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V-V
ER
B P
RO
R
EV
24
96
1.0 2003 11
2
V-VERB PRO REV2496
( )
BEHRINGER Spezielle Studiotechnik GmbH BEHRINGER SHARC®
BEHRINGER© 2003 BEHRINGER Spezielle Studiotechnik GmbH
BEHRINGER Spezielle Studiotechnik GmbHHanns-Martin-Schleyer-Str. 36-38
47877 Willich-Münchheide II, GermanyTel. +49 2154 9206 0 Fax +49 2154 9206 4903
3
V-VERB PRO REV24961.
BEHRINGER V-VERB PRO V-VERB PRO
4 REV2496 2 96 kHz
2
1.1
1.1.1 REV2496
REV2496 19
1.1.2 REV2496
IEC
1.2
(www.behringer.com) MIDI
2.
V-VERB PRO
2.1
REV2496
LC
2.1: REV2496
LED
CLIP LED
EDIT A EDIT D
MIDI IN LED MIDI
LIMITER LED
LED SETUP
REV2496 EXTERNALLED
2.2: EDIT A D
4 EDIT A EDIT D
SETUP
EDIT A D
2.
4
V-VERB PRO REV2496
2.3:
ENGINE A ENGINE B ( )
2
A B
4 EDIT A D
COMBI.
COMBI .
EDIT
GRAPH EDIT GRAPH GRAPH
GRAPH EDIT
S T O R E
PAGE / ( 4)
COMPARE
COMPARE
C O M P A R E COMPARE LED
COMPARE
SETUP MIDI S E T U P
REV2496 SETUP 3.8
BYPASS SETUP I/O WET DRY MIX 2
I N T E R N BYPASS
EXTERN BYPASS
OK/TAP 2
OK: OK (
OK ) OK
TAP LFO
TAP
4 TAP
T
PRESET
POWER V-TONE
POWER
2.2
2.4:
6,3 mm XLR
V-VERB PRO
REV2496 2 XLR
2.5:
REV2496 XLR AES/EBU
AES/EBU S/PDIF
(AES/EBU S/PDIF) SETUP
2 4 9 6
k H z
SETUP
WORDCLOCK REV2496
BNC
2.
5
V-VERB PRO REV2496 6.4
2.6: MIDI
MIDI MIDI REV2496
MIDI IN MIDI MIDI OUT MIDI MIDI
MIDI THRU
REV2496
3.
3.1
REV2496
REV2496 2 ( )
( 3.7 )
REV2496 400 200 A B 200
200 100 2 100 (001 100)
BANK ROM (Read Only Memory) 100
USER 2
PRESET ROM (001 100) USER
(101 200)
3.1: REV2496
REV2496 14
( : ) REV2496
4
001 014 1
3.2
A B ENGINE A
ENGINE B COMBI. PRESET
OK/TAP
ENGINEA ENGINE B COMBI.
OK/TAP
FX Level
( 3.8.3 )
3.3
REV2496 (V-Verb 30)
4
EDIT
(GRAPH )
3.3.1
4 ( 3.1 )
3.1: A ( )
EDIT A B C D 4
EDIT D (FX Level) Mix( ) Gain ( )
3.
6
V-VERB PRO REV2496
3.2: ( )
3.3.2 EDIT EDIT EDIT
4 EDIT PAGE /
8 2
EDIT
3.2: EDIT 1
ROM 001 014 1 14
4
3.3.3 GRAPH EDIT GRAPH
EDIT GRAPH GRAPH
EDIT GRAPH
3.3: GRAPH
GRAPH 4 EDIT A D
EDIT
3.4
COMBI. A + B
3.4:
EDIT A EDIT B A EDIT C EDIT D
B 2
EDIT (EDIT ) 2 ( ) EDIT
EDIT
3.5: EDIT
3.3: COMBI.
ENGINE A ENGINE B B
( OK/TAP )
EDIT PRESET ( 1 6 1 4)
OK/TAP
4 ( 3.2 ) 4
EDIT
3.
