2017

O V O M E N J A S V E

Jedanaesta izložba “Mladost 2017”

1

Galerija, izraz vere u potencijale Niša

Niš je grad duge istorije, slavnih imena u dalekoj prošlosti, gde se u glavi vladara cara Konstantina i majke Jelene začela današnja evropska hrišćanska civilizacija.

Niš je danas grad mladih. Dovoljno je prošetati se njegovim ulicama koje vrve od energije mladosti. A gde je mladosti ima i dara. U to je poverovao Nišlija Radovan Lale Đuric, koji se odavno otisnuo od svoga rodnog grada i obreo u Njujorku. I gde je uspeo kao slikar. On nije žalio truda, rada i sredstava da osnuje Niš Art Foundation da se pomognu mladi darovi širom naše zemlje i da se napravi moderni galerijski prostor, najprostraniji, najlepši i najmoderniji u nas, gde će svake godine mladi slikari do 35 godina pokazati šta su stvorili tokom te godine.

Niš, drugi grad po veličini u našoj zemlji, može upravo preko te galerije postati mesto iz kojeg će isijavati nova energija, novo viđenje i novi doživljaj sveta. Galerija se nudi i kao alternativni prostor za nova viđenja scenske umetnosti.

Zahvaljujući donatoru DIN “Fabrika Duvana“ a.d. Niš, u sastavu Philip Morris International, sa već osvedočenim smislom za potencijale niške kulture, postoje svi uslovi da se ona razvije i da poduhvat sa galerijom prevaziđe lokalni okvir.

Nije tajna da je u gradu Nišu zavladalo mrtvilo među onima koji bi trebalo da podstiču i održavaju nemalu kulturnu tradiciju ovog grada.Energija koja će isijavati iz galerije kao mesta novih poduhvata, biće impuls i za druga događanja u gradu. Galerija, i vera u mladost onih koji su oko

galerije, uliće novu nadu u umetničke potencijale Niša. Ja verujem u te potencijale i misiju Fondacije koja je za dobrobit darova mladih i osnovana.

Jovan Ćirilov

The Gallery, Reflecting Faith in the Potentials of the City of Niš

Niš is a town of long history, of glorious names from distant past, the venue in which in the minds of Emperor Constantine and Mother Helen today’s European Christian civilization was conceived.

Today, Niš is the city of the young. One needs only to walk along its streets and see them thronging with youthful energy. Energy breeds talent. Such was the belief of Niš native Radovan Lale Đurić, who moved out of his hometown long ago and settled in New York. There he became successful as a painter. He spared no effort, work or resources to start up Niš Art Foundation. Its objective is to help young talented individuals from around our country, and to make a streamlined gallery building, the most beautiful and modern in the region, where every year young artists, up to 35 years of age, will present their creations from the previous twelve months.

Niš, the second city in the country by size, can use this very gallery as a centre from which a new kind of energy, a new view and experience of the world will emerge. In addition, the gallery will also provide an alternative stage for new enterprises in performing arts.

Thanks to the donation of DIN “Fabrika Duvana“ a.d. Niš, part of Philip Morris International, a company with well-established understanding of the potentials of Niš culture, all conditions have been met for the Foundation to grow and for the gallery enterprise to extend beyond local borders.

It is no secret that in Niš apathy prevails among those who should be supporting the cultural tradition of this city, which is by no means neglect-able.

The energy that will glow from this gallery, as the core of new ventures, will provide impetus to other events in the city, too. The gallery, and faith in the youth of those around it, will bring in new hope for the artistic potentials of Niš. I believe in those potentials and in the mission of the Foundation, which started precisely with the benefit of youthful talent in mind.

Jovan Cirilov

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Jedanaesta izložba Niš Art Fondacije “Mladost 2017”

Izložba “Mladost” u organizaciji “Niš Art Fondacije”, ulazi u drugu deceniju postojanja i uspešnog rada. Kao retka nacionalna likovna manifestacija namenjena isključivo mladim umetnicima, ona istrajava u nameri i plemenitoj misiji da registrovanjem dostignuća i potencijala dolazećih generacija umet-nika, doprinese njihovoj afirmaciji i adekvatnijem pozicioniranju na aktuelnoj likovnoj sceni.

