12
& 4 4 ˙ ˙ ˙ ˙ b ˙ ˙ ˙ ˙ b #1 - RH Alone C 7 F 7 ˙ ˙ ˙ ˙ b b ˙ ˙ ˙ ˙ b b B b 7 E b 7 ˙ ˙ ˙ ˙ b b b ˙ ˙ ˙ ˙ b b A b 7 D b 7 ˙ ˙ ˙ ˙ # # # ˙ ˙ ˙ ˙ # n F # 7 B 7 ˙ ˙ ˙ ˙ # ˙ ˙ ˙ ˙ # n E 7 A 7 ˙ ˙ ˙ ˙ # ˙ ˙ ˙ ˙ n D 7 G 7 ? 7 ˙ ˙ ˙ ˙ b ˙ ˙ ˙ ˙ b #2 - LH Alone C 7 F 7 ˙ ˙ ˙ ˙ b b ˙ ˙ ˙ ˙ b b B b 7 E b 7 ˙ ˙ ˙ ˙ b b b ˙ ˙ ˙ ˙ b b A b 7 D b 7 ˙ ˙ ˙ ˙ # # # ˙ ˙ ˙ ˙ # n B 7 F # 7 ˙ ˙ ˙ ˙ # ˙ ˙ ˙ ˙ # n E 7 A 7 ˙ ˙ ˙ ˙ # ˙ ˙ ˙ ˙ n D 7 G 7 & ? ˙ ˙ ˙ ˙ b ˙ ˙ ˙ ˙ b #3 - RH + LH Together 13 ˙ ˙ ˙ ˙ b ˙ ˙ ˙ ˙ b C 7 F 7 C 7 F 7 ˙ ˙ ˙ ˙ b b ˙ ˙ ˙ ˙ b b ˙ ˙ ˙ ˙ b b ˙ ˙ ˙ ˙ b b B b 7 E b 7 B b 7 E b 7 ˙ ˙ ˙ ˙ b b b ˙ ˙ ˙ ˙ b b ˙ ˙ ˙ ˙ b b b ˙ ˙ ˙ ˙ b b A b 7 D b 7 A b 7 D b 7 ˙ ˙ ˙ ˙ # # # ˙ ˙ ˙ ˙ # n ˙ ˙ ˙ ˙ # # # ˙ ˙ ˙ ˙ # n B 7 F # 7 B 7 F # 7 ˙ ˙ ˙ ˙ # ˙ ˙ ˙ ˙ # n ˙ ˙ ˙ ˙ # ˙ ˙ ˙ ˙ # n E 7 A 7 E 7 A 7 ˙ ˙ ˙ ˙ # ˙ ˙ ˙ ˙ n ˙ ˙ ˙ ˙ # ˙ ˙ ˙ ˙ n D 7 G 7 D 7 G 7 & ? ˙ ˙ ˙ ˙ b ˙ ˙ ˙ ˙ b #4 - LH Bass Notes, RH Chords 19 ˙ ˙ C 7 F 7 ˙ ˙ ˙ ˙ b b ˙ ˙ ˙ ˙ b b ˙ b ˙ b B b 7 E b 7 ˙ ˙ ˙ ˙ b b b ˙ ˙ ˙ ˙ b b ˙ b ˙ b A b 7 D b 7 ˙ ˙ ˙ ˙ # # # ˙ ˙ ˙ ˙ # n ˙ # ˙ B 7 F # 7 ˙ ˙ ˙ ˙ # ˙ ˙ ˙ ˙ # n ˙ ˙ E 7 A 7 ˙ ˙ ˙ ˙ # ˙ ˙ ˙ ˙ n ˙ ˙ D 7 G 7 Lesson 9 Practice ©Jazzpianoschool.com 2014 Brenden Lowe Harmony + Theory Voice Lead Your Dominant 7th Chords From Root to 2nd Inversion Through The Circle Of Fourths

Harmony + Theory Brenden Lowe Lesson 9 Practice · 2018. 4. 13. · Harmony + Theory Voice Lead Your Dominant 7th Chords From Root to 2nd Inversion Through The Circle Of Fourths &4

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  • & 44 ˙̇̇̇b ˙̇˙˙b#1 - RH Alone

    C7 F7 ˙̇̇̇bb ˙̇˙˙bbBb7 Eb7 ˙̇̇̇bbb ˙̇˙˙bb

    Ab7 Db7 ˙̇̇̇### ˙˙˙̇#nF#7 B7

    ˙̇̇̇# ˙˙˙̇#nE7 A7

    ˙̇̇̇# ˙˙˙̇nD7 G7

    ?7

    ˙̇̇̇b ˙̇˙˙b#2 - LH Alone

    C7 F7 ˙̇̇̇bb ˙̇˙˙bbBb7 Eb7 ˙̇̇̇bbb ˙˙˙̇bb

    Ab7 Db7 ˙̇̇̇### ˙̇˙˙#nB7F#7 ˙̇̇̇# ˙̇˙˙#n

    E7 A7 ˙̇̇̇# ˙̇˙˙nD7 G7

    &?

