RX-V492RDS RX-V392RDS - Yamaha Corporation · RX-V492RDS RX-V392RDS. 2 Indoor ... Transmisor de control remoto ... You are the proud owner of a Yamaha stereo receiver –an …

OWNER’S MANUALMODE D’EMPLOI

BEDIENUNGSANLEITUNGBRUKSANVISNING

MANUALE DI ISTRUZIONIMANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

Natural Sound AV Receiver

Récepteur audiovisuel “Son Naturel”

Natural Sound AV-Receiver

Natural Sound AV-receiver

Sintonizzatore AV a suono naturale

Receptor AV de Sonido Natural

Natural Sound AV Ontvanger

RX-V492RDSRX-V392RDS

2

Indoor FM Antenna Antenne FM intérieure UKW-Innenantenne FM inomhusantenn Antenna FM interna Antena FM interior FM Binnenantenne

AM Loop Antenna Cadre-antenna AM MW-Rahmenantenne AM ramantenn Antenna AM ad anello Antena de cuadro de AM AM Lusantenne

75-ohm/300-ohm antenna adapter (U.K. model only) Adaptateur d’antenne 75 ohms/300 ohms (Modèle pour le

Royaume-Uni seulement) 75 Ohm/300 Ohm Antennenstecker (nur Großbritannien-

Modell) 75 ohm/300 ohm antennadapter (Endast modell för

Storbritannien) Adattatore per antenna da 75 e 300 ohm (Solo modello per

la Gran Bretagna) Adaptador de antena de 75 ohmios/300 ohmios (Modelo

para Reino Unido sólo) 75 ohm/300 ohm antenne-adapter (Alleen modellen voor

Groot-Brittannië)

Remote Control Transmitter Emetteur de télécommande Fernbedienung Fjärrkontroll Telecomando Transmisor de control remoto Afstandbediening

Batteries (size AA, R6, UM-3) Piles (taille AA, R6, UM-3) Batterien (Größe AA, R6, UM-3) Batterier (storlek AA, R6, UM-3) Batterie (dimensioni AA, R6, UM-3) Pilas (tamaño AA, R6, UM-3) Batterijen (maat AA, R6, UM-3)

SUPPLIED ACCESSORIES After unpacking, check that the following parts are included.ACCESSOIRES FOURNIS Après le déballage, vérifier que les pièces suivantes sont incluses.MITGELIEFERTE ZUBEHÖRTEILE Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.MEDFÖLJANDE TILLBEHÖR Kontrollera efter det apparaten packats upp att följande delar finns med.ACCESSORI IN DOTAZIONE Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.ACCESORIOS INCLUIDOS Desembalar el aparato y verificar que los siguientes accesorios están en la caja.BIJGELEVERDE ACCESSOIRES Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.

REC/PAUSEDIR BDIR A PLAY

DISC

POWER VOLUME

PLAY

PRESET A/B/C/D/E– +

TESTDELAY TIME EFFECT

PROGRAM PROLOGIC ENHANCED

– +

SLEEP

TAPEA/B

ON/OFF

TUNER

CD

PHONO

VIDEOVCR


DISC

POWER VOLUME

PLAY


TIME/LEVEL TEST EFFECT


– +

SLEEP

TAPEA/B

ON/OFF

TUNER

CD

PHONO

DELAY/CENTER/REAR

DVD/LDVCR TV/DBS

RX-V492RDS RX-V392RDS

FEATURES

CONTENTS

3

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5 Speaker ConfigurationRX-V492RDS

Main: 65W + 65W (8Ω) RMS OutputPower, 0.04% THD, 20–20,000 Hz

Center: 65W (8Ω) RMS Output Power, 0.09% THD, 1 kHz

Rear: 20W + 20W (8Ω) RMS Output Power, 0.7% THD, 1 kHz

RX-V392RDS

Main: 50W + 50W (8Ω) RMS OutputPower, 0.04% THD, 20–20,000 Hz

Center: 50W (8Ω) RMS Output Power, 0.09% THD, 1 kHz

Rear: 20W + 20W (8Ω) RMS Output Power, 0.7% THD, 1 kHz

Digital Sound Field Processor

Dolby Pro Logic Surround Decoder

Theater-like Sound Experience by theCombination of Dolby Pro Logic andYAMAHA DSP Technology (CINEMA DSP)

Automatic Input Balance Control forDolby Pro Logic Surround

Test Tone Generator for Easier SpeakerBalance Adjustment

3 Center Channel Modes(NORMAL/WIDE/PHANTOM)

Multi-Functions for RDS BroadcastReception

40-Station Random Access Preset Tuning

Automatic Preset Tuning

Preset Station Shifting Capability (PresetEditing)

IF Count Direct PLL Synthesizer TuningSystem

Video Signal Input/Output Capability

SLEEP Timer

Remote Control Capability

Supplied Accessories ......................................2

Caution ............................................................4

Notes about the Remote Control Transmitter

........................................................................5

Profile of This Unit ...........................................6

Speaker Setup ................................................7

Connections ....................................................8

Controls and Their Functions ........................14

Speaker Balance Adjustment ........................20

Basic Operations ...........................................23

Tuning Operations .........................................26

Preset Tuning ................................................27

Receiving RDS Stations ................................30

Using Digital Sound Field Processor (DSP)

......................................................................35

Setting the SLEEP Timer ..............................39

Troubleshooting .............................................40

Specifications ................................................41

Thank you for selecting this YAMAHA AV receiver.

CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.

4

1. To assure the finest performance, please read this manualcarefully. Keep it in a safe place for future reference.

2. Install this unit in a cool, dry, clean place – away fromwindows, heat sources, sources of excessive vibration,dust, moisture and cold. Avoid sources of humming(transformers, motors). To prevent fire or electrical shock,do not expose the unit to rain or water.

3. Never open the cabinet. If something drops into the set,contact your dealer.

4. Do not use force on switches, controls or connection wires.When moving the unit, first disconnect the power plug andthe wires connected to other equipment. Never pull thewires themselves.

5. The openings on the cabinet assure proper ventilation ofthe unit. If these openings are obstructed, the temperatureinside the cabinet will rise rapidly. Therefore, avoid placingobjects against these openings, and install the unit in well-ventilated condition. Make sure to allow a space of at least20 cm behind, 20 cm on the both sides and 30 cm abovethe top panel of the unit. Otherwise it may not only damagethe unit, but also cause fire.

6. Always set the VOLUME control to “– ∞” before startingthe audio source play. Increase the volume gradually to anappropriate level after playback has been started.

7. Do not attempt to clean the unit with chemical solvents;this might damage the finish. Use a clean, dry cloth.

8. Be sure to read the “TROUBLESHOOTING” sectionregarding common operating errors before concluding thatthe unit is faulty.

9. When not planning to use this unit for long periods of time(ie., vacation, etc.), disconnect the AC power plug from thewall outlet.

10. To prevent lightning damage, disconnect the AC powerplug and disconnect the antenna cable when there is anelectrical storm.

11. Grounding or polarization – Precautions should be takenso that the grounding or polarization of an appliance is notdefeated.

12. AC outletDo not connect audio equipment to the AC outlet on therear panel if that equipment requires more power than theoutlet is rated to provide.

IMPORTANTPlease record the serial number of this unit in the spacebelow.

Serial No.:

The serial number is located on the rear of the unit.Retain this Owner’s Manual in a safe place for futurereference.

WARNINGTO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

For U.K. customersIf the socket outlets in the home are not suitable for the plugsupplied with this appliance, it should be cut off and anappropriate 3 pin plug fitted. For details, refer to theinstructions described below.Note: The plug severed from the mains lead must bedestroyed, as a plug with bared flexible cord is hazardous ifengaged in a live socket outlet.

Special Instructions for U.K. Model

IMPORTANTTHE WIRES IN THE MAINS LEAD ARE COLOURED INACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRALBrown: LIVE

As the colours of the wires in the main lead of this apparatusmay not correspond with the coloured markings identifyingthe terminals in your plug, proceed as follows:The wire which is coloured BLUE must be connected to theterminal which is marked with the letter N or colouredBLACK. The wire which is coloured BROWN must beconnected to the terminal which is marked with the letter Lor coloured RED. Make sure that neither core is connectedto the earth terminal of the three pin plug.

The apparatus is not disconnected from the AC powersource as long as it is connected to the wall outlet, even ifthe apparatus itself is turned off.

WARNINGDo not change the IMPEDANCE SELECTOR switchsetting while the power to this unit is on, otherwise thisunit may be damaged.

IMPEDANCE SELECTOR

(Europe model)

MAINS

REAR 6ΩMIN./SPEAKERSINGLE:6ΩMIN./SPEAKER DUAL:3ΩMIN./SPEAKERA OR B:4ΩMIN./SPEAKER

A B:8ΩMIN./SPEAKER

CENTER

MAIN

REAR 8ΩMIN./SPEAKER SINGLE:8ΩMIN./SPEAKER DUAL:4ΩMIN./SPEAKERA OR B:8ΩMIN./SPEAKER

A B:I6ΩMIN./SPEAKER

CENTER

MAIN

IMPEDANCE SELECTOR

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NOTES ABOUT THE REMOTE CONTROL TRANSMITTER

Battery installation

Battery replacement

If you find that the remote control transmitter must be usedcloser to the main unit, the batteries are weak. Replace bothbatteries with new ones.Notes Use only AA, R6, UM-3 batteries for replacement. Be sure the polarities are correct. (See the illustration inside

the battery compartment.) Remove the batteries if the remote control transmitter will not

be used for an extended period of time. If batteries leak, dispose of them immediately. Avoid

touching the leaked material or letting it come in contact withclothing, etc. Clean the battery compartment thoroughlybefore installing new batteries.

Remote control transmitter operation range

Notes There should be no large obstacles between the remote

control transmitter and the main unit. If the remote control sensor is directly illuminated by strong

lighting (especially an inverter type of fluorescent lamp etc.),it might cause the remote control transmitter not to workcorrectly. In this case, reposition the main unit to avoid directlighting.

