Historija rimske drzave za vrijeme svih vladara koji vladaju vladavinom koja se vlada na tom podruciju vladajuce strulkturue jer je ekonomija losa

8/13/2019 Historija rimske drzave za vrijeme svih vladara koji vladaju vladavinom koja se vlada na tom podruciju vladajuce strulkturue jer je ekonomija losa.

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History Of Rap

CONTENT

1. INTRODUCTION......................................................................................2

2. BEGINNING OF RAP..............................................................................3

2.1. Life of rappers.....................................................................................

3. GANGSTA RAP.........................................................................................

3.1. 2pac.......................................................................................................

3.2. Notorius B.I.G.......................................................................................

3.3. Notorius B.I.G vs 2pac..........................................................................

4. NEW ERA OF RAP.................................................................................... 4.1. Eminem.................................................................................................

4.2. Te Game..............................................................................................

4.3. !" #ent...................................................................................................

5. CONCLUSION............................................................................................

1


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History Of Rap

1. INTRODUCTION

In tese fe$ pa%es I $i&& try to can%e te $ay peop&e tin' a(out rap. I $i&& try to

(rin% c&oser tis specific type of music tat can%e) te $ay I tin' an) &ive.Hip

op music* a&so ca&&e) ip+op* rap music or ip+op music* is a musica&

%enre consistin% of a sty&i,e) rytmic music tat common&y accompanies rappin%* a

rytmic an) rymin% speec tat is cante). It )eve&ope) as part of ip op cu&ture*

a su(cu&ture )efine) (y four 'ey sty&istic e&ements-

#in%/rappin%* 0in%/scratcin%* (rea'in%/)ancin%* an) %raffiti $ritin%. Oter

e&ements inc&u)e samp&in% or syntesis* an) (eat(oin%.

5i&e often use) to refer to rappin%* 6ip op6 more proper&y )enotes te practice of

te entire su(cu&ture. Te term hip hop musicis sometimes use) synonymous&y $it

te term rap music* tou% rappin% is not a re7uire) component of ip op music8

te %enre may a&so incorporate oter e&ements of ip op cu&ture* inc&u)in% 0in%

an) scratcin%* (eat(oin%* an) instrumenta& trac's.

9&& te stru%%&e tat rappers ave to %o trou% so tat tey cou&) %et some

respect*fame an) money.I $i&& %ive you a&& importante information tat you nee) to

un)erstan).Gan%sta: rap an) a&& specifc a(out tat ;music $ay< (est rappers from

tat perio) an) tere &e%acy on to)ay rappers.Tere is more ten $at you see on

T=*toose ;rappers< are ;ne$ scoo&< (ut you $i&& see (est from te (est from ;o&)

scoo&< an) you $i&& notice te )iferents (et$e$n toose t$o parts of rap.Bi%%est

;feu)< in >?9 tat sp&it >?9 in t$o si)es ;East< an) ;5est


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History Of Rap

%ame for me tese rappers cance) te rap in 21 century.9&& of tem a) (a)

ci&)oo) an) tey try to te&& tat tor% son%s an) vi)eos.?o tat tey cou&) e&p

te 'i)s to coose a (etter &ife an) (etter $ay of &ife.Tese rappers ma)e u%e

inf&uence on me*an) I $i&& try to sare tat $it you trou% tis report.I ope tat

you $i&& un)erstan) tat tis is not @ust ;ta&'in%< a(out fame*$omans an)

money*(ecause tere is (i%%er picture (einfe tis %reat music.

3


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History Of Rap

2. BEGINNING OF RAP

Rap an) ip+op music as $e 'no$ it to)ay actua&&y (e%an tousan)s of years

a%o in 9frica $it te


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History Of Rap

incorporate) an e&ement of cu&tura& a$areness in is spinnin% tat $as ne$ to te

scene. 9fri'a $as a former %an% mem(er $o sa$ music as a $ay to (rin% %etto

yout to%eter.

