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MARIJA VEMIĆDODIR SEBE
Iz ciklusa Dodir sebeWork from the cycle Touch of Myself
72 x 72 cmkombinovana tehnika na papiru
mix media on paper, 2017.
naslovna strana / cover pageIz ciklusa Dodir sebeWork from the cycle Touch of Myself72 x 72 cm, kombinovana tehnika na papirumix media on paper, 2017.
Tijelo kroz istoriju umjetnosti je jedna od onih kompleksnih tema koja se registruje još od praistorije i Vilendorfskih venera do bo-diartista i Marine Abramović koji koriste vlastito tijelo kao materijal. Različita su shvatanja tijela i transpozicije kroz povijest umjetnosti.
Tijelo je velika tema i mlade crnogorske umjetnice Marije Vemić u ciklusu slika i crteža Dodir sebe. Njen je stav da tijelo osjeća-mo i tijelom osjećamo. Drugačije rečeno, tijelo je privilegovana slika među slikama i njega poznajemo ne samo opažajem nego iznutra doživljajima. Bergson to kaže ovako: “Ipak među spoljnim slikama postoji jedna koja odudara od svih ostalih po tome što se ne spoznaje samo spolja, opažanjem već i iznutra afektacijama.“ Slikarka ne transponuje izgled tijela već njegovu logiku, pokreti-ma, individualiziranim stavovima, s akcentom na licu i šakama. U konstrukciji figura na slikama bitan je crtež kao neka vrsta fine, ponegdje vrlo ekspresivne armature, dok je kompozicija rješavana centralno. U njenoj sintaksi boja je kao element fundamentalna. Ima i simboličan fon, koji označava raslojavanje čovjeka. “Bez ob-zira na to koliko je nemaran, način oživljavanja materijala ne može biti odvojen od umjetnikovih estetskih ciljeva, koji su, sa svoje strane, povezani sa njegovim duševnim stanjem i njegovim opštim pogledima“ (Harold Rosenberg).
Po energiji poteza i sugestivnosti boje njeno slikarstvo je ogo-ljavanje vlastite nutrine. Topla hromatska skala, ravne površine, neka vrsta ploha kojima transponuje utiske, košmare, različita stanja i treptaje... ovi radovi, bilo da su to slike ili crteži, imaju ispovjedni ton. Metodološki, radovi bez obzira kojom tehnikom su rađeni mogu se razlikovati u dvije grupe: oni koji se po transpozi-ciji približavaju gotovo apstraktnom duktusu i drugi više ekspre-sionistički, u kojima su figure savijene kao u nekom naponu i svi imaju neku bolnu težinu. Gestualni, fluidni i često spektralni Mari-jini radovi preoblikuju i izmještaju u drugi kontekst dvosmislene i pomične granice između javnog i privatnog bića.
Nataša Nikčević
Iz ciklusa Dodir sebeWork from the cycle Touch of Myself50 x 50 cm, ulje na platnuoil on canvas, 2017.
Through the history of art, the body has always been a complex theme that has been registered from the prehistoric times and the Venuses of Willendorf, up to the body artists and Marina Abramović, who use their own body as material. The concept of body and its transpositions have seen different interpretations and readings thought the history of art.
Body is also a major theme of the young Montenegrin artist Marija Vemić in her cycle of paintings and drawings Touch of Myself. Her essential assertion is that just as we feel the body, we feel with the body, too – the body is the privileged image among images, which we know not only by observation but also through inner experience. In Henri Bergson’s words: “There is, however, among outside images one that is different from all others because it is grasped not only externally, through perception, but also internally through affectations.” The painter does not transpose the body’s appearance, but rather its logic, movements, individualized attitudes, focusing particularly on the face and fists. In the design of the depicted figures, the drawing takes on a great importance as a sort of a delicate, sometimes very expressive rebar, while the composition is solved centrally. In her syntax, colour – as an element – is fundamental. It also has a symbolic connotation, marking the stratification of man. “Regardless of how impractical, the way in which material is revived cannot be separated from artist’s aesthetic goals, which in turn are related to his mental state and his general views” (Harold Rosenberg).
The energy in her strokes and the suggestiveness of colour suggest that, through painting, the artist is stripping bare her insides. The warm chromatic scale, the flat surfaces akin to a screen on which she transpires impressions, nightmares, different states and brief flickers... these works, both her pictures and drawings, have a confessional tone. Methodologically, no matter the technique in which they are executed, the works can be distinguished in two groups: the ones that, by transposition, approach an almost abstract discourse and the others that are more expressionist, in which the figures bend in a sort of a tension and all carry some painful weight. Marija’s gestural, fluid and often spectral works transform and shift into a different context the ambiguous, moving boundaries between the public and the private being.
Nataša Nikčević
Iz ciklusa Dodir sebeWork from the cycle Touch of Myself50 x 50 cm, ulje na platnuoil on canvas, 2017.
Iz ciklusa Dodir sebeWork from the cycle Touch of Myself
18 x 18 cm, kombinovana tehnika na papirumix media on paper 2017.
Iz ciklusa Dodir sebeWork from the cycle Touch of Myself18 x 18 cm, kombinovana tehnika na papirumix media on paper 2017.
Marija Vemić je rođena 1991. godine u Nikšiću, gdje je završila osnovnu i srednju školu. 2010. godine upisuje Fakultet likovnih umjetnosti na Cetinju, studijski program slikarstvo. U klasi profesora Dragana Karadžića je završila osnovne i specijalističke studije. Izlagala je na četiri samostalne i više kolektivnih izložbi. Učestvovala na više simpozijuma i umjetničkih projekata u zemlji i inostranstvu. Od 2017. godine je na master studijama na Akademiji likovnih umjetnosti u Sarajevu – BiH, u klasi prof. Tatjane Milaković.