7
V-VERB PRO REV24963.5 COMPARE
COMPARE
COMPARE LED
COMPARE ( )
3.6 STORE
Edited E
USER STORE STORE STORE
( 3.2 )
3.6: STORE
EDIT A PRESET
001 100 EDIT A
1 (COMBI: #preset)
EDIT B C D 12
EDIT C D
EDIT B E D I T B
1
O K STORE
3.7:
OK/TAP /
ENGINE A ENGINE B COMBI. STORE
STORE 2 EDIT A
3.7
STORE OK/TAP
3.8 SETUP
SETUP V-VERB PRO
M I D I 3.8.1 3.8.4
SETUP SETUP PAGE / 4
SETUP
EDIT S E T U P
(ENGINE A ENGINE B COMBI.)
3.8.1 I/O
3.8: SETUP 1
Master Input: EDIT A (ANALOG DIGIT.)
( 2 3 5 6 1 3) COMBI.
COMBI.-Edit LR A D
( 3.3 ) LED
Input Mode: EDIT B
Wet/Dry Mix: EDIT C Mix
REV2496 V-VERB PRO A U X
EXTERNAL REV2496 100%
Dry Mix
1 6: Dry
1 4: A Dry Mix B
R E V 2 4 9 6
INTERNAL
LCD Contrast: EDIT D
3.
8
V-VERB PRO REV24963.8.2 DIGI
3.9: SETUP 2
Clock Source: REV2496 44,1 48 96 kHz (
) BNC (WDCLK) (DIG. IN)
Input Source: EDIT B 2 (OPT.) XLR (XLR)
Dither und Noise Shaper: EDIT C 2
. 3.4:
( )
Output Format: EDIT D
AES/EBU (AES3) S/PDIF
S/PDIF XLR S /P D I F
3.8.3 GAIN
3.10: SETUP 3
+/- 6 dB
REV2496 2
LIMITER-LED LEB
REV2496 LED SETUP I/O
LED
3.8.4 MIDI
3.11: SETUP 4
MIDI ENGINE AB COMBI MIDI
MIDI
SEND RECEIVE / MIDI
MIDI Program Change ( )Controller SysEx ( )
MIDI ( A L L )
(EDIT) SysEx EDIT D
4.
30
SETUP Mix INTERNAL DRY ( )
( 3.8.1 ) Mix EXTERNAL DRY
4.
9
V-VERB PRO REV24964.1 V-Verb
V-Verb V-VERB PRO (ER)
(REV) 4
4.1: V-Verb
ER WID (Early Reflections Stereo Width) 0%
100% ER DLY(Early Reflections Predelay)
( ) ER DLY
REV WID (Reverb Stereo Width) REVDLY (Reverb Predelay) ER WID ERDLY
(SIZE)
REV DLY
ER/REV (Early Reflections/Reverb Mix) 0%
100%
DRY FX LVL (Effect Level) D R Y
FX LVL DRY SETUP Mix INTERNAL
E X T E R N A L
ER 2 LOCUT (Low Cut Filter)
HI FREQ/HI GAIN (High Frequency/High Gain)
ER TYPE (Early Reflections Type) AUDITO (
) CATHED (Cathedral = ) CONCER(Concert hall = ) HALLWY (Hallway =
) HANGAR ( / ) CHAMBE (Chamber = ) STADIU (Stadium = ) STAGE ( ).
ER SIZE (Early Reflections Size) MIC DIS(Microphone Distance)
1 5
MATERI (Wall Material) TOTAL ( ) GLASS
( ) FIBER (Fiber glass = ) MARBLE( ) CONCRE (Concrete = ) GYPSUM( ) WOODEN ( ) PLYWOO (Plywood =
) COTTON ( ) CARPET ( ) VELOUR( ) ACOUST (Acoustic = ) .
ER DIFF (Early Reflections Diffusion) 1
3 0
2 LOCUT (Low Cut Filter)
HI FREQ / HI GAIN (High Frequency / High Gain)
S I Z E DECAY
RT60
2 MTYPE (Modulat ion
Type) LINEAR RAND (Random)
MDEPTH (Modulation Depth) MSPEED (ModulationSpeed)
4 LO X-O (Low Xover Frequency) MID X-O (MidXover Frequency) HI X-O (High XoverFrequency)
LO DCY (Low Band Decay) DECAY MID DCY (Mid Band Decay)
HI DCY (High Band Decay)
DECAY
DIFF (Diffusion)
4.2 (Concert Hall, Cathedral, Theater)
3 ER
4.2:
L O C U T(Low Cut Filter) HIFREQ (High Frequency)/HI GAIN (High Gain)
ER/REV (Early Reflections/Reverb Mix) 0%
4.
