e -lin e h a ch u r e

    (Niederberger 1976: Pl. 42). Paloma Nega-

    tive, a related ware of the Ayotla phase,

    was used for one of the m ost elegant ver-sions of Earth ever found, a vessel eclips-

    in g a n y fo u n d b y C o e a n d D ie h l a t Sa n

    Lorenzo (Fig. 17).

    Finally we com e to Atoyac Fin e G ray, an

    imp orted ware d ecorated with Pyne’s Mo-

    tifs 1, 2, and 7 (Niederberger 1976: Pl. 46).

    Some vessels of this type (under the ear-

    lier name “Tlapacoya Gray”) have been

    stud ied b y geologists Howel William s an dW ayne Lamber t, w ho consider t hem t o

    ha ve b een m ad e in Oaxaca (Weaver 1967:

    30; Lambert 1972; Niederberger 1987:564;

    Flan n er y an d M ar cu s 1994:259–262). W e

    suspect that m any of these vessels belong

    to a O axaca type called Delfina Fine Gr ay.

    However, other Atoyac Fine Gray vessels

    illustrate d by Nied erb erge r (1976: Pl. 46)

    were probab ly m ade locally.To sum m arize: carved and incised p an-

    Mesoamerican motifs were neither rare

    nor “intrusive” at Tlapacoya. The dark

    gr ay w ar es on w hi ch t hey occur r ed had

    been am ong the m ost comm on local types

    at 1350 b.c., and the motifs themselves

    were comm on by 1250 b .c. In Level 8,

    whose volum e wa s 12 m 3, there were 7728

    sherds of Tortuga Polished; in Level 7,

    am oun ting to on ly 4.4 m 3, there were 2569

    sh e rd s of th a t typ e. M ore ove r, p an -

    TABLE 1

    Zohapilco-Tlapacoya IV. Total Sherd Counts of the 6 Pottery Types Bearing Pan-Mesoamerican Motifs,

    Levels 13-6, Phases Nevada Through Manantial. (Source: Niederberger 1976: 164.)

    Type

    N evad a Ayotla Man an tial

    13 12 10–11 9 8 7 6

    Tortu ga Polish ed 442 176 2954 4318 7728 2569 286

    Volcán Polish ed 44 13 531 787 394 39 5

    Pilli Wh ite 7 5 217 461 424 39 2

    Palom a N egative — 1 38 58 16 12 3

    Valle Wh ite-rim Black 31 19 220 600 522 28 1

    Atoyac Fin e Gray 1 4 73 340 142 14 1

    All classified sh erd s 1954 971 15637 20418 30914 11828 2278

    FIG. 17.   Four a ngry versions of Ea rth/ Earth-

    qu ake–one for each of the four great Mesoam erican

    world directions–circle this bowl from Tlapacoya.

    The type, Paloma Negative, combines (1) white slip

    and (2) resist wh ite over pale b rown. Locally ma de atTlapacoya, Paloma Negative was traded as far as

    Oaxaca. H ighland vessels like this should not be

    called “Olmec.” Coe and Diehl (1980a) report no

    sherds of this ware from San Lorenzo and illustrate

    no vessel approaching it in sophistication. (Drawn

    from a photograph in Benson and de la Fuente 1996:

    202.)

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    Mesoamerican motifs (sometimes bril-

    liantly executed) also occurred on Tlapa-

    coya ’s w hite -r im m e d b la ck, wh ite -

    slipp ed, an d resist white wares.

    San José M ogote 

    The Valley of Oaxaca lies 330 km from

    Tlapacoya, but only 210 km fr om San

    Lor en zo. If th e O lm e c w er e tr u ly th e

    source of inspiration alleged in OA, Oa-

    xaca’s Early Formative ceramics should

    resemble San Lorenzo’s more than Tlapa-

    coya’s. In fact, the reverse is true (Flan-

    nery and Marcus 1994).The relevant periods in Oaxaca are the

    Tierr as Largas p h ase (1400–1150 b.c.) an d

    San José p h ase (1150–850 b.c.). Fig. 18

    shows the cha nging frequ en cies of pottery

    types du ring the course of these p eriods,

    including the crucial Tierras Largas/San

    José tran sition . All p roven iences use d in

    Fig. 18 come from San José Mogote an d

    Tierr as Largas, two sites excavated by n at-ural stratigraphic units. Complete sherd

    coun ts can b e foun d in Flann ery and Mar-

    cus (1994).

