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8/21/2019 Grond Err http://slidepdf.com/reader/full/grond-err 1/32 Concerto for Trombone and Orchestra Launy Grondahl Errata and Comparison: 1924 Original ersion to 19!4 "e#ised ersion $e#in %aunders& 'o#ember 199! This study was initiated by a desire to discover the true intent of the composer, given the resources currently available. I have studied the original 1924 part and compared it to my "revised" 194 part and have compiled the following errata study from these sources! 1 The original trombone and piano score, #1924, $iovanni %errario, &ilan Italy. This copy was made available to me for this study, and was purchased in the early 19'(s. The owner of the copy did not specify I )uote him as a source, but I am very grateful. 2 The #c 194 version I have, purchased in 199*. It was supposedly corrected, but I thin+ you will be surprised to find the magnitude of errata I did. * "n Interview with Thor+ild $raae -orgensen", by er $ade, the IT -ournal, /ol 0, o. 2, pril 1992. I suggest you get a reprint from /ern agarice, as the article is very interesting. It has some errata and I will try to compare that article with the "real" article. 3elow is a listing of errata covering the trombone part. I will analye the piano part under a separate pro5ect. If my revised 194 version differs from the $ade article, I will comment. I will state e6actly the comments from the $ade article and then will add my analysis of the original vs. the later edition. lease note that the article has other valuable information about interpretation so get it if you can. I will notate "$ade" in the section )uoted from the article, and then notate "$7" to show my errata of the later edition. The original version will be called "19248, the later version "194", even though it is the revised 194 version.  T:! I am not ma+ing comments as to which is more or less "right". $rondahl was +nown to  be very serious about strict interpretation, but we do not +now how accurate the 1924 version was. ;e do not +now if $rondahl actually wrote everything into the score that he wanted #a la &ahler either. Therefore, use the following as a guide to correct your copy or to provide enlightenment because of the )uantity of differences in the versions. $rondahl 7tudy, age 1

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Concerto for Trombone and Orchestra

Launy Grondahl

Errata and Comparison: 1924 Original ersion to 19!4 "e#ised

ersion

$e#in %aunders& 'o#ember 199!

This study was initiated by a desire to discover the true intent of the composer, given the

resources currently available. I have studied the original 1924 part and compared it to my

"revised" 194 part and have compiled the following errata study from these sources!

1 The original trombone and piano score, #1924, $iovanni %errario, &ilan Italy. This copy was

made available to me for this study, and was purchased in the early 19'(s. The owner of the

copy did not specify I )uote him as a source, but I am very grateful.

2 The #c 194 version I have, purchased in 199*. It was supposedly corrected, but I thin+ you

will be surprised to find the magnitude of errata I did.

* "n Interview with Thor+ild $raae -orgensen", by er $ade, the IT -ournal, /ol 0, o. 2,

pril 1992. I suggest you get a reprint from /ern agarice, as the article is very interesting. Ithas some errata and I will try to compare that article with the "real" article.

3elow is a listing of errata covering the trombone part. I will analye the piano part under aseparate pro5ect. If my revised 194 version differs from the $ade article, I will comment. I will

state e6actly the comments from the $ade article and then will add my analysis of the originalvs. the later edition. lease note that the article has other valuable information about

interpretation so get it if you can. I will notate "$ade" in the section )uoted from the article, andthen notate "$7" to show my errata of the later edition. The original version will be called

"19248, the later version "194", even though it is the revised 194 version.

 T:! I am not ma+ing comments as to which is more or less "right". $rondahl was +nown to

 be very serious about strict interpretation, but we do not +now how accurate the 1924 version

was. ;e do not +now if $rondahl actually wrote everything into the score that he wanted #a la&ahler either. Therefore, use the following as a guide to correct your copy or to provide

enlightenment because of the )uantity of differences in the versions.

$rondahl 7tudy, age 1

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$eneral!

194 #revised version has measure numbers at the beginning of the staves. It also has rehearsalnumbers. 1924 has neither.

age 1

$7

1924, T<&3:

194, Trombone in upper right corner, rest is copy of piano part cover, e6cept the statement

"roprieta dell( utore. Tutti i diritti riservati."