Pod sloganom Ovo menja sve ovogodišnja izložba „Mladost“ nakon obavljene selekcije, sadrži radove četrdesetosmoro umetnika. Makar i letimičan pogled na zastupljena dela sugeriše misao da mladi umetnici maštom, intelektom, emocijom i znanjem upečatljivo transponuju tragove svog egzisten-cijalnog u likovno promišljeno stvaralaštvo. Ozbiljno osluškuju bilo čoveka, sveta, prirode, civilizacije, tradicije... i podstaknuti sopstvenim darom izvorno komentarišu postojeće ili naslućuju buduće.

Individualni pristupi su raznovrsni. Pored medijskih (slike, crteži, kolaži) evidentne su programske i stilske razlike. Sa dozom opreza ukazujemo seg-mentarno samo na neke opšte karakteristike.

Priličan broj autora, sledeći lični stav, odlučno komentariše različita emotivno-traumatska iskustva savremenog čoveka, bazirana na njegovom identitetu ili integritetu. Dela većine njih pripadaju žanru portreta, a likovna razrada varira od lake linearne arabeske (Milan Antić), preko filigranski preciznog crteža uskog bojenog registra (Milan Vukašinović, Veljko Vučković) do kolorističke razudjenosti i hiperrealističke uverljivosti (Petar Mošić, Predrag Đukić, Aleksandar Paunković, Maja Petrović, Dejan Krstić). Drugi ovoj temi pristupaju sa dozom ironije i sarkazma, vizuelno je definišući na ekspresionistički način (Tina Radulović, Marko Tomanović, Vuk Đurić) dok pojedini ili kroz motivski detalj (Lea Embeli) ili kroz ikonografsko stilsko rešenje (Đorđe Savić) ukazuju na povezanost sa tradicijom.

Dramatične situacije i primeri globalnih i lokalnih (ne)prilika ekološkog, tehničko-tehnološkog ili kulturološkog porekla koje obeležavaju život sadašnjice, otežavajući ga do stepena ugrožavanja, akcentovani su delima jedne grupe umetnika (Milan Stepović, Stefan Lukić, Petar Đorđević, Aleksa Pivnički, Bojan Radišić, Ivan Milenković). Zabrinutost za humanost življenja pojedinca ili mase naslućujemo u kontekstu dela Marije Nikolić i Vuka Vučkovića.

Sinhrono na izložbi su zastupljeni i autori koji svoj umetnički diskurs usmeravaju ka takozvanim neutralnim temama opredeljujući se za inkorpori-ranje konkretnog u apstraktni milje (Maja Jovanović Nikolić, Mate Đorđević), za asocijativnost izraza (Nikola Radosavljević) ili za različite vidove apstrakcije, od geometrizacije (Nikola Lazić, Jovana Čajović) preko optičkih iluzija ( Sofija Vojnović, Sanja Momčilović) do apstraktnog ekspresionizma oličenog u slobod-noj gestualnosti i naglašenoj pastuoznosti dela (Radoslav Tadić).

Za jednu grupu umetnika pejzaž je izvorno ispirativno polazište koje sa mnogo lične posebnosti likovno tumače udaljavajući se od pojavnog i konkretnog. Miljan Stevanović i Lidija Delić tretiraju pejzaž sentimentalno i poetično sa naglašenom atmosferom i zagonetnim sfumatom, Ana Marković ga svodi na ritmično komešanje linija, Jelena Micić ga dekodira do monohromnih bojenih polja a Snežana Zlatković do slikanih elektronskih piksela.

Posmatrajući dela desetoro zastupljenih vajara kao zasebnu celinu, moramo konstatovati pre svega raznovrsnost korišćenih skulptorskih materijala. Neki od umetnika u odnosu na temu ili motiv koji tretiraju prave neobičan ili neočekivani izbor materijala (Magdalena Pavlović, Nevena Vuksanović, Danijel Jakimovski) ali uspevaju da ga obradom i preoblikovanjem uspešno prilagode početnoj zamisli. U formalno stilskom pogledu primetno je da dominiraju dela biomorfnih i antropomorfnih formi međusobno različitih pristupa (Milija Čpajak, Slavica Obradović, Marija Rajšić, Rade Mutapović, Petar Sibinović), a da su retki primeri geometrijske stilizacije oblika (Andreja Krstić). Široka je i skala njihovih emotivno idejnih platformi i poruka, od provokacije (Sonja Gajić) do uznemirujućeg upozorenja (Mutapović). Jednom rečju, iako je broj skulptura neveliki, one potvrđuju aktuelnu činjenicu o postojećoj polimorfnosti vajarske misli i ideja.

