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PORTFOLIO 2011 mahrad shahbazi moghaddam

Mahrad Shahbazi

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    PORTFOLIO2011mahrad shahbazi moghaddam

  • CONTENTS 2

  • XL Turning the Tide 6L TerraTory 25

    M PubArt 45S Flow 54

    XL Ramsar Residential Development 68L Velenjak Shopping Centre 77L Great Adorian 84L Abdol Azim Shrine Expansion 90

    M HyperMuseum 95M JAM Club & Restaurant 103

    Manual Photography 111

  • SuMMARy OF SkILLS

    Professional Experiences

    A.S.A Architects (Jul 2007 Mar 2009)

    Graduate Architect

    Residential Projects

    Pesyan Residential Building, Tehran (Built) 5 story Luxury apartments in a 6 story building with the total area of 980 m

    Velenjak Residential Building (Built) 9 storey residential building consists of 21 apartments with the total area of 7658 m

    Commercial Projects

    Velenjak Shopping Centre (On hold)

    5 storey commercial building with the total area of 23400 m consists of indoor parking, shops, food- court

    Karafarin Bank Building (Built)

    Reconstruction of a 3 storey building with the total area of 1570 m consists of central branch and central insurance office

    Computer Skills (year experience)

    AutoCAD (9yrs) - 2D drafting, 3D modeling

    Autodesk 3ds Max (8yrs)

    Google Sketch-up (5yrs) - 3D modeling, V-ray rendering

    Rhino (3yrs) - 3D modeling, V-ray rendering

    Adobe Photoshop (8yrs)

    Adobe Illustrator (5yrs)

    Adobe InDesign (3yrs)

    Autodesk Revit (2yrs)

    Design Skills

    Expert in 3D sketch design and mass sketch design using Sketch-up and Rhino modelling

    Capable of handling a project from concept design to con-struction details

    Expert in architectural docu-mentation and drafting using CAD programs

    Good understanding of sus-tainable design criteria

    Expert in physical model making

    Expert in CAD-CAM,CNC and laser cutter model making

    Familiar with Green Star Rat-ing tools (BERS)

    PARIN Architects (Nov 2005 Mar 2007)

    Graduate Architect

    Residential Projects

    Ramsar Residential Development, Iran (Built) Large scale development project consist of No. 300 one, two and three bedroom apartments in 6 residential blocks, a small shopping centre, and leisure facilities

    Commercial Projects

    JAM Petrochemical Refinery Club & Restaurants, United Arab Emirates (Built)

    6500 m building consists of restaurants, function rooms, lounges, meeting rooms with the capacity of approximately 1600 people

    Central Laboratory of JAM Petrochemical Refinery, Assalouyeh, United Arab Emirates (Proposal)

    4700 m building consists of different petrochemical laboratories, research offices, administrative offices, a lecture theatre and meeting rooms

    RESuME 4

  • RESUME

    Awards

    Selected student project for Sustainable Research Studio (University of Sydney) accessed via:

    http://sydney.edu.au/architecture/CS/postgrad/student_works/sustainable_design09sem02.shtml

    Selected Student Project for Adapting to Sea Level Rise in Lake Macquarie council exhibition accessed via: http://sydney.edu.au/architecture/documents/CS/postgraduate/sustposter_lakemacquarie.pdf

    3rd Prize of Great Adorian competition, Iran

    Great Adorian Temple & Community Centre (International Competition 3rd prize)

    This community multi function centre consists of a Zoroastrian Temple and a community building for Zoroastrian people

    FARNAHAD Consultants (Dec2003 Sep2005)

    Architectural Assistant

    Assisting with documentation and detailing of 96 residential units, Fasa, Iran

    Assisting with documentation of 48 residential units, Mohr, Iran

    Preparing drawings and applying markups on drawings

    Assisting with arranging files and issuing drawings to clients

    Individual projects

    Design and documentation of Generator Room Building of Ras Al-Khaimah Dam, United Arab Emirates

    Interior design and documentation and supervision of a Dental Clinic, Tehran

    Interior design and supervision of a Psycho- analysis Clinic , Tehran

  • Turning the TideAdapting to Sea-Level Rise in Lake Macquarie

    University of Sydney, 2009Coordinators: Glen Hill, Daniel RyanCollaborators: Tarsa M Moayed

    Selected Student Work http://sydney.edu.au/architecture/CS/postgrad/student_works/sustainable_design09sem02.shtml

    Engineering solutions have a history of failing, and failing catastrophically. The levees around New Orleans not only failed, they made the situation vastly worse by not letting the flood water back out.Build-ing sea walls will destroy the vital lake edge ecology. This will effect marine life and fish stocks in the lake and the ocean. protecting the prop-erty of a privileged few, may disadvantage the broader community.A lot of people who dont own waterfront land, use the lake in many other ways, like fishing and boating.

    In this studio we tried to cre-ate architecture that would adapt over time as the sea rose; the architecture that contained refuges from the flood events that will become more common; But at the same time, we tried to create communities that were more sustainable and more live-able than the ones we have now.

  • ENGINEERING wORkS SuCH AS SEA wALLS OR LEVEES wILL NOT wORk

    Our ideal urban vision locates town houses or apartments within a few minutes walk of shops, waterfront cafes, shared recreational facilities and open space. And of course good public trans-port .Some time in the

    next century the car would be forced into decline and something like a light rail loop would be built around Lake Macquarie connecting all the main urban centres like Swansea and Toronto to the stations on the main Sydney-Newcastle rail line, with pick ups every few minutes. The proposed urban vision is for lively, walkable, medium density urban villages.