1

3

2 l620

28

40

60

l2

8

4

2

0–dB

l620

28

40

60

l2

8

4

2

0–dB

30° 30°

Remote controlsensor

Within approximately6 m (19.7 feet)


6

PROFILE OF THIS UNITYou are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound FieldProcessor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing tobring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system,and this unit will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on.In addition, you get incredible realism from sources encoded with Dolby Surround using the built-in Dolby Pro Logic SurroundDecoder.Please read this operation manual carefully and store it in a safe place for later reference.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advancedsound reproduction technology lets you get extremely close tothe sound of a live performance, but chances are you’ll stillnotice something missing: the acoustic environment of the liveconcert hall. Extensive research into the exact nature of thesonic reflections that create the ambience of a large hall hasmade it possible for Yamaha engineers to bring you this samesound in your own listening room, so you’ll feel all the sound ofa live concert.

Furthermore, our technicians, armed with sophisticatedmeasuring equipment, have even made it possible to capturethe acoustics of a variety of venues such as an actual concerthall, theater, etc. to allow you to accurately recreate one ofseveral actual live performance environments, all in your ownhome.

Dolby Pro Logic Surround

This unit employs a Dolby Pro Logic Surround decoder similarto professional Dolby Stereo decoders used in many movietheaters. By using the Dolby Pro Logic Surround decoder, youcan experience the dramatic realism and impact of DolbySurround movie theater sound in your own home. Dolby ProLogic employs a four channel five speaker system. The ProLogic Surround system divides the input signal into four levels:the left and right main channels, the center channel (used fordialog), and the rear surround sound channels (used for soundeffects, background noise, and other ambient noises). Thecenter channel allows listeners seated in even less-than-idealpositions to hear the dialog originating from the action on thescreen while experiencing good stereo imaging. Dolby Surround is encoded on the sound track of pre-recordedvideo tapes, laser discs, and some TV/cable broadcasts. Whenyou play a source encoded with Dolby Surround on this unit,the Dolby Pro Logic Surround decoder decodes the signal anddistributes the surround-sound effects.

This Dolby Pro Logic Surround Decoder employs a digitalsignal processing system. This system improves the stability ofsound at each channel and minimizes crosstalk betweenchannels, so that positioning of sounds around the room ismore accurate compared with conventional analog signalprocessing systems.In addition, this unit features a built-in automatic input balancecontrol. This always assures you the best performance withoutmanual adjustment.

Manufactured under license from Dolby Laboratories LicensingCorporation. “Dolby”, the double-D symbol and “Pro Logic” aretrademarks of Dolby Laboratories Licensing Corporation.

Dolby Pro Logic Surround + DSP

Dolby Surround sound system shows its full ability in a largemovie theater, because movie sounds are originally designedto be reproduced in a large movie theater using manyspeakers. It is difficult to create a sound environment similar tothat of a movie theater in your listening room, because theroom size, materials of inside walls, the number of speakers,etc. of your listening room is much different from those of amovie theater.Yamaha DSP technology made it possible to present you withnearly the same sound experience as that of a large movietheater in your listening room by compensating for lack ofpresence and dynamics in your listening room with its originaldigital sound fields combined with Dolby Surround sound field.

The combination of Dolby Pro Logic Surround and DSP is usedon the sound field program “ PRO LOGIC ENHANCED”.

The YAMAHA “CINEMA DSP” logo indicates these programs arecreated by the combination of Dolby Pro Logic and YAMAHADSP technology.

CINEMA DSP

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SPEAKER SETUPSPEAKERS TO BE USED

This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use withthis unit are main speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-SpeakerConfiguration” shown below.)The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from yourpresent stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the centersounds (dialog etc.) within programs encoded with Dolby Surround. The center speaker needs to be equal in power to the mainspeakers, although the rear speakers should not be equal. However, all the speakers should have high enough power handling toaccept the maximum output of this unit.

SPEAKER CONFIGURATION

5-Speaker Configuration

This configuration is the most effective and recommended one.In this configuration, the center speaker is necessary as well asthe rear speakers. If the program DOLBY PRO LOGIC orDOLBY PRO LOGIC ENHANCED is selected, conversationswill be output from the center speaker and the ambience will beexcellent.• Set the center channel mode to the “NORMAL” or “WIDE”

position. (For details, refer to page 21.)

4-Speaker Configuration

The center speaker is not used in this configuration. If theprogram DOLBY PRO LOGIC or DOLBY PRO LOGICENHANCED is selected, the center sound is output from theleft and the right main speakers. However, the sound effect ofother programs can be the same as that of the 5-speakerconfiguration.• Be sure to set the center channel mode to the “PHANTOM”

position. (For details, refer to page 21.)

SPEAKER PLACEMENT

The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: main speakers (your normalstereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.

Main: In normal position. (The position of your presentstereo speaker system.)

Rear: Behind your listening position, facing slightly inward.Nearly six feet (approx. 1.8 m) up from the floor.

Center: Precisely between the main speakers. (To avoidinterference with TV sets, use a magnetically shieldedspeaker.)

Front L Center Front R

Dialogue

Surround sound

Dialogue

Surround sound

Rear L Rear R

Front L Front R

Dialogue

Surround sound

Dialogue

Surround sound

Rear L Rear R

Front RCenter

Front L

TV set

Rear R

Rear L

Main L Main RMain L Main R

Main L

Main R

8

CONNECTIONSNever plug in this unit and other components until all connections are completed.

CONNECTIONS WITH OTHER COMPONENTS

When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left)to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.* If you have YAMAHA components numbered as 1, 2, 3, etc. on the rear panel, connections can be made easily by making sure

to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.

*1

, *2

: See the next page.

FMANT

AMANT

GND

75ΩUNBAL.

GND

MONITOR OUT DVD/LD TV/DBSIN OUTVCR

VIDEO SIGNAL

CD

TAPE ( MD )

DVD/LDPHONO TV/DBSVCRTAPEPB

RECOUT

IN OUT

AUDIO SIGNAL3 4

1

CENTER

OUTPUT

SUBWOOFER

REAR

CENTER

C DDUAL

SINGLE

CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING.

MAIN

SPEAKERS

A

B

MAINLEVEL

MAINS


A B:8ΩMIN./SPEAKER

CENTER

MAIN



CENTER

MAIN

IMPEDANCE SELECTOR

10dB 0dB

GN

D

OU

TP

UT

AU

DIO

IN

VID

EO

IN

AU

DIO

OU

T

VID

EO

OU

T

VID

EO

IN

AU

DIO

OU

T

VID

EO

OU

T

I00W MAX. TOTALSWITCHED

AC OUTLETS

LIN

E O

UT

LIN

E IN

OU

TP

UT

VID

EO

OU

T

AU

DIO

OU

T

(Europe model)

To AC outlet

Turntable

LD player etc.

Video cassette recorder TV/Satellite tuner

Tape deck, MD recorder, etc.

CD player

Monitor TV

*2

*1

RX-V492RDS

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AC OUTLET(S) (SWITCHED)(Europe model) ................................. 2 SWITCHED OUTLETS(U.K. model) ........................................ 1 SWITCHED OUTLETUse these to connect the power cords from your componentsto this unit.The power to the SWITCHED outlets is controlled by this unit’sPOWER switch or the provided remote control transmitter’sPOWER key. These outlets will supply power to anycomponent whenever this unit is turned on.The maximum power (total power consumption of components)that can be connected to the SWITCHED AC OUTLET(S) is100 watts.

GND terminal (For turntable use)Connecting the ground wire of the turntable to the GNDterminal will normally minimize hum, but in some cases betterresults may be obtained with the ground wire disconnected.

*1

*2

RX-V392RDS

FMANT

AMANT

GND

75ΩUNBAL.

GND

MONITOR OUT VIDEO IN OUTVCR

VIDEO SIGNAL

CD

TAPE ( MD )

VIDEOPHONO VCRTAPEPB

RECOUT

IN OUT

AUDIO SIGNAL3 4

1

CENTER

OUTPUT

SUBWOOFER

REAR

CENTER

C DDUAL

SINGLE


MAIN

SPEAKERS

A

B

MAINS


A B:8ΩMIN./SPEAKER



CENTER

MAIN

CENTER

MAIN

IMPEDANCE SELECTOR

I00W MAX. TOTALSWITCHED

AC OUTLETSMAINLEVEL

10dB 0dB

GN

D

OU

TP

UT

LIN

E O

UT

LIN

E IN

OU

TP

UT

AU

DIO

IN

VID

EO

IN

AU

DIO

OU

T

VID

EO

OU

T

VID

EO

IN

VID

EO

OU

T

AU

DIO

OU

T(Europe model)

To AC outlet

Turntable

LD player etc.

Video cassette recorder

Tape deck, MD recorder, etc.

CD player

Monitor TV

*2

*1

10

CONNECTING SPEAKERS

CENTER

OUTPUT

SUBWOOFER

REAR

CENTER

C DDUAL

SINGLE


MAIN

SPEAKERS

A

B


A B:8ΩMIN./SPEAKER

CENTER

MAIN



CENTER

MAIN

IMPEDANCE SELECTOR

Rear speaker Rear speaker

Center speaker

Main speakers B

LeftRight

Left Right

Main speakers A

Subwoofer system

LeftRight

NoteUse speakers with the specified impedance shown on the rearof this unit.

Note on main speaker connections:One or two speaker systems can be connected to this unit. Ifyou use only one speaker system, connect it to either theSPEAKERS A or B terminals.

Note on a subwoofer connection:You may wish to add a subwoofer to reinforce low frequencies.Connect the SUBWOOFER OUTPUT terminal of this unit tothe INPUT terminal of the subwoofer amplifier, and connect thespeaker terminals of the subwoofer amplifier to the subwoofer.With some subwoofers, including the Yamaha Active ServoProcessing Subwoofer System, the amplifier and subwooferare in the same unit.

Note on center speaker connection:One or two center speakers can be connected to this unit. Ifyou cannot place the center speaker on or under the TV, it isrecommended to use two center speakers and place them onboth sides of the TV to orient the center sound at the centerposition. For connecting two center speakers, follow themethod shown below.

REAR

CENTER

C DDUAL

SINGLE

Center speaker Center speaker

(Europe model)

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For connecting to the MAIN SPEAKERS terminals

Red: positive (+)Black: negative (–)

➀ Unscrew the knob.➁ Insert the bare wire.

[Remove approx. 5mm(1/4”) insulation fromthe speaker wires.]

➂ Tighten the knob andsecure the wire.

For connecting to the REAR and CENTER SPEAKERSterminals

Red: positive (+)Black: negative (–)

➀ Press the tab.➁ Insert the bare wire.

