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Childhood? Child who?
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CHILDWHOIS SHEAREYOU OR I
Porfolio
CHILDWHOIS SHEAREYOU OR I
PorfolioPorfolioabout Ying Chang
CHILD WHOPortfolio
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05/ ChildWho 關於我自己
o7/ Red Noses 紅鼻子小演員戲劇營
16/ Red27 Theatre 末日倒數怎麼辦
28/ Kock magzine 窺見停格的靈魂
46/ Peter Pen 彼得潘的筆─筆的 Pen
60/ Juby Chiu Studio 軀殼
68/ Paper 紙上建築
CONTENTS
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RED NOSES
NEW CHILDUALT
略有稜角又帶獨立的雙眼，而骨子裡真正是俏皮的女孩，同樣的成熟穩重也童稚未
泯。介於大人與女孩的中性質感，優雅是必須的，大膽是必須的，玩心是必須的。
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Experience
2014
KOCK MADAZINE / 編輯實習
2013 - 2014
紅貳柒劇團 / 末日驚魂來看戲吧 / 導演
2013 - 2014
JUBY CHIU STUDIO / 藝術行政實習
2012 - 2013
苗栗縣文苑國小 / 暑期攜手英文老師
Hello, this is me!
Contac
0978 718 268
Education
2010 - 2014 / 淡江大學 / 英文系
2010 - 2014 / 淡江大學實驗劇團
對世界充滿熱情，對萬物報以好奇，同時在劇場、設計工作室工作，曾經待過雜
誌編輯室、小學教室，活力永不停止。來自大人女孩的生命特質，可以演導，可
以設計，可以行政，多元的眼花撩亂卻富有極致細節。
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在太陽馬戲團裡，小丑的薪水是最高的，因為他無可
取代。小丑是演員內在的展現，角色的本身，而他所
做的一切都在遊戲。
RED NOSES
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戲劇的本質是玩，是遊戲。「紅鼻子小演員戲劇營」即是一場不乖童話，以瘋狂為
關鍵字，小丑則為自身代名詞，一個人走向舞台，發現觀眾。運用紅鼻子的戲劇元素，
帶領小朋友喜歡自己、懂得思考、接納缺點、哈哈大笑。
肯定地，營隊現場就是我們的遊樂場。從最基礎的開始，以丟擲皮球練習專注，變
速紅綠燈暖暖身，再來更激烈的快轉和慢速學會控制肢體，還有超有趣的動物燈；
接下來，加入聰明腦袋進行異想旅程，跟著音樂幻想情境，大膽動作做出來，有人
手舞足蹈有人細膩輕巧，各具特色。最後大家經過比手畫腳的默劇練習，不一段時
間，都能自信勇敢在彼此面前表演。
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我們這一群實驗劇團的成員，受了影片「馬達加斯加慈善兒童劇團」紀錄片中，對
於那些藝術家來說，單純給與物資上的幫助並無法讓孩童獲得更好的生活，而是希
望藉由表演藝術的進入，讓孩童們能藉由表演建立信心，成為一個擁有富有的精神
生活的人。
成立近卅年的淡江大學實驗劇團日前首度下鄉，教導國小學童使用紅鼻 子扮小丑，
盼學習分享和勇敢，未料學童竟從玩樂中，意外展現無限的創 造力。 ──中國時報
電子報
認為小丑是沒障礙的表演形式，且小丑的藝術著重於與觀眾分享，大家希望藉小丑
表演，培養小學生的藝術鑑賞能力。 ──人間福報
有小學生們還將紅鼻子戴在耳朵、眼睛等；羅湘茹說，這讓他們看到孩童與物件互
動是如此自然而且充滿創造力，小學生們的好奇心，更提醒他們應該對事情都保有
赤子之心。 ──聯合報電子報
讓小小的戲劇種子播種於這些孩童的心田裡。 ──淡江校園焦點
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還有三小時後就是世界末日？逃跑時記得帶著公事
包，因為隔天還是可能上班。與全世界同年同月同日
死。抱著愉快的心情享受最後時光。欣賞美麗景色的
同時，也不要放開緊握的手。千萬不要做蠢事，被拍
下來更是大忌，因為隔天真的可能是要上班。
紅貳柒劇團 第 3 號作品 《末日驚魂來看戲吧》
RED 27 THEATER
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《末日驚魂來看戲吧》世界末日倒數 3 小時，一名悲觀男子、一位開心女孩、兩
個女僕、一位教授、一位天才學生、一個孤單老人、一對觀眾、分手男女、吵架
夫妻、一個破碎家庭，紅燈閃爍，警鈴鳴響，鋼琴聲漸入，演員準備，觀眾進場，
祝您有個愉快地看戲夜晚，場燈亮 ......