 =================== 

age 2

$ade > 1 Title and indication of movement is missing in the print! ??:<T %<

T<&3: @ <?A:7T< < I I.

$7 > 194 corrected.

$ade > 2 &etronomeB m.m. )uarter note e)uals C'.

$7 > 194 corrected.

$ade > * 7econd stave, the last bar should have dimuendo.

$7 > 194 not corrected.

$ade > 4 Dast stave, measure *! &<E:TF It was originally written by the composer. The

mordent comes after the trombone has played this ")uasi recitativo", and comes as an answer inthe piano part, or if played with orchestra in the bassoon part.

$7 > 194 not corrected.

 ================= 

$7 errata following by measure, age 2.

&easure *.

1924 has a line over 1st note, all other notes stacatto. 194 has added accent over 1st note, lineover 4th note.

$rondahl 7tudy, age 2

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$rondahl 7tudy, age *

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&easure 4.

1924 has an accent on the *rd note. ll other notes staccato. 194 has lines over the 1st note andthe Cth note.

&easure G.

1924 all staccato.

194 line over Hth note.

&easure H.

1924 no dynamic mar+ing.194 crescendo mar+ed.

&easure .

1924 no dynamic mar+ing.

194 decrescendo and crescendo mar+ed.

&easure C.

1924 crescendo from beat 2 to end of measure.

194 decrescendo on beat one mar+ed.

&easure 9.

1924 dim. #see $ade, no dashes after #string. mar+ing.

194 dashes mar+ed.

&easure 1'.

1924 dolce under beat 2, rall. under beat *, mp dynamic mar+ing.

194 dashes from previous measure, dolce over 2nd note #and of 1, rall. nder beat 2,

decrescendo mar+ed.

&easure 11.

1924 no dynamic mar+ings.194 p beat one, ff 2nd note.

&easure 12.

1924 stacatto 1JC note.

194 Tempo I mar+ed #see article, accent and line under 1JC note.

$rondahl 7tudy, age 4

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&easure 1G.

1924 accent on 1st note, all others stacatto.194 line added to 1st and 4th notes.

&easure 1H.

1924 accent on *rd note #tied to 4th, all others stacatto.

194 line added to 1st and Cth note.

&easure 1C.

194 <ehearsal 1 added.

&easure 2*.

194 1st note has line added.

&easure 24.

1924 "a piacere" under 2nd note, no dynamic mar+ing.

194 Dine added to 1st note. mf added under 2nd note, "a piacere" moved to right.

&easure 2G.

1924 o accent on 1st note, *rd note is a dotted 1JC. o time or volume change indicated.194 ccent added to 1st note. *rd note changed to 1JC with 1J1H rest. "accel. e cresc." plus

crescendo sign added.

&easure 2H.

1924 o accent over 1st note.194 ccent added to 1st note, f under 1st note added.

&easure 2.

1924 o dynamic mar+ings.

194 dim. mar+ed after notation, mf added.

&easure 2C.

1924 Triplet tie #slur shown. o dim mar+ings.194 Triplets not shown tied or slurred. Eim mar+ing under entire measure.

$rondahl 7tudy, age G

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$rondahl 7tudy, age H

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&easure 29.

1924 o dynamic mar+ings.194 poco rit. added plus dashes throughout ne6t two measures. dim. &ar+ing added starting Hth

note.

&easure *'.

1924 o dynamic mar+ings.194 dim from previous measure ending in p on Hth note added.

&easure *1>*4.

1924 o tempo mar+ings.

194 a tempo added.

&easure *G.

1924 p mar+ed before 1st note on beat *, that 1st note begins "cantabile molto".194 rit plus dashes added at beginning of measure through end of measure. mar+ed o+ but

cantabile molto moved to measure *H.

&easure *H.

1924 cantabile molto continues, crescendo mar+ed on beat *.

194 <ehearsal 2 added, Tempo I added, cantabile molto begins.

&easure *.

