SCALE&scalapentatonicamaggiore&e&minore 1 4 2 4 1 3 1 3 1 4 1 4 2 4 2 4 1 4 1 4 2 4 2 4 1 4 1 4 1 3 1 3 1 3 1 4 2 4 2 4 1 3 1 4

SCALE

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SCALA PENTATONICA MAGGIORE E MINORE

1 42 4

1 31 31 41 4

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2 42 4

1 41 4

2 42 4

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1 41 41 31 31 31 4● ● ●●

2 42 4

1 31 41 4

2 4● ● ●●

1 31 4

1 41 31 31 3

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SCALA BLUES

0 31 3 4

0 20 1 20 30 3

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1 31 2 3

1 41 4

1 3 41 3

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1 41 41 3 41 31 2 31 4● ● ●●

1 3 41 3

1 2 31 41 4

1 3 4● ● ●●

1 31 4

1 41 3 41 31 2 3

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SCALA MAGGIORE E MINORE

1 2 41 2 41 31 3 41 3 41 2 4

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1 31 3 4

1 3 41 2 41 2 4

2 4● ● ●●

1 3 41 2 4

1 2 41 31 3 41 3 4● ● ●●

1 2 42 4

1 3 41 3 41 2 41 2 4

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1 3 41 3 4

1 2 41 2 4

1 31 3 4

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SCALA MINORE ARMONICA

1 1 3 42 3

1 2 42 3

1 3 41 1 3 4

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1 2 43 4

1 3 41 1 3 4

1 21 2 4

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1 3 41 1 3 41 21 2 4

2 31 3 4

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1 21 2 4

2 31 3 4

1 1 3 42 3

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2 31 3 4

1 1 3 41 21 2 4

1 3 4● ● ●●


SCALA MINORE MELODICA

1 2 4 42 4

1 2 41 3 4

1 31 1 3 4

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1 2 41 3 41 3

1 1 3 41 31 2 4

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1 31 1 3 41 31 2 41 3 4

2 4● ● ●●

1 31 2 4

1 3 41 3

1 1 3 42 4

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1 3 42 4

1 1 3 41 31 2 41 3 4

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SCALA PENTATONICA DI DOMINANTE

1 32 4

1 41 31 41 3

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1 32 3

1 41 3

2 41 4

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1 41 31 3

1 41 31 4● ● ●●

2 41 41 31 41 3

2 4● ● ●●

1 31 4

1 31 3

1 42 3

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SCALA DIMINUITA1 2 41 3 41 2 4

