15
7/23/2019 Recorder Handouts - 1 http://slidepdf.com/reader/full/recorder-handouts-1 1/15 Fingering Chart for Soprano Recorder Baroque (English) Fingering 47 LEFT HAND RICHT HAND Thumb Finger I Finger 2 Finger 3 Finger I Finger 2 Finger 3 Finger 4 a ,' cf Db $e bg Q open hole I closed hoJe I sligluly opened thumb holè: 'unshodid areas' ndicate nuúr.þr'rsÈn t ¡n t ti¡s tio3 r. J BtB bo rr D of,eb ír ügt= o o o o o o o o o o o o a o o o o o o o o o o o O o o O o a o o o o o o o O o o o o o o o o o oa o o o o o o o o o o o o o o o o o o o o o o oa o o o o o o o o o o o c c c; o o o o o o o o o o o o o o o o o o o o o o o o o: o : ¡i o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o c c c c c c c c o o o o a o o o o o o o o o o o .o O1 :,O,1' ,l-ö.;.  , Q,,rtti o o o o o o 'o o o o o o o o. o o o o o- o o o Cr* ' .O o o o:... O. o' o 'o o o o o o o. o' o

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Page 1: Recorder Handouts - 1

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Fingering

Chart

for

Soprano

Recorder

Baroque

(English)

Fingering

47

LEFT

HAND

RICHT

HAND

Thumb

Finger I

Finger 2

Finger

3

Finger

I

Finger 2

Finger

3

Finger

4

a

,'

cf

Db

$e

bg

Q

open

hole

I

closed

hoJe

I

sligluly

opened thumb

holè:

'unshodid

areas'

ndicate

nuúr.þr'rsÈn

t

¡n t ti¡s tio3

r.

J

BtB

bo

rr

D

of,eb

ír

ügt=

o

o

o

o o

o

o

o

o o

o

o

a

o

o

o

o

o

o

o

o

o

o

o

O

o

o

O

o

a

o

o

o

o

o

o

o

O

o

o

o

o

o

o

o

o

o

oa

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

oa

o

o

o

o

o

o o

o

o

o

o

c

c

c;

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o:

o :

¡i

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

c

c

c

c

c

c

c

c

o

o

o

o

a

o

o

o

o

o

o

o

o

o

o

o

.o

O1

:,O,1'

,l-ö.;.

  , Q,,rtti

o

o

o

o

o

o

'o

o

o

o

o

o

o

o.

o

o

o

o

o-

o

o

o

Cr*

'

.O

o

o

o:...

O.

o'

o

'o

o

o

o

o

o

o.

o'

o

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4?

LEFT

HAND

Thumb

Finger

I

Finger

2

Finger 3

Finger

I

Finger

2

Finger

3

Finger

4

R'CHTI

 o*o

I

Fingering

Chart

for

Alto

Recorder

Baroque

(English)

Fingering

nf

rBb

le

tr>

Db

þbo

Q

open

hole

B

-o

+

c

{>

cl .{b

I

åeÞ*

-=

cb

feÞ

D

oilEb

E

.t

r>

loE

e

o

¡,,O¿,.is

o

*oÆ

o o

o

o

a

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

O

o

j,r

.,-;::ir

,1.;:

Oi.

'o .

oo

,'

o

o

o

o

.öl

..t.4

-oa'j

,,r.--;

l-.

i'o

.

o

o

o

o

o

o

a

o

o

o

o

o

o

o

o

o

o

o

oo

o

o

o

o

o

o

o

o

o

o

..,iO

c

, j;C

¡

'r1C

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

:iå,t

.år

t':O:ï

*O-u*

.äo

5,o

iio

1'r.

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

o

,O

,,O

o

o

o

o

o

o

:,fò

^: .

:fiÒ

i:l:

jigT;

i'.o

:?

,:o

o

c c

c

Cil

C.l

..:C

S:

¡,*c

#c:;i

+C

o

o

o

o

o

o

o

a

o

'¡O

Ìl

.ita':i;

',Ð;:i

',ti,o.fi

,;þ:ffi

Í;9.s

ffi

;f;o

iTjo

,:Fo

o,

o

o

o

o

o

o

o

o

o

o

o

o 1

¡i

O;'i

o

:¡'tj

r.¡',

::

..9,'

o

o.:

o

a,

..

,O',

+ö''Ë

::o.Ë

'o,]Í

',Ö'

,

o

.:ì:o

o

o

o

C

s,lightlv

opened

thumb

hole

 

closed

hole

Page 3: Recorder Handouts - 1

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Tho-

Rnco

rdec

Gu¡d'

k uibcavr

,

Aj

¡tLo

Theme

And

Variation

rrlVhen

going

from

I

B to

C,

and

C

to

B on the Soprano

ì

.-^

.,-

ln

to f, and F

to E

on

the

Alfo I

the

fingers

must

move

with

a

crisp

and firm

motion.

One

hole is

opened

at

the

same instant

the

other

is closed.

¡

Theme

Variation

Page 4: Recorder Handouts - 1

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TVuu

Reconln

r

Gatde

ICutbach,

Nilkø

p')l

THE LETTBRS.å.BOVE

TÌIE

STAFF

ARE

CHORD

SYMBOLS FOR

GUITAR,

AND

HAVE

NO

REFBRENCE

TO TITE

NAME

OF

THE

NOTES.

Paris

(French)

Here

is

a

little

French

tune

in

two

versions.

The

first

is a

Soprano

solo,

and the second

is a

duet

with the

*ãtõ¿i

in tne

afto

part.

Breathe

as indicated

(which

at the same

time

means

phrase),

or

it

will

lose

its charm.