10
V-VERB PRO REV2496100%
DRY INTERNAL FX LVL
(Effect Level) DRY FX LVL
ER TYPE (Early Reflections Type) BACK ( ) MIDDLE (
) FRONT ( ) BALCON () ER SIZE (Early Reflections
Size)
ER DIFF (Early Reflections Diffusion) ) 1
3 0 ER DLY (Early Reflections Predelay)
(
)
SIZE (Reverberator Room Size)
DECAY (Decay Time)
PREDLY (Reverb Predelay)
DIFF (Diffusion)
SPREAD
DAMP (Damping Frequency)
BASS (Bass Multiply) BASSDECAY (Decay Time)
BASS F (Bass Frequency)
2 MTYPE (Modulation Type)
L I N E A R R A N D( R a n d o m ) MDEPTH (Modulat ion Depth) MSPEED(Modulation Speed)
CATHEDRAL
CONCERT HALL EDIT 2 ER TYPE
CHURCH ( ) CHAPEL( ) CATHDR (Cathedral = ) CASTLE ( )
SPREAD
THEATER CONCERT HALL
CONCERT HALL (ER TYPE EDIT 2
) THEAT. ( ) ARENA ( ) CLUB () STADI. ( ) STAGE ( )
STUDIO ( ) OPERA ( ) AMPHI ().
ATTACK
SPREAD
4.3 (Gold Plate)
4
4.3:
ER/REV (Early Reflections/Reverb Mix) D R Y F X
LVL (Effect Level) D R Y
Mix INTERNAL FX LVL
DECAY (Decay Time) SIZE (Reverb Room Size)
PREDLY (Reverb Predelay)
DAMP (Damping Frequency)
BASS (Bass Multiply) BASSDECAY (Decay Time)
LO CUT (Low Cut Filter) HI FREQ (High Frequency) HI GAIN (High Gain)
DIFF (Diffusion)
4.
11
V-VERB PRO REV2496
MTYPE (Modulation Type) MDEPTH(Modulation Depth) MSPEED (Modulation Speed)
LINEAR RAND MDEPTH MSPEED
BAL 1 4 (Stereo Balance 1 4) 4 GAIN 1 4
DELAY 1 4 4 ER DIFF (Early Reflections Diffusion)
1 3 0
4.4 (Ambience, Gated Reverb, Reverse
Reverb)
3
4.4:
DRY FX LVL Mix INTERNAL
SIZE (Reverb Room Size) DECAY (Decay Time)
PREDLY (ReverbP r e d e l a y ) DIFF (Diffusion)
SPREAD ( )
LO CUT (Low Cut Filter) HI FREQ (High Frequency) HI GAIN (High Gain)
Mix
ATTACK (EDIT 1 )
DENS (Density)
EDIT 1 RISE (Rise Time)
LO CUT HI FREQ HI GAIN
BASS (Bass Multiply) DECAY BASS F (Bass Frequency)
4.5 (Delay)
2
4.5:
DL1 DL2 FDBDRY FX LVL (Effect Level)
D R Y FX LVL
2 LO FREQ (Low Frequency)/LO GAIN (Low Gain)
HI FREQ/HI GAIN
1 PREDLY (Pre Delay)
DELAY 1 (DelayTime)
2 FEEDB (Feedback Amount)
GAIN 1 BAL 1 (Balance)
2 1
DELAY 2 (Delay Time) FEEDB GAIN 2 BAL 2
1
4.
