18
V-VERB PRO REV2496 1.0 2003 11

V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

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Page 1: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

V-V

ER

B P

RO

R

EV

24

96

1.0 2003 11

Page 2: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

2

V-VERB PRO REV2496

( )

BEHRINGER Spezielle Studiotechnik GmbH BEHRINGER SHARC®

BEHRINGER© 2003 BEHRINGER Spezielle Studiotechnik GmbH

BEHRINGER Spezielle Studiotechnik GmbHHanns-Martin-Schleyer-Str. 36-38

47877 Willich-Münchheide II, GermanyTel. +49 2154 9206 0 Fax +49 2154 9206 4903

Page 3: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

3

V-VERB PRO REV24961.

BEHRINGER V-VERB PRO V-VERB PRO

4 REV2496 2 96 kHz

2

1.1

1.1.1 REV2496

REV2496 19

1.1.2 REV2496

IEC

1.2

(www.behringer.com) MIDI

2.

V-VERB PRO

2.1

REV2496

LC

2.1: REV2496

LED

CLIP LED

EDIT A EDIT D

MIDI IN LED MIDI

LIMITER LED

LED SETUP

REV2496 EXTERNALLED

2.2: EDIT A D

4 EDIT A EDIT D

SETUP

EDIT A D

2.

Page 4: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

4

V-VERB PRO REV2496

2.3:

ENGINE A ENGINE B ( )

2

A B

4 EDIT A D

COMBI.

COMBI .

EDIT

GRAPH EDIT GRAPH GRAPH

GRAPH EDIT

S T O R E

PAGE / ( 4)

COMPARE

COMPARE

C O M P A R E COMPARE LED

COMPARE

SETUP MIDI S E T U P

REV2496 SETUP 3.8

BYPASS SETUP I/O WET DRY MIX 2

I N T E R N BYPASS

EXTERN BYPASS

OK/TAP 2

OK: OK (

OK ) OK

TAP LFO

TAP

4 TAP

T

PRESET

POWER V-TONE

POWER

2.2

2.4:

6,3 mm XLR

V-VERB PRO

REV2496 2 XLR

2.5:

REV2496 XLR AES/EBU

AES/EBU S/PDIF

(AES/EBU S/PDIF) SETUP

2 4 9 6

k H z

SETUP

WORDCLOCK REV2496

BNC

2.

Page 5: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

5

V-VERB PRO REV2496 6.4

2.6: MIDI

MIDI MIDI REV2496

MIDI IN MIDI MIDI OUT MIDI MIDI

MIDI THRU

REV2496

3.

3.1

REV2496

REV2496 2 ( )

( 3.7 )

REV2496 400 200 A B 200

200 100 2 100 (001 100)

BANK ROM (Read Only Memory) 100

USER 2

PRESET ROM (001 100) USER

(101 200)

3.1: REV2496

REV2496 14

( : ) REV2496

4

001 014 1

3.2

A B ENGINE A

ENGINE B COMBI. PRESET

OK/TAP

ENGINEA ENGINE B COMBI.

OK/TAP

FX Level

( 3.8.3 )

3.3

REV2496 (V-Verb 30)

4

EDIT

(GRAPH )

3.3.1

4 ( 3.1 )

3.1: A ( )

EDIT A B C D 4

EDIT D (FX Level) Mix( ) Gain ( )

3.

Page 6: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

6

V-VERB PRO REV2496

3.2: ( )

3.3.2 EDIT EDIT EDIT

4 EDIT PAGE /

8 2

EDIT

3.2: EDIT 1

ROM 001 014 1 14

4

3.3.3 GRAPH EDIT GRAPH

EDIT GRAPH GRAPH

EDIT GRAPH

3.3: GRAPH

GRAPH 4 EDIT A D

EDIT

3.4

COMBI. A + B

3.4:

EDIT A EDIT B A EDIT C EDIT D

B 2

EDIT (EDIT ) 2 ( ) EDIT

EDIT

3.5: EDIT

3.3: COMBI.

ENGINE A ENGINE B B

( OK/TAP )

EDIT PRESET ( 1 6 1 4)

OK/TAP

4 ( 3.2 ) 4

EDIT

3.