    Fou r p ottery typ es of th e San José p h ase

    were u sed as th e m ed iu m for p an -

    M esoa m er ica n m o tifs. O n e , Le an d r o

    Gray, resem bles Tlap acoya’s Tortuga Pol-

    ished an d Volcán Polishe d . Anoth er, San

    José Black-and -Wh ite, resem bles Tlap a-coya’s Valle White-rim Black. Still an-

    other, Atoyac Yellow-white, resemb les

    Tlapacoya’s Pilli White. Finally we come

    to D elfi n a Fin e G ra y, a n e xp or t w ar e

    wh ich—as we saw ab ove—wa s tr ad ed to

    (and imitated by) Tlapacoya.

    Leand ro Gray was one of the m ost com-

    m on pottery types of the San José p ha se,

    us ually exceeded in fr equency only byutilitarian cooking jars (Fidencio Coarse).

    Leand ro G ray grew out of Tierras Largas

    Burnished Plain, the most common utili-

    tarian ware of the Tierras Largas phase.

    Th e ch a n ge s p r od u cin g Le an d r o G r ay,

    which em erged d ur ing the Tierras Largas/ 

    San José p h ase tran sition , sim p ly req uired

    bu rnishing the ware twice instead of once,

    t hen fi r i ng i t i n a r educi ng at mos pher e

    (Flan n er y an d M ar cu s 1994:157–165). Le-

    andro Gray went on to constitute 23% of 

    all sh erd s in m idd le San José time s, a pe r-cent age compar able t o t hat of T or tuga

    Polished in Tlapacoya’s early Man antial

    phase.

    Table 2 gives th e actual counts of Lean -

    dro Gray, Delfina Fine Gray, San José

    Black-and-White, and Atoyac Yellow–

    white sherds from an excavation in Area A

    of San José M ogote (Flann ery a n d Ma rcus

    1994: Figs. 14.1, 14.4). We have chosen tofeatu re this excavation becau se it covered

    12 m 2, virtually the same area as an im-

    portant excavation at San Lorenzo which

    we will discuss below. The stratigraphic

    levels consist of a midden (Zone D) and

    the remains of four superimposed house-

    h old u n its (Units C 4–C1). The d etails can

    be found in Flannery and Marcus (1994:

    Table 14.1).The Zone D midden was roughly 40 cm

    th ick. Th e volu m e excavated was 4.8–5.0

    m 3, slightly greater than that of Level 7 at

    Tlapacoya. The nu mb er of Leandro Gray

    sh er d s from Zon e D (2332) is sim ilar t o th e

    number of Tortuga Polished sherds from

    Tlap acoya’s Level 7 (2569). O n th e oth er

    h a n d , t h e n u m b e r o f D e l fi n a F i n e G r a y

    sherds from Zone D (106) is greater thant he number of A t oyac Fi ne G r ay s her ds

    from Tlapacoya’s Level 7 (14). This is rea-

    sonable, since petrographic evidence sug-

    gests that such gray ware is native to O a-

    xaca.

    Househ old Units C4-C1 each prod uced

    fewer sherds than Zone D, since the vol-

    ume of earth removed from each was on

    t he or der of 2. 4 m3

    . Nevertheless, eachhousehold produced 674 to 1667 sherds of 

    Le a n d ro G r ay, a n d 16 t o 43 sh e r d s o f  

    D elfi n a Fin e G r ay. Su ch q u a n tit ie s o f  

    sherds are consistent with what might be

    expected from volumes of earth half that

    of Tlapacoya’s Level 7. Like Tortuga Pol-

    22   FLANN ERY AND MARCUS

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         F     I     G .

         1     8 .

        F   r   e   q   u

       e   n   c    i   e   s   o    f   c    l   a   s   s    i    fi   e    d   s    h   e   r    d   s    f   r   o   m

       e    i   g    h    t   p   r   o   v   e   n    i   e   n   c   e   s   a    t    S   a   n

        J   o   s   e    ´    M   o   g   o    t   e    (    S    J    M    )   a   n    d    T    i   e   r   r   a   s    L   a   r   g   a   s    (    T    L    ) ,    V   a    l    l   e   y   o    f    O   a

       x   a   c   a .

        P   o    t    t   e   r   y

        t   y   p   e   s    b   e   a   r    i   n   g   p   a

       n  -    M   e   s   o   a   m   e   r    i   c   a   n   m   o    t    i    f   s   a   r   e   p

       r    i   n    t   e    d    i   n   c   a   p    i    t   a    l    l   e    t    t   e   r   s .