In 1DF2* Gran)master K&as recor)e) p unti&

no$* most rap music containe) up(eat* per'y an) fun messa%es. Tis $as a

&an)mar' recor)in% $ic pave) te $ay for socia& an) po&itica& commentary in rap

music $ic sti&& continues on to)ay.

Rap music receive) anoter ma@or (oost in 1DF $it te music vi)eo


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History Of Rap

6?&ammin%.6 9 poetry s&am is te rea)in% of ori%ina& poetry tat is rea) a&ou) $it

)rums or a (ass &ine p&ayin% in te (ac'%roun). Te poetry often contains a po&itica&

or socio&o%ica& messa%e an) te sty&e in $ic it is rea) actua&&y c&ose&y resem(&es

te sty&e of te 9frican %riots. Rap music a&so uses it:s o$n termino&o%y to )escri(e

an) refer to tin%s. 9 perfect eamp&e of tis is te current tren) starte) (y ?noop

0o%% to a)) an 6i,,&e6 to te en) of $or)s. Tis tren) as cau%t on in popu&ar

cu&ture to te point $ere ra)io stations an) me)ia persona&ity are tryin% to

incorporate it into teir &an%ua%eM Last&y* $o can for%et te fervor te Run 0#

9)i)as snea'ers starte)C In te ei%ties after teir vi)eos it te (i% time* it seeme)

as tou% everyone a) to a) 9)i)as snea'ers $it no &aces. Tis $as @ust te

(e%inin% of te inf&uences rap music as a) on te fasion $or&). any rap artists

suc as uff 0a))y* Russe&& ?immons an) te 5u Tan% #&an ave actua&&y starte)

teir o$n successfu& c&otin% &ines. Te more popu&ar a rap artist is* te more &i'e&y

teir sense of sty&e $i&& (e emu&ate) (y many.


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History Of Rap

&icture '.1 Bronx

icture 2.2Bron

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History Of Rap

3. GANGSTA RAP

Gan%sta rap is te most famous part of rap music. Gan%sta rap is a su(%enre of

ip+op music tat evo&ve) from ar)core ip op an) purports to ref&ect ur(ancrime an) te vio&ent &ifesty&es of inner+city youts. Lyrics in %an%sta rap ave

varie) from accurate ref&ections to fictiona&i,e) accounts. Gan%sta is a non+rotic

pronunciation of te $or) %an%ster. Te %enre $as pioneere) in te mi))&e 1DF"s (y

rappers suc as ?coo&&y 0 an) Ice+T* an) $as popu&ari,e) in te &ater part of te

1DF"s (y %roups &i'e N.5.9. Ni%%a, 5it 9)ittue) 9fter te nationa& attention

tat Ice+T an) N.5.9 attracte) in te &ate 1DF"s an) ear&y 1DD"s* %an%sta rap

(ecame te most commercia&&y &ucrative su(%enre of ip op. ?ome %an%sta rappers

ave (een associate)* or a&&e%e)&y ave ties $it te B&oo)s or #rips %an%s. Beefs

are main part of te %an%sta rap. Beef is (att&e of t$o %roups or rappers. Tey fi%t

$it son%s $ere tey insu&t oter rapper. Tat is not (ecause money it is (ecause

respect. In %etto or oo)* respect is a&& you %ot an) nee). ?ometimes Beefs en) $it

)eat of one artist* an) usua&&y oter one )ies pretty fast (ecause of reven%e. Tere

are a &ots of reasons to start a (eef. ?ome rappers start a (eef (ecause tey (e&on% to

oter rap %roup* tey insu&t tem* for respect or @ust for fun. Te ru&es of (eefs are

tat after one rapper re&ease a )isc son%* oter ave to respon) or e is to &ooser.0urin% te &ate 1D"s* ip+op emer%e) in te streets of Ne$ or' #ity* $ic

