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The field of HCI lacks a proper discipline of interaction criticism.
In the past, Representationalism, the correspondence theory of truth used to be accepted as a pragmatic knowledge fit for HCI.
In the present, there are some more areas of HCI that cannot be fulfilled with those philosophical studies.
• Normative theories of usable interfaces
– Nielsen’s ten usability heuristics-double
correspondence
– Norman ”Ideally, the user’s model and the
design model are equivalent.”
• Professional evaluational practices
– GOMS’s predicting task completion times
• The critical mass of HCI has moved beyond
the goals and value of interaction design
before.
– Rise of aesthetics, affective interaction,
experience design, intimate and embodied
interaction.
->a new type of criticism in the perspective of
the arts and humanities.
Analytic philosophy
aesthetics
aligned with science
Carefully formulated
Rigorously evaluated
Aesthetic philosophers
Continental philosophy
Holistic, cultural,
political
Literary studies
Music, art history
New media studies
Critical theorists
HCI has much to learn from both.
1. Art and/or criticism educates our perception and/or directs acts of cognition.
2. Criticism and aesthetic response are inseparable.
3. Critical activity involves a back and forth movement between pointing out material particulars and relating them to interpreted wholes.
4. Art/criticism is enlightening.
5. Art/criticism is ethically uplifting.
By Bumgarten
• Perception is an cultivatable skill.
• We can improve cognition.(subject’s
sensitivity, one’s keenness, imagination…)
Arts and science both contribute to human
knowledge, because both inform and direct
human cognition in productive ways.
• The discursive form of expert aesthetic knowledge is inseparable from the personal and subjective activity of engaging with a work.
• This position of criticism as conjoined with everyday aesthetic experience is implied by the notion of criticism as a form of directing attention.
• Critical activities not only helps us understand the complexities of art but also understand the mysterious thoughts and feelings within us.
• Aesthetic beauty can be found only in the
union of material works and human life
worlds.
• The film, triumph of the will, has been
discussed even though the content is
inappropriate.
• We can improve knowledge not just by
developing better formal methods of data
collection and analysis. We can also improve
it by being more experienced and sensitive
embodied thinkers.
• Since criticism educates our perception and
cognition, we become habitually more
perceptive to the intersubjective responses
and values of others situated in ours and
other cultures.
• Enhances empathy, social solidarity and a
more just society.
Traditional criticism
1. Creator
2. Artifact
3. Consumer
4. Social context
Categories in HCI
1. Interaction
designer
2. Interface
3. User
4. Social context
http://gizmodo.com/5421983/lumino-project-
next-generation-lego-crossed-with-microsoft-
surface/all
• HCI has adopted a Hirsch-like position(while criticism may reveal different significances of a work in culture, interpretation should consist of a correspondecebetween our understanding and the author’s intention.)
• For the Lumino, the researchers clarified their intention how they could make tabletops a platform as interactive 3D place in their papers. However, in their conclusion, the needs for human is absent.
• Providing Lumino with DIY service -> authorial excess
The visual language of Lumino is futuristic.
Domino
Tangram-like patterns
Tactile pleasure
Demo-application of checkers
Rubber stamp
=unity in variety(future, technology, play)
• Every user has their own subjective intention and prejudices.
• Aesthetic judgment is not just whatever what I think is beautiful, but rather is what we think is beautiful.
• Implied reader– With this idea, we can
critique in artifact-centric and reader-centric approaches.
Users of Lumino
• Members of the HCI
community
• A Lumino end user
• Members of the DIY
community
Lumino
Historical context
Social groups(DIYers,
scientific community)
Made in the context of
masculinity
-> the science will
never be sit neutrally
outside of society.