[Remove approx. 5mm(1/4”) insulation fromthe speaker wires.]

➂ Release the tab andsecure the wire.

➁

➂

➀

12

3

How to Connect:Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections arefaulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.CautionDo not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damagethis unit and/or speakers.

MAIN LEVEL switchNormally set to “0 dB”. If desired, you can decrease theoutput level at the MAIN SPEAKERS terminals by 10 dB bysetting this switch to “–10 dB”.

FMANT

AMANT

GND

75ΩUNBAL.

GND

PHONO TAPEPB3

MAINLEVEL

10dB 0dB

12

CENTER OUTPUT terminalThis terminal is for center channel line output. There is noconnection to this terminal when you use the built-in amplifier.However, if you drive a center speaker with an external poweramplifier, connect the input terminal of the external amplifier tothis terminal.

SUBWOOFER OUTPUT terminalThis terminal is for connecting with the input terminal of anamplifier for driving a subwoofer. This terminal outputs only frequencies below 150 Hz (200 Hzfor General model only) from the main and center channels.

NoteOutput level of signals from these terminals are adjustedby the use of VOLUME control on the front panel or VOLUMEkeys on the remote control transmitter.

OUTPUT terminals (for driving speakers with external amplifiers)

Be sure to switch this only when the power of this unit is turnedoff. Select the position whose requirements your speaker systemmeets.

WARNINGDo not change the IMPEDANCE SELECTOR switchsetting while the power to this unit is on, otherwise thisunit may be damaged.

(Upper position)

Rear: The impedance of each speaker must be 6Ω orhigher.

Center: If you use one center speaker, the impedance of thespeaker must be 6Ω or higher.If you use two center speakers, the impedance ofeach speaker must be 3Ω or higher.

Main: If you use one pair of main speakers, the impedanceof each speaker must be 4Ω or higher.If you use two pairs of main speakers, the impedanceof each speaker must be 8Ω or higher.

(Lower position)

Rear: The impedance of each speaker must be 8Ω orhigher.

Center: If you use one center speaker, the impedance of thespeaker must be 8Ω or higher.If you use two center speakers, the impedance ofeach speaker must be 4Ω or higher.

Main: If you use one pair of main speakers, the impedanceof each speaker must be 8Ω or higher.If you use two pairs of main speakers, the impedanceof each speaker must be 16Ω or higher.

IMPEDANCE SELECTOR switch


A B:8ΩMIN./SPEAKER

CENTER

MAIN



CENTER

MAIN

IMPEDANCE SELECTOR

CENTER

OUTPUT

SUBWOOFER

(Europe model)

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glishANTENNA CONNECTIONS

Each antenna should be connected to the designated terminals correctly, referring to the following diagram. Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal

strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experiencepoor reception quality, an outdoor antenna may result in improvement.

Connecting the AM loop antenna

* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.* The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.

GND terminalFor maximum safety and minimum interference, connect theGND terminal to a good earth ground. A good earth ground isa metal stake driven into moist earth.

Notes When connecting the indoor

FM antenna, insert itsconnector into the FM ANTterminal firmly.

If you need an outdoor FM antenna to improve FM reception quality, either 300-ohm feeder or coaxial cable may be used. In locationstroubled by electrical interference, coaxial cable ispreferable.

FMANT

AMANT

GND

75ΩUNBAL.

GND

➀

➁

➂Orient so that the bestreception is obtained.

1 2 3

Outdoor FM antenna Outdoor AM antenna

AM loopantenna(included)

Ground

75-ohm/300-ohmantenna adapter

75-ohm/300-ohmantenna adapter

75-ohm coaxial cable

300-ohm feeder

Indoor FMantenna

(included)

14

CONTROLS AND THEIR FUNCTIONSFRONT PANEL

PRO LOGIC ENHANCEDCONCERT

VIDEOMONOMOVIE STADIUM

POWER

NATURAL SOUND AV RECEIVER RX–V492RDS

SPEAKERSPHONES

A

ON

B

OFF

BASS TREBLE BALANCE

VOLUME

5 54

3

2l 0 l

2

3

45 5

4

3

2l 0 l

2

3

4L R

l620

28

40

60

l2

8

4

2

0–dB

CINEMA DSP

5 54

3

2l 0 l

2

3

4

RDS MODE/FREQDELAY/

CENTER/REAREON FM/AM

MODE START MAN'L/AUTO FM

TUNINGMODE

AUTO/MAN'L MONO

CENTERMODE

DISCOCONCERT

HALLROCK

CONCERT EFFECT

DOWN TUNING UP

PTY SEEK MEMORY EDIT TIME/LEVEL

A/B/C/D/E 1 2 3 4 5 6 7 8

VCR DVD/LDTV/DBS

TAPE (MD) MONITOR

TUNER CDPHONO

1

9 0 A B C DEF GHJK M NOI L

2 3 4 5 6 87

POWER

NATURAL SOUND AV RECEIVER RX–V392RDS

SPEAKERSPHONES

A

ON

B

OFF

BASS TREBLE BALANCE

VOLUME

5 54

3

2l 0 l

2

3

45 5

4

3

2l 0 l

2

3

4L R

l620

28

40

60

l2

8

4

2

0–dB

CINEMA DSP

5 54

3

2l 0 l

2

3

4

RDS MODE/FREQ EON FM/AM

MODE START MAN'L/AUTO FM

TUNINGMODE

AUTO/MAN'L MONO

CENTERMODEDOWN TUNING UP EFFECT

PTY SEEK MEMORY EDIT PROGRAM

A/B/C/D/E 1 2 3 4 5 6 7 8

TAPE (MD) MONITOR VIDEOVCR

TUNER CDPHONO

REARLEVEL

CENTERLEVEL

0 l0 0 l0

1

9 0 A B C DEF GHJK M P Q ROI 7L

2 3 4 5 8

RX-V492RDS

RX-V392RDS

15

En

glish1 POWER switch

Press this switch to switch the power on. Press it again toswitch the power off.

2 Standby mode indicatorWhile the power is on, pressing the POWER key on the remotecontrol transmitter switches the unit to the standby mode. Inthis mode, this indicator is illuminated.

3 Remote control sensorReceives signals from the remote control transmitter.

4 Display panelShows various information. (Refer to page 17 for details.)

5 Input selector buttonsSelect a program source to listen to or watch. When a button ispressed, the name of selected source appears on the display.

6 DSP program selector buttons

RX-V492RDS only

Select a DSP program. When a button is pressed, the name ofselected program lights up on the display.

7 EFFECT buttonSwitches on/off the digital sound field processor (including theDolby Pro Logic Surround decoder).

8 VOLUME controlUsed to raise or lower the volume level.

9 PHONES jackWhen you listen with headphones, connect the headphones tothe PHONES jack. You can listen to the sound to be outputfrom the main speakers through headphones.When listening with headphones privately, set both theSPEAKERS A and B switches to the OFF position and switchoff the digital sound field processor (so that no DSP programname is illuminated on the display) by pressing the EFFECTbutton.

0 SPEAKERS switchesSet the switch A or B (or both A and B) for the main speakersystem (connected to this unit) you will use to the ON position.Set the switch for the main speaker system you will not use tothe OFF position.

A A/B/C/D/E buttonPress this button to select a desired group (A–E) of presetstations.

B Preset station number selector buttonsSelect a preset station number (1 to 8).

C Tone controlsThese controls are effective only for the sound from the mainspeakers.BASSUsed to increase or decrease the low frequency response.The 0 position produces flat response.TREBLEUsed to increase or decrease the high frequency response.The 0 position produces flat response.

D BALANCE controlAdjusts the balance of the output volume to the left and rightspeakers to compensate for sound imbalance caused byspeaker location or listening room conditions.

E RDS MODE/FREQ buttonWhen an RDS station is received, pressing this button changesthe display mode into the PS mode, PTY mode, RT modeand/or CT mode (if the station employs those RDS dataservices), and frequency display in turn.

F PTY SEEK MODE buttonWhen this button is pressed, the unit turns into the PTY SEEKmode.

G PTY SEEK START buttonPress this button to begin searching for a station after thedesired program type is selected in the PTY SEEK mode.

H EON buttonPress this button to select a desired program type (NEWS,INFO, AFFAIRS, SPORT) when you want to call a radioprogram of that program type automatically.

I FM/AM buttonsPress this button to switch the reception band to FM or AM.

PHONES

16

J MEMORY (MAN’L/AUTO FM) buttonWhen this button is pressed, the MEMORY indicator flashes forabout 5 seconds. During this period, select a desired presetstation number by pressing the corresponding preset stationnumber selector button to enter the displayed station into thememory.When this button is pressed and held for about 3 seconds, theautomatic preset tuning begins. (Refer to page 28 for details.)

K EDIT buttonThis button is used to exchange the places of two presetstations with each other.

L TUNING DOWN/UP buttonUsed for tuning. Press the “UP” side to tune in to higherfrequencies, and press the “DOWN” side to tune in to lowerfrequencies.When this unit is in the PTY SEEK mode, pressing this switchchanges the currently selected program type.

M TUNING MODE (AUTO/MAN’L MONO) buttonPress this button to switch the tuning mode to automatic ormanual. To select the automatic tuning mode, press thisbutton so that “AUTO” lights up on the display. To select themanual tuning mode, press this button so that “AUTO” goesoff.

N DELAY/CENTER/REAR and TIME/LEVEL +/– buttons

RX-V492RDS only

Adjust the delay time (DELAY), the center channel output level(CENTER) and the rear channel output level (REAR). Select the item which you want to adjust by pressing theDELAY/CENTER/REAR button and adjust its time or level bypressing the TIME/LEVEL +/– button.

O CENTER MODE buttonSelects a center channel output mode (NORMAL, WIDE orPHANTOM). (For details, refer to page 21.)

P PROGRAM selector button

RX-V392RDS only

When the built-in digital sound field processor (including theDolby Pro Logic Surround decoder) is on, this button changesthe currently selected DSP program whenever the right or leftside of this button is pressed.

Q CENTER LEVEL control

RX-V392RDS only

Adjusts the sound output level of the center speaker.

R REAR LEVEL control

RX-V392RDS only

Adjusts the sound output level of the rear speakers.

