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8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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drogues
6lect ro-ch
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cerveaux
6lect roniques
- environnements ensoriels
usaged'agents
himiques ans a nourr i ture,
Ie contr6leef f icacedes masses.
hypnot isme ans es
mass-media
t6l6v is ion,
ul t rasons
pour
contr6ler es d6monstrat ions
d6ve
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de
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absolu
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par
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logie
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par
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ques)
et
par
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d'org
m cro-eectr iq
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et
de subst i tuts
lect roniques
our
es
(vue,
ouie) ,
permet tant
eur contr6le6ventuel .
controleabsoludes
gdnes par
:
modif ic
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humain
mesure
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d'esclav
remise
en
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de l'6tre humain,avec I'apparition
proc
des cerveaux 6lect roniques ioniques capable de
d6c
d'emot ion t de cr6at ion
y
compr is ur le
plan
art is t ique)
anatomie u
cerveau
c h im ie u
ce veau
facu
t6s
d'app endre
I 'eau
potab le , 'a i r
que l 'on resp i re . . . permet ta
r a d o . .
dans
les rues
analyse
(amniographie,
amnioscopie)
man
pu
at ion
(nanochi-
rurgie nf n t6s imale,
v i ro logie, iochimie)
permettant
-
perle
acc6l6r6ede la
vie
priv6e
-
moyens
lus
ef f icace e
I 'espionnagebuggi
central isat ion
ouvernementale
e I ' informa
par
des cerveaux
lect roniquesoordonn6s
d6humanisat ion
cc6l616e
pr ise en main progressive e tout l 'appare
s oc i a l , 6c onom ique ,
o l i c i e r
t m i l i t a i r e e l
c i6t6
par
des cerveaux6lect roniques ioni
se servantde Ia
logist ique
es
probldmes
e
l ' informat ion,
6lect ionn6e des
f ins d 'auto
loppement ,avec
pour
but ul t ime l '6v ic t io
I 'Homme, omme6tre
inf6r ieu
.
8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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I.
THE GIANT
MESSAGE
This work consists
f a
giant luminousmessagef 187 100watt floodlights
whrchwill sayal-
ternately,
n a
quick, flashing sequence ith
a short
period
of darknessn between
BURN
BABY and DROP
OUT. This socialmessage
mplies hat
youth
oday,
due o the
present
e-
cadence
f thi westernworld,
lias only two
possible hoices either o reiect
dre past otally n
order to construct
positivelya new world,
or to drop completely ut
of society. he ights are
burning the messagento the soul through he eyes dedicatedo Lil Picard).
2. SOCIETY
ESCAPES
NTO THE BEDROOM
This work
has
a
floor base
yards
by
1
yard
and
two horizontalwhite
borders
8 incheshigh'
into
which are set
en
300-watt
loodlights
on eachside.A black vinyl
mattress ccupieshe
space
etwen
he bordersand the
entire structures
mounted
on
heavysprings. he effect
of
this work
on the spectator
ho passeshrough t
is
threefold.
The
mattress nd springsmake
it
difficult for him
to keep his
balancewhile walking
through t.
Visual
stimulation s
pro-
vided n the
form of
the
programmed
llumination
of the lights,
which appear o rnovecont;
nuously
oward
the spectator.
uditory stimulation
s provided by the shrill
sound of two
alarm bells
which are
activated y two electric carpets
placednear
dre
center
and near the
far end under
he mattress.
3. THE LIVING
ROOM
God s Dead
Thereforew areLost n a Dark
Room,
This is a totally dark
room, oughlycircular,with ten openings.Eight
of theseopenings
re
falseexits eadingnowhere
the other wo are
he
entrance
nd the exit to the room.A loud-
speakers
placedaboveeachopening.
The
sound
an endlessepetition
f
:
-
is
programmedo
movearound he room counter'clockwise.
he effect of this
is that the
moment
he spectator nters
he room
he loses, ompletely
nd mmediately,
is sense f
orien-
tation.
This type of
sensorymanipulation s designedo cause
nxietyand
panic.
4. THE ACCUSERS
Accusser
1"
In this work, two 500-watt
loodligh*
alternate
with two
300"watt
loodlights in a slow
pulsa-
ting rhythm.