Page 7: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

7

V-VERB PRO REV24963.5 COMPARE

COMPARE

COMPARE LED

COMPARE ( )

3.6 STORE

Edited E

USER STORE STORE STORE

( 3.2 )

3.6: STORE

EDIT A PRESET

001 100 EDIT A

1 (COMBI: #preset)

EDIT B C D 12

EDIT C D

EDIT B E D I T B

1

O K STORE

3.7:

OK/TAP /

ENGINE A ENGINE B COMBI. STORE

STORE 2 EDIT A

3.7

STORE OK/TAP

3.8 SETUP

SETUP V-VERB PRO

M I D I 3.8.1 3.8.4

SETUP SETUP PAGE / 4

SETUP

EDIT S E T U P

(ENGINE A ENGINE B COMBI.)

3.8.1 I/O

3.8: SETUP 1

Master Input: EDIT A (ANALOG DIGIT.)

( 2 3 5 6 1 3) COMBI.

COMBI.-Edit LR A D

( 3.3 ) LED

Input Mode: EDIT B

Wet/Dry Mix: EDIT C Mix

REV2496 V-VERB PRO A U X

EXTERNAL REV2496 100%

Dry Mix

1 6: Dry

1 4: A Dry Mix B

R E V 2 4 9 6

INTERNAL

LCD Contrast: EDIT D

3.

Page 8: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

8

V-VERB PRO REV24963.8.2 DIGI

3.9: SETUP 2

Clock Source: REV2496 44,1 48 96 kHz (

) BNC (WDCLK) (DIG. IN)

Input Source: EDIT B 2 (OPT.) XLR (XLR)

Dither und Noise Shaper: EDIT C 2

. 3.4:

( )

Output Format: EDIT D

AES/EBU (AES3) S/PDIF

S/PDIF XLR S /P D I F

3.8.3 GAIN

3.10: SETUP 3

+/- 6 dB

REV2496 2

LIMITER-LED LEB

REV2496 LED SETUP I/O

LED

3.8.4 MIDI

3.11: SETUP 4

MIDI ENGINE AB COMBI MIDI

MIDI

SEND RECEIVE / MIDI

MIDI Program Change ( )Controller SysEx ( )

MIDI ( A L L )

(EDIT) SysEx EDIT D

4.

30

SETUP Mix INTERNAL DRY ( )

( 3.8.1 ) Mix EXTERNAL DRY

4.

Page 9: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

9

V-VERB PRO REV24964.1 V-Verb

V-Verb V-VERB PRO (ER)

(REV) 4

4.1: V-Verb

ER WID (Early Reflections Stereo Width) 0%

100% ER DLY(Early Reflections Predelay)

( ) ER DLY

REV WID (Reverb Stereo Width) REVDLY (Reverb Predelay) ER WID ERDLY

(SIZE)

REV DLY

ER/REV (Early Reflections/Reverb Mix) 0%

100%

DRY FX LVL (Effect Level) D R Y

FX LVL DRY SETUP Mix INTERNAL

E X T E R N A L

ER 2 LOCUT (Low Cut Filter)

HI FREQ/HI GAIN (High Frequency/High Gain)

ER TYPE (Early Reflections Type) AUDITO (

) CATHED (Cathedral = ) CONCER(Concert hall = ) HALLWY (Hallway =

) HANGAR ( / ) CHAMBE (Chamber = ) STADIU (Stadium = ) STAGE ( ).

ER SIZE (Early Reflections Size) MIC DIS(Microphone Distance)

1 5

MATERI (Wall Material) TOTAL ( ) GLASS

( ) FIBER (Fiber glass = ) MARBLE( ) CONCRE (Concrete = ) GYPSUM( ) WOODEN ( ) PLYWOO (Plywood =

) COTTON ( ) CARPET ( ) VELOUR( ) ACOUST (Acoustic = ) .

ER DIFF (Early Reflections Diffusion) 1

3 0

2 LOCUT (Low Cut Filter)

HI FREQ / HI GAIN (High Frequency / High Gain)

S I Z E DECAY

RT60

2 MTYPE (Modulat ion

Type) LINEAR RAND (Random)

MDEPTH (Modulation Depth) MSPEED (ModulationSpeed)

4 LO X-O (Low Xover Frequency) MID X-O (MidXover Frequency) HI X-O (High XoverFrequency)

LO DCY (Low Band Decay) DECAY MID DCY (Mid Band Decay)

HI DCY (High Band Decay)

DECAY

DIFF (Diffusion)

4.2 (Concert Hall, Cathedral, Theater)

3 ER

4.2:

L O C U T(Low Cut Filter) HIFREQ (High Frequency)/HI GAIN (High Gain)

ER/REV (Early Reflections/Reverb Mix) 0%

4.