  • XL TuRNING THE TIDE 8

  • XL Turning the TideXL Turning the Tide

    Lake Macquarie

    FuTuRE

    Swansea and Dora Creek would be totally inundated when there is a seal level rise of 10m, presuming the sea level is rising at the current rate of 1m per 100 years

  • Swansea

    Sea level rise

    Flood Level +1.2m Flood Level +1.4m Flood Level +1.8m Flood Level +2.4m

    ISSuESTown centre of Swan Sea is expected signifi-cant population growth but at the same time there will be threatened by inundation from sea level rise and specially flooding.

    uRBAN SCALE

    The project identified and resolved spatial and infrastructural conflicts between topog-raphy, development, flood events, population increase and local ecologies (e.g. mangroves and forests). Also dealt with primary effects of sea level rise (e.g. flooding and loss of property) or secondary effects (e.g. inward land clearance due to retreat of a town from the coastal edge).

    ARCHITECTuRAL SCALE Development of a new typology of building and landscape infrastructure that increases the resilience of the community and local ecosystems to the effects of sea level rise and climate change.

    XL TuRNING THE TIDE 10

  • XL Turning the TideXL Turning the Tide

    Flood Level +2.4m

    Flood and Sea Level

    The sea level rise, flood level and pop-ulation growth is studied in swansea in the next 20, 50 and 100 years and based on the study the strategy aimed on relocation of residents of the most vulnerable areas to the safer lands .In the next step the relocation process is divided into 2 stages for the next 20 to 50 years.

    TIMESCALE

    stage 1: 2029 stage 2: 2059 stage 3: 2109

    PROPOSAL

    1: Relocating residents of the most vulnerable areas to the safer lands

    2: Relocating the pacific highway3: The new pacific highway divides the site to the

    ecological environmental area (including natural dune with vegetations reducing the flood effect) and the residential- commercial area (including 4,5 storey apartments and 2 storey courtyard types), connected by the pedestrian bridge.

    4: Flooded water is directed to water pools within the urban space, where it is gradually disposed to the wetlands.

    BENEFITS

    1: Adaptability to flood2: Creating a new urban space that attracts more

    residents3: Preserving the original character of Swansea4: Sustainability of the new proposed design both

    environmentally and socially5: maintaining the existing network of streets6: Gradual transfer of the existing commercials into

    the new development

  • stage 1: 2029 stage 2: 2059 stage 3: 2109

    this diagram is already shown above

    XL TuRNING THE TIDE 12

  • XL Turning the TideXL Turning the Tide

  • PROJECT

    The project tackled the problem of Swan-seas main commercial strip being located on the low-lying Pacific Highway. The Pacific Highway is relocated to the rear side of the current commercial strip but at a higher level. This meant that the shops and offices had one high frontage onto the now raised pacific highway, and the lower frontage onto the old pacific highway, which would now be much quieter, could develop a new pedestrianised zone which connected to the waters edge. They envisaged shopping plazas and terraces stepping between the higher and lower level and then connecting to the water.

    XL TuRNING THE TIDE 14

  • XL Turning the TideXL Turning the Tide

  • PLAZA GROuND FLOOR PLAN

    SwANSEA PLAZA

    XL TuRNING THE TIDE 16

  • XL Turning the TideXL Turning the Tide

  • XL TuRNING THE TIDE 18

  • XL Turning the TideXL Turning the Tide

  • LOwER FLOOR

    LOw-RISE RESIDENTIAL DISTRICT

    XL TuRNING THE TIDE 20

  • XL Turning the TideXL Turning the Tide

    uPPER FLOOR

  • SECTION

    XL TuRNING THE TIDE 22

  • XL Turning the TideXL Turning the Tide

  • Expanding ArchitectureUniversity of Sydney, 2011Coordinator: John Choi (Choi Rophia)Times Square TKTS Booth Architect

    TerraTory

  • Expanding architecture is about looking at opportunities for where 'architecture' can intervene, through an interrogation of current built environment and building typologies. Mining for opportunities to architecturally exploit where one might find gaps between typological norm and current cultural, social, economic and technological condition.

    BACkGROuND

    In most cases architects are engaged long after develop-ment conception, and practice as a 'problem-solver' and/or 'form giver'. This studio looks at expanding the capacity of the architect, bringing architectural thinking to the initial conception of the future.

    Expanding architecture is thinking about broad social, economic, environmental and technological conditions and to mine for opportunities where architecture can intervene with new possibilities in the built en-vironment. This is what means 'design' in the studio. There is no site nor brief given

    THE GAP

    Health is a state of complete physical, psychological and social well being; not only the absence of illness! Definition of Health by WHO

    70% causes of health re-lates to the environment and activities(lifestyle) within the working, living and recreation places but only 2.7 of public budget spent on these. This indi-cates the possibility of support-ive design as a tool to promote health in society. (Dever1976-Hjort1984)

    L TERRATORy 26

  • L TerraToryL TerraTory

    POSITION

    People aged 12 - 24 years make up 20.2% of the total City of Sydney popu-lation. They need more physical and mental care attention due to the less supervision of parents and community. Young people in Sydney are faced with many issues such as a lack of inap-propriate use of public space, lack of support services lack of free recreation and entertainment opportunities pro-vided specifically for them.( of Sydney youth strategy and action plan 2006) As young people like to do special activities due to their age, they like to do these activities in an un-institutional way, and in public places. However most of the youth centres are located in run down and inappropriately located facili-ties and they primarily provide institu-tional activities, which they do not tend to attend. As a consequent they are exiled in public places again. Because young individuals like to spend their time and hang out in an un-institutional youth friendly place where they have a sense of ownership and feel comfort-able. The other issue is due to new communication technologies. Young people prefer to stay home and hang out in cyberspace instead of socializing with other youths from their community.