        H .    1    6 ,

        H   o   u   s   e    1    6   ;    H .    C

        3 ,

        H   o   u   s   e    h   o    l    d    U

       n    i    t    C    3   ;    C    /    D    2 ,

        A   r   e   a    C ,

        L   e   v   e    l    D    2   ;    C    /    E ,

        A   r   e   a

        C ,

        L   e   v   e    l    E   ;    L    T    L  -    3 ,

        H   o   u   s   e    L    T    L  -    3   ;    C    /    F ,

        A   r   e   a    C ,

        L   e   v   e    l    F   ;    C    /    G ,

        A   r   e   a    C ,

        L   e   v   e    l    G   ;    C    /    G    2 ,

        A   r   e   a    C ,

        L   e   v   e    l    G    2 .    (    R

       a   w    d   a    t   a    f   r   o   m

        F    l   a   n   n   e   r   y   a   n    d    M   a   r   c   u   s    1    9    9    4 .    )

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    i s hed, L eandr o G r ay w as pr oduced i n a

    wide variety of vessel shapes: cylinders,

    outleaned- wall bowls , t ecomates, bol-stered-rim bowls, spouted trays, vertical-

    necked jars, and m any others. The variety

    of pan- M esoamerican mot ifs w as als o

    great, includi ng both car ved exampl es

    (Pyne ’s Motifs 1–7) an d fin e-lin e incised

    exam p les (Pyn e’s M otifs 8 –11 an d 15–18).

    Atoyac Yellow–wh ite, a war e alm ost as

    pop ular as Lean dr o Gray, was also used as

    a medium for pan-Mesoamerican motifs

    (Marcus 1989). Like Leandro Gray, it first

    app eared du ring the Tierras Largas/San

    José p h ase tr an sition an d gr ew ou t of Tier -

    ras Largas Burnished Plain. (In this case,

    the new ware was created simply by giv-

    ing Tierr as Larga s Bu rn ished Plain a wh ite

    slip.) In con tra st t o Lea n d ro Gr ay—wh ich

    was most often used for depictions of Sky/ Ligh tn ing—Atoyac Yellow–wh ite was m ost

    often used for depictions of Earth/Earth-

    q u ak e (Pyne’s M otifs 8 –10, 12, a n d 14).

    T he V al l ey of O axaca w as one of t he

    earliest regions to feature the “double-

    line-break,” an incised motif in which par-

    allel l ines t ur n up or dow n at int ervals

    (Flann ery an d Ma rcus 1994: Figs. 12.19–

    12.22). Yellow- wh ite s h er d s of th e Sa n Joséph ase suggest that the double-line break

    originated as a simp lified version of Earth,

    with its cleft head and associated “music

    brackets” (Fig. 19). This is significant for

    TABLE 2

    San José Mogote, Area A. Total Sherd Counts of the 4 Pottery Types Bearing Pan-Mesoamerican Motifs.

    The Stratigraphic Units (All Belonging to the San José Phase) are the Zone D Midden (D) and Household

    Units C4 Through C1. (Source: Flannery and Marcus 1994: Table 14.1.)

    Typ e D C4 C3 C2 C1

    All Lean d ro Gray sh erd s 2332 1160 1667 949 674

    Decorated Lean d ro sh erd s 298 149 151 74 46

    Excised Lean d ro sh erd s 282 141 132 57 38

    All Delfin a Fin e G ray sh erd s 106 43 43 27 16

    Decorated Delfin a sh erd s 16 5 4 5 5

    Excised Delfin a sh erd s 9 5 4 5 5

    All San José Black-an d -Wh ite sh erd s 150 36 51 19 14

    Decorated B/ W sh erd s 2 1 2 — —

    Excised B/ W sh erd s 2 1 2 — —

    All Atoyac Yellow-wh ite sh erd s 1904 762 1073 670 676

    Decorated Atoyac sh erd s 117 51 81 51 46Excised Atoyac sh erd s 38 14 2 1 1

    Dou ble-lin e-break rim s 9 3 23 24 27

    All classified sh erd s 11356 4546 6876 3893 3361

    FIG. 19.   As early as 1150 b.c., abstract versions of 

    Earth/Earthquake were incised on white-slipped

    pottery in the highland style province. This sherd of Atoyac Yellow–white from the Valley of Oaxaca

    shows the cranial fissure (Pyne’s Motif 13) and “mu -

    sic brackets” often associated with depictions of 

    Earth (see Fig. 8). No comparable white ware with

    incised Earth/Earthquake motifs has been found in

    1150–850 b.c. levels at San Loren zo. (Drawn from a

    photograph in Flannery and Marcus 1994:147.)