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以末日之名，用屁，為這個世界嘆息。近 50 年來，台灣要西方大國看齊，致力於各
項發展，然而，趕不及成為高度開發社會，這座海島已枯槁腐壞，陣陣強烈的臭氣
開始撲向島民。政治、核電、民生、公安、教育等各種問題層出，鄉村竄出濃濃黑煙、
城市爆炸了、內心坍塌了，再灰暗裂痕襲來島民僅是無限的隱忍。我們做一齣「爛」
戲，作為修復的方式。過分誇張的手法將現實破壞、破壞、再破壞，卡通般的荒謬、
暴力與血腥、亮麗刺眼的愛情故事，用最膽大的動作擁抱所有。極度赤裸的，一種
不開朗的現代憂鬱。
冗長可是意義太過簡單的劇名《末日驚魂來看戲吧》，由劇中元素推疊而成，包含
來自港澳的快樂童話《世界末日的婚禮》，顛覆戲場美學的前衛荒謬《課堂驚魂》，
以及台灣青年後荒謬《看戲》，' 可以看做解構重置之寫作，或閱讀維多層次的平行
故事，不同於傳統翻譯文本，在奇特時空之下，情節曲折得都指向海島台灣。
第一眼，色彩斑斕，會發現悲觀男孩和開心女孩傳達的強烈且飽含生命的能量，大
聲吵鬧、童趣鬥嘴，甚至天真囔著在世界毀滅時坐第一排看核四爆炸，轟轟烈烈到
最後；課堂開始，-7 用日文稱呼的「先生 せんせい」( 日文裡可指稱老師、律師及
政客等人士 ) 登場授課，報考博士班的學生竟無法算出「4-3=?」的正確答案，先生
多次教學還是沒用，便發狂似教起語言學，跳針的重複「痛痛痛 ...」「阿扁 ...」「陸
神神父 ...」「刀刀刀 ...」「刀子 ...」粗暴強迫學生復誦，直到刀子猛然殺死學生。
關乎政治，先生與學生最終的曖昧喘氣直說明政府如何強姦人民，政府強硬殺死人
民；他們是誰？ 2 名觀眾姍姍來遲，硬擠也要坐上空位，演出中大聲喧嘩？拆解空
間然後錯置加以後設哲學，演員成為觀眾本身，觀眾反之存在舞台上。觀眾和舞台
的距離模糊不清，彼此互為觀看對象，三角關係只在某方發動才明確。而黑膠地板
上的老人像是忘詞般重複同一台詞，2 名觀眾不斷提醒他，大家又跟著笑了，天花
板還不停掉落麵包和報紙！天啊，真是爛戲！
The play of the end of the world
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Only 3 Hours Left! 這個世界只剩下 3 個小時就要毀滅了！
可是我這一輩子都沒有快樂過，每天都在趕
公車趕火車趕上班趕趕趕趕趕，我真的對自
己給到悲哀誒！
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在愛神面前，我願意嫁給俊男 / 取紅花
為妻。雖然不能同年同日生，但卻能在
今年今月今日死。
Let us Get Married!
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4 + 3 = 7 ! Bravo! 那四減三呢？
嗯 .. 四減三等於七？
不對不對，四加三等於七，四減三不等於
七。好，你有十根手指頭，那如果有五根不
見了，你還剩幾根？
十根！
不是這樣！我告訴妳了不是這樣！
是這樣啊！可是你剛剛說有十根 ...