Not only is the
spectatorobliged to
pass
his obiect at close ange in order to con-
tinue through
the maze, but his walking is
made difficult by
the presenceof large
pebbles
on
the floor. The
sound or this, as
well as he other two
accusers,cot.tsists f a sharp, high-pit-
ched, repetitive clicking
sound.
Accuser 2
This
work consistsof a white
panel
supporting
12 loodlights
placed
as ollows
:
four 500-watt
lamps in the center, two l5Gwatt lamps abovethe center, two 150-watt amps below the cen-
ter,
two 300-watt
lamps ou the left
side, antl two
300-watt
amps
on the
right
side. By walk-
ing on three overlapping
electric mats
placed
about a
yard
from the
panel,
the spectatorwill
first activate the four 150-watt
amps, then the four
300-watt amps, and
finally
the
four
50&
watt lamps
;
all the
previous amps remain lit as he new onesare
added.The
last carpetwill also
activate a siren
(He is first
greetecl
by a strobe ight). This is an endurance est for the specta-
tor and offers him a
choice
betwen
several ntensities of lisht.
8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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B U R NB A B Y
DROPOU T
(dedicated
o Li l Picard)
8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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Accuser
3.
The floor
of this corritlor
is trough-shapecl
v+haped).
on
the wall
at the far encl
of the
cor-
ridor,
facing the
spectator,are
two
30Gwatt floocllights
which rotate
n
a
spiral,
off-axis,
move-
mer.rt n opposite
directions
ancl at
different speeds.
The spectator
must
walk towarcl
the two
moving
lights in
order to exit from
the corridor.
This
particular
situation
offers
two kincls
of
overload
the shapeof
the floor makcs
t .lifficult
to mrintain
onels
balance
while walkils
through it, and the two lights, moving ir oppositeclirectionsand at rlifferent spee.is, ugmeni
the
difficulty of concentrating
n
the task of
walking (engineer
Per
Biorn
-
EAT).
5.
THE
CONFESSIONAL
OFFIN
Symbolic Death for
Rebirth
As the spectatorenters
the mausoleum,
he flocrs and
walls of
which
are covered
with wreaths
of flowers,
he seesan opcn
coffin with a
seriesof
powerful
ligl.rts
n movement.
From
the cof-
fin, a voice epeats,
he person
may
then, if he
wishes,
enter the
coffin ancl
lie on a
mattress
which
is
placed
on the
bottom
of tlie coffin
with the
foot
sliglitlv
liigher than the head.
The licl is then closed
nd
the person
irst
expcriences
l/2 minuf,s
oi
total clarkness ccompanied
by the sound of the voice.This is followed. as the voice continues.
by 1 1/2 minutes of
56
programmed
floodlights
of
100watts
each,
place.l
as
ollow
: in 4 rows
of 6 lights each
25" above he head
of the spectator,
rorn
the heal
to rbout
the
mid.lle
of the
coffin
;
2 rows of 6 lights
eachon cachside
of
the coffin placed
at
a height slightly
above he
heacl of the spectator
ancl
parallel
to the lights
above
the head
of the
spectator
ancl,
at the
middle
of the coffin in front of
the spectator
(ancl
at the
same height
as the
two
side rows)
two rows
of
4
lamps each. The lamps
are
programmecl
o
appear o move
away from
the
spec-
tator, thus
giving
him
the impression
he is falling
backwarcl.
This is followed
by l/2
minute
of
total darkness.
The
lid
of the coffin is then
opened,
allowing
the spectatoi
o
come out or
to start
a secondcycle.The general
effect
of this work
is to causegreat
anxiety
to the
person
experiencingt. He may
alsoclie n the process.
6.
THE HOAX
Tliis is a
panel
supporting 4 x 300-watt
loodlights
which will flash
for one seconcl
very 12 se-
conds.
The
panel
is
placed
n
a long rectangular box
with a peephole
o
allow the
spectator
o
look irto the
box ancl face the
4
lamps.
A demoniacal
augh will serve
o artract
the spectator
to the
peephole.
Wtih this
absurclity, mean to imply
drat
thc entire exhibition
and
evcrything,
ls an aDsurolty.
ART
= REL IGIO N
CULTURE HA
-
HA
-
HA
We
must think again
die totality
of the humain
problem,
keeping in mincl
the
greatestpotentiality
of
Man's
development
(not
his
exploitation),
ancl usirg new
methods.
