CREDITSLt Col Alan L. Bonner - National Executive Director/Producer

Dave Thomas, Ultrasound Comm. Systems - Engineer & Editing

Robert Bratcher - Visual Design

CDs by Mark Custom Recording Service, Clarence, NY

Recorded at Symphony Hall Springfield, MA, July 23, 2013

For information about Kappa Kappa Psi and Tau Beta Sigma, contact the National Executive Director at:

ΚΚΨ & ΤΒΣ National Headquarters PO Box 849, Stillwater, OK 74076

Phone: (405)372-2333Fax: (405)372-2363

E-mail: kkytbs@kkytbs.orghttp://www.kkytbs.org

Tau Beta Sigma National Council

Kappa Kappa Psi National Council

Adam CantleyNational President

Dawn FarmerNational President

Adam BatesVP Student Affairs

Jonathan MarkowskiVP Communication &

Recognition

Dr. Rod ChesnuttChair, Board of

Trustees

Kelly EidsonChair, Board of

Trustees

Christine BeasonVP Colonization &

Membership

Dr. Nicole SanchezVP Colonization &

Membership

Dr. Travis J. CrossVP Professional

Relations

Dr. Debra TraficanteVP Professional

Relations

Jack LeeVP Programs

Kevin EarnestVP Special Projects

Derrick MillsImmediate Past

National President

Dollie O’NeillImmediate Past

National President

Kappa Kappa Psi and Tau Beta Sigma Kappa Kappa Psi was established in 1919 at Oklahoma State University. The Fraternity is located on more than 200 college/university campuses in the United States.

Established on the campus of Texas Tech University in 1946, Tau Beta Sigma maintains more than 130 chapters on college/university campuses throughout the United States.

As members of the National Honorary Band Fraternity and Sorority, more than 90,000 band students have devoted their efforts to strengthen their band through group and individual service projects. Kappa Kappa Psi and Tau Beta Sigma operate as student serviceorganizations whose primary objective is to assist collegiate band directors in developing leadership and enthusiasm through service to their band programs.

Membership responsibilities provide the band with organized and concentrated service activities that are not duplicated by other organizations. Membership offers a variety of opportunities for talented student musicians having an interest in musical performance, organization, and leadership experiences. In addition, it facilitates unique social activities that can contribute significantly to the college experience.

History of the National Intercollegiate Band Kappa Kappa Psi and Tau Beta Sigma are proud to present the 2013 National Intercollegiate Band (NIB). Open to all qualified collegiate musicians, the NIB brings members face-to-baton with some of the most dynamically stimulating composers and respected conductors in America. Dr. F. Lee Bowling, Kappa Kappa Psi National President (Alpha Iota, University of Colorado) from 1941-1947, is regarded as the “Founder of the National Intercollegiate Band.” The NIB was Bowling’s cherished idea, and through the years he worked to develop a plan that firmly established the organization as a national service project for the Fraternity and Sorority.

The first NIB performed as part of the 14th Biennial Convention in 1947 at Oklahoma A&M College (now Oklahoma State University) in Stillwater, Oklahoma, and featured 125 select student musicians from more than 16 colleges. The program from this concert featured 11 musical selections and ten different conductors - including Bowling, Charles Wiley, Hugh E. McMillen, J. Lee Burke, William A. Scroggs, and Dr. Bohumil Makovsky. The concert opened with John Philip Sousa’s famous march, Semper Fidelis (“always faithful”).

TRUMPET, continuedAdam Matejek - Arkansas Tech UniversityMacedonio Mucino - Texas Wesleyan UniversityWade Alan Russell - Stephen F. Austin State UniversityJared VanVickle - University of OklahomaHayley Breanne Watson - Arkansas Tech University

FRENCH HORNDakota Corbliss - Virginia TechBret Eason - University of OregonJayda Fleishman - University of FloridaJeffrey Makinster - Iowa State UniversityAnna Marshall - Western Michigan UniversityStephen Meiller - University of KansasAlejandro Munoz - Howard Payne UniversityHannah Orban - East Stroudsburg UniversityAustin Reyna - Sam Houston State University

TROMBONEDaniel Anthony - University of Massachusetts AmherstHiliary Barnard - Michigan State UniversityDan Bendeck - Tennessee Tech UniversitySteven Eckert - Virginia TechEllie Henson - University of Northern Iowa

BASS TROMBONESean DeLong - Ohio State UniversityDoug Gifford - University of Central Florida

EUPHONIUMAnthony Armas - Florida International UniversityNathan Reed Humphries - Auburn UniversityBenjamin Leedy - Georgia Institute of Technology

