Embed Size (px)
DESCRIPTION
Entwurfsprojekt an der Burg Giebichenstein Hochschule für Kunst und Design Halle, Betreuung: Prof. Klaus Michel, Ass. Michael Antons
Citation preview
Entwurfsprojekt InnenarchitekturSS 2007
MO
RE
Aus der Aufgabenstellung:
_Bei Faust heißt es noch: „Zwei Seelen wohnen, ach! in meiner Brust“Gestalter fragen sich immer: „Soll ich auffallen oder etwas Dauerhaftes entwerfen?“ Um die-sen Konflikt zu entschärfen machen wir aus dem „ODER“ ein „UND“.
Aufgabe:Wählen Sie aus den nachfolgenden Möbelkate-gorien eine aus: Stuhl, Armlehnstuhl, Esstisch, Schreibtisch, Kleiderschrank, Aktenschrank, Re-gal, Medienboard, Bett, Stockbett, Kommode, Sessel, Anrichte...
1. Entwerfen Sie im ersten Schritt ein im besten Sinne schreiendes, auffallendes, zeitgeistiges Ob-jekt, das in jeder Gazette Einzug hält.2. Setzen Sie im zweiten Schritt einen Entwurf dagegen, der das Zeug zum Klassiker hat. Lassen Sie sich von einem Statik-Guru inspirieren, ver-suchen Sie Prinzipien anzuwenden oder ikonifi-zieren Sie ein Produkt und “feilen” Sie an Ihrem Entwurf bis zum perfekten Ende.
Klaus Michel, Michael Antons04.2007
_Entwurfsprojekt Innenarchitektur | SS 2007 Burg Giebichenstein HKD Halle
MO
RE
Maria Nickol
Andrea Horezky
Eberhard "Scharno" Scharnowski, Prof. em.
Konrad Lohöfener
Theresia Hanke
Johannes Albert
Michael "Anton" Antons, Ass.
Der "OPP"
Henrike Stefanie Gänß
Klaus Michel, Prof.
Marlen Hähle
Oliver Reinecke
Verena Schiffl
Melanie Olle
MO
RE
_Was sonst noch geschah skizzierter Projektablauf
_Anfang April Startschuß Workshop zu "More": Siebenmalsieben wilde Ideen
_Workshop Prof. em. Eberhard "Scharno" Scharnowski Vorlesungen zu Lehrkonzept Paul Tiersch, aber eigentlich ging es um Leichtbau, Konstruktion und Materialien
MO
RE
_Projektablauf Exkursion Salone del Mobile 14.04.- 21.04.2008
wie immer Zeltplatz, viel Regen und Fahrrad- fahren; Schnittchen zubereiten helfen für Messebeteiligung der Burg
_Projektablauf Postmilanesisches Belastungstrauma
_ Neustart ZweiPunkt nach den Eindrücken aus Mailand alles nochmal neu, zumindest einige..._
_Workshop/Konsultation Prof. em. Eberhard "Scharno" Scharnowski
_EM Finale
_Projektablauf Endspurt
_ab Mitte Mai zeitgleich an zwei Konzepten feilen und bauen
_Fotoshooting Modelle aquirierren, Deko besorgen
_Projektablauf Krisen und Lösungen
_Projektablauf ...nur die Wurst hat zwei
_Ausstellungskonzeption Umsetzung Sommerfest Abbau
_Finis
_Ergebnisse
MO
RE
_Pansenleuchte _Maria Nickol
_Die innere Schönheit findet sich noch in jedem Wesen wieder... Bei dieser Leuchte ist sie sprichwörtlich nach aussen gekehrt. Was mittlerweile das Rapid-Prototyping zelebriert, hat hier die Natur in Form eines Kuhmagens geschaffen. Dieser ist der Grundbaustein der Pansenleuchte, die aus der Aufhängung wie eine Frucht zu wachsen scheint. Sie ist angeschlossen an einen automatischen Dimmer, welcher ein Pulsieren des Lichtes bewirkt. Material: Netzmagen vom Rind getrocknet, gegossener Naturkautschuk matt lackiert, automatischer DimmerLeuchtmittel Energiespar lampe
LESS
_Dieses Möbel kann die Beziehung zweier Sitzender genau beleuchten. Zwei verschieb bare, schwarze Kuben sind verbunden mit einem Faltenbalg, durch welchen das Licht je nach Nähe der Kuben zuein-ander heller oder dunkler scheint. Sitzen zwei Personen eng beeinander, ist der Schein schwach, halten die Sitzenden jedoch Abstand leuchtet das Möbel mit voller Kraft. Material: MDF glänzend lackiertLampenschirmfolie mit Stoff bezogen 2 Leuchtmittel- Energiesparlampe ringförmig
_Harmonium _Maria Nickol
MO
RE
_Das Objekt “hunger deLuxe” ist nur das Skelett eines Tisches. Er repräsentiert die Gegensätzlich-keit einer Gesellschaft des Überflusses und ihrer innewohnenden Leere. Material: 20 mm Stahlrohr verschweisst, mit 10 mm Stahlrohr,verspachtelt mit Glasfaser und Feinspachtel, Oberfläche lackiert;
_hunger deLuxe _Andrea Horezky
LESS
_Der Stehtisch „Stork“ geht mit seiner außerge-wöhnlichen Form auf die Bedürfnisse seines Nutzers ein und schafft damit einen indivi duellen Arbeitsplatz in luftiger Höhe.