Ponikla na prostoru jedne države u vreme opterećeno različitim problemima, mlada generacija umetnika odlučno stupa na umetničku scenu. Us-pevaju da sažimanjem stečenih znanja, prešavši put iz zanata u veštine i majstorstvo, pronađu verodostojan jezik za vizuelni iskaz ličnog doživljaja sveta i umetnosti.

Snagom neminovnosti mladi umetnici donose živost i dinamiku u likovni život Srbije, a susret sa njihovim delima, što ova izložba omogućava, rađa uzvišene emocije i uvek iznova potvrđuje uverenje o visokim potencijalima mladih talenata, koje je imao i slikar Radovan Lale Đurić (Niš, 1945 – Njujork, 2014) kada je pre dvanaest godina osnovao Niš Art fondaciju.

Milica Todorović

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The eleventh exhibition of Niš Art Foundation “Youth 2017”

The exhibition “Youth” organized by Niš Art Foundation is entering the second decade of its existence and successful operation. As a rare national art event intended for young artists solely, it persists with its intention and noble mission to register the accomplishments and potential of the upcoming generations of artists so as to contribute to their affirmation and adequate positioning on the current art scene.

Under the slogan This changes everything, after the selection, this year’s exhibition ‘Youth’ has incorporated the works of forty-eight artists. Even a quick view of the present artworks suggests that with their imagination, intelligence, emotions and knowledge young artists evidently transpose traces of their existential into artistically well thought out creativity. Earnestly listening to man, the world, nature, civilization, tradition… and encouraged by their gift they genuinely comment on the present and predict the future.

Individual approaches are various. Alongside the different media used (pictures, drawings, collages), thematic and stylistic differences are also evident. With a touch of caution, we focus only on certain segments, providing general characteristics.

A considerable number of artists, following their personal attitude, decisively comment on different emotional and traumatic experiences of modern man, based on his identity or integrity. Most of their works belong to the genre of portrait, while artistic elaboration varies from the light linear arabesque (Milan Antić) to felegreed precise drawing of a narrowly colored register (Milan Vukašinović, Veljko Vučković), to coloristic scatteredness and hyperrealistic credibility (Petar Mošić, Predrag Đukić, Aleksandar Pauković, Maja Petrović, Dejan Krstić). Others approach this theme with a glimpse of irony and sarcasm, by visually defining it in an ex-pressionist manner (Tina Radulović, Marko Tomanović, Vuk Đurić), while some of them indicate the connection with tradition by using either a detailed motive or an iconographic stylistic technique (Đorđe Savić).

Dramatic situations and examples of global and local circumstances of ecological, engineering, technological or cultural origin that mark the life of the pres-ent, making it difficult to the level of threat, are accentuated by the works of one group of artists (Milan Stepović, Stefan Lukić, Petar Đorđević, Aleksa Pivnički, Bojan Radišić, Ivan Milenković). We sense the concern for the humaneness of the life of an individual or crowd in the context of the works by Marija Nikolić and Vuk Vučković.

Simultaneously, at the exhibition there are also authors who direct their artistic discourse towards the so-called neutral themes, by opting for the incorpora-tion of the concrete into the abstract milieu (Maja Jovanović Nikolić, Mate Đorđević), for associative expression (Nikola Radosavljević), or various aspects of abstrac-tion, from geometry (Nikola Lazić, Jovana Čajović) and optical illusions (Sofija Vojnović, Sanja Momčilović) to abstract expressionism visible in a liberated gesture and emphasized pastuous nature of the art pieces (Radoslav Tadić).

For a group of artists, the landscape is a genuine inspirational starting point which, with a great deal of personal peculiarity, they interpret by escaping from the appearance and concretization. Miljan Stevanović and Lidija Delić treat the landscape sentimentally and poetically with accentuated atmosphere and a puzzling sfumato; Ana Marković reduces the landscape to a rhythmical intertwining of lines; Jelena Micić decodes it to the level of monochrome dyed fields, while Snežana Zlatović reduces it to painted electronic pixels.