17

En

glishDISPLAY PANEL

PRESET

kHzMHz

MEMORY AUTO PTY HOLD

SLEEP

TAPE MON

STEREO

0 20 l00

ms dB

PRO LOGICENHANCED

CONCERTVIDEO

MONOMOVIE STADIUM

DISCO ROCK CONCERTCONCERT HALL

NORMWIDE

PHANTOMEFFECT OFF

PS EON AFFAIRS SPORTNEWS INFO

RT CTPTY

1 2 3 5 6

C DA0 B97 8

4

1 Multi-information displayDisplays various information, for example station frequency,preset station number and name of selected input source.

2 STEREO indicatorLights up when an FM stereo broadcast with sufficient signalstrength is received.

3 Signal-level meterIndicates the signal level of the received station.If multipath interference is detected, the indication decreases.

4 SLEEP indicatorLights up while the built-in SLEEP timer is functioning.

5 Center channel mode indicatorsThe name of a selected center channel mode lights up onlywhen a program which uses the Dolby Pro Logic Surrounddecoder is selected.

6 EFFECT OFF indicatorLights up if neither the digital sound field processor nor theDolby Pro Logic Surround decoder is on. In this state, soundoutput is 2-channel stereo.

7 AUTO indicatorLights up when this unit is in the automatic tuning mode.

8 MEMORY indicatorWhen the MEMORY button is pressed, this indicator flashesfor about 5 seconds. During this period, the displayed stationcan be programmed to the memory by using the A/B/C/D/Ebutton and the preset station number selector buttons.

9 RDS mode indicatorsThe name(s) of RDS mode(s) employed by the currentlyreceived RDS station light(s) up. Illumination of the indicator onthe head of a name shows that the corresponding RDS modeis now selected.

0 PTY HOLD indicatorLights up while the search is performed in the PTY SEEKmode.

A EON indicatorLights up when an RDS station that employs the EON dataservice is received.

B Program type name indicatorsThe name selected in the EON mode lights up.

C TAPE MON indicatorLights up when the tape deck (or MD recorder etc.) is selectedas the input source by pressing the TAPE (MD) MONITORbutton.

D DSP program indicatorsThe name of a selected DSP program lights up when the built-in digital sound field processor and/or the Dolby Pro LogicSurround decoder is on.

18

REMOTE CONTROL TRANSMITTERThe remote control transmitter provided with this unit is designed to control all the most commonly used functions of this unit. If theCD player and tape deck connected to this unit are YAMAHA components designed for remote control compatibility, then thisremote control transmitter will also control various functions of each component.


DISC

POWER VOLUME

PLAY




– +

SLEEP

TAPEA/B

ON/OFF

TUNER

CD

PHONO

DELAY/CENTER/REAR

DVD/LDVCR TV/DBS

2

3

4

2

8

9

6

7

5

1

1REC/PAUSEDIR BDIR A PLAY

DISC

POWER VOLUME

PLAY




– +

SLEEP

TAPEA/B

ON/OFF

TUNER

CD

PHONO

VIDEOVCR

2

3

4

2

8

9

6

7

5

1

1


19

En

glishFor Control of This Unit

1 DELAY/CENTER/REAR and TIME/LEVEL +/– keys

RX-V492RDS only

Adjust the delay time (DELAY), the center channel output level(CENTER) and the rear channel output level (REAR). Select the item which you want to adjust by pressing theDELAY/CENTER/REAR key and adjust its time or level bypressing the TIME/LEVEL +/– key.

DELAY TIME +/– key

RX-V392RDS only

Adjusts the delay time, or the time difference between thebegining of source sound and the begining of effect sound.(For details, refer to page 38.)

2 Tuner keysControls tuner.+: Selects higher preset station number.–: Selects lower preset station number.A/B/C/D/E: Selects the group (A – E) of preset station

numbers.

3 SLEEP timer keyThis key is used to turn the built-in SLEEP timer on and off,and to set the SLEEP time. (See page 39 for details.)

4 POWER keyTurns the power on/off.* While the power is on, pressing the POWER key on the

remote control transmitter switches the unit from the power-on mode to the standby mode, and vice versa. (In thestandby mode, the standby mode indicator on the front panelis illuminated.)

5 VOLUME +/– keysTurns the volume level up/down.

6 Input selector keysSelects input source.

7 Program selector keys

PROGRAM:When the built-in digital sound field processor (including theDolby Pro Logic Surround decoder) is on, this key changes thecurrently selected DSP program whenever the right or left sideof this key is pressed.

PROLOGIC:Directly selects the PRO LOGIC program.

ENHANCED:Directly selects the PRO LOGIC ENHANCED program.

8 EFFECT ON/OFF keySwitches on/off the digital sound field processor (including theDolby Pro Logic Surround decoder).

9 TEST keyUsed for speaker balance adjustment. (For details, refer topage 20–22.)

For Other Component Control

Identify the remote control transmitter keys with yourcomponent’s keys. If these keys are identical, their functionswill be the same. On each key function, refer to thecorresponding instruction on your component’s manual.

1 Tape deck keysControls tape deck.* DIR A, B and A/B are applicable only to double

cassette tape deck.* For a single cassette deck with automatic reverse

function, pressing DIR A will reverse the direction of tape running.

2 CD player keysControls compact disc player.* DISC is applicable only to compact disc changer.


DISC

POWER VOLUME

PLAY




– +

SLEEP

TAPEA/B

ON/OFF

TUNER

CD

PHONO

DELAY/CENTER/REAR

DVD/LDVCR TV/DBS

20

1

Set to the “∞” position.

2 Turn the power on.

3 Select the main speakers to be used.

* If you use two main speaker systems, press both the Aand B switches.

4

Set to the “0” position.

5

SPEAKER BALANCE ADJUSTMENTThis procedure lets you adjust the sound output level balance between the main, center, and rear speakers using the built-in testtone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same fromeach speaker. This is important for the best performance of the digital sound field processor and the Dolby Pro Logic Surrounddecoder.

SPEAKERS

A

ON OFF

B

BASS TREBLE

5 54

3

2l 0 l

2

3

45 5

4

3

2l 0 l

2

3

4

BALANCE

5 54

3

2l 0 l

2

3

4L R

l620

28

40

60

l2

8

4

2

0–dB

VOLUME

POWER


DISC

POWER VOLUME

PLAY




– +

SLEEP

TAPEA/B

ON/OFF

TUNER

CD

PHONO

VIDEOVCR

12

3

l620

28

40

60

l2

8

4

2

0–dB


4

55

TEST

21

En

glish

l620

28

40

60

l2

8

4

2

0–dB

6 Select the center channel output mode suitable for yourspeaker configuration.(Refer to “SPEAKER CONFIGURATION” on page 7.)

On the feature of each mode, refer to the “Note” shownbelow.

NoteIn step 6, when you select a center channel output mode, notethe following.

For 5 speaker configuration)NORMAL: Select this mode when you use a center speaker

that is smaller than the main speakers. In thismode, the bass tone will be output from the mainspeakers.

WIDE: Select this mode when you use the center speakerapproximately same sized as the main speakers.

For 4 speaker configuration)PHANTOM: Select this mode when you do not use the center

speaker. The center sound will be output from theleft and right main speakers.

7 Turn up the volume.

You will hear a test tone (like pink noise) from the left mainspeaker, then the center speaker, then the right mainspeaker, and then the rear speakers, for about two secondseach. The display changes as shown below.

* The test tone from the left rear speaker and the rightrear speaker will be heard at the same time.

8 Adjust the BALANCE control so that the effect soundoutput level of the left main speaker and the right mainspeaker are the same.

l620

28

40

60

l2

8

4

2

0–dB

VOLUME

CENTERMODE NORMAL

WIDE

PHANTOM

68 7

BALANCE

5 54

3

2l 0 l

2

3

4L R


DISC

POWER VOLUME

PLAY




– +

SLEEP

TAPEA/B

ON/OFF

TUNER

CD

PHONO

VIDEOVCR



DISC

POWER VOLUME

PLAY




– +

SLEEP

TAPEA/B

ON/OFF

TUNER

CD

PHONO

DELAY/CENTER/REAR

DVD/LDVCR TV/DBS

7 7

CONTINUED

Main (L)

Main (R)

Center

Rear (L and R)

9 Adjust the sound output levels of the center speaker andthe rear speakers so that they become almost as sameas that of the main speakers.

Make the adjustment of each speaker output level at yourlistening position with the remote control transmitter.

a) Press once or more so that “CENTER” or “REAR”appears on the display.* Select “CENTER” to adjust the output level of the

center speaker, and select “REAR” to adjust theoutput level of the rear speakers.

b) Adjust its level.* Pressing the + side raises and the – side lowers the

level.

10 Cancel the test tone.

Notes Once you have completed these adjustments, you can

adjust whole sound level on your audio system by usingthe VOLUME control (or the VOLUME keys on the remotecontrol transmitter) only.

If you use external power amplifiers, you may also usetheir volume controls to achieve proper balance.

RX-V492RDS only

In step 9, if the center channel mode is in the“PHANTOM” position, the sound output level of the centerspeaker cannot be adjusted. This is because in thismode, the center sound is automatically output from theleft and right main speakers.

If there is insufficient sound output from the center andrear speakers, you may decrease the main speakeroutput level by setting the MAIN LEVEL switch on therear panel to “–10 dB”.

22


DISC

POWER VOLUME

PLAY




– +

SLEEP

TAPEA/B

ON/OFF

TUNER

CD

PHONO

VIDEOVCR



DISC

POWER VOLUME

PLAY




– +

SLEEP

TAPEA/B

ON/OFF

TUNER

CD

PHONO

DELAY/CENTER/REAR

DVD/LDVCR TV/DBS

10109

RX-V392RDS

TIME/LEVEL– +

RX-V492RDS

DELAY/CENTER/REAR/SWFR

Disappears.

TEST

CENTERLEVEL

0 l0

REARLEVEL

0 l0

l620

28

40

60

l2

8

4

2

0–dB

9

23

En

glish

1

Set to the “∞” position.

2 Turn the power on.

3 Select the desired input source by using the inputselector buttons.(For video sources, turn the TV/monitor ON.)

* The name of the selected input source will appear onthe display.

4 Select the main speakers to be used.

* If you use two main speaker systems, press both the Aand B switches.

5 Play the source. (For detailed information on thetuning operation, refer to page 26.)

6

Adjust to the desired output level.