1924 o dynamic mar+ing under 1st note, con anima under beat *.

194 cresc. from previous measure added to 1st note, no mar+ing under beat *.

&easure *C.

1924 o dynamic mar+ings.

194 f added under 1st note, then "con anima".

&easure 4'.

1924 f is between measure 4' and 41.

194 "tran)." added on beat one.

$rondahl 7tudy, age

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&easure 41.

1924 decrescendo begins on beat one, to mf by end of measure.194 decresc. starts on 2nd note, decrescendo through end of measure.

&easure 42>4*.

1924 o dynamic mar+ings.

194 mf mar+ed on beat one, cres. starting on 2nd note, mar+ed to end of measure 4*.

&easure 44>4G.

1924 o dynamic mar+ings.194 % added in measure 44, decres mar+ed on measure 4G.

&easure 4H.

194 mf added beat one.

&easure 4.

1924 dolce under Cth note.194 nothing mar+ed.

&easure 4C.

1924 )uasi recit. at beginning of measure.

194 dolce and )uasi recit. under 2nd note of measure.

&easure G'>G1.

1924 o dynamic mar+ings.194 p under beat one, decrescendo mar+ed in measure G1. rit plus dashes added in measure G1.

&easure G2>GC #>G9 on 1924

1924 othing mar+ed.

194 <ehearsal * added, Tempo I added, string.===rit.=== added.

 ================== 

$rondahl 7tudy, age C

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age *

$ade > 1 Third stave, last measure! ??:D:<E. #&issing in the printF

$7 > 1924 one found.

$7 > 194 one found.

$ade > 2 %ifth stave, first measure! 7T<I$:E ?. #nly a little stringendoF

$7 > 1924 $ade is referring to measure C1, which has string. only. It is the third measure in the

fifth stave. The score only show string. as well.

$7 > 194 7tring. is mar+ed with dashes to measure CG.

$ade > * 7i6th stave, on no. G! &7. #&issing in the printF

$7 > 1924 $ade is referring to measure 92, which is on the eighth stave. o omposo mar+ed

in solo part, but it I7 mar+ed in score.

$7 > 194 ?orrected, but rehearsal G is on the seventh stave.

 ================= 

$7 errata following by measure, age *.

1924 begins on measure H'.194 begins on measure G9.

&easure G9.

1924 on previous page.

194 Tempo I added.

&easure H1.

1924 notes 2>H stacatto.194 line added above 1st and *rd notes, accent added to 1st note.

&easure H2.

194 lines added above 1st and Cth notes.

&easure H*.

194 line added above Hth note.

$rondahl 7tudy, age 9

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&easure H4.

1924 no dynamic mar+ings, accent on 4th note.194 crescendo added.

&easure HG.

1924 no dynamic mar+ings.

194 decrescendo and crescendo added, accent added to 1st note.

&easure HH.

1924 only crescendo mar+ed starting beat 2.194 decrescendo added beat 1, accent added to 1st note.

&easure H.

194 f added beat 1.

&easure HC.

194 accent added to note.

&easure H9.

194 line added below note.

&easure *.

194 rehearsal * added.

&easure G.

1924 dots over 2nd > 4th notes.

194 lines added over 2nd > 4th notes.

&easure H.

1924 dots over 1st > 4th notes.194 lines added over 1st > 4th notes.

&easure .

1924 no dynamic mar+ings.

194 crescendo and decrescendo added.

$rondahl 7tudy, age 1'

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&easure C1.

1924 string. only.194 string. with dashes added to measure CG.

&easure C2.

194 crescendo mar+ed, but e6pression mar+ed to measure C4.

&easure C*.

1924 no dynamic mar+ings.

194 see measure C2.

&easure C4.

194 see measure C2.

&easure CG.

1924 *rd note stacatto.

194 *rd note accent added, stacatto deleted. ff added before pesante molto.

&easure CH.

1924 1st note accent only, 4th note stacatto.194 1st note line added, 4th note accent added, stacatto deleted.

&easure C.

194 1st note, accent and line added.

&easure 9'.

1924 no tempo or dynamic mar+ings.