EUPHONIUM, continuedKevin Nguyen - University of Colorado at BoulderDrake Sacks - Texas Tech UniversityJordan Wilhelm - University of Arkansas

TUBADerek Cunningham - Tennessee Tech. UniversityDaniel Johnson - University of KentuckyMichael Minor - Virginia TechJonathan Tucker Murphy - Virginia Commonwealth UniversityJohn Swart - Towson University

PERCUSSIONGeoffrey Bryant - University of Northern IowaAdam Collins - Eastern Michigan UniversityBrian M. Henry - Florida Gulf Coast UniversityJack Hernandez - Florida Atlantic UniversityHeather Johnson - Appalachian State UniversityJacob Kight - University of Central FloridaErin McLaughlin - NW Missouri State University

PIANOJonathan Audette - University of Rhode Island

CELLOAdam Pratt - Texas Wesleyan University

HARPHyunjung Choi

DOUBLE BASSGenevieve Rose

During the administration of Grand President Hugh E. McMillen (Alpha Iota, 1951-1953), the Fraternity adopted one of its most innovative and noteworthy continuing activities. Brother McMillen saw in the National Intercollegiate Band and its sponsoring Fraternity and Sorority the perfect vehicle for a lasting contribution to the field of concert band literature. He proposed a program to commission a special work for concert band by a noteworthy composer in Kappa Kappa Psi and Tau Beta Sigma’s name. World premiere renditions have been a highlight of National Intercollegiate Band concerts since 1953.

The Commissioning Program of Kappa Kappa Psi and Tau Beta Sigma has made a significant impact on band music in America. Both organizations have presented the college and university bands of the nation with more solid evidence that they are “Building Better Bands.” Since its creation, the program has been responsible for more than 30 new pieces of band literature and is considered one of our most important national programs.

1953 Ballet for Band - Don Gillis1957 Symphonic Songs for Band - Robert Russell Bennett1959 Prelude and Dance - Paul Creston1963 Symphonic Essays - Clifton Williams1965 Symphonic Requiem - Vaclav Nehlybel1967 Study in Textures - Gunther Schuller1969 Songs of Abelard - Norman Dello Joio1971 The Seventh Seal - W. Francis McBeth1973 Concerto for Trumpet and Wind Orchestra - Karel Husa1975 Let Us Now Praise Famous Men - Martin Mailman1977 Symphony #1 for Band - Claude T. Smith1979 Prelude & Double Fugue - Fisher A. Tull1981 LUX: Legend of Sankta Lucia - Mary Jeanne van Appledorn1983 Stars and Stripes Variations - Robert Jager1985 Chorale Prelude: “Mein junges Leben hat ein End,” Op. 61 - James Barnes1987 Overture Alfresco - Jerry Bilik1989 Symphonic Canticle - David R. Holsinger Athenian Festival - Anne McGinty1991 Hymn Variants (based on “Lasst Uns Erfreuen” (1623)) - Alfred Reed

1993 Daystar Symphonic Variations for Wind and Percussion - James Curnow1995 A Tuning Piece: Songs of Fall and Winter - David Maslanka1997 Rhondo Jubiloso - John Zdechlik1999 Unusual Behavior in Ceremonies Involving Drums - Daniel Bukvich “From This Wilderness...” - Roland Barrett2001 Mourning Dances - Timothy Mahr Hands of Mercy - Julie Giroux2001 “Come, memory..." - Donald Grantham2003 Bandancing - Jack Stamp2005 The Seasons - Philip Sparke2007 Celestial Dancers - Eric Ewazen2009 Two American Canvases - Mark Camphouse2011 Repercussions - Adam Gorb2013 (Redacted) - John Mackey

The Fraternity & Sorority Commissioning Program

Commissioned Works for Band

FLUTEJessica Esposito - Florida Atlantic UniversityDalita Getzoyan - University of Rhode IslandKatelyn Kaiser - Ohio UniversitySzu-Yu Lin - Texas Woman’s UniversityLaura Reyes Rodriguez - Auburn UniversityPhillip Snyder V - University of North Carolina at Chapel HillEllen Wittman - University of South Florida

OBOEBeau Emory - University of North Carolina at Chapel HillJustin Swift - University of OklahomaShelby Westfahl - Kansas Wesleyan University