    ˙̇̇̇b ˙̇˙˙b#3 - RH + LH Together

    13

    ˙̇̇̇b ˙̇˙˙b

    C7 F7

    C7 F7

    ˙̇̇̇bb ˙̇˙˙bb

    ˙̇̇̇bb ˙̇˙˙bb

    Bb7 Eb7

    Bb7 Eb7˙̇̇̇bbb ˙̇˙˙bb

    ˙̇̇̇bbb ˙˙˙̇bb

    Ab7 Db7

    Ab7 Db7˙̇̇̇### ˙˙˙̇#n˙̇̇̇### ˙̇˙˙#n

    B7F#7

    B7F#7˙̇̇̇# ˙˙˙̇#n˙̇̇̇# ˙̇˙˙#n

    E7 A7

    E7 A7

    ˙̇̇̇# ˙˙˙̇n˙̇̇̇# ˙̇˙˙n

    D7 G7

    D7 G7

    &?

    ˙̇̇̇b ˙̇˙˙b#4 - LH Bass Notes, RH Chords

    19

    ˙ ˙

    C7 F7 ˙̇̇̇bb ˙̇˙˙bb

    ˙b ˙b

    Bb7 Eb7 ˙̇̇̇bbb ˙̇˙˙bb

    ˙b ˙b

    Ab7 Db7 ˙̇̇̇### ˙˙˙̇#n

    ˙# ˙

    B7F#7˙̇̇̇# ˙˙˙̇#n

    ˙ ˙

    E7 A7

    ˙̇̇̇# ˙˙˙̇n

    ˙ ˙

    D7 G7

    Lesson 9 Practice

    ©Jazzpianoschool.com 2014

    Brenden LoweHarmony + Theory

    Voice Lead Your Dominant 7th Chords From Root to 2nd Inversion Through The Circle Of Fourths

  • & 44 ˙˙˙̇b ˙̇̇˙b#1 - RH Alone

    C7 F7 ˙˙˙̇bb ˙̇̇˙bbBb7 Eb7 ˙˙˙̇bbb ˙̇̇˙bb

    Ab7 Db7 ˙˙˙̇### ˙̇̇˙#nF#7 B7 ˙˙˙̇# ˙̇̇˙#n

    E7 A7

    ˙˙̇̇# ˙̇˙˙nD7 G7

    ?7

    ˙˙˙̇b ˙̇̇˙b#2 - LH Alone

    C7 F7 ˙˙˙̇bb ˙̇̇˙bbBb7 Eb7 ˙˙˙̇bbb ˙̇̇˙bb

    Ab7 Db7 ˙˙˙̇### ˙̇̇˙#n B7F#7 ˙˙˙̇# ˙̇̇˙#nE

    7 A7 ˙˙˙̇# ˙̇̇˙nD7 G7

    &?

    ˙˙˙̇b ˙̇̇˙b#3 - RH + LH Together

    13

    ˙˙˙̇b ˙̇̇˙b

    C7 F7

    C7 F7

    ˙˙˙̇bb ˙̇̇˙bb˙˙˙̇bb ˙̇̇˙bb

    Bb7 Eb7

    Bb7 Eb7˙˙˙̇bbb ˙̇̇˙bb˙˙˙̇bbb ˙̇̇˙bb

    Ab7 Db7

    Ab7 Db7˙˙˙̇### ˙̇̇˙#n˙˙˙̇### ˙̇̇˙#n

    F#7 B7

    B7F#7˙˙˙̇# ˙̇̇˙#n˙˙˙̇# ˙̇̇˙#n

    E7 A7

    E7 A7

    ˙˙̇̇# ˙̇˙˙n˙˙˙̇# ˙̇̇˙n

    D7 G7

    D7 G7

    &?