Am

I.APa

2. A

Se-

3. Re- ve-

ris,

dan,

nous

a

a

au

Pa

ris,

Se

-

dan,

ma -

noir,

sur

sur

sur

-

tit

-

tit

-

tit

che

che

che

-

gris.

blanc.

noir.

val

val

val

un

pe

un

pe

un

pe

A

.

Melody

Waltz

In

a

waltz

(3f

time¡ the

first

beat of the measure usually

receives

a stight

stress.

Do this

with

the tongue,

but do

it

iightly

so that

you

do not

play

out

of

tune.

Practice

this

\üaltz

until

you

can

play

it

stopping

for

breath only

where indicated.

Page 5: Recorder Handouts - 1

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Th

Seoarde,

Gu¡d<

\au\bcLc¡,

tlil*a-

Here

we

have a

lst and

2nd ending. It is a

form

of

musical

shorthand.

the lst ending.

Then

go

back

to

the beginning.

Play the

selection

again,

second ending.

Swinging

Play

from

the

beginning

to

the

repeat sign in

omÍt

the

first

ending

and

skip directly to the

A

Simþly,

G

fl

JUDA

(American)

Now

with words,

you can

see

the imporÞnce of

correct tonguing.

Tonguing

is

a

means

of

articulating

-

giving

the

sound

definition. The

end

of a

phrase, (indicated

by a

breath mark or rest) is like

the end

of a

spoken

phrase,

or sen-

tence

-

and

the

period

at the

end

of a

sentence corresponds

to the

final

d

of

our

tonguing syllable.

PIay

Juba on

your

recorder,

then sing

it

as well.

with

rhythrn

c

G

G

7

7

7

D?G

A

t

m

Ju

-ba

this

and Ju

-ba

that,

t

Ju-ba

killed

a

yel-low

cat,

Ju-ba

up

and

'l

Ju-ba

down, Ju-ba

run-ning

I

.l

all

a-rou

Page 6: Recorder Handouts - 1

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Th'

((erorclw

6urcl<

ì(rrl

loacrc,

N

ifÉø

p.:å

8n

Baby

Sleep

(C'erman)

Sleep

G

S

Melody

A

c

Sleep

ba

-

by

sleep;

your

fa

-

ther

tends

the

sheep;

your

D

G

*

Renetnber

the\sign

makes f*

an f\

Sleep

Baby

Sleep

The

accompanying

part (soprano)

should

not

overpower

the

merody

rine

(Alto)

S

A

I

,

cDc

.D?

G

mo

-

ther

shakes

the

T

I

dream

-

land

tree

-

Then

-rLif

I

comes

a lit

-

tle

)

dream

for

thee;

t

)

sleep

ba -

by

sleep.

o

Page 7: Recorder Handouts - 1

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Gaily

ÞU¿l

wLè

ûk

I

ßurs

f'>çç

Country

Donce

Recorder

I

Recorder

2

Triangle

Rec.

I

Rec.

2

Trgl.

The G

Major

key sþature

is omitted

becauæ this

musical

symbol

has

not

yet

been

introduccd

in

rhe corretated

ncthod,

RECORDER

TIME

(Sp23O8).

Page 8: Recorder Handouts - 1

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Dtter

Tl,'¡l;-'

b

k

a-

(

scPruø

;

$ttra

Koft

The

Gift

To

Be Simple

Recorder 1

Recorder

2

Finger

Cymbals

Page 9: Recorder Handouts - 1

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lO

Jo

/L¿s

o

/)q

oce

5

(

soP'ono

*

#tt)

ß

tr,¡Lo{*,

Sf

r

r

cY-lc,,n

à

Lullaby

Soprano

Recorder

Alto

Recorder

Page 10: Recorder Handouts - 1

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/

0

Son<,ls

a ild

ç3ufta ræî1-.¡

l\ønces

Sïr¡cþlqnd_

Hymn

Of

Praise

Soprano

Recorder

Alto

Recorder

Moderately

u

Àr

rt

Page 11: Recorder Handouts - 1

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ftL

Dø¿r

Qec'trcler,

br

I

So

Pru

vro s

P'q

ß.rrq.

k¿

ff,

Sf'ri

c'k-lq^¿

Thanks

Soprano I

Soprano

II

Tambourine

-3-

Page 12: Recorder Handouts - 1

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Tf.r

òøor

Ru o

nle,r-,0¿

I

SsPrzrnos,

p,3

gì^u.oÊç,

jtr,

¿ia

^d'

Soprano

I

Soprano tr

Triangle

Cuckoo

-2-

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Y-l¿lito

,

Þ

v¿Plu,

Sp

/*tt-

eL,

l{aes?tt .

alten

Spielbuó

(17

Ungarísdre

Gavotte

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Rn*

rtleu-

tntrnnhto

'-[¿r¡

¿{

vo

I

I

ecl,,curn

l=,

G

o-rnkat<.

z

Gregoúan

Melody

soP.

2

Alto

3

Tenor

4

This

is on

extrq port

if TWO

qlto

recorders ore

to

be

used.

ALTERNATE

PARTS

OCopyright

1964

By

Shar¡ell

Music

publishers

Page 15: Recorder Handouts - 1

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,(.a-

cder

€nE

r.,bþ

-8-,

ns

Vo

I r

ed.,

,

orr,

'

F,

6qvnbls

Hymn

Of Brotherhood

Sop.

I

soP.

2

Alto

3

Tenor

4

This

is qn

extrq

port

if

TWO

Alto

recorders ore

to

be

used.

@

Copyrtght

1964 By

Empire

Music lubtishe¡s

Llmited