7 If desired, adjust the BASS, TREBLE and BALANCEcontrols (refer to page 25), and use the digital soundfield processor. (Refer to page 36.)

Notes on using the input selector buttons Note that pressing on each input selector button selects

the source which is connected to the corresponding inputterminals on the rear panel.

The selection of TAPE (MD) MONITOR cannot becanceled by pressing another input selector button. Tocancel it, press TAPE (MD) MONITOR again so that“TAPE MON” disappears from the display.When you select a button other than TAPE (MD)MONITOR, make sure that “TAPE MON” is not illuminatedon the display.

If you select the input selector button for a video sourcewithout canceling the selection of TAPE (MD) MONITOR,the playback result will be the video image from the videosource and the sound from the audio tape (or MD etc.).

Once you play a video source, its video image will not beinterrupted even if the input selector button for an audiosource is selected.

To turn off the powerPress the POWER switch again.

BASIC OPERATIONSTO PLAY A SOURCE

l620

28

40

60

l2

8

4

2

0–dB

VOLUME

SPEAKERS

A

ON OFF

B

l620

28

40

60

l2

8

4

2

0–dB

VOLUME

TUNER CDPHONO

POWER

1, 62

4 7

l620

28

40

60

l2

8

4

2

0–dB

3

24

1 Select the source to be recorded.

2 Play the source and then turn the VOLUME control upto confirm the input source. (For detailed informationon the tuning operations, refer to the page 26.)

3 Begin recording on the tape deck (or MD recorder etc.)or VCR connected to this unit.

4 If the tape deck (or MD recorder etc.) is used forrecording, you can monitor the sounds being recordedby pressing TAPE (MD) MONITOR so that “TAPEMON” lights up on the display.

NoteThe settings of DSP and the VOLUME, BASS, TREBLE andBALANCE controls have no effect on the material beingrecorded.

l620

28

40

60

l2

8

4

2

0–dB

VOLUME

TO RECORD A SOURCE TO TAPE (OR MD)

2

l620

28

40

60

l2

8

4

2

0–dB

1 4

TUNER CDPHONO

DVD/LDTV/DBS

TAPE (MD) MONITOR

CDPHONO

2

l620

28

40

60

l2

8

4

2

0–dB

14RX-V392RDSRX-V492RDS


TAPE (MD) MONITOR VCR

TUNER PHONO

25

En

glishSelecting the SPEAKER system

Because one or two speaker systems (as main speakers) canbe connected to this unit, the SPEAKERS switches allow youto select speaker system A or B, or both at once.

Adjusting the BALANCE controlAdjust the balance of the output volume to the left and rightspeakers to compensate for sound imbalance caused byspeaker location or listening room conditions.

NoteThis control is effective only for the sound from the mainspeakers.

Adjusting the BASS and TREBLEcontrols

BASS : Turn this clockwise to increase (or counter-clockwise to decrease) the low frequency response.

TREBLE : Turn this clockwise to increase (or counter-clockwise to decrease) the high frequency response.

NoteThese controls are effective only for the sound from the mainspeakers.

SPEAKERS

A

ON OFF

B

BALANCE

5 54

3

2l 0 l

2

3

4L R

BASS TREBLE

5 54

3

2l 0 l

2

3

45 5

4

3

2l 0 l

2

3

4

26

1 Select the reception band (FM or AM) confirming it onthe display.

2

3 Tune to a desired station manually.

* To continue tuning search, press and hold the button.

1 Select the reception band (FM or AM) confirming it onthe display.

2

3

To tune to a higher frequency, press the right side once.To tune to a lower frequency, press the left side once.* If the station where tuning search stops is not the desired

one, press again. * If the tuning search does not stop at the desired station

(because the signals of the station are weak), change tothe MANUAL TUNING method.

TUNING OPERATIONSNormally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) ispossible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).

Notes• If you tune to an FM station manually, it is received in

monaural mode automatically to increase the signal quality.

• When tuned in to a station, the frequency of the receivedstation is shown on the display. If an RDS station thatemploys PS data service is received, the frequency is thenreplaced by the station name. Refer to page 32 for details.

AUTOMATIC TUNING MANUAL TUNING

FM/AM

TUNINGMODE

AUTO/MAN’L MONO

TUNINGMODE

AUTO/MAN’L MONO

DOWN TUNING UP

DOWN TUNING UP

Turn “AUTO” off.

1

l620

28

40

60

l2

8

4

2

0–dB

23

or

FM/AM

or

AUTO

27

En

glish

1 Tune to a desired station.(Refer to the previous page for tuning procedure.)

2 Select a desired group (A – E) of preset stationsconfirming it on the display.

3

4 Select a preset station number where you want toprogram the station before “MEMORY” goes off from thedisplay.

* In the same way, program other stations to A2, A3 ... A8.* You can program more stations to preset station numbers

on other groups in the same way by selecting other groupsin step 2.

11 Select the group of preset stations.

22 Select the preset station number.

Notes• A new setting can be programmed in place of the former

one.• For presets, the setting of the reception mode (stereo or

monaural) is stored along with the station frequency.

Memory back-upThe memory back-up circuit prevents the programmed datafrom being lost even if the POWER switch is set off or thepower plug is disconnected from the AC outlet or the power iscut due to temporary power failure. If, however, the power iscut for more than one week, the memory may be erased. Ifso, it can be re-programmed by simply following the PRESETTUNING steps.

MANUAL PRESET TUNING

This unit can store station frequencies selected by tuning operation. With this function, you can recall any desired station by onlyselecting the preset station number where it is stored. Up to 40 stations (8 stations x 5 groups) can be stored.

PRESET TUNING

To store stations To recall a preset station

2, 11 34, 22

MAN’L/AUTO FM

MEMORY

MEMORY

A/B/C/D/EPRESET

A/B/C/D/E

Flashes on and offfor about 5 seconds.

PRESET

MHz AUTO

STEREO

0 20 l00

CONCERT HALL

Shows the displayed station has been programmed to A1.

l620

28

40

60

l2

8

4

2

0–dB

1 2 3 4 5 6 7 8

1 2 3 4 5 6 7 8

28

1

2

3

To tune to higher frequencies, press right side once.To tune to lower frequencies, press left side once.* If the TUNING button is not pressed, in a while, the

automatic preset tuning begins automatically toward higherfrequencies.

The automatic preset tuning begins from the frequencycurrently displayed. Received stations are programmed toA1, A2 ... A8 sequentially.* If more than 8 stations are received, they are also

programmed to the preset station numbers on other groups (B, C, D and E) in that order.

If you want to store the first station received by theautomatic preset tuning to a desired preset stationnumber.If, for example, you want to store the first received station toC5, select “C5” by using the A/B/C/D/E button and the presetstation number selector buttons after pressing the MEMORYbutton in step 2. Then press the TUNING button. The firstreceived station is stored to C5, and next stations to C6, C7 ...sequentially.If stations are stored up to E8, the automatic preset tuning isfinished automatically.

When the automatic preset tuning is finishedThe display shows the frequency of the last preset station.Check the contents and the number of preset stations byfollowing the procedure of the section “To recall a presetstation” on page 27.

To recall a preset stationSimply follow the procedure of the section “To recall a presetstation” on page 27.* A recalled station is shown by the frequency or station name

on the display.

Notes You can replace a preset station by another FM or AM

station manually by simply following the procedure of thesection “To store stations” on page 27.

The automatic preset tuning search will be performedthrough all RDS network frequencies until stations arestored up to E8. If the number of received stations is notenough to be stored up to E8, the search is finishedautomatically after searching all frequencies.

With this function, only RDS stations with sufficient signalstrength are stored automatically. If the station you want toprogram is weak in signal strength, tune to it in monauralmanually and program it by following the procedure of thesection “To store stations” on page 27.* There may be a case that this function cannot receive a

station which could be received by the automatic tuningmethod. This is because this function receives a largevolume of PI (Program Identification) data along with thestation.

AUTOMATIC PRESET TUNINGYou can also make use of an automatic preset tuning function for RDS stations only. By this function, this unit performs automatictuning and stores RDS stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as inthe manual preset tuning method on page 27.* Refer to page 30–34 for details on RDS stations.

To store stations

Press and hold forabout 3 seconds.

FM/AM

MAN’L/AUTO FM

MEMORY

l620

28

40

60

l2

8

4

2

0–dB

1 32

Flashes.

DOWN TUNING UP

PRESET

MEMORY AUTO

29

En

glishEXCHANGING PRESET STATIONS

You can exchange the places of two preset stations with each other as shown below.

Example)If you want to shift the preset station on E1 to A5, and viceversa.

1 Recall the preset station on E1 (by following the methodof “To recall a preset station” on page 27).

2

3 Next, recall the preset station on A5 by following thesame method with step 1.

4

Shows the exchange of stations is completed.

Flashes.

Flashes.

EDIT

EDIT

MEMORY

PRESET

MEMORY

PRESET

2, 4

l620

28

40

60

l2

8

4

2

0–dB

30

RDS (Radio Data System) is a data transmission system gradually being introduced by FM stations in many countries. Stationsusing this system transmit an inaudible stream of data in addition to the normal radio signal.RDS data contains various information, such as PI (Program Identification), PS (Program Service name), PTY (Program Type), RT(Radio Text), CT (Clock Time), EON (Enhanced Other Networks), etc.RDS function is carried out among the network stations.* This unit utilizes PI, PS, PTY, RT, CT and EON to receive RDS broadcast stations.

Displaying RDS data

In areas where RDS broadcasts cannot be received, the RDS broadcast functions do not operate. (The procedures from page 30 topage 34 are not necessary.)

This unit can be turned into the following four modes to displayRDS data.

PS (Program Service name) mode:Displays the name of the RDS station now being receivedinstead of the frequency.

PTY (Program Type) mode:Displays the type of the program on the RDS station now beingreceived. There are 15 program types to classify RDSstations. Refer to the next page for details.

RT (Radio Text) mode:Displays information about the program (such as title of thesong, name of the singer, etc.) on the RDS station now beingreceived.

CT (Clock Time) mode:Displays current time. This signal comes from the RDS stationnow being received.

EON (Enhanced Other Networks)mode:Automatically receives a program of the designated programtype when its broadcast starts, in place of the program nowbeing received. When the broadcast of the called programends, the previously received program (or another program onthe same station) is recalled.