  • TIME

    STRATEGy

    Concept Diagram

    L TERRATORy 28

  • L TerraToryL TerraTory

    OPPORTuNITy

    The youth plaza/Landscape playground

    Provides intentional unfinished, indeterminate and open public place for young people with noninstitutional spaces that allow them to be involved in the planning of these settings for their needs.

    (Character: Adaptation)

    Youth supportive service.

    Provides youth supportive service as well as information service as a place where all young people from the community can gather together. This is a space where young people meet locally and connect globally. For instance, this can be an area where young people interact with each other with game consoles such as Wii and X-box or have access to free internet. This place can have the ability to provide even more difficult youth services in a cloaked manner once the youth identity of the place is established.

    (Character: Cloaked supportive service)

    Existing

    Proposed

    Single ModelPossible Activities

  • SIMPLE

    L TERRATORy 30

  • L TerraToryL TerraTory

    Architecture +structure

    Modular scaffold timber structure that conveys the loose playful youth friendly architecture

    1) Allowing it to adapt to need. It is easier for young people to divide the spaces

    2) It is cheap

    3) Fast to construct.

    COMPLEX

  • L TERRATORy 32

    ACCESS

  • L TerraToryL TerraTory

  • A-A

    B-B

    C-C

    L TERRATORy 34

  • L TerraToryL TerraTory

  • L TERRATORy 36

  • L TerraToryL TerraTory

  • L TERRATORy 38

  • L TerraToryL TerraTory

  • MODEL IMAGES

    L TERRATORy 40

  • L TerraToryL TerraTory

  • L TERRATORy 42

  • L TerraToryL TerraTory

  • University of Sydeny, 2010Coordinator:Peter ArmstrongUrban Micro infrastructures Studio

    PubArtMIcro Infrastructures

    EVERyDAy uRBANISM

    A studio approaching urban architecture as micro-topic interventions that overlay and plug in to the city. Its emphasis will be on developing projects that reconfigure and reactivate the marginal, residual and public spaces of central Sydney.

    This studio begins with the proposition that urban architecture does not mean big architecture. It does not mean designing city icons. It does not mean master planning swathes of the city. Instead, rather than being focused on scale, the work of this studio will be inclined towards intensity and effect. The potential of small scale interventions - micro-infrastructures - to reconfigure and reactivate the city will be our area of investigation. This is grounded in a concern for everyday urbanism; an approach to urban architecture and design that is situational and specific.

  • M Pub ArtVISUAL STUDIES

    SyDNEy

    Sydney is often claimed as one of the worlds most beautiful cities. The natural setting of the harbour, and the two icons of the Harbour Bridge and the Opera House, have strongly shaped that view. In the sec-ond half of the twentieth century, Sydney emerged as Australias premier international city, through its role as a base for financial services and other internationally significant industries. The lifestyle the city can offer, and its outstanding natural setting, have played an impor-tant role in attracting people to live and work here.

    However, the central city functions predominantly as a place to work, with few attractions to keep its work-ers after six pm. The busy streets quickly empty as the majority of visitors and workers retreat home to the sub-urbs. Tourists congregate at the Rocks, Darling Harbour and Circular Quay, but outside business hours these places attract relatively few locals.

    There has been a significant increase in the residential population of the city centre in recent years but that growing population is not well served. The city centre remains predominantly a place for business and shop-ping, limiting the amenity for residents and providing a limited set of attractions for other Sydneysiders. Away from water views, it does not fulfil its potential as a major attraction in its own right. Particularly for those already living in the city, and for future residents, there needs to be a variety of facilities and activities available.

    The communitys desire for a more vibrant, cultural, lively and connected city centre was expressed during consultation for Sustainable Sydney 2030. The city is increasing in density and lifestyles are changing. Its centre needs more appropriate social spaces for its higher density residential fabric, more variety in the scale and grain of its economic activity, and greater support for alternative transport modes. These aspects should come together to help create a stronger civic and urban focus in the central city.

    MICRO- INFRASTRuCTuRES

    The task for this studio is to inter-vene in the overlaid and interwo-ven layers and levels, infra- and

    substructures of Sydney., with an emphasis on transformation and conversion in the urban context. The growth of the city has led to peculiar tensions between com-ponents of its built fabric (such as infrastructure and buildings,

    public space and private develop-ment, civic and transport facili-

    ties). Although adjacent to each other, these elements are often self-absorbed and perform dis-

    cretely within their context. These adjacencies have given rise to a rich urban anomaly - the residue of the built city. This studio asks

    you to consider the ways in which these unexploited resources can be adopted, adapted, re-thought

    and re-formed. Our proposition is that through mediation and con-

    nection, architecture can charge anomalous spaces, reconsider transitions in the city, and help propagate a vital urban culture.

    These two pictures re-lates to micro infrastruc-tures

    M PuB ART 46

  • M Pub ArtM Pub Art

    DAY CIRCULATION

    DAY USERS

    NIGHT CIRCULATION

    NIGHT USERS

    WESTPACK TELSTRA MEDIBANK

    DARLING HARBOUR

    WYNYARDSTATION

    CHINAEASTERN

    MACqUARIE

    CITIBANK RED CROSS OFFICEHOTEL

    BARANGAROO WYNYARDSTATION

    RECITALHALL

    GEORGE St.CHINA TOWN

    DARLING HARBOUR

    COMMUNICATION

    ACCESS CONNECTION ATTRACTION

    PROPOSAL

    Typology: Maximization adding rooftop structure to Wynyard Hotel utilizing vacant upper space for revitalizing south part of Erskine Street.