    ˙˙˙̇b ˙̇̇˙b#4 - LH Bass Notes, RH Chords

    19

    ˙ ˙

    C7 F7 ˙˙˙̇bb ˙̇̇˙bb

    ˙b ˙b

    Bb7 Eb7 ˙˙˙̇bbb ˙̇̇˙bb

    ˙b ˙b

    Ab7 Db7 ˙˙˙̇### ˙̇̇˙#n

    ˙# ˙

    F#7 B7 ˙˙˙̇# ˙̇̇˙#n

    ˙ ˙

    E7 A7

    ˙˙̇̇# ˙̇˙˙n

    ˙ ˙

    D7 G7

    Lesson 9 Practice

    ©Jazzpianoschool.com 2014

    Voice Lead Dominant 7th Chords From 1st To 3rd Inversion Through The Circle Of Fourths

    Harmony + TheoryBrenden Lowe

  • & 44 ˙̇˙˙b ˙̇̇̇b#1 - RH Alone

    C7 F7

    ˙˙˙̇bb ˙̇̇̇bbBb7 Eb7

    ˙˙˙̇bbb ˙̇̇̇bbAb7 Db7

    ˙˙˙̇### ˙̇̇̇n#F#7 B7

    ˙˙˙̇# ˙̇̇̇n#E7 A7

    ˙˙˙̇# ˙̇̇̇nD7 G7

    ?7

    ˙̇˙˙b ˙̇̇̇b#2 - LH Alone

    C7 F7 ˙̇˙˙bb ˙̇̇̇bbBb7 Eb7 ˙̇˙˙bbb ˙̇̇̇bb

    Ab7 Db7 ˙̇˙˙### ˙̇̇̇n#B7F#7 ˙̇˙˙# ˙̇̇̇n#

    E7 A7

    ˙˙˙̇# ˙̇̇̇nD7 G7

    &?

    ˙̇˙˙b ˙̇̇̇b#3 - RH + LH Together

    13

    ˙̇˙˙b ˙̇̇̇b

    C7 F7

    C7 F7

    ˙˙˙̇bb ˙̇̇̇bb˙̇˙˙bb ˙̇̇̇bb

    Bb7 Eb7

    Bb7 Eb7˙˙˙̇bbb ˙̇̇̇bb˙̇˙˙bbb ˙̇̇̇bb

    Ab7 Db7

    Ab7 Db7˙˙˙̇### ˙̇̇̇n#˙̇˙˙### ˙̇̇̇n#

    F#7 B7

    B7F#7˙˙˙̇# ˙̇̇̇n#˙̇˙˙# ˙̇̇̇n#

    E7 A7

    E7 A7˙˙˙̇# ˙̇̇̇n˙˙˙̇# ˙̇̇̇n

    D7 G7

    D7 G7

    &?

    ˙̇˙˙b ˙̇̇̇b#4 - LH Bass Notes, RH Chords

    19

    ˙ ˙

    C7 F7

    ˙˙˙̇bb ˙̇̇̇bb

    ˙b ˙b

    Bb7 Eb7˙˙˙̇bbb ˙̇̇̇bb

    ˙b ˙b

    Ab7 Db7˙˙˙̇### ˙̇̇̇n#

    ˙# ˙

    F#7 B7˙˙˙̇# ˙̇̇̇n#

    ˙ ˙

    E7 A7

    ˙˙˙̇# ˙̇̇̇n

    ˙ ˙

    D7 G7

    Lesson 9 Practice

    ©Jazzpianoschool.com 2014

    Voice Lead Dominant 7ths From 2nd To Root Position Through The Circle Of Fourths

    Brenden LoweHarmony + Theory

  • & 44 ˙̇̇˙b ˙˙˙̇b#1 - RH Alone

    C7 F7 ˙̇̇˙bb ˙˙˙̇bbBb7 Eb7 ˙̇̇˙bbb ˙˙̇̇bb

    Ab7 Db7˙̇˙˙### ˙˙̇̇n#

    F#7 B7˙̇˙˙# ˙˙̇̇n#E7 A7

    ˙̇˙˙# ˙˙̇̇nD7 G7

    ?7

    ˙̇̇˙b ˙˙˙̇b#2 - LH Alone

    C7 F7 ˙̇̇˙bb ˙˙˙̇bbBb7 Eb7 ˙̇̇˙bbb ˙˙˙̇bbA

    b7 Db7 ˙̇̇˙### ˙˙˙̇n#B7F#7 ˙̇̇˙# ˙˙˙̇n#

    E7 A7 ˙̇̇˙# ˙˙˙̇nD7 G7

    &?