CLARINETAnthony Aguayo - Eastern New Mexico UniversityMercedes Cardenas - Howard Payne UniversityMeridith Crawford - Texas Christian UniversityPhillip Espe - San Diego State UniversityMolly Rose Fewell - University of Northern IowaMaggie Greenwood - University of North TexasTrevor Hedrick - Towson UniversityKarah Jones - Iowa State UniversityZachary Martini - James Madison UniversityMichael Angelo Munoz - Eastern New Mexico UniversityKenneth Northcutt Jr. - Winston-Salem State UniversityNatalie Perez - Florida International UniversityDylan Sanchez - Florida Atlantic UniversityAmber Scruton - Mansfield UniversityTravis Shaver - University of Central ArkansasRichard Viglucci - University of Nebraska-Lincoln

BASS CLARINETVictoria Lee Oberdick - East Stroudsburg UniversityMichael A. Sanchez - Florida International University

BASSOONCarlos A. Garcia - Florida International UniversityAmy J. Wooley - SUNY - Fredonia

CONTRA BASSOONYvonne Daye - Virginia Commonwealth University

ALTO SAXOPHONEIssac C. Anderson - University of MichiganTaiki Azuma - Florida Atlantic UniversityKyle Mechmet - Florida Atlantic UniversityKyle E. Meraz - Oklahoma State University

TENOR SAXOPHONEPaige Lenssen - Auburn UniversityEric Watson - Ferris State University

BARI SAXOPHONERiley Sulick - University of South Florida

TRUMPETSamuel Almanza - Texas Lutheran UniversityMadison S. Argo - Auburn UniversityKevin Cheatham - Virginia TechJonathan Colson - Adams State UniversityJoseph Allen Goguen - University of Massachusetts AmherstKristina Guevara - Florida Gulf Coast University

2013 National Intercollegiate Band

Conductor - Anthony Maiello Professor Maiello conducts the GMU Repertory Orchestra and teaches graduate and undergraduate

conducting, jazz theory & arranging, and advanced sight-singing. From 1996-2009, he conducted the GMU

Symphony Orchestra and Chamber Orchestra. Under his direction, his ensembles at both Crane and George

Mason University commissioned new works, made numerous recordings, and appeared at national and

international conferences. Maiello also makes professional appearances both nationally and abroad

conducting music festivals, adjudicating ensembles, and presenting clinics, lectures, and workshops

throughout the United States, Canada, Mexico, the Bahamas, and Europe. He conducted musical activities

for the Gold Medal Ceremonies at the 1980 Winter Olympics in Lake Placid, New York; served as musical

director for Music Festivals International; was selected as president of International Association of

Jazz Educators - New York State Chapter; and is a guest clinician for Yamaha Corporation and Warner

Bros. Publications. In March of 2010, he was inducted into the Bands of America Hall of Fame at Music

for All’s Indianapolis headquarters.

Professor Maiello’s professional recording credits include conducting the American Wind Symphony and additional studio ensembles

for Alfred/Belwin Pub- lications. Locally, Maiello has served as associate conductor of the McLean Orchestra, McLean, Virginia; been

appointed an honorary conductor of the United States Navy Band, Washington, D.C.; and was a participant in the National Conducting

Institute with Leonard Slatkin and the National Symphony Orchestra in Washington, D.C., to which he has provided his services as a

cover conductor. Maiello received his bachelor’s and master’s degrees in music education from Ithaca College, Ithaca, New York in 1965

and 1967, respectively, and has ex- tensive experience teaching in the public schools and at the university level. While at the Crane

School of Music, Potsdam College of SUNY, Potsdam, New York, he served as a professor of music and chairman of performance, where

he taught advanced instrumental conducting, applied clarinet, woodwind techniques, percussion techniques, and conducted the Crane

Wind Ensemble.

Throughout his career, Maiello has published musical compositions for string orchestra and is the author of Conducting Nuances

(GIA Publications, Inc.); Conducting: A Hands-On-Approach (Warner Bros./Alfred Publications); and co-author of The 21st Century Band

Method (Warner Bros./Alfred Publications). In 2007, Maiello was awarded the title of “University Professor” by the GMU Board of

Visitors, the highest rank given to Mason faculty members. Maiello is the founder and conductor/artistic director of the American

Festival Pops Orchestra, a professional ensemble in the greater Washington, D.C., metropolitan area dedicated to promoting and

performing American popular music.

Commissioned Composer - John Mackey

John Mackey is one of the most performed composers of his generation. Mackey holds a master of music

degree from The Juilliard School and a bachelor of fine arts degree from the Cleveland Institute of Mu-

sic, where he studied with John Corigliano and Donald Erb, respectively. His works have been performed

worldwide at such venues as the Sydney Opera House, The Brooklyn Academy of Music, Carnegie Hall,

and the Kennedy Center, just to name a few. John has received numerous commissions from organizations

across the globe as well. Recent commissions include works for the American Bandmasters Association,

The Dallas Wind Symphony, and a concerto for New York Philharmonic principal trombonist Joseph Alessi.