$ou&) remain te forefront of te %enre trou%out te 1DF"s. 9s te 1DF"s )re$ to

a c&ose* o$ever* severa& $est coast (ase) acts suc as Ice+T* # Hammer*

an) N.5.9 (e%an %arnerin% attention. Te ori%ins of te conf&ict $ere ar%ua(&y

initiate) in 1DD1 $en East #oast (ase) rapper Tim 0o% re&ease)


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History Of Rap

a&(um (y 0r. 0re:s protQ%Qan) Lon% Beac + (ase) ?noop 0o%%* $ic a&so (ecame

a mu&ti+p&atinum opus. By ear&y 1DD4* te 7uic' success of 0eat Ro$ Recor)s

ea)e) (y ?u%e ni%t an) 0r. 0re a) effective&y put a &ar%e me)ia spot&i%t

on Los 9n%e&es an) te $est+coast ip+op scene.

5est #ost a) u%e rap scean*an) tey are creators of ;Gan%sta rap


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History Of Rap

3.1. 2pa!

Tupac 9maru ?a'ur $as (orn on une 1* 1D1. He $as 'no$n (y is sta%e names

2ac* ac* an) a'ave&i* $as an 9merican rapper an) actor. ?a'ur as so&) over !

mi&&ion a&(ums $or&)$i)e as of 2""* ma'in% im one of te (est+se&&in% music

artists in te $or&). Ro&&in% ?tone a%a,ine name) im te Ft Greatest 9rtist of

9&& Time. ?a'ur $as a&so an actor. Te temes of most of Tupac:s son%s are te

vio&ence an) ar)sip in inner cities* racism* socia& pro(&ems* an) conf&icts $it

oter rappers )urin% te East #oast + 5est #oast ip op riva&ry. ?a'ur (e%an is

career as a roa)ie* (ac'up )ancer* an) # for te a&ternative ip op %roup 0i%ita&

>n)er%roun).

9feni ?a'ur an) 9ssata ?a'ur* is moter an) aunt respective&y* $ere invo&ve)

$it te B&ac' anters* an) Tupac ma)e reference to te or%ani,ation in te son%

#an%es. ?a'ur $as invo&ve) in a 5est + coast East + coast riva&ry after a ma@or

feu) $it East+coast rappers* pro)ucers an) recor) + &a(e& mem(ers of staff.

On ?eptem(er * 1DD* ?a'ur $as sot four times in Las =e%as* Neva)a. He $as

ta'en to te >niversity e)ica& #enter* $ere e )ie) si )ays &ater of respiratory

fai&ure an) car)iac arrest.

His &ife $as true rap story. He $as (orn in @ai& in Ne$ or'. His &ife $as u%e

stru%&e an) (at&&e. He $i&& a&$ays (e remem(er) as %o) of rap. His ;f&o$< an)

;&iyrics< $ere eart (rea'in%. He $as true 'in% on ;5est #oast


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History Of Rap

I see no changes. All I see is racist faces, Misplaced hate makes disgrace for races3

His moter $as invo&ve) $it B&ac' anters an) se a) (i% pro(&em $it po&ice

an) &a$. In is son% :0ear ama: e raps a(out is yout an) re&ationsip $it is

moter. In tat son% e a&so sove) ate to is un'no$en fater.

Though back at the time, I never thought I'd see her face,Ain't a woman alive that

could take my mama's place. ow ain't nobody tell us it was fair,o love from my

daddy cause the coward wasn't there. !e passed away and I didn't cry, cause my

anger wouldn't let me feel for a stranger."

Tupac $rote some po&itica& son%s.5ere e attac' 9merican %ouverment. He $as

rea& 9frican 9merican fi%ure after artin Luter in%. ?ome (e&ive tat #I9 $as

invo&ve) $it is )eat.Tupac a&(um ;i&&i&uminaties< $as very soc'in%. In tat

a&(um e ;)isse)< I&&uminaties an) a&so some (e&ive tat tey $ere invo&ve) $it is

)eat.

Trou%out is career* an increasin%&y a%%ressive attitu)e can (e seen perva)in%

?a'ur:s su(se7uent a&(ums.