194 accel. e cresc. plus crescendo sign to measure 92 plus dashes to measure 91 added.

&easure 91.

1924 no tempo mar+ings, 4th note stacatto.

194 rit added after dashes #see meas. 9', 4th note has line added over dot.

$rondahl 7tudy, age 11

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&easure 92.

1924 no style mar+ings, but pomposo in score, should be added. 7ee $ade above. o dynamicmar+ings.

194 rehearsal G added, Tempo I added, pomposo added, but shown at end of measure. ff added.

&easure 9*.

194 decrescendo sign added.

&easure 1'*.

1924 included in 11 measure collective rest. #score shows un poco rit.... 194 rit plus dashes added at end of 1' measure collective rest.

&easure 1'4.

1924 score shows tempo in 1'4 plus +ey change to b.

194 bass clef and +ey change added, Tempo I added, rehearsal H added.

&easure 1'G.

1924 bass clef and +ey change added here. o tempo mar+ings, prob because piano or orchestra

had it in measure 1'4.

&easure 1'H.

1924 line over 1st note, all others stacatto.

194 accent added over line in 1st note, line added over dot on *rd note.

&easure 1'.

194 lines added over dots on 1st and Cth notes.

&easure 1'C.

194 line added over dot on Hth note.

&easure 1'9.

1924 no dynamic e6pressions.

194 crescendo added.

$rondahl 7tudy, age 12

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&easures 11'>111

1924 no dynamic e6pressions.194 decrescendo and crescendo added.

&easure 11*

1924 dim mar+ed on beat 2, no tempo mar+ings.

194 decrescendo mar+ed on beat 2 to end of measure, rall. plus dashes added end of beat 2 toend of measure.

&easure 114

1924 tempo mar+ed after f under triplet.

194 a tempo mar+ed over triplet, accent added under dot on 2nd note.

 =================== age 4

$ade > 1 Title and dictation of movement 2 is missing in the print! II. K7I

D:$$:E.

$7 > 194 corrected.

$ade > 2 &etronome at the start! ndante grave, 1JC noteL m.m. C' #m.m. CC is not correctF

$7 > 194 corrected.

$ade > * Third stave, no.!&77 #a due tempi dotted 1J4 note m.m. L 4H.sic.

$7 > 194 corrected.

$ade > 4 7i6th stave!T:& I . #m.m. LC'

$7 > 194 Tempo I. is shown, metronome mar+ing is not. This is consistent with 1924 version.

$ade > G 7eventh stave, the last measure! &T E<&TI?. #This is missing in the printF

$7 > 194 corrected as molto dramatico.  1924 shows #molto drammatico.

$ade > H The two last staves! ?T/ DMI$F #This is not the original idea of thecomposer, and is added freely in the reprint.

$7 > 194 This is shown as Cva as lib, so has not been corrected.

$rondahl 7tudy, age 1*

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$ade > The last measure! TA: T E>%DT ? 3: A:DE /:< %<& TA:

&:7<: 3:%<: 7 D$ T:, 3T 7ADE T 3: DM:E : ?T/:

E;F #gain, this is not the composer(s original intentF

 ================= 

$7 errata following by measure, age 4.

&easure 1 is the first full measure. Eo not count the 1JC note pic+up as a measure.

&easure *.

194 lines added above 4th and Gth notes.

&easure 4.

194 lines added above 4th and Gth notes.

&easure G.

194 lines added above first four notes.

&easure H.

1924 decrescendo begins on 1JC note, beat 2.

194 line added above th note. Eecrescendo moved to begin under dotted N note, beat 4. mf

added at end of measure.

&easure .

194 line added over 1st note. mf added at start of measure and again at end of measure.

&easure C.

1924 crescendo to f, but no other dynamic mar+ing.

194 lines added over 1st and Cth notes, decresendo and mf mar+ing added.

&easure 9.

1924 cresc. typed at beat one, rall. mar+ed on beat five, with no dashes to ne6t measure.194 cresc. under beat one, with crescendo sign added to ne6t measure. rall. moved to beat si6,

with dashes e6tending to fermata ne6t measure added.