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    thre e reason s. First, it re inforces the asso-

    ciation of white ware with Earth/Earth-

    quake motifs. Second, i t emphasizes the

    t ie s b e tw ee n O a xa ca a n d t h e Ba sin o f  

    Mexico, where similar motifs occur on

    Pilli White (compare Niederberger 1987:Figs. 475–476 with Flann ery an d Ma rcus

    1994: Fig. 19.1). Third, it suggests that the

    dou ble-line brea k varian t of the Earth m o-

    tif originated in the Mexican highlands

    arou nd 1150 b.c.   N ot until three hundred years later, in the Nacaste phase, did a com- parable incised white ware show up at San Lorenzo   (Coe and Diehl 1980a:194).

    Fin ally we com e to Sa n José Black-a n d -Wh ite, Oaxaca’s version of Tlapacoya’s

    Valle White-rim Black. Such ware was not

    presen t in Oaxaca un til 1150 b .c.; once

    p r e se n t, h o we ve r, it w as ca rve d w it h

    Pyne ’s Motifs 7 an d 11.

    San Lorenzo 

    W e t ur n now t o San L or enzo, t he al -leged wellspring of pan-Mesoamerican

    m otifs. In their re port on the Yale p roject,

    Coe an d Diehl (1980a: Tab les 4-1 to 4-4)

    pu blish the sherd coun ts from four strati-

    graph ic e xcavations at San Lorenzo. We

    assume that these were their best strati-

    graph ic u nits, since they chose to p ub lish

    them in detail.

    Our first surprise is that Coe and Diehldefin e only one pottery type—Calzadas

    Car ved —wh ich be ars p an -Mesoa m erican

    motifs. Their white-rimm ed black ware

    does n ot bear such m otifs, and even m ore

    significantly,   the San Lorenzo phase has no incised white ware analogous to Atoyac Yel- low–whi te or Pil li W hi te. This fact h as b eencon fi rm e d b y An n C yp h e rs (p e rson a l

    com m un ication, 1996) following her re-cent excavations at San Loren zo. Ow ing to

    this lack of incised white wares, the San

    Lorenzo phase has surprisingly few pan-

    M esoamer ican mot ifs featur ing Ear th/  

    Earthquake.

    C alzadas C arved appear s abr upt ly at

    the start of the San Lorenzo phase (Coe

    and Diehl 1980a: Fig. 97), rather than hav-

    ing a long pr evious his tory like Tlapa-

    coya’s Tortuga Polished. Equally surpris-

    ing is the fact that Calzadas Carved seem s

    to be relatively rare, not exceeding 4% of the classified sherds. Having been shown

    C yp h ers’ n e w colle ction s fr om Sa n

    Lorenzo, we have no doubt that she will

    one d ay be able to divide Calzadas Carved

    into (1) a softer a nd da rker gra y ware like

    Lean dr o Gra y/Tortuga Polished , and (2) a

    harder and lighter gray ware like Delfina

    Fine Gray/ Atoyac Fine Gray. At this writ-

    ing, however, we are l imited to Coe andDiehl’s type s. Let u s th ere fore look at th eir

    four pu blished stratigraph ic u nits.

    SL-PNW-St. II, a major stratigraphic

    un it for which Coe an d Diehl presen t both

    a frequen cy graph and a sherd count, be-

    gan as a 12 m 2 excavation (Coe and Diehl

    1980a: Fig. 51, Fig. 97, Tab le 4-1). In its

    lower levels the excavated area was twice

    reduced, but i ts upper levels are compa-rable in volum e to th e 12 m 2 excavation in

    Area A a t San José Mogote . Levels O -K1

    are attribu ted to the “pre-Olmec” Bajı́o

    an d Ch icha rras p h ases (1300–1150 b.c.);

    K2 is m ixed ; an d Levels J–F ar e assigned

    to th e San Loren zo p ha se, 1150–850 b.c.

    (Fig. 20, Table 3).