Te contra)ictory temes of socia& ine7ua&ity an) in@ustice* un(ri)&e) a%%ression*

compassion* p&ayfu&ness* an) ope a&& continue) to sape ?a'ur:s $or'* as

$itnesse) $it te re&ease of is incen)iary 1DD! a&(um :e 9%ainst te 5or&):.

In 1DD* ?a'ur re&ease) :9&& Eye, on e:. any of tese trac's are consi)ere) (y

many critics to (e c&assics* inc&u)in% :9m(ition, 9, a Ri)a:* :I 9in:t a) at #a:*

:#a&ifornia Love:* :Life Goes On: an) :icture e Ro&&in:.

3Lyrics of te son% #an%es* 2pac4Lyrics of te son% 0ear mama* 2pac

12


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History Of Rap

icture 3.!2pac

icture 4. 2pac 3.2. No"orio# B.I.G

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13
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History Of Rap

#ristoper Geor%e Latore 5a&&ace $as (orn in ay 21* 1D2* (est 'no$n as Te

Notorious B.I.G. He $as an 9merican rapper.

5a&&ace $as raise) in te Broo'&yn (orou% of Ne$ or' #ity. 5en 5a&&ace

re&ease) is )e(ut a&(um :Rea)y to 0ie: in 1DD4* e (ecame a centra& fi%ure in te

East #oast ip+op scene an) increase) Ne$ or':s visi(i&ity at a time $en 5est

#oast artists $ere more common in te mainstream. Te fo&&o$in% year* 5a&&ace &e)

is ci&)oo) frien)s to cart success trou% is protQ%Q %roup* unior .9.K.I.9.

5i&e recor)in% is secon) a&(um* 5a&&ace $as eavi&y invo&ve) in te

East #oast / 5est #oast ip+op feu)* )ominatin% te scene at te time.

5a&&ace %re$ up in nei%(orin% #&inton Hi&&. He $as te on&y ci&). His fater &eft

te fami&y $en 5a&&ace $as t$o years o&)* &eavin% is moter to $or' t$o @o(s

$i&e raisin% im. 9t te Pueen of 9&& ?aints i))&e ?coo&* 5a&&ace ece&&e) in

c&ass* $innin% severa& a$ar)s as an En%&is stu)ent. He $as nic'name) 6Bi%6

(ecause of is si,e (efore e turne) 1". 9t te a%e of 12* e (e%an se&&in% )ru%s. His

moter* often a$ay at $or'* )i) not 'no$ tat er son $as se&&in% )ru%s unti&

5a&&ace $as an a)u&t.

9t seventeen* 5a&&ace )roppe) out of i% scoo& an) (ecame furter invo&ve) in

crime. In 1DFD* e $as arreste) on $eapons car%es in Broo'&yn an) sentence) to

five years: pro(ation. In 1DD"* e $as arreste) on a vio&ation of is pro(ation. 9 year

&ater* 5a&&ace $as arreste) in Nort #aro&ina for )ea&in% crac' cocaine. He spent

nine monts (ein) (ars unti& e ma)e (ai&

On arc D* 1DD* 5a&&ace $as 'i&&e) (y an un'no$n assai&ant in a )rive+(y

sootin% in Los 9n%e&es. His )ou(&e+)isc set :Life 9fter 0eat:* re&ease) 1! )ays

&ater* it No 1. on te >.?. a&(um carts an) $as certifie) 0iamon) in 2""" one of

te fe$ ip+op a&(ums to receive tis certification.

14


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History Of Rap

?ince is )eat* a furter t$o a&(ums ave (een re&ease). He as certifie) sa&es of 1

mi&&ion units in te >nite) ?tates.

5a&&ace is ce&e(rate) as one of te %reatest rap artists. Te ?ource an) B&en)er

name) 5a&&ace te %reatest rapper of a&& time.