    Procurement: The vacant space development above Wynyard Hotel is private property of Merivale Co.

    uRBAN STRATEGy

    Key purposes of choosing the site:

    1. Location: Erskine Street as a heritage streetscape.

    2. Connection: Significant areas and buildings around the site.(Wynyard park and station, Telstar building and Westpac bank building)

    3. Revitalizing the surrounding buildings and facades.

    THE PROPOSAL FOR THE SITE:

    1. Provide a balance of value between two sides of Erskine Street. The value of the northern side as part of Sydney heritage streetscape is higher than the southern side which contains high density commer-cial buildings. The northern part consists of some retail shops and boutiques within heritage buildings that causes this side to become an active area.

    2. Provide a strong connection between two main parts of Sydney CBD (Wynyard station on the eastern side of Erskine and Darling harbour on the western side).

    3. Provide a recreational area during lunch time and after work drinks to attract individuals who work in high density commercial buildings around Wynyard Park and Sussex Street.

  • M Pub ArtVISUAL STUDIES

    VOID

    VERTICAL ACCESS

    M PuB ART 48

  • M Pub ArtM Pub Art

    The main idea is to create a place that can act as point of reference helping visitors gain a sense of direction in the area and navigate throughout the space. Lack of a strong connection between Darling Harbour and George Street brought the idea of creating a hub in between. A vacant space between office Hotel building and upper space of Wyn-yard hotel in the middle of Erskine Street will be revitalized into a multilevel build-ing consisting of pubs and restaurants combined with spatial experiment arts. The goal of design strategy is to pre-serve the existing building and provide an entrance from the ground floor pub. Three essential elements were amalga-mated to create this place:

    An urban Icon attracting people walking in between these 2 main points of the city, either brings them inside and moves them around for social encounter or letting them pass by through this street and get to their destination with a vision of an active street front-age, altogether creating an urban animation.

    The idea is essentially about place making where places are not just a specific space, but all the activi-ties and events which made it possible. In this place, people who come for eating, drinking or clubbing ex-perience spaces created by different installation arts. This complex is also flexible to transform between day and night providing opportunities for informal, casual meetings to take place, including warm and friendly bars and club.

    The 800 m building is in the shape of a glittering cube held by a ruby red glass box creating multiple use spaces out of the existing fabric by pushing, lifting and hanging elements, creating interior space within the exterior context. Apart of the facade is flexible during Day and Night by moveable sliding glass to create open public floors during the day and a shining box during night.

    A place for spatial experiment and social encounter.

    PubArt

    Imageability

    Activity

    Building form

  • M Pub ArtVISUAL STUDIES

    M PuB ART 50

  • M Pub ArtM Pub Art

  • M Pub ArtVISUAL STUDIES

    M PuB ART 52

  • M Pub ArtM Pub Art

  • University of Sydney, 2010 Coordinator: Sarah Benton Collaborators: Tarsa M Moayed

    Flow

  • Rendering

  • S FlowCOMPETITIONS

    CONNECTION

    GRADUAL ACCESS FROM STREET TO THE SEA

    THE PATHWAY SPREADS IN THE BEACH AND TO THE SEA

    A COMBINATION OF MOVEMENT AND STILLNESS ALONG THE PATHWAY

    ACCESS

    SPRAwL

    PAuSE

    A THEME FOR A CONNECTION

    The contrast between urban context and nature is realized in extreme when it comes to the relationship between the beach and its adjacent urban context. People walking on the streets suddenly find themselves walking on the sand.

    The idea is to create a pathway between beach and its urban content in the city . this connection spreads in the beach and con-tinues into water. In addition to a connection this pathway also provides spaces for people to interact, hangout and enjoy the sea view as well as providing a place for Kite boarders to get ready or on the other side a place for fishermen to fish!

    Inspired by Indian stairs as a traditional form of connection to water and modern jetties that visually bring people close to the water ,but not into it.

    STREET

    BEACH

    SEA

    SPACE 1 SPACE 1

    SPACE 2

    SPACES ARE CONNECTED BY ANOTHER OBJECT

    SPACES MOVE TO ONE ANOTHER

    SPACE 2

    STREET

    BEACH

    SEA

    STREET

    BEACH

    SEA

    S FLOw 56

  • S FlowS Flow

    The initial concept is based on creating a pathway or a continu-ous surface spreading in the beach and into the water. In the first step various branches were connected to one another.

    Multiple patterns were designed Rhino and cut in laser cutter.

  • S FlowCOMPETITIONS

    kEEP OFF OR wELCOME

    Dolls Point Beach located in southern Sydney, is a rather quiet beach and home to fine sailing, water views and abundant parklands. During windy seasons lots of Kite boarders come to this beach.

    One of the main characteristics of Dolls Point is its rock walls repeating along the shore to reduce erosion. The rock wall extending into the water is so inviting and at the same time walking on the wall towards sea is prohibited for safety reasons.

    This beach is a perfect site for the proposed idea. The new pathway can make this beach more alive, facilitate different activities as well as providing an access over the rock and leading people to the water.

    S FLOw 58

  • S FlowS Flow

  • S FlowCOMPETITIONS

    Structure merging with the rock wall

    Structure wrapping the rock wall

    DESIGN PROCESS

    Chosen pattern and flown surface

    shadings were created by moving up the triangles to the desired height.

    Triangles were pushed down to smoothly fold the surface into the water.

    Individual triangles creating the surface

    Horizontal strips along the surface provide sitting area.

    The surface of the design will be formed tri-angulation method connected to one another with different angles. In order to achieve this, the pattern forming the triangles was flown on the surface in rhino programme. This divides the surface into attached triangles.