Page 10: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

10

V-VERB PRO REV2496100%

DRY INTERNAL FX LVL

(Effect Level) DRY FX LVL

ER TYPE (Early Reflections Type) BACK ( ) MIDDLE (

) FRONT ( ) BALCON () ER SIZE (Early Reflections

Size)

ER DIFF (Early Reflections Diffusion) ) 1

3 0 ER DLY (Early Reflections Predelay)

(

)

SIZE (Reverberator Room Size)

DECAY (Decay Time)

PREDLY (Reverb Predelay)

DIFF (Diffusion)

SPREAD

DAMP (Damping Frequency)

BASS (Bass Multiply) BASSDECAY (Decay Time)

BASS F (Bass Frequency)

2 MTYPE (Modulation Type)

L I N E A R R A N D( R a n d o m ) MDEPTH (Modulat ion Depth) MSPEED(Modulation Speed)

CATHEDRAL

CONCERT HALL EDIT 2 ER TYPE

CHURCH ( ) CHAPEL( ) CATHDR (Cathedral = ) CASTLE ( )

SPREAD

THEATER CONCERT HALL

CONCERT HALL (ER TYPE EDIT 2

) THEAT. ( ) ARENA ( ) CLUB () STADI. ( ) STAGE ( )

STUDIO ( ) OPERA ( ) AMPHI ().

ATTACK

SPREAD

4.3 (Gold Plate)

4

4.3:

ER/REV (Early Reflections/Reverb Mix) D R Y F X

LVL (Effect Level) D R Y

Mix INTERNAL FX LVL

DECAY (Decay Time) SIZE (Reverb Room Size)

PREDLY (Reverb Predelay)

DAMP (Damping Frequency)

BASS (Bass Multiply) BASSDECAY (Decay Time)

LO CUT (Low Cut Filter) HI FREQ (High Frequency) HI GAIN (High Gain)

DIFF (Diffusion)

4.

Page 11: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

11

V-VERB PRO REV2496

MTYPE (Modulation Type) MDEPTH(Modulation Depth) MSPEED (Modulation Speed)

LINEAR RAND MDEPTH MSPEED

BAL 1 4 (Stereo Balance 1 4) 4 GAIN 1 4

DELAY 1 4 4 ER DIFF (Early Reflections Diffusion)

1 3 0

4.4 (Ambience, Gated Reverb, Reverse

Reverb)

3

4.4:

DRY FX LVL Mix INTERNAL

SIZE (Reverb Room Size) DECAY (Decay Time)

PREDLY (ReverbP r e d e l a y ) DIFF (Diffusion)

SPREAD ( )

LO CUT (Low Cut Filter) HI FREQ (High Frequency) HI GAIN (High Gain)

Mix

ATTACK (EDIT 1 )

DENS (Density)

EDIT 1 RISE (Rise Time)

LO CUT HI FREQ HI GAIN

BASS (Bass Multiply) DECAY BASS F (Bass Frequency)

4.5 (Delay)

2

4.5:

DL1 DL2 FDBDRY FX LVL (Effect Level)

D R Y FX LVL

2 LO FREQ (Low Frequency)/LO GAIN (Low Gain)

HI FREQ/HI GAIN

1 PREDLY (Pre Delay)

DELAY 1 (DelayTime)

2 FEEDB (Feedback Amount)

GAIN 1 BAL 1 (Balance)

2 1

DELAY 2 (Delay Time) FEEDB GAIN 2 BAL 2

1

4.