5a&&ace a) (e%un to promote a c&otin% &ine ca&&e) Broo'&yn int* $ic $as to

pro)uce p&us+si,e) c&otin% (ut fe&& )ormant after e )ie).

icture !.Notorious B.I.G icture .FNotorious B.I.G

3.3. No"ori# B.I.G $ 2pa!

Everytin% starte) $en 2pac $as soot in Bi%%ie stu)io in Broo'&yn. He $as soot

! times. But Bi%%e never sai) tat e soot im or tat one o is :%uys: )i) it. But

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17/29

History Of Rap

Ne$ or' (orn an) Oa'&an)* #a&ifornia+(ase) rapper Tupac ?a'ur* mean$i&e*

for%e) a riva&ry $it Bi%%ie* pu(&ic&y accusin% im an) #om(s of avin% faci&itate)

im (ein% ro((e) an) sot five times in te &o((y of a Ne$ or' recor)in% stu)io on

Novem(er 3"* 1DD4. ?ort&y after 2acs sootin%*


18/29

History Of Rap

icture .D 2pac vs Bi%%ie

4. NEW ERA OF RAP

9fter B.I.G an) 2pac $ere 'i&&e) rap nee) sometin% fres an) ne$.Lots of rappers

$ere tryin% to (e at a same &eve& as pac an) Bi%%ie.Ne$ era $as create). It a&& starte)

$it Nas an) ay+J.T$o ne$ rappers from Ne$ or' $ere fi%tin% to ta'e a cro$n

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History Of Rap

from B.I.G.But tey fai&e).On 5est cost tere $ere sti&& o&) scoo& rappers $it

notin% ne$ an) fres.Ke$ years after )eat of te ;Greatest< notin% %oo) came ot

on te scean.But in 1DDD every(o)ey $ere startitn% to ta&' a(out ;5ite (oy from

0etroit< it $as Eminem.He $as te first $ite rapper after ;=ani&a Ice< $o cou&)

(e %reatest an) e (ecome tat.His pro)ucent $as o&) scoo& rapper from 5est coast

an) N.5.9 0r.0ree see tat an) ma)e im in one of te %reatest rappers since 2pac

an) B.I.G.

$as in te &ater 2"""s tat a&ternative ip op fina&&y secure) a p&ace $itin te

mainstream* )ue in part to te )ec&inin% commercia& via(i&ity of %an%sta rap as $e&&

as te crossover success of artists suc as Outast* anye 5est* an) Gnar&s

Bar'&ey. Not on&y )i) Outast:s )peakerbo$$$ * The +ove elowreceive i%

acc&aim from music critics* mana%e to appea& to &isteners of a&& a%es* an) span

numerous musica& %enres V inc&u)in% rap* roc'* RB* pun'* @a,,* in)ie* country*

pop* e&ectronica an) %ospe& V (ut it a&so spa$ne) t$o num(er+one it sin%&es an) as

(een certifie) )iamon) (y se&&in% 11 times p&atinum (y te RI99 for sippin% more

tan 11 mi&&ion units* (ecomin% one of te (est se&&in% ip+op a&(ums of a&& time as

$e&& as $innin% a Grammy 9$ar) for 9&(um of te ear at te 4t 9nnua&

Grammy 9$ar)s (ein% on&y te secon) rap a&(um to )o so. In)ustry o(servers vie$

te sa&es race (et$een anye 5est:s -raduationan) !" #ent:s urtisas a turnin%

point for ip op. 5est emer%e) te victor* se&&in% near&y a mi&&ion copies in te first

$ee' a&one* provin% tat innovative rap music cou&) (e @ust as commercia&&y via(&e

as %an%sta rap* if not more so. 9&tou% e )esi%ne) it as a me&anco&ic pop rater

tan rap* anye:s fo&&o$in% /0/s 1 !eartbreak$ou&) ave a si%nificant effect on

ip op music. 5i&e is )ecision to sin% a(out &ove* &one&iness* an) eartace for

te entirety of te a&(um $as at first eavi&y critici,e) (y music au)iences an) te

a&(um pre)icte) to (e a f&op* its su(se7uent critica& acc&aim an) commercia& success

encoura%e) oter mainstream rappers to ta'e %reater creative ris's $it teir

music. 0urin% te re&ease of The lueprint 3* Ne$ or' rap mo%u& ay+J revea&e)