    S FLOw 60

  • S FlowS Flow

    314 different triangles are clas-sified and named for laser cutter panels. There are totally 567 faces in total. Each triangle has its own angle and rotation.

  • S FlowCOMPETITIONS

    S FLOw 62

  • S FlowS Flow

  • S FlowCOMPETITIONS

    S FLOw 64

  • S FlowS Flow

  • S FlowCOMPETITIONS

    FABRICATIONEach three or four sided timber panel is made up of a series of individual components, connect-ed by a continuous dovetail joint that runs around the perimeter.

    Each individual timber is curved in CNC milling machine to provide the space for dovetail and cross bracings.

    The assembly tectonic was in-formed by the traditional cross-bracing that occurs behind the skin of a timber. This technique is employed using a locking dovetail system, creating a framework to begin developing the form.

    The precise filleted space be-tween each board references the way timber age naturally.

    S FLOw 66

  • S FlowS Flow

    The wood panels are connected to each

    other by water jet cut aluminium joints, embed in the assembly process.

    Each aluminium joint accommodates the

    specific angle between one panel of wood and

    its adjoining panel. Consideration of the

    sequence of assembly and fabrication is

    equally important as the development of the joinery

    techniques.

  • Ramsar Residential Development

    PARIN Architects

    Large scale development project consist of No. 300 one, two and three bedroom apartments in 6 residential

    blocks, a small shopping centre, and leisure facilities

    Responsibilities:

    Part of the design team for the master plan Assisting with sketch design of residential buildings

    and site plan Assisting with 3D modeling & visualization of major

    features of the site and residential blocks 3D modeling & visualization of exteriors and interiors

    for marketing purpose Assisting with documentation of the major features in

    Block 1 Producing wall sections and detailing through differ-

    ent parts of the buildings Working on modifying and producing tender drawings

  • XL RAMSAR RESIDENTIAL DEVELOPMENT 70

  • TYPICAL PLAN B5

    TYPICAL PLAN B6

    TYPICAL PLAN B7

    TYPICAL PLAN B8

    B54

    B51

    B52

    B53

    B62

    B63B64

    B71 B72

    B74 B73

    B82

    B83

    B84

    B81B61

    TYPICAL PLAN B5

    TYPICAL PLAN B6

    TYPICAL PLAN B7

    TYPICAL PLAN B8

    S=9.5 m

    S=37.0 m

    S=12.5 m S=11.0 m S=10.2 m S=12.5 m S=11.5 m

    S=7.5 m

    S=40.0 m

    S=8.5 m

    S=43.0 m

    S=11.5 m S=12.5 m S=10.0 m S=12.5 m S=10.5 m

    S=3.5 m

    S=9.5 m

    S=30.3 m

    S=37.0 m

    S=9.5 m

    S=12.5 mS=11.0 m

    S=10.2 mS=12.5 mS=11.5 mS=7.5 m

    S=7.5 m

    S=7.5 m

    S=40.0 m

    S=9.5 m

    S=30.3 mS=3.5 m

    S=10.5 m S=12.5 m S=10.0 m S=12.5 m S=11.5 m

    S=8.5 m

    S=43.0 m

    S=7.5 m

    S=7.5 m

    S=7.5 m

    S=7.5 m

    S=7.5 m

    S=7.5 m

    S=7.5 m S=7.5 m

    S=7.5 m S=7.5 m

    S=6.2 m S=6.2 m

    S=6.2 m S=6.2 m

    S=11.5 m

    S=3.5 m

    S=12.5 m S=12.5 m S=11.5 m

    S=3.5 m

    S=9.5 m

    S=30.5 mS=30.5 m

    S=9.5 m

    S=11.0 mS=11.5 mS=12.5 m

    S=7.5 m

    S=40.0 m

    S=7.5 m

    S=40.0 m

    S=3.5 m S=3.5 m

    S=11.0 m S=11.5 m S=12.5 m

    S=12.5 m S=12.5 mS=11.5 m S=11.5 m

    S=11.5 m S=11.5 mS=12.5 m S=12.5 m

    S=11.0 m S=11.0 m

    S=7.5 m S=7.5 m

    S=40.0 m S=40.0 m

    S=3.5 m

    S=1.1 m

    S=1.1 m

    TYPICAL UNITS AREA:

    BLOCK B5

    B51 S=106.5 m

    B52 S=86.5 m

    B53 S=101 m

    B53 S=89.5 m

    BLOCK B6

    B61 S=107 m

    B62 S=107 m

    B63 S=86.7 m

    B63 S=86.7 m

    BLOCK B7

    B71 S=86.7 m

    B72 S=86.7 m

    B73 S=107 m

    B73 S=107 m

    BLOCK B8

    B81 S=101 m

    B82 S=89.5 m

    B83 S=106.5 m

    B53 S=86.5 m

    2

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    2

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    S=9.5 m S=9.5 m

    S=30.5 m S=30.5 m2 2

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    2

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    A A

    XL RAMSAR RESIDENTIAL DEVELOPMENT 72

  • SOUTH ELEVATION

    F.F+95.70

    F.F+98.85

    F.F+102

    F.F+105.15

    F.F+108.3

    F.F+94.75

    F.F+97.90

    F.F+101.05

    F.F+104.2

    F.F+107.35

    SECTION A-A

  • RO

    OF

    PLAN

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    RO

    OF

    PLAN

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    RO

    OF

    PLAN

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    RO

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    XL RAMSAR RESIDENTIAL DEVELOPMENT 74

  • A.S.A Architects

    5 storey commercial building with the total area of 23400 m consists of indoor parking, retail shops, Supermarkets, food- court

    Responsibilities:

    Producing conceptual diagrams and architectural strategies

    Assisting with the 3D modeling and visualization of the building

    Assisting with the documentation of the major features: site plan, floor plans, sections, eleva-tions

    Velenjak Shopping Centre

  • L VELENJAk SHOPPING CENTRE 78

  • Original Panels

    L VELENJAk SHOPPING CENTRE 80

  • Velenjak Residential

  • L VELENJAk SHOPPING CENTRE 82

  • PARIN Architects

    This community multifunction centre consists of a Zoroastrian Temple and a community building for Zoroastrian people

    Great AdorianZoroastrian Temple & Community Centre

    Conceptual features: 1. Functional categorizing and

    emphasis on the religious aspects of the design.