Page 12: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

12

V-VERB PRO REV2496 1 2 TAP

LED

(EQ)

2 LO FREQ (Low Frequency)/LO GAIN (Low Gain)

HI FREQ/HI GAIN

4.6 (XOver Delay)

3

4.6:

FX LVL (EffectLevel) DRY

DRY EXTERNAL Mix (SETUP )

HI TYPE (High Filter Type)

6 12 18 dB HI FREQ (High Split Frequency)

LO TYPE (Low Filter Type) (6 12 18 dB) LO FREQ (Low Split Frequency)

3 EDIT

LO GAIN(Low Input Gain) MID GAIN (Mid Input Gain) HI GAIN(High Input Gain)

PREDLY (Pre Delay)

DELAY (1 2 3) TAP

FEEDB (Feedback Amount)

GAIN (1 2 3) BAL 1 2 3 (Balance)

4.7 / (Chorus/Flanger)

/4 6 8 4

4.7: /

MIX (Effect Mix) 0% 100%

40 60%

2 (EQ) HI FREQ/HI

GAIN LO FREQ/LO GAIN

M O D E STEREO ( ) QUAD (4 ) HEXA (6

) OCTA (8 ) GAIN (OutputGain) ( )

ST SPR (Stereo Spread) (0%)

(100%)

/ LFO (Low Frequency Oscillator) SPEED (Modulation

Speed) TAP

M O D D L Y(Modulation Delay)

PREDLY (PreDelay) DLYSPR (PreDelaySpread)

0% PREDLY

WAVE (LFO ) (0) (50)

PHASE (LFO Phase Spread) SPREAD (LFO FrequencySpread) 1

4.

Page 13: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

13

V-VERB PRO REV24964.8 (Phaser)

4 12

4.8:

MIX (Effect Mix) (0%) (100%)

50 70%

LO CUT (Low Cut Frequency) HI CUT (High Cut Frequency)

STAGES 4 12 RESON (Resonance)

2 R E S H C(Resonance High Cut Frequency)

RES LC (Resonance Low Cut Filter)

GAIN (Output Gain) ( )

SPEED (Modulation Speed) TAP

WAVE (LFO Waveform) LFO

GRAPH

PHASE (LFO Phase Spread) SPREAD(LFO Frequency Spread) 1

LFO PHASE (

) LFO 0° 180° SPREAD

LFO0% LFO

(SPEED ) 100% LFO

RANGE (Sweep Range) DEPTH (LFO Modulation Depth) LFO

100% LFO RANGE

COLOR 1

LFO RESMOD (LFO Feedback Modulation Amount) LFO

RESON (Resonance) (EDIT 1 )

LFO PHASE (

) LFO LFO 0° ( ) 180° ( )

SPREAD () SPEED LFO

(0%) LFO

PAN ( ) OFF SYNC RAND

SYNC RAND (Random)

OFF PANSPD (Panning Speed)

F E E D B(Feedback Amount)

2 LO FREQ (Low

Frequency) LO GAIN (Low Gain) HI FREQ (High Frequency) HI GAIN (High Gain)

CROSSF (Cross Feedback Amount)

100%

LFOMOD (LFO Feedback Modulation Amount)

FEEDB

LFO ( ) Envelope LFOMOD (Envelope to LFO

Speed Modulation) LFO ATTACK (Attack

T i m e ) L F O H O L D(Ho ld T ime) LFO RELEAS (Release Time) HOLD LFO

4.

Page 14: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

14

V-VERB PRO REV2496

L F O LFOMOD (Envelope to LFO Speed Modulation)

LFO ATTACK (Attack Time)

LFO HOLD (Hold Time)

LFO RELEAS(Release Time) HOLD LFO

4.9 (Tremolo)

4.9:

SPEED (Modulation Speed) TAP WAVE (LFO Waveform)

(1) (50) (100) WAVE

PHASE (LFO Phase) -180°

+180°

MIX (Effect Mix) GAIN (OutputGain) ( )

LFO LFOMOD (Envelope to LFO Speed Modulation)

LFO ATTACK (Attack Time) HOLD (Hold

Time) RELEAS (Release Time) LFO

HOLD LFO

4.10 (Compressor)

Peak RMS 2

4.10:

ATTACK (Attack Time) THRESH

HOLD (Hold Time)

RELEAS (Release Time) HOLD

THRESH (Compression Threshold) RATIO (Compression

R a t i o ) KNEE (Soft Knee)

0(Hard Knee) 10

GRAPH

M-GAIN (Make-Up Gain)

LOOKAH (Look Ahead Delay)

REV2496

FILTER (Side Chain Filter Mode) OFF

LP12dB ( 12 dB ) HP12dB (12 dB/

) LO SHV () HI SHV ( )

BP ( ) FREQ (Frequency)

GAIN Q

MODE (Compression Mode) PEAK

R M S R M S

1 20 ms

T R A N S

4.