我後來又說，有五根不見了！
我沒有不見啊！我十根手指頭都在！
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Help me, Mary! Mary! 天啊 Mary，我不是故意的，我真的不
是故意的！我該怎麼辦才好，為什麼我
又做出一樣的事情了，這已經是今天第
四十個了！怎麼辦，怎麼辦！
放心吧教授，我會像之前那樣請陸大神
父妥善的處理的。
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哇，這是什麼手法？
當然有他的特殊含義。
那是什麼涵義？
妳要告訴我演到一半睡著也是有意義的嗎？
他只是在演睡著的樣子。
妳怎麼知道他是在演睡著的樣子，
而不是真的睡著？
\
Something falling down
排戲前，報紙堆小睡的自己 →→
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首先我想先說，自己非常欣賞男主角的肢體，他展現出一種身體上的協調，更
是讓人感受到一股 快樂，說不上來覺得很享受這樣的肢體表達。
除了老人的敘事之外，更令人不得不注意到的就是飾演『觀眾』的一對情侶在看戲
的過 程中，毫不修飾的就將心中的疑惑大聲說出來了：怎麼可能！這一定是騙人的！
而在早再大聲說 出這個真實想法前，情侶中的男人便不停的問為什麼導演要這麼
做？為什麼燈光會是這樣？而女人只是敷衍地回答著『一定有他特別的含義！
這讓我思考，難道劇中的每一幕都非得要有它的 意義不可嗎？難道我們不能真實地
面對自己當下的疑問嗎？這樣就是無知嗎？即使是又怎麼樣 呢？至少第一：觀眾願
意去思考劇情，第二：我認為劇場本來就沒有所謂的對與錯，就像我們入 場時，工
作人員不停的說著：歡迎來看戲，看戲本身本來就應該是快樂的啊。藝術應該帶給
我們 的是心靈上的一種滿足。當然在劇場保持安靜與尊重表演者是必要的禮儀！我
想說的只是是不是 有時候都像那位情侶中的女人一樣，不懂裝懂？或用一些空泛的
詞彙，聽起來好像很有道理的話 去遮蔽自己的無知呢？掩蓋自己看不懂的這種情緒
呢？
看戲的確會引發我們腦中很多的想法，而我覺得這些想法就是看戲能帶給人們最珍
貴的東西，而不是否定自己感受，或不斷猜測導演是怎麼想的？導演設計這一幕是
為了什麼？或是這個燈光，場景佈置代表了什麼？當然，每部戲都蘊含也隱藏了導
演想傳達珍貴訊息，而這些技術層面的設計也造就了完整了一齣戲。只是，我們不
應該害怕，我們應該要正視自己的感覺，正視每部戲帶我們的當下那個最無可取取
Feedback from an audienceso much thanks
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KOCK MAGZINE
原來停格這麼美！
城市美學雜誌見習
一個月，整本雜誌的翻譯挑戰
精選出，2 篇覺察和文字編輯
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Before the incorrigible civilization’s coming,We all try to heal the Black Death of the age we live in.
The plague cannot be resisted.
Photography / 巫春霖 Model /Wei-Wei li
Black Death
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The theme is great related to the origin of mask.Beak-like masks, in fact, were designed for the doctors in Late Middle Ages. The masks with long beak- l ike shape were used for separating doctors from patients. Therefore, the masks include the meaning of death, loneliness, and distance to me. To me, I am afraid loneliness is the most dreadful infectious d i s e a s e . S h e i s s i l e n t , n o structure and no sound, but sometimes she parasitizes my heart of hearts. She is like the invisible black.Loneliness is a kind of plague which is the
Black Death this era. Being alone is a terrible thing; because of fear, hoping not to be alone is another terrible thing which is the main theme of the works. The techniques show the strong contrast between of black and white that express the single and alienation of loneliness. By the way, the computer screen stands for the fake saving medication in our era.Whether we have met the people on the screen or not, We seem to get the recognition, and no more being alone.From the observer’s point of view, we are still setting alone with self
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– righteous comforts. There is such a change perhaps because we have forgotten how the feeling of making friend is, after getting long time into the society from schools. It is easy to find someone with friendliness. By contrast, the sense of alienation appears after starting careers. Gradually, we began to prefer something mature. On the other hand, it is different to interpret the current. It probably is the reason to make the picture not bright under the shutter. In the near future, I want
my works. To me, the text can describe the picture that camera can’t do; the camera can piture unspeakable words. I personally think that the combinat ion of these two must be very interesting.
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LIFE IS VERY BEATUIFUL
Photographer / Fong Tai Model / BeRRy, Evan, JacK, San, May, Tiffany, Vinann and etc.
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What kind of the opportunity let you go into photography? Furthermore, please talk about your growing background.