1 2 4 41 3 4

1 2 4● ● ●●

1 2 4 41 3 41 2 41 3 4

1 2 4 1 1 3 4

● ● ●●

1 3 41 2 4

1 3 41 2 4

1 2 4 41 3 4

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SCALA ESATONALE1 2 4

1 31 3

1 2 41 3

1 2 4● ● ●●

1 31 2 41 3

1 31 2 4

2 4● ● ●●


SCALA MAGGIORE ARMONICA

0 1 3 40 1 30 10 2 3

2 30 1 3 4

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1 21 3 4

2 31 2 4 41 2 4

2 3● ● ●●

2 31 2 4 4

1 2 41 21 3 4

1 3 4● ● ●●

1 2 42 3

1 3 43 4

1 2 4 41 2 4

● ● ●●

1 3 43 4

1 2 4 41 2 4

1 21 3 4

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SCALA AUMENTATA

1 1 4 41 21 2

1 22 3

1 1 4 4● ● ●●

2 31 1 4 41 2

1 22 3

1 4 4● ● ●●

1 22 32 3

1 1 4 42 3

3 4● ● ●●

1 21 21 2

2 31 1 4 4

2 3● ● ●●


ARPEGGI


ARPEGGIO TRIADE MAGGIORE

133

1 322

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41 411

34

● ● ●●

11

24

1 32

● ● ●●

34

1 321

4● ● ●●

1 42

13

41 3

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ARPEGGIO TRIADE MINORE

12

33

1 41

● ● ●●

33

1 31

24

● ● ●●

1 411

33

1 4● ● ●●

14

21 31

2● ● ●●

31 4

01

43

● ● ●●


ARPEGGIO TRIADE DIMINUITA

1 42

11 4

● ● ●●

42

1 3

1 43

● ● ●●

1 4

1 43

21 4

● ● ●●

1 43

11 4

1 4● ● ●●

21 4

1 43

2● ● ●●


ARPEGGIO TRIADE AUMENTATA

31 41

23

4● ● ●●

233

1 42

3● ● ●●

122

31 4

2● ● ●●

1 411

23

1 4● ● ●●


ARPEGGIO TRIADE SOSPESA

14

31 311

● ● ●●

42 3

11

43

● ● ●●

11

33

1 31

● ● ●●

44

1 211

4● ● ●●

1 31

0333

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ARPEGGIO SETTIMA MAGGIORE

14

3 41 41 2

2● ● ●●

3 41 4

1 11

33 4

● ● ●●

1 22

33 4

1 41 2

● ● ●●

33 4

1 31 2

24

● ● ●●

1 41 21

33 4

1 3● ● ●●


ARPEGGIO SETTIMA DI DOMINANTE

1 43

1 31 4

21 4

● ● ●●

2 41 411 4

32 4

● ● ●●

11 4

21 3

1 42

● ● ●●

32 4

1 321 4

3● ● ●●

1 42

1 43

2 41 3

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ARPEGGIO MINORE SETTIMA

1 42

1 33

1 41 4

● ● ●●

2 44

1 41 4

22 4

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1 41 411 3

31 4

● ● ●●

22 4

31 41 4

2● ● ●●

31 4

0 311 3

3● ● ●●


ARPEGGIO SEMIDIMINUITO

31 4

1 22

1 44

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2 43

1 43

1 41 3

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1 44

1 41 3

21 4

● ● ●●

1 41 31

1 43

1 4● ● ●●

21 4

31 41 3

2● ● ●●


ARPEGGIO SETTIMA DIMINUITA

1 43

1 42

1 41 4

● ● ●●

21 4

21 4

1 43● ● ●●

1 41 4

21 4

21 4● ● ●●


ARPEGGIO MINORE SETTIMA MAGGIORE

122 3

31 1 4

2● ● ●●

3 44

1 1 41

23 4

● ● ●●

1 1 411

2 33

1 1 4● ● ●●

23 43

1 1 42 4

3● ● ●●

30 1 40

12 3

3● ● ●●


ARPEGGIO DI DOMINANTE AUMENTATA

2 43

1 31 4

22 4

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1 31 41

2 43

2 4● ● ●●

12 42

1 31 4

2● ● ●●

31 2 41

22 4

3● ● ●●

0 411 3

21 3

0 4● ● ●●


ARPEGGIO DI DOMINANTE b5

14

2 31 3

21 4

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2 41 31

32 4

1 3● ● ●●

11 4

32 4

1 32

● ● ●●

32 4

1 22

1 44

● ● ●●

0 21

32 4

1 30 2

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ARPEGGIO SETTIMA MAGGIORE b5