1D


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21/29

History Of Rap

Eminem is a&so one a&f of te 0etroit ip op )uo Ba) eets Evi&* $it Royce )a

!:D6. Eminem is one of te (est+se&&in% artists in te $or&) an) is te (est se&&in%

artist of te 2"""s. He as (een &iste) an) ran'e) as one of te %reatest artists of a&&

time (y many ma%a,ines inc&u)in% teolling )tonema%a,ine $ic as ran'e)

im F2n) on its &ist of Te 1"" Greatest 9rtists of 9&& Time. Te same ma%a,ine as

)ec&are) im Te in% of Hip Hop. Inc&u)in% is $or' $it 012 an) Ba) eets

Evi&* Eminem as acieve) ten num(er+one a&(ums on teillboard2"". He as

so&) more tan 42 mi&&ion trac's an) 41 mi&&ion a&(ums in te >nite) ?tates* an)

near&y D" mi&&ion a&(ums $or&)$i)e.

Eminem 7uic'&y %aine) popu&arity in 1DDD $it is ma@or+&a(e& )e(ut a&(um* Te

?&im ?a)y L. Tat first a&(um* Te arsa&& aters L an) is tir) ma@or

a&(um* Te Eminem ?o$* a&& $on Grammy 9$ar)s* ma'in% Eminem te first

artist to $in Best Rap 9&(um for tree consecutive Ls. Te arsa&& aters

L is a&so consi)ere) one of Eminem:s (est an) most successfu& a&(ums. He

re&ease) is first a&(um since 2""4:s Encore* tit&e) Re&apse* on ay 1!* 2""D. In

2"1"* Eminem re&ease) is sevent stu)io a&(um Recovery* $ic $as an

internationa& success. Recovery $as a&so name) te (est se&&in% a&(um $or&)$i)e

of 2"1" @oinin% Te Eminem ?o$* $ic $as te (est se&&er of 2""2. Eminem

$on Grammy 9$ar)s for (ot Re&apse an) Recovery* %ivin% im a tota& of 13

Grammys in is career. Eminem as name) asta 9ce* Bi% 0a))y ane* Ne$c&eus*

te Beastie Boys* 0r. 0re* Tupac ?a'ur* 9J* Nas*Notorious B.I.G an) Ice

Tamon%st oters as is inf&uences.

21


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History Of Rap

icture F.1" Eminem

icture D.11 Eminem 4.2. T'e Ga%e

ayceon Terre&& Tay&or $as (orn in Novem(er 2D* 1DD* (etter 'no$n (y is sta%e

name Game* former&y Te Game* is an 9merican rapper an) actor. 9s a mem(er

of G+>nit* e rose to fame in 2""! $it te success of is )e(ut a&(um* Te

0ocumentary* $ic earne) im t$o Grammy 9$ar) nominations. His )e(ut

a&(um $as fo&&o$e) (y t$o more successfu& a&(ums + te secon) a&(um 0octor:s

1"ttp-//$$$.$or'outn)iet.com/ta%/eminem/11ttp-//7$ertyDF.(&o%it.fi/

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History Of Rap

9)vocate in 2""* an) te tir) a&(um L9X in 2""F. Game a&so runs is o$n

recor) &a(e& Te B&ac' 5a&& ?treet Recor)s. Game is consi)ere) to (e a )rivin% force

in revivin% an) (rin%in% (ac' te 5est #oast ip op scene* $ic a) (een

oversa)o$e) (y artists from te East an) ?out.

In ear&y 2""!* Game entere) a feu) $it G+>nit. Even (efore Game:s )e(ut a&(um

$as re&ease) an) teir feu) (ecame pu(&ic* tere $as tension (et$een Game an) !"