When I was a little kid, my mother had own a restaurant. My growing process is the time spent in kitchen for helping. In my student period, I develop an interest in painting. After get the achievement from competitions of traditional Chinese painting, sketching and comic, I built up my confidence in art. Then, I choose to read advertising design. I learn photography in theory and practice in school courses. However, I did not devote myself to photography-related job after graduation. I w e n t b a c k t o m o t h e r ’s restaurant. S o m e t i m e w o r k i n g , I t r ans f e r r ed f rom smok ing kitchen to wonderful fashion industry. I opened and ran the physical clothing store for 7 years. I watched movies and books to kill the time in store. I think it’s the important basis of my inspiration when photographing. Then, a friend
sold me the Nikon D50 camera because he would like to grade up to the full scale one. In that way, I began to shooting clothes in my store and started developing business online. It is the outset that friends asked me photograph including fashion shooting, personal portraits, pregnancy photography, child pho tography and wedd ing recording. Also, I was invited to give lectures for companies and shooting cover photo for magazines. All of sudden, I found the accomplishment of photography had been much better than the clothing store. That was just the moment the landlord decided to take back the plot. After all, I became a full time photographer.
What photography mean to you? From beginning to new, photography show the fancy picture in my mind. Whether the imaginations appear when creating or anytime are the fleeting moment worth well preserving.
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Talk about the concept and the ideas of the subject. “Who are you?” In others eyes, “Who you are?” It is a try to explore the thematic questions, but not just beautiful photos. Furthermore, I expect that the persons being photographed can reflect on it. Not just let the audience see themselves but also get the chances seeing themselves. As the original intention of photography, it honestly records everything a t the moment . There is no gaps and omissions in time, space and emotion. By the process of recording, a true and deep conversation of the persons being photographed is be discovered.
Why do you want to take the series works? I went to a concer t of Mayday last year. The band’s live performance attracted me strongly. To my great surprise, their magic power let people become agglomerate. We are all human being. However, Ashin
had the different power that all of Mayday’s fans, including me, were much influenced even though he seems so small on the big stage. One of their song is called “ S e c o n d R o u n d ” w h i c h the actor Mr.PXmart acted numerous different roles in the music video. Different roles, however, had similar lives. All of them do not satisfied with themselves and want to run away. Presumably, they need to take much courage to start over. I derived the idea of the works from the music video. The reason I did the works was my friends. I interested so many people I acquainted with, but I am not familiar with each other. Nowadays, Internet d e v e l o p m o r e , t h e f e w e r communication between people and people instead. The more I feel like know the person, the more I found how different he is from my thought. It seems that everyone has a mind to live the second round not the same as current one, or unknown
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f a n ’s h e a r t s o f t h e w o r l d through songs as I hope for photography. A love song is sung soul-stirring by singers. Similarly, I take photo to get sympathy with each other.
The se r i e s works seem to narrate internal and external differences of one person. Are you the same people that have the very differences between appearance and inner world? In fact, there is the secret one which has my selfie. It’s really about me. It shows the differences - - closer to real me, that is to say. Stay tuned! :D
Is the person in the photographs your friend? The beginning of the shoo-ting, people been photographed were usua l ly my Bus iness partners and close friends in contact with. As my earlier words, even though we met so often, I did not know much about them. I hope I can have better and more resects and love for them. I got many responses
to the works from friends on Internet. I interacted with them only on the Internet but never meet before. However, they shared their own stories which brought me my heart’s desire of photographing. Of course, I arranged the shooting time right away.
Each character has the scenery a n d p r o p e r t i e s r e p r e s e n t themselves. How did you decide the use of elements? I spent a lot of time in discussion with people I was going to photograph. We chat from thinking to ideas and past to future. The chats were always my inspiration. The images flashed through my mind appropriate for them. The work, in the main, still kept my original intention of photography. “Photograph to follow my inclinations and make it full myself.” Next to that, the works finished with personalities and temperament of person being photographed.
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Did they accept your self-technique of expressing them? I photographed the works neither for beauty or showing clashes, but self-revealing instead. Before shooting, I would tell them how to do. They need to express more emotions and more thoughts of self-reflection. It’s about the life of themselves which includes the ideal and hidden selves also the ones others were seen. The works’ importance is about themselves and their thoughts. According to them, we would discuss to add what elements in. The point
think who they are with whole heart. Actually, the works are like the narrations of the stories. If they had not given me more ideas or concealed themselves from me, I wouldn’t have started doing. As a result, I refused a few of my friends. I am proud to finish the photographs without any fake, but only very honestly. Besides, I used many different ways to make powerful tension, because of my thirst for catching not only emotions but also having photography techniques and value.
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Why you choose the way of tear and collage as the layout? It shows the desolation of breaking a surface. It’s kind of the pleasant feeling. Furthermore, the nature of human being is evil. The imperfection makes people feel regrettable and sick at heart.
