Vodic Za Pojce Kroz Savremenu Neumsku Notaciju

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Enciklopedijski leksikon, Mozaik znanja, Muzika umetnost, Beograd, 1972. , XVIII .

., , 2002. . , , , 2003.

, , , 1982. . , 1717 1739, 1958. . , 2, 1990. . , , 1998. , , , 1982. , . , , , 1988. , , , , 2004. . , , , 1992. , , , 1912.

pi . ., , , 2001. . ., , , , 1981.

. , , , 1997.

, . 1958. pipi 1881 pi pi , pi, 1888.

pi, . , , 1991.

Conomos, Dimitri E, "A Brief Survey of the History of Byzantine and Post-ByzantineChant" http://www.stanthonysmonastery.org/music/History.htm (nov 10, 2006).

Topping, E. C, Sacred Songs: Studies in Byzantine Hymnography, Light and LifePublishing, Minneapolis, 1997.

185

Melling, David J. 2000 "Reading Psalmodia", http://www.churchmusic.uk.co/read-ing.htm

Romanou. K. G, Great Theory of Music by Chrysanthos of Madytos, PHD thesis sub-mitted to the faculty of the School of Music, Indiana University, 1973.

Schmemann A, Introduction to Liturgical Theology, St. Vladimir's Seminary Press,Crestwood, 1986.

Syriac Orthodox Resources, "Beth Gazo Dne 'motho The Treasury of Chants"May 31, 1997. http://sor.cua.edu/BethGazo/BGModesGuide.html (apr 18, 2005).

Wellesz, E, A History of Byzantine Music and Hymnography, Oxford 1961.

, : ,4, 1978, 193 234.

Mateji MatejaHilandar Slavic Codices: A Checklist of the Slavic Manuscripts from the HilandarMonastery (Mount Athos, Greece), The Ohio State University Slavic PapersNo. 2, Columbus 1976.

, , . 16 17, 1995, 41 53. ( ), , . 18-19, 1996, 225 231. XIX , , 2000, ( , ). , : - : ,( 2000 ), 2000, 186 198. , , . 2, 2000,36 48. The Tonal Foundations of Serbian Church Chant, Acta Musicae Byzantinae, vol.III, Iai 2001, 21 29. Stichra Melodies in New Serbian and Greek Chanting Based on Octochos, ZurTheorie und Geschichte der Monodie in den Ostkirchen, Wien 2001, 24 42. , 3, 2003, 219 234. , , . 4, 2004, 121 152.

187

, , 2005, 25 42.Tailoring of Texts Rather Than Melodies in the Serbian 19th and 20th century ChurchChanting, Music and Networking, University of Arts in Belgrade Faculty ofMusic, Belgrade 2005, 211-220. , 11,( ), 2005,229 241. , 6, Beograd 2006, 233 250. How Have Serbian Chanters Learned to Chant in Recent History, Papers Read atthe 12th Study Group Cantus Planus, Lillafred / Hungary 2004 August23 28, Institute for Musicology of the Hungarian Academy of Sciences,Budapest 2006, 893 906. , : , , 2006.

Osmoglasnik u muzikoj tradiciji Junih Slovena, posebna izdanja Muzikolokoginstituta SANU, knj. 16/1 2, Beograd 1982. , : III 1690. , , , 1997, 151 166 1690 1737, : , 3, 1997, 179 189 + . 3.

, : 1219 1969. XV XVIII , : 1219 1969. 750 , 1969, 117 127,209 214.

188

311 , 2, 1971,113 130 + . 15. XV , , , ,. 15/I, 1975.An Additional Checklist of Hilandar Slavonic Music Manuscripts, 7, 1989, 163-176. , , : , 1175 1975, , 1977,373 380. ,: , , 1995, 403 418.

Strunk OliverThe Byzantine Office at Hagia Sophia, Essays on Music in the Byzantium, New York1977, 112 150.

Velimirovi M. Stefanovi D.Peter Lampadarios and Metropolitan Serafim of Bosnia, : Studies in EasternChant, I, Oxford 1966, 71 88.

Dimitri Conomos , (. . ), 22 23, 1998, 15 26.

189

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783.25.089.6(035)271.2-535(035),

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