Conservatorium van Amsterdam

www.consam.nl

bovenste balkje niet gebruiken

Master ResearchSymposium

Classical & Jazz Departments

12-16 March 2018Conservatorium van Amsterdammore information: www.consam.nl

MONDAY MARCH 12

Sweelinckzaal

09:30-10:00 Robin de Zeeuw. SPELEN MET HUMOR: De muzikale invulling van ‘humours’ vanuit het perspectief van de zeventiende eeuw. Thesis presentation with lecture.

10:30-11:15 Susana Lopes Ferreira. IMPRESSIONISM AND THE FRENCH FLUTESCHOOL:Debussy’swritingfortheflute.Lecture-recital.

11:45-12:30 Juan Blanco.THEHARPOFTHETWENTY-FIRSTCENTURY:Theelectricharp-aninstrument’spresentandfuture.Lecture-recital.

13:45-14:30 Michal Gasztych. SAXOPHONE IMPROVEMENTS: Influenceonsoundquality. Thesis presentation with lecture.

15:00-15:45 Álvaro Machado. A COMPREHENSIVE METHOD FOR THE CONTRABASSOON.Lecture-demonstration

16:45-17:30 Yanmin Lu. THE BORDERS OF MUSIC: How to technically express musical languageinChinesemusic.Lecture-recital.

18:15-18:45 Itzel Méndez Martínez. THE COLOUR OF THE OBOE: A comparative study of frequency responses and aural perception of the sound of three

high-qualityoboes.Thesispresentationwithlecture.

19:15-19:45 Martí Santacana Plana. QUESTIONING THE AUDITION STANDARD: Mozart’s Flute Concertos K. 313 and K. 314/285d. Thesis presentation with lecture

20:15-21:00 Anneleen Schuitemaker. The Functie van de harp in de opera’s van Verdi. Thesis presentation with lecture.

Amsterdam Blue Note

09:15-10:00 Bartolomeo Audisio. A TRANSCRIPTION OF KORNGOLD’S VIOLIN CONCERTOFORFLUTE.Lecture-recital

10:30-11:15 Josep Garcés Pellicer. LIVE LOOP: Guide to develop and build a live electronicsetupforprofessionalmusic.Lecture-recital.

11:45-12:30 David Westcombe. THE SOUND OF EMOTION: Using research of performance context and a performer’s analysis of Thea Musgrave’s Orfeo 1tocomposeanewpiece.Lecture-recital.

13:00-13:45 Pedro Lourenço Branco. A SONIC IMPROVISATION: The use of guitar effectpedalsintoday’simprovisedmusiclanguage.Lecture-recital.

14:15-15:00 Ashton Sellars. HORIZONTAL MORENO: Triads, upper structures and horizontalfreedom.Lecture-recital.

15:30-16:15 Isabel Mirallas Parellada. SAND AND GRAIN A CAPPELLA: Bringing traditionalsongsfromCatalan-speakingregionstovocaljazzacappella.Lecture-recital.

16:45-17:30 Sophie Mettefeu. MEU BRASIL BRASILEIRO: Playing samba with string quartet.Lecture-recital.

18:00-18:45 Meray Bittar. WESTERN CLASSICAL MUSIC IN THE VIEW OF ARABIC COMPOSERS.Lecture-recital.

19:15-20:00 Giuseppe Campisi.ABOUTSICILY:Theislandanditsmusic.Lecture-recital.

20:30-21:00 Jonathan Nagel. EUROPEAN IMPROVISATION: Dutch improvised music as a role model for an original style of improvisation. Thesis presentation with lecture.

TUESDAY MARCH 13

Sweelinckzaal

10:00-10:30 Massimiliano Turchi. SPACES FOR MUSIC: Exploring connections between music and architecture. Thesis presentation with lecture.

11:00-11:30 Emmanuel Frankenberg. WRITING A CHORALE FANTASIA IN BACH’S

CANTATA STYLE. Thesis presentation with lecture.

12:00-12:45 Noud Smeets. DE ZINGENDE PIANO: Chopin in historisch perspectief. Lecture-recital.

13:15-14:00 Guy Maori. PERFORMING COUPERIN ON THE MODERN PIANO: A historically-informedapproach.Lecture-recital.

