View
225
Download
1
Category
Preview:
DESCRIPTION
Our Zine...
Citation preview
G OL D SMI THS
M FA
2 014
Ab
ri de
Sw
ard
t
www.alanstanners.co.uk
Ala
n S
tan
ne
rs
Ale
x B
ag
ga
ley
Alia
Pa
tha
n
Alice
Ma
y W
illiam
s
An
ne
Ha
an
ing
Cy
nth
ia C
ruz
Dan
iel O
xh
olm
Sø
ren
sen
Da
ph
ne
de
So
nn
ev
ille
Da
vid
Ba
nce
Do
rine
va
n M
ee
l
Ela
ine
Re
yn
old
s
Gre
tch
en
Ge
rae
ts
Gro
Sa
rau
w
He
ath
er W
els
h
Heather W
elsh Booklet.indd Spread 14 of 14 - Pages(14, 15)18/06/2014 12:58
Process Magenta
He
idi S
incu
ba
Ina
s Ha
lab
i
Ind
ran
i Ash
e
Io M
yrto
Ch
av
iara
Jasm
ine
Joh
nso
n
Jea
nn
ette
Ca
stion
i
Jose
Ca
stie
lla
Jo
se
ph
No
on
an
-Ga
nle
y
Jud
ith B
row
nin
g
Crystal Time series, 17/4/2013-Boston Marathon Bombings-SE4 1NZ, C-print, 150x100cm
Flâneur on Moving Truck series, C-print, mounted on plexiglas, (each)35x23cm, 2014
www.cjyart.com cjyarts@gmail.com
Jun
yo
ng
Ch
o
Ma
nd
y N
iew
öh
ne
r
Ma
tt Pa
rson
s
Ma
tthe
w V
erd
on
IIII
IIIII
IIIIIIIIIIIIIIIIIIII
Ma
ya
Inb
ar
Me
ga
n B
roa
dm
ea
do
w
Ne
lma
rie d
u P
ree
z
THIS CAUSEDO ANYTHING
Nic
ho
las C
he
ve
lda
ve
Oliv
er L
ee
Terry
Pu
iyin
Wo
ng
Re
be
en
Ha
ma
rafiq
Sa
bin
a T
up
an
Sa
m K
eo
gh
Sa
ra U
ma
r
Sa
rah
Le
de
rma
n
Sa
rah
Pa
ge
r
Sh
an
no
n L
ew
is
R U
H s
C
Sim
eo
n B
arc
lay
| I don’t feel sorry for you. I’m really a sadist.
Crumbling ruins of big houses, lost domains accruing val-
ue behind locked gates, security patrols, men with guns,
guard dogs, cameras.
You are the ghost of content. | You are Leonora Carrington’s
nightmare, Jackson Pollock’s car crash, Frida Kahlo’s
steel corset. | I am Jean-Michel Basquiat’s paint-spattered
Armani suit. | You are the launderette of culture. | You
are my beautiful burning palm trees.
How close is too close? Are you uncomfortable yet? S
tep
ha
nie
Mo
ran
Stin
e K
va
m
It is all we have knowledge of, which exist beyond language and therefore impossible to contextualize - it is all this, the other stuff which is the focal point of my work. Not to make the world more comprehensible, but to make it bigger.My practise is focused on people, communication and language, and my work questions reality-perceptions and how we interact with each other. The ambition is to break down the idea of art as a space for creating meaning and communicating values. I work with installations where sound, video and text is main focus, emphasizing a both bodily and intellectual experience of the work. http://www.stinekvam.dk/I present two installations in the degree show.
stills from video 3,10 min in loop
Su
za
nn
e P
osth
um
us
su
za
nn
ep
osth
um
us.c
om
Tin
g-T
ing
Ch
en
g
Ting-Ting Cheng (b. 1985, Taiwan) is a London based artist who graduated from MA Photographic Stud-
ies, University of Westminster. Cheng had solo shows at galleries in UK, Spain, Taiwan, Hong Kong and Japan.
Her works were featured in Art 14 (London), ARCO (Madrid), Art Stage (Singapore), Art Taipei (Taipei), Tokyo
Frontline (Tokyo), Taipei Fine Art Museum (Taipei), National Taiwan Museum of Fine Art (Taichung), National Art
Museum of China (Beijing), Bi-City Biennale of Urbanism\Architechture (Shenzen) and III Moscow International
Biennale for Young Art (Moscow).