By observing the pieces of ten present sculptors as a separate whole, one should primarily point out the variety of sculptural materials used. Some of the artists, in relation to the theme or motive that they deal with, make an unusual or unexpected choice of the material (Magdalena Pavlović, Nevena Vuksanović, Danijel Jakimovski). Nevertheless, they succeed in its adaptation to the initial idea by processing and transforming it. In a formally stylistic sense, it is noticeable that the works of biomorphic and anthropomorphic forms of mutually distinct approaches are dominant (Milija Čpajak, Slavica Obradović, Marija Rajšić, Rade Mutapović, Petar Sibinović), whereas the examples of geometrically stylized shapes are rare (Andreja Krstić). There is also a wide range of their emotional ideas and messages, from provocation (Sonja Gajić) to a disturbing warning (Mutapović). In a word, although the number of sculptures is low, they confirm the actual fact about the existing polymorphism of sculptural thoughts and ideas.

Emerging in the territory of a country burdened with a variety of problems, a young generation of artists is decisively stepping on the art stage. By making the acquired knowledge more succinct and crossing the path from craft to skill and mastery, they succeed in finding the authentic language for the visual expression of their personal experience of the world and art.

By the power of inevitability, young artists bring vigor and dynamics into the artistic life of Serbia, and the encounter with their pieces, made possible by this exhibition, gives birth to sublime emotions and always reaffirms the belief in the high potentials of young talents, a belief originally cherished by the painter Radovan Lale Đurić (Niš, 1945 – New York, 2014) when he first founded Niš Art Foundation twenty years ago.

Milica Todorović

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Milan Antić“Boy” – akvarel na ručno pravljenom papiru – 160x120cm

“Boy” – aquarelle on hand-made paper – 160x120cm

5

Milan Antić“Boy II” – akvarel na ručno pravljenom papiru – 160x120cm

“Boy II” – aquarelle on hand-made paper – 160x120cm

6

Jovana Čajović“Privid savršene forme” – akril na platnu – 200x100cm

“Semblance of a perfect form”– acrylic on canvas – 200x100cm

7

Milija Čpajak“Osinjak II” – aluminijum i poliester – 150x160x170cm

“Hornet’s nest II” – aluminium and polyester – 150x160x170cm

8

Milija Čpajak“Pesme mrtvog kita” – tuš na papiru – 50x50cm

“Songs of a dead whale” – ink on paper – 50x50cm

9

Lidija Delić“Un sueno dentro de otro sueno” – ulje na platnu – 130x170cm“ Un sueno dentro de otro sueno” – oil on canvas – 130x170cm

10

Mate Đorđević“Oko” – ulje na platnu – 200x320cm

“Eye” – oil on canvas – 200x320cm

11

Petar Đorđević“Matična ploča” – ulje na platnu – 200x120cm

“Motherboard” – oil on canvas – 200x120cm

12

Predrag Đukić“Vojnik” – ulje na platnu – 100x80cm“Soldier” – oil on canvas – 100x80cm

13

Vuk Đurić“Ja sam ja, mi smo ti” – akril i nitro sprej na platnu – 110x110cm

“I am I, We are you” – acrylic and nitro spray on canvas – 110x110cm

14

Lea Embeli“Bullshot” – ulje na platnu – 150x100cm“Bullshot” – oil on canvas – 150x100cm

15

Sonja Gajić“Let iznad kukavičjeg jajeta” – drvo orah – 110x75x85cm

“One Flew Over the Cuckoo’s Egg” – wood walnut – 110x75x85cm

16

Daniel Jakimovski“Halkantit rukavica” – kristalizacija bakar sulfata i rukavica – 16x12x9cm

“ Chalcanthite glove” – crystallization of copper sulfate and gloves – 16x12x9cm

17

Maja Jovanović Nikolić“Iza brda I” – kombinovana tehnika na platnu – 130x150cm

“Behind the hill I” – combined technique on canvas – 130x150cm

18

Irena Kovač“Pogled iznad obrva” – ulje na platnu – 100x100cm

“ A look above the brows “ – oil on canvas – 100x100 cm

19

Andreja Krstić“#1-4” – kombinovana tehnika – 160x60x8cm“#1-4” – combined technique – 160x60x8cm

20

Dejan Krstić“Minja” – grafit, ugljen, akril, uljani pastel i ulje na platnu – 210x150cm

“Minja” – graphite, coal, acrylic, oil pastel and oil on canvas – 210x150cm

21

Nikola Lazić“Geometrija zlatne niti III” – kombinovana tehnika na platnu – 120x160cm