#ent. ?oon after Te 0ocumentary:s re&ease* !" #ent ta&'e) a(out an acci)ent tat

occurre) in te strip c&u( (y statin% tat e fe&t tat te rapper:s actions of not

partnerin% $it !" #ent to react to Kat oe an) a)a'iss after te Ne$ or' son%

$ritten (y a Ru&e $ere $ron% an) ten (oote) Game out of G+>nit. !" #ent a&so

c&aime) tat e $as not %ettin% is proper cre)it for te creation of te a&(um* as e

a) $ritten si of te son%s* a&& of $ic Game )enie). 0urin% tat )ispute* a

mem(er of Game:s entoura%e $as sot )urin% a confrontation tat occurre) at

te Hot D stu)io in Ne$ or' #ity. 9fter te situation (et$een tem esca&ate)* !"

#ent an) Game e&) a press conference to announce teir reconci&iation.YKans a)

mie) fee&in%s as to $eter te rappers create) a pu(&icity stunt to (oost te sa&es of

te t$o a&(ums te pair a) @ust re&ease). Neverte&ess* even after te situation a)

apparent&y )ef&ate)* G+>nit continue) to feu) $it Game* )enouncin% is street

cre)i(i&ity in te me)ia an) c&aime) tat* $itout teir support* e $ou&) not score a

it if e ma)e a secon) a&(um. Game respon)e) )urin% a performance at ?ummer

am an) &aunce) a (oycott of G+>nit ca&&e) G+>nit.

23


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History Of Rap

icture 1".12 Te Game

icture 11.13 Te Game

4.3. 5( Ce&"

#urtis ames ac'son III $as (orn u&y * 1D!. Hes (etter 'no$n (y is sta%e

name !" #ent is an 9merican rapper* entrepreneur* investor* recor) pro)ucer* an)

actor. He rose to fame $it te re&ease of is a&(ums Get Ric or 0ie Tryin'2""3

an) Te assacre 2""!. His a&(um Get Ric or 0ie Tryin as (een certifie) si

times p&atinum (y te RI99.

12ttp-//$$$.rea&ipopsinceD.com/site/ta%/te+%ame/13ttp-//$$$.te+%ame.$s/

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http://www.realhiphopsince79.com/site/tag/the-game/http://www.realhiphopsince79.com/site/tag/the-game/http://www.the-game.ws/http://www.the-game.ws/http://www.realhiphopsince79.com/site/tag/the-game/http://www.the-game.ws/


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History Of Rap

Born in ?out amaica* Pueens* ac'son (e%an )ru% )ea&in% at te a%e of t$e&ve

)urin% te 1DF"s crac' epi)emic. 9fter &eavin% )ru% )ea&in% to pursue a rap career*

e $as sot at an) struc' (y nine (u&&ets )urin% an inci)ent in 2""". 9fter re&easin%

is a&(um Guess 5o:s Bac'C in 2""2* ac'son $as )iscovere) (y rapper Eminem

an) si%ne) to Interscope Recor)s. 5it te e&p of Eminem an) 0r. 0re* $o

pro)uce) is first ma@or commercia& successes* ac'son (ecame one of te $or&):s

i%est se&&in% rappers. In 2""3* e foun)e) te recor) &a(e& G+>nit Recor)s* $ic

si%ne) severa& successfu& rappers suc as oun% Buc'* L&oy) Ban's* an) Tony

ayo.