It’s obviously to discover that you made your effort on the scenery and style. How long did the series works take? Honestly speaking, I had difficulty in many situations including meditating the distinguishing characteristics and styles for each other, making work scheduling, making preparations, busy and heavy rushes, renting locations and etc. Shooting only took a few minutes, but it was energy- consuming and brain cell- damaging when something unexpected happened. I couldn’t complete the works without the passion for photography and the help from the stylist. In addition, it’s not the end. It’s very welcome anyone has sympathy with me. Give me your ideas and let me photograph
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After 11 years photography work, have any effect on your creations? My world used to be very n a r r o w w h e n o w n i n g t h e clothing store. One year of my life just ran away during trade and sell, long-sleeved or short. After working in photography, it opened up the whole world to me. I made contacts with lots of industry, very different and unrelated, which all support and trust in me. Also, because of needs for work, I have traveled Taiwan from north to south and even went aboard. Therefore, I expanded my horizon so that I have seen more wonderful thing on earth. I am very happy. It’s very glad to choose my interest as a profession and be able to cont inue photographing j o y f u l l y . I a m a l w a y s headstrong. I lead my clients to any scene and guild them to any situation l want to photograph. (hahahahaha!!)Photography comes unexpected surprise, however, I quite enjoy it.“Photograph to follow my
inclinations and make it full myself.” I photograph what I want, and make effort to reach. Happiness is the most important thing no matter how hard and poor. How about achieving all? There must be the best thing in the world that I photograph I want and earn money. Does it really influence my creation? Of course, it makes me think more variously and abundantly.
Do have any plan for the future? The current life is the life I want most. Taking pictures let me happy. I lives ideal daily life and experience every moment. Even if tomorrow is my last day, I will do the same as yesterday. Plan? My only wish is to stay healthy and beautiful. Then, do one's human best and leave all else to God. Life is the process to death. However, the way of it is different from person to person. I think that it should create the living aesthetics of life. It is I, Fong Tai, who takes photography as an interest but not a job. Life is very beautiful.
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PETER PEN
「隨著時間我們外貌改變，但請不要忘記當初那愛作夢的心」
365 個日子以來，我們總是喜歡收集文具小物，說是：生活樂趣
其實是探索，試著往日常裡找尋一種暱稱為美好的事物
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一個不要長大的理由──《Peter Pen》，真正走進內在永無島的童話閱讀，與
