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T h i s s c o r e i s A V A I L A B L E F O R F R E E u n t i l 3 / 3 1 , 2 0 1 2 . Y o u m a y r e p r o d u c e s c o r e s o f f f r o m t
h i s f i l e t i l l t h a t d a t e . P l e a s e i n f o r m w w w . w
i s e m a n p r o j e c t . c o m f o r a n y p e r f o r m a n c e s a n d
r e c o r d i n g s .
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T h i s s c o r e i s A V A I L A B L E F O R F R E E u n t i l 3 / 3 1 , 2 0 1 2 . Y o u m a y r e p r o d u c e s c o r e s o f f f r o m t
h i s f i l e t i l l t h a t d a t e . P l e a s e i n f o r m w w w . w
i s e m a n p r o j e c t . c o m f o r a n y p e r f o r m a n c e s a n d
r e c o r d i n g s .
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V
?
&
&
4
4
4
4
1Ten.
2
1Bas.
2
Piano(opt.)
œ
œ œ
.
J
w
w
Calmly and Honestly
* "Oo..." = [u]
P
œ
œ œ
w
?
œ
œ œ œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
U
,
U
rit.
œ
œ œ œ œ
œ
Ho n to no Ko to
œ œ œ œ œ œ
Ho n to no Ko to
p
P
P
a tempo
.
j
œ
œ œ
wo Mi ru no wa
.
j
œ œ œ
wo Mi ru no wa
.
J
œ
œ
œ œ
- - - - - - - -
- - - - - - - -
V
?
&
?
T.
B.
Pno.(opt.)
7
œ œ
.
œ œ œ œ
Na n te Mu zu ka shi
œ
œ
.
œ
œ œ œ
Na n te Mu zu ka shi
œ œ œ œ œ
œ
œ
œ
œ
œ
œ
œ
œ
P
œ
œ
œ
no da
ro.
œ
œ
ro.
œ œ œ
no da ro.
œ œ œ œ œœ œ œ
œ
œ
œ
œ œ
œ
œ œ œ
œ œ œ
Ho n to no Ko to
œ œ œ
œ œ œ
Ho n to no Ko to
œ œ
œ
œ
œ
œ
œ
œ
.
j
œ
œ
œ
œ
wo O mo u no wa
.
j
œ œ œ œ
wo O mo u no wa
œ œ œ œ œ œ œ
œ
œ
œ
œ
œ
œ
œ
- - - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - - - -
V
?
&
?
T.
B.
Pno.(opt.)
11
œ œ . œ œ
œ
.
.
œ
Na n te Hi to ri bo cchi
œ
œ
.
œ
œ œ
.
œ
Na n te Hi to ri bo cchi
œ
œ
œ
œ
œ
œ œ œ œ œ œ œ
œ
œ
œ
œ
na no da ro.
œ œ œ œ
œ
na no
da ro.
œ œ
da ro.
œ
œ
œ
œ
œ
œ œ
œ
œ
œ œ œ œ œ
œ
œ
œ
.
œ œ œ œ
j
Ho n to no Ko to wo Tsu
œ œ
.
œ
œ œ
œ
j
Ho n to no Ko to wo Tsu
œ œ œ œ œ œ œ œ
œ œ
œ
œ œ
œ
œ
ta e ru no
wana n
wa
œ œ
œ
œ
œ
ta e ru no wa
œ
œ
œ
œ
œ
œ
œ
œ
œ œ œ œ œœ œ œ œ
- - - - - - - - - - - - - - - - - - - -
- -
- - - - - - - -
-
-- - - - - - - - - - -
1/4The 35th All Japan High School Cultural Festival Executive Committee of Fukushima Prefecture
will hold the copyright of the work until March 31st, 2012.edition Kawai Tokyo Japan has been granted to distribute the work in Japan.
The composer and its publisher are responsible for the international distribution and representation of the work.
visit: www.wisemanproject.com
- Tsunangari (Connection) - Text and Music by Kentaro Sato (Ken-P)5/27, 2011
for Utao NIPPON Project
- to the Victims of the 2011 3/11 Earthquake and Tsunami in Japan -
This work was composed for the 35th All Japan High School Cultural Festival 2011 in Fukushima.
T h i s s c o r e i s A V A I L A B L E F O R F R E E u n t i l 3 / 3 1 , 2 0 1 2 . Y o u m a y r e p r o d u c e s c o r e s o f f f r o m t
h i s f i l e t i l l t h a t d a t e . P l e a s e i n f o r m w w w . w
i s e m a n p r o j e c t . c o m f o r a n y p e r f o r m a n c e s a n d
r e c o r d i n g s .
8/18/2019 Tsunangari (TTBB)
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V
?
&
?
T.
B.
Pno.(opt.)