    2. Proper composition and harmony with the surrounding context,topography and site geometry.

    3. The influence of elements and symbolic aspects of the old patterns on set design especiallythe temple.

    4. Compliance with the given programme,brief,council standards and current construction technologies in Iran

  • L Great AdorianResume

    -5.00

    -6.00

    -10.00

    05

    +103.70

    + 97.40

    Ceremony Hall

    Storage

    Bar Kitchenette

    Kitchenette

    Preparation Preparation

    Bar

    Function Room

    Back Office Admin

    Admin

    Utensil Store

    ConceptFunctional categorizing and emphasis on the religious aspects of the design

    Proper composition and harmony with the surrounding context,topography and site geometry

    The influence of elements and symbolic aspects of the old patters on set design especially the temple

    Compliance with the given programme,brief ,council standards and current construction technologies in Iran

    Temple

    Museum

    Library

    Religious Celebrations

    Office,Education

    Gallery,Shops,Amphitheatre

    Gym,Cafe,Supportive Services

    Parking

    Parking

    Religious Celebrations

    Education, Office

    ,Supportive Parking

    ,Shop,Gallery

    Museum

    Theatre

    Library

    Temple

    GymServices

    Parking

    Chartaqi

    Priest Entrance

    Prayer Forum

    Prayers Entrance

    Ritual Functions

    Ancillary and subsidiary functions

    Alter

    Spatial separation of functions in Zoroastrian Temples have had the same pattern over centuries

    Ancillary building Structure PatternTemple Structure Pattern

    -10.00

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    - 5.00

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    22

    - 5.00

    04

    Level -2Function Room

    Main HallRestaurant

    East Elevation

    Proper composition and harmony with the surrounding context,topography and site geometry

    The influence of elements and symbolic aspects of the old patters on set design especially the temple

    Compliance with the given programme,brief ,council standards and current construction technologies in Iran

    Ive already fixed the overlappings and adjustments

    L GREAT ADORIAN 86

  • L Great AdorianL Great Adorian

    +2.20

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    -0.80

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    1

    22

    -0.80

    06

    +2.20

    Electric& IT

    Bar

    Store

    Priest

    Room

    Reside

    nt Pries

    t

    Change

    Rm

    Temple

    Entran

    ce

    Alter

    Ancillary and subsidiary functions

    Temples have had the same pattern over centuries

    Ancillar

    y

    Store

    Firewoo

    d Store

  • L Great AdorianResume

    L GREAT ADORIAN 88

  • L Great AdorianL Great Adorian

  • Tehran Azad University, 2003Coordinator:Behrooz Mansouri

    Design Studio VI

    Abdol Azim Shrine Expansion

  • L Abdol Azim Shrine ExpansionCOMPETITIONS

    The project is a design experience in a historical district .the site -Shah Abdol Azim-is amongst one of the several historical districts of Tehran. This site owes its popularity mostly to the shrine of Shah Abdol Azim, which has modi-fied this area to a place of pilgrimage in the city of Tehran. The purpose of this project is to restore and preserve this historical area. In order to achieve this, taking an axial entrance zone to the shrine and the periphery of entrance is suggested.

    This shrine is a place of great antiquity has a strong cultural influence in the Iranian culture. Although the shrine has an Islamic architecture, it features many aspects of the tradi-tional architecture of Iran. The design concept is to identify the traditional architecture, possessing the sense of contin-uation of space. This is especially understood by reviewing the historical residential floor plans of Iranian architecture.

    A chain of enclosed rectangular spaces are connected by doorways, so one can pass through the continuous spac-es. The central courtyard is the main characteristic of the Iranian Architecture and it is considered the focal point of the building. This central courtyard is surrounded by other designed spaces,creating an enclosed architecture. The diagram of such typical plans forms the design concept and initiates the starting point of the project.

    L ABDOL AZIM SHRINE EXPANSION 92

  • L Abdol Azim Shrine Expansion

    Three enclosed squares representing a symbol of the traditional Iranian architecture. In each stage,the basic forms have undergone,changes and have deformed to some extent,including the transformation from traditional architecture into modern architecture. In the first step the diagram is converted to a perspective view. In the second step,the three squares are separated and slightly deformed. The resulting forms are connected again in order to achieve the same space con-tinuation of the initial stage. A section of this conceptual form is separated,twisted and located against the remaining form in order to creating two sliding layers,which present the functional spaces surrounding the entrance axis. These functional spaces are organized in a way that they define three squares in the first diagram.

    Moreover the maim axis now surrounded by other buildings cuts through the site and creates the space continuation,presenting the prominent feature of Iranian Architec-ture. The functional spaces of the project include the Pilgrims temporary residential area, Bazaar, Restaurants, Cultural centre and other supporting services. The main en-trance is designed by colonnades,exhibition spaces surrounded by green landscape. There is also a place for perform religious ceremonies at the centre of the site.