PRESET

kHzMHz


SLEEP

TAPE MON

STEREO

0 20 l00

ms dB

PRO LOGICENHANCED

CONCERTVIDEO

MONOMOVIE STADIUM


NORMWIDE

PHANTOMEFFECT OFF


RT CTPTY

RECEIVING RDS STATIONS

31

En

glish

News:Short accounts of facts, events and publiclyexpressed views, reportage and actuality.

Current affairs:Topical program expanding or enlargingupon the news, generally in differentpresentation style or concept, includingdocumentary debate, or analysis.

Information:Program whose purpose is to impart advicein the widest sense, including meteorologicalreports and forecasts, consumer affairs,medical help, etc.

Sport:Program concerned with any aspect of sport.

Education:Program intended primarily to educate, ofwhich the formal element is fundamental.

Drama:All radio plays and serials.

Culture:Programs concerned with any aspect ofnational or regional culture, includingreligious affairs, philosophy, social science,language, theatre, etc.

Science:Programs about the natural sciences andtechnology.

Varied:Used for mainly speech-based programsusually of light-entertainment nature, notcovered by above categories. Examples are:quizzes, panel games, personality interviews,comedy and satire.

Pop:Commercial music, which would generally beconsidered to be of current popular appeal,often featuring in current or recent recordsales charts.

Rock:Contemporary modern music, usually writtenand performed by young musicians.

M.O.R.:(Middle of the Road Music). Common term todescribe music considered to be “easy-listening”, as opposed to Pop, Rock orClassical. Music in this category is often butnot always, vocal, and usually of shortduration (<5 min.)

Light classics:Classical Musical for general, rather thanspecialist appreciation. Examples of music inthis category are instrumental music, andvocal or choral works.

Serious classics:Performances of major orchestral works,symphonies, chamber music etc., andincluding Grand Opera.

Other music:Musical styles not fitting into any of the abovecategories. Particularly used for specialistmusic, of which Jazz, Rhythm & Blues, Folk,Country, and Reggae are examples.

NEWS

AFFAIRS

INFO

SPORT

EDUCATE

DRAMA

CULTURE

SCIENCE

VARIED

POP M

ROCK M

M.O.R. M

LIGHT M

CLASSICS

OTHER M

Program types in the PTY mode

32

Changing the RDS modesWhen an RDS station is received, “PS”, “PTY”, “RT” and/or “CT” that correspond to the RDS data services employed by the stationlight up on the display. By pressing the RDS MODE/FREQ button once or more, you can change the display mode among the RDSmodes employed by the received station in the order shown below. (The RDS mode not employed by the station cannot beselected.) Illumination of the indicator on the head of a name of RDS mode shows that the corresponding RDS mode is nowselected.* When an RDS station is received, do not press the RDS MODE/FREQ button until one or some names of RDS modes light up on

the display. If the button is pressed before one or some names light up on the display, the mode cannot be changed. This isbecause the unit has not received all of the RDS data on the station yet.

* If no name of RDS mode lights up on the display, the mode cannot be changed.

PS mode The name of the station being received is displayed.If the station does not employ the PS data service, this modewill not be selected.

PTY mode The type of the program on the station being received isdisplayed. If the station does not employ the PTY dataservice, this mode will not be selected.(You can make this unit search for a station which isbroadcasting a program of your desired program type. Fordetails, refer to the next page.)

RT mode Information about the program on the station being receivedis displayed. Information is displayed by a maximum of 64Roman Alphabets including umlaut sign. If other charactersare used on the RT data, they are displayed with under-bars. If the station does not employ the RT data service, this modewill not be selected.

CT mode Current time is displayed in the following form. The CT datafrom the station being received changes every minute.

If the data is accidentally cut off, “CT WAIT” may light up. Ifthe station does not employ the CT data service, this modewill not be selected.

Frequency The frequency of the station being received is displayed.display mode

RDS MODE/FREQ

Notes• RDS data service cannot be utilized by this unit if the received signal is not strong enough. Especially, the RT (Radio Text mode)

needs much data to be received, so it may occur that RT mode cannot be displayed even if other RDS modes (PS, PTY, etc.) aredisplayed.

• There may be a case that RDS data reception is not possible due to poor reception conditions. If so, press the TUNING MODEbutton so that “AUTO” goes off from the display. Though the reception mode is changed to monaural by this operation, when youchange the display to an RDS mode, RDS data may be displayed.

• If the signal strength gets weakened by external interference during receiving an RDS station, the RDS data service may be cut offsuddenly and “...WAIT” will light up on the display.

Hour Minute

33

En

glish

1 Turn the unit into the PTY SEEK mode.

* The program type of the station now being received or“NEWS” flashes on the display.

2 Select the desired program type.

3 Begin searching all preset RDS stations.

* “PTY HOLD” lights up on the display.

• If a station which broadcasts a program of the programtype is found, the unit stops at the station and displays thefrequency of the station.

• If the called station is not the desired one, press the PTYSEEK START button once more.The unit begins searching for another station whichbrodcasts a program of the same program type.

• To stop the search, press the PTY SEEK START buttononce more.

To cancel this functionIf the PTY SEEK MODE button is pressed once more, thePTY SEEK mode is canceled.

Calling a program of your desired program typefrom among preset RDS stations (PTY SEEK)

By designating a program type, the unit automatically searches all preset stations for an RDS station which broadcasts a program ofthat program type.* There are 15 program types to classify RDS stations. For details, refer to page 31.

Flashes.

Flashes.

l620

28

40

60

l2

8

4

2

0–dB

31

2

DOWN TUNING UP

MODE START

PTY SEEKMODE START

PTY SEEK

AUTO PTY HOLDPS RT CTPTY

34

1 Make sure that “EON” is illuminated on the display.

* If “EON” is not illuminated on the display, receive an (oranother) RDS station so that “EON” lights up on the display.

2 Select a desired program type, NEWS, INFO, AFFAIRSor SPORT.

Press once or more.

The search is performed among all preset RDS stations inthe background. If a program is found, the program isautomatically received when its broadcast starts.

3 When the broadcast of the called program ends, thepreviously received program (or another program onthe same station) is recalled.

To cancel this functionPress the EON button once or more, so that no program typename lights up on the display.

Flashes.

Lights up.

EON

Making this unit call a program of your desired program type automaticallywhen its broadcast starts

This function uses the EON (Enhanced Other Networks) data service on the RDS station network.By only selecting a desired program type (NEWS, INFO, AFFAIRS or SPORT), this unit automatically searches all preset RDSstations for a station that broadcasts a program of that program type in the background, and, if found, receives a program when itsbroadcast starts in place of the program now being received.* This function can be used only when an RDS station that employs the EON data service is received. (When such a station is

received, “EON” lights up on the display.)

l620

28

40

60

l2

8

4

2

0–dB

2

kHzMHz


SLEEP

TAPE MON

STEREO

0 20 l00

ms dB

PRO LOGICENHANCED

CONCERTVIDEO

MONOMOVIE STADIUM


NORMWIDE

PHANTOMEFFECT OFF


RT CTPTY

kHzMHz


SLEEP

TAPE MON

STEREO

0 20 l00

ms dB

PRO LOGICENHANCED

CONCERTVIDEO

MONOMOVIE STADIUM


NORMWIDE

PHANTOMEFFECT OFF


RT CTPTY

kHzMHz


SLEEP

TAPE MON

STEREO

0 20 l00

ms dB

PRO LOGICENHANCED

CONCERTVIDEO

MONOMOVIE STADIUM


NORMWIDE

PHANTOMEFFECT OFF


RT CTPTY

kHzMHz


SLEEP

TAPE MON

STEREO

0 20 l00

ms dB

PRO LOGICENHANCED

CONCERTVIDEO

MONOMOVIE STADIUM


NORMWIDE

PHANTOMEFFECT OFF


RT CTPTY

Brief Overview of Digital Sound Field Programs

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most ofthese are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actuallocations using sophisticated sound field measurement equipment.NoteThe channel level balance between the left and right rear effect speakers may vary depending on the sound field you arelistening to. This is due to the fact that most of these sound field recreations are actual acoustic environments.

PROGRAM FEATURE

This program is used for playback of sources encoded with Dolby Surround.PRO LOGIC The application of a sophisticated digital signal processing system reduces crosstalk and directs or steers

the sound source more smoothly and precisely, as compared to conventional types.

This program is also used for playback of sources encoded with Dolby Surround.

PRO LOGICEnhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker

ENHANCEDsystems of a 35 mm movie theater. This effect creates a wide surround sound field, and expands thesound stage with an improved presence image. This program is used for musical based movies, as well asdrama and comedy based movies.

CONCERT VIDEOThis program is effective for music videos and gives excellent depth and clarity for vocals. For opera, theorchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall.

MONO MOVIE

This program is designed specifically to enhance mono source programs. Compared to a strictly monosetting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending animmediacy to the overall sound. It is particularly effective when used with old mono movies, newsbroadcasts and dialog.

STADIUM This program gives you long delays between direct sounds and effect sounds, and extraordinarily spacious feel of a large stadium.

DISCO This program recreates the acoustic environment of a lively disco in the heart of a very lively city. Thesound is dense and highly concentrated. It is also characterized by a high-energy, “immediate” sound.

ROCK CONCERT This program is ideally suited for rock music. You will experience a very dynamic or lively sound field.

CONCERT HALLIn this program, the center will appear to be deep behind the main speakers, creating an expansive largehall ambience. Orchestra and opera music are suited for this sound field.

35

En

glish

USING DIGITAL SOUND FIELD PROCESSOR (DSP)This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expandand change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in yourlistening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, dependon what you will be listening to), and adding desired adjustments.

In addition, this unit incorporates a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of sources encoded withDolby Surround. The operation of the Dolby Pro Logic Surround decoder can be controlled by selecting a corresponding DSPprogram including a combined operation of the Yamaha DSP and the Dolby Pro Logic Surround.

36

1 Follow steps 1 – 6 shown in “BASIC OPERATIONS” onpage 23.

2 Select the desired program that is suitable for thesource.

a)

Turn the DSP on so that aprogram name lights up onthe display.

b)

Select a desired programconfirming it on the display.

The selected program name is shown on the display.

3 If desired, adjust the delay time and the output level ofeach speaker. (For details, refer to the correspondingdescriptions on page 37 and 38.)

Notes Program selection can be made to individual input sources.

