2
{ { { { ü 1. 2. ü 4 4 4 4 & b S 1) >NAME THE CHORDS AND GIVE A COMPLETE HARMONIC ANALYSIS OF THIS PROGRESSION. >THIS PROGRESSION DOES MODULATE. >THE BOTTOM NOTE OF THE VOICING IS THE ROOT OF THE CHORD. DIRECTIONS NAME: HARMONY 3 FINAL EXAM ? b & b ? b & b ? b & b ? b ˙ ˙ ˙ ˙ b ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ b ˙ ˙ ˙ ˙ b ˙ ˙ ˙ ˙ # ˙ ˙ ˙ ˙ n # ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ b ˙ ˙ ˙ ˙ œ œ œ œ ˙ ˙ ˙ ˙ ˙ ˙ b b ˙ ˙ ˙ ˙ b b w w ˙ ˙ b b ˙ ˙ b ˙ ˙ ˙ ˙ œ œ œ œ ˙ ˙ ˙ ˙ ˙ ˙ b ˙ ˙ ˙ ˙ b w w ˙ ˙ b ˙ ˙ b w w ˙ ˙ ˙ ˙ w w # # ˙ ˙ b ˙ ˙ w w b b ˙ ˙ n ˙ ˙ # w w ˙ ˙ b ˙ ˙ w w ˙ ˙ ˙ ˙ # w w n # ˙ ˙ b ˙ ˙ w w b ˙ ˙ # # ˙ ˙ n # w w # ˙ ˙ ˙ ˙

HARMONY 3 FINAL EXAM FALL 2014.pdf

Embed Size (px)

Citation preview

Page 1: HARMONY 3 FINAL EXAM FALL 2014.pdf

{{{{

ü†™™™™

1. 2.

ü†™™™™

4444

&b

S1) >NAME THE CHORDS AND GIVE A COMPLETE HARMONIC ANALYSIS OF THIS PROGRESSION. >THIS PROGRESSION DOES MODULATE. >THE BOTTOM NOTE OF THE VOICING IS THE ROOT OF THE CHORD.

DIRECTIONS NAME:HARMONY 3 FINAL EXAM

?b

&b

?b

&b

?b

&b

?b

˙̇ ˙̇b ˙̇ ˙̇ ˙̇ ˙̇b ˙̇ ˙̇b˙˙

˙˙# ˙̇ ˙̇n# ˙

˙˙˙ ˙

˙˙˙b

˙̇ ˙˙

œœ

œœ ˙̇ ˙̇ ˙̇bb ˙̇ ˙̇bb ww ˙̇bb ˙̇b

˙˙ ˙

˙œœ œœ

˙˙

˙˙

˙˙b

˙̇ ˙̇b ww ˙

˙b˙˙b

ww ˙̇ ˙̇ ww## ˙̇b ˙̇

wwbb

˙˙n ˙

˙# w

w˙̇b ˙

˙

ww ˙̇ ˙̇# wwn# ˙̇b ˙̇

wwb

˙˙#

# ˙˙n# w

w# ˙

˙ ˙˙

Page 2: HARMONY 3 FINAL EXAM FALL 2014.pdf

&

2) SPELL AND NAME THE FOLLOWING SCALES USING ACCIDENTALS WHERE NEEDED. NO KEY SIGNATURES!!!!!NO KEY SIGNATURES!!!!! LABEL ALL NOTES WITH THEIR APPROPRIATE CHORD TONE OR TENSION NUMBER. REMAINING NOTES ARE TO BE DESIGNATED AS AVOID NOTES.

III-7 in A major V/VI in D bMAJOR

&

sub V/II in G major G7 altered

&

#Io7 in F major #IVo7 in G major

&

3) NAME THE FOLLOWING SCALES

&

&

w w w w wb w wb wb

wb w w wb w wb wb

w w w w# w w wb

2