    Calzadas Carved, regarded by Coe and

    Diehl (1980a:159) as “100 percent Olmec,”occurred in Levels K2-F. What stands out

    is th e sm all nu m be r of she rd s—on ly 29 in

    all of SL-PNW -St. II. Leve l K2, wh ose vol-

    um e was somewhere between 3 and 6 m 3

    (3 2 0.5–1.0 m ), p rod u ced 1617 clas si-

    fiable sh erds, of which only 19 were Cal-

    zadas Carved . Level F, whose volum e wa s

    rou gh ly 6 –9 m 3 (4 3 0.5–0.75 m), pro-

    du ced 133 classifiable sherds, of whichonly 5 were Calzadas Carved. Nor do the

    s ur pris es end t here: the t ot al n um ber of  

    Calzadas Carved sherds produced by the

    Yale project’s four published stratigraphic

    cuts was only 38 (Coe and Diehl 1980a:

    Tables 4-1 to 4-4).

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         F     I     G .

         2     0 .

        F   r   e   q   u

       e   n   c    i   e   s   o    f   c    l   a   s   s    i    fi   e    d   s    h   e   r    d   s    i   n

        L   e   v   e    l   s    O  –    D   o    f    S    t   r   a    t    i   g   r   a   p    h    i   c    U   n    i    t    S    L  -    P    N    W  -    S    t .    I    I   a    t    S   a   n

        L   o   r   e   n   z   o ,

        V   e   r   a   c   r   u   z .

        T    h   e    l   o   n   e

       p   o    t    t   e   r   y    t   y   p   e

        b   e   a   r    i   n   g   p   a   n  -    M   e   s   o   a   m   e   r    i   c   a   n   m   o    t    i    f   s    i   s   p   r    i   n    t   e    d    i   n   c   a   p    i    t   a    l    l   e    t    t   e   r   s .

        (    B   a   s   e    d   o   n    C

       o   e   a   n    d    D    i   e    h    l    1    9    8    0   a   :    F    i   g .

        9    7 .    )

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    We kn ow, of course, how Coe a nd Diehl

    will rationalize these low counts; they will

    argue th at poor p reservation of sherd su r-faces at San Lorenzo made it impossible to

    iden tify th ose she rds of Calzadas Carved

    vessels that did not bear the actual excis-

    ing (Coe and Diehl 1980a:131). We re-

    spond to this apologia  by giving the countsof excised Lean dro Gray sh erd s from Area

    A of San José M ogote in Tab le 2. Th e Zon e

    D m id d e n a lo ne , w ith a volu m e of n o

    m ore th an 5 m3

    , prod uced 282 exciseds h e r d s o f L e a n d r o G r a y a n d 9 m o r e o f  

    Delfina Fine Gray. H ousehold Unit C4,

    with a volume of only 2.4 m 3, produced

    141 excised sherd s of Lean dr o Gr ay an d 5

    mor e of D elfi na Fine G r ay. Even if w e

    count only those gray sherds b earing ac-

    tual excising, Area A produced 678.

    To be sure, since Cyphers has opened

    up larger areas of San Lorenzo, her sam-ple of Calzadas Carved is now larger than

    C oe a n d D ie h l’s. N o a m ou n t of e ar th

    m o ve d , h o we ve r, w ill m a k e u p fo r t h e

    aforement ioned lack of w hit e-s lipped

    w ar e com p a ra ble to Pilli W h ite a nd

    Atoyac Yellow–wh ite. At Tlap acoya an d

    San José Mogote, such white wares bea r

    fully half the pan -Mesoamerican m otifs;

    t ake aw ay t he w hi t e w ar e and one l os esmos t of t he depict ions of Ear th/ E ar th-

    qu ake. Area A of San José Mogote had

    m ore than 300 white-slipp ed sherds with

    varian ts of pan -Mesoam erican m otifs; San

    Lorenzo ph ase levels in SL-PNW-St. II

    had none.

    White-rim m ed black ware began at San

    Lorenzo in the Chicharras phase (1200

    b.c.). But Perdida Black-and -White, therelevant San Lorenzo type, was neither

    carved nor incised (Coe and Diehl 1980a:

    Fig. 156). It most closely resembles Coate-

    pec W hit e- rimm ed Black fr om t he Te-

    hu acán an d Oaxaca Valleys (MacNeish,

    Pete rson , an d Flan n ery 1970:108; Flan n er y

    an d Ma rcus 1994:274), an d m ay in fact be

    the same ware. Coatepec White-rimmed

    Black, while extremely well-made, wasnot car ved. This lack of car ved w hit e-

    r im m e d b la ck w ar e co n tr ib u te s t o t h e

    smaller repertoire of pan-Mesoamerican

    motifs at Sa