14:30-15:15 Michel Xie.DEEMANCIPATIEVANDEPIANOBEGELEIDER.Lecture-recital.

16:00-16:30 Luiza Dedisin. THE BEGINNER OPERA COACH: Thoughts, tools and skills. Thesis presentation with lecture.

.17:00-17:30 Felix Lashmar. TO BREATHE OR NOT TO BREATHE: A double bass player’s

guide on how to utilize breath. Thesis presentation with lecture.

18:00-18:30 Robert Dörfer. A LOOK INSIDE: What MRI imaging can tell us about motor functions in brass playing and its consequences for brass teaching. Thesis presentation with lecture.

19:00-19:30 Luc Geraats. COPING STRATEGIES FOR MUSIC PERFORMANCE ANXIETY: A study on professional orchestral tuba players. Thesis presentation with lecture.

20:00-20:30 Margot Kolodziej.AUDITERENVOOREENKAMER-OF SYMFONIEORKEST?: Vioolaudities van het Nederlands Kamerorkest en het Nederlands Philharmonisch Orkest. Thesis presentation with lecture.

Amsterdam Blue Note

09:15-10:00 TijsKlaassen. INNOVATING FROM WITHIN THE TRADITION: A study on RonCarter’splayingintheMilesDavisquintet.Lecture-recital.

10:30-11:15 Robbert Suilen ‘INSIDE WAINWRIGHT’: The balance between artistic and commercialelementsinvocalcomposition.Lecture-recital.

12:00-12:30 César Lüttger. LICENSING MUSIC THROUGH A LIBRARY: A source of income for performers and composers. Thesis presentation with lecture.

13:00-13:30 BenjaminThiebault. HOW TO BE CREATIVE?: A study of musical invention throughthehistoryofjazz.Thesispresentationwithlecture.

14:00-14:30 Xin Huang. NURTURING FILM NARRATION ‘SILENTLY’: Case studies of ambientmusicinsci-fithrillerfilms.Thesispresentationwithlecture.

15:00-15:30 Tom Schipper. LEVEL UP!: Transcending virtual orchestration intohyperorchestrationinfilmmusic.Thesispresentationwithlecture.

16:00-16:45 Ernst Spyckerelle. COMPOSING WITH A BRUSH: How paintings can inspire musicians, and what movie composers can learn from them. Thesis presentation with lecture.

17:15-18:00 Elisabeth Hetherington. THE PRICE OF A CHOICE: A look into the effects ofhistoricalpronunciationontheseventeenth-centuryEnglishlutesongrepertoire.Lecture-recital.

19:00-19:45 Laurie Carpenter. BUILDING CHROMATIC CONCEPTS WITHIN TRUMPET IMPROVISATION: Tension and release in melodic lines of Miles Davis,WallaceRoneyandWyntonMarsalis.Lecture-recital.

20:15-21:00 Clemens Lotz. WE KNOW NOT WHAT WE DO: Using composition to create a more interesting performance through the example of Amok Amor. Lecture-recital.

Room 5.35

14:45-15:15 Cristina Grifone. THE IMPORTANE OF THE PSOAS MAJOR MUSCLE FOR SINGING. Thesis presentation with lecture.

WEDNESDAY MARCH 14

Sweelinckzaal

09:15-10:00 Stefan Danifeld. ARRANGING IN MAHLER’S STYLE: Three songs from Book 1 of Lieder und Gesänge aus der Jugendzeit for baritone and wind quintet. Lecture-recital.

10:30-11:15 José Luna Agudo. BERIO, AN IMPOSSIBLE CHALLENGE?: Advices for the performance of his Sequenza V.Lecture-recital.

12:00-12:30 Patrick Karten. INDIVIDUAL MUSICAL PERFORMANCE IMPROVEMENT: Which factors make the difference in the optimal development of a musican? Thesis presentation with lecture.

.14:45-15:15 Lidia Olthoff. HOORNLES VOOR LEERLINGEN VAN ALLE LEEFTIJDEN:

Moetjedehoornmethodiekaanpassenaandeleeftijdvanjeleerling?Thesispresentation with lecture.

