Fotografi Landscape Karya Warih Sanjaya SKRIPSI A. Fotografi 1. Sejarah Fotografi Fotografi berasal dari kata photo dan graphos. Fotografi merupakan gabungan dari ilmu,teknologi,dan

Fotografi Landscape Karya Warih Sanjaya

SKRIPSI

Diajukan kepada Fakultas Bahasa dan Seni

Universitas Negeri Yogyakarta

Untuk Memenuhi Sebagian Persyaratan

Guna Memperoleh Gelar

Sarjana Pendidikan

Oleh

Ramadhan Tantowi Sugiharto

NIM 11206244006

PROGRAM STUDI PENDIDIKAN SENI RUPA

FAKULTAS BAHASA DAN SENI

UNIVERSITAS NEGERI YOGYAKARTA

2018

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MOTTO

A goal without a plan is just a wish

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HALAMAN PERSEMBAHAN

Ayahanda dan Ibu Tercinta

Mereka adalah orang tua hebat yang telah membesarkan dan mendidikku dengan

penuh kasih sayang

Terimakasih atas pengorbanan,nasehat dan do‟a yang tiada hentinya kalian

berikan kepadaku selama ini.

Kakak dan saudaraku tersayang

Terimakasih atas dukungan serta do‟a kalian, semoga Allah SWT membalas

kebaikan kalian.

Keluarga besar Seni Rupa Angkatan 2011 yang telah mengenalkanku arti sebuah

keluarga,sahabat dan arti kebersamaan.

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DAFTAR ISI

HALAMAN JUDUL .......................................................................................... i

HALAMAN PERSETUJUAN ........................................................................... ii

HALAMAN PENGESAHAN ............................................................................ iii

HALAMAN MOTTO ........................................................................................ iv

HALAMAN PERSEMBAHAN ......................................................................... v

HALAMAN PERNYATAAN ........................................................................... vi

KATA PENGANTAR ....................................................................................... vii

DAFTAR ISI ...................................................................................................... viii

DAFTAR GAMBAR ......................................................................................... xi

DAFTAR TABEL .............................................................................................. xiv

DAFTAR LAMPIRAN ...................................................................................... xv

ABSTRAK .......................................................................................................... xvi

BAB I : PENDAHULUAN

A. Latar Belakang Masalah ........................................................... 1

B. Fokus Masalah ......................................................................... 3

C. Tujuan Penelitian ..................................................................... 3

D. Manfaat Penelitian ................................................................... 3

BAB II : KAJIAN TEORI

A. Fotografi ................................................................................... 5

1. Sejarah Fotografi ................................................................ 5

2. Fotografi Landscape ........................................................... 6

B. Konsep Pengambilan Foto ........................................................ 7

C. Elemen Visual ........................................................................... 8

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1. Garis ................................................................................... 8

2. Bidang ................................................................................ 8

3. Ruang ................................................................................. 8

4. Warna ................................................................................. 9

5. Tekstur ............................................................................... 9

D. Komposisi ................................................................................. 10

1. Komposisi 1/3 bidang ........................................................ 11

2. Komposisi Arah Gerak....................................................... 12

3. Komposisi Point of Interest ............................................... 12

4. Komposisi Diagonal ........................................................... 12

E. Pencahayaan .............................................................................. 13

F. Kamera ...................................................................................... 16

G. Lensa ......................................................................................... 17

BAB III : METODE PENELITIAN

A. Pendekatan Penelitian .............................................................. 18

B. Sumber Data .............................................................................. 19

C. Instrumen Penelitian ................................................................. 20

D. Metode Pengumpulan Data ...................................................... 20

E. Analisis Data ............................................................................ 22

F. Triangulasi ................................................................................ 24

BAB IV : HASIL PENELITIAN DAN PEMBAHASAN

A. Profil Warih Sanjaya ................................................................ 26

1. Latar Belakang Warih Sanjaya ......................................... 26

2. Kegiatan Kesenian Warih Sanjaya .................................... 27

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B. Karya Warih Sanjaya ............................................................... 29

1. Cahaya Cinta di Kenjeran ................................................. 29

2. Usia Senja ......................................................................... 31

3. Sendiri di Atas Sunyi ........................................................ 32

4. Menanti Malam ................................................................. 34

5. Yang Terlupakan ............................................................... 35

6. Sendu Merindu .................................................................. 37

7. Syair Alam ........................................................................ 39

8. Pesona Senja ..................................................................... 40

C. Komposisi Fotografi LandscapeWarih Sanjaya ....................... 42

1. Cahaya Cinta di Kenjeran ................................................. 42

2. Usia Senja ......................................................................... 46

3. Sendiri di Atas Sunyi ........................................................ 50

4. Menanti Malam ................................................................. 55

5. Yang Terlupakan ............................................................... 59

6. Sendu Merindu .................................................................. 63

7. Syair Alam ........................................................................ 68

8. Pesona Senja ..................................................................... 72

BAB V : PENUTUP

A. Kesimpulan .............................................................................. 77

B. Saran ......................................................................................... 77

DAFTAR PUSTAKA ........................................................................................ 79

LAMPIRAN ....................................................................................................... 81

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DAFTAR GAMBAR

Gambar Halaman

I. Diagram Warna ................................................................................ 9

II. Pembagian 1/3 Bidang / Rule of Thirds ........................................... 11

III. Skema Arah Cahaya ........................................................................ 16

IV. Bagan Triangulasi Teknik dan Sumber ........................................... 25

V. Cahaya Cinta di Kenjeran................................................................ 29

VI. Usia Senja ........................................................................................ 31

VII. Sendiri di Atas Sunyi ........................................................................ 32

VIII. Menanti Malam ................................................................................ 34

IX. Yang Terlupakan .............................................................................. 35

X. Sendu Merindu ................................................................................. 37

XI. Syair Alam ........................................................................................ 39

XII. Pesona Senja .................................................................................... 40

XIII. Cahaya Cinta di Kenjeran................................................................ 42

XIV. Sketsa prespektif Cahaya Cinta di Kenjeran ................................... 43

XV. Sketsa Garis Cakrawala Cahaya Cinta di Kenjeran ........................ 44

XVI. Sketsa Point of InterestCahaya Cinta di Kenjeran .......................... 44