$rondahl 7tudy, age 14

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&easure 1'.

1924 ff mar+ed, then dim.194 ff added, then decrescendo sign added. dim also included. ey change incorrectly mar+ed,

with naturals before remaining flats.

&easure 11.

194 <ehearsal added.

&easure 1*.

1924 con molta ... shown at beginning of measure. mp mar+ed, but no other dynamic mar+ings.194 mp correctly shown at beginning of measure, but crescendo sign added. con molta... shown

on beat two #in 2.

&easure 14.

194 decrescendo sign added.

&easure 1G.

194 line added over 4th note.

&easure 22.

194 crescendo sign added after mp.

&easure 2*.

194 decrescendo sign added.

&easure 24.

194 line added to 4th note. mp added at beginning of measure.

&easure 2H.

194 line added to 1st note.

&easure 2.

194 line added to 1st note.

$rondahl 7tudy, age 1G

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$rondahl 7tudy, age 1H

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&easure 2C.

194 rit. added at end of measure.

&easure *'.

194 rehearsal C added.

&easure *1.

1924 no dynamic mar+ing.

194 line added above 1JC note. mf added at end of measure.

&easure *2>**.

194 Dines added above all notes.

&easure *4.

194 Dines added above 1st >4th notes.

&easure *G.

194 Dine missing above 1st note. Eecrescendo and crescendo signs added.

&easure *.

194 ccent added over dot on 1st note, dot added under accent on Hth note, line added over last

note.

&easure *C.

194 ccent added over 1st note. ff added and ad lib. added.

&easure *9.

1924 decrescendo sign beginning on beat G #in H only dynamic mar+ing.

194 crescendo, decrescendo and crescendo signs added.

&easure 4'.

194 rehearsal 9 added.

$rondahl 7tudy, age 1

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&easure 4*.

194 line added over 4th note.

&easure 44.

1924 9th note tied to last note. Dast note has line over it.

194 Tie removed from 9th note, line added over it.

&easure 4G.

1924 phrase e6pression from Cth note to 4th note of measure 4H.

194 phrase e6pression missing, decrescendo sign added end of measure into measure 4H.

&easure 4H.

1924 Gth note tied to Hth. 7econd 1J1Hth triplet contains 1J1H rest in beginning of triplet. hrasee6pression from last note to 4th note of measure 4. mf mar+ed under this triplet. o other

dynamic mar+ings. 194 line added above Gth note, and tie removed. 1J1H note added to secondtriplet. hrase e6pression at end of measure missing as above. Eecrescendo sign from measure

4G, f added in place of mf, another decrescendo sign added.

&easure 4.

1924 dim. mar+ed after 1st triplet. pp mar+ed at end of measure.

194 decrescendo sign added, mf added, another decrescendo sign added, p mar+ed at end ofmeasure. Gth and Hth notes have lines added over them.

&easure 4C.

1924 rit. shown at beginning of measure. o dynamic mar+ings, as we were already at pp in

measure 4.194 decrescendo sign added, and pp shown at end of measure. riten. shown at beginning of

measure with dashes added. Dine added above 4th note.

&easure G*.

1924 no dynamic or style mar+ings shown.

194 Cva ad lib. added #see $ade mp and crescendo sign added, elegatissimo. no troppo added.

&easure G4.

194 decrescendo sign added.

$rondahl 7tudy, age 1C

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$rondahl 7tudy, age 19

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&easure GG.

194 mp added.

&easure GH.

1924 phrase mar+ing covers entire measure

194 phrase mar+ing e6tended to &easure G.

&easure G

1924 phrase mar+ing from dotted 1J2 note through all of measure GC.

194 phrase mar+ing missing.

&easure GC.

194 riten. added.

&easure G9.

1924 fermata over dotted 1J2 note.

&easure H'

194 loco added, Eb dotted 1J2 note added with # , decrescendo sign added, ad lib. added.

 =================== 

age G

$ade > 1 Title and indication of movement * is missing in the print! III. %ID:.