    ˙̇̇˙b ˙˙˙̇b#3 - RH + LH Together

    13

    ˙̇̇˙b ˙˙˙̇b

    C7 F7

    C7 F7

    ˙̇̇˙bb ˙˙˙̇bb˙̇̇˙bb ˙˙˙̇bb

    Bb7 Eb7

    Bb7 Eb7˙̇̇˙bbb ˙˙̇̇bb˙̇̇˙bbb ˙˙˙̇bb

    Ab7 Db7

    Ab7 Db7˙̇˙˙### ˙˙̇̇n#˙̇̇˙### ˙˙˙̇n#

    F#7 B7

    B7F#7˙̇˙˙# ˙˙̇̇n#˙̇̇˙# ˙˙˙̇n#

    E7 A7

    E7 A7

    ˙̇˙˙# ˙˙̇̇n˙̇̇˙# ˙˙˙̇n

    D7 G7

    D7 G7

    &?

    ˙̇̇˙b ˙˙˙̇b#4 - LH Bass Notes, RH Chords

    19

    ˙ ˙

    C7 F7 ˙̇̇˙bb ˙˙˙̇bb

    ˙b ˙b

    Bb7 Eb7 ˙̇̇˙bbb ˙˙̇̇bb

    ˙b ˙b

    Ab7 Db7˙̇˙˙### ˙˙̇̇n#

    ˙# ˙

    F#7 B7˙̇˙˙# ˙˙̇̇n#

    ˙ ˙

    E7 A7

    ˙̇˙˙# ˙˙̇̇n

    ˙ ˙

    D7 G7

    Lesson 9 Practice

    ©Jazzpianoschool.com 2014

    Voice Lead Dominant 7ths From 3rd To 1st Inversion Through The Circle Of Fourths

    Harmony + Theory Brenden Lowe

  • & 44 ˙̇̇̇bb ˙˙˙̇b#1 - RH Alone

    C-7 F-7

    ˙̇̇̇bbb ˙˙˙̇bbBb-7 Eb-7 ˙̇̇̇### ˙̇˙˙#

    C#-7G#-7 ˙̇̇̇## ˙˙˙̇F#-7 B-7

    ˙̇̇̇ ˙˙˙̇E-7 A-7

    ˙̇̇̇ ˙˙˙̇bD-7 G-7

    ?7

    ˙̇̇̇bb ˙̇˙˙b#2 - LH Alone

    C-7 F-7 ˙̇̇̇bbb ˙̇˙˙bbBb-7 Eb-7 ˙̇̇̇### ˙̇˙˙#C

    #-7G#-7 ˙̇̇̇## ˙̇˙˙F#-7 B-7 ˙̇̇̇ ˙̇˙˙

    E-7 A-7 ˙̇̇̇ ˙̇˙˙bD-7 G-7

    &?

    ˙̇̇̇bb ˙˙˙̇b#3 - RH + LH Together

    13

    ˙̇̇̇bb ˙̇˙˙b

    C-7 F-7

    C-7 F-7

    ˙̇̇̇bbb ˙˙˙̇bb˙̇̇̇bbb ˙̇˙˙bb

    Bb-7 Eb-7

    Bb-7 Eb-7˙̇̇̇### ˙̇˙˙#˙̇̇̇### ˙̇˙˙#

    C#-7G#-7

    C#-7G#-7˙̇̇̇## ˙˙˙̇˙̇̇̇## ˙̇˙˙

    F#-7 B-7

    F#-7 B-7˙̇̇̇ ˙˙˙̇˙̇̇̇ ˙̇˙˙

    E-7 A-7

    E-7 A-7

    ˙̇̇̇ ˙˙˙̇b˙̇̇̇ ˙̇˙˙b

    D-7 G-7

    D-7 G-7

    &?