  • Tehran Azad University, 2005Coordinator: Darab DibaGraduation Project

    HyperMuseum

  • M HyperMuseumCOMPETITIONS

    THE DESIGN PROCESS

    The design of this space initially focused on a sur-face. By rolling a spherical mass through this surface, a concavity assumed shape. Recording the concav-ity in three discrete moments created three different layers

    1-Entrance | 2-Computer Centre | 3-Switch Rack | 4-Shop Station | 5-Lift | 6-Information | 7-Torus | 8-Cofee Shop | 9-Gallery | 10-Amenities

    Level1

    M HyPERMuSEuM 96

  • M HyperMuseum

    HyPERMuSEuM

    Interaction replaces time unity and synchronization replaces location unity. The virtual world combines time and location in real time. In the virtual world we can transcend time. Transcending time is the hallmark of virtual world. In parallel with these events, we see that the role of museum, as important cultural centres, is fading away and their ranks of visitors are declining.

    In light of this, we may be able to revisit the definition of museums to create a world influenced by modern architecture to build on technology to facilitate cultural contacts. So a hyper structure was chosen to bring together all museums of Tehran.

    This place was named Hypermuseum ,in which you can link up online with other mu-seums through cameras. An electronic network shows what appears in front of cameras on digital screens of galleries or IT centre.(Gallery and IT centre are two main spaces in Hypermuseum)

    The combination of physical and virtual space has seriously af-fected the structure of todays architecture spaces, and the need for digitalized spaces is increasing by the day. Time becomes a matter of great importance in this space. Space and time are combined in cyberspace. Time has changed our idea of archi-tecture and the concept of location has undergone change.

    Level 1 Balcony

    Broken into irregular pieces, a regular geometrical figure was projected into the concavity

    To create real spaces and answer the need of visitors, the environment of the cyberspace was due to be maintained. So the functions and their relations took shape with slight changes in spaces

    1 - Control &Programming Station | 2 - Gallery net

  • M HyperMuseumCOMPETITIONS

    Level 21-Entrance | 2-Amphitheater | 3-Scene | 4-Store | 5-Lift | 6-IT Centre | 7-Void | 8-Amenities | 9-Torus

    The electronic revolution of the past two decades has ushered in an era in which real-time connection with farthest reaches of the world is a possibility. This phenom-enon has affected all aspects of mod-ern life. In other words we are facing a multicul-tural world and rhizome-like

    identities in the field of culture and virtualization in media. Electronic networks and their ever-increasing expansions on a global scale have made real-time interaction a reality.

    M HyPERMuSEuM 98

  • M HyperMuseum

    Level - 2 Balcony1-Coffee Shop | 2-Void

    The impact of the collision between the concavity and tiny shards created random spaces.

  • M HyperMuseumCOMPETITIONS

    Level 31-Entrance | 2-Main Server | 3-Hyper Gallery | 4-T0rus | 5-Lift | 6-Amenities

    M HyPERMuSEuM 100

  • M HyperMuseum

    Shards were filled inside,creating spaces inside or in between

    A torus (the canal shaped object)is designed passing through the tree concave surfaces containing the shared. It takes a longer route to reach from one point to another.

  • PARIN Architects

    JAM Petrochemical Refinery Club & Restaurant

    6500 m building consists of restaurant, function rooms, lounges, meeting rooms with the capacity of approximately 1600 people

    Responsibilities:

    Assisting with sketch design of the club, site and landscape 3D modeling & visualization of major features Documentation of the major features: site plan, floor plans,

    sections, elevations Assisting with design of different parts of the building including

    restaurant, foyer and outdoor dining area Preparing sections and detailing through different parts of the

    building Assisting with Landscape design and detailing Checking all consultants drawings and applying necessary

    changes on architectural drawings Working on modifying and producing tender drawings

    JAM Club & Restaurant

  • M JAM CLuB & RESTAuRANT 104

  • M JAM CLuB & RESTAuRANT 106

  • M JAM CLuB & RESTAuRANT 108

  • Manual Photography

    Meriton building, Sydney (2011)A vacant bus, Sydney (2011)

    Sydney Daily PhotographTHE

  • Sydney Everyday Urbanism

    The aim is to question how architectural photography emerges with an artistic character rather than being a mere tool of objective documentation of the built environment.

    Manual Photography

  • DB Bank Sydney (2011)

    Australia Square, Sydney (2011)

    MANuAL PHOTOGRAPHy 112

  • RBS Building,Sydney (2011)

    Hyde Park,Sydney (2011)

    Martin Place,Sydney (2011)George St.,Sydney (2011)

  • Wentworth Park,Ultimo,NSW (2009)

    MANuAL PHOTOGRAPHy 114

  • Mahrad Shahbazi MoghaddamAddress: 20 / 288 Wattle St., Ultimo, NSW 2007Mobile: +61468 654 337Email: [email protected]

    EducationMaster of ArchitectureUniversity of Sydney (2009 - 2011)Bachelor of Architectural Engineering(Professional Degree)Tehran Azad University (1997 - 2004)

    Summary of skills

    Computer Skills (year experience)AutoCAD (9yrs) - 2D drafting, 3D modeling Google Sketch-up (5yrs) - 3D modeling, V-ray rendering Rhino (3yrs) - 3D modeling, V-ray renderingAdobe Photoshop (8yrs)Adobe InDesign (3yrs)Autodesk Revit (2yrs)

    Design SkillsExpert in 3D sketch design and mass sketch design using Sketch-up and Rhino modeling

    Capable of handling a project from concept design to construction details

    Expert in architectural documentation and drafting using CAD programs

    Good understanding of BCA, Australian Standard

    Good understanding of sustainable design criteria

    Expert in physical model making

    Expert in CAD-CAM,CNC and laser cutter model making

    Familiar with Green Star Rating tools (BERS)