讀者一起宣示遊戲的權力。彼得潘與溫蒂的奇幻冒險，正是《Peter Pen》的所有，
天真爛漫而且繽紛想像甚至天馬行空。以文具為核心，就像打開兒時鉛筆盒的驚
喜，不僅廣泛的各種文具，成熟的辦公工具，童年回憶蹦然出現。可以回到過去，
可以承擔現實，本初的美好不需要拋棄。
文具當成一個集合，擁有多重得名字當然也展現更多的意義，探索世界管道、溝
通的媒介、藝術的表現、記憶的幫手、社交的信物又單純自我的展現等不同形式，
同時都發生，在我們身上。文具不只是文具，更多時候它的本身是某一文化，就
如：韓國 AP 水彩、英國牛頓畫具各自表述其血緣，流傳為歷史或藝術品更是令
人癡狂。
《筆的 Pen》創刊即嘎然停刊，僅次一本，跳脫一般雜誌框架，打算強烈風格。
決不單單資訊彙整，多重角度詮釋文具，加入高比例編輯們自身創作，甚至稱為
紙上實驗。短詩、散文、日記、報導，塗鴉、拼貼、電繪、攝影，相互穿插，大
量留白，配合閱讀的呼吸。透過文具，訴說一種暱稱為美好的事物，同時，連結
美好，寫作各種名為文具的東西。一本值得好好閱讀的紙上永無島。
" every time you breathe, a grown-up dies "
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獨立性雜誌
存在於主流文化之外的獨立觀點，有些小眾、很獨特、
很自我，以個人化的大文豪和大藝術家傳達文具的理念；
選擇獨特具有價值的私人故事，同樣注重文字和畫面，
透過文具簡單大膽地擁抱真實的人性。
雜誌書 MOOK
將雜誌（Magazine）與書籍（Book）合在一起，成為
獨特地的雜誌書（Mook）。能夠像雜誌一般輕鬆閱讀，
圖文並茂，又具有書籍的深度和收藏價值。
彼得潘症候
翻開閱讀，會出現彼得潘的極度開心、天真症狀，無論
表述童趣或復古。
美好生活者─文具控
期許成為瘋狂熱愛文具控者，享受文具的美好生活者。
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許貞蒂
規劃行程、督促全員
進度、與老師聯繫、
文與美編組的橋樑、
配合兩組事務等。最
重要的是注意時間，
讓雜誌能如期完成。
張櫻馨
雜誌主題發想人擔任，
負責主題之內容企劃
跟構想。
張凱傑 許貞蒂
蒲育銓 葉峻綱 陳津
負責文字內容、校對、
撰稿、審稿、採訪、
資料蒐集、行銷廣告
等。
張櫻馨 張曉瑄
許雅婷 林育槿
林纕語
負責美化、排版、設
計、拍攝、封面封底、
輸出印刷等。
總編 / Editor in chief 企劃編輯 / Planning 文字編輯 / Copy editors 美術編輯 / Art editor
Peter Pen │組織工作
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34 brands 雄獅 X 力百代
12 streets 玉兔鉛筆學校
56 stationery 顛覆傳統的數位 e 筆
80 手殘求生手冊 文具動手 DIY
24 辦公擺設指南
04 文具世界地圖
48 幼稚必勝策略
70 有愛無礙 - 淡水行無礙
66 文具急救常識
86 寫給文具的情書
20 環保文具介紹
08 文具進化史
Contents
Cover story
Feature
Regular
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JUBY CHIU STUDIO 我靠服裝去詮釋我內心所想表達的語言
服裝對我來說，是我透過布料去表達我所表達的，
它像是一種抽象的語言。
更實際來說，我內在深層的一種表現。
很多人說服裝是表面的，但對我來說，
我的服裝反而是有內而外的成分多過於由外而內的。
她是纖維更是靈魂對肉體的一種語言
─ 邱娉勻 Juby ─
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她是纖維更是靈魂對肉體的一種語言
一位台灣土生土長的種子
一個海島原生的優雅姿態
沒有國外的學歷只有從法國回來的經歷
台灣獨立服裝設計品牌
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我們在這裡集結，並非僅是相互取暖，而是透過現身，
讓彼此明白孤獨可以如此容易地驅散，然後共同向世界
播放訊息。
擁抱玫瑰少年，順著藤蔓與次，延伸種黑白深淺的自我認
同。透過服裝討論最深層的自我認同，尤其超乎生理的
性別，是異性戀、同性戀、雙性戀、或者其他。以愛之名，
我們不要害怕；已在知名，我們活下去。
JUBY CHIU 2014S/S 召 喚 沉 默 邊 緣 者
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品牌經營
JUBY CHIU 中山人體實驗室，作為實習藝術行政，必須將實驗落實於每一個細
節，才能具備藝術發生的條件。從基本的定時澆花，掃拖工作室，衣物整燙，減
去線頭等的基礎代謝作用，實驗精神才能咬著齒輪運作，一個品牌的灌溉和養分。
不追求膨脹的營利，奔走交際，和忙碌於應酬；相反地，以簡單的務實理論，純
粹注重服裝細節、質感、剪裁，和飽含生命力的內在。慢慢地，把藝術紮在海島，
怎樣都想讓台灣變得好
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行銷實務
渴望對話，只需要一個把它穿在靈魂上的理由。透過寄賣，增加島上據點，是個
好辦法。我的重點工作項目：商談寄賣。依據不同風格店家，選擇不同的溝通方
式。像是品牌的說書人，分別以攝影、文字、感官述說 JUBY CHIU，交換更遙
遠距離的寄居。接著，少不了商品拍攝、尺寸丈量、表格清單、活動規劃等功課。
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展覽助理
除了品牌 showromm，中山人體實驗室更像是藝廊空間，邀請藝術家進駐美好
作品，也不斷發掘新銳設計力。如果能把看展成為日常，真的是非常普普的生活
藝術。展覽的形式打破博物館的疏離，將藝術與觀者拉近的沒有距離，不定期有
實驗性質的動態展演。目前已舉辦多名設計師、藝術家的展覽：墨是服裝《逸靜》、
《史蒂芬妮》說明攝影、 陳儒蘭《漫漫》、 鄧康廷《班傑明的第一天》等，何
其榮幸，成為小幫手，協助佈展、開幕、閉幕、工作坊等展覽活動。
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ON PAPER 紙上的建築思維，自學的慢慢搭構
攝影，平面設計，故事
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