The schedule, then:

Sunday 9 May: “The Second Inquisition” by Joanna Russ

Tuesday 10 May: Lysloff, Rene T. A. “Mozart in Mirrorshades: Ethnomusicology,

Technology, and the Politics of Representation.” Ethnomusicology 41.2 (1997). 206-

219. (13 s.)

Friday 12 May: The Seven Beauties of Science Fiction: “Science Fiction and This

Moment“

Sunday 16 May: “Aye, and Gomorrah” by Samuel R Delany

Tuesday 18 May: Jarrett, Michael. “Train Tracks: How the Railroad Rerouted Our Ears.”

[pdf] Strategies, 14.1 (2001). 27-45. (17 S.)

Thursday 20 May: The Heritage of Hastur by Marion Zimmer Bradley

Friday 21 May: Milburn, Colin. “Nanotechnology in the Age of Posthuman Engineering:

Science Fiction as Science.” Configurations 10.2 (Spring 2002). 261-295.

Sunday 23 May: “The Queen of Air and Darkness” by Poul Anderson

Tuesday 25 May: Byrne, David. “Machines of Joy: I Have Seen the Future and It Is

Squiggly.” Leonardo Music Journal Vol. 12 (2002). 7–10.

Thursday 27 May: Golden Witchbreed by Mary Gentle

Friday 28 May: Weheliye, Alexander G. “„Feenin‟: Posthuman Voices in Contemporary

Black Popular Music.” Social Text 20.2 (Summer 2002). 21-47.

Sunday 30 May: “How to Talk to Girls at Parties” by Neil Gaiman

Tuesday 1 June: MacLeod, Ken. “Space oddities: aliens, futurism and meaning in

popular music.” Popular Music 22.3 (2003). 337–355. (18 S)

Thursday 3 June: Winterstrike by Liz Williams

Friday 4 June: López, José. “Bridging the Gaps: Science Fiction in Nanotechnology.”

HYLE–International Journal for Philosophy of Chemistry, 10.2 (2004). 129-152.

Sunday 6 June: “Rats” by Veronica Schanoes

Tuesday 8 June: The Seven Beauties of Science Fiction: “Concluding Unscientific

Postscript: The Singularity and Beyond”

Wednesday 9 June: Collins, Karen. “Dead Channel Surfing: the commonalities between

cyberpunk literature and industrial music.” Popular Music 24. (2005).165-178.