    ˙̇̇̇bb ˙̇˙˙b#4 - LH Bass Notes, RH Chords

    19

    ˙ ˙

    C-7 F-7 ˙̇̇̇bbb ˙̇˙˙bb

    ˙b ˙b

    Bb-7 Eb-7 ˙̇̇̇### ˙̇˙˙#

    ˙# ˙#

    C#-7G#-7 ˙̇̇̇## ˙˙˙̇

    ˙# ˙

    F#-7 B-7˙̇̇̇ ˙˙˙̇

    ˙ ˙

    E-7 A-7

    ˙̇̇̇ ˙˙˙̇b

    ˙ ˙

    D-7 G-7

    Lesson 9 Practice

    ©Jazzpianoschool.com 2014

    Voice Lead Minor 7ths From Root To 2nd Inversion Through The Circle Of Fourths

    Brenden LoweHarmony + Theory

  • & 44 ˙˙̇̇bb ˙̇˙˙b#1 - RH Alone

    C-7 F-7

    ˙˙̇̇bbb ˙̇˙˙bbBb-7 Eb-7

    ˙˙̇̇### ˙̇˙˙#G#-7 C#-7 ˙˙˙̇## ˙̇̇˙

    F#-7 B-7 ˙˙˙̇ ˙̇̇˙E-7 A-7

    ˙˙̇̇ ˙̇˙˙bD-7 G-7

    ?7

    ˙˙˙̇bb ˙̇̇˙b#2 - LH Alone

    C-7 F-7 ˙˙˙̇bbb ˙̇̇˙bbBb-7 Eb-7 ˙˙˙̇### ˙̇̇˙#

    G#-7 C#-7 ˙˙˙̇## ˙̇̇˙F#-7 B-7 ˙˙˙̇ ˙̇̇˙E-7 A-7 ˙˙˙̇ ˙̇̇˙b

    D-7 G-7

    &?

    ˙˙̇̇bb ˙̇˙˙b

    #3 - RH + LH Together

    13

    ˙˙˙̇bb ˙̇̇˙b

    C-7 F-7

    ˙˙̇̇bbb ˙̇˙˙bb˙˙˙̇bbb ˙̇̇˙bb

    Bb-7 Eb-7˙˙̇̇### ˙̇˙˙#˙˙˙̇### ˙̇̇˙#

    G#-7 C#-7 ˙˙˙̇## ˙̇̇˙˙˙˙̇## ˙̇̇˙

    F#-7 B-7 ˙˙˙̇ ˙̇̇˙˙˙˙̇ ˙̇̇˙

    E-7 A-7

    ˙˙̇̇ ˙̇˙˙b˙˙˙̇ ˙̇̇˙b

    D-7 G-7

    &?

    ˙˙̇̇bb ˙̇˙˙b

    #4 - LH Bass Notes, RH Chords

    19

    ˙ ˙

    C-7 F-7

    ˙˙̇̇bbb ˙̇˙˙bb

    ˙b ˙b

    Bb-7 Eb-7˙˙̇̇### ˙̇˙˙#

    ˙# ˙#

    G#-7 C#-7 ˙˙˙̇## ˙̇̇˙

    ˙# ˙

    F#-7 B-7 ˙˙˙̇ ˙̇̇˙

    ˙ ˙

    E-7 A-7

    ˙˙̇̇ ˙̇˙˙b

    ˙ ˙

    D-7 G-7

    Lesson 9 Practice

    ©

    Harmony + Theory Brenden Lowe

    Voice Lead Minor 7ths From 1st To 3rd Inversion Through The Circle Of Fourths

  • & 44 ˙̇˙˙bb ˙̇̇̇b#1 - RH Alone

    C-7 F-7

    ˙˙˙̇bbb ˙̇̇̇bbBb-7 Eb-7

    ˙˙˙̇### ˙̇̇̇#G#-7 C#-7

    ˙˙˙̇## ˙̇̇̇F#-7 B-7

    ˙˙˙̇ ˙̇̇̇E-7 A-7

    ˙˙˙̇ ˙̇̇̇bD-7 G-7

    ?7

    ˙̇˙˙bb ˙̇̇̇b#2 - LH Alone

    C-7 F-7 ˙̇˙˙bbb ˙̇̇̇bbBb-7 Eb-7 ˙̇˙˙### ˙̇̇̇#

    G#-7 C#-7 ˙̇˙˙## ˙̇̇̇F#-7 B-7 ˙̇˙˙ ˙̇̇̇

    E-7 A-7

    ˙˙˙̇ ˙̇̇̇bD-7 G-7

    &?

