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F O T O G R A F Í A P A R A M E D I O SM A T E R I A L D E E S T U D I O / 0 1 - 0 4
D . C A S T E L O . M A Y O 2 0 1 7
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C L A S E 0 1 : L A I N V E N C I Ó N D E L A C Á M A R A Y L A S P R I M E R A S E M U L S I O N E S F O T O G R Á F I C A S .
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C Á M A R A O B S C U R A
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A L H A Z E N . C Á M A R A E S T E N O P É I C A
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D A G U E R R E . 1 8 3 7
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“ E S P E J O C O N M E M O R I A ” .
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C O M P L E J O . É X I T O .
C O S T O S O . R E N T A B L E .
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P R I M E R O S E S T U D I O S F O T O G R Á F I C O S . 1 8 4 0
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R E G I S T R O S F O T O G R Á F I C O S C I E N T Í F I C O S .
M E D I C I N A . M I C R O S C Ó P I C A .
A S T R O N O M Í A . L A L U N A .
E T N O G R Á F I C A .
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T A L B O T . C A L O T I P O .
N E G A T I V O & C O P I A S . 1 8 4 0
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M A D D O X . P L A N C H A S E C A . 1 8 7 1
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C Á M A R A D E R O L L O Y C A R R E T E . 1 8 8 1
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E A S T M A N . 1 8 8 4
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E L R O L L O F O T O G R Á F I C O . 1 8 8 5
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C L A S E 0 2 : H I S T O R I A D E L A F O T O G R A F Í A . A N Á L O G A V S D I G I T A L .
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K O D A K . 1 8 8 8
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F O T O G R A F Í A A C C E S I B L E P A R A T O D O S .
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B A R N A C K . 1 9 2 5
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L E I C A 1 . 1 9 2 7
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P O L A R O I D . 1 9 4 7 .
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F O T O G R A F Í A M Ó V I L : V I A J A R .
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U R B A N A . P A I S A J E . E X P E D I C I Ó N .
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D O C U M E N T A L .
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A U T O R E S Y T E N D E N C I A S
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C L A S E 0 3 : H I S T O R I A D E L O S F O T Ó G R A F O S Y L O S M E D I O S .
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ANSEL ADAMS
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SISTEMA DE ZONAS: T É C N I C A D E E X P O S I C I Ó N Y R E V E L A D O
HENRI CARTIER-BRESSON
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AGENCIA MAGNUM
OBSERVAR LA VIDA: C A P T A R E L M O M E N T O D E C I S I V O
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E J E R C I C I O E N C L A S E S .
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DOROTHEA LANGE
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LA FOTÓGRAFA DEL PUEBLO: C A P T A R E L S E N T I M I E N T O
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DIANE ARBUS
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KORDA
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IRVING PENN
MEZCLAR E INNOVAR: C A P T A R E L A R T E Y L A E S T É T I C A .
RICHARD AVEDON
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REVISTA LIFE: P E R S O N A L I D A D .
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PLATON ANTONIOU
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C L A S E 0 4 : E L E Q U I P O F O T O G R Á F I C O .
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P R O P I E D A D E S D E L A C Á M A R A F O T O G R Á F I C A .U N I D A D 2 .
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A N Á L O G A S Y D I G I T A L E S
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D I G I T A L E S
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D I G I T A L E S
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S I N G L E L E N S R E F L E X
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D I G I T A L E S
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M E D I U M F O R M A T
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D I G I T A L E S
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A P E R T U R E . S H U T T E R S P E E D . I S O – D I N - A S A .
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P R I N C I P I O S D E L A F O T O G R A F Í A
A P E R T U R A D E D I A F R A G M A . V E L O C I D A D D E O B T U R A C I Ó N . S E N S I B I L I D A D I S O .
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P R I N C I P I O S D E L A F O T O G R A F Í A
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¡ A P R A C T I C A R !
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E J E R C I C I O E N C L A S E S
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1. Foto de retrato. 2. Foto de objeto en movimiento. 3. Foto de paisaje. 4. Foto de bodegón. Utilizar > Composición: 1. Encuadre y planos 2. Tercios, aúrea, simetría dinámica 3. Líneas 4. Texturas y patrones 5. Perspectiva
– A L F R E D E I S E N S T A E D T
“Lo más importante no es la cámara, sino el ojo”
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F O T O G R A F Í A P A R A M E D I O S
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¿ C O N S U L T A S ?G R A C I A S P O R S U A T E N C I Ó N