    Capable in teamwork tasks and working autonomously

    Professional Experiences

    A.S.A Architects (Jul 2007 Mar 2009)Graduate Architect

    Residential ProjectsPesyan Residential Building, Tehran (Built)5 story Luxury apartments in a 6 story building with the total area of 980 m

    Responsibilities:

    Sketch design,3D modeling and visualization of the building

    Design and documentation of the building from scratch: plans, sections, elevations

    Preparing Architectural drawings for council approval

    Detailing and design of the major features: plan details, section details, faade details, roof details, stairs and entrance

    Coordination workshops with engineers, clients and subcontractors

    Checking all consultants drawings and applying necessary changes on architectural drawings

    Weekly site visits and resolving details on site

    CuRRICuLuM VITAE

    CuRRICuLuM VITAE 116

  • Velenjak Residential Building, Tehran (Built)9 storey residential building consists of 21 apartments with the total area of 7658 m

    Responsibilities:

    Assisting with sketch design of the building

    3D modeling and visualization of the building

    Documentation of the major features: site plan, floor plans, sections, elevations

    Assisting with design of the different parts of the building including leisure areas(indoor leisure pool, sauna, Jacuzzi)and luxurious lobby

    Preparing Architectural drawings for council approval

    Commercial Projects

    Velenjak Shopping Centre, Tehran (On hold)5 storey commercial building with the total area of 23400 m consists of indoor parking, shops, food- court

    Responsibilities:

    Producing conceptual diagrams and architectural strategies

    Assisting with the 3D modelling and visualization of the building

    Assisting with the documentation of the major features: site plan, floor plans, sections, elevations

    Karafarin Bank Building , Iran (Built)Reconstruction of a 3 storey building with the total area of 1570 m consists of central branch and central insurance office

    Responsibilities:

    Sketch design of the building

    Preparing reconstruction Drawings for Council approval

    Producing sections and section details through different parts of the building

    Detailing and design of the interiors: customer service area, lounge, office desks, IT hub area, Entrance, work stations, managers office, meeting room

    Design and documentation of all fixed furniture and interiors

    Checking all consultants drawings and applying necessary changes on architectural drawings

    Weekly site visits and resolving details on site

  • PARIN Architects (Nov 2005 Mar 2007)Graduate Architect

    Residential Projects

    Ramsar Residential Development, Iran (Built)

    Large scale development project consist of No. 300 one, two and three bedroom apartments in 6 residential blocks, a small shopping centre, and leisure facilities

    Responsibilities:

    Part of the design team for the master plan

    Assisting with sketch design of residential buildings and site plan

    Assisting with 3D modeling & visualization of major features of the site and residential blocks

    3D modeling & visualization of exteriors and interiors for marketing purpose

    Assisting with documentation of the major features in Block 1

    Producing wall sections and detailing through different parts of the buildings

    Working on modifying and producing tender drawings

    Commercial Projects

    JAM Petrochemical Refinery Club & Restaurants, Assalouyeh, Iran(Built)6500 m building consists of restaurants, function rooms, lounges, meeting rooms with the capacity of approximately 1600 people

    Responsibilities:

    Assisting with sketch design of the club, site and landscape

    3D modeling & visualization of major features

    Documentation of the major features: site plan, floor plans, sections, elevations

    Assisting with design of different parts of the building including restaurant, foyer and outdoor dining area

    Preparing sections and detailing through different parts of the building

    Assisting with Landscape design and detailing

    Checking all consultants drawings and applying necessary changes on architectural drawings

    Working on modifying and producing tender drawings

    Central Laboratory of JAM Petrochemical Refinery, Assalouyeh, Iran (Proposal) 4700 m building consists of different petrochemical laboratories, research offices, administrative offices, a lecture theatre and meeting rooms

    Responsibilities:

    Assisting with the Sketch design of the building

    Assisting with 3D modeling & visualization of major features

    Assisting with the documentation of the major features: site plans, floor plans, sections and elevations

    CuRRICuLuM VITAE 118

  • Great Adorian Temple & Community Centre (International Competition 3rd prize)This community multi-function centre consists of a Zoroastrian Temple and a community building for Zoroastrian people

    Responsibilities:

    Assisting with the conceptual design and documentations of the competition entry

    Producing all conceptual diagrams and architectural strategies

    3D modeling & visualization of the major features

    Preparing panels for the competition entry

    FARNAHAD Consultants (Dec2003 Sep2005) Architectural Assistant

    Responsibilities:

    Assisting with documentation and detailing of 96 residential units, Fasa, Iran

    Assisting with documentation of 48 residential units, Mohr, Iran

    Preparing drawings and applying markups on drawings

    Assisting with arranging files and issuing drawings to clients

    Individual projects

    Design and documentation of Generator Room Building of Ahar dam, Iran

    Interior design and documentation and supervision of a Dental Clinic, Tehran

    Interior design and supervision of a Psycho- analysis Clinic , Tehran

    Design, 3D modeling and visualization of Tehran Rock Museum Competition, Tehran

    Design ,3D modeling and visualization of Saipa Showroom Competition, Iran

    AwardsSelected student project for Sustainable Research Studio (University of Sydney) accessed via: http://sydney.edu.au/architecture/CS/postgrad/student_works/sustainable_design09sem02.shtml

    Selected Student Project for Adapting to Sea Level Rise in Lake Macquarie council exhibition accessed via: http://sydney.edu.au/architecture/documents/CS/postgraduate/sustposter_lakemacquarie.pdf3rd Prize of Greate Adorian competition, IranHonourable Mention of Tehran Rock Museum Competition, Tehran

  • Bus stop sketch

    Architectural Communications 2 (1998)