2
(12 8 ) Andante con moto, with flexibility and "swing" grazioso 3 4 2 CVII 2 4 4 1 2 1 CVII 4 2 3 4 4 2 0 CVII 4 1 2 CIV CII 2 4 8 CII 1 3 2 4 1 3 4 2 1 2 3 11 CII 3 VII XII 1 IV 4 14 V VII 3 5 5 5 0 RH hammer-on with RH hammer-on with LH (allow D# bi-tone to emerge if poss.) 2 lightly hammer-on F and gradually gliss up sixth string (the written notes indicate the general speed of the gliss.) CII 16 3 leggiero e rapido 3 4 0 1 3 0 m.s. campanella , a tempo Étude No. 3: Pierrot au claire de lune Alan Thomas Copyright 2008 Alan Thomas.. ALL RIGHTS RESERVED Please notify the composer of any public performances of this work by emailing [email protected] (2008)

Pierrot

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Page 1: Pierrot

(12 8 )

Andante con moto, with flexibility and "swing"

grazioso

3

42 CVII

2

4 4

1

2 1

CVII

4

23

4

4

2

0

CVII 4

1

2

CIVCII

24

8

CII

1

3

2

4

1

34

2

1

2 3

11

CII

3

VIIXII

1

IV

4

14

V

VII

3

5 5

5

0

RH hammer-onwith RH

hammer-onwith LH (allowD# bi-tone toemerge if poss.)

2

lightly hammer-on F and gradually gliss up sixth string(the written notes indicate the general speed of the gliss.)

CII

16

3

leggiero e rapido

34 0 1 3

0

m.s.

campanella ,

a tempo

Étude No. 3: Pierrot au claire de luneAlan Thomas

Copyright 2008 Alan Thomas.. ALL RIGHTS RESERVEDPlease notify the composer of any public performances of this work by emailing [email protected]

(2008)

Page 2: Pierrot

18 41

12

31

4

41

2 3 4

CVII

2

CV

2

4

0

0

2

1

21

2

4 3

2

42

10

43

2

14

1

CVII

23 2 4

24

42

1

4

1

4

42

12

1

3

0

3

10

27

sim.

3

4

14

2

3 1

1

04

3

0

4

1

2 sim.

2 4

1 1

4

30 2

2

29

1

43

04

3

4

2

CVII4 4

2 1

0 12

34

2

3

31 4 ( )

CI

4

2 4 4

1

33

1

CIV CII

3

1 1

2

43CI

2 2

3

2

3

33 24

CIV 4

3

2

4

1 3

1

rit. al fine

XIX

2