La Finestra Interattiva - Part 02

LA FINESTRA INTERATTIVA

Brunella Sardenberg MoncorvoAccademia di Brera

Brunella Sardenberg Moncorvo [email protected]

Master “NEW MEDIA ART DESIGN”Accademia di Belle Arti di BreraMIND Project (Milan Network Design)

MULTIMEDIA DRAMAProf. Andrea Balzola

MULTIMEDIA SHOWProf. Massimo Caiazzo

PART 02


INTERACTIVE PROJECTION“Content”

Tale “Viaggio agli inferni del secolo” (D. Buzzati)

Commercial Fellini (Campari)+

“Projection Content”

Storyboard

Film “Sherlock Junior” (Buster Keaton)+

“Performance”


This Project-Performance aims to instigate people in a way to promote an interaction among them, besides inviting to think about the metro environment.

The multimedia project wants to put people in contact. It proposes the creation of a relation between exterior and interior, and also among users.

The first approach is the duet exterior x interior, through the exterior projection on the inte-rior (“multilocation”). The idea is that who is in the underground could know the reality of the aboveground on that day, in each station.

Together with this exterior projection, short animations already ellaborated will be projected, in a way to provoke the users to think in the (non)existent relation among them. The character of each short animation tries to create a approach with someone, but can’t accomplish it.

However, more than propose an opening behaviour of the users through this video installation, a live performance could create the same approach in real time. An actor, with colorful costumes tries to get in contact with people, in the same way the character in the animation.

“Projection Content”


The video installation and also the performance are based on the tale “Viaggio agli Inferi del Secolo” (D. Buzzati). These are some excerpts:

“Semplicemente un quartiere di Milano a me sconosciuto”.

“Per decine d’anni ogni giorno incontriamo e parliamo eppure non sappiamo mai cosa sono”.

“Ma nessuno si liberava, nessuno era capace di uscire dalla casa di ferro in cui si trovava chi-uso fin dalla nascita, dall’orgogliosa cretina scatola della vita”.

References


References

Commercial Fellini (Campari)

Film “Sherlock Junior” (Buster Keaton)


Character

The character (of the video installation and also of the performance) is referenced on the work of Maria Claudia Cortés (www.mariaclaudiacortes.com) called “Color in Motion”.As the character has a specific approach on each short animation, the idea is that each ap-proach would be related with a specific color, depending on the color symbolism.However, when talking about the performance itself, we have two options: 1- Each actor, dressed with one color, would do a specific approach (related with the color). 2- Just one actor, dressed with all the six color, would do each approach separated, in differ-ent places and time.


RED: Romantic / Dynamic / Vital / Alert / Joyful / Fun

ORANGE: Communicative / Helpful / Warning / Abundant / Festive / Active

YELLOW: Curious / Creative / Young / Visible / Cheerful / Playful

GREEN: Sharing / Natural / Adventurous / Relaxed / Balanced / Safe

BLUE: Educated / Technical / Free / Protective / Peaceful / Clean

PURPLE: Artistic / Intelligent / Luxurious / Fantastic / Melancholic / Solemn


Window = Pattern Interactive Database

From the darkness to the lightness

Train running A remote control changes channel

Camera aboveground with a movie animation

A remote control changes channel

Weird place recorded with a movie animation


Darkness Train running


Character appears hidden (Background: Porta Venezia)

Character walks slowly, on tiptoe (Background: Porta Venezia)

Lightness

01 (Movie A)

04 (Movie A)

02 (Movie A)

05 (Movie B)

03 (Movie A)

06 (Movie B)


Character is suspicious, looks at both sides (Background: Porta

Venezia)

A remote control changes channel (Background: Porta

Venezia)

Character runs from the lion. A remote control changes channel (Background: enchanted forest)

Character sees someone who is passing by (Background: Porta

Venezia)

Character, romantic, offers him/her a rose, but he/she goes straight (Back-

ground: Porta Venezia)

Character appears offering a rose to a lion (Background:

enchanted forest)

07 (Movie B)

10 (Movie B)

08 (Movie B)

11 (Movie B)

09 (Movie B)

12 (Movie B)




Character appears hidden (Background: Palestro)

Character walks slowly, on tiptoe (Background: Palestro)

Lightness

13 (Movie A)

