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Dustyrelief / B_mu
Bangkok, Thaïlande 2002
Architect ; R&Sie(n)
“Design of an Contemporary art
Museum
Scenario :
- Random relief calculated byparticles and pixelisation for a
pure grey ectoplasm under the
lightning grey sky of Bangkok
- Collecting the dust (particles of
carbon monoxide) of the city
(“Breeding the dust” of Duchamp...)
by an aluminium envelop and
electrostatics system.
- Exacerbating the skyzo climate
between interior (white cube and
labyrinth in an Euclidian geometry)
and exterior (dust relief on
topologic geometry), and using this
sun protection monolith interface
for in/outdoor exhibition.”
www.new-territories.com
Section NTS*
Srvcs
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Section
Dustyrelief / B_mu
Bangkok, Thaïlande 2002
Architect ; R&Sie(n)
There is a large percentage of space that is
enveloped by the skin of the B_mu Museum that
could be utilized for display/ storage as well
as within the skin itself. The logical kind of
artwork that could be housed in these space is
work already designed to withstand the elements.
Because there would be a concentration of
pollution in these space the patrons would be
required to wear gas masks or respirators
furthering the concept of the skin
exponentially. This concept places the patrons
in direct contact with the critical aspect of
the building in regards to it's context and thus
furthering the discourse of pollution and the
city of Bangkok.
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Cloud Gate
By:Anish Kapoor
Stainless Steel
$ 23 Million
383% of Budget
Millenium Park,
Chicago, Il
33’
66’
42’
12’
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Cloud Gate
By:Anish Kapoor
Stainless Steel
$ 23 Million
383% of Budget
Millenium Park,
Chicago, Il
33’
66’
42’
12’
Concept:
As with the B_mu Museum in the city of Bang
there is a large percentage of space that i
enveloped by the shell of "Cloud Gate." The
also an incredible structural system at wor
that allows for this 110 ton sculpture to s
By allowing this skin to be inhabitable pat
of Millennium Park and Cloud Gate enthusias
can appreciate the sculpture from many
perspectives, not just the exterior. By ent
below and then having the cut out past the
tangent of a ground level viewer, the main
concept of the sculpture remains intact of
blurring the boundary between the work and context. This is also emphasized with the v
up out of the cut out that only allows view
to see the sky. This goes along with Kipoor
notion of a multidimensional gate the work
explores. The amount of steel that is remov
will be offset by potential weight of occup
and additional circulation needed to occupy
interior safely.