Significant dance collaborations include the Alvin Ailey Dance Company, Ailey 2, Peridance Ensemble,

Jeanne Ruddy Dance, and Parsons Dance Company, which he also served as music director from 1999-2003.

The U.S. Olympic synchronized swimming team won a bronze medal in the 2004 Athens Olympics performing to his chamber work Damn for

clarinet and four percussionists. Mackey has gained great acclaim as a composer of works for wind ensemble, becoming the youngest

recipient of the American Bandmasters Association/Ostwald Award in 2005 for Redline Tango and winning both the ABA/Ostwald and

National Band Association William D. Revelli awards in 2009 for Aurora Awakes.

Mackey served as a Meet-The-Composer/American Symphony Orchestra League “Music Alive!” composer in residence with the Greater

Twin Cities Youth Symphony in 2002-2003 and with the Seattle Youth Symphony Orchestra in 2004-2005. He was composer in residence

at the Vail Valley Music Festival in Vail, Colorado, in the summer of 2004, and composer in residence at the Cabrillo Festival of

Contemporary Music in August 2005.

He has held college residencies at Arizona State, Ball State, Florida State, Georgia State, Kansas State, Michigan State, Ohio

State, and Oklahoma State universities; the universities of Alabama, Arizona, Florida, Georgia, Kansas, Michigan, Oklahoma, Southern

California, Texas, and Washington; James Madison University; Texas Tech; and many others. Mackey also taught at Cal State Long Beach

in 2008-2009.

(Redacted) By John Mackey2013 Kappa Kappa Psi & Tau Beta Sigma Commissioned Work

When a classified document must be revealed to the public, it is redacted: Sensitive passages of the text are

blacked out, to preserve the secrets within. So revelation just leads to more questions, and what is exposed is only

that the truth remains hidden. Writ large, this is the essence of clandestine work - its task is both to keep and to

uncover secrets. This dual nature, and its inherent conflict, provides the basis for John Mackey’s (Redacted), a piece

that offers hints of covert action and intrigue while holding the full story just out of reach.

Pairs, especially pairs in tension, are important to the course of the work as a whole. Structurally, the piece is

not only bipartite in form, but each major section is also divided into halves. Sonically, the composer explores the

realms of the extreme, alternating between solitary quiet and jarring noise, ranging from the fastidiously slow to

the aggressively quick. The alternation of these elements creates a cognitive dissonance, an emotional context that

is simultaneously thrilling and pensive.

The piece opens with an elegiac soliloquy, with two primary motives stated unaccompanied by clarinet and flute,

each of which, shrouded in chameleonic disguises, metamorphoses to match its surroundings as the work progresses.

As these motives step out of the shadows, they rise in a lush and rapturous unfurling, then dissipate into seduction

with a distorted tango - made bizarre by the quirky alternation of 6/8 and 2/4 - and a flirtatious melody, presented

by alto saxophone and then trumpet.

The second half of the piece is similar in shape to the first, beginning with melodies quietly sneaking through

sparse textures of suspended harmonies. The original clarinet melody returns, now stated by flute and accompanied

by a tiptoeing ostinato of major sevenths in harp and vibraphone. The tempo spins forward again into a tumultuous

squall, and the rhythmic pulse of the tango reemerges - no longer the casual and debonair fling, but now wracked with

explosive articulations in tutti clusters. The earlier tune is sounded simultaneously by saxophones and trumpets,

and now, caught in the fray, it bears a hair-raising tension. A clarinet cadenza introduces the coda of the work; the

attempt to reassert the opening motive is cloaked by the exclamations of the ensemble and subdued by the groaning

brass, which swirl threateningly over a mechanistic pulse that hurtles to a cliffhanger ending.

- notes by Jacob Wallace

Mark Records • 10815 Bodine Road • Clarence, NY 14031-0406Ph: 716 759-2600 • www.markcustom.com • Support Music, Don’t CopyWARNING: All rights reserved. Unauthorized duplication is a violation of applicable laws.

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2013 NATIONAL INTERCOLLEGIATE BAND

Anthony Maiello - ConductorJohn Mackey - Commissioned Composer

1. Twin Ports Overture...................................................................Mark Camphouse (9:32)

2. Turning Point...............................................................................................Bryan Kidd (8:20)

3. Hail The Dragon...................................................................................Philip Sparke (5:23)

4. (Redacted)...................................................................................................John Mackey (10:08)World Premiere - Kappa Kappa Psi & Tau Beta Sigma Commissioned Work

5. Festival Variations..................................................................Claude T. Smith (11:09)