“Geometry of the golden thread III” – combined technique on canvas – 120x160cm

22

Stefan Lukić“Untitled I” – ulje na platnu – 70x100cm“Untitled I“ – oil on canvas – 70x100cm

23

Stefan Lukić“Untitled II” – ulje na platnu – 70x100cm“Untitled II” – oil on canvas – 70x100cm

24

Ana Marković“Pejzaž u pokretu VI” – ulje na platnu – 70x100cm x2

“Landscape in Motion VI” – oil on canvas – 70x100cm x2

25

Jelena Micić“Paleta moga kraja” – zemlja na platnu (Beljuga, Leskun, Crvenica, Franz, Plodnjača, X, Nikola) –30x20cmx7

“The palette of my neighborhood” – soil on canvas (Beljuga, Leskun, Crvenica, Franz, Plodnjača, X, Nikola) – 20x30cmx7

26

Ivan Milenković“Muzej savremene umetnosti” – ulje na platnu – 100x150cm

“Museum of Contemporary Art” – oil on canvas – 100x150cm

27

Sanja Momčilović“Pronađi jelena” – akril na platnu – 180x180cm

“Find the deer” – acrylic on canvas – 180x180cm

28

Petar Mošić“Mute” – ulje na platnu – 70x50cm“Mute” – oil on canvas – 70x50cm

29

Rade Mutapović“GMO nautilus” – kovano gvožđe – 80x55x45cm

“GMO nautilus” – wrought iron – 80x55x45cm

30

Marija Nikolić“Velika ludnica” – kombinovana tehnika na papiru – 70x100cm“A big nuthouse” – combined technique on paper – 70x100cm

31

Maja Obradović“Memorija” – tuš na foliji, crveno-crni odlivci u lateksu, eko-koža sa špenadlama, pleksiglas – diptih: 180x120cm i 130x170cm

“Memory” – ink on foil, red-black drip molding in latex, eco-leather with pins, plexiglass – diptych: 180x120cm and 130x170cm

32

Slavica Obradović“Pantone 2016” – poliester – 140x50cm

“Pantone 2016” – polyester – 140x50cm

33

Aleksandar Paunković“Majka” – ulje i akril na platnu – 220x150cm

“Mother” – oil and acrylic on canvas – 220x150cm

34

Magdalena Pavlović“Talas” – kovano gvožđe – 200x10x195cm

“Wave”– wrought iron – 200x10x195cm

35

Maja Petrović“Blok 60” – ulje na platnu – 142x212cm“Block 60” – oil on canvas – 142x212cm

36

Aleksa Pivnički“Energija I” – ulje na platnu – 95x130cm

“Energy I” – oil on canvas – 95x130cm

37

Aleksa Pivnički“Energija II” – ulje na platnu – 100x130cm

“Energy II” – oil on canvas – 100x130cm

38

Bojan Radišić“What is your next target I” – ulje na platnu – 110x130cm“What is your next target I” – oil on canvas – 110x130cm

39

Nikola Radosavljević“Sve će ovo proći” – akril i tempera na papiru – 150x150cm

“Soon, it’s going to be over “ – acrylic and tempera on paper– 150x150cm

40

Tina Radulović“Strava smo” – ulje na platnu – 140x180cm

“We are awesome” – oil on canvas – 140x180cm

41

Marija Rajšić“Polinacija” – kamen – crveni peščar – 32x43x42cm

“Pollination” – stone – red sandstone – 32x43x42cm

42

Tara Rodić“Pijavice” – ulje na platnu – 180x150cm“Leeches” – oil on canvas – 180x150cm

43

Đorđe Savić“Prognani III” – akril na platnu – 200x150cm

“ Exhiled III” – acrylic on canvas – 200x150cm

44

Petar Sibinović“LL-R3” – polietilen i polipropilen – 120x90x70cm

“LL-R3” – polyethylene and polypropylene – 120x90x70cm

45

Milan Stepović“Evolucija” – ulje na platnu – 120x140cm“Evolution” – oil on canvas – 120x140cm

46

Milan Stepović“Brending” – ulje na platnu – 135x115cm“Branding” – oil on canvas – 135x115cm

47

Miljan Stevanović“Nepreglednim poljima I” – kombinovana tehnika na papiru – 100x70cm

“Through endless fields I” – combined technique on paper – 100x70cm“Nepreglednim poljima III” – kombinovana tehnika na papiru – 100x70cm