    ˙̇˙˙bb ˙̇̇̇b#3 - RH + LH Together

    13

    ˙̇˙˙bb ˙̇̇̇b

    C-7 F-7

    C-7 F-7

    ˙˙˙̇bbb ˙̇̇̇bb˙̇˙˙bbb ˙̇̇̇bb

    Bb-7 Eb-7

    Bb-7 Eb-7˙˙˙̇### ˙̇̇̇#˙̇˙˙### ˙̇̇̇#

    G#-7 C#-7

    G#-7 C#-7˙˙˙̇## ˙̇̇̇˙̇˙˙## ˙̇̇̇

    F#-7 B-7

    F#-7 B-7˙˙˙̇ ˙̇̇̇˙̇˙˙ ˙̇̇̇

    E-7 A-7

    E-7 A-7

    ˙˙˙̇ ˙̇̇̇b˙˙˙̇ ˙̇̇̇b

    D-7 G-7

    D-7 G-7

    &?

    ˙̇˙˙bb ˙̇̇̇b

    #4 - LH Bass Notes, RH Chords

    19

    ˙ ˙

    C-7 F-7

    ˙˙˙̇bbb ˙̇̇̇bb

    ˙b ˙b

    Bb-7 Eb-7˙˙˙̇### ˙̇̇̇#

    ˙# ˙#

    G#-7 C#-7˙˙˙̇## ˙̇̇̇

    ˙# ˙

    F#-7 B-7˙˙˙̇ ˙̇̇̇

    ˙ ˙

    E-7 A-7

    ˙˙˙̇ ˙̇̇̇b

    ˙ ˙

    D-7 G-7

    Lesson 9 Practice

    ©Jazzpianoschool.com 2014

    Voice Lead Minor 7th From 2nd To Root Position Through The Circle Of Fourths

    Brenden LoweHarmony + Theory

  • & 44 ˙̇̇˙bb ˙˙˙̇b#1 - RH Alone

    C-7 F-7 ˙̇̇˙bbb ˙˙˙̇bbBb-7 Eb-7

    ˙̇˙˙### ˙˙̇̇#G#-7 C#-7

    ˙̇˙˙## ˙˙̇̇F#-7 B-7

    ˙̇˙˙ ˙˙̇̇E-7 A-7

    ˙̇˙˙ ˙˙̇̇bD-7 G-7

    ?7

    ˙̇̇˙bb ˙˙˙̇b#2 - LH Alone

    C-7 F-7 ˙̇̇˙bbb ˙˙˙̇bbBb-7 Eb-7 ˙̇̇˙### ˙˙˙̇#

    G#-7 C#-7 ˙̇̇˙## ˙˙˙̇F#-7 B-7 ˙̇̇˙ ˙˙˙̇

    E-7 A-7 ˙̇̇˙ ˙˙˙̇bD-7 G-7

    &?

    ˙̇̇˙bb ˙˙˙̇b#3 - RH + LH Together

    13

    ˙̇̇˙bb ˙˙˙̇b

    C-7 F-7

    C-7 F-7

    ˙̇̇˙bbb ˙˙˙̇bb˙̇̇˙bbb ˙˙˙̇bb

    Bb-7 Eb-7

    Bb-7 Eb-7˙̇˙˙### ˙˙̇̇#˙̇̇˙### ˙˙˙̇#

    G#-7 C#-7

    G#-7 C#-7˙̇˙˙## ˙˙̇̇˙̇̇˙## ˙˙˙̇

    F#-7 B-7

    F#-7 B-7˙̇˙˙ ˙˙̇̇˙̇̇˙ ˙˙˙̇

    E-7 A-7

    E-7 A-7

    ˙̇˙˙ ˙˙̇̇b˙̇̇˙ ˙˙˙̇b

    D-7 G-7

    D-7 G-7

    &?