15:45-16:15 MarjoleinSchipper. EEN WERELD VAN VERSCHIL!: Van klarinet naar basklarinet. Thesis presentation with lecture.

17:00-17:30 Daniel Yiau. REMINISCENCES OF YUNNAN, FOR RUAN AND CHAMBER WINDENSEMBLE:Atranscriptionproject.Thesispresentationwithlecture.

18:00-18:45 Radu Dunca. THE ORNAMENTATION USED BY ROMANIAN FIDDLERS TODAY APPLIED TO GEORGE ENESCU’S LĂUTARUL. Lecture-recital.

19:15-20:00 Gonzalo Argüello.THERUSSIANANDFRANCO-FLEMISHVIOLINSCHOOLS:Differenttechniquesaimingfordifferentsounds?Lecture-demonstration.

20:30-21:15 Olga Kowalczyk. THE REAL SWAN SONG: Dmitry Shostakovich’s Sonata op. 147forviolaandpiano.Lecture-recital.

Amsterdam Blue Note

09:15-10:00 Matias Varela Gallardo. THE NEW CHILEAN SONG: The political, social and cultural power of music between 1965 and 1973.Lecture-recital.

10:30-11:15 Egle Petrošiute.VOCALIZED:SingingTomHarrell.Lecture-recital.

12:00-12:45 Laura Giavon. BETWEEN THE SHOUT AND THE BREATH: The search for the original voiceintheworkofAntoninArtaudandDemetrioStratos.Lecture-recital.

13:15-14:00 MaartjeBooden. THE RECORDER AS A POP/ROCK INSTRUMENT. Research lecture.

14:30-15:15 Kim Spierenburg.LIMITATIONASANADVANTAGE:Howdolive- electronic controllers become a tool for disabled musicians to enhance and enablemusicalexpressiveness?Lecture-recital.

15:45-16:30 Jordi Rouschop.LITERATUURVOORSAXOFOONALSSOLO-INSTRUMENTBEGELEIDDOORHARMONIE-OFFANFAREORKEST.Lecture-recital.

17:00-17:45 Thomas Hähnlein. TONAL ORGANIZATION IN CONTEMPORARY JAZZ IMPROVISATION:AninvestigationofselectedMarkTurnersolos.Lecture-recital.

Room 4.07

11:45-12:15 Jeanette Velasco. THE EVOLUTION OF THE CONTRABASS TROMBONE: From a section instrument to a genuine chamber and solo instrument. Thesis presentation with lecture.

THURSDAY MARCH 15

Sweelinckzaal

10:30-11:15 Simon Velthuis. TSJAIKOVSKY’S ROCOCO VARIATIES VOOR VIER CELLISTEN: Eentranscriptie.Lecture-recital.

12:00-12:30 Mariell Vain. PREDICTING LISTENERS’ RESPONSES TO MUSIC: Musical empathyasatoolforcomposersintheirmusic-writingprocess.Thesispresentation with lecture.

13:00-13:45 Carlo Diaz. REUSE MUSIC: A galant model for a new compositional practice. Thesis presentation with lecture.

14:15-15:00 Andrés Martínez Gutiérrez. LESS IS MORE: Techniques for a rational piano practice.Lecture-demonstration.

16:00-16:30 Alberto Martín Entrialgo. ISAAC ALBÉNIZ’S MERLIN: Historical and analytical approaches. Thesis presentation with lecture.

17:00-17:30 Eildert Beeftink. TONAL STRATEGY AND PHRASE STRUCTURE IN THE MAIN THEME OF BRUCKNER’S EIGHTH SYMPHONY. Thesis presentation with lecture.

Amsterdam Blue Note

10:30-11:15 Sven Hoscheit. AN ALTERNATIVE NOTATION FOR REBONDS BY IANNIS XENAKIS:Howdoesnotationinfluenceinterpretationandperformance?Lecture-recital.

11:45-12:30 Joan Casares Alcobé.TWO-HANDSDRUMSET:Astudyontheroledivisionintwo-drummerbands.

13:00-13:45 Antanas Makštutis. A REPERTOIRE CATALOGUE FOR ENSEMBLES OF THREECLARINETS.Lecture-recital.