In The school of accents I, Cheng invited participants with differ-
ent first languages on fiverr.com to teach her how to speak English with
their foreign accents, using the sentence “I hereby declare, on oath, that
I absolutely and entirely renounce and abjure all allegiance and fidelity
to any foreign prince, potentate, state, or sovereignty of whom or which
I have heretofore been a subject or citizen.” as the example. With the
intention to explore the relationship between accent and identity, Cheng
questions the concept of “standard” accent as part of the mechanism of
ideology. By trying to speak like native speakers for the English learners,
did the lost of original accent reflect the abandon of one’s original identi-
ty? And the use of fiverr.com questions the possible labour generated by
5 USD, reflecting the unequal power relation between countries and the
globalization of currency.
In The school of accents II, Cheng documented her artist talk at
Tate Modern as part of Friday Night Salon, where she talked about The
school of accents I. Cheng invited an English tutor to correct her pronun-
ciation in the video.
www.chengtingting.com
[we’ve all seen it coming;
we know we’re going to have to go underground at some point]
those holes can’t wait forever;
[detritus, stationary, on the floor]
[DESKTOP BACKGROUND CHOICES]
[SETTLING UPON THE DESERT]
it would be a mistake to think they know what they’re doing;
[spinning gravity-free detritus, green-screened over desert landscapes]
Tom
Du
gg
an
Tra
si H
en
en
Will S
he
rida
n Jr.
Paedophilia and Terrorism have long been designated by the State and its control mechanisms as exceptional, ultimate, unhuman crimes that require extraordinary measures establishing “The State of exemption”. For Terrorism at this state, censorship, total surveillance, torture, illegal invasion, extrajudi-cial executions, imprisonment, secret or not, without due process, secret trials, excessive punishment and thoughtcrime are often justified measures. For Paedophilia thoughtcrime, censorship and extensive surveillance is normally supplemented by Mass Media hysteria, distortion and disproportioned coverage mainly from conservative, populist media outlets.
The main pillar around which this neo-liberal edifice has been constructed is lcapitalism. This installation is an investigation into the effects of late capitalism on some of the aspects that constitute the core of our communal identity as members of advanced ”liberal democratic society”. These are artistic expression, freedom of speech and the right to mainstream accurate information.
Stemming from the ability of late capitalism’s societal and political mechanisms to create crisis or ca-tastrophes and subsequently capitalize on them maximizing social control and enforce consent, this installation is attempting to examine how war, propaganda, Art, censorship, Law, are or can be related and ultimately utilized in order to establish and further strengthen or reversibly fight totalitarian inclined contemporary Governmentality.
Xenofon K
avvadias
Yo
uw
on
Ch
o
Yu
mi C
hu
ng
Yu
nsu
n Ju
ng
As
b estos HAnds dust Airside PimPin’ fuck tHe rest Winner’s temPle HAs it got A title? A bAsement PArtY WHere All tutors & students Are engAged WitH tHe ones tHeY
fA n cY kArl WHo our sHit doesnt stink emergent ProPerties reAding tHe WAll encum
ber is All not All tHAt sHines is gold “tHis title is quite A nArrAtive” eXHibitionis
t s mAtter WutHering HigHts HeAd HAnging And bAnging luckY diP Pool PArtY beYond bAstArds olYmPic HAngover PusH tHis is Art tHerAPY envY multi-orgAsm mY sec
re
t is tHAt i stAYed tHe sAme for A long time fAr too PrivAte And dAngerous tHe mAdness of croWds sunnY countrY of common sense roPe And summit Home free Ac
ro
ss -tHe-boArd sliPPAges everYtHing X :) 3 :.. . .( 3::::: : : :) it’s crAcked And broken And it fell off tHe WAll moist HAs it got A title? fingers flourescent beige digitAl H
oli d AY cleAners Problems scrum gleAn bAtHtime not YAcHts cAcHe notHing to cAtcH out of tHe corner of Your eYe Pockets of PredictAbilitY sunnY countrY of comm
on
se nse rAts luckY diP - All tHe suggestions in tHAt list seem to be Along tHe lines of funnY/Attention grAbbing/AWkWArd ‘edginess’ “its not rigHt tHAt i Am distr
Ac
t ing from tHe incredible AcHievements of tHe government.” its A colloquiAl britisH term for someone WHo cAn Hold Hot tHings… like You guYs, being All ‘Hot’ And co
n
t e mPorArY... init! nicelY Ambiguous Around A culturAl inventiveness. PeAce out.
www.goldsmithsmfashow2014.co.uk
Recommended