_hunger deLuxe _Andrea Horezky
MO
RE
_base _Konrad Lohöfener
_base ist vorallem ein modularer Arbeitstisch, dessen Alter Ego sich selbstverteidigend durch den Design-alltag schlägt. Grundelement des Arbeitstisches sind vier Baseballschläger. Sie tragen die gesamte Tischplatte und können im Ernstfall jederzeit problemlos abmontiert werden, um sich zu verteidigen.
LESS
_12 schwer ist ein 12 kg leichtes Regal aus High-Tech-Material. Aluminiumstangen, umspannt mit einer textilen Membran, tragen die gesamte Last und lassen das Regal optisch schweben.
Der Entwurf 12 schwer erhielt den Stutt garter Leichtbaupreis 2008.
_12 schwer _Konrad Lohöfener
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MO
RE
_Du kannst es nicht sehen. Du kannst es nicht fühlen. Hört! Hört! Entsteht im Kopf.Bei dieser Möbelillusion schafft sich der Hörer sein individuelles Möbel.
_Hört! Hört! _Theresia Hanke
MO
RE
LESS
_MöBiL überzeugt durch sein einfaches Konzept: Vier Leichtbauwände, Deckel und Rückwand werden alle von dem Latexband, ohne jede Art von Beschlag, gehalten und verbunden. Dadurch ist es leicht zusammen zu bauen und schnell herzustellen. Die Modulboxen können rutschfest gestapelt werden und bilden, je nach Anord-nung, immer wieder ein individuelles Möbel.
_MöBil _Theresia Hanke
MO
RE
_iFlegel _Johannes Albert
_Endlich! Möbel für schlechtes Benehmen! iSpit für das Spucken unterwegs.iRülps für den großen Rülpser mit Stil.iKleb my Kaugummi under the table macht Spass für alle die Ihren Kaugummi nicht im Mund behalten können.
LESS
_Lessig ist ein Regal aus gelaserten Metall böden, die durch landesübliche Flaschen gestapelt und ausgesteift werden. Seine leichte Erscheinung bietet auf jeder Ebene 1900mm x 350mm Stellfläche. Je nach Wunsch kann hoch oder tief gestaplet werden. Bei einem Umzug werden nur die Metallböden mitgenommen und mit neuen Flaschen geht das Spiel von vorne los...
_LESSig _Johannes Albert
MO
RE
_Aves _Marlen Hähle
_Aves ist eine Parkbank die für Spatziergänger und Vögel einen Platz zum verweilen bietet. Eine in das Lärchenholz eingelas sene Vogeltränke aus Keramik wird durch Regenwasser gefüllt und so zur Beob-achtungsstation für Vogelliebhaber. Sie kann ebenso zur Aufnahme von Vogelfutter dienen. Aves setzt dadurch ein Zeichen und lässt Mensch und Vögel auf gleicher Augenhöhe Platz nehmen.
LESS
_Insignio spielt auf das Markieren und Kennzeichnen an, so wie zum Beispiel viele Dinge im alltäglichen Leben Stempel aufgdrückt oder sogar Chips implantiert bekommen.Diese Bank markiert den Benutzer temporär und hinterlässt auf dessen Rücken eine Nachricht für die Umgebung. Mittels erhaben geprägter Schrift wird die Nachricht übertragen. Als verbindendes kommuni katives Element kann die Bank zum Beispiel am Strand stehen und ihre Benutzer als Kommunikationsobjekt benutzen.