12
V-VERB PRO REV2496 1 2 TAP
LED
(EQ)
2 LO FREQ (Low Frequency)/LO GAIN (Low Gain)
HI FREQ/HI GAIN
4.6 (XOver Delay)
3
4.6:
FX LVL (EffectLevel) DRY
DRY EXTERNAL Mix (SETUP )
HI TYPE (High Filter Type)
6 12 18 dB HI FREQ (High Split Frequency)
LO TYPE (Low Filter Type) (6 12 18 dB) LO FREQ (Low Split Frequency)
3 EDIT
LO GAIN(Low Input Gain) MID GAIN (Mid Input Gain) HI GAIN(High Input Gain)
PREDLY (Pre Delay)
DELAY (1 2 3) TAP
FEEDB (Feedback Amount)
GAIN (1 2 3) BAL 1 2 3 (Balance)
4.7 / (Chorus/Flanger)
/4 6 8 4
4.7: /
MIX (Effect Mix) 0% 100%
40 60%
2 (EQ) HI FREQ/HI
GAIN LO FREQ/LO GAIN
M O D E STEREO ( ) QUAD (4 ) HEXA (6
) OCTA (8 ) GAIN (OutputGain) ( )
ST SPR (Stereo Spread) (0%)
(100%)
/ LFO (Low Frequency Oscillator) SPEED (Modulation
Speed) TAP
M O D D L Y(Modulation Delay)
PREDLY (PreDelay) DLYSPR (PreDelaySpread)
0% PREDLY
WAVE (LFO ) (0) (50)
PHASE (LFO Phase Spread) SPREAD (LFO FrequencySpread) 1
4.
13
V-VERB PRO REV24964.8 (Phaser)
4 12
4.8:
MIX (Effect Mix) (0%) (100%)
50 70%
LO CUT (Low Cut Frequency) HI CUT (High Cut Frequency)
STAGES 4 12 RESON (Resonance)
2 R E S H C(Resonance High Cut Frequency)
RES LC (Resonance Low Cut Filter)
GAIN (Output Gain) ( )
SPEED (Modulation Speed) TAP
WAVE (LFO Waveform) LFO
GRAPH
PHASE (LFO Phase Spread) SPREAD(LFO Frequency Spread) 1
LFO PHASE (
) LFO 0° 180° SPREAD
LFO0% LFO
(SPEED ) 100% LFO
RANGE (Sweep Range) DEPTH (LFO Modulation Depth) LFO
100% LFO RANGE
COLOR 1
LFO RESMOD (LFO Feedback Modulation Amount) LFO
RESON (Resonance) (EDIT 1 )
LFO PHASE (
) LFO LFO 0° ( ) 180° ( )
SPREAD () SPEED LFO
(0%) LFO
PAN ( ) OFF SYNC RAND
SYNC RAND (Random)
OFF PANSPD (Panning Speed)
F E E D B(Feedback Amount)
2 LO FREQ (Low
Frequency) LO GAIN (Low Gain) HI FREQ (High Frequency) HI GAIN (High Gain)
CROSSF (Cross Feedback Amount)
100%
LFOMOD (LFO Feedback Modulation Amount)
FEEDB
LFO ( ) Envelope LFOMOD (Envelope to LFO
Speed Modulation) LFO ATTACK (Attack
T i m e ) L F O H O L D(Ho ld T ime) LFO RELEAS (Release Time) HOLD LFO
4.
14
V-VERB PRO REV2496
L F O LFOMOD (Envelope to LFO Speed Modulation)
LFO ATTACK (Attack Time)
LFO HOLD (Hold Time)
LFO RELEAS(Release Time) HOLD LFO
4.9 (Tremolo)
4.9:
SPEED (Modulation Speed) TAP WAVE (LFO Waveform)
(1) (50) (100) WAVE
PHASE (LFO Phase) -180°
+180°
MIX (Effect Mix) GAIN (OutputGain) ( )
LFO LFOMOD (Envelope to LFO Speed Modulation)
LFO ATTACK (Attack Time) HOLD (Hold
Time) RELEAS (Release Time) LFO
HOLD LFO
4.10 (Compressor)
Peak RMS 2
4.10:
ATTACK (Attack Time) THRESH
HOLD (Hold Time)
RELEAS (Release Time) HOLD
THRESH (Compression Threshold) RATIO (Compression
R a t i o ) KNEE (Soft Knee)
0(Hard Knee) 10
GRAPH
M-GAIN (Make-Up Gain)
LOOKAH (Look Ahead Delay)
REV2496
FILTER (Side Chain Filter Mode) OFF
LP12dB ( 12 dB ) HP12dB (12 dB/
) LO SHV () HI SHV ( )
BP ( ) FREQ (Frequency)
GAIN Q
MODE (Compression Mode) PEAK
R M S R M S
1 20 ms
T R A N S
4.
