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VIDEO FILM FERRY JETTY FERRY VIDEO FILM

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“Installation may be the most important form of art”

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words by

 Monica BellamIllustration by Sarah Byrne

THE ARTISTS WANTED A SYDNEY-BASED STORY FOR THEIR FIRST MILLS & MORTE PROJECT. For inspiration, they began doing some research at the

Caroline Simpson Library at the Mint. From there they were referred to the Justice & Police Museum where they met Assistant Curator Rebecca Edmunds who introduced them to Eugenia Falleni’s incredible true-crime tale of sex and death. In 1920, Falleni was convicted of murdering Annie Birkett: her wife. Falleni was married under the name Harry Crawfor d. She had lived successfully as a man for years and only revealed her secret when she was

she was arrested. Predictably, the newspapers went wild and Falleni became an unwitting media sensation as the infamous, “man-woman murderer”. Hindmarsh and Thorne took a more sensitive approach to Falleni’s complex story in their Mills & Morte exhibition, Something Amazing About Harry: Secrets & Sins, held in an old prison cell at The Mint in early 2010. individuality. Thorne describes their collaborative process as “a cross-fertilisation in which we share materials, share ideas and images, share research.” Hindmarsh explains that “instead of working together

arrested. Thorne describes their collaborative process as “a cross-fertilisation in which we share materials, share ideas and images, share research.” Hindmarsh explains that “instead of working together on one piece we work

retains her individuality. Thorne describes their collaborative process as

piece we work side by side… It’s fantastic to have someone to spin ideas off.” Thorne adds, “How we hang a show is a big part of it; the works are talking to each other.” Amazing About Harry examined the period of Falleni’s incarceration, 1920-1931, just one episode in her labyrinthine life. Mills & Morte are planning at least three Falleni themed shows. Visit the COFA ANNUAL 2010 for the next instalment.

As Dominique Hindmarsh and Susannah Thorne delved deeper into the truth-is-stranger-than fiction history of Eugenia Falleni, with the support and guidance of Rebecca Edmunds, they quickly realised that there was more material there than one exhibition could hold. Something

“Steinhauser’s newest collection is at once beautiful and gruesome; the use of  natural materials likebones and hair is both intriguing and replusive.”

MILLS & MORTEhe Collective presented a cohesive body of work, yet each artist also

“a cross-fertilisation in which we share materials, share ideas and images, share research.” Hindmarsh explains that “instead of working together on one piece we work side by side… It’s fantastic to have someone to spin ideas off.” Thorne adds, “How we hang a show is a big part of it; the

THIS MONTHin bookmaker

FEATURED.......07

HOW TO.........36

ALTERED books 

Featured Essay: ‘Erasing the line between art and craft in bookmaking’ Robert Fogden.

The Bone Folder Peter Steinhauser: a career of  handmade artist’s books Monica Bellam

INTERVIEW......45

ESSAY.............53

OPINION.........67

Teresa Stolzenheim

Gruesome! Books made of  natural materials. Five artists  working with new materials. Terry Gillam

ANATOMY OF A BOOK: 

Putting it all together from Spine to fore edge Sarah Byrne

23

“Perfect” binding stitching every which way

Our guide to breaking the rules 

non compos mentis

sarah byrne z3253576

ROSE BAY

ON

THE

MAP

sarah byrne sarah byrne sarah byrne sarah byrne1. ‘Long way home’; 2. ‘In Habitat’; 3. ‘Rose Bay’ Zine front cover; 4. ‘Rose Bay’ Zine feature page; 5. ‘Rose Bay’ Zine back cover; 6. ‘Home Bender’; 7. View from the top’.

8. Screen design for ‘Non compos mentis’ typeface; 9. ‘Bookmaker’ publication contents page and double page spread; 10. ‘Non compos mentis’ typeface.

11. ‘Swiss family robinson’; 12. ‘Sticky Situations’; 13 & 14. ‘Video Star’ experimental book; 15. ‘Paradise: four-fold’ artist’s book.

16. ‘Nesting’; 17, 18 &19. ‘STAGED’ light; 20 &21. ‘Brain matter’.clockwise from top left

clockwise from top left

clockwise from top left

clockwise from top left pg 4pg 3pg 2pg 1