14

3 41 31 21

● ● ●●

3 41 3

1 11

33 4

● ● ●●

1 21

33 4

1 31 2

● ● ●●

34 4

1 31 21

4● ● ●●

2 42 3

133 4

1 3● ● ●●


ARPEGGIO SETTIMA MAGGIORE #5

23

2 31 41 2

3● ● ●●

1 3 42

1 22

33 4

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1 2222 3

1 41 2

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31 3 411 2

34

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0 40 1

122 3

0 4● ● ●●


ACCORDI


TRIADE MAGGIORE

1 1 23 1 32 2 1

III VIII XII

1 1 21 2 11 3 3

V VIII XII

1 1 11 3 2

3 2 3

V IX XII

1 1 13 1 3

4 3 2V X II


TRIADE MINORE

1 1 12 1 3

3 1 2

III VIII XI

1 1 33 1 12 3 2

IV VIII XII

1 1 11 4 2

2 3 4

V VIII XII

1 1 12 1 4

4 2 3V X I


TRIADE DIMINUITA

1 3 13 1 3

4 2 1

I VII XI

2 1 43 2 1

1 4 3

IV VII XI

2 1 11 3 2

3 2 4

IV VIII XI

1 2 12 1 3

4 3 2IV IX I


TRIADE AUMENTATA

1 1 13 3 32 2 2

IV VIII XII

1 1 11 1 1

2 2 2

V IX I

1 1 12 2 2

3 3 3

V IX I

1 1 12 2 2

3 3 3VI X II


TRIADE SOSPESA

1 1 44 1 3

3 3 1

III VIII XII

2 1 21 4 11 3 4

V VIII XII

1 1 11 1 4

4 1 3

V X XII

1 1 14 1 11 4 1

V X III


QUADRIADI IN POSIZIONE FONDAMENTALE

4 4 2 42 1 1 2

3 3 3 31 1 1 1

III CΔ III C7 III C-7 II CØ

3 4 2 33 2 2 33 3 3 3

1 1 1 1

X CΔ X C7 X C-7 X CØ

3 4 1 12 1 1 1

4 3 3 21 1 1 1

VIII CΔ VIII C7 VIII C-7 VIII CØ

2 3 3 14 4 3 43 2 3 3

1 1 2 2VIII CΔ VIII C7 VIII C-7 VII CØ

2 1 3 14 3 4 4

3 1 2 3

1 1 1 2

III CΔ III C7 III C-7 II CØ


QUADRIADI SETTIMA MAGGIORE

3 3 4 13 1 1 13 4 1 3

1 2 1 2

X I V VIII

4 3 4 22 1 1 1

3 4 3 41 2 2 3

III V IX XII

3 3 4 12 1 1 1

4 4 3 41 2 2 3

VIII X II V

2 4 1 14 3 4 13 1 2 1

1 2 3 3VIII X I V

2 3 1 14 4 4 2

3 1 2 1

1 2 3 3

III V VIII XII


QUADRIADI SETTIMA DI DOMINANTE

4 4 2 12 1 1 1

3 3 1 21 2 1 1

X I V VIII

4 4 4 31 1 1 1

3 3 3 41 2 2 2

III V IX XII

3 3 4 11 1 1 1

4 4 3 31 2 2 2

VIII X II V

3 2 1 14 4 4 1

2 1 2 1

1 3 3 2VIII X I V

1 2 1 14 4 4 3

1 1 2 1

1 3 3 2

III V VIII XII


QUADRIADI MINORI SETTIMA

2 4 4 12 1 1 1

3 3 3 11 1 2 1

X I IV VIII

2 4 4 41 1 1 1

3 3 3 31 2 2 2

III V VIII XII

1 3 4 11 1 1 1

4 4 3 41 2 2 3

VIII X I V

3 3 1 13 4 4 33 1 1 2

2 2 2 4VIII X I IV

3 3 1 14 4 4 4

2 1 1 2

1 2 3 3

III V VIII XI


QUADRIADI SEMIDIMINUITI

3 2 4 43 1 1 13 3 2 3

1 1 1 2

X I IV VII

4 3 4 42 1 1 1

3 4 3 31 2 2 2

III V VIII XII

1 3 4 21 1 1 1

2 4 3 41 2 2 3

VIII X I IV

1 4 1 14 3 4 23 1 1 1

2 2 2 3VII X I IV

1 3 1 14 4 4 4

3 1 1 1

2 2 2 3

II V VIII XI


QUADRIADI SETTIMA DIMINUITA

4 4 4 42 2 2 2

3 3 3 31 1 1 1

X I IV VII

4 3 4 41 1 1 1

3 4 3 32 2 2 2

II V VIII XII

3 3 3 31 1 1 1

4 4 4 42 2 2 2

VIII X I IV

1 1 1 13 3 3 3

1 1 1 1

2 2 2 2VII X I IV

1 1 1 14 4 4 4

1 1 1 1

2 2 2 2

II V VIII XI


QUADRIADI MINORE SETTIMA MAGGIORE