_Insignio _Marlen Hähle
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MO
RE
_Can Can _Oliver Reinecke
_Der Tisch CanCan setzt die charakteristischen Strümpfe des gleichnamigen französischen Tanzes als konstruktives Element ein. Der Tisch steht als Beispiel für die Möglich-keiten die sich aus modernen Herstellungsprozessen wie Thermo formen, CNCFräsen, Kohlenstofffaserwickeln und selektiven Laser-Sintering ergeben. Ein relativ simpler Aufbau ermöglicht es den Tisch innerhalb kurzer Zeit auf bzw. abzubauen. Die 4 Tischbeine werden einfach auf die Konen der Trägerplatte gesteckt und mittels Bajonettverschluß festgedreht.
MO
RE
LESS
_Bäume entziehen der Atmosphäre Kohlendioxid und speichern dieses in Form von Kohlenstoff im Holz. Bei der Sitzgelegenheit "Stubbenhocker" ging es um diesen Zusammenhang der beiden Materialien. Ein dichte Struktur aus Kohlenstoff-fasern bildet die Silhouette eines Baumstumpfes nach. Als Sitzflaeche dient eine Baumscheibe um die die Kohlenstofffasern wie eine schützende Rinde gewunden sind und diese frei tragen.
_Stubbenhocker _Oliver Reinecke
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MO
RE
_Die Frau als Jägerin... oder eher Sammlerin... oder doch beides?
Die selbstbewußte Frau kann hiermit ihre ge jagten Trophäen sammeln, archivieren, stilvoll präsentieren und sich danach darauf niederlassen. Die Sitzober-fläche ist leicht nachgebend und bietet somit einen vortrefflichen Ort um neue Jagdstrategien zu ersinnen.
_Samenbank _Verena Schiffl
LESS
_Ein skulpturaler Gestaltungs ansatz wurde bei diesem Sitz- und Liegemöbel verfolgt. Unter der Mitwirkung des Bildhauers Wolfgang Dreysse wurden die Proporti-onen detailliert erarbeitet.Um die Form der Ottomane zu unterstützen, fiel die Wahl der Polsterung auf einen leicht changierenden Velourstoff. Der integrierbare Tisch kontrastiert durch ein metallisch glänzendes Kupfergewebe und fungiert auf dem Möbel als Tablett.
_Macki Messer _Verena Schiffl
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MO
RE
_das große Fressen _Melanie Olle
_Völlerei (Gula) ist eine Todsünde und trotzdem wird ihr gefrönt. Der Fresstrog Schlarafia dissku-tiert unsere Überflussgesellschaft. Ein niederer Instinkt wird hier gestillt.
MO
RE
LESS
_Die gute alte Tischdecke-einst nur Mittel zum Zweck, als Schutz vor ungeliebten Kratzern, Flecken und Glasrändern auf dem schönen Esstisch. Nun soll sie nicht mehr nur Zierde sein, sondern ein unabdingba-rer Bestandteil des Tisches. Die Tischdecke wird zum konstruktiven Teil des Tisches und ersetzt somit die bisher notwendige Tischplatte. Durch eine raffinier-te Mechanik sorgt die Tischdecke für Stabilität der Rahmenkonstruktion und wird somit zum High-Tech-Produkt. Sie verleiht dem Tisch nicht nur äußer lich einen leichten Touch, sondern macht den gesamten Tisch zu einem wahren Leichtgewicht.
_EntSpannTisch _Melanie Olle
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MO
RE
_PREPARE for global warming _Henrike Stefanie Gänß
Ein schwimminder Tisch, der erst mit dem Blick unter die Tischfläche sein ganzes Geheimnis offenbart. Kommt die große Flut, ist man gerüstet mit allem was man zum Überleben braucht.
LESS
_Walter der 3-Faltige lässt sich aus einem Schnittbogen durch Faltungen zu einem robusten Papphocker falten. Er kann ineinander gestapelt werden, so dass zwei Hocker auf den Platz eines Hockers passen, Ornamente bilden oder einfach nur Hocker sein.
_Walter _der 3-Faltige _Henrike Stefanie Gänß
LESS
_ Hatmut der Wilde ist ein ausgelaserter und abgekanteter Metallhocker mit Kufen. Er braucht viel Bewegung, ist sehr verspielt und liebt den Swing.