14:15-15:00 Annemiek de Bruin. DE DOLLY SUITE VAN GABRIEL FAURÉ: Een nieuw arrangementvoorklarinettrio.Lecture-recital.

15:30-16:15 Michael Anderson.THELONESAXOPHONE:Thea-cappellasaxophonestyleofSonnyRollins,MichaelBreckerandChrisPotter.Lecture-recital.

16:45-17:15 Lucas Martínez Membrilla. AN EXPLORATION OF VARIOUS COMPOSITIONAL DEVICES: To expand the horizons of my own original compositions. Lecture recital.

Ensemblezaal

10:45-11:30 Nikoloz Pasuri. PERCEIVED PRESSURE VARIANCE AS A MUSIC PARAMETER THROUGHCOMPUTATION.Thesis-presentationwithlecture.

Room 7.38

11:45-12:15 Elianne Ardts. DE CELLIST DOOR DE OGEN VAN DE CRITICUS: De ontvangst van het cellorepertoire en het spel van virtuozen in Duitsland in het begin van de negentiende eeuw. Thesis presentation with lecture.

Room 8.03

16:00-16:30 Kate Honey. ‘FOR ME IT ALL COMES DOWN TO LISTENING’. The role of new music in climate change activism. Research lecture.

17:00-17:30 Simon Knighton. A WIDER AUDIENCE FOR NEW MUSIC. Using visual adn performative tools to enhance the musical experience. Thesis presentation with lecture.

FRIDAY MARCH 16

Sweelinckzaal

10:30-11:15 Mattia Corso. FACCO, CALDARA AND THE VOCAL SERENADE: Music and politics in the war of the Spanish succession.

11:45-12:30 BenjaminZiai. BEYOND STANDARDIZATION: The modern double bass tunings. Thesis presentation with lecture.

13:00-13:45 Gema Lara Ruano. TECHNICAL CHARACTERISTICS OF THE OBOE VERSUS STRING INSTRUMENTS: Articulation, phrasing and balance in mixed chamber music works such as Britten’s Phantasy Quartet op. 2 for oboe and stringtrio.Lecture-recital.

15:45-16:15 Liene Madern-Stradina. THE DIRUTA FINGERING SYSTEM: An isolated phenomenon? Thesis presentation with lecture.

16:45-17:15 Chiharu Shimano.NOT-BY-NOTE-BY-NOTE:Nurturingviolinists’confidencein harmonic thinking. Thesis presentation with lecture.

18:00-18:45 Machiko Suto. MOTIVIC TYPES AND MUSICAL DENSITY: The character of cadenzasinCarlPhilippEmanuelBach’skeyboardconcertos.Lecture-recital.

19:15-20:00 Edith Yam. TBA.

20:30-21:15 Justin Schütz. THE FREEDOM OF SINGERS IN OPERA IN THE EIGHTEENTH AND NINETEENTH CENTURIES: An exploration of the history, practiceandvocaltraditionofthecastrati.Lecture-recital.

Amsterdam Blue Note

09:15-10:00 Ray DeSimone. MoDIMAPPER: Creating a custom controller capable of producing ample data without compromising playing position and technique. Lecture-recital.

10:30-11:15 Dario Trapani.NO-INPUT:Feedbackloopsonanaudiomixingconsole.Lecture-recital.

11:45-12:30 Alex Brajković. EXTENDED DRUM SET: Controlling live electronics while playingthedrumset.Lecture-recital.

13:00-13:45 Agnese Lecchi. VERDI, L’UOMO: How to create a performance free from clichésandconnectedtothecomposerhimself.Lecture-interview.

14:15-14:45 Katinka van Driezum. EEN LATE ROEPING: Naar een hobomethode voor beginnende volwassenen. Thesis presentation with lecture.

15:15-15:45 Bénédicte Zeitoun. PICCOLO METHOD: An enlightened approach to piccolo playingforadvancedflutists.Thesispresentationwithlecture.

16:15-16:45 Liselotte Schricke. DEVELOPING EFFICIENT TRAINING STRATEGIES BY USING SOLO AND ORCHESTRAL FLUTE REPERTOIRE. Thesis presentation with lecture.