ac'son as en%a%e) in feu)s $it oter rappers inc&u)in% a Ru&e* Nas* Kat

oe* a)a'iss* #am:ron* uff 0a))y* Ric' Ross* an) former G+>nit mem(ers Te

Game an) oun% Buc'. He as a&so pursue) an actin% career* appearin% in te semi+

auto(io%rapica& fi&m Get Ric or 0ie Tryin in 2""!* te Ira7 5ar fi&m Home of

te Brave in 2""* an) Ri%teous i&& in 2""F. !" #ent $as ran'e) as te sit

(est artist of te 2"""s (y Bi&&(oar) ma%a,ine. Te ma%a,ine a&so ran'e) im as te

fourt top ma&e artist an) as te tir) top rapper

(ein) Eminem an) Ne&&y. Bi&&(oar) ma%a,ine a&so ran'e) im as te sit (est an)

most successfu& Hot 1"" 9rtist of te 2"""s an) as te num(er one rap artist of te

2"""s. Bi&&(oar) ran'e) is a&(um Get Ric or 0ie Tryin as te t$e&ft (est a&(um

of te 2"""s an) is a&(um Te assacre as te 3t (est a&(um of te 2"""s.

2!


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History Of Rap

icture 12.14!" #ent

icture 13.1! !" #ent

5. CONCLUSION

Rap music cance) te $ay peop&e tin' an) &ive. any peop&e )ie) (ecause of

tis music.

?ome peop&e say tat rap is not music* tat rap is @ust ta&'in%. But I $i&& so$ you

)ifferent. I $i&& %ive you te reaosn to respect an) start &istenin% rap. Rap is more

ten @ust a music. Its poem its $ay of &ife. Trou%t te son%s you $i&& see te rea&

14ttp-//me)iaoutra%e.com/cate%ory/!"+cent/1!ttp-//topne$s.in/&i%t/peop&e/!"+cent

2
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History Of Rap

&ife (ut u%&y si)e. eop&e )ont respect tis 'in)a of music (ecause tey are ta&'in%

a(out rea& &ife* tey )ont &ive fair&yta&e or ima%inary &ife.Tats $y it is so specai&a to

me an) mi&&ions of oter. I $i&& so$ you te (est from te (est of rap.ou $i&& see

tat rap is most (eautif& part of music* an) tat you $i&& fin) so&utions to your

pro(&ems an) stru%%e&s. Every musician $ant to (e famouse an) tey are can%in%

(ecause of fame.But most of te rappers stay te same* tey sti&& &ive in te %eto an)

ta&' a(out rea& &ife (ut from tere vie$. Ba) si)e of rap is tat most of te rapers are

)ea) (ecuse of te (eefs an) feu)s. Bi%%est one $as (et$en 2pac an) Notorius

B.I.G. Tat (eef can%e) te rap.Tere $ere i)o&s an) %o)s on tere si)e. But $en

tey $ere %one no(o)ey $as rea)y to step up to ta'e tere p&ace.Tats $en rap $as

can%e). No$ rappers are not %an%sters* (ecause tey ta&' a(out money* po$er*

fame. 2pac* Bi%%ie an) Eminem ma)e u%e inf&uence on me. Its not @ust (ecause of

tere music* its (ecause of tere $ay of &ife. Te $ay tey so$ temse&fs to te

$or&) an) to oter rappers for me $as fascinatin%.

). LITERATURE

1. ttp-//$$$.&ast.fm/music/!"Z#ent

2. ttp-//$$$.rapmusic%ui)e.com/

3. ttp-//novaon&ine.nvcc.e)u/e&i/evans/is13!/Events/RapD/Rapusic.tm&

4. ttp-//$$$.mtv.com/music/artist/eminem/artist.@tm&

2
http://www.last.fm/music/50+Centhttp://www.rapmusicguide.com/http://novaonline.nvcc.edu/eli/evans/his135/Events/Rap79/RapMusic.htmlhttp://www.mtv.com/music/artist/eminem/artist.jhtmlhttp://www.last.fm/music/50+Centhttp://www.rapmusicguide.com/http://novaonline.nvcc.edu/eli/evans/his135/Events/Rap79/RapMusic.htmlhttp://www.mtv.com/music/artist/eminem/artist.jhtml


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History Of Rap

2F


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History Of Rap

Documents

Historija rimske drzave za vrijeme svih vladara koji vladaju vladavinom koja se vlada na tom podruciju vladajuce strulkturue jer je ekonomija losa