To
do so, we must first
destroy the
,
8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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I haveknown
eanTochesinceOctober
1965
when
we met at the BoninoGal lery.
His deep concern
or
humandest iny,
is
passionateeel ing
o{
Existent ia l
engagement , epresents
he best t radi t ion
of the
quasi-Gal l ic
ntel lectual .
This humanist icrai t
- -
which,
o our dishear len-
ment , s hal f forgot ten n the f lour ishing ubbleof
the uptownart business
pervades oche's work
and think ing,
nd is combined,
ia lect ical ly r
i ro-
nical ly ,wi th
the
' rery
product
of the
f lashy
n
up-
town technique
. . l ight .
Speaking
as one of {hg
"
pract ic ing
ight
ar t is ts
,
rnany l ight ar t wo rks current lybeing
shown are
of ten
oo
*
swcel and
"
decorat ive
.
This being
the case,
Toche
's
conscient ious nd aggressive
l ight
ar t s tands
ut ike a thunder-storm
n a muggy
summer f ternoon.
is work is
based
on the sc ien-
t i f ic s tudyof behavior ism nd psychologicalt ress,
which
br idges his
phi losophical
ommitment
nd
avant
garde
echn
que.
His
project a ser ies f l ight oomsand corr idors,
of
vary ing ntensi ty , onstel lat ion, onst ruct ion
is a sor t of
negat iveKatsuraRikyu.KatsuraRikyu,
the
most amous
garden
n Japan,and
doubi lessly
one of
the ear l iest xamples f
mixedmedia
em-
poral
environment , erves
o calm and moderaie
the
mind of the middle-aged oble as he st rol ls
through
t . Toche
s
l ight
garden
ampl i f ies ur ago-
ny, s tupi f ies ur sensibi l i t ies,isor ients ur direc-
t ion
;
but
in
a
paradoxical
ay, i t d i scharges ur
natural aggressivedr ives, our war inst inct ,and
Ieads o an Ar is totel ian athars is.
ln
the
latter days of the twen tieth century
-
after
Hiroshima nd
KonradLorenz KatsuraRikyu
s
trees,
brooks,and rocksshouldbe t ranslated
nto
187
X
100-wat i loodl ights, whi te-noise of f in,
and a
giant
uminousmessage.
NAM
JUNE PAIK
8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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i3lii *gisiisii;iigigtg;i
iriiisii;
iiilggi
;!
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I. LE MESSAGE
GEANT
Il s'agit d'un
message
umineux
gdant
(187 lampes
de
100
wath),
qui
fera apparaitre
alte nativement,
da
rythme rapide, entrecoup6 de
p6riodes
d'obscurit6 : BURN BABY, et
DROP OUT.
Par ce message
j'implique
que
la
jeunesse
d'aujourd'hui n'a
le choix qu'entre
deux
posibilitds,
vu la cldcadence
ctue
monde occidental :
ou bien le rejet
total
du
passl,
si I'on
veut
construire
positivement
un
monde nouvea
alors e dltachement
complet vis
I vis
de la soci6t6. es lampes brilent le message ans e
subconscient tr
les yeux (d4.th4 Lil Picard).
2.
LA
SOCIETESE
REFUGEDANS LA
CHAMBREA
COUCHER
Nous
avons ci un
parquet de
3
m de long sur 1 m de large, encadr6
de deux borclsblancs,
de 20
crn
de
clans esquelssont encastrds 0
lampes de
300 watts
chacunes
de chaque c6t6. Un matelas en vynil
noir
o
I'espace
ntre les cleux borclsblancs et le tout se trouve mont6 sur ressorts.Le
spectateur
qui
s'aventu
le matelas 6prouve
es trois sensations uivantes
le
matelas
et les essorts endent sacldmarche lifficile lors
traversie; une stimulation
visuelle
sous a forme d'une
programmation
umineuse ui
donne 'impressio
les
umidress'avancent ans
arrt vers ui; une stimulationauditive,
ous a
forme
de deux sonnettes 'a
puissantes, ctionn6es
par
deux tapis dlectriques,
plac6ssous
e matelas,vers e milieu et l'extrdmitd cle ce
las.