“Through endless fields III” – combined technique on paper – 100x70cm

48

Radoslav Tadić“OVOvremeNO” – ulje na platnu, krpa i kanta – 200x200cm i 37x70x40cm

“OVOvremeNO” – oil on canvas, rag and bucket – 200x200cm i 37x70x40cm

49

Marko Tomanović“Mozgomanijaci” – ulje na platnu – 60x60cm

“Brainiacs” – oil on canvas – 60x60cm

50

Sofija Vojinović“+/-” – grafitna olovka na papiru – 85x64cm x2

“+/-” – graphite pencile on paper – 85x64cm x2

51

Vuk Vučković“Chicago” – ulje na platnu – 150x215cm“Chicago” – oil on canvas – 150x215cm

52

Veljko Vučković“The Suspicious Collective” – akril i ulje na platnu – 40x50cm x10

“The Suspicious Collective” – acrylic and oil on canvas – 40x50cm x10

53

Milan Vukašinović“Portret Andy Warhol” – kombinovana tehnika na platnu – 215x160cm“Andy Warhol portrait” – combined technique on canvas – 215x160cm

54

Nevena Vuksanović“Udaljenost” – metalna konstrukcija, žica, sunđer, platno, pliš – 90x32xcm“Distance” – metal construction, wire, sponge, canvas, plush – 90x32xcm

55

Snežana Zlatković“Transformacije gradskog pejzaža, Eksperiment 12” – digitalni kolaž na papiru – 120x120cm

“City landscape transformations, Experiment 12” – digital collage on paper – 120x120cm

20172017

The founders of Nis Art FoundationRadovan Lale Đuric NY, Olja Ivanjicki, Neda Arnerić, Jovan Ćirilov, Gordana Suša, Tihomir Trivunac, Rada Đuričin, Dr. Đorđe Lalošević, Dr. Dragoš Stojanović,Mihailo Spasović, Borislav Gvozdenović

express gratitude for the donation to Philip Morris.

Osnivači Niš Art FondacijeRadovan Lale Đurić NY, Olja Ivanjicki , Neda Arnerić, Jovan Ćirilov, Gordana Suša, Tihomir Trivunac, Rada Đuričin, Dr. Đorđe Laloševic, Dr. Dragoš Stojanović, Mihailo Spasović, Borislav Gvozdenović

zahvaljuju se na donatorstvu Philip Morris.

Niš Art Fondacija • Niš, Kej Mike Paligorića 6 • Tel.: +381 (0)18 293-901 • e-mail: n.a.f@eunet.rs • www.naf.org.rs

Spisak autora(sa brojevima strana)

Milan Antić (4, 5)

Jovana Čajović (6)

Milija Čpajak (7, 8)

Lidija Delić (9)

Mate Đorđević (10)

Petar Đorđević (11)

Predrag Đukić (12)

Vuk Đurić (13)

Lea Embeli (14)

Sonja Gajić (15)

Daniel Jakimovski (16)

Maja Jovanović Nikolić (17)

Irena Kovač (18)

Andreja Krstić (19)

Dejan Krstić (20)

Nikola Lazić (21)

Stefan Lukić (22, 23)

Ana Marković (24)

Jelena MIcić (25)

Ivan Milenković (26)

Sanja Momčilović (27)

Petar Mošić (28)

Rade Mutapović (29)

Marija Nikolić (30)

Maja Obradović (31)

Slavica Obradović (32)

Aleksandar Paunković (33)

Magdalena Pavlović (34)

Maja Petrović (35)

Aleksa Pivnički (36, 37)

Bojan Radišić (38)

Nikola Radosavljević (39)

Tina Radulović (40)

Marija Rajšić (41)

Tara Rodić (42)

Đorđe Savić (43)

Petar Sibinović (44)

Milan Stepović (45, 46)

Miljan Stevanović (47)

Radoslav Tadić (48)

Marko Tomanović (49)

So�ja Vojinović (50)

Vuk Vučković (51)

Veljko Vučković (52)

Milan Vukašinović (53)

Nevena Vuksanović (54)

Snežana Zlatković (55)

Žiri nagradnog konkursa „Mladost 2017“ / The jury of the competition "Young 2017": Neda Arnerić, Mrđan Bajić, Kristina Ristić.

Philip Morris Operations a.d. Niš, Bulevar 12. februar 74, NišBivši Eurosalon - umetnički prostor, Andrićev venac 2, Beograd