Dobitnica je druge nagrade na „52. Hercegnovskom zimskom salonu“ 2019.godine. Član je ULUCG.
Samostalne izložbe2016. “Čovjek – odnos tijela i emocije”, A galerija – Nikšić, Crna Gora2015. Izložba slika i crteža, Gradska galerija Kotor – Kotor, Crna Gora2014. Izložba slika, galerija “Queen of Montenegro” - Bečići, Crna Gora2013. Izložba slika i crteža - Winter Fest 2013 - Bijelo Polje, Crna gora
Izabrane kolektivne izložbe2019. “52. Hercegnovski zimski salon” Galerija Josip Bepo Benković – Herceg Novi, Crna Gora2018. “Salon mladih” 2018, galerija COLLEGIUM ARTISTICUM – Sarajevo, BiH2018. IV internacionalno bijenale akta “ Marko Gregović” – Petrovac, CG2018. Drugo međunarodno bijenale radova na papiru Prijedor 2018. –Prijedor, BiH2017. “Božićna izložba”, JU Muzeji i galerije Nikšić –Nikšić, Crna Gora2017. Izložba povodom 10 godina djelovanja fondacije Ćano Koprivica, JU Muzeji i galerije Podgorica – Podgorica, Crna Gora 2016. Izložba nikšićkih likovnih stvaralaca, A galerija – Nikšić, Crna Gora2015. 29. Internacionalna izložba ASPORA – Gunsan, Korea2015. Izložba ,,8. Mart”, A galerija – Nikšić, Crna Gora2015. Izložba nikšićkih studenata (FLU Cetinje, FLU Trebinje), Galerija Nikola I – Nikšić, Crna Gora
Ostalo2015. „Trg uspomena“, Dom vojske, KC PUNKT – Nikšić, Crna Gora 2014. IV Internacionalni dani nauke, kulture i umjetnosti KTO Karataj Univerzitet – Konija, Turska2014. Razmjena mladih “Don’t stay apArt”- Revine Lago, Italija2013. Susret umjetnika sa područja Balkana 2013 – Jedrene, Turska2013. Peti Internacionalni festival KotorArt2013 “KotorArt – Pisanje grad2013 “ - Kotor, Crna Gora2012. Internacionalni festival savremene umjetnosti IAM Ostrale2012. - Drezden, Njemačka
Marija Vemić was born in 1991 in Nikšić, where she finished elementary and secondary studies. In 2010 she enrolled at the Faculty of Fine Arts in Cetinje, study program - painting. She graduated and specialized in the class of Professor Dragan Karadžić. She exhibited at four solo and several group exhibitions. She participated in several symposiums and art projects in the country and abroad. Since 2017, she has been following a Master’s programme at the Academy of Fine Arts in Sarajevo – Bosnia and Herzegovina, in the class of Professor Tatjana Milaković.
She received the second prize at the “52nd Herceg Novi Winter Salon“ in 2019.She is member of the Association of Visual Artists of Montenegro.
Solo exhibitions2016 “Human – Body/Emotions Relationship”, A Gallery – Nikšić, Montenegro2015 Painting and Drawing Exhibition, Town Gallery Kotor – Kotor, Montenegro2014 Painting Exhibition, “Queen of Montenegro” Gallery – Bečići, Montenegro2013 Painting and Drawing Exhibition – Winter Fest 2013 – Bijelo Polje, Montenegro
Group exhibitions (selection)2019 “52nd Herceg Novi Winter Salon”, Josip Bepo Benković Gallery – Herceg Novi, Montenegro2018 “Youth Salon” 2018, COLLEGIUM ARTISTICUM Gallery – Sarajevo, Bosnia and Herzegovina2018 IV International Nude Biennial “Marko Gregović” – Petrovac, Montenegro2018 II International Works on Paper Biennial Prijedor2018 – Prijedor, Bosnia and Herzegovina2017 “Christmas Exhibition”, Museums and Galleries of Nikšić – Nikšić, Montenegro2017 Exhibition in occasion of the 10 year anniversary of the Foundation Ćano Koprivica, Museums and Galleries of Podgorica – Podgorica, Montenegro2016 Exhibition of Visual Artists from Nikšić, A Gallery – Nikšić, Montenegro 2015 29th International Exhibition ASPORA – Gunsan, Korea2015 “8th of March” Exhibition, A Gallery – Nikšić, Montenegro 2015 Nikšić Student Exhibition (Faculty of Fine Arts Cetinje, Faculty of Fine Arts Trebinje), Nikola I Gallery – Nikšić, Montenegro
Other2015 “Memory Square“, Army House, KC PUNKT – Nikšić, Montenegro2014 IV International Days of Science, Culture and Arts KTO Karatay University – Konya, Turkey2014 Youth Exchange “Don’t Stay apArt”- Revine Lago, Italy2013 Balkan Artists Encounter2013 – Edirne, Turkey2013 5th International Festival KotorArt 2013 “KotorArt – Writing the Town2013 “ - Kotor, Montenegro2012 International Festival of Contemporary Art IAM Ostrale2012 - Dresden, Germany
www.csucg.co.me Marija Vemić Perjanički dom Kruševac bb, PodgoricaIzdavač Centar savremene umjetnosti Crne Gore Za izdavača Nenad Šoškić
Kustoskinja Teodora Nikčević Tekst Nataša Nikčević Prevod na engleski Ana SavjakGrafičko oblikovanje Anastasija Kostić Tehnička realizacija izložbe Novica Vuković,
Rajko Raičević, Nebojša Raspopović, Nemanja RadevićTiraž 150 Štampa DPC, Podgorica jun 2019.
ISBN 978-9940-41-039-1COBISS.CG-ID 38462480