    ˙̇̇˙bb ˙˙˙̇b

    #4 - LH Bass Notes, RH Chords

    19

    ˙ ˙

    C-7 F-7 ˙̇̇˙bbb ˙˙˙̇bb

    ˙b ˙b

    Bb-7 Eb-7˙̇˙˙### ˙˙̇̇#

    ˙# ˙#

    G#-7 C#-7˙̇˙˙## ˙˙̇̇

    ˙# ˙

    F#-7 B-7˙̇˙˙ ˙˙̇̇

    ˙ ˙

    E-7 A-7

    ˙̇˙˙ ˙˙̇̇b

    ˙ ˙

    D-7 G-7

    Lesson 9 Practice

    ©Jazzpianoschool.com 2014

    Voice Lead Minor 7ths From 3rd To 1st Inversion Through The Circle Of Fourths

    Harmony + Theory Brenden Lowe

  • & 44 úúúú úúúú#1 - RH Alone

    Cmaj7 Fmaj7 úúúúb úúúúbBbmaj7Ebmaj7 úúúúbb úúúúb

    Abmaj7 Dbmaj7 úúúúbbb úúúú##n#Gbmaj7 Bmaj7

    úúúú## úúúú#Emaj7 Amaj7

    úúúú## úúúúDmaj7 Gmaj7

    ?7

    úúúú úúúú

    #2 - LH Alone

    Cmaj7 Fmaj7 úúúúb úúúúbBbmaj7Ebmaj7

    úúúúbb úúúúbAbmaj7 Dbmaj7

    úúúúbbb úúúú##n#Gbmaj7 Bmaj7

    úúúú## úúúú#Emaj7 Amaj7

    úúúú## úúúúDmaj7 Gmaj7

    &

    ?

    úúúú úúúú

    #3 - RH + LH Together

    13

    úúúú úúúú

    Cmaj7 Fmaj7 úúúúb úúúúb

    úúúúb úúúúb

    Bbmaj7 Ebmaj7 úúúúbb úúúúb

    úúúúbb úúúúb

    Abmaj7 Dbmaj7 úúúúbbb úúúú##n#

    úúúúbbb úúúú##n#

    Gbmaj7 Bmaj7úúúú## úúúú#

    úúúú## úúúú#

    Emaj7 Amaj7

    úúúú## úúúú

    úúúú## úúúú

    Dmaj7 Gmaj7

    &

    ?

    úúúú úúúú

    #4 - LH Bass Notes, RH Chords

    19

    ú ú

    Cmaj7 Fmaj7 úúúúb úúúúb

    úb úb

    Bbmaj7 Ebmaj7 úúúúbb úúúúb

    úb úb

    Abmaj7 Dbmaj7 úúúúbbb úúúú##n#

    úb ú

    Gbmaj7 Bmaj7úúúú## úúúú#

    ú ú

    Emaj7 Amaj7

    úúúú## úúúú

    ú ú

    Dmaj7 Gmaj7

    Lesson 9 Practice

    ©Jazzpianoschool.com 2014

    Practice Voice Leading Major 7th Chords Through The Circle Of Fourths Using Root Position To 2nd Inversion

    Harmony + Theory Brenden Lowe

  • & 44 úúúú úúúú#1 - RH Alone

    Cmaj7 Fmaj7 úúúúb úúúúbBbmaj7Ebmaj7 úúúúbb úúúúb

    Abmaj7 Dbmaj7 úúúúbbb úúúú###nGbmaj7 Bmaj7

    úúúú## úúúú#Emaj7Amaj7

    úúúú## úúúúDmaj7Gmaj7

    ?7

    úúúú úúúú

    #2 - LH Alone

    Cmaj7 Fmaj7 úúúúb úúúúbBbmaj7Ebmaj7 úúúúbb úúúúb

    Abmaj7 Dbmaj7úúúúbbb úúúú###n

    Gbmaj7 Bmaj7úúúú## úúúú#

    Emaj7Amaj7

    úúúú## úúúúDmaj7Gmaj7

    &

    ?

    úúúú úúúú

    #3 - RH + LH Together

    13

    úúúú úúúú

    Cmaj7Fmaj7 úúúúb úúúúb

    úúúúb úúúúb

    Bbmaj7 Ebmaj7 úúúúbb úúúúb

    úúúúbb úúúúb

    Abmaj7 Dbmaj7 úúúúbbb úúúú###n

    úúúúbbb úúúú###n

    Gbmaj7 Bmaj7úúúú## úúúú#

    úúúú## úúúú#

    Emaj7 Amaj7

    úúúú## úúúú

    úúúú## úúúú

    Dmaj7Gmaj7

    &

    ?

    úúúú úúúú

    #4 - LH Bass Notes, RH Chords

    19

    ú ú

    Cmaj7 Fmaj7 úúúúb úúúúb

    úb úb

    Bbmaj7Ebmaj7 úúúúbb úúúúb

    úb úb

    Abmaj7 Dbmaj7 úúúúbbb úúúú###n

    úb ú

    Gbmaj7 Bmaj7úúúú## úúúú#

    ú ú

    Emaj7Amaj7

    úúúú## úúúú

    ú ú

    Dmaj7Gmaj7

    Lesson 9 Practice

    ©Jazzpianoschool.com 2014

    Voice Lead Your Major 7th Chords From 1st Postion To 3rd Position Through The Circle Of Fourths