15
œ
œ
œ
œ œ œ
te
Yu ki nga I
œ
œ
œ
œ
Ah, Na n te
œ œ .
œ œ œ œ œ
œ
Na n te Yu ki nga I
œ
œ œ
œ
œ œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
.
œ
œ
ru no da ro. So shi
œ œ œ . œ œ
ru no da ro. So shi
œ
œ
œ
œ
œ
œ
j
.
œ œ œ œ œ œ œ œ œ
œ
œ
te U so no Mu ko de Ka na
œ œ œ œ œ œ
œ œ œ
œ
œ
te U so no Mu ko de Ka na
œ
œ œ œ
œ
œ
œ
œ
œ
œ
- - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - - -
V
?
&
?
T.
B.
Pno.(opt.)
18
œ
œ
œ
œ
œ œ
œ
œ
3
shi Ka ze ni Na mi da
œ
œ
œ
œ
œ
œ
œ
œ
3
shi Ka ze ni Na mi da
œ œ œ œ œ
œ
œ œ3
œ
œ
œ
œ œ
F
F
F
œ
œ œ
œ
.
œ
œ
su ru Hi to ni Sa shi
œ œ œ œ
.
œ œ
su ru Hi to ni Sa shi
. J œ œ œ œ
œ
œ
œ
œ
œ
œ
œ
œ
P
P
œ
œ
œ
œ
œ œ
œ
œ
œ
œ
no be ra re ta Te wa Na n
œ œ œ œ œ
.
œ
œ
œ
no be ra re ta Te wa
œ œ œ œ
P
- - - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - -
V
?
&
?
b
b
b
b
T.
B.
Pno.(opt.)
21
œ œ œ œ œ œ œ œ œ
te A ta ta ka i no da
œ œ œ .
te... Na n te
œ
œ
œ
œ œ
œ
œ
œ
œ
œ
œ
œ
Na n te A ta ta ka i no da
œ
œ
œ
œ œ
œ
&
P
w
ro.
Œ œ œ œ
Ah, Na n
w
ro.
œ
œ œ
w
?
p
wœ œ œ œ œ œ œ œ œ
te A ta ta ka i no da
œ œ œ œ
œ
œ
œ
œ
œ
A ta ta ka i no da
œ
œ œ
ww
. Œ
ro.
.
Œ
ro.
.
Œ
. Œ
- - - - - - -
- - - - - - - - - - -
- - - - - - - - - - - - - - - -
- Tsunangari (Connection) -
2/4The 35th All Japan High School Cultural Festival Executive Committee of Fukushima Prefecture
will hold the copyright of the work until March 31st, 2012.edition Kawai Tokyo Japan has been granted to distribute the work in Japan.
The composer and its publisher are responsible for the international distribution and representation of the work.
visit: www.wisemanproject.com
T h i s s c o r e i s A V A I L A B L E F O R F R E E u n t i l 3 / 3 1 , 2 0 1 2 . Y o u m a y r e p r o d u c e s c o r e s o f f f r o m t
h i s f i l e t i l l t h a t d a t e . P l e a s e i n f o r m w w w . w
i s e m a n p r o j e c t . c o m f o r a n y p e r f o r m a n c e s a n d
r e c o r d i n g s .
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8/18/2019 Tsunangari (TTBB)
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V
?
&
?
b
b
b
b
T.
B.
Pno.(opt.)
37
J
œ œ
J
œ œ œ œ
Kono So ra no Shi ta
œ
œ
œ œ
œ
œ œ
Ko no Sora no
J œ J . J
Ko no So ra no
œ
œ œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
.
J
œ
œ
.
œ
deYo ri so i, Na
œ
œ
œ
œ œ œ
.
œ
Shi ta de Yo ri so i, Na
œ
œ
œ
œ
œ œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
3
ki, Wa ra i, U ta u, Do n
œ œ
œ
œ œ œ œ œ œ œ œ
œ
3
ki... Na ki, Wa ra i, U ta u, Do n
œ
œ œ œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
-- - - -
- - - - - - - - - -- -
-
- - - - - - - - - - - - - - - -
V
?
&
?
b
b
b
b
T.
B.
Pno.(opt.)
40
œ
œ
œ
œ
œ œ
.
œ
œ
na ni Ha na re te I te mo.
œ œ œ œ œ œ
.
œ œ
na ni Ha na re te I te mo.
œ œ œ œ œ œ œ œ œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
rit.
rit.
œ
œ
œ œ œ
œ
Ko no So ra no Tsu
œ œ œ
œ œ
œ
Ko no So ra no Tsu
œ œ
p
p
p
Slower
œ
œ
œ
na nga ri wo,
œ
œ
œ
.
j
na nga ri
wo... Tsu
wo,
œ œ
w
œ œ
œ
na nga ri wo,
w
w
J
œ
J
œ
œ
Ko no Ko ko ro
j
œ
j
œ œ
Ko no Ko ko ro
œ œ
P
P
P
- - - - - - - - - - - - - - - - -
- - - - - - - - - - - - -
- - - -
- - - -
V
?