16 (Movie A)

14 (Movie A)

17 (Movie B)

15 (Movie A)

18 (Movie B)


Character is suspicious, looks at both sides (Background:

Palestro)

A remote control changes channel (Background: Pal-

estro)

Character starts to fall down. A remote control changes chan-nel (Background: outer space)

Character is talking with some-one on the cell phone (Back-

ground: Palestro)

Character, communicative, offers the cell phone to someone, who goes

away (Background: Palestro)

Character appears flying in outer space (Background:

outer space)

19 (Movie B)

22 (Movie B)

20 (Movie B)

23 (Movie B)

21 (Movie B)

24 (Movie B)




Character appears hidden (Background: San Babila)

Character walks slowly, on tiptoe (Background: San Babila)

Lightness

25 (Movie A)

28 (Movie A)

26 (Movie A)

29 (Movie B)

27 (Movie A)

30 (Movie B)


Character is suspicious, looks at both sides (Background: San

Babila)

A remote control changes channel (Background: San

Babila)

Character swimms scaping from a shark. A remote control changes channel (Background: deep sea)

Character sees someone with a lot of bags (Background: San

Babila)

Character, curious, starts to ask what he/she carries in the bags

(Background: San Babila)

Character appears swimming in the sea. (Background: deep

sea)

31 (Movie B)

34 (Movie B)

32 (Movie B)

35 (Movie B)

33 (Movie B)

36 (Movie B)




Character appears hidden (Background: Duomo)

Character walks slowly, on tiptoe (Background: Duomo)

Lightness

37 (Movie A)

40 (Movie A)

38 (Movie A)

41 (Movie B)

39 (Movie A)

42 (Movie B)


Character is suspicious, looks at both sides (Background: Duomo)

A remote control changes channel (Background: Duo-

mo)

Character sits alone in the des-ert. A remote control changes channel (Background: desert)

Character realizes that someone is close (Background: Duomo)

Character, wanting sharing, offers him/her a sweet, but he/she denies.

(Background: Duomo)

Character appears with the sweet in the desert (Back-

ground: desert)

43 (Movie B)

46 (Movie B)

44 (Movie B)

47 (Movie B)

45 (Movie B)

48 (Movie B)




Character appears hidden (Background: Cordusio)

Character walks slowly, on tiptoe (Background: Cordusio)

Lightness

49 (Movie A)

52 (Movie A)

50 (Movie A)

53 (Movie B)

51 (Movie A)

54 (Movie B)


Character is suspicious, looks at both sides (Background: Cordusio)

A remote control changes chan-nel (Background: Cordusio)

Character almost falls off a high cliff. A remote control changes

channel (Background: mountains)

Character pays attention on each one who is passing by (Back-

ground: Cordusio)

Character, educated, does acts of kindness toward others (Back-

ground: Cordusio)

Character appears in the top of a mountain (Background:

mountains)

55 (Movie B)

58 (Movie B)

56 (Movie B)

59 (Movie B)

57 (Movie B)

60 (Movie B)




Character appears hidden (Background: Cairoli)

Character walks slowly, on tiptoe (Background: Cairoli)

Lightness

61 (Movie A)

64 (Movie A)

62 (Movie A)

65 (Movie B)

63 (Movie A)

66 (Movie B)


Character is suspicious, looks at both sides (Background: Cairoli)

A remote control changes channel (Background: Cai-

roli)

Character tries to find an exit in the island. A remote control changes

channel (Background: island)

Character is dancing alone among people (Background:

Cairoli)

Character, artistic, invites someone to dance with him, but he/she avoids

(Background: Cairoli)

Character appears dancing in an island (Background:

island)

67 (Movie B)

70 (Movie B)

68 (Movie B)

71 (Movie B)

69 (Movie B)

72 (Movie B)


The storyboard includes the short animations for the video installation, but it is also a guide for the Performance. The content of each animation could change (or be added) just if the primary features of the colors are regarded. Also the Performance’s acts could be adapted in a way to permit an easier

approach with users. The goal, the same of the main multimedia project, is always MEET and SHARE, so CONNECT PEOPLE, RESOURCES and PLACES, through a

stronger relationship among CITIZENS and CITY.

CONCLUSION

Documents

La Finestra Interattiva - Part 02