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Line Arrangements

¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

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Page 1: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Line Arrangements

Page 2: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Line Arrangementslead the eye along an obvious

pathkeep the eye in continuous

motion

Page 3: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Linemust never be broken

Page 4: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Three formsof line arrangementstraight linecurvilinearcontemporary free style

Page 5: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Inverted Tvariation of equilateral trianglepoints of the design form an

equilateral trianglemakes use of negative space or

areas without flowers

Page 6: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Inverted T

Page 7: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

L Patternsimilar to the right trianglemore linear since the area

between the two major points remains unfilled

Page 8: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

L Patternlightermore stylized appearancevertical line is straight up the horizontal line is parallel

with the table

Page 9: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

L Patterncreating a 90 degree angle where

the two lines meetmay be modified slightly slanting the vertical line to the

left, horizontal line sweeps downward

Page 10: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

L Patterna third line may be added to

create a three-legged pattern

Page 11: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Vertical arrangementvery strong linemakes a bold statement eye tends to continuously move

up and down the arrangement

Page 12: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Vertical arrangementtall slender vertical

arrangements are excellent for hospitals and nursing homes where space is limited

Page 13: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Vertical arrangementsattracts the eye while using a

limited number of flowers

Page 14: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Vertical arrangements

Page 15: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Crescent arrangements

a portion of a circle like the moon in its first quartersometimes compared to an

animals horns

Page 16: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Crescent arrangements

tips of each horn are pointed and curve down to join at the thicker center

Page 17: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Crescent arrangements

one horn is longer than the other

upper one is twice the length of the lower horn

Page 18: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Crescent arrangements

focal point of this arrangement is where the base of the two horns meet

may be viewed from one or both sides

Page 19: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Crescent arrangements

if viewed from both sideshorns would be finished with

flowers

Page 20: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Crescent arrangements

if viewed from one sidesome flowers should face

backward to give the arrangement depth

Page 21: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion
Page 22: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Hogarth Curvealso called an “S” curvenamed after the English painter

William Hogarth

Page 23: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Hogarth Curvethree types of “S” curve

arrangementsClassical VerticalDiagonal S CurveHorizontal Curve

Page 24: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Contemporary Freestylegives the designer the

opportunity to express their creativity

basic principles of design still apply

Page 25: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Contemporary Freestylegeometric forms can be used in

contemporary freestyle great use is made of lines

Page 26: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Contemporary Freestylelines, such as horizontal,

vertical, spirals, curves and diagonals are very prominent

Page 27: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Contemporary Freestyledesigners describe

contemporary freestyle as personalizing what they have learned about different designs

Page 28: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Contemporary Freestyleinvolves placing flowers into a

pleasing compositionwithout falling into a particular

design style

Page 29: ¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

Contemporary Freestylemay mix several styles as long

as one is not dominant