    Brenden LoweHarmony + Theory

  • & 44 úúúú úúúú#1 - RH Alone

    Cmaj7 Fmaj7

    úúúúb úúúúbBbmaj7 Ebmaj7

    úúúúbb úúúúbAbmaj7 Dbmaj7

    úúúúbbb úúúú###Gbmaj7 Bmaj7

    úúúú## úúúú#Emaj7 Amaj7

    úúúú## úúúú

    Dmaj7 Gmaj7

    ?7

    úúúú úúúú

    #2 - LH Alone

    Cmaj7 Fmaj7

    úúúúb úúúúbBbmaj7Ebmaj7

    úúúúbb úúúúbAbmaj7 Dbmaj7

    úúúúbbb úúúú###Gbmaj7 Bmaj7

    úúúú## úúúú#Emaj7 Amaj7

    úúúú## úúúú

    Dmaj7 Gmaj7

    &

    ?

    úúúú úúúú

    #3 - RH + LH Together

    13

    úúúú úúúú

    Cmaj7 Fmaj7

    úúúúb úúúúb

    úúúúb úúúúb

    Bbmaj7Ebmaj7úúúúbb úúúúb

    úúúúbb úúúúb

    Abmaj7 Dbmaj7úúúúbbb úúúú###

    úúúúbbb úúúú###

    Gbmaj7 Bmaj7úúúú## úúúú#

    úúúú## úúúú#

    Emaj7Amaj7

    úúúú## úúúú

    úúúú## úúúú

    Dmaj7Gmaj7

    &

    ?

    úúúú úúúú

    #4 - LH Bass Notes, RH Chords

    19

    ú ú

    Cmaj7 Fmaj7

    úúúúb úúúúb

    úb úb

    Bbmaj7Ebmaj7úúúúbb úúúúb

    úb úb

    Abmaj7 Dbmaj7úúúúbbb úúúú###

    úb ú

    Gbmaj7 Bmaj7úúúú## úúúú#

    ú ú

    Emaj7 Amaj7

    úúúú## úúúú

    ú ú

    Dmaj7Gmaj7

    Lesson 9 Practice

    ©Jazzpianoschool.com 2014

    Voice Lead Major 7th Chords From 2nd To Root Position Through The Circle Of Fourths

    Harmony + Theory Brenden Lowe

  • & 44 úúúú úúúú#1 - RH Alone

    Cmaj7Fmaj7 úúúúb úúúúbBbmaj7 Ebmaj7

    úúúúbb úúúúbAbmaj7 Dbmaj7

    úúúúbbb úúúún###Gbmaj7 Bmaj7

    úúúú## úúúú#Emaj7Amaj7

    úúúú## úúúúDmaj7Gmaj7

    ?7

    úúúú úúúú

    #2 - LH Alone

    Cmaj7 Fmaj7

    úúúúb úúúúbBbmaj7 Ebmaj7

    úúúúbb úúúúbAbmaj7 Dbmaj7

    úúúúbbb úúúún###Gbmaj7 Bmaj7

    úúúú## úúúú#Emaj7 Amaj7

    úúúú## úúúú

    Dmaj7 Gmaj7

    &

    ?

    úúúú úúúú

    #3 - RH + LH Together

    13

    úúúú úúúú

    Cmaj7 Fmaj7 úúúúb úúúúb

    úúúúb úúúúb

    Bbmaj7 Ebmaj7úúúúbb úúúúb

    úúúúbb úúúúb

    Abmaj7 Dbmaj7úúúúbbb úúúún###

    úúúúbbb úúúún###

    Gbmaj7 Bmaj7úúúú## úúúú#

    úúúú## úúúú#

    Emaj7 Amaj7

    úúúú## úúúú

    úúúú## úúúú

    Dmaj7 Gmaj7

    &

    ?

    úúúú úúúú

    #4 - LH Bass Notes, RH Chords

    19

    ú ú

    Cmaj7 Fmaj7 úúúúb úúúúb

    úb úb

    Bbmaj7 Ebmaj7úúúúbb úúúúb

    úb úb

    Abmaj7 Dbmaj7úúúúbbb úúúún###

    úb ú

    Gbmaj7 Bmaj7úúúú## úúúú#

    ú ú

    Emaj7 Amaj7

    úúúú## úúúú

    ú ú

    Dmaj7Gmaj7

    Lesson 9 Practice

    ©Jazzpianoschool.com

    Voice Lead Your Major 7th Chords From 3rd To 1st Inversion Through The Circle Of Fourths

    Brenden LoweHarmony + Theory