&
?
b
b
b
b
T.
B.
Pno.(opt.)
45
.
œ œ
no Tsu na
.
œ
œ
no Tsu na
.
œ
œ
w
œ œ œ
œ
nga ri wo Ka n
œ œ
œ œ
nga ri wo Ka n
w
œ
œ
œ
œ œ œ œ
J
œ
J
œ œ
ji te Ku da sa
J
œ œ
J
œ œ œ
ji te Ku da sa
w
i.
w
i.
œ
œ œ
wp
œ
œ œ
U
w
U
- - - - - - - - - -
- - - - - - - - - -
- Tsunangari (Connection) -
4/4The 35th All Japan High School Cultural Festival Executive Committee of Fukushima Prefecture
will hold the copyright of the work until March 31st, 2012.edition Kawai Tokyo Japan has been granted to distribute the work in Japan.
The composer and its publisher are responsible for the international distribution and representation of the work.
visit: www.wisemanproject.com
T h i s s c o r e i s A V A I L A B L E F O R F R E E u n t i l 3 / 3 1 , 2 0 1 2 . Y o u m a y r e p r o d u c e s c o r e s o f f f r o m t
h i s f i l e t i l l t h a t d a t e . P l e a s e i n f o r m w w w . w
i s e m a n p r o j e c t . c o m f o r a n y p e r f o r m a n c e s a n d
r e c o r d i n g s .
8/18/2019 Tsunangari (TTBB)
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©2008 Kentaro Sato (Ken-P) www.wisemanproject.com update on 5/15, 2011
Ken-P’s Japanese Pronunciation Guide with IPA for Singers by Kentaro Sato (Ken-P)
1. Vowels
There are 5 vowels in the Japanese language and they are alphabetized as “A” “E” “I” “O” and “U.” Consecutive vowels belong to
separate syllables, and there is virtually no diphthong when it comes to music.
Singing Japanese “A” is always “Open A []” as in “father.” You may use [] in softer passage.
Singing Japanese “E” is always “Open E []” as in “fetch.” Do not use [e].
Singing Japanese “I” is always “Close I []” as in “feet.” However, it can be modified toward “Open I [ ],” when it provide
unified vowel sounds, or in softer passage.
Singing Japanese “O” is always “Close O []” as in “foe.” Do not use diphthong like [o].
Singing Japanese “U” is always “Close U []” as in “food.” However, it can be modified toward “Open U []” as in “foot,” if it
provides ease of pronunciation for singers in upper resister and/or forte passages.
Japanese “N []” often makes an independent syllable.
2. Consonants
B [] (boy)
BY []
CH [] *or [ ] as in (cheese)
D [] (dot)
F [ ] (food)
FY [fj] (few)
G [] (gut)
GY [] (gas)
H [] (hit)
HY [] *or (human)
J [d] *or [d (jet)
K [] (king)
KY [] (cute)
L [] (leap)
M [] (mall)
MY [ (mute)
N [] (nod)
NG [] (song)
NGY []
NY [] (new)
P [] (pot)
PY [] (puke)
R [] ] Japanese R is “flipped R”
RY [ [
S [] (sing/toss)
SH [] *or [ (shed)
T [] (tea)
TS [] (let’s)
V [] (victory)
W [] (water)
Y [ ] (you)
Z [d] (zebra)
“F” “L” and “V” are only used for foreign-origin words.
If “NG []” and “NGY []” (aka Bidakuon) are difficult to produce, it is acceptable to use “G []” for NG and “GY []” for
“NGY.”
One MAY NOT use “English R [],” “Rolled R []” nor “German/French R [] for “Japanese flipped R,” but MAY use “L []” if
s/he cannot produce [] ].
Doubled consonants (EX. “a-tta,” “a-cchi” and “i-sse-i”) indicate small stops between proceeding vowels. In my music, they
can be sung without doubled consonants (EX. “a-ta,” “a-chi” and “i-se-i”) because they are already articulated by rests or
staccatos . So please do observe and execute such rests and staccatos correctly. T h i s s c o r e i s A V A I L A B L E F O R F R E E u n t i l 3 / 3 1 , 2 0 1 2 . Y o u m a y r e p r o d u c e s c o r e s o f f f r o m t
h i s f i l e t i l l t h a t d a t e . P l e a s e i n f o r m w w w . w
i s e m a n p r o j e c t . c o m f o r a n y p e r f o r m a n c e s a n d
r e c o r d i n g s .