3. LE
LIVING ROOM
Dieu
est
mort;
d'oi nous
errofls,
pcrdus,
dans une chambre obscure.Notss avorrs ci une
chambre eo
tement noire,
presquecirculaire,
avec
clix ouvertures.Huit de
ces
ouvertures sont de fausses orties
ne m
nulle
part.
Un haut-parleur
est placd au dessusde chaqueouverture.Le son,une rdp6tition ncessante e >,
st programmd de
faEon
) se
mouvoir
autour
de la pidce,clans
e
sens
oppos6d'une montre. Dd
le spectateurentre dans cette
pidce,
l
perd
imm6diatement, et de faqon compldte, tout sens de directio
type de
manipulation sensoriellea
pour effet
de
provoquer
de I'anxidtd
et
dc la
panique.
4, LES TROIS ACCUSATEURS
L'ACCUSATEUR
Deux
lampes de
500
watts
alternent dans une pulsation trds lente avec
deux lampes cle 300 watts. Non
ment le spectateurdoit
s'approcher rds
prds
de cet objet
pour
pouvoir continuer
dans
le
labyrinthe,
mais
s
marche est
rencluedifficile
par
des
galets trds
larges
pos6s
sur le sol.
Le
son
pour
cet accusateur, insi que
les deux autres,
consisteen une haute frdquence rds aigue, r6pdt6e ans un rythme
trls
rapide.
L.ACCUSATEUR
Il s'agit ici d'un
par.rneau lanc supportant 12 lampes plac6es le a faEon
suivante :
4
lampes
de 500 wat
milieu; au clessus,eux lampesde 150watts; en dessous, eux lampes de 150 watts; sur le c6td ga
deux lampes
de
300
wans;sur le c6tddroit,6galementdeux ampes
de 300watts.En
marchant
sur trois
superpos6s, t
plac6s
environ 1
mdtre
du
panneau,
e spectateur allumera successivementes
4
lamp
150watts,
puis
les
4
lampesde
300
watts, et enfin l es 4 lampes de
500 watts,
jusqu')
ce que le
tou
allum6. Le dernier tapis actionneraen
m6me
temps une sirlne de
police.
Ceci est un test d'endurance
po
spectateur,
qui
estcl'abordaccueilli
par
une lumidre stroboscopique)et lui
offre un
choix
entre
plusieurs
sitdsde lumidres.
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REFERENCES
CREDIT
ON AGGRESSION
Dr.
KonradLORENZ
Doctor
at
the
MAX-PLANCK nst i tuteor
behavioral
physiology
n
Bavar ia) .
THE YEAR2.000:
Dr. Herman
KAHN
(Direcior
of the
Hudson nsi i tute)
nd Anthony
J. WIENER
(Chairman f the Hudson nst i tu ie) .
SENSORY EPRIVAT ION:
y m pos iume lda t
the
HarvardMedical
School ,L ibrary
f Congress,
Card N" 61
-
6353.
PSYCHOLOGICAL
TRESS: Mort imer
H. APPLEY,
(Dean
of York
Univers i ty , oronto)
and Richard
T R U M B U LL D i r ec t o r
f t he P s y c ho log i c a l
c i en -
ce Department .
Of f ice of
Naval Research,Was-
h n
glo
n).
THE STRESS F L IFE :
H ansS ey le ,M D
( D i r ec t o r
f
the Inst i tuteof Exper imentalMedecineand Sur-
gery;
l \4ontreal) .
ARCHITECT
and COORDINATOR
Jean Phi l ippe
COUNART,
ENGINEER
-
CesarPUTZEYS,
-
G ee r dS E E G E R S ,
-
P e r
B I O R N
E a t ) .
PHOTOGRAPHY:
u l ieABELES
cover,
he BecJroom,
' f
he Accuser) .
Henr i KESSELS The
message,he cof f in) ,
ELECTRONIC
OUIPMENT
Time-O-lVat ic
a \ ^ i + ^ Q + ^ ^ ^ t i ^ L + i ^ ^
ABCO
BLOCS TALLON
PRINTER
J.
VERMAUT,
WEWISH OAKNOWLEDGE
URGRATITUDEO
THECITY
OF BRUSSELS,
OR TS
COOPER
JeanTOCHE s born n Bruges
n 1932,
and l ives
n
New York s ince 1965.
8/10/2019 Toche - I Accuse - Livro de Exposio Em Bruxelas Em 1968
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HOSTILE
^/ORKSH