$7 > 194 corrected.

$ade > 2 %irst stave, four measures rest after the first fermata! TA: <DD:TE I7 -7T

3:%<: TA: 7:?E %:<&TF

$7 > 194 corrected.

$ade > * %irst stave, second to the last measure! DM 3>T<D, #some players often

ma+e the mista+e here of playing a 3>flatF

$7 > 194 no correction necessary.

$ade > 4 %ifth stave! <E, DD:$<:TT 7?A:<OE! The temop is strict from the

 beginning of the movement, and m.m. L C'.

$rondahl 7tudy, age 2'

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$7 > 194 The tempo is shown to be m.m. L C' here.

 ================= $7 errata following by measure, age G.

The first counted measure is the first complete measure.teh 1 1J2 beat pic+up does not count as ameasure here.

&easure H.

1924 fermata shown between the two 1J4 rests. o rall. shown measure before.

194 fermata shown over beat one. rall. is shown before fermata at end of previous measure.

&easure .

1924 *rd note missing b notation.

194 rehearsal 11 added. Dine added under *rd note. *rd note corrected to b.

&easure 9

194 1st note missing line above it.

&easure 1'.

194 1st note missing line above it.

&easure 11

1924 f mar+ed.194 ff mar+ed.

&easure 12.

194 1st note missing line above it. Eecrescendo sign added latter part of measure.

&easure 1G.

1924 slur goes from 1st note to Gth note.

194 slur goes from 1st note to th note.

$rondahl 7tudy, age 21

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&easure 1H.

1924 decrescendo begins at start of measure. hrase mar+ing starts on 4 th note, goes to last notein measure 1C.

194 crescendo added, decrescendo sign moved to beat 2. hrase mar+ing starts on 2nd note and

goes to first note of measure 1C.

&easure 1C.

194 hrase mar+ing from 2nd note to 2nd note of measure 19. 7ee &easure 1H for 1924

mar+ings.

&easure 19.

194 hrase mar+ing from measure 1C added. 7ee &easure 1C.

&easure 2*.

1924 4th note has line above it.194 4th note has accent and dot added above it.

&easure 24.

194 accent added to Gth note.

&easure 2G.

194 accent added to 4th note.

&easure 2H.

194 accent added to 4th note.

&easure 2.

194 line added above *rd note. #mf added to beginning of measure.

&easure 2C.

194 lines added above *rd and Gth notes.

&easure 29.

194 dot added above 2nd note.

$rondahl 7tudy, age 22

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&easure *1.

194 dots added to 1st, 2nd and Gth notes.

&easure *4.

1924 no dynamic mar+ing.

194 crescendo sign added for this and ne6t measure. Eot added above *rd note, accent added

above Gth note.

&easure *H.

194 dot and accent added to *rd note.

&easure *.

194 rehearsal 12 added.

&easure *9.

1924 f mar+ed at beginnning of measure.

194 dot added above note. f replaced f in 1924.

 =================== 

age H

1924 begins with measure G'.

194 begins with measure 49.

$ade > 1 Third stave, second to the last measure! 3>%DT I7 &I77I$ <I$AT %T:< TA:

E3D: DI:7, IT &7T IEI?T: TA: ?A$: % :MF

$7 > 194 corrected.

$ade > 2 7i6th stave, measure 14! ? &77 #missing in the print The nuance is! mf

#meo forte.

 ================= 

$7 errata following by measure, age H.

&easure G'.

194 decrescendo sign added after dim.

$rondahl 7tudy, age 2*

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$rondahl 7tudy, age 24

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&easure G1.

194 mf added after decrescendo sign.

&easure G2.

194 decrescendo sign added after dim.

&easure GG.

1924 no dynamic mar+ed between crescendo and decrescendo signs.

194 f added between crescendo and decrescendo signs.

&easure G9.

194 dot added above 1st note.

&easure H'.

194 dot missing over 1st note.

&easure H1.

194 accent added to 2nd note.

&easure H*.

194 rehearsal 1* added.

&easure HC.

1924 3b missing in +ey signature.194 corrected.