2 3 4 14 1 1 13 4 3 1

1 1 2 2

X I IV VIII

3 3 4 32 1 1 1

4 4 3 21 2 2 4

III V VIII XII

2 3 4 13 1 1 1

4 4 3 21 2 2 3

VIII X I V

1 4 1 11 3 4 3

2 1 1 2

1 2 2 4VIII X I IV

2 3 1 14 4 4 33 1 1 2

1 2 3 4

III V VIII XI


QUADRIADI SETTIMA MAGGIORE #5

3 4 4 12 1 1 4

4 3 1 31 2 2 2

X I V VIII

3 4 4 12 1 1 1

4 3 2 31 2 3 2

III V IX I

3 3 4 12 1 1 2

4 4 2 41 2 3 3

VIII X II V

3 3 1 13 4 4 13 1 2 2

1 2 3 3VIII X I V

3 3 1 14 4 4 3

2 1 2 2

1 2 3 4

III V VIII XII


QUADRIADI SETTIMA MAGGIORE b5

4 3 4 23 1 2 1

2 4 2 41 2 1 3

X I IV VII

4 3 4 23 1 1 12 4 2 4

1 2 1 3

III V IX XI

3 2 4 23 1 1 13 4 2 4

1 3 1 3VIII X II IV

1 4 1 24 2 4 23 1 3 1

2 2 2 4VII X I IV

1 4 1 24 3 4 3

3 1 3 1

2 2 2 4

II V VIII XI


QUADRIADI SETTIMA #5

3 4 3 22 1 1 4

4 3 1 31 2 2 1

X I V VIII

3 4 4 11 1 1 1

4 3 2 21 2 3 1

III V IX XI

3 3 3 11 1 1 3

4 4 2 41 2 4 2

VIII X II V

4 2 1 13 4 3 1

2 1 2 3

1 3 4 2VIII X I V

3 2 1 14 4 4 4

2 1 2 3

1 3 3 2

III V VIII XII


QUADRIADI SETTIMA b5

4 3 4 33 1 3 12 4 2 4

1 2 1 2

X I IV VII

3 3 4 31 1 1 1

2 4 2 41 2 1 2

III V IX IX

4 2 4 22 1 2 1

3 4 3 41 3 1 3

VIII X II IV

1 2 1 24 2 4 2

3 1 3 1

2 4 2 3VIII X I IV

1 2 1 24 4 4 4

3 1 3 1

2 3 2 3

III V VIII XI


ACCORDI JAZZ FONDAMENTALI

4 4 4 33 3 3 4

2 1 1 12 2 2

1III G13 II C9 III D-9 II CΔ9

1 4 1 44 3 3 33 1 1 1

2 22 2

III A-11 II C7#9 II C7b9 II G-6

4 3 4 12 1 3 2

1 1 2 43 2

1 3III D-6/9 II C6/9 III G7#5 I Gsus4/9

1 3 11 4 4 41 1 3 31 21 2 2

1V Dsus9 IV D-6 III D-11 I FΔ13

3 1 1 11 2 1 11 4 3 1

2 3 2 2II G6/9 II A9 I Gb9#11 II G6/9#11


MAPPA DEGLI INTERVALLI

E’ possibile creare una mappa, sulla tas3era della chitarra, in modo da visualizzaretu8 gli intervalli rela3vi ad una qualsiasi nota.

La memorizzazione del disegno che segue 3 perme=erà di evitare tu=o il calcoloteorico rela3vo alle possibili alterazioni di un intervallo e al numero di semitoni:

La le=era “F” indica la nota fondamentale, in questo caso Ab, rispe=o a cui vengonocalcola3 tu8 gli intervalli.

La perfe=a memorizzazione di questo schema perme=e di capire gli elemen3 di cuiè formato un accordo o una scala e facilita la visualizzazione dei gradi di una tonalitàsul manico della chitarra.

Questa mappa è rela3va a Ab, ma evidentemente è possibile u3lizzarla per tu=e lenote spostando i pun3 di riferimento.

Il modo migliore per memorizzarla è dividerla in due par3: quella con la notafondamentale sulla sesta corda e quella con la nota fondamentale sulla quintacorda, come indicato dai re=angoli tra=eggia3.


MODULI



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SCALE&scalapentatonicamaggiore&e&minore 1 4 2 4 1 3 1 3 1 4 1 4 2 4 2 4 1 4 1 4 2 4 2 4 1 4 1 4 1 3 1 3 1 3 1 4 2 4 2 4 1 3 1 4