Once you select a program, it is linked with the input sourceselected at that time. So, when you select the input sourcenext time, the same program is automatically called.

If you prefer to cancel the DSP, press the EFFECT button.The sound will be the normal 2-channel stereo withoutsurround sound effect.

When CONCERT VIDEO, MONO MOVIE, DISCO,STADIUM, ROCK CONCERT or CONCERT HALL isselected, no sound is heard from the center speaker.

When a monaural sound source is played with DOLBY PROLOGIC or DOLBY PRO LOGIC ENHANCED, no sound isheard from the main speakers and the rear speakers.Sound is heard only from the center speaker. However, ifthe center channel mode is in PHANTOM, the mainspeakers output the sound of the center channel.

When this unit’s Dolby Pro Logic Surround decoder is used,if the main-source sound is considerably altered byoveradjustment of the BASS or TREBLE control, therelationship between the center and rear channels mayproduce an unnatural effect.

To select a DSP program on the remote control transmitter,first turn the DSP on so that a program name lights up onthe display by pressing the EFFECT key. Next, select adesired DSP program by pressing the or side ofPROGRAM key.

* Pressing the PROLOGIC or ENHANCED key turnsthe DSP on and selects the corresponding programdirectly.

To play a source with the digital sound field processor

PROGRAM

PRO LOGIC

l620

28

40

60

l2

8

4

2

0–dB

2

EFFECT

ON/OFF

PROLOGIC ENHANCED

l620

28

40

60

l2

8

4

2

0–dB

2


DISC

POWER VOLUME

PLAY




– +

SLEEP

TAPEA/B

ON/OFF

TUNER

CD

PHONO

VIDEOVCR



DISC

POWER VOLUME

PLAY




– +

SLEEP

TAPEA/B

ON/OFF

TUNER

CD

PHONO

DELAY/CENTER/REAR

DVD/LDVCR TV/DBS

22


PRO LOGIC

PRO LOGIC ENHANCED

EFFECT

PROGRAM

37

En

glish

If desired, you can adjust the sound output level of the centerspeaker even if the output level is already set in “SPEAKERBALANCE ADJUSTMENT” on page 22.

1 Press once or more so that “CENTER” appears on thedisplay.

2 By continuously pressing the “+” or “–” side of theTIME/LEVEL button, the level value changes continuously.The value stops changing momentarily at the preset point(0 dB).

Control range: MIN, –20 to +10 dB

Notes This adjustment can be made only when the digital sound

field program DOLBY PRO LOGIC or DOLBY PRO LOGICENHANCED is selected.

Once the output level is adjusted, the level value will be thesame in all the digital sound field programs mentionedabove.

NoteThis adjustment is useful only when the digital sound fieldprogram DOLBY PRO LOGIC or DOLBY PRO LOGICENHANCED is selected.

Adjustment of the CENTER LEVEL

TIME/LEVEL


Adjustable

Adjustment of the REAR LEVEL

If desired, you can adjust the sound output level of the rearspeakers even if the output level is already set in “SPEAKERBALANCE ADJUSTMENT” on page 22.

1 Press once or more so that “REAR” appears on the display.

2 By continuously pressing the “+” or “–” side of theTIME/LEVEL button, the level value changes continuously.The value stops changing momentarily at the preset point(0 dB).

Control range: MIN, –20 to +10 dB

Notes This adjustment can be made only when the built-in digital

sound field processor is on.

Once the output level is adjusted, the level value will be thesame in all the digital sound field programs.

NoteIf no digital sound field program is used, this adjustment isuseless.

TIME/LEVEL


Adjustable

RX-V492RDS

RX-V392RDS

RX-V492RDS

RX-V392RDS

CENTERLEVEL

0 l0

REARLEVEL

0 l0

Adjustment of DELAY TIME

You can adjust the time difference between the beginning ofthe sound from the main speakers and the beginning of theeffect sound from the rear speakers.The larger the value, the later the effect sound is generated. This adjustment can be made to all programs individually.

PRO LOGIC : from 15 to 30 milliseconds(Preset value: 20 milliseconds)

PRO LOGIC : from 15 to 30 millisecondsENHANCED (Preset value: 20 milliseconds)CONCERT VIDEO : from 1 to 100 milliseconds

(Preset value: 28 milliseconds)MONO MOVIE : from 1 to 100 milliseconds

(Preset value: 20 milliseconds)STADIUM : from 1 to 50 milliseconds

(Preset value: 45 milliseconds)DISCO : from 1 to 100 milliseconds

(Preset value: 14 milliseconds)ROCK CONCERT : from 1 to 100 milliseconds

(Preset value: 17 milliseconds)CONCERT HALL : from 1 to 100 milliseconds

(Preset value: 30 milliseconds)

1 Press once or more so that “DELAY” appears on thedisplay.

2 By continuously pressing the “+” or “–” side of theTIME/LEVEL button, the value changes continuously.The value stops changing momentarily at the preset point.

* When the TIME/LEVEL button is pressed, sound ismomentarily interrupted.

This adjustment can be made by only using the remote controltransmitter.

* When the DELAY TIME key is pressed, sound ismomentarily interrupted.

NoteAdding too much delay will cause an unnatural effect withsome sources.

38

Notes

RX-V492RDS only

The values of the delay time, center level and rear level you setthe last time will remain memorized even when the power ofthis unit is off.However, if the power cord is kept disconnected for more thanone week, these values will be automatically changed back tothe original factory settings.

RX-V392RDS only

The value of the delay time you set the last time will remainmemorized even when the power of this unit is off.However, if the power cord is kept disconnected for more thanone week, these values will be automatically changed back tothe original factory settings.

TIME/LEVEL


Adjustable

RX-V492RDS

RX-V392RDS

ms

ms

DELAY TIME

Adjustable

ms

39

En

glish

1

Whenever the SLEEP key is pressed, the SLEEP time willchange as follows.

After a while, the display returns to the indication beforethe SLEEP timer is set.

2 The unit will be turned off automatically at the selectedSLEEP time.

SETTING THE SLEEP TIMERIf you use the SLEEP timer of this unit, you can make this unit turn off automatically. When you are going to sleep while enjoying abroadcast or other desired input source, this timer function is helpful.

Notes The SLEEP timer can be controlled only with the remote control transmitter. The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear

panel of this unit.

To set the SLEEP time

Press once or more to select the desiredSLEEP time.

To cancel the selected SLEEP time

Press once or more so that “SLEEP OFF” appears on thedisplay. (It will soon disappear and the “SLEEP” indicator willgo off from the display.)

NoteThe SLEEP timer setting can also be canceled by turning offthe power with the POWER switch or disconnecting the powerplug of this unit from the AC outlet.

Indicates the SLEEP time.

Lights up.

120 90 60 30

The SLEEP timer is off (OFF).(The state before the SLEEP keyis pressed.)

(Minutes)

SLEEPSLEEP

SLEEP

40

Am

plif

ier

FM

AM

Oth

ers

Rem

ote

co

ntr

ol

tran

smit

ter

TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simplemeasures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord andcontact your authorized YAMAHA dealer or service center for help.

SYMPTOM

The unit fails to turn on when the POWERswitch is pressed, or turns off suddenly soonafter the power is turned on.

No sound or no picture.

The sound suddenly goes off.

Only one side speaker outputs the sound.

Sound “hums”.

The volume level is low while playing a record.

The volume level cannot be increased, orsound is distorted.

No sound from the rear speakers.

No sound from the center speaker.

FM stereo reception is noisy.

There is distortion and clear reception cannotbe obtained even with a good FM antenna.

A desired station cannot be tuned in with theautomatic tuning method.

Previously preset stations can no longer betuned in.

A desired station cannot be tuned in with theautomatic tuning method.

There are continuous crackling and hissingnoises.

There are buzzing and whining noises(especially in the evening).

The remote control transmitter does not work.

The sound is degraded when listening with theheadphones connected to the compact discplayer or cassette deck that are connected withthis unit.

CAUSE

Power cord is not plugged in or is not completelyinserted.

The IMPEDANCE SELECTOR switch on the rearpanel is not set to the upper or the lower endexactly.

Incorrect output cord connections.

Appropriate input source is not selected.

The SPEAKERS switches are not set properly.

Speaker connections are not secure.

The protection circuit has been activated because of short circuit etc.

The SLEEP timer has functioned.

Incorrect setting of the BALANCE control.

Incorrect cord connections.

Incorrect cord connections.

No connection from the turntable to the GNDterminal.

The record is being played on a turntable with anMC cartridge.

The power to the component connected to the RECOUT terminals of this unit is off.

The sound output level to the rear speakers is setto 0.

The monaural sound source is played in DOLBYPRO LOGIC or DOLBY PRO LOGIC ENHANCEDmode.

The sound output level to the center speaker is setto 0.

The center channel mode is in PHANTOM mode.

Incorrect sound field program selection.

Because of the characteristics of FM stereobroadcasts, this is limited to cases where thetransmitter is too far away or the antenna input ispoor.

There is multipath interference.

The station is too weak.

This unit has been unplugged for a long period.

Weak signal or loose antenna connections.

Noises will result from ligtning, fluorescent lamps,motors, thermostats and other electrical equipment.

A television set is being used nearby.

Direct sunlight or lighting (of an inverter type offlourescent lamp etc.) is striking the remote controlsensor of the main unit.

The batteries of this remote control transmitter aretoo weak.

The power to this unit is off.

REMEDY

Firmly plug in the power cord.

Set the switch to the upper or the lower end exactly.

Connect the cords properly. If the problem persists,the cords may be defective.

Select an appropriate input source with the inputselector buttons.

Set the SPEAKERS switch which corresponds tothe speakers to be used to the ON position.

Secure the connections.

Turning the unit off and then on will reset theprotection circuit.

Cancel the SLEEP timer function.

Adjust it to the appropriate position.

Connect the cords properly. If the problem persists,the cords may be defective.

Firmly connect the audio plugs. If the problempersists, the cords may be defective.

Make the GND connection between the turntableand this unit.

The player should be connected to the unit throughthe MC head amplifier.

Turn the power to the component on.

Raise the sound output level to the rear speakers.

Select another program suitable for the monauralsound source.

Raise the sound output level to the center speaker.

Select NORMAL or WIDE.

Select the appropriate program.

Check the antenna connections.Try using a high quality directional FM antenna.Set the TUNING MODE button to the manual tuningmode.