&easure '.

194 accend added to 4th note.

&easure 1.

194 dot added to 4th note, accent added to Gth note.

&easure 2.

194 dot added to 4th note, accent added to Gth note.

$rondahl 7tudy, age 2G

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&easure 4.

194 dots added to 2nd and *rd notes.

&easure G.

194 line added over *rd note.

&easure H.

194 line added over *rd note.

&easure .

194 dots added over 1st and 2nd notes, accent added to *rd note.

&easure C1.

1924 #oco missing from oco &osso. mf dynamic missing.194 mista+es from above corrected. <ehearsal 14 added.

&easure C2.

194 accent added Gth note.

&easure C*.

194 accent added Gth note.

&easure C4.

194 f shown at end of this measure.

&easure CG.

1924 f shown at beginning of this measure #see &easure C4.

&easure C.

194 accend added Gth note.

&easure 9'.

194 dots added above 1st and 2nd notes.

$rondahl 7tudy, age 2H

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&easure 91.

194 accents added to *rd and 4th notes.

&easure 92.

194 line missing under *rd note.

&easure 9*.

1924 con fuoco stringendo mar+ed in this measure.

194 con fuoco only mar+ed here.

&easure 94.

194 dot added under 1st note. string. plus dashes added.

&easure 9G.

194 dot added under 1st note. ?rescendo sign added through ne6t measure.

&easure 9.

1924 a tempo mar+ed.

194 rehearsal 1G added. Tempo I mar+ed.

&easure 9C.

1924 > 12 measure rest to +ey change at &easure 11'.194 > 1' measure rest then Tempo I on age .

 =================== age

$ade > 1 %irst, second and third staves! ?T/ DMI$ T DDF #The composer never 

wrote these circus tric+sF

$7 > 194 not shown.

$ade > 2 inth stave! ?T/F #gain, not originalF

$7 > 194 shown as Cva ad lib.

 ================= 

$rondahl 7tudy, age 2

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$rondahl 7tudy, age 2C

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$7 errata following by measure, age .

&easure 111.

194 decrescendo sign and mf added.

&easure 11*.

194 dot added above1st note, accents added to 2nd and 4th notes.

&easure 11H.

194 f added between crescendo and decrescendo signs.

&easure 11.

194 mf added, line added above *rd note.

&easure 119.

1924 ten. mar+ed above *rd note.

194 line added above *rd note, no ten. mar+ed.

&easure 122.

194 accent added to 2nd note.

&easure 124.

194 rehearsal 1H added. p added at beginning of measure.

&easure 12H.

1924 line over 1st note.

194 accent replaced line over 1st note.

&easure 12.

194 dot added above 4th note, line added above Gth note.

&easure 1*C.

194 dot added above 4th note. ccent added above Gth note.

$rondahl 7tudy, age 29

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$rondahl 7tudy, age *'

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&easure 1*9.

194 dot added above 4th note. ccent added above Gth note.

&easure 14'.

194 dot added above Hth note.

&easure 144.

194 accent added above *rd note.

&easure 14G.

194 line added above *rd note.

&easure 14H.

194 accent added to *rd note.

&easure 14.

194 line missing above *rd note. ?rescendo and decrescendo signs added.

&easure 14C.

194 crescendo sign added after cresc. to end of measure 1G'.

&easure 149.

194 dot added to 4th note.

&easure 1G2.

194 rehearsal 1 added. ?rescendo sign added after cresc. written in previous measure. Eots

added above 1st and 2nd notes.

&easure 1G*.

194 breath mar+ added after 1st note. Cva ad lib added over 2nd note plus dashes.

&easure 1GH.

1924 a tempo at end of measure

194 loco Tempo I on beat *. Eots added above 4th and Gth notes.

$rondahl 7tudy, age *1

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&easure 1G.

194 #ff added at beginning of measure.

&easure 1GC.

194 dot added above 4th note. Eashes added after stringendo molto.

&easure 1H1.

194 #ff added. Eots added above all * notes.

&easure 1H2.

194 dot added under note.

$rondahl 7tudy age *2