_Hatmut der Wilde _Henrike Stefanie Gänß
LESS
_Was Architekten versuchen zu vermeiden, wird bei Kasten zum Prinzip erhoben: das Verdrehen eines Volumens durch gleichgerichtete Diago-nalen an denen das Gewebe nach Innen knickt. Dreht man sich das Volumen auf, steht das Papier gewebe durch Materialeigensteifigkeit und die Ecken von ganz alleine.
_Kasten _verdreht sich gerne den Kopf _Henrike Stefanie Gänß
LESS
_Als Teppich, Yoga- oder Gymnastikmatte legt sich Tetra gerne in deine Zimmer. Bei Bedarf stellst du dich auf Sie, greifst nach dem Tag und zieht Sie zu dir heran. Fertig ist deine Chillgelegenheit. Auch flachlegen lässt Sie sich wieder in Windes eile, eben Tetra - einfach zum Flachlegen! Chillst du schon oder sitzt du noch ?
_Tetra _einfach zum Flachlegen _Henrike Stefanie Gänß
LESS
_Ein Sideboardelement, dass durch Reihung ornamentale Formen ergibt, welche nicht nur schön, sondern auch funktional sind. In den Seitenvolumen ist Platz für das Kabel management der Neuzeitmenschen. Hier kann der Stromanschluss für Handyladekabel, Kamera oder Sideboardleuchten elegant verschwinden.
_Stella _für zwischendurch oder länger _Henrike Stefanie Gänß
LESS
_Volt der Bockige wird aus einem schmalen Metall streifen so abgekantet, dass er mit mini malem Materialeinsatz und hoher Steifigkeit punkten kann. Zwei Tischböcke mit einer Tischplatte zusammengesteckt, ergeben durch das Verklemmen einen stabilen Arbeitstisch mit praktischem Stromanschluss für Hobby räume, Werktstätten oder das Atelier. Wird Volt nicht mehr gebraucht, kann er durch das Herausziehen der Arbeitsplatte wieder in stauraumfreundliche Einzelteile zerlegt werden.
_Volt _der Bockige _Henrike Stefanie Gänß
LESS
_Eckhat der Lyriker holt den Sekretär in die Neuzeit, bietet er nicht nur Arbeitsfläche und Stauraum, sondern organisiert durch 6 rechts und links zur Arbeitsfläche gewandte Kabelauslässe lästiges Wirrwar auf dem Schreibtisch. Mit Eckhat kann sich der Neuzeitlyriker in keine unangenehmen Situationen mehr verwickeln.
_Eckhat _der Lyriker _Henrike Stefanie Gänß
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
MORE and LESS
_Fotoshooting mit Phillp Birau
_Ausstellungen
_Jahresausstellung Burg Giebichenstein 2008
Gruppenausstellung ehem. STAU-Gebäude, heute Designhaus Halle
_Lodz Design Festival 2008
iFlegel - Johannes Albert, EntSpannTisch - Melanie Olle MöBil - Theresia Hanke 12 schwer - Konrad Lohöfener hunger deLuxe - Andrea Horezky
_talents 09 Designhuis Eindhoven base - Konrad Lohöfener hunger deLuxe - Andrea Horezky
_Fuori Salone, Zona Tortona, Mailand 2009 CanCan - Oliver Reinecke, Walter und Hatmut - Henrike Stefanie Gänß, 12 schwer - Konrad Lohöfener hunger deLuxe - Andrea Horezky
_Kontakt
_Studierende Maria Nickol [email protected] Andrea Horezky [email protected] Konrad Lohöfener [email protected] Theresia Hanke [email protected] Johannes Albert [email protected] Marlen Hähle [email protected] Oliver Reinecke [email protected] Verena Schiffl [email protected] Melanie Olle [email protected] Henrike Stefanie Gänß [email protected]
_Betreuung Prof.Klaus Michel [email protected] Ass. Michael Antons [email protected] Prof. em. Eberhard Scharnowski [email protected]
_Produktbilder Phillip Birau [email protected]
_Layout Andrea Horezky
MO
RE
more and lesseoderzwei Seelen wohnen ach in meiner Brust
Burg Giebichenstein | Hochschule für Kunst und Design HalleInnenarchitektur | Mobile EinrichtungenProf. Klaus Michel | Ass. Michael Antons
SS 2007