Adjust antenna placement to eliminate multipathinterference.

Use the manual tuning method.Use a high quality directional FM antenna.

Repeat the presetting procedure.

Tighten the AM loop antenna connections androtate it for best reception.

Use the manual tuning method.

Use an outdoor antenna and a ground wire. Thiswill help somewhat but it is difficult to eliminate allnoise.

Relocate this unit away from the TV.

Change the position of the main unit.

Replace the batteries with new ones.

Turn the power to this unit on.

41

En

glish

SPECIFICATIONS

AUDIO SECTIONMinimum RMS Output Power per ChannelMain L, R

8 ohms, 20 Hz to 20 kHz, 0.04% THD<RX-V492RDS> .........................................65W+65W<RX-V392RDS> .........................................50W+50W

Center8 ohms, 1 kHz, 0.09% THD<RX-V492RDS>...................................................65W<RX-V392RDS>...................................................50W

Rear8 ohms, 1 kHz, 0.7% THD.............................20W+20W

Dynamic Power per Channel(by IHF Dynamic Headroom measuring method)<RX-V492RDS>

8/6/4/2 ohms ....................................95/115/145/165W<RX-V392RDS>

8/6/4/2 ohms ....................................80/100/120/135W

DIN Standard Output Power per Channel4 ohms, 1 kHz, 0.7% THD

[Europe model only]<RX-V492RDS>.................................................95W<RX-V392RDS>.................................................75W

IEC Power 8 ohms, 1 kHz, 0.1% THD

[Europe model only]<RX-V492RDS>.................................................80W<RX-V392RDS>.................................................60W

Power Band Width <RX-V492RDS>

8 ohms, 30W, 0.1% THD....................10 Hz to 50 kHz<RX-V392RDS>

8 ohms, 25W, 0.1% THD....................10 Hz to 50 kHz

Damping Factor (SPEAKERS A)8 ohms, 20 Hz to 20 kHz ...............................80 or more

Input Sensitivity/ImpedancePHONO MM......................................2.5 mV/47 k-ohmsCD/TAPE/DVD·LD/TV·DBS/VCR.........................................................150 mV/47 k-ohms

Maximum Input Signal PHONO MM

1 kHz, 0.5% THD .............................................100 mVCD/TAPE/DVD·LD/TV·DBS/VCR(EFFECT OFF)

1 kHz, 0.5% THD ..................................................2.5V

Output Level/ImpedanceREC OUT........................................150 mV/2.5 k-ohmsSUBWOOFER (EFFECT OFF)...............3.5V/1 k-ohms

Headphone Jack Rated Output/ImpedanceOutput Level (8 ohms, 0.04% THD)......................0.45VImpedance......................................................330 ohms

Frequency Response (20 Hz to 20 kHz)CD/TAPE/DVD·LD/TV·DBS/VCR......................0±0.5 dB

RIAA Equalization DeviationPHONO MM.....................................................0±0.5 dB

Total Harmonic Distortion (20 Hz to 20 kHz)PHONO MM to REC OUT

1V.......................................................................0.02%CD/TAPE/DVD·LD/TV·DBS/VCR to SP OUT

30W/8 ohms.......................................................0.03%

Signal-to-Noise Ratio (IHF-A Network)PHONO MM to REC OUT (5 mV Input Shorted) ............................................80 dBCD/TAPE/DVD·LD/TV·DBS/VCR to SP OUT (Shorted)..............................................................................93 dB

Residual Noise (IHF-A Network)MAIN L/R ............................................................140 µV

Channel Separation (Vol. –30 dB, EFFECT OFF)PHONO MM

(Input Shorted, 1 kHz).........................................60 dBCD/TAPE/DVD·LD/TV·DBS/VCR

(Input 5.1 k-ohms Terminated, 1 kHz) ................60 dB

Tone Control CharacteristicsBASS: Boost/cut...................................±10 dB (50 Hz)

Turnover Frequency............................(350 Hz)TREBLE: Boost/cut.............................±10 dB (20 kHz)

Turnover Frequency.......................(3.5 kHz)

Gain Tracking Error (0 to –60 dB).............................3 dB

42

SPECIFICATIONS

VIDEO SECTIONVideo Signal Type .....................................................PAL

Video Signal Level ..................................1 Vp-p/75 ohms

Maximum Input Level ............................1.5 Vp-p or more

Signal-to-Noise Ratio ................................50 dB or more

Monitor Out Frequency Response...................................................5 Hz to 10 MHz, –3 dB

FM SECTIONTuning Range .......................................87.5 to 108.0 MHz

Usable Sensitivity (75 ohms)DIN, Mono (S/N 26 dB)..........................................0.9 µVDIN, Stereo (S/N 46 dB) .........................................24 µV

Image Response Ratio .............................................80 dB

IF Response Ratio ....................................................80 dB

Spurious Response Ratio .........................................70 dB

AM Suppression Ratio ..............................................55 dB

Capture Ratio...........................................................1.5 dB

Selectivity (two signals, 40 kHz Dev. ±300 kHz)..................................................................................70 dB

Signal-to-Noise Ratio(DIN-Weighted, 40 kHz Dev.)

Mono/Stereo...............................................75 dB/70 dB

Harmonic DistortionMono/Stereo (40 kHz Dev.) ...............................0.1/0.2%

Stereo Separation (40 kHz Dev.) ............................50 dB

Frequency Response20 Hz to 15 kHz ..............................................0 ±1.5 dB

AM SECTIONTuning Range .........................................531 to 1,611 kHz

Usable Sensitivity .............................................100 µV/m

Selectivity................................................................32 dB

Signal-to-Noise Ratio..............................................50 dB

Image Response Ratio ...........................................40 dB

Spurious Response Ratio .......................................50 dB

Harmonic Distortion (1 kHz) .....................................0.3%

AUDIO SECTIONOutput Level/Impedance (40 kHz Dev.)

FM (100% mod., 1 kHz)....................400 mV/2.2 k-ohmsAM (30% mod., 1 kHz)......................150 mV/2.2 k-ohms

GENERALPower Supply ...........................................AC 230V, 50 Hz

Power Consumption<RX-V492RDS>...................................................230W<RX-V392RDS>...................................................200W

AC Outlets2 SWITCHED OUTLETS

[Europe model]...................................100W max. total1 SWITCHED OUTLET

[U.K. model] .......................................100W max. total

Dimensions (W x H x D) ...............435 x 151 x 266.5 mm(17-1/8” x 5-15/16” x 10-1/2”)

Weight<RX-V492RDS> ...........................8.7 kg (19 lbs. 2 oz.)<RX-V392RDS> ...........................7.8 kg (17 lbs. 3 oz.)

Accessories...........................................AM loop antennaIndoor FM antenna

75-ohm/300-ohm antenna adapter(U.K. model only)

Remote control transmitterBatteries

Specifications are subject to change without notice.

284 VY70040 Printed in France

SPECIFICATIES

VIDEO GEDEELTEVideo-signaaltype ......................................................PAL

Video-signaalniveau..................................1 Vp-p/75 ohm

Maximum ingangsniveau .......................1,5 Vp-p of meer

Signaal/ruis verhouding..............................50 dB of meer

Monitor-uit frekwentierespons .....5 Hz tot 10 MHz, –3 dB

FM GEDEELTEAfstembereik ......................................87,5 tot 108,0 MHz

Effectieve Gevoeligheid (75 ohm)DIN, Mono (Signaal/Ruis 26 dB) ..........................0,9 µVDIN, Stereo (Signaal/Ruis 46 dB)..........................24 µV

Spiegelfrekwentie Verhouding.................................80 dB

IF Frekwentiebereik Verhouding .............................80 dB

Parasitaire Frekwentieverhouding...........................70 dB

AM Ruisonderdrukkingsverhouding ........................55 dB

Opvangfrekwentieverhouding.................................1,5 dB

Selectiviteit (twee signalen, 40 kHz Afw. ±300 kHz)................................................................................70 dB

Signaal/Ruisverhouding(DIN-norm, 40 kHz Dev.)

Mono/Stereo.....................................................75/70 dB

Harmonische VervormingMono/Stereo (40 kHz Afw.) ..............................0,1/0,2%

Stereo Scheiding (40 kHz Afw.) ..............................50 dB

Frekwentiebereik20 Hz tot 15 kHz.............................................0 ± 1,5 dB

AM GEDEELTEAfstembereik.........................................531 tot 1.611 kHz

Effectieve Gevoeligheid.....................................100 µV/m

Selectivitei ...............................................................32 dB

Signaal/Ruisverhouding ..........................................50 dB

Spiegelfrekwentie Verhouding.................................40 dB

Parasitaire Frekwentieverhouding.......................... 50 dB

Harmonische Vervorming (1 kHz) ............................0,3%

AUDIO GEDEELTEUitgangsniveau/Impedantie (40 kHz Afw.)

FM (100% mod. 1 kHz) .....................400 mV/2,2 k-ohmAM (30% mod. 1 kHz) .......................150 mV/2,2 k-ohm

ALGEMEENSpanningsvereisten.................230V, 50 Hz wisselstroom

Stroomverbruik<RX-V492RDS> ...................................................230W<RX-V392RDS> ...................................................200W

Netspanningsuitgangen (AC OUTLETS)2 GESCHAKELDE NETSPANNINGSUITGANGEN

[Modellen voor Europa]........................................Max. totaal vermogen: 100W

1 GESCHAKELDE NETSPANNINGSUITGANG[Modellen voor Groot-Brittannië]........................................Max. totaal vermogen: 100W

Afmetingen (L x H x B) ..................435 x 151 x 266,5 mm

Gewicht<RX-V492RDS>...................................................8,7 kg<RX-V392RDS>...................................................7,8 kg

Toebehoren .............................................AM LusantenneFM Binnenantenne

75 ohm/300 ohm antenne-adapter (Alleen modellenvoor Groot-Brittannië)

AfstandbedieningBatterijen

Alle specificaties zijn onder voorbehoud en kunnenzondere nadere kennisgeving worden gewijzigd.

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADAYAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANYYAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCEYAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLANDYAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDENYAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Documents

RX-V492RDS RX-V392RDS - Yamaha Corporation · RX-V492RDS RX-V392RDS. 2 Indoor ... Transmisor de control remoto ... You are the proud owner of a Yamaha stereo receiver –an …