Page 15: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

15

V-VERB PRO REV2496X-MODE (Xover Filter )

WIDE LO 6 dB LO 12 dB

LO 18 dB HI 6 dB HI 12 dB

HI 18 dB 6

12 18 dB X-FREQ(Xover Split Frequency)

5 2 1

X LO 2 HI 1

2

5.

BEHRINGER V-VERB PRO

5.1 V-VERB PRO AUX

AUX REV2496 AUX 1

V-VERB PRO AUX SEND

V-VERB PRO AUX

5.1: AUX

5.1: REV2496 AUX SETUP

V-VERB PRO AUX SEND REV2496 Aux Return

A U X

Aux Send 1 REV2496

I/O Input Mode ( 3.8.1 )

1 REV2496

V-VERB PRO ( 5.1 ) REV2496

SETUP ( I/O ) EXTERNAL ENGINE

PRESET ( ROM 006) OK/TAP

Aux Return

AUX SEND EDIT

5.

Page 16: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

16

V-VERB PRO REV24965.2 V-VERB PRO

REV2496

( BEHRINGER DDX3216 )

5.2: V-VERB PRO DDX3216

RE V2496 REV2496 XLR

5.2: REV2496 SETUP

Aux Send Aux Return 2

4 2

REV2496 1

5.3: REV2496 4 SETUP

REV2496 DIG. IN XLR OPT (

)

( B N C ) REV2496 WDCLK

REV2496 DIGI SETUP 3

(44,1 48,0 96,0 kHz) 1

6.

6.1

V-VERB PRO REV2496 19 1U 10cm

V-VERB PRO REV2496

M6

6.2

REV2496

REV2496

(XLR 1 3 )

6.1 XLR

6.

Page 17: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

17

V-VERB PRO REV2496

6.2 6.3 mm

6.3 6.3 mm

6.3

AES/EBU AES3 2 2 4

( )

44,1 kHz 48 kHz 88,2 kHz 96 kHz AES/EBU

S/PDIF V-VERB PRO

S/PDIF

6.4 WORDCLOCK

REV2496

44.1 kHz 48kHz 88.2 kHz 96 kHz

6.5 MIDI

REV2496 MIDI MIDI

MIDI 5 DIN V-VERB PRO

MIDI MIDI

MIDI IN SETUP

MIDI THRU MIDI THRU MIDI V-VERB PRO

M I D I O U T V - V E R B P R O

7.

V-VERB PRO REV2496

www.behringer.com BEHRINGER (Tel.+49 2154 9206 4166)

V-VERB PRO REV2496 SETUP 1

8.

XLR 6.3 mm 22 kΩ +16 dBu

CMRR 40 dB

XLR

6.3 mm 100 Ω

+16 dBu

<10 Hz 20 kHz @ 44.1 kHz <10 Hz 22 kHz @ 48 kHz <10 Hz 46 kHz @ 96 kHz

S/N -90 dBu106 dB( )

THD 0.007 % @ +4 dBu, 1 kHz, 1< -100 dB( )< 1 ms( )

1XLR AES/EBU S/PDIF110 Ω 0,2 - 5 V peak-to-peak

2 TOSLINK

AES/EBU S/PDIF

1XLR AES/EBU S/PDIF110 Ω2,4 V peak-to-peak

8.

Page 18: V-VERB PRO REV2496 - MUSIC Tri PRO REV2496 1. BEHRINGER V-VERB PRO V-VERB PRO 4 REV2496 2 96 kHz 2 1.1 1.1.1 ... 4.1: V-Verb ER WID (Early Reflections Stereo Width) 0% 100% ER DLY

18

V-VERB PRO REV2496 2

TOSLINKAES/EBU S/PDIF

BNCWordclock (1 x Sample Rate)50 kΩ2 - 6 V peak-to-peak

MIDI 5 DIN In/Out/ThruMIDI

SHARC® DSP, 600 MFLOPs32-bit processing

24-bit/96 kHz44.1 kHz, 48 kHz, 96 kHz

9. MIDI

. 9.1: MIDI

*www.behringer.com

9. MIDI

128 x 64 (LCD),

Presets 100 ROM + 100 User, Engine A,B100 ROM + 100 User, Combinations

85 250 V , 50 - 60 Hztyp. 10 WT 1 A H

/ ( x x ) 44,5 mm x 482,6 mm x 217 mm

2.15 kg

BEHRINGER