15
V-VERB PRO REV2496X-MODE (Xover Filter )
WIDE LO 6 dB LO 12 dB
LO 18 dB HI 6 dB HI 12 dB
HI 18 dB 6
12 18 dB X-FREQ(Xover Split Frequency)
5 2 1
X LO 2 HI 1
2
5.
BEHRINGER V-VERB PRO
5.1 V-VERB PRO AUX
AUX REV2496 AUX 1
V-VERB PRO AUX SEND
V-VERB PRO AUX
5.1: AUX
5.1: REV2496 AUX SETUP
V-VERB PRO AUX SEND REV2496 Aux Return
A U X
Aux Send 1 REV2496
I/O Input Mode ( 3.8.1 )
1 REV2496
V-VERB PRO ( 5.1 ) REV2496
SETUP ( I/O ) EXTERNAL ENGINE
PRESET ( ROM 006) OK/TAP
Aux Return
AUX SEND EDIT
5.
16
V-VERB PRO REV24965.2 V-VERB PRO
REV2496
( BEHRINGER DDX3216 )
5.2: V-VERB PRO DDX3216
RE V2496 REV2496 XLR
5.2: REV2496 SETUP
Aux Send Aux Return 2
4 2
REV2496 1
5.3: REV2496 4 SETUP
REV2496 DIG. IN XLR OPT (
)
( B N C ) REV2496 WDCLK
REV2496 DIGI SETUP 3
(44,1 48,0 96,0 kHz) 1
6.
6.1
V-VERB PRO REV2496 19 1U 10cm
V-VERB PRO REV2496
M6
6.2
REV2496
REV2496
(XLR 1 3 )
6.1 XLR
6.
17
V-VERB PRO REV2496
6.2 6.3 mm
6.3 6.3 mm
6.3
AES/EBU AES3 2 2 4
( )
44,1 kHz 48 kHz 88,2 kHz 96 kHz AES/EBU
S/PDIF V-VERB PRO
S/PDIF
6.4 WORDCLOCK
REV2496
44.1 kHz 48kHz 88.2 kHz 96 kHz
6.5 MIDI
REV2496 MIDI MIDI
MIDI 5 DIN V-VERB PRO
MIDI MIDI
MIDI IN SETUP
MIDI THRU MIDI THRU MIDI V-VERB PRO
M I D I O U T V - V E R B P R O
7.
V-VERB PRO REV2496
www.behringer.com BEHRINGER (Tel.+49 2154 9206 4166)
V-VERB PRO REV2496 SETUP 1
8.
XLR 6.3 mm 22 kΩ +16 dBu
CMRR 40 dB
XLR
6.3 mm 100 Ω
+16 dBu
<10 Hz 20 kHz @ 44.1 kHz <10 Hz 22 kHz @ 48 kHz <10 Hz 46 kHz @ 96 kHz
S/N -90 dBu106 dB( )
THD 0.007 % @ +4 dBu, 1 kHz, 1< -100 dB( )< 1 ms( )
1XLR AES/EBU S/PDIF110 Ω 0,2 - 5 V peak-to-peak
2 TOSLINK
AES/EBU S/PDIF
1XLR AES/EBU S/PDIF110 Ω2,4 V peak-to-peak
8.
18
V-VERB PRO REV2496 2
TOSLINKAES/EBU S/PDIF
BNCWordclock (1 x Sample Rate)50 kΩ2 - 6 V peak-to-peak
MIDI 5 DIN In/Out/ThruMIDI
SHARC® DSP, 600 MFLOPs32-bit processing
24-bit/96 kHz44.1 kHz, 48 kHz, 96 kHz
9. MIDI
. 9.1: MIDI
*www.behringer.com
9. MIDI
128 x 64 (LCD),
Presets 100 ROM + 100 User, Engine A,B100 ROM + 100 User, Combinations
85 250 V , 50 - 60 Hztyp. 10 WT 1 A H
/ ( x x ) 44,5 mm x 482,6 mm x 217 mm
2.15 kg
BEHRINGER